Ash Brown

My Week in Manga: April 7-April 13, 2014

April 14, 2014 by Ash Brown

My News and Reviews

With all of the various review project that I recently have had going on, it’s been a while since there’s only been two posts at Experiments in Manga for any given week. (Not counting the My Week in Manga feature.) Last week I posted a review of Chōhei Kambayashi’s science fiction novel Yukikaze. Although interesting from the start, it did take me a few chapters to really get into the book, but ultimately I was very impressed with the depth of Kambayashi’s ideas. The sequel Good Luck, Yukikaze has also been translated and released in English. I’ll be making a point of reading it, as well. My other post last week was a part of the Discovering Manga feature which explores some of the ways that I learn about and learn more about manga and the manga industry. This time around I talked about the site Organization Anti-Social Geniuses which has some great manga-related content–not just reviews, but articles and interviews, too. If you’re not already familiar with OASG, it’s definitely worth checking out.

As for other things worth checking out online: Justin Stroman’s most recent guest post at Manga Bookshelf focuses on manga adapters and the history of manga adaptation. Vertical is hinting at a new license. (A huge volume of 1980s manga, possibly in hardcover? Yes, please.) Manjiorin of Manga Connection has started her Swan review project. I recently finished reading all of Swan that was published in English. I absolutely loved the series, so am looking forward to reading her reviews. A Bento Books newsletter is now available for those interested in staying on top of Bento Books and its releases. The Kodansha Comics tumblr weighs in on piracy from a publisher’s perspective. And finally, Ryan Holmberg takes a look at 1930s shoujo manga with his article Matsumoto Katsuji and the American Roots of Kawaii.

Quick Takes

Beast & Feast by Norikazu Akira. After a somewhat dubious first chapter, Beast & Feast ends up being a rather cute and sweet boys’ love manga, although it does seem a little odd to describe it using those words. Considering the seriousness of the yakuza storyline and the violence (mostly implied rather than seen), the manga can actually be surprisingly lighthearted. This is mostly due to the characters. Despite their differences, and despite the fact that Hyodo is a yakuza and Kazuha is a police detective, the two of them ultimately make a great couple and they care about each other tremendously. There’s also a fair amount of explicit sex. Hyodo’s sexual appetite is insatiable, making Beast & Feast a very apt title for the manga. While I wasn’t blown away by Beast & Feast, it was solidly entertaining in addition to having attractive artwork. I enjoyed the manga and its characters. So much so that I plan on picking up Honey Darling, the only other manga by Akira currently available in English. (Actually, now that I think about it, she also collaborated on Clan of the Nakagamis.)

Bride of Deimos, Volumes 1-7 written by Etsuko Ikeda, illustrated by Yuho Ashibe. There is something about shoujo horror that I find irresistible; maybe it’s just that so much of it seems to have close ties to Gothic literature and Romanticism and emphasizes the emotional and psychological aspects of the story. Bride of Deimos is an interesting example of this type of shoujo horror. It’s from the 1970s and so it also has that fabulous classic shoujo style, too. Only seven of the seventeen volumes were ever released in English. However, the manga tends to be mostly episodic, so it’s not as though the story feels terribly incomplete. I do wish more had been translated though; I ended up really enjoying the series. The framing story for Bride of Deimos focuses on Minako, a young woman whom the androgynously beautiful devil Deimos is determined to make his bride. Many of the individual tales in some way involve love and generally end very badly for those involved. Bride of Deimos somewhat strangely incorporates both Japanese and Greek mythology as well other elements of traditional Western horror and the supernatural.

Panorama of Hell by Hideshi Hino. And then there’s Panorama of Hell, a horror manga of a completely different sort from 1982. As can probably be determined from the cover alone, Panorama of Hell is extremely gruesome, bloody, violent, and visceral. Panorama of Hell is legitimately terrifying and frightening, and probably one of the best horror manga that I have read. But because it is so graphic and disturbing, and because the humor is so exceptionally dark, Panorama of Hell is definitely not something that I would recommend to just anyone. It takes a reader with a strong heart and stomach to really appreciate the manga. Panorama of Hell is the story of an unnamed painter who has an obsession with blood which he uses in the creation of his artwork. The manga explores his paintings before turning to his family, his past, and all of the abuse and insanity which has had a tremendous influence on him. Hino mixes surreal imagery with historic events in Panorama of Hell. The results are hellish, driving home just how terrible reality can be. Some of Panorama of Hell is actually based on Hino’s life, which in itself is terrifying.

Sunny, Volumes 2-3 by Taiyo Matsumoto. Sunny is another manga that draws inspiration from the creator’s life. Set in Japan in the 1970s, Sunny can be almost overwhelmingly melancholic. Although there are heartwarming moments there are just as many scenes that are absolutely heartbreaking. Sunny follows the lives of the children at the Star Kids Home. Some are orphans, some have been completely abandoned by their parents, and some have only been temporarily separated from their families. The story also follows the adults in their lives, both those who are positive influences on the children and those who have caused them harm. The people at Star Kids Home, the children and the adults, form an odd sort of family with all of the benefits and disadvantages that that entails. Out of all of the manga by Matsumoto that has so far been released in English, Sunny is the most realistic and therefore probably the most readily accessible for a casual reader. It lacks much of the surrealism present in his other works. Instead Sunny relies even more heavily on the complexities of the characters and their relationships with one another.

Discovering Manga: Organization Anti-Social Geniuses

April 11, 2014 by Ash Brown

In 2010, around the same time that I started writing at Experiments in Manga, another blog also came into existence, Organization Anti-Social Genuises (OASG). Originally co-founded by Justin Stroman (the current Editor-in-Chief of OASG and an occasional guest writer at Manga Bookshelf) and the now retired LCMoran, the site is currently a team effort with a group of writers (mostly from the United States and France) working on features, articles, interviews, and reviews of Japanese pop culture, including manga, anime, video games, and more.

The site’s associated Twitter account, OrganizationASG sums it up pretty nicely: “We’re anti-social geniuses that try and highlight those people behind the scenes in anime and manga.” I’ve more or less been following OSAG since its beginning, so why am I making a point of featuring it now? I’ve always enjoyed OSAG, and it did a fantastic job hosting the Naoki Urasawa Manga Moveable Feast back in February 2013, but recently I’ve been particularly impressed by the manga-related content that the team has been posting.

