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Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Archives for June 2015

Tokyo Ghoul, Vol. 1

June 21, 2015 by Sean Gaffney

By Sui Ishida. Released in Japan by Shueisha, serialized in the magazine Weekly Young Jump. Released in North America by Viz.

I am highly amused at the cover art for the first volume of this series, designed to draw in readers. It shows our hero, Kaneki, posing artfully on a chair, shirt untucked and collar undone, a hand to his head, a glowing red eye sdtaring at the reader, and a small fake-looking smile on his face. It is a look that says “Ladies, I am undead and hot. Please read my story.” It does not bear any resemblance whatsoever to Kaneki in this entire first volume, who from the moment he is attacked by a ghoul is in a state of panic, hunger or guilt. But then seeing him crying and creaming on the cover wouldn’t give the manga the right image. And while I think it’s a decent start, this manga does seem to be more about looking cool than plot and characters.

ghoul1

The premise is simple and easy to understand. Our hero is a bit of a nerd with a crush on a gorgeous girl who reads the same erudite horror novels he does. On their first date, however, he discovers she is a ghoul out to kill him and eat his flesh. Fortuitously, she is killed by a passing act of God – or possibly some I-beams to the head – and he survives, albeit on the brink of death. The doctor, wanting to save his life and having a convenient corpse handy, replaces some of his organs with those of the ghoul. Thus when he wakes he finds himself a hybrid, not human or ghoul… but still craving the taste of human flesh.

There is some horror here, rest assured, but I’d say it’s far more of a thriller than a horror series, like most of the current zombie genre. I will admit to one pleasant surprise in this first volume. We see a young woman with her hair draped over one eye, who was giving our hero and his love interest/ghoul the stink-eye early on. I was fairly certain he would end up being rescued by her, and that she would turn out to be a ghoul hunter or somesuch, showing him their dark organization and asking if he wants to destroy ghouls with them. Totally wrong, in fact. In fact, Touka is also a ghoul, and the dark organization she belongs to is basically a ghoul halfway house, dedicated to allowing them to live relatively safely without becoming serial killers, like Kaneki’s crush turned out to be. She also (supposedly) wants nothing to do with Kaneki. I’m sure that will change.

This is a solid first volume. The villains we do meet are nicely nasty, and it’s nice to see a damsel in distress be male for once. That said, I didn’t really find much here that would make me want to read past the first volume. If I’m going to be reading horror, I’d like a bit more humor – this is a Very Serious title – or a bit more complexity, a la Umineko. But for those who enjoy zombies – pardon me, ghouls – and action thrillers with seemingly high body counts, you’ll get a kick out of Tokyo Ghoul.

Filed Under: REVIEWS

The Devil Is a Part-Timer!, Vol. 1

June 19, 2015 by Ash Brown

The Devil Is a Part-Timer, Volume 1Author: Satoshi Wagahara
Illustrator: 029

Translator: Kevin Gifford
U.S. publisher: Yen Press
ISBN: 9780316383127
Released: April 2015
Original release: 2011
Awards: Dengeki Novel Prize

The Devil Is a Part-Timer! began in 2011 as a light novel series written by Satoshi Wagahara with illustrations by 029, but it has since expanded to include an anime adaptation and multiple manga series as well. I was actually introduced to The Devil Is a Part-Timer! through the 2013 anime series directed by Naoto Hosoda. I rather enjoyed it and so when Yen Press licensed not only the manga but the orignal light novel series of The Devil Is a Part-Timer!, it caught my attention. I was particularly interested in reading the anime’s source material, currently an ongoing series of novels at fourteen volumes in Japan. The Devil Is a Part-Timer!, Volume 1, which earned Wagahara a Silver Dengeki Novel Prize, was released in English in 2015 under Yen Press’ new light novel imprint Yen On with a translation by Kevin Gifford. The volume also includes color pages and an end-of-book bonus—character files in the form of a collection of resumes.

Satan, the Devil King, had one simple goal: to conquer Ente Isla and subjugate the humans there who manage to survive the invasion of his forces. All was going well until the Hero made her appearance on the battlefield. Emilia throws the Devil King’s plans into disarray and Satan is forced to make a hasty retreat along with Alciel, his strategist and one of the Four Great Demon Generals. Unintentionally, they end up in the parallel world of modern-day Japan with no immediate way back to Ente Isla. Emilia isn’t far behind them, which only causes another set of problems to deal with. Until they can return to their own world, Satan, now known as Maou, and Alciel, now known as Ashiya, must survive in this one as humans with very little access to their demonic powers. But then Maou secures a job as a part-timer at a fast food joint. He’s convinced that this will be the first step in conquering Japan, the world, and (assuming they can figure out how to get home) Ente Isla.

