Ash Brown

Manga the Week of 5/6

April 30, 2015 by Sean Gaffney, Ash Brown, Michelle Smith and Anna N 3 Comments

SEAN: May, and the manga volumes coming out are not letting up in any way. Let’s see what we have in next week’s pile.

I’m not entirely sure if Dr. Makumakuran And Other Stories is coming out this first week – Amazon’s site says “May 2015” in an unhelpful way. But it’s from Bruno Gmunder Verlag, so you know what that means. Fans of Massive should check this out.

ASH: Definitely! Especially as Takeshi Matsu was one of the artists who was featured in Massive. This will be his second collection of manga released in English. I rather enjoyed his first, More and More of You and Other Stories, so I’m looking forward to it.

SEAN: Dark Horse brings out a 17th volume of popular manwha title Bride of the Water God.

And a second volume of Legal Drug continuation Drug & Drop, now with added plot and deeper characterization!

ASH: Woo!

MICHELLE: Huzzah!

ANNA: I haven’t checked out the first volume of this yet, but I intend to!

SEAN: Kodansha has a fourth omnibus of Tsubasa, still in its excellent period before its plot brambles became too strong.

Hopefully the 2nd volume of Yamada-kun and the Seven Witches will give us some actual witches.

ASH: And more kissing.

SEAN: I admit I rarely talk Perfect Square books here, but the Legend of Zelda manga they have coming out next week looks awesome. Called A Link to the Past, it’s in full color and should appear to all LoZ fans.

ASH: This should be great.

SEAN: Seven Seas gives us a new Devils and Realist (Vol. 5) and a new Dragonar Academy (Vol. 6), both of which will interest their prospective audiences, which sadly are not me.

And Vertical has an 8th volume of What Did You Eat Yesterday?, which has lost me, but still enchants the rest of Manga Bookshelf.

ASH: It’s true!

MICHELLE: I’ve been so pleased with the speed with which this series has been coming out, but I’m already sad that we’ll soon be caught up with Japan.

SEAN: Viz, as always, has most of its releases this week. There’s a 4th volume of Black Rose Alice, the story of a touching romance between a body and the spiders within it.

ASH: Actually, that’s not entirely inaccurate.

MICHELLE: Heh. Here’s another series where I’m already dreading being caught up to Japan.

ANNA: I enjoy this series a bunch. Each volume is a bit of a surprise. Also, spiders.

SEAN: The 11th Bleach 3-in-1 omnibus finds the cast in the middle of the Hueco Mundo arc, one of the most beloved and uncontroversial arcs in all of Bleach.

If you thought that JoJo’s Bizarre Adventure had reached peak ridiculousness with the first hardcover, be advised it only gets weirder from here. The 2nd hardcover ships next week.

ASH: Dioooooo!

ANNA: YAY!

SEAN: I haven’t enjoyed Kiss of the Rose Princess as much as He’s My Only Vampire, but it’s good enough, and a 4th volume should be decent reading.

MICHELLE: Yeah, I’ll keep reading the former but actually keep the latter. There’s the distinction for me.

ANNA: I enjoy it for what it is.

SEAN: If you were waiting for the 2nd Millennium Snow omnibus to keep your shelves neat and tidy, here it is.

ANNA: I’ve been meaning to do a complete reread of this after only reading the first early volumes.

SEAN: Nisekoi’s ninth volume. The subtitle is still False Love, reminding those of us who enjoy the balanced harem aspect of it that there’s still one main heroine.

Ranma 1/2’s eighth omnibus gives us two of the series’ most memorable (and silliest) one-shot villains, The Gambling King and Picolette Chardin II.

Rosario + Vampire Season II Volume 14 still has too much punctuation and numbers in its title.

Spell of Desire continues to be edgy in ways I don’t like, as opposed to edgy in ways I like (which Midnight Secretary was).

MICHELLE: I had high hopes for Spell of Desire, possibly chiefly because the male lead was kind to a kitty, but now I find that I don’t like it as much as Midnight Secretary after all. I kind of can’t explain how that happened.

ANNA: I like it just as much, but I’m not a very critical paranormal romance manga reader.

SEAN: Lastly, there’s a second Yu-Gi-Oh! 3-in-1 omnibus. It’s based on a card game. Many people don’t know that bit of trivia.

ANNA: My kids have now moved on from Pokemon cards to Yu-Gi-Oh cards, and let me tell you how thrilled I am that there is yet another card game that they want to collect.

SEAN: Something for everyone? What’s for you?

Manga Giveaway: Yamada-kun and the Seven Witches Giveaway

April 29, 2015 by Ash Brown

The end of April is almost here, which means it’s time for another manga giveaway! With thanks to Kodansha Comics, this month you will all have a chance to win a copy of Miki Yoshikawa’s Yamada-kun and the Seven Witches, Volume 1. (I unintentionally ended up with two copies, so my gain is also your gain!) As always, the giveaway is open worldwide.

What with the recent releases of Yamada-kun and the Seven Witches, Maria the Virgin Witch, and Witchcraft Works, it seems as though manga featuring witches are becoming increasingly prevalent in English. And that’s not even to mention all of the series that don’t actually have the word “witch” in the title. Now, despite it’s cover and title, after only one volume Yamada-kun doesn’t seem to necessarily have anything to do with witches, but I’ve been assured by others that they are indeed a part of the series.

As with vampires, I don’t have a particular interest in witches, though that’s certainly not going to stop me from reading a manga. (Interestingly, but perhaps unsurprisingly, vampires appear to be more prevalent in manga intended for women while witches appear to be more prevalent in manga intended for men.) I have no idea why witches seem to have become so popular recently, but they’ve actually been around in manga for a while.

One of my favorite witch manga is the sadly out-of-print Sugar Sugar Rune. Berserk, another favorite series of mine, also features a young witch as a main character in its recent story arc. The two series are drastically different from each other, though; just because a manga has a witch in it doesn’t mean it will be like any of the others!

So, you may be wondering, how can you win the first volume of Yamada-kun and the Seven Witches, Volume 1?

1) In the comments below, tell me about your favorite witch from manga. (If you don’t have one, or have never read a manga about a witch, you can simply mention that instead.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And there you have it! Each person can earn up to two entries for this giveaway and has one week to submit comments. If you have trouble with the form, or if you would prefer, entries can also be sent to me via email at phoenixterran(at)gmail(dot)com. I will then post the comments here in your name. The giveaway winner will be randomly selected and announced on May 6, 2015. Good luck!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Yamada-kun and the Seven Witches Giveaway Winner

Pick of the Week: So much Kodansha!

April 28, 2015 by Anna N, Michelle Smith, Ash Brown, Sean Gaffney and MJ 1 Comment

ANNA: Kodansha! So many things coming out from Kodansha this week! What Kodansha or non-Kodansha title do you have your eye on? Personally, I am going to go for the latest volume of Gundam: the Origin from Vertical.