I’ve already repeatedly mentioned hat OASG is a team effort. So, who exactly is writing about manga at OASG? Justin does a ton of writing for OASG in general and is also one of the site’s most prolific manga writers. He conducts interviews, reviews manga, and writes many of the manga articles. Maggie has earned her title of manga reviewer while Manjiorin (who also has her own blog, Manga Connection, which I quite enjoy) is another of the site’s primary manga columnists. Naru mostly writes anime reviews at OASG, but she also posts manga reviews from time to time. As for past writers, LCMoran wrote some manga-related content and from 2011 to 2013 Sweetpea had the more or less weekly manga column Bookmarked.

When it comes to manga, OASG is largely divided into two main categories. There are the Manga Articles and there are the Manga Reviews, which can also be browsed by demographic: Shounen, Shoujo, Seinen, and Josei. (~~Sadly, there’s no index to the reviews.~~ An excellent index has been added!) However, those categories aren’t the only places to find manga-related material on OASG. One of the other places where manga content regularly shows up is in the site’s section for Interviews. Justin talks with all sorts of people from the manga industry: translators, letters, editors, publishers, critics, bloggers, and so on. OASG also maintains a list of the year’s US manga releases organized by release date and publisher. The list specifically focuses on the six major manga publishers in the United States: Digital Manga, Kodansha Comics, Seven Seas, Vertical, Viz Media, and Yen Press. Explore OASG further and manga content can be found all over the place.

As much as I enjoy the manga reviews at OASG, my favorite posts tend to be the manga-related interviews, columns, and articles simply because I don’t know of many other sites that feature that type of content. OASG’s Resources page collects links to some of the site’s most helpful posts, including plenty of manga-oriented material. Occasionally, OASG will have an ongoing series of manga articles, as well. For example, Justin just very recently launched The Manga Artists Who Stopped By and Left Forever which I’m looking forward to a great deal.

So that was the long of it. The short of it? Organization Anti-Social Geniuses is a great site for manga-related content, some of it not found anywhere else, and you should really consider checking it out.

Manga the Week of 4/16

April 10, 2014 by Sean Gaffney, Ash Brown, MJ, Michelle Smith and Anna N 2 Comments

SEAN: Mid-April brings us a wide variety of titles, with something for absolutely everyone.

I often feel guilty for forgetting about Gen Manga’s releases, so will take the time to point out a new collection called Alive, which is apparently “a collection of melancholy love stories”, which will likely appeal to, well, indie comics fans.

ASH: Gen releases some interesting material; I like to support its print releases.

MJ: That actually sounds like it might be up my alley. I should check it out.

SEAN: I suspect that the Tournament Arc Fairy Tail has been doing is about to get totally derailed in Vol. 37, which is likely for the best. This has been around the right length for a tournament arc.

As for Missions of Love, this 7th volume will no doubt see everyone continue to not get together in the most soap opera way possible.

ASH: This series is such a guilty pleasure for me.

SEAN: And the volume that everyone has been waiting for (or at least people like me who enjoy amusing name/number jokes), No. 6 No. 6.

ASH: No. 6, No. 6! Not to be confused with No. 5, No. 5. That’s a different manga entirely.

MJ: Heh.

SEAN: A Certain Scientific Railgun is a rare case of a spinoff outdoing the original both in popularity and quality. We’ve caught up with Japan, so are back to only 1 volume every 8-9 months or so. Vol. 9 should be worth the wait, as Misaka finds herself without allies.

Devils and Realist is a new series from Seven Seas, and it seems to be more for the Alice crowd than the Monster Musume crowd, as it’s a josei manga from Comic Zero-Sum. It has a certain Black Butler tone to it judging from its description, and I suspect will please fans of that series as well.

ASH: I’m looking forward to giving this one a try. (I also really just like the cover of the first volume.)

MICHELLE: It *is* quite pretty.

ANNA: Huh, I hadn’t realized that this was a josei manga. The cover is pretty! I will likely check this out.

MJ: I am always up for anything from Comic Zero-Sum, I admit, though I’m not a fan of Black Butler, so we’ll see.

SEAN: And Love In Hell wraps up with its third volume. Can our hero and heroine live happily ever after in the hereafter? Or will we just have more amusing bloody injuries?

Meanwhile, World War Blue 5 continues to combine standard shonen fantasy manga with ‘spot the 80s Japanese gaming reference’.

Vertical has the 4th volume of grim yet worthy medieval manga Wolfsmund.

ASH: Grim might be putting it mildly, but if you like dark manga Wolfsmund is definitely worth checking out.

ANNA: I have too much to read! I do want to check this out one day.

And SigIkki yet lives, even if it’s down to 2 or 3 titles. Afterschool Charisma 9 will no doubt involve celebrity clones who just happen to look like hot bishonen. For some reason. I understand it’s gotten darker and more serious as it’s gone on.

MICHELLE: One day I will get caught up on this.

ANNA: I also want to get caught up on this!

SEAN: Dorohedoro has also gotten darker and more serious as it’s gone on, which is a surprise given it was already pretty damn dark, just not very serious. Poor En! What will happen to everyone now?

ASH: I’m always happy to see more Dorohedoro! It’s such a weird series.

SEAN: Lastly, it may have come out digitally on the 1st, but Vol. 3 of Sunny ships to stores next week. I always manage to be startled at how good it is, even if I can’t quite figure out what to say about it. I don’t expect that to change.

ASH: I’m glad to see Sunny, too. Viz’s deluxe hardcovers are a treat.

MICHELLE: It’s simultaneously accessible and impressive. I’m really looking forward to volume three!

ANNA: This manga really does deserve the deluxe production.

MJ: Yes! Yes!

SEAN: An Easter Basket of manga treats. What’re you seeking?

Yukikaze

April 9, 2014 by Ash Brown

Author: Chōhei Kambayashi
Translator: Neil Nadelman
U.S. publisher: Viz Media
ISBN: 9781421532554
Released: January 2010
Original release: 1984
Awards: Seiun Award

Chōhei Kambayashi is an award-winning, well-respected, and popular author of science fiction in Japan. His novel Yukikaze is one of his best known works and has even been adapted into a short anime series. It is also his first book to be translated and released in English. Originally published in Japan in 1984, Yukikaze would go on to win a Seiun Award in 1985. Kambayashi revisited and slightly revised the novel in 2002 in preparation for the volume’s sequel Good Luck, Yukikaze. Neil Nadelman’s translation of Yukikaze, published by Viz Media’s speculative fiction imprint Haikasoru in 2010, is based on this 2002 edition. Haikasoru’s release of Yukikaze also includes two very interesting essays about the novel by Ran Ishidou and Ray Fuyuki. Haikasoru also released an English translation of Good Luck, Yukikaze. Kambayashi has written a third volume in the series, Unbroken Arrow, which has yet to be translated.

