• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Home
  • About Us
    • Privacy Policy
    • Comment Policy
    • Disclosures & Disclaimers
  • Resources
    • Links, Essays & Articles
    • Fandomology!
    • CLAMP Directory
    • BlogRoll
  • Features & Columns
    • 3 Things Thursday
    • Adventures in the Key of Shoujo
    • Bit & Blips (game reviews)
    • BL BOOKRACK
    • Bookshelf Briefs
    • Bringing the Drama
    • Comic Conversion
    • Fanservice Friday
    • Going Digital
    • It Came From the Sinosphere
    • License This!
    • Magazine no Mori
    • My Week in Manga
    • OFF THE SHELF
    • Not By Manga Alone
    • PICK OF THE WEEK
    • Subtitles & Sensibility
    • Weekly Shonen Jump Recaps
  • Manga Moveable Feast
    • MMF Full Archive
    • Yun Kouga
    • CLAMP
    • Shojo Beat
    • Osamu Tezuka
    • Sailor Moon
    • Fruits Basket
    • Takehiko Inoue
    • Wild Adapter
    • One Piece
    • After School Nightmare
    • Karakuri Odette
    • Paradise Kiss
    • The Color Trilogy
    • To Terra…
    • Sexy Voice & Robo
  • Browse by Author
    • Sean Gaffney
    • Anna Neatrour
    • Michelle Smith
    • Katherine Dacey
    • MJ
    • Brigid Alverson
    • Travis Anderson
    • Phillip Anthony
    • Derek Bown
    • Jaci Dahlvang
    • Angela Eastman
    • Erica Friedman
    • Sara K.
    • Megan Purdy
    • Emily Snodgrass
    • Nancy Thistlethwaite
    • Eva Volin
    • David Welsh
  • MB Blogs
    • A Case Suitable For Treatment
    • Experiments in Manga
    • MangaBlog
    • The Manga Critic
    • Manga Report
    • Soliloquy in Blue
    • Manga Curmudgeon (archive)

Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Ash Brown

A Sky Longing for Memories: The Art of Makoto Shinkai

July 17, 2015 by Ash Brown

A Sky Longing for MemoriesCreator: Makoto Shinkai
Translator: Maya Rosewood
U.S. publisher: Vertical
ISBN: 9781941220436
Released: June 2015
Original release: 2008

I was introduced to the work of Makoto Shinkai through his animated film 5 Centimeters per Second, which left a huge impression on me. The beautifully melancholic story about lost and unrequited love was simple enough, but the visuals were stunningly gorgeous. A Sky Longing for Memories: The Art of Makoto Shinkai is an artbook that was originally released in Japan in 2008, the year after 5 Centimeters per Second debuted. I was very pleased when Vertical Comics announced its intention to publish an English-language edition. That volume was ultimately released in 2015 with a translation by Maya Rosewood. Vertical hasn’t released very many artbooks, but A Sky Longing for Memories is a good fit for the publisher. Not only has Vertical published other nonfiction works about Japanese film, it has also released two Shinkai manga: 5 Centimeters per Second and The Garden of Words.

A Sky Longing for Memories primarily consists of stills and background artwork from four of Shinkai’s projects initially released between 2002 and 2007. Prominently featured are three of his animated films—5 Centimeters Per Second, The Place Promised in Our Early Days, and Voices of a Distant Star—as is the television commercial he created for Shinano Mainichi Shimbun, “Say Something Important.” More than half of A Sky Longing for Memories is devoted to 5 Centimeters Per Second, the volume opening with some of Shinkai’s most visually refined and impressive work. The three sections that follow are dedicated to each of the earlier films and “Say Something Important.” Also included in the volume is a glossary—useful for readers who are unfamiliar with some of the technical terms used in the animation industry—as well as “Makoto Shikai’s Colors,” a section exploring the methods and techniques used by Shinkai, and “Testimonials of Makoto Shinkai’s World,” a collection of brief interviews with Shinkai and ten other members of Shinkai Works.

Although A Sky Longing for Memories can simply be appreciated and enjoyed as a collection of stunning artwork, the volume also provides insight into the creative processes and artistic direction required to achieve such impressive images. Many of the individual pieces are accompanied by brief descriptions of the decisions that were made in their overall design in addition to the specific considerations and techniques used in their creation. It’s unclear who actually wrote much of the text in A Sky Longing for Memories, but from the context it would seem to either be one (or several) of Shikai’s staff members or someone else who was close to the work being done. Either way, I was glad for the inclusion of the various descriptions and explanations; I don’t have a strong background in visual art or design and so found A Sky Longing for Memories to be illuminating and intellectually stimulating as well as beautiful to look at.

One of the key components of Shinkai’s style is his use of color. With this in mind, Vertical has taken great care to faithfully reproduce Shinkai’s artwork in A Sky Longing for Memories; the volume uses thick, glossy paper on which the colors in particular are beautifully presented. Simply put, it’s a gorgeous book of gorgeous illustrations. A Sky Longing for Memories reveals Shinkai not only as a talented artist but also as a skilled director. While he solely handled almost every aspect of Voices of a Distant Star except for the film’s music, by the time 5 Centimeters per Second was produced Shinkai was guiding and coordinating the work of an entire staff. Interestingly, most of the team members were traditionally trained artists from outside of the animation industry who had to learn digital techniques and illustration methods on the job. As can be seen from A Sky Longing for Memories, the result of their combined efforts is spectacular.

Filed Under: REVIEWS Tagged With: 5 centimeters per second, anime, Artbooks, makoto shinkai, Nonfiction, vertical, Vertical Comics

Manga the Week of 7/22

July 16, 2015 by Sean Gaffney, Ash Brown, Michelle Smith and Anna N Leave a Comment

SEAN: Oooooh man, here we go again. Let’s just buckle down.

gantz36

We’re aaaaaalmost done with Dark Horse’s release of Gantz, but not quite. Vol. 36.

ASH: So close!

SEAN: Kodansha has a 9th My Little Monster, which hopefully will continue the development the 8th volume had.

MICHELLE: Yay!!!

SEAN: Seven Seas gives us a 5th volume of SF action series Arpeggio of Blue Steel, my favorite of the ‘young girls and military’ licenses.

Viz has another volume of its Monster Perfect Edition, the 5th. Expect happiness and rainbows.

ASH: This is the volume with the epic library scene, isn’t it? And who doesn’t love libraries?

ANNA: Honestly this is the one title this week that I’m happy about, because I do want to tackle reading Monster at some point. Sometime after I read all my stockpiled volumes of 20th Century Boys.

SEAN: And a 5th Resident Evil, with puppies and kittens.

Lastly, Terra Formars 7, with love and peace for all. Please do not try to read all three Viz releases at once this week. You will die.