MICHELLE: I really need to get caught up again on Say I Love You., so that is definitely my pick of the week!

ASH: I’m actually really curious to see how Maria the Virgin Witch continues to develop. There were a few things about the first volume that bothered me, but overall it was a very intriguing, and occasionally endearing, start to the series.

SEAN: I’ll go with the new Attack on Titan Junior High, because it will be hilarious.

MJ: I suspect my pick is a little bit obvious. You all should know by now that I can’t get enough of xxxHolic, and that includes the recent sequel/reboot/whatever-the-hell-it-is xxxHOLIC Rei. The truth is, CLAMP could continue to put stories about Watanuki in front of me for the rest of my life and I’d probably never get tired of him. That’s just the way things are. So, yeah. xxxHOLIC Rei. Bring it on.

What looks good to you this week?

My Week in Manga: April 20-April 26, 2015

April 27, 2015 by Ash Brown

My News and Reviews

Last week at Experiments in Manga I posted a review of Kaori Ekuni’s quiet yet devastating novel God’s Boat. Ekuni’s debut novel Twinkle Twinkle is one of my favorites, so I made it a point to read more of her work. The underlying premise of God’s Boat—a young woman and her daughter living their lives together while the child’s father has gone missing—is somewhat similar to Hiromi Kawakami’s novel Manazuru which a I read relatively recently, but the two books are very different. I find Ekuni’s work to be very effective, so I wish that more was available in translation. Last week I also posted my second Adapatation Adventures feature, this time taking a closer look at The Twelve Kingdoms and comparing the anime adaptation with the original novels. Both version of The Twelve Kingdoms are excellent. I’m really hoping that one day the novels might be licensed again.

As for other interesting reading that I discovered last week, Brigid Alverson wrote A Brief History of Ultraman in honor of Viz licensing one of the more recent Ultraman manga. Jonathan Clements posted an article about the Japanese manga industry, particularly in regards to digital publishing. Alicia at Things We Lost at Dusk translated an excerpt of an interview with Hanamura Eiko, Chiba Tetsuya, and Takemiya Keiko about drawing girls in early shoujo manga. Other interesting things of note, the 2015 Eisner Award Nominations have been announced. As always, there are some great comics on the list. Though, as usual, manga has for the most part been relegated into the Best U.S. Edition of International Material—Asia category: All You Need Is Kill, In Clothes Called Fat, Master Keaton, One-Punch Man, Showa: A History of Japan, and Wolf Children: Ame & Yuki. The major exception this year is Massive: Gay Erotic Manga and the Men Who Make It which is up for Best Anthology. Viz’s Hello Kitty, Hello 40: A Celebration in 40 Stories was also nominated in the Best Publication for Early Readers category. And speaking of Viz, the publisher is currently running a survey about social media and websites.

Quick Takes

Let’s Dance a Waltz, Volume 1 by Natsumi Ando. I’ve previously read two other series in which Ando was involved: Kitchen Princess and Arisa. Her manga tend to incorporate a fair number of well-worn shoujo tropes and melodrama, which is true of Let’s Dance a Waltz as well. But, the manga are put together in such a way that makes for an enjoyable read even if the series aren’t particularly ground breaking. Let’s Dance a Waltz is cute, and I liked the series’ focus on ballroom dancing, which isn’t often seen in manga in English. However, one thing that really annoyed and bothered me was how Ando handled Himé’s weight at the end of the volume. After two weeks of intense dancing, she loses over forty pounds, becoming stereotypically slim and pretty. She was already cute before that though. Sadly, I suppose it was too much to ask that her and the series’ expressed admiration of the other dancers was an appreciation of their elegance and confidence rather than their slim figures. But at least Himé seems to be interested in dancing for dancing’s sake rather than as a weight loss program.

Lies & Kisses Masara Minase. A few of Minase’s boys’ love manga have been translated into English, but so far Lise & Kisses is the only one that I’ve actually read. Tatsuya has been searching for his long-lost half-brother Haruka and unwittingly sleeps with him after bringing an attractive stranger home from the bar one evening. Haru does switch from being the adoring younger brother to the sex-craving lover surprisingly easily and quickly, so the manga loses its believability very early on. But ignoring that, the aptly named Lies & Kisses actually handles the characters’ emotional turmoil and baggage surprisingly well. The reasons for Haru and Tatsuya’s repeated miscommunication makes sense and their conflicting feelings as their relationship evolves are understandable. When it is revealed that they may or may not actually be related by blood, even more emotional drama ensues. Most of the decisions made by the two men to lie and to hide things from each other, while misguided, are generally done so with good intentions and with concern for the other’s well-being.

UQ Holder!, Volume 4 by Ken Akamatsu. I continue to be somewhat frustrated by UQ Holder! and the hero’s ambiguous and seemingly directionless ambitions, but I have liked the last couple of volumes more than the first two. Tōta’s goal is still extraordinarily vague and uncomplicated—as far as I can tell, at this point it basically amounts to just wanting to be awesome—but at least the fight scenes tend to be fairly entertaining. The part of UQ Holder! that currently interests me the most is the wide variety of immortals in the series. This particular volume reveals yet another character with a special skill that, with careful use, more or less renders her immortal. Functionally, she is able to create a “save point” which, although it does have its limitations, is an admittedly cool ability. The fourth volume also ties UQ Holder! in a little closer to the tangentially related series Negima! by introducing one of its major characters, Fate Averruncus, as a primary antagonist. Hopefully this means the story of UQ Holder! will become more engaging now that it seems that the manga might be developing an actual plot.

Wolfsmund, Volumes 5-6 by Mitsuhisa Kuji. If I recall correctly, Wolfsmund was initially expected to end with the sixth volume, but it looks like there will be at least seven volumes if not more. Wolfsmund is an extraordinarily brutal manga and its violence is not at all romanticized. The fighting and torture is savage and cruel, making the series an uncomfortable read at times. In these two volumes of Wolfsmund, the Swiss rebellion continues its attack on the “Wolf’s Maw” of Sankt Gotthard Pass. Austrian reinforcements are expected, so their time is limited. They must overtake the barrier station and its bailiff as quickly as possible. Desperate measures are needed in order to accomplish that. The rebels literally throw their lives and bodies at the fortress, becoming willing participants in what amounts to a suicide mission. Even after breaching the outer defenses, they still have to contend with the traps found inside the barrier station itself and the clever design of a fortress built to withstand invasion from the outside. The deaths are gruesome and extremely unpleasant, but ultimately the rebels are able to overcome simply because they have a great number of people who are willing to die for their cause.