Rei Fukai is one of the best pilots that the Faery Air Force has, surviving numerous encounters with the JAM, an alien force threatening humanity’s very existence. It has been more than three decades since the JAM first appeared on Earth. They were quickly pushed back to the planet from where their invasion was launched, however the prolonged war against the JAM continues with no obvious way to secure a complete victory. Survival is Fukai’s primary order and goal. A member of an elite squadron associated with the Special Air Force, his mission is to collect and record massive amounts of data about the JAM and their tactical capabilities. He is to return with that information no matter what, even if that means leaving his comrades behind to die. Because of this, he and the others in his squadron have earned the reputation of being cold-hearted bastards. Outside of himself, the only thing that Fukai believes in, cares about, or trusts is the Yukikaze, the highly advanced fighter plane that he pilots.

Kambayashi addresses several themes in depth in Yukikaze: what humanity’s purpose is within the context of war, what it means to be human or inhuman, and perhaps most strikingly what the impact of the convergence of human intelligence and the technology it develops could be. Yukikaze is an engaging war story, with kinetic and hazardous air battles that have terrifying implications, but like all great science fiction the novel is also incredibly thought-provoking. The members of the Faery Air Force, and especially those in the Special Air Force, are primarily made up of criminals, those with anti-social tendencies, and other people who are unwanted or have no place back on Earth. They are treated more like expendable resources than they are like human beings. The war and the fighting is so far removed from those living on Earth that they are mostly oblivious to what is occurring on Faery. Protecting Earth is a thankless task for those engaged in the war, people who have very few ties to the planet left but who have no better options other than to fight.

Considering all of this, it isn’t that surprising that Fukai and some of the other pilots would prefer their planes to people. I’ll admit, as unsociable as Fukai can be, I did like the guy. It did take me a couple of chapters to really settle into Yukikaze, but by the end of the novel I was completely engaged. A large reason behind that was because of Fukai and his development as the novel progressed as well as the evolution of the Yukikaze. In the chaos of war, Fukai’s relationship to his fighter is one of the only stable things remaining in his life, but even that begins to change. The members of the Faery Air Force are often called inhuman and compared to machines. At the same time those machines are becoming more and more advanced, raising the question of whether humans are even necessary anymore. The war against the JAM that humanity is waging may not be the only battle of survival that it should be concerned about fighting. After an interesting but somewhat clunky beginning, I was actually quite impressed with the depth of Kambayashi’s ideas in Yukikaze. I look forward to reading its sequel.

Pick of the Week: Dawn of the Arcana & more!

April 7, 2014 by Michelle Smith, Ash Brown, Anna N, Sean Gaffney and MJ Leave a Comment

MICHELLE: Since I don’t have too many more chances to plug it, I’ll cast my vote for the second-to-last volume of Dawn of Arcana. I’ve really enjoyed this shoujo fantasy series, especially how the relationship between the romantic leads has developed. It definitely has a better plot than I was expecting, and I think it has reread potential.

ASH: My pick of the week goes to Ayano Yamane’s smutty and surprisingly humorous boys’ love fantasy Crimson Spell. With the third volume we’ve now reached the part of the manga that has never been seen before in English! I’m still very happy that SuBLime rescued this series.

ANNA: I’ll have to second Michelle’s choice. Dawn of the Arcana is a great shoujo series that should be more hyped up!

SEAN: I’m going with Magi again. I’ve always been a huge Arabian Nights fan, and this pastiche is a lot of fun, particularly now that they’ve added Sinbad.

MJ: My only strong choice this week is the eighth volume of Tsutomu Nihei’s Knights of Sidonia, out this week from Vertical. So often this manga is referred to as “confusing,” but I rather like the way that Nihei manages to lead me ever forward, not always with clarity so much as control. I am compelled as though in a dream, and that works for me stunningly well, as it turns out. I’ll be sticking with this series for the long haul.

What looks good to you this week?

My Week in Manga: March 31-April 6, 2014

April 7, 2014 by Ash Brown

My News and Reviews

Last week was one of Experiments in Manga’s slower weeks, but there was still some good stuff to be had, if I do say so myself. First up was the announcement of the Battle Angel Alita Giveaway Winner, which also includes a list of some of the cyborg manga available in English. Next came March’s Bookshelf Overload, which was not nearly as an absurd month for preorders as April will be for me. Finally, we get to the really good stuff. The honor of the first in-depth manga review for April goes to Inio Asano’s Nijigahara Holograph, one of my most highly anticipated releases for 2014. It’s a dark and disturbing work, but also very beautiful. Probably one of the best comics that I’ve read so far this year.

As for a few thing found online: Kim Hoang translated an interview of Kaoru Mori from the French site madmoiZelle. Sean Gaffney at A Case Suitable For Treatment investigates some of Japan’s recent manga bestsellers with an eye towards license requests. Akira Himekawa, the creative team behind the various The Legend of Zelda manga, will be featured guests at the Toronto Comic Arts Festival in May. The most recent Mike Toole Show takes a look at the three incarnations of To Terra… (or Toward the Terra), originally a manga by Keiko Takemiya. And last but not least, I was very excited to see that the Manga Connection blog has been rebooted! (Which reminds me that I really need to do some cleanup and maintenance on my resources page…)

Quick Takes

Bad Teacher’s Equation, Volumes 2-3 by Kazuma Kodaka. While I wasn’t blown away by it, I did enjoy the first volume of Bad Teacher’s Equation well enough to track down the rest of the boys’ love manga. I had heard that the series gets better as it goes along, but surprisingly enough, so far I think I actually prefer the slightly more absurd first volume. I seem to like Bad Teacher’s Equation best when it is being particularly ridiculous. The more obviously comedic aspects of the series work better for me than when the story takes a more serious turn. I was also happy to see the feelings that Masayoshi held for his brother Masami dealt with fairly quickly so that the series’ focus could turn elsewhere. The dynamics of that particular relationship were probably the least interesting in the entire series. One of the things that Bad Teacher’s Equation really has going for it is the manga’s large ensemble cast–their interactions can be very entertaining to watch. And as a result, there’s actually some legitimate character development to be seen, too.