The Devil Is a Part-Timer, Volume 1, page 21The first volume of The Devil Is a Part-Timer! and at least some if not all of the second were adapted as part of the anime series, so there were no real surprises for me plot-wise reading it. The novel does include a few more worldbuilding and character details, but for the most part the anime was a very straightforward, routine interpretation of Wagahara’s orignal story. The writing in The Devil Is a Part-Timer! isn’t particularly flashy, stylish, or clever—it’s more functional than anything else—but all of the characters have their own ways of speaking and expressing themselves. It’s immediately apparent who’s responsible for any given line of dialogue because they each have a unique, individual voice. As for the plot, it’s intentionally ridiculous and absurd, which to some extent is what makes The Devil Is a Part-Timer! entertaining. Admittedly, it sometimes doesn’t make a whole lot of logical sense, and there seem to be a few potential plot holes left for Wagahara to address as well, but the novel can still be legitimately fun. High literature it certainly isn’t, though, something that both Wagahara and the characters are well-aware of; the story developments in The Devil Is a Part-Timer!, Volume 1 are repeatedly compared to those of a B movie.

Very little of The Devil Is a Part Timer!, Volume 1 has much to do with magic or mayhem. Eventually Wagahara builds up to it for the volume’s finale, but for the most part the novel is surprisingly mundane. In the end, the crises that Maou is most concerned about is the possibility of being late for work. It seems likely that Maou and Ashiya’s personalities have significantly changed along with the changes in their physical forms. But then the humor in The Devil Is a Part-Timer! is largely derived from the characters being not at all who one would assume them to be and behaving in ways that are stunningly ordinary, especially considering their epic origins. Occasionally they do recall their quests—the demons’ goal to take over Ente Isla and Emilia’s desire to destroy Satan and his cohorts—but overall Maou appears to be content in his new-found work, Ashiya has come to accept his role of househusband, and even Emi has made a nice life for herself in Japan. Ultimately that’s what makes The Devil Is a Part-Timer so amusing, the complete mismatch between the characters as they are and the expectations of who they should be.

Filed Under: REVIEWS Tagged With: 029, Dengeki Novel Prize, Devil Is a Part-Timer, Light Novels, Novels, Satoshi Wagahara, Yen On, yen press

The Manga Revue: Dream Fossil

June 19, 2015 by Katherine Dacey

The last two years have been kind to Satoshi Kon fans: Dark Horse and Vertical Comics have each released two volumes of Kon’s manga, from Tropic of the Sea, a supernatural mystery, to Seraphim 266613336 Wings, an unfinished collaboration with Ghost in the Shell director Mamoru Oshii. This week, I investigate Dream Fossil, which collects all of Kon’s published short stories into a single volume.

dream_fossilDream Fossil: The Complete Stories of Satoshi Kon
By Satoshi Kon
No rating
Vertical Comics, $24.95

Dream Fossil is a window into a crucial stage in Satoshi Kon’s development: the six-year period between the publication of his first short story (1984) and his first long-form manga (1990). Readers may be astonished by Kon’s undisguised homage to Katsuhiro Otomo, and the flaws in his storytelling technique. Yet Dream Fossil is not simply a collection of juvenilia; these stories represent Kon’s first meaningful attempt to grapple with the themes that define his mature work, from Perfect Blue and Tokyo Godfathers to Paranoia Agent and Paprika.

Consider “Carve” and “Toriko,” two of Kon’s earliest works. Both take place in dystopian societies that stress conformity and obedience over individualism and free will–an ideal set-up for exploring the boundaries between reality and illusion. Though Kon delineates these boundaries more baldly in “Carve” and “Toriko” than in his later films, all of Kon’s characters exist in a false state of consciousness; only shattering acts of violence force them to question what they think is real. These early stories also suggest Otomo’s strong influence on Kon; “Carve,” in particular, feels like a compressed retelling of Akira, as both feature a young male protagonist whose extrasensory powers turn him into God-like being.