Adaptation Adventures: The Twelve Kingdoms

April 24, 2015 by Ash Brown

In 1992, The Twelve Kingdoms debuted as a series of fantasy novels written by Fuyumi Ono with illustrations by Akihiro Yamada. The series has inspired an anime adaptation as well as audio dramas and video games. Between 2007 and 2010, Tokyopop released English translations of the first four books in the series (which I have previously read and reviewed): Sea of Shadow, Sea of Wind, The Vast Spread of the Seas, and Skies of Dawn.

Although I had vaguely heard great things about The Twelve Kingdoms, I didn’t actually get around to reading the novels until they had technically gone out of print. I ended up loving them and they are well-worth tracking down. (The hardcover editions were apparently notorious for quality control issues, though, so it’s probably best to stick with the paperback releases when they can be found.) Soon after reading the first volume, Sea of Shadow, I immediately sought out the remaining books as well as the anime adaptation; I wanted all of The Twelve Kingdoms in English that I could get. Directed by Tsuneo Kobayashi, the anime is a forty-five-episode series which originally aired between 2002 and 2003. In North America the anime was licensed by Media Blasters. It, too, is well-worth tracking down.

The Twelve Kingdoms is a fantasy epic with an Asian flair, the worldbuilding drawing particular inspiration from Chinese myths and legends. It’s a story about the rise and fall of kingdoms as well as a person’s role in influencing the world around them, whether for good or for ill. There is action, adventure, magic, politics, combat, court intrigue, and more. The Twelve Kingdoms is broad in its scope, but it can also be very personal with the attention that is devoted to its characters and to their development as individuals. Both the narrative and the characters of The Twelve Kingdoms are layered and complex. The Twelve Kingdoms also stands out from many other fantasy works due to its excellent female characters. They often play a prominent role, whether as a hero or as a villain, and in many cases are the characters who are the focus of and really drive the story. They are every bit as nuanced as any of the other characters in the epic.

For the most part, The Twelve Kingdoms anime adapts the material covered in the first four books. So, anyone who has read the Tokyopop novels and is looking for more of the The Twelve Kingdoms story in English won’t find much new. However, there are some differences between these two versions of The Twelve Kingdoms. Some changes are inevitable due to the very nature of the new medium in which the story is being expressed—illustrated prose has been transformed into moving images with color and sound—while others are the result of deliberate choices made by the creative teams.

The anime remains faithful to the content and tone original, but it’s also not a strict retelling. Generally, the novels tend to stand on their own as separate books. They are closely related to one another, sharing the same world and even some of the same characters, but the individual stories don’t necessarily directly impact the others in the series. In the anime, the plot is treated as more of an overarching whole and is chronologically more cohesive. As a result, the anime is arguably more successful in making The Twelve Kingdoms feel more like a single, continuing story rather than a series of connected tales. There are still distinct story arcs in the anime, they’re just more closely intertwined and slightly reordered when compared to those of the novels.

One of the most notable differences between the novels and the anime is the introduction of two new characters (Ikuya Asano and Yuka Sugimoto) who play an important role in the first major story arc which largely adapts the first novel. The addition of these characters actually makes a good deal of sense. For the most part, Sea of Shadow follows Youko Nakajima, who becomes one of the most significant characters in The Twelve Kingdoms as a whole. In the first novel she is quite often alone, both literally and figuratively, and so much of the narrative as well as her personal character development are internal. This sort of inwardly-focused storytelling doesn’t always translate well in a more visual medium; the inclusion of the new characters allows the internal development of The Twelve Kingdoms to become more outwardly explicit in the anime.

In general, I find Yamada’s illustrations in the novels to be more refined and consistent than the anime’s visuals. (I have been sorely tempted to import Yamada’s The Twelve Kingdoms artbooks; they’re gorgeous.) There are scenes in the anime that are stunning, but there are also scenes where the animation and artwork are simply off. However, it is marvelous to see and be constantly aware of the visual details of the series’ setting and character designs in the anime, something that is more easily missed when reading the books. While the novels often allow a reader to better understand the worldbuilding and the more internalized aspects of The Twelve Kingdoms, overall the anime does provide a better visual context.

The anime also has a wonderful soundtrack, something that I particularly appreciate as a musician. Obviously, a soundtrack is one of the elements that the novels completely lack and is therefore unique to the anime. The music for the anime was composed by Kunihiko Ryo and is a mix of sweeping orchestral pieces and pieces more reminiscent of folk music. As previously mentioned, The Twelve Kingdoms as a whole is in large part inspired by Chinese culture, legends, and mythology. This influence can be heard in the soundtrack as well; Ryo incorporates many traditional Chinese instruments and stylings into the music of The Twelve Kingdoms.

I love The Twelve Kingdoms, both the original novels and the anime adaptation. The Twelve Kingdoms has an interesting setting and exceedingly detailed worldbuilding, well-developed characters with strengths and weaknesses, and a complex story that can be engaging as well as emotionally resonant. Anyone who enjoys a good fantasy tale would do well to experience the epic for themselves, in whichever medium it happens to be that appeals to them most. I wish that more of The Twelve Kingdoms was available in English, but what we do have is great.

Manga the Week of 4/29

April 23, 2015 by Sean Gaffney, Ash Brown, Michelle Smith, MJ and Anna N 1 Comment

SEAN: The last week of April is pretty much KODANSHA WEEK, with only two exceptions.

There’s a 3rd Attack on Titan Junior High omnibus, which is highly recommended for those who enjoy seeing how far an adaptation can go, those who enjoy seeing their favorite characters being very silly indeed, and those who like to quote one-liners on Tumblr.

Maria the Virgin Witch is a title I was very conflicted about after reading the first volume, but I’ve heard that it improves, and it’s a short series, so I will give Vol. 2 a try.

ASH: The series has a lot of potential, so I’m curious to see how it develops.

SEAN: There’s a 4th volume of supernatural comedy Noragami.

And a 7th of addictive shoujo potboiler Say “I Love You”. (I will never let go of those quote marks. It would be like leaving the ! out of Skip Beat!.)

MICHELLE: I have fallen behind on this one. Must rectify!

SEAN: Lastly, a 3rd volume of xxxHOLIC Rei, which I will continue to read as long as there’s a possibility of more Himawari/Doumeki/Watanuki OT3 shenanigans.

MICHELLE: I still have not managed to finish the original xxxHOLiC. Bad manga fan!

ASH: I was glad to see it recently announced that CLAMP is resuming work on this series after its hiatus.

MJ: This! I will be reading this.

ANNA: When will they finish X/1999? WHEN?

SEAN: In non-Kodansha news, there’s a new Alice in the Country of Clover from Seven Seas, this time focusing on Elliot: The March Hare’s Revolution.

And Vertical Comics gives us a 9th deluxe hardcover edition of Gundam The Origin.

ASH: There was a delay on this volume’s release to address some printing errors, so I’ll be happy to see it finally arrive!

ANNA: Need to get caught up on this!

SEAN: Still catching up from last week? Or does something here leap out at you?