Black Jack, Volumes 10-13 by Osamu Tezuka. Because of Tezuka’s Star System, it’s not uncommon to encounter a character from another of his series in a different role. Due to that, I was particularly looking forward to the story “Ashes and Diamonds” collected in the tenth volume of Black Jack because it features Hyakkimaru in the role of Dr. Hyakki. (Hyakkimaru is from Dororo, one of my favorite Tezuka manga.) These volumes also reveal more about Black Jack’s unfortunate family situation. According to an editor’s note in the eleventh volume, the edition of Black Jack upon which Vertical’s release was based was initially intended to be a “best of” collection. However, it proved to be so popular that, excepting for a few stories which were deemed objectionable or inappropriate in some way, the edition became a complete collection. In the past I’ve mentioned that I generally prefer the more realistic scenarios in Black Jack, but I’ve come to really enjoy the more fantastical chapters as well. On occasion, aliens, ghosts, and the supernatural all have their own part to play in the series.

Dictatorial Grimoire, Volume 2: Snow White by Ayumi Kanou. I was intrigued by the first volume of Dictatorial Grimoire. It was a mess, but it was a fun mess. I was less enamored with the second volume, though I do still plan on reading the third and final installment in the series. The story in Snow White is still a mess. This time though, for whatever reason, I found it to be more frustrating than entertaining. So much of Dictatorial Grimoire makes very little sense and Kanou relies heavily on standard tropes and character types. Because of this, the story developments don’t really come as a surprise and readers are left to fill in the actual details themselves as Dictatorial Grimorie progresses from one expected plot point to the next. As might be assumed from the subtitle, Snow White features heavily in the second volume. Sadly, his bustier does not. He does, however, gain a pair of glasses for all of those megane fans out there. (Yes, that would include me.) I also do appreciate that Hiyori, though she’s portrayed as somewhat brainless, is very competent and dependable when it comes to a fight.

Shinobi Life, Volumes 1-6 by Shoko Conami. Shinobi Life was originally created as a one-shot story but ended up being developed into a thirteen-volume series, seven of which were released in English by Tokyopop. The transition from what was supposed to be a standalone story into an ongoing series is awkward. Story elements are dropped or forgotten (in some cases actually for the better) as the plot is forced into something that wasn’t initially planned. In general, Shinobi Life is a manga that I like much better in concept than I do in execution, although it does improve greatly as the series progresses. I specifically like the time travel elements. However, I’m much fonder of the series when it’s dealing with the past than I am of its contemporary storyline. The art, though not especially original, is pretty, too. All of the adults in Shinobi Life are despicable, so it’s probably not too surprising that the teenage leads have significant personal issues to deal with; their parents don’t make particularly good role models.

Nijigahara Holograph

April 6, 2014 by Ash Brown

Creator: Inio Asano
U.S. publisher: Fantagraphics Books
ISBN: 9781606995839
Released: March 2014
Original release: 2006

Nijigahara Holograph, the third manga by Inio Asano to have been licensed in English, was one of my most highly anticipated manga releases for 2014. Originally published in Japan in 2006, Fantagraphics’ English-language edition is collected in an attractive, large-trim hardcover much like its other manga releases. I had previously read and greatly enjoyed Asano’s other manga currently available in English–What a Wonderful World! and Solanin, both published by Viz Media–so I was naturally interested in Nijigahara Holograph. But after seeing an early preview of the manga, I knew that I would need to read it no matter what. The sequence, taken from near the end of Nijigahara Holograph, was so chilling and unsettling and at the same time so striking and beautiful that it left a huge impression on me. I couldn’t get that short segment of Nijigahara Holograph out of my mind, my anticipation only growing stronger the closer the manga’s release date came.

Eleven years ago Arie Kimura, a young girl bullied by her classmates, fell down a well. As a result of her injuries she has been in a coma ever since. She told a story about a monster that lived in a tunnel along the Nijigahara embankment that would bring the world to an end, which terrified the other children. Arie’s accident is only one small part of an ongoing pattern of fear and violence. It isn’t a pleasant memory for anyone involved. Her friends, classmates, teachers, and family members have continued living their lives, but even more than a decade later they still can’t escape their pasts and the consequences of their actions. Some of them live in denial while others have tried to move on and to forget, but for some that is a complete impossibility. They have no choice but to remember, tormented with the knowledge of the suffering and pain caused by the unnecessary tragedy. The story of the monster in the tunnel may be more real than any of them could have imagined.

Nijigahara Holograph is a dark and disconcerting work. The manga deals with some very heavy subjects: suicide, incest, abuse, and sexual and physical violence, among many other serious matters. Instead of being sanitized or romanticized, Asano has created an intensely disturbing tale in which all of these elements are incorporated and intertwined. Nijigahara Holograph is open to several interpretations. It’s dreamlike ambiguity makes it difficult to determine just how much of Nijigahara Holograph is real and how much of it is simply the product of the damaged psyches of the characters. It cold be a waking nightmare, it could be some sort of afterlife, or it could all be true. It would almost be comforting if Nijigahara Holograph was a portrayal of hell or purgatory; the possibility that it shows the characters’ reality is terrible to contemplate. But life isn’t always pretty and sweet, and it certainly isn’t in Nijigahara Holograph where innocence, minds, and bodies have been shattered.

As horrifying and distressing as Nijigahara Holograph is, the manga is also extraordinarily compelling and engaging. It is both brutal and beautiful. Nijigahara Holograph is also remarkably complex and layered–the characters, their lives, and their stories connect and overlap, often in unexpected and surprising ways. This is reinforced by Asano’s artwork. Visual cues are incorporated throughout Nijigahara Holograph which tie the narrative together, drawing upon the similarities between the characters and their circumstances. The parallels found in both the artwork and the story of Nijigahara Holograph are marvelously effective, underscoring the ever-increasing sense of despair as the characters are caught in a never-ending cycle of anguish and misery. Nijigahara Holograph is a work that can be and maybe even should be read several times. The clues are all there from the very beginning, but many of the subtle connections can only be seen in retrospect. It’s challenging and not always an easy read, but Nijigahara Holograph is definitely a manga that I’ll be thinking about for quite some time.