ASH: That is a distinct possibility.

drrr1

SEAN: And now Yen. Light novels first. The 4th Accel World should resolve the cliffhanger from the last one. Will Chiyuri be a traitor? I highly doubt it.

The debut this week is the highly anticipated Durarara!!. Yen has had the manga for some time now, but the novels are also excellent.

MICHELLE: Hm! I liked the manga more than I thought I would, but drifted away when the Saika Arc started.

ASH: I really should give at least one of the versions of Durarara!! a try at some point.

SEAN: Log Horizon’s 2nd volume will hopefully give us the hinted plot from Vol. 1 about the twins, if the cover doesn’t lie.

And there’s a 2nd No Game No Life, which I hope will have less naked 11-year-olds and more awesome mind games.

On the manga side, we have the 4th Accel World manga, still not the novel.

A third Akame Ga KILL! will live up to its name, if the previous two are any indicator.

Black Butler hits a new milestone with Vol. 20. It’s sad when a series catches up with Japan, isn’t it?

MICHELLE: I continue to read this, even though I am not madly in love with it.

ANNA: I stopped after the first couple volumes.

diaptmanga2

SEAN: A Certain Magical Index’s manga will continue to adapt Novel 1 with Vol. 2. Really, we need graphs and charts.

The Devil Is A Part-Timer! joins the growing list of manga adaptations of light novels also coming out, with Vol. 2 of the main manga. Wait till next month, it gets more confusing.

ASH: Heh. That it will.

SEAN: And now we get DRRR’s manga, which has a 3rd volume of the Yellow Scarves arc. At least that novel won’t be out till 2016.

Final Fantasy Type-0 Side Story, Vol. 1: The Ice Reaper is one of those manga whose title pretty much sums it up. I think the Main Story manga came out with the English release of the game.

First Love Monster is another one of those Aria shoujo titles, which means we’ve no idea what we’re going to get. The artist has done some Book Girl manga adaptations.

MICHELLE: It looks sort of kooky, but that might be fun!

ANNA: I will wait to see if Michelle likes it before reading it!

SEAN: Inu x Boku SS has an 8th volume – will it reset again? Or just give us more yokai action?

prisonschool1

More manga adaptations of light novels, as we get a 2nd Kagerou Daze, which finishes adapting the first LN and starts the 2nd.

Karneval oddly ended up on the worst manga of the year list at SDCC, though I found the first omnibus more… diffuse than anything else. Vol. 2 will have more focus, maybe?

ASH: More focus would be good.

ANNA: I was curious about the first volume, but now I’m sort of glad I skipped it.

SEAN: Another Puella Magi Madoka Magica spinoff begins, with Homura’s Revenge. Can’t be a depressing manga with a title like that!

Prison School is a much anticipated omnibus that many said was too ecchi to actually get a North American release. But no, here it is. I wonder what it’s about?

ASH: B-but it’s by the creator of Me and the Devil Blues! (I’ll admit, I’m curious about this one.)

So I Can’t Play H! has a 2nd volume, and gloriously no light novel license yet, meaning I only have to worry about this for the moment.

Lastly, we get the final – I checked this time – volume of Soul Eater NOT!, bringing the Soul Eater franchise as a whole to a close.

Is there something in this giant list that catches your eye?

Filed Under: FEATURES, manga the week of

Pick of the Week: Pick of a Future Week?

July 16, 2015 by Michelle Smith, Anna N, Sean Gaffney and Ash Brown 1 Comment

rov1MICHELLE: I’m feeling in the mood for some Takahashi, so I reckon my pick of the week is going to be RIN-NE. That said, my real affection this week is directed towards Udon Entertainment for licensing The Rose of Versailles!

ANNA: I think I’m just going to pick Rose of Versailles every week for the next few months.

SEAN: Sticking with Takahashi, I’m picking the new Ranma 1/2 omnibus, mostly as I love Nabiki Tendo. You may assume I am over the moon about Rose of Versailles as well.

ASH: I am beyond thrilled that Udon was able to license Rose of Versailles, but this week I’ll happily (and appropriately) be distracting myself from the wait for its release with the utterly charming and delightful My Neighbor Seki.

What looks good to you this week (or in future months)?

Filed Under: PICK OF THE WEEK

Mushishi, Vol. 4

July 15, 2015 by Ash Brown

Mushishi, Volume 4Creator: Yuki Urushibara
U.S. publisher: Del Rey
ISBN: 9780345499233
Released: May 2008
Original release: 2003
Awards: Japan Media Arts Award, Kodansha Manga Award

Although the ten-volumes series Mushishi was Yuki Urushibara’s professional debut as a mangaka, it has been very well-received by both critics and fans. The manga began its serialization in 1999 and would go on to win a Japan Media Arts Award in 2003 and a Kodansha Manga Award in 2006 among other honors and recognitions. Mushishi, Volume 4 was originally published in Japan in 2003. In 2008, Del Rey Manga released the first English-language edition which is now sadly out-of-print. However, as of 2014, the volume has been made available digitally by Kodansha Comics. Mushishi was a series that I stumbled upon when it was initially being released in English. The manga quickly became and continues to be one of my favorite series; Mushishi was one of the first manga that I made a point to collect in its entirety. I love the series’ quiet, creepy atmosphere, its emphasis on life and nature, and the influence of traditional Japanese culture and folklore on the stories being told.

Mushishi, Volume 4 collects five stories. The volume opens with “Picking the Empty Cocoon,” telling the tale of a family with close connections to both mushi and mushishi. They are the caretakers of uro, a particularly useful but dangerous type of mushi. In “One-Night Bridge,” Ginko is invited to a remote village in a deep valley to investigate the case of a young woman who fell to the bottom of the gorge but somehow survived. Except that she’s never been the same since her accident. Plants growing out of season allow a brother and sister to weather harsh winters in “Spring and Falsehoods,” but the mushi that cause the phenomenon aren’t as benign as they first appear. In the fourth story, while traveling through the mountains, Ginko stumbles upon a small family living in a vast bamboo grove. They seem to be trapped there, unable to leave no matter how hard they try; they always end up circling back to their home. The volume concludes with “The Sound of Trodden Grass,” which provides a little more insight into Ginko’s past.