“Beyond the Sun” and “Joyful Bell” are another instructive pairing. Both stories evoke the humanist spirit of Tokyo Godfathers in their fond, funny depictions of two city-dwellers who temporarily escape the confines of their daily routines. As in Tokyo Godfathers, the urban landscape proves an essential component of both stories; Kon treats the city as a playground where adults can shed the burdens of age, failure, and loneliness to recover their optimism and youthful wonder.

Other stories work well on their own terms. “Guests,” a cautionary tale about real estate, skillfully blends humor and horror, while “Picnic,” one of Dream Fossil‘s briefest selections, depicts the sepulchral beauty of an underwater city. At the other end of the spectrum are Kon’s coming-of-age stories “Horseplay,” “Summer of Anxiety,” and “Day Has Dawned,” all of which suffer from tonal schizophrenia, see-sawing between wacky hijinks and meaningful lessons about adulthood. This combination might have worked in a longer format, but Kon’s characters are so underdeveloped that they never register as distinct individuals who are motivated by their own beliefs, fears, and desires.

If pressed to say whether I “liked” Dream Fossil, I’d be reluctant to give a simple yes-or-no answer. It’s difficult to overlook the rubbery faces and clumsy internal transitions in the volume’s weakest stories, or Kon’s flagrant efforts to cop Otomo’s style. Yet many of the stories feature the kind of arresting sequences, amusing plot twists, and flashes of genuine imagination that are hallmarks of Kon’s best films, making it difficult to dismiss this uneven body of work as “good,” “bad,” or “okay.”

Reviews: Jason Thompson makes a strong case that Kekkaishi is the best shonen manga you haven’t read. At Anime UK News, Sarah reviews Servamp, a supernatural adventure about–what else?–vampires. Closer to home, TCJ columnist Joe McCulloch sings the praises of Professor Layton, an untranslated manga in which “a top-hatted archeologist and his adolescent weed carrier solve extremely unlikely and sentimental mysteries” by means of word games, puzzles, and riddles.

Ash Brown on vol. 4 of After School Nightmare (Experiments in Manga)
Matthew Warner on vol. 2 of Akame ga KILL! (The Fandom Post)
Connie on vol. 1 of Alice in the Country of Clover: Knight’s Knowledge (Slightly Biased Manga)
Alice Vernon on The Angel of Elhamburg (Girls Like Comics)
Connie on vol. 17 of Black Bird (Slightly Biased Manga)
Connie on vol. 5 of Crimson Spell (Slightly Biased Manga)
Leroy Douresseaux on vol. 10 of Dogs: Bullets and Carnage (Comic Book Bin)
Helen and Justin on Donyatsu (Organization Anti-Social Geniuses)
Connie on vol. 1 of Earthian (Slighty Biased Manga)
Kory Cerjak on vol. 44 of Fairy Tale (The Fandom Post)
Frank Inglese on vols. 1-2 of Food Wars! Shokugeki No Soma (Snap 30)
Rich Johnston on Fragments of Horror (Bleeding Cool)
Kate O’Neil on vol. 6 of Gangsta (The Fandom Post)
Connie on vol. 11 of Inuyasha: VIZBIG Edition (Slightly Biased Manga)
L.B. Bryant on vol. 1 of Is It Wrong to Try to Pick Up Girls in a Dungeon? (ICv2)
Luke Halliday on vol. 1 of JoJo’s Bizarre Adventure: Phantom Blood (Snap 30)
Tony Yao on Kiss Him, Not Me (Manga Therapy)
Seth Hahne on Last Man, Vol. 2: The Royal Cup (Good Ok Bad)
Kane Bugeja on The Legend of Zelda: A Link to the Past (Snap 30)
Kathryn Hemmann on The Legend of Zelda: A Link to the Past (Contemporary Japanese Literature)
Connie on vol. 9 of Maoh: Juvenile Remix (Slightly Biased Manga)
Leroy Douresseaux on vol. 3 of Master Keaton (Comic Book Bin)
Robert Frazer on vol. 2 of My Neighbor Seki (UK Anime Network)
Dan Barnett on vols. 1-4 of Neon Genesis Evangelion (UK Anime Network)
Connie on Nonnonba (Slightly Biased Manga)
Erica Friedman on Seijun Shoujo Paradigm (Okazu)
Connie on vol. 18 of Sensual Phrase (Slightly Biased Manga)
Megan R. on Strawberry 100% (The Manga Test Drive)
Andy Hanley on vol. 1 of Sword Art Online Girls’ Ops (UK Anime Network)
Sakura Eries on vol. 2 of Sword Art Online Progressive (The Fandom Post)
Joceyln Allen on vol. 2 of USCA (Brain vs. Book)
Lori Henderson on vols. 1-5 of W Juliet (Manga Xanadu)
Erica Freidman on vol. 6 of Wandering Son (Okazu)
Sean Gaffney on vol. 8 of Wandering Son (A Case Suitable for Treatment)
Connie on vol. 15 of We Were There (Slightly Biased Manga)
Robert Frazer on vols. 5-6 of Wolfsmund (UK Anime Network)
Ken H. on vols. 1-2 of Yamada-Kun and the Seven Witches (Sequential Ink)
Connie on vol. 1 of Yukarism (Slightly Biased Manga)