Bookshelf Overload: March 2014

April 4, 2014 by Ash Brown

Compared to some past months, the number of my March acquisitions seems completely reasonable to me. I’ve looked ahead to what April has in store for me (and my wallet) and it’ll be a bit ridiculous, so I’m glad that March ended up being relatively light. Even so, there were some things I was very happy to see arrive last month. Gengoroh Tagame had a second gay manga published by Bruno Gmünder, Gunji. Two of my most anticipated releases for 2014 made their appearance in March, too: the first volume in Fumi Yoshinaga’s What Did You Eat Yesterday? from Vertical and Inio Asano’s Nijigahara Holograph from Fantagraphics. (Reviews to come soon!) I was also happy to see Bento Books newest release, Kaoru Ohno’s novel Cage on the Sea. Not too long ago I reviewed Jeffery Angle’s Writing the Love of Boys, which got me interested in the work of Taruho Inagaki. By some miracle, I actually managed to find a copy of his extremely out-of-print novel Miroku, which had a very small print run from a very small press which, as far as I can tell, doesn’t even exist anymore.

Manga!
Castle Mango, Volume 2 written Muku Ogura,illustrated by Narise Konohara
Embracing Love, Omnibus 2 by Youka Nitta
From the New World, Volumes 2-3 by written by Yusuke Kishi, illustrated by Toru Oikawa
Gunji by Gengoroh Tagame
Hide and Seek, Volume 2 by Yaya Sakuragi
The Incredible Kintaro by Naomi Guren
Japan, Inc.: An Introduction to Japanese Economics by Shotaro Ishinomori
Mobile Suit Gundam: The Origin, Volume 5: Char & Sayla by Yoshikazu Yasuhiko
Monster Musume, Volume 2 by Okayado
Nijigahara Holograph by Inio Asano
Train Train, Volumes 1-3 by Eiki Eiki
What Did You Eat Yesterday?, Volume 1 by Fumi Yoshinaga
Ze, Volume 8 by Yuki Shimizu

Manhwa!
Stone Collector, Book 1 written by Kevin Han, illustrated by Zom-J.

Comics!
Black is the Color by Julia Gfrörer
Brody’s Ghost, Book 5 by Mark Crilley
In These Words, Chapter 11 by Guilt | Pleasure
The Sleep of Reason: An Anthology of Horror edited by C. Spike Trotman
The Undertaking of Lily Chen by Danica Novgorodoff

Novels!
The Budding Tree by Aiko Kitahara
Cage on the Sea by Kaoru Ohno
God’s Boat by Kaori Ekuni
Miroku by Taruho Inagaki

Nonfiction!
Understanding Manga and Anime by Robin E. Brenner
One Thousand Years of Manga by Brigitte Koyama-Richard
Twelve Views from the Distance by Mutsuo Takahashi

Manga the Week of 4/9

April 3, 2014 by Sean Gaffney, MJ, Ash Brown, Michelle Smith and Anna N Leave a Comment

SEAN: After a large first week, things settle down a bit, but there are several tasty titles coming out next week.

Amazon had the 7th and 8th volumes of Ze bouncing around in release date hell for so long, I feel like these books have already come out five years ago. In any case, Vol. 8 is listed for next week, so let’s cross our fingers.

MJ: I… seriously did not realize that this series went on so long.

ASH: It does! Eleven volumes total. We should see the end of the series in English sometime in 2015.

SEAN: Between the clouds, the shirts, and the hair fluttering around the cover of Crimson Spell 3, it’s sort of hard to tell where the guys are, though I assume they’re fondling each other with dark, serious expressions. (As one normally wears when fondling.)

ASH: Fondling is serious business!

SEAN: Knights of Sidonia has reached its 8th volume, and I still only half understand what’s going on at any point in the narrative. But it looks nice, and manages to keep me riveted and longing for more. Just a confused kind of riveted.

ASH: I experienced a similar sort of riveting confusion reading Nihei’s Biomega, too.

MICHELLE: Sidonia is actually lots easier to decipher than Nihei’s BLAME!, if you can believe it.

MJ: I rather love being confused in this manner.

ANNA: I also love being confused by Nihei. This is very tricky for an author to pull off, but he manages it very well!

SEAN: I can’t believe Case Closed has hit 50 volumes. Kindaichi Case Files is burning with jealousy. BURNING.

MICHELLE: The phrase “BURNING” conjures up Prince of Tennis flashbacks.

SEAN: We’re at the penultimate volume of Dawn of the Arcana, a series I got behind on and never really caught up to. I hear it had some really nice things going on, though.

MICHELLE: Yep! I like this one a lot.

ANNA: This series is really good, I enjoy it.

SEAN: Deadman Wonderland 2 also hits from Viz, and will no doubt give new meaning to the word nihilistic, at least if my impression of the first volume continues into this one.

MJ: I. Hm. Yeah. I will read it, but I don’t know.

ANNA: I read the first 2 volumes or so from the Tokyopop translation and enjoyed it, although it is incredibly dark.

SEAN: Itsuwaribito has a long ways to go before it gets to its endpoint, but it has at least hit its double digits. Vol. 11 ships next week.

ASH: Almost halfway there!

SEAN: Lastly, the 5th volume of Magi comes out, and if it has as much of Morgiana kicking ass as the 4th one did, I will be very pleased.

MICHELLE: I’m a few volumes behind with Magi now; perhaps it’s time to get caught up.

SEAN: Anything appeal?

Manga Giveaway: Battle Angel Alita Giveaway Winner

April 2, 2014 by Ash Brown

And the winner of the Battle Angel Alita Giveaway is…Anna-neko!

As the winner, Anna-neko will be receiving the first omnibus in Kodansha Comics’ release of Battle Angel Alita: Last Order by Yukito Kishiro. The omnibus collects the first three volumes of the series as well as additional stories by Kishiro. The titular Alita is a kick-ass cyborg, and I have a particular fondness for cyborgs, so I asked those entering the giveaway to tell me a little about their favorite cyborgs from manga. Check out the Battle Angel Alita Giveaway comments for all of the details, and check out the list of some of the manga available in English that feature cyborgs below!