Mushishi, Volume 4, page 112For the most part, Mushishi tends to be fairly episodic. Except for the presence of Ginko, out of all of the stories included in the fourth volume only “The Sound of Trodden Grass” has an explicit connection to any of the other chapters in the series, and it’s only a tangential one. Although none of the stories in Mushishi, Volume 4 are directly related to one another plot-wise, there was one similarity shared between them all that particularly struck me: the prominent role played by families. Looking back, this actually isn’t at all an uncommon theme in Mushishi—families, as well as other tightly knit communities and groups, are frequently featured in the manga. However, through the illness and other problems that follow them, mushi are shown to cause great strife in those relationships. Circumstances caused by mushi’s existence can drive people apart, but in some cases they may actually draw them together. Familial ties are strong and not easily broken, but mushi’s close connection to nature and life and death (including those of humans) is sometimes in conflict with them and they are just as enduring.

The stories in Mushishi are often reminiscent of folktales and legends originating from Japan; Urushibara clearly draws some inspiration directly from that lore. For example, “In the Cage” with its children born of bamboo recalls the story of Kaguya-hime. The fourth volume of Mushishi is influenced by Japanese history, as well. “The Sound of Trodden Grass” features a group of wanderers displaced by mushi known as the Watari who are based on the Sanka people of Japan. (This is even more meaningful to me now after having read Kazuki Sakuraba’s novel Red Girls: The Legend of the Akakuchibas in which the Sanka also play a part.) Some of Mushishi‘s stories can be rather spectacular, with mushi causing phenomena verging on the paranormal, while others are more subdued. Mushi are said to be very close to the original form of life and are therefore inseparable from nature, but they remain mysterious. Mushishi is a collection of tales that delve into that terrifying unknown. Urushibara combines elements of folklore and history along with her own imagination to successfully create a series that feels familiar while still being new.

Filed Under: REVIEWS Tagged With: del rey, Japan Media Arts Award, Kodansha Manga Award, manga, mushishi, Yuki Urushibara

My Week in Manga: July 6-July 12, 2015

July 13, 2015 by Ash Brown

My News and Reviews

So, apparently last week was Shark Week, an annual event on the Discovery Channel. I don’t watch much television or pay attention to programming schedules, therefore it was a complete coincidence that both of the manga that I reviewed last week happened to include sharks! First up was my review of the deluxe hardcover omnibus of Junji Ito’s (comedy?) horror manga Gyo: The Death-Stench Creeps. It’s an incredibly gross and absurd manga and will certainly not be to everyone’s taste. I was entertained by its outrageousness, but overall much prefer his earlier work Uzumaki: Spiral into Horror. The second review last week was of The Legend of Kamui, Volume 1, an influential historical drama by Sanpei Shirota. The manga was actually one of the earliest series to be released in English back in the 1980s. Fortunately, it’s still relatively easy to find even though it’s long been out-of-print. I really wish that more of the series had been translated, though; The Legend of Kamui is excellent.

A couple of interesting things that I came across last week: Shojo Beat’s tenth anniversary celebration continues with five questions for Julietta Suzuki and Haikasoru posted a translation of a conversation between authors Paolo Bacigalupi and Taiyo Fujii from 2013. (I recently reviewed Fujii’s debut novel Gene Mapper, and reviewed Bacigalupi’s novel The Windup Girl, which has been very well received in Japan, at my old review blog Experiments in Reading several years ago.) Last week was the San Diego Comic-Con, but most of the news and announcements seemed to be repeats of Anime Expo. However, there was one newly announced license that was huge: Udon Entertainment will be releasing Riyoko Ikeda’s influential shoujo classic Rose of Versailles! Among other good news, Udon rescued Moyoco Anno’s marvelous shoujo series Sugar Sugar Rune, which makes me very happy. (I reviewed Del Rey’s edition of the first volume a couple of years back.) Udon will also be releasing Yomi Sarachi’s Steins;Gate manga. Kodansha has picked up Kousuke Fujishima’s manga series Paradise Residence. Dark Horse will be re-releasing Hiroaki Samura’s epic Blade of the Immortal in an omnibus edition which is great news since some of the individual volumes are out-of-print and hard to find. (The series is also a favorite of mine.) A couple of other interesting SDCC/manga-related posts: myths from the Manga Publisher Roundtable and a summary of 2015’s Best and Worst Manga panel. Oh, and Shigeru Mizuki’s Showa: A History of Japan won an Eisner Award!

Quick Takes

The Demon Prince of Momochi House, Volume 1The Demon Prince of Momochi House, Volume 1 by Aya Shouoto. There were mainly two things that initially drew my attention to The Demon Prince of Momochi House, the beautiful and somewhat provocative cover illustration and the promise of beautiful and somewhat provocative yokai. Himari Momochi unexpectedly inherits a house when she turns sixteen. As an orphan, it’s the only connection that she has to a family that she has never known. But when she arrives, she discovers a couple of complicating factors: the house is a gateway between the human and supernatural realms, and it is already occupied. Honestly, the story’s setup feels a little forced and employs a few well-worn shoujo tropes; it remains to be seen whether or not Shouoto will do anything clever with them. However, the artwork is attractive and I actually really do like the underlying premise of the manga. Although I wasn’t blown away by the first volume of The Demon Prince of Momochi House, I did enjoy it. The series has great potential and the manga certainly delivers on its promise of beautiful spirits. While I’m not in a rush to read the next volume, I’ll likely continue with the series to see if it develops into something really special or if it will merely remain something that is enjoyable in passing.

Dengeki Daisy, Volume 13Dengeki Daisy, Volumes 13-16 by Kyousuke Motomi. It’s been awhile since I’ve read Dengeki Daisy, but it is a manga that I tend to enjoy. Since the final volume of the series was released in English relatively recently, I figured it was about time for me to catch up. Dengeki Daisy isn’t always the most realistic or believable series—frequently things will happen because they’re convenient for the sake of moving the story forward or are being used as a punchline rather than being a convincing development—but it’s still pretty great. The manga also handles the romance between Teru and Kurosaki very well, especially considering the eight-year gap in their ages. Interestingly, while the last volume quickly wraps up the main story, it’s actually mostly devoted to a small collection of side and bonus stories, generally of a humorous nature. The volume also includes Motomi’s debut manga, “No Good Cupid.” It’s kind of a fun send off for the series, especially as the final story arc is focused more on intense action and drama rather than the manga’s humor or the quirkiness of its characters. However, I always find Motomi’s author notes and commentary to be endlessly entertaining. I definitely plan on reading more of her work in the future.

NightSNightS by Kou Yoneda. Only a few of Yoneda’s boys’ love manga have been released in English, but I enjoy her work immensely and would love to see even more of it licensed. NightS is a collection of stories: “NightS,” about a transporter for the yakuza and an older man with whom he becomes entangled (in more ways than one); “Emotion Spectrum,” a high school romance with a bit of a twist on the usual sort of love triangle; and “Reply,” featuring the blossoming relationship between a car salesman and a mechanic. Although the anthology is called NightS, “Reply” is actually the longest and most involved work in the volume. But even the shorter manga feature well-developed stories and characters. They each come across as an individual with a distinctive personality. This is a particularly important aspect of Yoneda’s manga since the plots tend to be very character focused and driven—people and their relationships, romantic or otherwise, are key to her stories. There is a maturity to the storytelling, as well. And a great sense of humor. Though they aren’t comedies, at times the manga collected in NightS can be quite funny. Also, Yoneda’s artwork is excellent; especially impressive is her use of light and shadow to create drama, mood, and atmosphere.