God’s Boat

April 22, 2015 by Ash Brown

Author: Kaori Ekuni
Translator: Chikako Kobayashi
U.K. publisher: Thames River Press
ISBN: 9780857282491
Released: December 2012
Original release: 1999

One of my favorite books that I’ve read in the past few years is Kaori Ekuni’s debut and award-winning novel Twinkle Twinkle. Because I enjoyed it to such a great extent, I made a point to seek out more of Ekuni’s work to read. Sadly, God’s Boat is currently her only other major work to have been released in English. The novel was originally published in Japan in 1999. Later it was selected as a part of the Japanese Literature Publishing Project—an effort to promote the publication of modern Japanese works in translation across the globe. The English translation of God’s Boat by Chikako Kobayashi was released in 2012 by Thames River Press, a publisher based in the United kingdom. Ekuni is a respected author in Japan and has won several prestigious awards for her work. However, she doesn’t seem to be very well-known among English-reading audiences, which is a shame. I wish that more of Ekuni’s work was available in translation; her writing is excellent.

Yoko Najima lives alone with her young daughter Soko. She left her husband soon after Soko was born as the result of a passionate love affair. To make ends meet, Yoko teaches piano and works at bars and restaurants. There are three things that she counts as true treasures in her life: piano, Soko, and Soko’s father. But he has disappeared and has been gone for nearly a decade, promising that one day he will return for her. Without him by her side, Yoko feels like she doesn’t belong anywhere. Every few years she moves from one place to another with Soko in tow, afraid that if she gets too comfortable and begins to blend with her surroundings he will never find her. Yoko and Soko drift along together in life, but as Soko grows older she becomes weary of the process of moving and starting over again and again. She wants to make some lasting friendships, establish roots, and find stability. But her mother yearns for nothing more than to be reunited with Soko’s father. She is desperate to see him once more.

Much like Twinkle Twinkle, the narrative of God’s Boat alternates between two, not quite stream-of-consciousness, perspectives. The story gently progresses, at times seen through Yoko’s eyes and at others seen through Soko’s. God’s Boat paints a very intimate portrait of these two women and of their relationship with each other. A little at a time, their most private thoughts and personal memories are revealed, creating a framework from which Ekuni explores themes of love, family, grief, and loss. The novel begins in 1997, when Soko is nine years old, and ends in 2004, following them from Takahagi, to Sakura, to Zushi, and then finally to Tokyo. Yoko doesn’t change much as the novel progresses, but Soko grows significantly as she matures from a child into a young woman, which forces her relationship with her mother to evolve as well. In part, God’s Boat is Soko’s coming-of-age story as she learns to cope with her mother’s eccentricities while living under the shadow of a father she never knew.

In the epilogue, Ekuni states that while God’s Boat “is simple and quiet, the tale is one of madness. Even now I believe it to be the most perilous novel I’ve written thus far.” For the most part, God’s Boat is a very straightforward narrative about the everyday lives of its characters. The madness that Ekuni refers to is subtle, more obvious in retrospect but present from the very beginning of the novel. At first, God’s Boat is fairly unassuming, but tension slowly builds as Soko matures until the novel takes a sudden and devastating turn near its conclusion when the precarious state of Yoko’s mental and emotional stability is laid completely bare. Looking back, the developments aren’t so surprising—eventually reality must invade the romanticized existence that Yoko has created for herself and her daughter. Even so, I was not expecting God’s Boat to be nearly as hard-hitting and emotionally wrenching as it ends up being. The novel is one that will stick with me for quite some time, a testament to Ekuni’s skill as an author.

Pick of the Week: Too much manga

April 20, 2015 by Sean Gaffney, Ash Brown, Anna N and MJ Leave a Comment

SEAN: There’s a lot. Far, far too much. Railgun. Two SAO books. Intriguing debuts galore. Some of Viz’s most critically acclaimed series. Really, we are totally spoiled for choice here. I’ll go with the debut novel of Log Horizon, though. The manga was OK, but felt (as many adaptations do) like something that only readers of the original book would appreciate. I look forward to getting lost in yet another game world.

ASH: Oh, this is a tough week to choose! With so many great releases, it’s difficult to pick just one. In the end, I think I’ll go with Gyo. I’m always happy to see more of Junji Ito’s manga released (or in this case re-released) and the new deluxe edition should look great next to my copy Uzumaki.

ANNA: There’s plenty of manga coming out this week, but I have to go with the latest VizBig volume of Vagabond. That’s first on my to-buy list!

MJ: Okay, I’m definitely interested in all the SAO stuff coming out this week, but I gotta admit that the thing drawing me most strongly is the call of Zero-Sum. That is to say, Clay Lord: Master of Golems, gimme, gimme. The premise is a little questionable, in terms of my personal taste, but I need to see it to find out. That magazine pretty much has my number, and there’s no denying it.

What looks good to you this week?

My Week in Manga: April 13-April 19, 2015

April 20, 2015 by Ash Brown

My News and Reviews

Two more in-depth manga reviews were posted at Experiments in Manga last week, and once again they were both for manga. Though, unlike the week before which featured newer manga, last week’s reviews focused on a couple of older titles, one of which is actually out of print. That would be After School Nightmare, Volume 3 by Setona Mizushiro. This is the last volume in the series that I had previously read before embarking on my monthly horror manga review project, so I’m particularly curious to see where the manga goes from here. But, since next month’s horror manga review will be Mushishi, Volume 3, I’ll have to wait until June to find out. The other review posted last week was for Yak Haibara’s Sengoku Basara: Samurai Legends, Omnibus 1. Technically, it’s an adaptation of the Sengoku Basara 2 video game, but no familiarity with the games are needed and it stands alone as its own work. In addition to the incredibly over-the-top and badass characters and fight sequences, there’s actually some legitimate history mixed in as well. I find the series highly entertaining.

There wasn’t a lot in the way of manga news and announcements that I saw last week. (Granted, I was pretty busy paying attention to more pressing matters). If I missed something noteworthy, please do let me know! I would, however, like to mention Vertical’s ask.fm account, which continues provide a bit of fun in addition to excellent insight into the North American manga industry. I was particularly interested in the answer to a question about the impact of libraries on book sales since I happen to be a librarian. Also, Seven Seas has an ask.fm account, too, which I tend to forget about for some reason. Elsewhere online, Organization Anti-Social Geniuses has an interesting article about a used bookstore owner who nabbed more than 400 volumes of manga without even really knowing a thing about manga. Finally, two of Deb Aoki’s manga articles for Publishers Weekly were recently released from behind a paywall: Manga Publishing Update, Spring 2015 and Manga Publishers Try Games, Erotica to Grow Market.