Cyborg manga in English:
Appleseed by Masamune Shirow
Ashen Victor by Yukito Kishiro
Battle Angel Alita by Yukito Kishiro
Battle Angel Alita: Last Order by Yukito Kishiro
Blame! by Tsutomu Nihei
B’t X by Masami Kurumada
Cyborg 009 by Shotaro Ishinomori
Cowboy Bebop by Yutaka Nanten
Cowboy Bebop: Shooting Star by Cain Kuga
Descendents of Darkness by Yoko Matsushita
Eden: It’s an Endless World by Hiroki Endo
Ghost in the Shell by Masamune Shirow
Ghost in the Shell: Stand Alone Complex by Yu Kinutani
Gunslinger Girl by Yu Aida
Heavy Metal Warrior Xenon by Masaomi Kanzaki
Kamen Rider by Shotaro Ishinomori
Knights of Sidonia by Tsutomu Nihei
Madara written by Eiji Otsuka and illustrated by Shou Tajima
Made in Heaven written by Ami Sakurai and illustrated by Yukari Yashiki
Mardock Scramble by Yoshitoki Oima.
One-Punch Man written by ONE and illustrated by Yusuke Murata
Star Wars: Return of the Jedi by Sin-ichi Hiromoto
Trigun by Yasuhiro Nightow
Trinity Blood written by Sunao Yoshida and illustrated by Kiyo Kyujyō
Vassalord by Nanae Chrono
The World of Narue by Tomohiro Marukawa

Thank you to everyone who participated in the giveaway and shared a bit about their favorite cyborgs from manga. I hope to see you all again for the next giveaway, too!

My Week in Manga: March 24-March 30, 2014

March 31, 2014 by Ash Brown

My News and Reviews

Posts last week at Experiments in Manga included a new manga giveaway as well as two new in-depth manga reviews! There’s still time to enter the giveaway, too. Head over to the Battle Angel Alita Giveaway to enter for a chance to win the first omnibus in Yukito Kishiro’s manga series Battle Angel Alita: Last Order. As for the reviews: I took a look at the most recent Moyoco Anno manga to be released in English, Insufficient Direction. It’s an autobiographical manga about her married life with Hideaki Anno and is quite funny. I adore Anno’s work, so was happy to learn a little more about her. I also wrapped up my Manga March Madness project. I was rather pleased that I managed to pull it off. Every weekend in March I reviewed a volume of Takehiko Inoue’s basketball manga Real. Since there were five weekends in March and I started with the first volume in the series, my last review for the project was for Real, Volume 5. I hope I was able to at least begin to express why Real is such a fantastic manga in my reviews, because it really is a phenomenal series.

Speaking of Takehiko Inoue, David Brothers, writing for Comics Alliance back in 2010, had a great article that was recently brought to my attention again–From Samurai to Shooting Hoops: Takehiko Inoue, Art Chameleon. As for other things found online: Nahoko Uehashi (the author of Moribito) won the 2014 Hans Christian Andersen Author Award, which is a pretty big deal. As usual, Organization Anti-Social Geniuses had some great manga content last week. I particularly enjoyed What Manga Publishers Can Actually License in The US and Advice on Manga Editing, From Manga Editors. Tokyopop’s Stu Levy participated in a recent “Ask Me Anything” on Reddit. The daughter of Osamu Tezuka opened a drawer of her father’s desk that had been locked since 1985 and found some pretty cool stuff. And finally, I was pointed towards a brief biography of Takashi Nagasaki, who works closely with Naoki Urasawa.

Quick Takes

Berserk, Volume 37 by Kentaro Miura. I love the early story arcs of Berserk and continue to enjoy the series, so I’m always excited when another volume of the manga is finally released. After reading the thirty-seventh volume, I’m particularly anxious to get my hands on the next installment, whenever that may be. The battle between Guts and the rest of the crew against the sea god and its minions reaches its climax in this volume. They are aided by the merrow, Berserk‘s mermaids. Even though Miura’s version of mermaids is fairly traditional, though perhaps slightly more fish-like, I did like them. The thirty-seventh volume also contains a long flashback to Guts’ past as a young mercenary, which I particularly enjoyed reading. It’s set during a time when magic and the supernatural were more hidden and uncommon in the world, though hints of it could still be seen. The end of the volume also turns towards the current activities of Griffith’s army, which recently hasn’t had much prominence in the manga. After so much action and fighting, which I do enjoy, I’m very glad to see more story and plot development.

Black Sun, Volume 2 by Uki Ogasawara. It’s been quite a while since I read the first volume of Ogasawara’s boys’ love manga Black Sun. I had a few issues with the story itself, mostly that the lead characters’ relationship moved a little too quickly from lust to possible love, but overall I thought the manga had good potential. I particularly liked the setting of Black Sun, a medieval fantasy inspired in part by the Crusades. Ogasawara’s artwork was also excellent, with particular attention given to the beautiful details of clothing and weaponry as well as attractive, muscular men. When I read the first volume of Black Sun I didn’t actually realize that it was a first volume. I appreciated it’s somewhat ambiguous ending, but was ultimately glad to discover that there was more to the series. The ending of the second and final volume is much less ambiguous, and much happier than I expected that it would be. Black Sun is part of Digital Manga’s 801 Media imprint, so unsurprisingly there is a fair amount of sex to go along with the plot. And Black Sun actually does have a plot. The relationship between Jamal and Leonard plays out against a backdrop of war and political intrigue.

From the New World, Volumes 2-3 written by Yusuke Kishi and illustrated by Toru Oikawa. I was very torn over the first volume of the From the New World manga. I absolutely loved its dark tone, but found the blatant, pandering fanservice to be a bit off-putting and out-of-place. Thankfully, the fanservice in the second volume is greatly toned down. The outfits worn by the young women are still fairly ridiculous and revealing, though, especially when compared to the male characters who tend to be covered from head to toe in oversized clothing. The lesbian sex returns in the third volume, but it makes much more sense within the context of the series than it did in the first volume. Part of this is because the worldbuilding has progressed significantly. From the New World suffers a little from large info dumps, but at least all of the information is new to the characters, too, so it’s not as egregious a problem as it could be. I’m still loving the actual story of From the New World. The series atmosphere is creepy and ominous, contrasting magnificently with what is supposed to be a perfect and pristine society. What humanity is willing to give up and the terrible steps that have been taken to maintain that system are now being revealed.

Swan, Volumes 13-15 by Kyoko Ariyoshi. In Japan, Swan lasted for twenty-one volumes, only fifteen of which were released in English. It’s too bad that CMX folded before the series could be completely released. Swan is fantastic, and I’m very glad for the fifteen volumes that were translated. These last three volumes of the English edition follow Masumi as she travels to New York with Leonhardt to continue her study of ballet following the aftermath of the Tokyo World Ballet Competition. It’s the beginning of an important new story arc. Masumi has grown tremendously as a ballerina as well as a person, but her time in the United States presents new challenges. Her foundation is in classical ballet but now she is faced with modern ballet which is completely outside of her experience. She has trouble understanding modern ballet and so struggles greatly with its performance. Also introduced in these volumes are new characters and even a potential new love interest, which offers another set of problems for Masumi to deal with. Swan is a beautiful and surprisingly intense series; I was very impressed by it.