Filed Under: FEATURES, My Week in Manga Tagged With: Aya Shouoto, demon prince of momochi house, Dengeki Daisy, Kou Yoneda, Kyousuke Motomi, manga

The Legend of Kamui, Vol. 1

July 10, 2015 by Ash Brown

The Legend of Kamui, Volume 1Creator: Sanpei Shirato
U.S. publisher: Viz Media
ISBN: 9781569313183
Released: August 1998
Original release: 1990

Sanpei Shirato’s The Legend of Kamui had its beginnings in 1964 as one of the first series to be published in the influential alternative manga magazine Garo. In the 1980s, Sanpei would continue the manga with a second series, Kamui Gaiden. It was Kamui Gaiden that became one of the earliest manga series to be translated into English and widely published in North America. Between 1987 and 1988, Viz and Eclipse Comics released thirty-seven issues of Kamui Gaiden under the title of The Legend of Kamui, serializing edited versions of two stories: “The Island of Sugaru” and “The Sword Wind.” “The Island of Sugaru,” which was later compiled by Viz into two volumes in 1998, is probably one of the most well-known Kamui stories, and not just because of the Kamui Gaiden live-action film adaptation from 2009. The Legend of Kamui, Volume 1 collects the first half of “The Island of Sugaru,” material from a volume of Kamui Gaiden that was originally published in Japan in 1990.

Kamui is an apostate ninja during Japan’s Edo period, on the run from the members of his clan who consider him to be a traitor when he tries to leave. While traveling through Yumigahama he encounters a woman who, like him, once belonged to a clan of ninja. Sugaru has been able to avoid capture and death long enough to establish a new life with a husband and three children who love her, but she is still being hunted and must be constantly vigilant. Sugaru has managed to survive because she doesn’t trust anyone, and that includes Kamui. Although he helped to save her life when she was attacked by Iga ninja, Sugaru can’t take a chance that Kamui might be trying to kill her as well. After an intense battle in which they are both injured, they part ways. But in a strange twist of fate, Kamui is later shipwrecked on the very island where Sugaru and her family reside. Kamui lives peacefully for a time in the small, remote fishing village and Sugaru’s family becomes very fond of him, but Sugaru would rather see him dead.

The Legend of Kamui, Volume 1, page 255From reading The Legend of Kamui, Volume 1 alone, not much is known about either Sugaru or Kamui’s past lives beyond the fact that they are trying to escape them. The hunted versus the hunter, whether the prey chooses to flee or to fight, is a theme that recurs throughout the manga, mirrored in both nature and human society. Kamui and Sugaru do have the advantage of being exceptionally adept fighters. Although Sugaru does strain under the burden of keeping both herself and her family safe, she is actually one of the strongest characters in The Legend of Kamui, Volume 1, exhibiting both great determination and martial prowess. Her skills rival and in some cases surpass those held by Kamui. Tragically, and understandably, due to her circumstances Sugaru has lost her ability to trust others; it’s simply no longer an option for her. Kamui, on the other hand, has so far managed to retain that part of his humanity, even though it has put his life in danger on multiple occasions.

I really wish more of The Legend of Kamui had been released in English because the series is excellent. The characters are complex, as are their personal struggles and their searches for freedom in an era that could be unforgiving, harsh, and violent. The action sequences are exciting and dynamic. Although a few ninja tricks are employed during the life-or-death battles—secret techniques, impressive acrobatics, illusions and transformations—there is a sense of realism that pervades The Legend of Kamui. In between the dramatic conflicts are the quieter moments of everyday life in a fishing village. Initially it appears as though Kamui, like Sugaru, will be able to outrun his fate and have a chance at a peaceful, happy existence. He learns to fish and becomes friendly with the villagers who are more than happy to welcome a strong young man into their midst. The Legend of Kamui, Volume 1 offers hope that such changes are possible, but ultimately taking charge of one’s own destiny is a difficult path to follow.

Filed Under: REVIEWS Tagged With: Legend of Kamui, manga, Sanpei Shirato, viz media

Pick of the Week: Plenty of Shoujo

July 9, 2015 by Sean Gaffney, Michelle Smith, Anna N, Ash Brown and MJ Leave a Comment

what9SEAN: There’s some nice Viz stuff out this week, both new and old, as well as a few choice titles from other publishers. I suspect the MB team will be warring between What Did You Eat Yesterday? and Sunny. I will be picking My Love Story!!, because it’s still the most adorable shoujo out there.

MICHELLE: Actually, although What Did You Eat Yesterday? was indeed my initial impulse, especially since I won’t be able to pick it again for who knows how long, I’m going to vote for Yukarism because volume two really won me over and I’m excited to check out volume three.

ANNA: There’s a ton of great manga coming out this week. Since Michelle already picked Yukarism, I’m going to swing my vote over to The Demon Prince of Momochi House because I am shallow and enjoy manga about handsome spirits.

ASH: Well, so as not to completely disappoint Sean, I’ll throw my pick to the most recent volume of What Did You Eat Yesterday?. Actually, I was going to pick that anyway. Or, was I?! My Love Story!! is an excellent choice, as is Sunny. It’s a great week for great manga!

MJ: I’m pretty torn here, but I don’t really have anything original so I’ll simply echo Ash’s sentiment! I choose What Did You Eat Yesterday? as my official pick, but that won’t stop me from picking up the rest as well! Sorry, Sunny, for leaving you in the cold. Yoshinaga always wins.

What looks good to you this week?

Filed Under: PICK OF THE WEEK

Manga the Week of 7/15

July 8, 2015 by Sean Gaffney, Michelle Smith, Ash Brown, MJ and Anna N Leave a Comment

SEAN: Mid-July is a good-sized week, but not completely overwhelming like the first/third weeks tend to be. Let’s see what’s happening.

Dark Horse has the second volume of Oreimo spinoff Kuroneko, marketed to the six remaining Oreimo fans who didn’t scream in anger at the end of the main series.

Kokoro Connect has proven to be a fast favorite of mine, and so I am very happy to see the fourth volume from Seven Seas.

msas1

Magika Swordsman and Summoner is the new series debut of the week. It’s fantasy, it has a magical school, our hero is bullied by the students for his status, he amasses a crew of girls who like him, *and* it runs in Comic Alive. If ever a series screamed “License me, Seven Seas!”, this is it. And so they did.