 

Filed Under: MANGABLOG, REVIEWS Tagged With: Dream Fossil, Manga Review, Satoshi Kon, Vertical Comics

Manga the Week of 6/24

June 18, 2015 by Sean Gaffney, Ash Brown, Michelle Smith, MJ and Anna N 2 Comments

SEAN: The end of the month always brings a deluge from Yen, and if you add on the other publishers doing stuff it can get rather expensive. Let’s see what might be worth your hard-earned cash.

Ze, from 801 Media, has finally hit Volume 10, despite a particularly irregular release schedule.

ASH: I just recently caught up with Ze and am ready for more, even if some of the characters are jerks.

MICHELLE: I read the first few volumes of Ze and then drifted away when there was a lull between volumes. I seem to recall some plot I wasn’t wild about, also, but the details escape me now.

MJ: I *do* remember pretty clearly why I drifted away from Ze, but I’m fairly impressed that it has gone on this long. Long BL series seem so rare.

kcds14

SEAN: If it seems like it’s been forever since the last Kurosagi Corpse Delivery Service, that’s because it has been – Vol. 13 was out in December 2012. But things are looking up, as not only do we get Vol. 14 next week, but there’s an omnibus re-release in the fall.

ASH: They may not come out very frequently, but I’m always glad to see another volume of this series.

MICHELLE: Oh, that’s a pleasant surprise!

SEAN: Let’s Dance a Waltz hit all the right buttons except one – but it was a big wrong button. Now that our heroine has magically lost weight and become cute through the power of dance, can Vol. 2 hold on to an audience that all groaned when that happened?

MICHELLE: I am avoiding this one just on general principle. It makes me really wish The Stellar Six of Gingacho could’ve continued, because I ended up buying the final volume in Japanese and let’s just say this particular trope is avoided quite satisfactorily.

MJ: Ugh, ugh, ugh, ugh. Ugh. Also, ugh.

ANNA: The Stellar Six of Gingacho was really good!

SEAN: Noragami is a series that just didn’t catch on with me, but others from the Manga Bookshelf team can tell you about its 5th volume.

Your Lie in April’s first volume didn’t completely wow me, but had a lot of promise. Vol. 2 should build on that.

ASH: Music manga! I’m looking forward to reading more.

MICHELLE: As a pianist, I should want to read this but somehow I feel kind of “meh” about it.

MJ: I’m behind, here, but still interested!

SEAN: Seven Seas debuts a new manwha with an omnibus of Freezing 1 and 2. This has been highly anticipated by many readers, despite not having any monster girls that I know of. The blurb calls it “Ultra violent and sexy”, so the usual Seven Seas warnings apply.

No monster girls is not a problem with the 2nd volume of goofy comedy Nurse Hitomi’s Monster Infirmary.

Vertical has the 10th volume of mechstravaganza Mobile Suit Gundam: The Origin. (I give permission for Vertical to use ‘mechstravaganza’ in their blurbs, if they’d like.)

ASH: Still one of the best looking manga being released in English right now.

isolator1

SEAN: Given the huge popularity of Sword Art Online, and the slightly less huge but still pretty good popularity of Accel World, Yen On licensing a new Reki Kawahara novel series seems obvious. This one’s even in hardcover, so is getting the deluxe treatment. It’s called The Isolator, and seems a bit more sci-fi/aliens than his other series.

Pandora Hearts has some light novels as well, and we get the first in the Caucus Race series next week. MJ?

MJ: Honestly, I had no idea about these! Well, count me in!

SEAN: As for Sword Art Online itself, Vol. 2 of the Progressive novel series takes us into uncharted waters: this hasn’t been adapted in anime or manga form yet. It apparently has elves!