Quick Takes

Karneval, Omnibus 1 (equivalent to Volumes 1-2) by Touya Mikanagi. Gareki is a fairly successful thief, but when a burglary doesn’t exactly go according to plan, he becomes the accidental protector of a strange young man called Nai and the both of them suddenly find themselves drawing the attention of Circus, a powerful association charged with dealing with criminals and situations regular law enforcement can’t handle. When Karneval was licensed, a resounding cry went up from its fans. I can definitely understand the appeal of the series. It has action and adventure, some sweetness as well as darkness, heroes with tragic backstories, mysteries and secret (and not-so-secret) organizations, quirky and attractive characters and designs (mostly men, but a few women as well), and so on. But although I thoroughly enjoyed parts of the first omnibus of Karneval, it didn’t quite grab my attention as much as I was hoping, or expecting, it would. I think this may be because the worldbuilding doesn’t feel as cohesive as I would like it to be. Mikanagi is smashing together some interesting and engaging elements and ideas, but they’re not quite meshing yet. However, I suspect the connections will become clearer as the series progresses.

Manga Dogs, Volume 3 by Ema Toyama. The third volume of Manga Dogs is also its last. It’s an amusing gag manga, but I think three volumes is just about right for the series. If it was stretched out for too much longer, it would likely become tiresome. Manga Dogs requires a high-tolerance for shallow characters, foolish comedy, and general absurdity. Although there is something of an overarching storyline, Manga Dogs tends to be fairly episodic, relying on the jokes to carry the manga more so than the characters or plot. As for the plot, at this point in the series Tezuka’s manga Teach Me Buddha is unsurprisingly in danger of cancellation as is the school’s manga program. Tezuka and the three air-headed male students who have attached themselves to her must work together in order to stop that from happening. Anyone who has read the first two volumes of Manga Dogs probably already has a pretty good idea of how well that works. I find Manga Dogs to be funniest when the humor directly ties into the manga industry or the mangaka’s creative processes. Although it’s taken quite seriously by Tezuka and the others, I’d actually be interested in reading Teach Me Buddha as a parody of shoujo manga; it has the potential to be funnier than Manga Dogs manages to be.

Yamada-kun and the Seven Witches, Volume 1 by Miki Yoshikawa. I first learned about Yamada-kun and the Seven Witches when it was added to Crunchyroll Manga. I heard very good things about it at the time, and it sounded like something that I would enjoy, so I was very pleased when Kodansha Comics picked it up for print release. I’ll admit, I tend to enjoy body-swap manga, especially when there is some gender-swapping involved. (Which, now that I think about it, is probably more often the case than not.) Yamada-kun and the Seven Witches is one of the most entertaining examples of that particular subgenre that I’ve read recently. At this point, the series is definitely being played as a comedy. The trigger for the body-swapping is kissing, and there certainly is plenty of that in the first volume. Girls kissing guys. Guys kissing other guys. (Perhaps later on in the series, there will even be girls kissing other girls.) There are kisses for everyone! Not unexpectedly, there is also a bit of fanservice. However, for the most part it doesn’t tend to be overly sexualized and generally makes sense within context of the manga. Yoshikawa used to be an assistant to Fairy Tail‘s Hiro Mashima; some of that influence can easily be seen in the artwork of Yamada-kun and the Seven Witches.

Sengoku Basara: Samurai Legends, Vol. 1

April 17, 2015 by Ash Brown

Creator: Yak Haibara
U.S. publisher: Udon Entertainment
ISBN: 9781926778334
Released: April 2012
Original release: 2007-2008

Sengoku Basara, an outrageous reimagining of the people and events of Japan’s Warring States period, is a franchise that started out as a series of video games but expanded to include manga, anime, and radio shows among other media. Although I have been aware of Sengoku Basara for quite some time, I’ve somewhat surprisingly never actually played any of the games. Instead, my first direct experience with the franchise was through Yak Haibara’s manga series known in English as Sengoku Basara: Samurai Legends, an adaptation of the second game, Sengoku Basara 2 (which is also the Japanese title of the manga). The first volume of Udon Entertainment’s Samurai Legends was released in 2012. It’s actually an omnibus collecting the first two volumes of the Japanese edition, published in 2007 and 2008 respectively. Normally, I tend to shy away from video game adaptations, often finding them to be less than satisfying, but I liked Haibara’s artwork and so made an exception for Samurai Legends. I’m glad that I did, because the manga is a tremendous amount of fun.

June 2, 1582. Akechi Mitsuhide leads a rebellion against Oda Nobunaga, setting fire to Honnou Temple and burning those inside alive. With Nobunaga dead, Japan’s temporary peace is disrupted as warlords once again battle to gain control over the country. The power vacuum is quickly filled by Hideyoshi Toyotomi with the aid of his impressively skilled strategist Hanbei Takenaka. Currently, they’re in the best position to seize complete control, but they aren’t the only ones taking advantage of the recent upheaval. In the east, the young and brash Masamune Date is itching to make his move, his chance encounter with Shingen Takeda’s protegé Yukimura Sanada spurring him on. Meanwhile, further to the west, Takeda is locked at an impasse with the “God of War” Kenshin Uesugi. While the balance of power is shifting swiftly and dramatically, the appearance of the vagabond Keiji Maeda on the field of war only seems to hasten events.

The Sengoku or Warring States period was an extremely tumultuous time in Japan, lasting from the fifteenth to seventeenth centuries. Conflict was nearly constant as alliances between military factions were repeatedly forged and broken, making for an exciting setting for a franchise like Sengoku Basara. While fairly loose with its interpretation of historical figures and events, one thing is for certain: the action and fighting in Samurai Legends is almost nonstop. It’s also ridiculously over-the-top and over-powered. Characters are incredibly strong and resilient. They each have their own style of fighting and distinctive weaponry that, frankly, are often absurd. I mean, Date fights with three swords in each hand and Takeda’s battle-axe is as big as a horse. And that’s only two examples. Samurai Legends includes anachronisms and is hardly realistic, but the manga’s badassery is bombastic, dynamic, and highly engaging as a result.

Surprisingly enough, there actually is some legitimate history mixed into the raucousness that is Samurai Legends, but the manga was never intended to be a primer or to be taken too seriously. Though I will admit, I do find it much easier to remember who was who historically having been exposed to their highly-fictionalized counterparts. The manga has a very large cast of important and memorable players. Though Date is arguably the lead in the series, every faction involved in the conflict has at least one moment in the series in which it takes precedence. Samurai Legends isn’t particularly subtle or nuanced with its story or characterizations—more often than not it’s just one spectacular fight scene after another—but the manga’s humor and intense drama, exciting action, and sheer audacity have their own charm and appeal. Honestly, I never expected that I would like series as much as I do, but I get a huge kick out of Samurai Legends and find it to to be extraordinarily entertaining.

Manga the Week of 4/22

April 16, 2015 by Sean Gaffney, Michelle Smith, MJ, Anna N and Ash Brown 2 Comments

SEAN: I feel that the “Yen Press” week of every month is just going to be like this now, and we will simply have to accept it.