The Sacred Blacksmith also has a new volume, its eighth.

For BL fans, there is the second volume of Love Stage!! from SubLime.

MICHELLE: I wasn’t entirely sold on volume one, but I’m at least willing to check out the second.

ASH: I actually still need to read the first volume…

MJ: Same here.

SEAN: And also a 2nd volume of The World’s Greatest First Love.

I’m loving Vertical’s My Neighbor Seki as much as I thought I would, and the arrival of a third volume fills me with glee.

ASH: My Neighbor Seki is an incredibly delightful series!

ANNA: I haven’t read this yet and I feel guilty.

MJ: I second the glee!

07gh17

SEAN: The rest is Viz. I believe that Vol. 17 is the final volume of 07-GHOST, though Anna can likely confirm that. Bye, 07-GHOST! You were a good license rescue that I fell so far behind on I may never catch up.

MICHELLE: I still intend to read it, one of these days!

ANNA: I also have not caught up on this series and feel even more guilty, because I liked the first few volumes.

SEAN: Case Closed has Vol. 55, which is not the final volume, or even close to the final volume. It’s a long series is what I’m saying.

The 9th Ranma 1/2 omnibus has one of my favorite arcs of the series, where Akane gets so mad she declares that Nabiki can be Ranma’s fiancee instead, and the fallout that happens is magical. Oh, and we’ll also meet Pantyhose Taro, who… I will not spoil.

There is an 18th volume of RIN-NE, where the plot finally comes into focus and nothing will be the same anymore… OK, I can’t even type that with a straight face.

MICHELLE: I still like RIN-NE, though, particularly when I’m in the mood for something not mentally challenging.

SEAN: Lastly, a 7th volume of superhero manga with BL tease Tiger & Bunny.

Is there a favorite here for you?

Filed Under: FEATURES, manga the week of

Gyo: The Death-Stench Creeps

July 8, 2015 by Ash Brown

Gyo: The Death-Stench CreepsCreator: Junji Ito
U.S. publisher: Viz Media
ISBN: 9781421579153
Released: April 2015
Original run: 2002

Gyo: The Death-Stench Creeps is a short, two-volume horror manga series created by Junji Ito. Originally published in Japan in 2002, Gyo has had several English-language releases by Viz Media. It was first translated between 2003 and 2004, a slightly updated second edition was released between 2007 and 2008, and most recently, published in 2015, was the deluxe hardcover omnibus. In addition to Gyo, the omnibus also collects two of Ito’s short horror manga: “The Sad Tale of the Principal Post” and “The Enigma of Amigara Fault.” The deluxe edition of Gyo is very similar in design to the recent omnibus of Ito’s manga Uzumaki; the two volumes look great on the shelf together. Uzumaki was actually my introduction to Ito’s work, and I consider it to be one of the best horror manga that I’ve read. Despite Gyo having been released in English three times, and despite the fact that I’ve been meaning to read more of Ito’s manga, the series’ deluxe omnibus is actually the first that I’ve read since Uzumaki.

While vacationing in Okinawa, Tadashi and his girlfriend Kaori witness the harbinger of what will eventually become a plague overrunning the entirety of Japan—a small, rotting fish walking on land with what appear to be mechanical legs. Accompanying it is an overwhelming and nauseating stench. Soon, countless fish and other sea creatures begin streaming out of the ocean. The only things that they have in common are the bizarre appendages and the sickening smell. Kaori and Tadashi cut their vacation short and return to Tokyo, but Kaori in particular is traumatized by the events in Okinawa and soon the creatures begin to be found in the city as well. No one knows where the walking fish originated or how they evolved; of much greater concern is the death and disease caused by their presence on land. And things are only getting worse with the passage of time.

Gyo: The Death-Stench Creeps, page 66The back cover of the omnibus describes Gyo as Ito’s “creepiest masterpiece of horror manga ever.” Admittedly, some of the artwork in Gyo is fantastically creepy, not to mention gruesome and grotesque. Ito is an extremely skilled illustrator, creating images that are horrifying and nightmare-inducing. And as a whole, Gyo can be exceptionally gross. However, the manga’s story ends up being so utterly ridiculous that I would be hard pressed to call it a masterpiece, especially when compared to his earlier work Uzumaki. Whereas Uzumaki is surreal and bizarre, Gyo is so absurd as to be ludicrous, and only increasingly so as the manga progresses. I simply can’t take Gyo seriously; I can only read the series as a comedy, whether or not it is actually intended as such. The manga is perhaps closer to being a cult classic, which I suppose might make it a masterpiece of a different sort, but that’s something that could be argued either way. If nothing else, though, Gyo is a brilliantly outrageous spectacle.

Gyo is certainly not a manga that will appeal to every reader, even those who are already fans of horror manga. Though disconcerting and disgusting, especially the illustrations, the plot of Gyo is too silly to be truly terrifying. Taken alone, the art is superb, but the ridiculous nature of the story creates a weird disconnect. However, I can’t deny that I was entertained by the progressively over-the-top, illogical, and random developments in the manga: sentient gas, a circus out of the middle of nowhere, characters who are oddly oblivious or overly accepting of what is going on around them, and so on. (Though, it is rather sweet how Tadashi sticks beside Kaori through to the very end.) Assuming that one can find it palatable to begin with, Gyo is a very strange manga that is difficult to look away from as Ito presses further and further into territory that is beyond believing. I kept turning the pages to see just how far he would be able to take things. Gyo may very well be one of those manga that’s so good simply because it’s so bad; whether that’s deliberate or not, I’m not sure.

Filed Under: REVIEWS Tagged With: Gyo, Junji Ito, manga, viz media

My Week in Manga: June 29-July 5, 2015

July 6, 2015 by Ash Brown

My News and Reviews

Once again, I was actually away for most of the week last week. The taiko ensemble I that primarily play with had a series of performances, a mini taiko tour of sorts, so I was traveling. We had a great time; I only wish I that could make my living in music! (Who knows, maybe in the future I’ll be able to make it work. You know, once the mountain of student loans has been paid back.) Although I fell behind in my reading and writing, I did have a few things in queue to post at Experiments in Manga. First, the Assassination Classroom Giveaway Winner was announced. The post also includes a list of manga available in English that feature teachers. I’m a couple of volumes behind in my reviews for the series, but the honor of the first in-depth manga review for July goes to Fumi Yoshinaga’s What Did You Eat Yesterday?, Volume 7. Kenji finally has the chance to meet Shiro’s parents and it’s great. Finally, over the weekend, I posted June’s Bookshelf Overload. Most notably, I found an entire set of the tragically out-of-print Banana Fish that I didn’t have to trade a kidney to obtain!