On Yen Press’s manga front, we have the first volume of Alice in Murderland. Given it’s Kaori Yuki, I’m sure the pile of corpses that will no doubt stack up as the series goes on will be exquisite.

ANNA: This title sounds amusing.

SEAN: And continuing with Alices, Are You Alice? has hit nine volumes and still doesn’t know.

Barakamon has its 5th volume of small town life and occasional calligraphy.

ASH: Barakamon has really started to grow on me.

SEAN: Bloody Cross just announced it’s ending in Japan, but I think we still have a few volumes to go here. This is the 7th.

chaika1

From the author of Scrapped Princess comes another kind, Chaika the Coffin Princess, a fantasy series about a young girl who carries a coffin on her back. No relation to Shoulder-a-Coffin Kuro, though one has to be side-eyeing Yen a bit here.

A double shot of Kaoru Yuki this month, with the 3rd Demon from Afar.

And a 3rd He’s My Only Vampire, a series I’ve become quite fond of.

MICHELLE: I’ll be reading this one.

MJ: Same.

SEAN: Love at Fourteen’s third volume will have adorable and heartwarming 14-year-old romance, I imagine.

ASH: I was a little surprised by how much I enjoyed the first two volumes. Definitely plan on reading more.

MICHELLE: And this one, too!

MJ: I really enjoy this series, so I’m definitely on board here!

SEAN: Secret has a 2nd volume, no doubt filled with survival games and animal masks. I wish the artist would go back to drawing Higurashi spinoffs, honestly.

Lastly, there’s a long-awaited 2nd volume of Void’s Enigmatic Mansion, which will hopefully become a bit more opaque this time around.

Are you feeling excited? Or merely buried in stuff?

Filed Under: FEATURES, manga the week of

Wandering Son, Vol. 8

June 18, 2015 by Sean Gaffney

By Shimura Takako. Released in Japan by Enterbrain, serialized in the magazine Comic Beam. Released in North America by Fantagraphics.

It’s always interesting to see which expectations this series plays into and which ones it subverts. Nitori and Anna are still dating throughout this volume, and it’s really, really cute. I adore them as a couple. And when Nitori confesses about wanting to wear girl’s clothing, Anna is not only seemingly fine with it but by the end of the volume is getting them matching accessories. But the question is, is this where the series is actually going to go? Because I think a lot of folks are expecting that Nitori and Takatsuki will end up together, because they’re the leads, and because that’s the sort of things that happen in romance titles like this. Except Wandering Son isn’t really a romance title.

wanderingson8

Speaking of Takatsuki, after last volume’s explosions with Chiba, it’s interesting to see that they’ve patched things up to a degree, though this does lead to the most awkward foursome ever when they come across Nitori and Anna on a date and everyone ends up at a karaoke booth. Takatsuki is trying to fittle victories this time around. Sarashina is the sort who can wear a boys’ uniform to school and not fear consequences. Takatsuki has to make do with things like wearing a tie rather than the school ribbon. And then there’s the hair, which is starting to grow out and “become more feminine”. Takatsuki’s gender identity has always felt more ambiguous and conflicted than Nitori’s, and that’s evident here, as we’re dealing with a child who’s still trying to decide between two states.

I was surprised to see the addition of Doi, who seems to be starting to move on from his ‘bully’ stage, but it was a nice moment, as it led to a) some very funny business for when he actually meets Yuki, and b) the revelation to him that yes, trans people an be incredibly attractive and are not the stereotypical drag queens with stubble that Japanese entertainment enjoys showing them as (see One Piece as an example of this). Doi and Nitori’s scenes together are filled with awkwardness, but it’s also his desire to see Nitori dressed as a girl, compounded on top of Nitori’s budding relationship with Anna and some well-meant advice from Sarashina, that leads to the cliffhanger ending of this volume.

Last time I wrote a review of this title, I talked about how it was harder for Takatsuki to do this, and now we’re seeing the inverse of that. Takatsuki can, in a pinch, get away with dressing in a boy’s uniform at school and get off with nothing more than mild scoldings. When Nitori goes to school dressed in a girl’s uniform, there’s immediate punishment – Nitori’s parents are called. We don’t see what happens next – we’ll have to wait for the as-yet unscheduled Vol. 9 for that – but I can’t imagine it’s going to be anything good. The first 3/4 of this volume were perhaps the lightest this series has gotten. The next one is, I suspect, going to be deeply unpleasant and yet utterly fascinating. Still highly recommended.