Arakawa2 Arakawa Under the Bridge x Bridge, Season 2 directed by Akiyuki Shinbo. I enjoyed the first season of Arakawa Under the Bridge a great deal. I very much enjoyed the second season, too, but for some reason wasn’t quite as taken with it. I’m not really sure why that is though since not much really changed between the two. Arakawa Under the Bridge is still funny and absurd. I still like the humor and the characters. While the first season focused on Rec as he gets to know everyone living along the banks of the Arakawa River, everyone’s personalities and quirks have been well established by the start of the second. Maybe it’s that sense of newness and discovery that the second series lacks. But then again maybe not: the second season introduces new cast members as well as a storyline that provides an ongoing framework for some of the gags. (Ultimately it doesn’t really end up going anywhere, though.) One of the things that particularly amused me about the second season of Arakawa Under the Bridge is that Rec has more or less become a shoujo heroine, complete with flowers and sparkles. Nods to Riyoko Ikeda’s series are right at home alongside references to Fist of the North Star and other “manly” anime.

Pick of the Week: Library Wars & Others

March 31, 2014 by Michelle Smith, Sean Gaffney, Anna N, Ash Brown and MJ Leave a Comment

MICHELLE: I’m going to have to go with volume eleven of Library Wars: Love & War this week. I still struggle with the overall premise and the depiction of a supposedly elite military unit, but I can’t help but enjoy each volume and the slow burn of Iku’s growing relationship with her commanding officer. It’s become a series I genuinely look forward to.

SEAN: Since Michelle got Library Wars… it’s rare I recommend a pick of the week that I don’t actually read, but really, the release of Eden: It’s An Endless World 14 is really exciting. The story of a world in chaos following a worldwide pandemic, it’s incredibly well-written, and also filled with depressing things happening to nice people, so naturally I couldn’t get through it, because I never read that sort of series. Except when I do. In any case, many people I respect love this, so check it out.

ANNA: I am also very fond of Library Wars, but since Michelle already gave it a shout-out, I’m going to have to go with the Hana Kimi omnibus. Sure, a plucky cross-dressing heroine and a surly yet secretly empathetic hero have been done to death in shoujo manga, but Hana Kimi is one of the best examples. I’ve kept the series on hand since it came out for my every third year ritual rereads, and I enjoy it every time.

ASH: Well, because Library Wars has already been mentioned several times I guess that instead I’ll choose…wait, who am I kidding? I’m still going to pick Library Wars. I’m enjoying the series much more than I actually think I should be. Maybe it’s because I’m a librarian myself, but I get a kick out of the manga’s version of librarianship. It’s certainly one of the more unusual portrayals that I’ve come across.

MJ: So, apparently I’m the only person at Manga Bookshelf who does not read Library Wars. And really, I wish I did, because there isn’t a lot strongly compelling me otherwise this week. I will take a moment, though, to give a shout out to the 4th omnibus edition of Lone Wolf and Cub. I missed this classic the first time around, and have been very grateful to get a second chance at it—especially in its new, larger format! Readable text becomes so much more important to me as my poor eyes get older. If, like me, you never gave the original editions of Lone Wolf and Cub a try, now’s the time to start!

What looks good to you this week?

Real, Vol. 5

March 29, 2014 by Ash Brown

Creator: Takehiko Inoue
U.S. publisher: Viz Media
ISBN: 9781421519937
Released: July 2009
Original release: 2005
Awards: Japan Media Arts Award

When I first started reading Takehiko Inoue’s prize-winning manga series Real, I didn’t expect to appreciate it as much as I do. Real has actually become one of my favorite series. I wasn’t particularly interested in wheelchair basketball, one of the main subjects of Real, although that has since changed. Instead, I was initially drawn to the manga because it was created by Inoue, whose artwork I greatly admire. I also am very impressed by his storytelling skills, especially in Real, but also in his other manga available in English, Slam Dunk and Vagabond. As much as I enjoy those two series, in the end it’s Real that I find to be the most compelling. It is a very powerful work. I’ve said it many times before, but it is still true–I honestly believe Real to be one of the best comics that is currently being released in English. The fifth volume of Real was originally collected in Japan in 2005 while the English-language edition, released under Viz Media’s Signature imprint, was published in 2009.

Ever since his motorcycle accident, Nomiya’s life has been falling apart. Although he has tried to earn his drivers’ license, it has taken him quite some time since he is terrified to be on the road. Nomiya is even more terrified of facing Natsumi, the young woman who was in the accident with him. While Nomiya was barely injured, Natsumi has lost the ability to walk and must now use a wheelchair. Nomiya blames himself for the accident and Natsumi’s current condition. The guilt has nearly brought his life to a standstill. He wants to do all that he can to move forward, but this means confronting his fears and confronting Natsumi. Unsurprisingly, she’s not particularly interested in seeing Nomiya, either–she blames him for the accident, too. Her rehabilitation is going well, but Natsumi’s life has been changed forever. Takahashi’s rehabilitation has actually taken a turn for the better, too, after a visit from Nomiya that ends rather badly. It’s been about six months since Takahashi’s own accident which cost him the use of his legs, but he has recently shown enough improvement that he will soon be able to leave the hospital.

Whereas the previous volumes of Real thoroughly introduced the lead characters–Nomiya, Togawa, and Takahashi– and explored their personal, internal struggles, the fifth volume addresses some of the more practical problems and challenges experienced by those who are disabled in an world and environment designed for the able-bodied. This can particularly be seen when Takahashi is considering returning to Nishi High to finish school. Not only is he not yet in a position where he can take of himself, the school itself isn’t at all accessible to someone in a wheelchair and the needed accommodations are prohibitively expensive. These external issues and concerns are inexorably tied to how Takahashi and the others view themselves and and see themselves as people of worth. Takahashi in particular is obsessed with ranking people and assigning them value. He used to consider himself one of the elite, but now his self-worth has been severely compromised. It’s understandable that this is something that he continues to struggle with, especially as he no longer feels that there is a place for him.