Because I was away from the Internet for so many days, I didn’t really stumble across any articles that I found particularly interesting. However, Anime Expo was held last week, and there were a ton of licensing announcements. (Manga Bookshelf cohort Sean has a nice roundup.) Kodansha has Akiko Higashimura’s Princess Jellyfish (I’m thrilled!), Shizumu Watanabe and Okushō’s Real Account, and Hoshino Taguchi’s Magatsuki. Haikasoru has the first three novels of Yoshiki Tanaka’s Legend of the Galactic Heroes (hooray!), and Sentai licensed the anime series. Shojo Beat picked up Matsuri Hino’s Shuriken and Pleats and Bisco Hatori’s Behind the Scenes. Seven Seas licensed Angel Beats!: Heaven’s Door. Tokyopop returns to manga publishing in 2016, but no specific titles have yet been mentioned. Vertical will be releasing Keiichi Arawi’s Nichijō, and Kanata Konami’s FukuFuku: Kitten Tales among other things. Yen Press announced a slew of manga and light novel acquisitions, too, including the mahjong manga Saki! (Sadly, it’s currently only a digital release.) I’m sure I’ve missed something, so please let me know what exciting news or reading I should be aware of!

Quick Takes

The Ancient Magus' Bride, Volume 1The Ancient Magus’ Bride, Volume 1 by Kore Yamazaki. Apparently, The Ancient Magus’ Bride started as a one-shot doujin before catching the eye of an editor. It’s a curious and atmospheric manga, mostly set in current-day England, albeit it’s a world in which magic and alchemy take their place alongside science. Although magic use seems to be fading away, fae are still very real and a few humans show rare talent for the craft. Chise is one of those humans. Sold into slavery, she is purchased and perhaps rescued by a Elias, a powerful mage who wants her to become his apprentice. He also mentions something about Chise becoming his bride, too, though she can’t quite tell if he’s being serious or not. Granted, it’s a little difficult to read a person with an animal skull for a head. Yokai exist in The Ancient Magus’ Bride as well (they can be seen in the background of some of Chise’s memories), but so far it appears as though the manga will be focusing on Europe’s fantastical and legendary creatures. I enjoyed the first volume of The Anceint Magus’ Bride a great deal and look forward to reading more of the series.

An Entity Observes All ThingsAn Entity Observes All Things by Box Brown. I was already curious about An Entity Observes All Things, but after briefly meeting Brown at TCAF I knew that I wanted to read it. The volume includes nine of Brown’s short, alternative comics, three of which were previously published elsewhere while I believe the other six are new for the collection. Though for the most part the comics are unrelated to each other—they don’t really share characters, plots, or settings and even their color palettes are different—in general, the short works fall into the category of science fiction and deal with themes of exploration, specifically of the world and of the self. They all tend to be fairly quirky, too, and can often be rather humorous without necessarily being comedies. I enjoyed An Entity Observes All Things quite a bit. As with most collections, some of the individual comics worked for me more than others, but overall I found the selections to be engaging. Sometimes funny and sometimes sad, the comics are all somewhat strange, and that’s something that I particularly appreciate about An Entity Observes All Things.

Man of Many Faces, Volume 1Man of Many Faces, Volumes 1-2 by CLAMP. I largely enjoy manga by CLAMP, but if I’m going to be honest, I was primarily interested in Man of Many Faces due to its loose connection to the works of Edogawa Rampo. For the most part, the Rampo references are limited to the characters’ names and roles. There’s the titular “Twenty Faces,” a skilled thief in both Rampo and CLAMP’s creations, a young man by the name of Kobayashi who chases after him, and even Akechi-sensei, although he’s a school doctor rather than a detective in the manga. Man of Many Faces is one of CLAMP’s earliest professional works and it is very, very silly, the more absurd elements being lampshaded and intentionally left unexplained. However, the manga ends up being rather sweet and charming, too. Twenty Faces is a third grader who has taken on the role of the gentleman thief in the absence of his father. Akira steals things according to the whims of his two eccentric mothers in addition to doing all of the cooking and housework. Although the story at first focuses on the various heists, ultimately Man of Many Faces is about romantic love.

Filed Under: FEATURES, My Week in Manga Tagged With: Ancient Magus' Bride, Box Brown, clamp, comics, Kore Yamazaki, Man of Many Faces, manga

Bookshelf Overload: June 2015

July 5, 2015 by Ash Brown

After the ridiculousness that was May, I was able to rein in my purchases somewhat for June. Somewhat. There were a few releases that I was particularly looking forward to, like Fragments of Horror, a new collection of short horror manga by Junji Ito, Taiyo Fujii’s debut novel Gene Mapper, which I recently reviewed, and Ping Pong: The Animation. And I’m happy to see Netcomics continue to release new series, such as Hyekyung Baek’s Chiro: The Star Project and Seyoung Kim’s Sweet Blood. But what I was really excited about in June was the fact that I was able to find a complete set of Akimi Yoshida’s Banana Fish for less than some of the individual volumes are going for these days. I’ve been wanting to reread the series, but it’s becoming increasingly difficult to track down. Another out-of-print find was Shiho Inada’s Ghost Hunt, a manga based on a light novel series Fuyumi Ono who, among other things, is the creator of The Twelve Kingdoms, which I love.

Manga!
Ajin: Demi-Human, Volume 5 by Gamon Sakurai
Banana Fish, Volumes 1-19 by Akimi Yoshida
Duck Prince, Volumes 1-3 by Ai Morinaga
Eden, Volume 1 by Bash
Fragments of Horror by Junji Ito
Ghost Hunt, Volumes 1-11 by Shiho Inada
Master Keaton, Volume 3 written by Hokusei Katsushika, Takashi Nagasaki, illustrated by Naoki Urasawa
Mobile Suit Gundam: The Origin, Volume 10: Solomon by Yoshikazu Yasuhiko
New Lone Wolf and Cub, Volume 5 written by Kazuo Koike, illustrated by Hideki Mori
Nyotai-ka!, Volume 4 by Ru-en Rouga
Passion, Volumes 2-3 written by Shinobu Goto, illustrated by Shoko Takaku
Servamp, Volume 2 by Strike Tanaka
Tokyo Ghoul, Volume 1 by Sui Ishida
Twittering Birds Never Fly, Volume 2 by Kou Yoneda
La Vie en Rose by Sakurako Yamada
Ze, Volume 10 by Yuki Shimizu
Zipang, Volumes 1-2 by Kaiji Kawaguchi

Manhwa!
Chiro: The Star Project, Volume 1 by Hyekyung Baek
Sweet Blood, Volume 1 by Seyoung Kim