Filed Under: REVIEWS

Pick of the Week: Later than ever

June 17, 2015 by Michelle Smith, Sean Gaffney, Ash Brown and MJ Leave a Comment

potwMICHELLE: I really am gonna do it! I really am gonna read the first two volumes of Master Keaton daringly followed by the third, which is my pick of the week!

MJ: And I’m gonna stick by my boy Syoaoran and recommend that xxxHolic omnibus! So. Yeah. Take that, Sean. Or something like that.

SEAN: I should pick Fragments of Horror, really, but I suspect I like the idea of it more than the actual book, as I like my horror more manageable. So I’ll pick the 11th Haganai: I Don’t Have Many Friends, as they need all the friends they can get.

ASH: That’s okay, Sean, I’ve got Fragments of Horror covered. I’m very glad to see more of Ito’s work being translated into English. I have no idea if this collection of short manga will live up to his masterpiece Uzumaki (which I think is one of the best horror comics out there) but I’m definitely willing to find out.

What looks good to you this week?

Filed Under: PICK OF THE WEEK

After School Nightmare, Vol. 4

June 17, 2015 by Ash Brown

After School Nightmare, Volume 4Creator: Setona Mizushiro
U.S. publisher: Go! Comi
ISBN: 9781933617336
Released: July 2007
Original release: 2006

Setona Mizushiro’s After School Nightmare is a ten-volume manga series, an intense psychological drama that explores issues of gender identity and sexuality in a fantastical sort of way. The manga incorporates elements of horror and is an effectively disconcerting work. Up until now, I had only ever read the first three volumes of After School Nightmare. Those volumes, initially borrowed from the library, left a significant impression on me and I immediately sought out a complete set of the entire series for my own. (Fortunately, though out-of-print in English, After School Nightmare is still relatively easy to find.) But while I found the start of the series to be compelling, years passed before I was able to gather the courage to read more of the manga. After School Nightmare, Volume 4 was first published in Japan in 2006 while Go! Comi released the English-language edition in 2007.

Mashiro is conflicted and confused, no longer certain of who he is as a person and struggling to determine just that. The special class that he must complete in order to graduate isn’t doing anything to ease his personal turmoil. In fact, it’s forcing him to confront his insecurities and fears. But the class is also making him stronger, encouraging him to face his feelings head on both inside the shared dreams of the class and outside of them. This also means facing Sou and his relentless advances without running away. While Mashiro is becoming more confident, he is also opening himself up to Sou’s aggressiveness and influence. Matters become even more complicated when their classmate Shinbashi witnesses them sharing a kiss. Shinbashi is in love with Mashiro’s girlfriend Kureha and cares for her more deeply than her boyfriend seems to. After seeing Sou and Mashiro together, Shinbashi mistakenly assumes Mashiro’s indecisiveness in his relationship with Kureha is due to his sexual orientation, never guessing that Mashiro’s true struggle is with his gender identity.

After School Nightmare, Volume 4, page 47Shinbashi has been an increasingly important character in After School Nightmare ever since he was introduced in the second volume, but the role he plays in the fourth volume is absolutely crucial. At this point in the series it doesn’t seem as though any of the characters will get a happy ending, and Shinbashi is no exception. While he may not be dealing with the repercussions of extreme physical, emotional, and mental abuse like those experienced by his fellow classmates, his story is still a tragic one. Shinbashi has become a friend and confidante of sorts to both Mashiro, who ought to be something more like a rival, and Kureha, despite her fear and hatred of men. It’s heartbreaking to see that because Kureha’s aversion is so severe, she and Shinbashi can only communicate through their cell phones; she can’t even stand to be in the same room with him. And while by nature Shinbashi is passive, he loves Kureha completely and would do anything for her, even to the point of self-destruction.

A large part of After School Nightmare is focused on Mashiro’s search for self identity and how that identity is effected by the people around him and influenced by their relationships with him. Mashiro’s friendship with Shinbashi is a rather peculiar one that, oddly enough, somehow works. Where Shinbashi is self-sacrificing to a fault, Mashiro is incredibly self-centered, so concerned with and tangled up in his own problems that he often forgets to take into consideration how his actions may hurt others. An interesting thing about After School Nightmare is that while very few of the characters are easily likeable, I still find that I can empathize with them and can even identify with some of their plights. After School Nightmare continues to be an unsettling work with an intense and ominous atmosphere—I wouldn’t hesitate at all to describe it as a type of quiet, psychological horror—but there are occasional glimmers of hope that at least some of the characters will be able to overcome their troubles and fears.