Takahashi isn’t the only one suffering from a crisis of self-worth in the series. A major theme in Real deals with what it means to be a good person and a decent human being. Takahashi’s attitude and efforts to be the best in whatever he does comes across as extremely arrogant, but people are beginning to see through his facade of perfection. Nomiya has made, and continues to make, plenty of mistakes in his life, but his honest desire to improve himself and the care and acceptance that he offers others show that he is a much better person than he recognizes. This search for self-worth isn’t limited only to the series’ leads, either. All of their friends and family members are struggling with it as well. In a particularly heart-wrenching development, Togawa’s close friend Yama, who has always been vibrant and maintained an admirably positive outlook, is frightened of who is becoming now that his disease is overtaking his body and mind. Inoue’s characterizations in Real are fantastic. The series is compelling because it is so easy for anyone to identify with the personal struggles being portrayed in the manga even if the characters’ particular situations are unique.

Insufficient Direction

March 28, 2014 by Ash Brown

Creator: Moyoco Anno
U.S. publisher: Vertical
ISBN: 9781939130112
Released: February 2014
Original release: 2005

I picked up the first few volumes of Moyoco Anno’s manga series Happy Mania more on a whim than anything else. After reading them I immediately went out and tracked down all of the manga by Anno available in English that I could find. I have been a fan ever since and even went so far as to host the Moyoco Anno Manga Moveable Feast. Anno is an extraordinarily talented creator. I adore her work and so was extremely happy when Vertical released Insufficient Direction in 2014. Originally published in Japan in 2005, the manga is a somewhat fictionalized account of Anno’s married life with her husband Hideaki Anno of Neon Genesis Evangelion fame. Now, I know quite a few people who were interested in Insufficient Direction primarily because of the Hideaki Anno connection. In addition to being one of the manga’s main subjects, an essay in which he discusses Insufficient Direction is also included as part of the volume’s extra materials. But for me, my interest in Insufficient Direction was all about Moyoco Anno. I was excited to have the chance to learn a little more about her and her life directly from her own perspective.

Rompers (aka Moyoco Anno) and Director-kun (aka Hideaki Anno) are getting married. It just so happens that Director-kun is one of the “big four” of Japanese otaku. A director of both film and anime, he is also a huge fan and obsessive collector of Japanese pop culture. Rompers has her own otaku tendencies and enjoys manga, anime, and such, but she has tried to keep those impulses under control in order to lead a more “normal” life. However, Rompers’ marriage to Director-kun makes that almost impossible and she slowly becomes bona-fide ota wife. Although Rompers obsesses over some of her own interests, it’s nothing when compared to Director-kun. Instead of denying her otakuness, Rompers begins to embrace it, partly out of self-preservation. She and Director-kun are able to share their love of Japanese television, anime, and manga, but how much is too much? Their home quickly fills with their collections and they can be embarrassingly enthusiastic over the smallest bits of trivia. In the end, it is a way of life and they love it (although Rompers continues to have some reservations). But more importantly, they love each other.

There are a ton of references to tokusatsu, anime, manga, and other Japanese pop culture and celebrities. In fact, there are thirty pages of annotations to help interested readers keep a handle on everything. Sometimes reading the notes actually takes longer than reading the chapters they’re associated with. However, understanding all of the minutia and details isn’t absolutely needed to enjoy Insufficient Direction; simply recognizing the extreme levels of geekiness and nerd cred involved should be enough. Rompers and Director-kun make an adorable and loving couple. The reason that there are so many pop culture references isn’t just because that is what they are interested in, it’s also one of the ways they connect and communicate with each other. Entire conversations can be held that consist of nothing but quotes from anime and other media. Singing theme songs at the top of their lungs brings them even closer together. Vacations and excursions are based on locations from films and television shows. Fortunately, because they do share so many interests, they usually can happily spend time enjoying them as a couple.

Although Insufficient Direction is fictionalized–mostly to emphasize the more humorous aspects of Rompers and Director-kun’s relationship–I find it to be entirely and completely believable. As a bit of an otaku myself, I am very familiar with relationships that work in similar ways to theirs and am all too aware of some of the challenges faced by avid collectors. Insufficient Direction shows both of the Anno’s to be very relatable people. At least I could certainly identify with them. Insufficient Direction is quirky, smart, and very funny. Compared to some of Anno’s other manga, the artwork in Insufficient Direction tends to be simpler in style, suitable for what basically amounts to a real-life gag manga. The individual chapters are short and there isn’t really an overarching plot so much as there is an ongoing challenge for Rompers and Director-kun to put up with each other’s quirks and interests. There’s quite a bit of good-natured teasing in Insufficient Direction and quite a bit of love, not just for each other but for art and entertainment as well. I found Insufficient Direction to be a very enjoyable read and am very happy to have it in English.

Manga Giveaway: Battle Angel Alita Giveaway

March 26, 2014 by Ash Brown

Perhaps because March follows the shortest month of the year it seems to have lasted a particularly long time for me. Granted, that feeling may attributed to how incredibly busy I’ve been recently. Regardless, the end of March is almost here, which means it’s time for another manga giveaway! This month you’ll all have the chance to win the first omnibus in Yukito Kishiro’s Battle Angel Alita: Last Order as published by Kodansha Comics. The omnibus collects the first three volumes of the series as well as additional stories by Kishiro not previously released in English. As always, the giveaway is open worldwide!

It’s not at all a secret that I am a fan of androids (I blame the absurd amount of Isaac Asimov that I read in my youth), so it probably isn’t too surprising that I’m rather fond of cyborgs as well. That’s one of the reasons that Battle Angel Alita particularly appeals to me. The existence of ancient Martian martial arts and space karate in the series doesn’t hurt, either. In general, cyborgs aren’t a particularly uncommon element in near future science fiction and I’m aware of quite a few from manga specifically. Much as with android stories, I enjoy stories about cyborgs because they allow creators a way to explore what it means to be human in interesting ways.

So, you may be wondering, how can you win a copy of the first Battle Angel Alita: Last Order omnibus?

1) In the comments below, tell me a little about your favorite cyborg from manga. (If you don’t have one, you can simply mention that.)
2) For a second entry, name another manga that features a cyborg that hasn’t been mentioned yet by me or by someone else.
3) If you’re on Twitter, you can earn a bonus entry by tweeting about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

That’s all there is to it. Each person can earn up to three entries for the giveaway and has a week to submit comments. If you have trouble leaving a comment, or if you would prefer, entries may also be submitted via e-mail to phoenixterran(at)gmail(dot)com which will then be posted in your name. The giveaway winner will be randomly selected and announced on April 2, 2014. Best of luck to you all!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Battle Angel Alita Giveaway Winner