Comics!
Bessatsu Rose Tear by Nozmo and Saicoink
Curvy, Volume 1 by M. Magdalene
Demon, Issues 1-14 by Jason Shiga
The Hues, Volume 1: Spectrum by Alex Heberling
In These Words, Chpater 13 by Guilt|Pleasure
Last Man, Volume 2: The Royal Cup by Bastien Vivès, Michael Sanlaville, and Balak
Shirtlifter #5 edited by Steve MacIsaac
The Usagi Yojimbo Saga, Omnibus 3 by Stan Sakai

Light Novels!
Attack on Titan: Kuklo Unbound by Ryo Suzukaze
The Doll by Guilt|Pleasure
Passion: Forbidden Lovers by Shinobu Gotoh

Novels!
Gene Mapper by Taiyo Fujii
The Sign of the Chrysanthemum by Katherine Paterson

Anthologies!
Drawn & Quarterly: Twenty-Five Years of Contemporary Cartooning, Comics, and Graphic Novels edited by Tom Devlin
A String of Flowers, Untied… : Love Poems from the Tale of Genji by Murasaki Shikibu
The Voice and Other Stories by Seicho Matsumoto

Nonfiction!
Tales from the Western Generation: Untold Stories and Firsthand History from Karate’s Golden Age by Matthew Apsokardu
A Year in Japan by Kate T. Williamson

Anime!
Ping Pong: The Animation directed by Masaaki Yuasa

Film!
The Mystery of Rampo directed by Rintaro Mayuzumi and Kazuyoshi Okuyama
Rampo Noir directed by Akio Jissoji, Atsushi Kaneko, Hisayasu Satō, Suguru Takeuchi

Filed Under: Bookshelf Overload, UNSHELVED

What Did You Eat Yesterday?, Vol. 7

July 3, 2015 by Ash Brown

What Did You Eat Yesterday?, Volume 7Creator: Fumi Yoshinaga
U.S. publisher: Vertical
ISBN: 9781941220221
Released: March 2015
Original release: 2012

What Did You Eat Yesterday? incorporates so many things that I love—the work of Fumi Yoshinaga, food, queer life, and so on—that it’s really not too much of a surprise that I enjoy the manga series. Yoshinaga has had many of her manga released in English. I have always been particularly impressed by the subtle complexities of her characterizations. Her skill at writing people is especially important for a series like What Did You Eat Yesterday? in which a tremendous amount of focus is given to the characters themselves rather than to an intricate, overarching plot, at least when the manga’s not focusing on food. The characters in What Did You Eat Yesterday?, likeable or not, are all very realistically portrayed, which is one of the things that I appreciate most about the series. What Did You Eat Yesterday?, Volume 7 was originally published in Japan in 2012. The English-language edition, released by Vertical, was published in 2015.

Shiro and Kenji have been living together for years, but it’s only recently that Shiro has managed to get up the courage to actually introduce his long-term boyfriend to his parents. It’s a momentous albeit awkward occasion, but Kenji at least is thrilled by the prospect. Shiro’s family has known he was gay for quite some time, however they are still coming to terms with exactly what that means. Happily, sharing a good meal can go a long way to help acceptance and understanding grow. Food has helped to improve and stabilize Kenji and Shiro’s relationship as well—Shiro enjoys cooking and Kenji is usually more than happy to accommodate his boyfriend, not to mention eat the fruits of his efforts—which is why when work interferes with their dinner dates at home it’s particularly vexing. The salon that Kenji works at is undergoing renovations and staffing changes while the law office where Shiro is employed is inundated with bankruptcy cases. Both men have been very busy of late, but they are still ready to support each other both inside the kitchen and outside of it.

What Did You Eat Yesterday, Volume 7, page 24Food, and the preparation and consumption of said food, is a major component of What Did You Eat Yesterday?. A majority of the seventh volume, if not the entire series, is spent either cooking in a kitchen or eating around a table. While other aspects of Yoshinaga’s artwork are rather simple, she puts a tremendous amount of detail into the various dishes that are featured in the manga—the food in What Did You Eat Yesterday? is beautifully illustrated. The recipes in the series tend to be fairly detailed as well. It is entirely possible for an experienced cook to successfully recreate many of the courses. I’ve even been tempted to try a few myself. (The tea sorbet from the seventh volume sounds especially appealing to me.) Occasionally, the focus on food in What Did You Eat Yesterday? can get in the way of the stories being told, but sometimes it’s expertly integrated.

As much as I enjoy all of the food and eating What Did You Eat Yesterday? (and I certainly do), what really makes the series work for me are its characters and the realistic portrayal of their lives. I have come to love and care for the characters in the series a great deal in spite of, or maybe because of, their very human flaws. They all come across as real people with both good traits and bad. I enjoy seeing their relationships evolve and change, and I enjoy seeing them continue to grow as people well into their adulthood. The individual chapters of What Did You Eat Yesterday? provide small snapshots of the characters’ everyday lives. Sometimes the events shown are fairly ordinary or mundane, such as grocery shopping followed by a quick stop at a cafe, while others are more momentous, like meeting the parents of an established partner for the first time. But even the seemingly small and quiet moments in What Did You Eat Yesterday? are important, carrying signficant meaning and impact, and showing just how skilled a writer Yoshinaga can be.

Filed Under: REVIEWS Tagged With: fumi yoshinaga, manga, vertical, what did you eat yesterday?

Manga the Week of 7/8

July 2, 2015 by Sean Gaffney, Ash Brown, Michelle Smith, MJ and Anna N 5 Comments

SEAN: It’s a new fiscal year, and that brings a new pile of books, mostly from Viz. What have we got?

DMP print release dates give me a migraine. Twittering Birds Never Fly 2? I guess?

ASH: I can never tell when something will actually be released by DMP anymore.

MICHELLE: Me, neither. I’ll perk up when Itazura Na Kiss 11 gets here.

SEAN: Kodansha gives us a 5th volume of Ken Akamatsu’s immortals fighting each other manga UQ Holder.

centaur6

Seven Seas has a trio of books. The second volume of 12 Beast is minimally interesting to me, but may interest those who like fantasy and harems.

ASH: It should at least hopefully be a hit with the Monster Musume crowd.

SEAN: Oddball slice-of-fantasy-life manga A Centaur’s Life is up to Volume 6.

Pandora in the Crimson Shell combines one of my favorite authors with one of my favorite artists, but I have heard the result is… well. We shall see. I expect I will not love this as much as Excel Saga.

MJ: I dunno, the title just makes me feel like I should be reading something by Jun Mochizuki.

SEAN: The ninth volume of What Did You Eat Yesterday? will, I suspect, have far less fanservice than Pandora in the Crimson Shell, unless you count food as fanservice.