Before Yen, though, there’s also enough from other publishers to make it a big week anyway. Gantz is still not over, as the 35th volume from Dark Horse will attest.

Kodansha debuts two new series. The first, Let’s Dance a Waltz, is from shoujo master Natsumi Ando, and I reviewed it here.

MICHELLE: This was not on my radar, but I think from your review that I might give it a pass. Thanks for the warning about the “overweight girl transforms to find love” trope.

MJ: Yeah, that’s a deal-breaker for me, too.

ANNA: And me as well.

SEAN: There’s also Your Lie in April, whose anime recently finished. Will folks pick up the manga even though they know how it ends? Come on, how can you resist those adorable faces on the cover?

ASH: I’m a fan of music manga, so I’ll be following it. In fact, I’ve already reviewed the first volume!

MJ: Now, this I’ll give a try!

SEAN: Seven Seas’ A Certain Scientific Railgun has reached double digits, but can it last much longer with Misaka in this much trouble? Or will a certain guy come to her rescue again? I think we know the answer to that, but read it anyway, it’s good.

Clay Lord: Master of Golems is probably the debut with the least buzz this month, but it’s a Zero-Sum title, so I know MJwill be interested if no one else. It’s about, unsurprisingly, a young man who can create golems.

MJ: Yes. Yes, yes. “Zero-Sum” is pretty much all it takes. And it’s interesting to see this coming from Seven Seas, whom I generally count on to publish manga I would not like at all. So I’m anxious to be proven wrong about that.

SEAN: Udon is putting out another “Manga Classics”, this time of Dickens’ Great Expectations. Pip pip, cheerio!

MJ: I could get interested in this.

ANNA: I need to check out a Manga Classics one day!

SEAN: Vertical gives us the 4th volume of Witchcraft Works, which I’ve fallen 3 volumes behind on, alas.

It has been almost 5 years since the last Black Lagoon volume, and the author insists that it was not “put on hiatus” or anything like that. (The author is notorious for not finishing his series, and may be worried he can’t do the same here.) In any case, for those who forget, the last volume ended with Rock being reminded how far his moral sense has fallen. Can he recover? I talk about that here.

MICHELLE: Wow. I kind of forgot about Black Lagoon.

ASH: It’s been a long time!

SEAN: Viz is re-releasing the manga Gyo in a 2-in-1 omnibus, and I recommend it for all seafood lovers.

MICHELLE: But will it still include the amazing short story, “The Enigma of Amigara Fault”?!

SEAN: And there’s also the 4th Perfect Edition of Monster, which is not quite as body horror as Gyo but is disturbing enough anyway.

There are two flavors of Vagabond next week. We have Volume 37 for regular readers, and the 12th VizBIG edition for newbies.

ASH: I’m a VizBIG reader myself, but either way this is a great series.

ANNA: I also like the VizBig editions of this series very much.

SEAN: Yen On has been trickling out new titles for some time now, but this is the biggest month yet, with 6 different novels all out next week. We start with The Devil Is a Part-Timer!, a comedic fantasy which seems to lean heavier on the comedy, at least so far.

ASH: The anime adaptation was surprisingly entertaining, so I’ll definitely be giving the original series a try.

SEAN: Just in time for the anime debut, we have the 2nd volume of Is It Wrong to Try to Pick Up Girls in a Dungeon? The first volume wasn’t terrible, but also didn’t knock me out. We’ll see how the 2nd fares.

MJ: I’ve been considering giving this one a try.

SEAN: Log Horizon is another light novel whose manga made its debut last month, but I understand the plots aren’t too similar. I’m interested in seeing how different this experience is from Sword Art Online.

No Game No Life seems like one of those titles that I will do much better with as a novel – the manga intrigued me, but man that fanservice was rampant. It’s easier to ignore in textual format if nothing else. I want to read this for the codependent heroes, really.

Spice & Wolf has no truck with these newbie Vol. 1 novels. It’s already at Vol. 14, a mature, fully developed title.

Lastly, Sword Art Online wraps up its Fairy Dance arc, which I’m sure will relieve many of its readers. Will Kirito defeat the world’s smuggest villain? What do you think?

MJ: I suspect he will, and I’ll be there to find out.

SEAN: Now on to Yen proper. Akame Ga KILL! has its second volume out, and I suspect will get even darker than it already began.

And on a slightly milder note there’s also the 4th Barakamon.

MICHELLE: I plan to get caught up on this soon.

ASH: Barakamon grows on me a little more with each volume.

MJ: Same here.

SEAN: I’ve been enjoying Inu x Boku SS quite a bit, so am sad to see that its author passed away recently. We have a few volumes to go still, though. Here’s the 7th.

Kagerou Daze is another ‘release the manga a month before the novel’ title, and I believe may be tangentially tied into the Vocaloid franchise, being based off a series of songs that tie together. Its plot is far more serious than you’d expect from that description, though.

If you ever wondered whether Joan of Arc was a magical girl, why not try new Puella Magi spinoff, Tart Magica? (Spoiler: it won’t end well. Is that even a spoiler for this franchise? Or this historical figure?)

If you enjoy busty shinigami, lecherous leads who are prevented by plot circumstances from actually doing anything, and more harem comedy than you can shake a stick at, then you’re the right audience for So I Can’t Play H!. Unlike many other recent titles from Yen, only the manga is licensed at this time.

The second Sword Art Online: Progressive manga should wrap up the first ‘arc’ of the novel, and give Kirito and Asuna fans a lot to be happy about.

Lastly, we get the 7th Tena on S-String, much quicker than we got the 6th volume.

What in this giant mound of manga and novels makes you most excited?

After School Nightmare, Vol. 3

April 15, 2015 by Ash Brown

Creator: Setona Mizushiro
U.S. publisher: Go! Comi
ISBN: 9781933617244
Released: April 2007
Original release: 2005

After School Nightmare is a ten-volume manga series created by Setona Mizushiro which has prominent psychological elements and an unsettling atmosphere. The series is currently out-of-print in English, but fortunately most of the volumes are still relatively easy to find. I initially read the first few volumes of After School Nightmare after borrowing them from my local library and made a point to collect the entire series based on the impression left on me by the early part of the manga alone. However, I never actually read any further than the third volume, in part because I found the series to be so effectively disconcerting (which I don’t necessarily consider to be a bad thing, especially for what could be considered a horror manga) and because some of the themes in the series are pretty hard-hitting and true-to-life, even if they are explored in a fantastic way. After School Nightmare, Volume 3 was originally published in Japan in 2005. The sadly now defunct Go! Comi released the English-language edition of the volume in 2007.