ASH: The food definitely counts as fanservice.

MICHELLE: Oh, I had forgotten this was coming out so soon! Yay!

ANNA: Woo hoo!

MJ: This, this, this this, THIS.

SEAN: The rest is Viz, starting with Vol. 64 of Bleach. Bleach has gone from one of the big 3 shonen series to a series where even fans are screaming “Just die already!”, but it seems to still sell well.

ANNA: That is certainly many, many volumes. I did enjoy the first 13 volumes of Bleach.

MJ: Every once in a while I think it might be fun to check out what’s happening in Bleach these days. And then I don’t.

SEAN: So well that we are getting another giant Bleach box set, with Vol. 22 through Vol. 48. Use it as a very short pole vault!

D.Gray-Man has its 7th 3-in-1 omnibus as well.

momochi1

As if two series weren’t enough, there’s more Aya Shouoto starting next week, with The Demon Prince of Momochi House. Like Kiss of the Rose Princess, this ran in Kadokawa’s Asuka magazine.

ASH: The cover is pretty, and there are yokai!

MICHELLE: That looks like Tomoe from Kamisama Kiss!

ANNA: Is there a shoujo series featuring yokai? SIGN ME UP!

MJ: Okay, yes.

SEAN: And Kiss of the Rose Princess is exactly like Kiss of the Rose Princess, unsurprisingly. Here’s the 5th volume.

ANNA: I like it. I will not claim it is profound, but it is a good manga to read when I do not feel like thinking very hard.

SEAN: My Love Story!! has shot up in popularity thanks to its anime, and the 5th volume hopefully translates into even more manga sales.

ASH: It wasn’t popular before?! It should be. Still loving this series.

MICHELLE: Yay, again! I had no idea there was an anime.

ANNA: Such a great series! I hope the anime inspires more people to check out the manga.

MJ: Same here!

SEAN: Naruto also has a giant box out next week, with Vol. 28-48.

Nisekoi, one of my favorite modern harem comedies, hits double digits.

And with the 11th 3-in-1 of Skip Beat!, I think we’ve caught up with the single volumes.

MICHELLE: Just about. Volume 34 came out in April.

tse1

SEAN: We’ve just heard that Sunny will be ending in Japan soon, but in the meantime, enjoy its 5th volume. (Lotta 5th volumes next week.)

ASH: Viz has been doing a really lovely job with this series.

MICHELLE: I need to get caught up on Sunny.

ANNA: I’m glad VIz still breaks out the impressive packaging and design for series like this that totally deserve it.

MJ: This is such a beautiful series.

SEAN: Twin Star Exorcists is the newest Jump Square series, from the author of popular yet unlicensed Binbougami-ga!. I’ll let you guess what it’s about.

World Trigger is up to Volume 6, meaning it’s passed the 2-3 volume ‘culling’ stage of many Jump series.

Lastly, get in touch with your past life with the 3rd Yukarism.

MICHELLE: Yay, yet again. I wasn’t sold on this series after the first volume, but enjoyed the second a great deal.

ANNA: I like anything by Chika Shiomi and this series is no exception.

MJ: I’m with Anna here.

SEAN: Do you have manga for your summer vacation?

Filed Under: FEATURES, manga the week of

Pick of the Week: Light week

July 1, 2015 by Ash Brown, Sean Gaffney and MJ 2 Comments

Screen Shot 2015-07-01 at 5.30.58 PMASH: Although there are certainly some interesting releases, this week is a relatively light one for manga. While I’ve been very happy with the new edition of Lone Wolf & Cub, the release I’m most curious about this week isn’t actually manga but The Science of Attack on Titan. I hope it talks about three-dimensional maneuvering gear because, let’s be honest, that’s one of the coolest things to come out of the franchise.

MJ: I actually don’t have a manga pick this week, which normally I’d feel pretty sad about. But instead, it looks like a great week to back the Kickstarter for Sparkler Monthly’s Year 3. I haven’t read everything in this magazine, but every time I *do*, I regret not reading more. This is a project I believe in wholeheartedly, and I really want to see it continue. So that’s where I’ll be putting my money this week!

SEAN: It’s a Seven Seas week for me. I should pick the new series debut, which I’m quite looking forward to. But no, I only get to pick Toradora! once every 16 months, so I want to make the most of it. And this volume has some really awesome sequences. Worth the wait.

What looks good to you this week?

Filed Under: PICK OF THE WEEK

Manga Giveaway: Assassination Classroom Giveaway Winner

July 1, 2015 by Ash Brown

Assassination Classroom, Volume 1And the winner of the Assassination Classroom manga giveaway is… wandering-dreamer!

As the winner, wandering-dreamer (whose review blog Narrative Investigations I happen to really enjoy) will be receiving Assassination Classroom, Volume 1 by Yusei Matsui as published by Viz Media. Since Assassination Classroom features a rather unusual teacher, I was curious to hear about some of the other great teachers that other people have encountered while reading manga. Be sure to check out the giveaway comments for everyone’s detailed responses!

Some of the manga available in English featuring teachers:
Anything and Something by Kaoru Mori
Aqua by Kozue Amano
Aria by Kozue Amano
Assassination Classroom by Yusei Matsui
Blue Exorcist by Kazue Kato
Cardcaptor Sakura by CLAMP
Dr. Slump by Akira Toriyama
Fullmetal Alchemist by Hiromu Arakawa
Future Lovers by Saika Kunieda
GTO: Great Teacher Onizuka by Toru Fujisawa
GTO: 14 Days in Shonan by Toru Fujisawa
Hana-Kimi by Hisaya Nakajo
Hikaru no Go written by Yumi Hotta, illustrated by Takeshi Obata
Kobato by CLAMP
Moon and Sandals by Fumi Yoshinaga
Naruto by Masashi Kishimoto
Negima! by Ken Akamatsu
Oresama Teacher by Izumi Tsubaki
The Royal Tutor by Higasa Akai
S.S. Astro: Asashio Sogo Teachers’ Room by Negi Banno
Sunshine Sketch by Ume Aoki
Ultras by est em

There are some really great teachers included in the manga listed above, but I’m sure that there are plenty more. Thank you to everybody who participated in the giveaway and shared your personal favorites with me. I hope to see you again for the next giveaway!

Filed Under: Giveaways, UNSHELVED Tagged With: assassination classroom, manga, Yusei Matsui

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 102
  • Page 103
  • Page 104
  • Page 105
  • Page 106
  • Interim pages omitted …
  • Page 143
  • Go to Next Page »
 | Log in
Copyright © 2010 Manga Bookshelf | Powered by WordPress & the Genesis Framework