Every Thursday, Mashiro and a small group of other students attend a special class after school required for their graduation. In it they enter one another’s dreams, taking on forms representative of their true selves and forced to face the darkness that resides in their hearts. Many of these forms are so unlike the students’ appearances in their waking lives that it’s often impossible to know for certain who is who. At least that was true before Itsuki Shinonome joined the class. The youngest student at the school and a genius with an incredible intellect, he is prepared to leverage that privileged information in any way that he can in order to leave high school behind as quickly as possible. Knowing that Mashiro is desperate to uncover the identity of the student who takes on the form of the Black Knight in the dreams, Itsuki makes him a deal. In return for Mashiro helping and protecting him, as well as closely following his orders, Itsuki will reveal the name of the student who is the Black Knight, but only after he is able to complete the class.

Over the last few volumes of After School Nightmare Mashiro has become increasingly obsessed with the identity of the Black Knight, and with good reason. He was assaulted by the Black Knight within the dreams and suspects that the knight may be the same person as Sou, another student who has been very forceful about his feelings for Mashiro. Mashiro wants to confirm whether or not his suspicion is correct, but he hasn’t really completely thought through what he will do with that information once he knows the truth or fully considered exactly how having that knowledge will change him. Already Mashiro finds himself thinking more and more about Sou—the thin line between hate and love becoming blurred to an even greater extent—and this has had major impacts on Mashiro’s other relationships, particularly on the one with his girlfriend Kureha. Something that Mizushiro has done especially well in After School Nightmare is capture the complexities and turmoil of interpersonal relationships and how they affect one another.

Through the genre of dark, psychological fantasy, After School Nightmare touches upon issues related to identity, gender, and sexuality. Although all three can be closely intertwined, gender specifically is frequently at the forefront of Mashiro’s mind since his body has both male and female characteristics. He is so concerned about being seen as a man by others that he immediately rejects anything feminine about himself, blaming that side of him for all of his weaknesses instead of taking full responsibility for his actions and feelings. But as Itsuki points out, girls have to deal with plenty of challenges and unfair situations every day of their lives; simply existing within society requires and demands incredible strength from them. Mashiro’s attitude towards gender roles in the first two volumes of After School Nightmare was very traditional, so I’m glad to see his rigid assumptions and beliefs being shaken up a bit. Of course, this will force him to completely reevaluate who he is as a person, which will be a difficult and perhaps even traumatic process, especially as he was already struggling with establishing and accepting his own identity.

Pick of the Week: Seki & more!

April 14, 2015 by Ash Brown, Michelle Smith, Sean Gaffney, Anna N and MJ Leave a Comment

ASH: As usual, there are a few things that I’m looking forward to among this week’s manga releases, but choosing just one as my pick is surprisingly easy this time. The first volume of My Neighbor Seki was an absolute delight, and the second volume should be as well. Sometimes I just need to read a manga that makes me happy, and My Neighbor Seki is one of those series.

MICHELLE: I’m sure that I will love My Neighbor Seki when I read it, but the fact remains that I don’t love it quite yet. What I do love, however, is Shinobu Ohtaka’s Magi: The Labyrinth of Magic, so I’m happy to see volume eleven out already!

SEAN: Just a moment, have to get my Tatewaki Kuno mask on… (does so) SEKI?! MAGI?! I CANNOT CHOOSE! I MUST HAVE YOU BOTH!!!!!

ANNA: There’s a bunch coming out this week that’s on my to-read list, like My Neighbor Seki, but I haven’t even read the first volumes yet! Is there a newish volume of One-Punch Man out? I’m going to pick that because tax season makes me want to read about punching.

MJ: Okay, yeah, yeah, I’m into Seki, and I’ll admit I never really got into Junjo Romantica, but despite that (and despite the “scared uke“-style cover, I’m still irresistibly drawn to Shungiku Nakamura’s The World’s Greatest First Love. There’s just something about BL manga set in publishing that lure me in like no other. Definitely my pick this week.

What looks good to you this week?

My Week in Manga: April 6-April 12, 2015

April 13, 2015 by Ash Brown

My News and Reviews

I posted two reviews last week at Experiments in Manga that featured some of Kodansha Comics’ newest series: Masayuki Ishikawa’s Maria the Virgin Witch, Volume 1, released back in February, and Naoshi Arakawa’s Your Lie in April, Volume 1, which will be released later this month. The main reason I picked up Maria the Virgin Witch was because Ishikawa was the creator of Moyasimon. I really wasn’t expecting to like it as much as I did, but now I’m very interested in reading the rest of the series. Your Lie in April caught my attention because it’s a music manga. It has the potential to become rather melodramatic, but I did enjoy the first volume and plan on reading more.

Last week also saw the release of Gamon Sakurai’s Ajin: Demi-Human, Volume 4 from Vertical. I’m actually quoted on the back cover, a blurb taken from my review of the first volume. This is all very exciting, although my legacy will now probably be that of an ignorant reviewer who spouts nonsense about production values and the quality of paper. Although I thought it looked nice, it turns out Ajin is actually printed on one of the cheaper, thinner stocks used by Vertical. Anyway. Lesson learned! I also discovered that a much more flattering quote of mine from a quick take last year was used for the final volume of Tetsuya Tsutsui’s Prophecy, except that it was credited to Manga Bookshelf. So it goes!

Elsewhere online, Lori of Manga Xanadu has recently been putting together some interesting lists of manga. A few weeks ago she featured sewing and fashion manga and last week focused on manga which include books with great power. Organization of Anti-Social Geniuses posted the transcription of the panel with Abigail Blackman on manga editing, lettering, and Japanese nuance. from the Castle Point Anime Con. Geeks OUT! has an exclusive interview with Jiraiya (one of the creators featured in the Massive gay manga anthology) from his recent North American tour. And Zero Comprehension has a brief guide to the official releases of the Golgo 13 manga in English.

In licensing-ish news, Digital Manga has launched another Tezuka Kickstarter for Clockwork Apple and is making plans for its next yaoi Kickstarter. Unrelated, there’s also a Kickstarter project for an original-English boys’ love anthology that looks quite good—Boy, I Love You. Viz Media has licensed the Yo-Kai Watch manga series for its Perfect Square imprint. I don’t often mention anime licenses, but I was very excited to learn that Discotek Media will be releasing Library Wars and Dororo. Finally, Sparkler Monthly has added the reboot of Jennifer Doyle’s excellent webcomic Knights-Errant. (Also, the most recent Sparkler Podcast talks about josei manga and the differences between the Japanese manga industry and the North American comics industry, among other topics.)

Quick Takes

Genshiken: Second Season, Volumes 4-6 by Shimoku Kio. For some reason, I don’t find the second season of Genshiken to be as engaging as the original manga series. I haven’t quite been able to identify why yet, though I suspect it may be because most of the newer characters haven’t seen much development in the recent volumes and the characters from the first “season” feel like they’re invading the new series. I think Genshiken works best for me with an ensemble cast. While there are still plenty of characters in the manga as well as regular plot tangents, lately the story has primarily focused on just a few. Admittedly, the two characters who are getting the most attention, namely Madarame and Hato, happen to be my favorites in the series. Hato in particular is marvelous. He’s going through some significant personal turmoil over his cross-dressing and love of boys’ love, which has a tremendous impact on the rest of the story and characters. And apparently just about everyone is in love with Madarame. But as interesting as the increasingly convoluted relationships in the series are, at this point what I really want is to know more about the other club members.

Last Man, Volume 1: The Stranger by Bastien Vivès, Michael Sanlaville, and Balak. Despite France being one of the world powerhouses of comics creation, relatively few French comics have been translated into English, especially when compared to the number of manga available. Last Man, which is in part inspired and heavily influenced by shōnen battle manga, has been very well received in France. And now, thanks to First Second, it’s available in English. (I believe Last Man may actually the first comic in translation that has been released by First Second.) Adrian is a young boy who has been training hard for his first fighting tournament, but when his teammate gets sick, it looks like he won’t be able to compete. Enter Richard, the titular stranger and a physically imposing man, who also needs a partner in order to compete. They make a peculiar pair: Adrian hasn’t quite mastered the magic and special techniques of his martial style, and Richard relies completely on his fists and strength. He also doesn’t appear to actually know the rules of the tournament, which poses a bit of a problem. So far, Last Man is delightfully engaging; I’m really looking forward to reading more of the series.

Missing Road by Shushushu Sakurai. Before quietly disappearing, DramaQueen released two final manga by Sakurai, Junk! and Missing Road. What particularly caught my attention about these two manga was the fact that they were science fiction—a genre that I’ve rarely seen in translated boys’ love manga. Missing Road specifically was described as “an epic sci-fi adventure of love, loss, and redemption.” Sadly, although some of Sakurai’s ideas certainly had great potential and I did like the setting, Missing Road doesn’t quite live up to that promise. The manga would have been more successful from a narrative standpoint if Sakurai could have expanded the story over the course of multiple volumes. As it is, she tries to cover too much ground in a single installment and many of the manga’s elements feel underdeveloped or truncated as a result. There are important close and intimate relationships, but Missing Road isn’t really a love story and is instead more about brutal war and revenge. Most of the sex is of a violent nature and rape occurs on several different occasions. The English-language edition was actually censored (with permission from Sakurai) for fear of United States child pornography laws.

Tsubasa: Reservoir Chronicle, Omnibus 3 by CLAMP. With this omnibus, I have entered into territory that I previously didn’t have the opportunity to read before Tsubasa originally went out-of-print in English. At this point, I’m still enjoying the series. It’s not always the most emotionally compelling manga (although admittedly it can sometimes be heart-wrenching), but Tsubasa is definitely a solid adventure tale. The manga’s premise allows CLAMP to very creative and develop world after world, each one different from the ones preceding and following it and each with its own challenges and dangers to be faced. Nods to other CLAMP manga and characters are still prevalent, and I assume this will likely be true for the entire series. This particular omnibus prominently features RG Veda, which I haven’t actually read, so I probably don’t appreciate the references as much as someone who has. It looks like the alternate version of Seishirō from Tokyo Babylon and X will be an important antagonist in Tsubasa as well. The series Tsubasa most directly crosses over with is xxxHolic. This connection actually works very well for Tsubasa, but I find it somewhat distracting when reading xxxHolic.

Your Lie in April, Vol. 1

April 10, 2015 by Ash Brown

Creator: Naoshi Arakawa
U.S. publisher: Kodansha
ISBN: 9781632361714
Released: April 2015
Original release: 2011
Awards: Kodansha Manga Award

Your Lie in April is the first and so far only manga series by Naoshi Arakawa to have been released in English. Arakawa is still fairly early on in his career—Your Lie in April was only his third major work—but the series earned him a Kodansha Manga Award in 2013 for Best Shōnen Manga. The first volume of the eleven-book series was originally published in Japan in 2011. In English, the manga was released by Kodansha Comics in 2015. The entirety of Your Lie in April was adapted into an anime series between 2014 and 2015, which is how I first learned about the manga. My interest in the series primarily stems from the prominent role that music has to play in the manga. Music is something that is incredibly important to me and continues to be a major part of my life. Probably unsurprisingly, I tend to enjoy music manga. And so, I was particularly happy to receive an early copy of Your Lie in April from Kodansha for review.

Kosei Arima was a child prodigy, admired for his skill and success as a pianist, winning competition after competition. But ever since his mother died and he had a breakdown in the middle of a performance on stage when he was eleven, he hasn’t been able to play the piano. Not for others and not even for himself. Piano was such an integral part of Kosei’s life that he seems to be somewhat lost without it and he hasn’t been able to completely let music go. Several years have passed since then, leaving Kosei a rather withdrawn and gloomy young man. But then he meets Kaori Miyazono, an extremely passionate violinist who attends the same middle school that he does. Kaori plays the way that she wants to play, disregarding traditional interpretations and technique to make the music her own. Though he is still reluctant and hesitant, watching Kaori’s enthusiastic, free-spirited performances has reignited something within Kosei and she and his friends are determined to see him play once again.

A particular challenge faced by music manga like Your Lie in April is expressing sound in a visual medium. It takes more than simply throwing notes on the page to effectively convey the feeling of music in a comic. For the most part, Arakawa handles this aspect of the series quite well. The music itself isn’t heard, but the expressions and reactions of the listeners and musicians, the impact created by the music, can readily be seen. Perhaps the best example of this in Your Lie in April, Volume 1 is Kaori’s performance during a violin competition. The violinists before her are poised and fairly reserved in their playing, but Kaori uses her entire body to emote and express the music. This and the stunned faces of the audience members make it very clear that her invigorated style is drastically different and unexpected. But while music is obviously an important part of Your Lie in April, the real focus of both the artwork and the storytelling is on people’s experiences of that music.

Kosei’s relationship with music, and specifically with playing the piano, is a complicated one. He is struggling with intense psychological distress and it is revealed very early on in Your Lie in April that his mother physically, and very likely emotionally, abused him as well, trying to force her own dreams onto her son. Whether he is aware of it or not, Kosei’s feelings towards music and the piano are very much tied up with his feelings towards his mother. Underneath a relatively calm exterior is a turmoil of conflicting emotions that includes both love and hatred and even some fear. Deep down, Koesi does still seem to have the desire to continue playing the piano, though he denies it to himself and to others. It’s something that he will have to face head-on eventually, but Kaori’s influence threatens to make it something that he will have to deal with sooner rather than later, perhaps even before he’s really ready. I am very curious to see how Your Lie in April continues to develop and the steps Kosei may take to overcome his trauma.

Thank you to Kodansha for providing a copy of Your Lie in April, Volume 1 for review.