Filed Under: REVIEWS Tagged With: after school nightmare, Go! Comi, manga, Setona Mizushiro

One Piece Breaks a Record

June 16, 2015 by Brigid Alverson

One Piece 1One Piece makes the Guinness Book of World Records, setting the record for the most copies printed of a single title by a single author—the number of copies of the different volumes of One Piece stands at over 320 million. In a written statement, manga-ka Eiichiro Oda said, “Manga is an amusing way to pass time, but when I receive reports that say ‘through One Piece I made friends,’ or ‘through One Piece I found my sweetheart,’ I am really happy. I feel like this record number has the possibility to bring the same number of people together. I will not forget my predecessors in the manga world, the colleagues whom I work with, and my readers, and from now on I want to continue to draw a work that will not shame this record.”

At Organization Anti-Social Geniuses, Justin talks to four manga designers about their work.

The latest volumes of Naruto, Assassination Classroom, and Fairy Tail top this week’s New York Times manga best-seller list.

Also, in case you’re wondering, the Naruto spinoff is only going to be one volume long.

Lori Henderson has a license request: Mythical Detective Loki, please!

Kadokawa is publishing a bilingual English-Japanese edition of Sherlock: Pink-iro no Kenkyū, which is based on the BBC’s Sherlock series featuring Benedict Cumberbatch.

News from Japan: Bloody Cross will come to an end next month.

Reviews: Jocelyne Allen writes about Tsukuroitatsu Hito, a manga about sewing, at Brain Vs Book. Ash Brown looks back at the week in manga at Experiments in Manga.

Matthew Warner on vol. 6 of Bloody Cross (The Fandom Post)
Leroy Douresseaux on vol. 10 of Black Lagoon (The Comic Book Bin)
Kate O’Neil on vol. 3 of The Heroic Legend of Arslan (The Fandom Post)
Kristin on vols. 2-4 of Kiss of the Rose Princess (Comic Attack)
Leroy Douresseaux on vol. 4 of My Love Story!! (The Comic Book Bin)
John Rose on vol. 4 of Shoulder-a-Coffin Kuro (The Fandom Post)
Dave Ferraro on vol. 1 of Spell of Desire (Comics-and-More)
Matthew Warner on vol. 1 of Sword Art Online: Girls Ops (The Fandom Post)
Kristin on vol. 1 of Tokyo Ghoul (Comic Attack)
Leroy Douresseaux on vol. 37 of Vagabond (The Comic Book Bin)
Erica Friedman on Watashi no Kiraina Otomodachi: Fatal Lies (Okazu)

Filed Under: MANGABLOG

My Week in Manga: June 8-June 14, 2015

June 15, 2015 by Ash Brown

My News and Reviews

Two reviews were posted last week at Experiments in Manga. First up was my review of the short comic The Ring of Saturn by Kaiju, a creative team made up of Kate Rhodes and Jennifer Xu. I had previously read the comic online at Sparkler Monthly and loved it, but now it’s available in print! The second review was of Takako Shimura’s Wandering Son, Volume 8. The series is an incredibly important one to me, and I’m very glad that it’s being released in English. The eighth volume ends on a bit of a cliffhanger, and I have no idea when the ninth volume will be released, so now I’m doubly anxious.

Elsewhere online, the MASSIVE/Gay Manga tumblr talks a bit about the success of Gengoroh Tagame’s first manga for a general audience, My Brother’s Husband. It sounds like there’s an ongoing effort to license the series for an English-language release, which I really hope happens! Drawn & Quarterly made an interesting licensing announcement of its own, Yeon-sik Hong’s Uncomfortably, Happily. You don’t hear about many new manhwa being released in English these days. (Although Netcomics does seem to be making a quiet comeback.) Frederik L. Schodt spoke briefly on To the Best of Our Knowledge about Osamu Tezuka and his works. Finally, Organization Anti-Social Geniuses continues its Manga Advice series, this time interviewing four manga designers.

Quick Takes

My Little Monster, Volume 8My Little Monster, Volume 8 by Robico. The last volume of My Little Monster got my hopes up as the series seemed to be regaining its momentum. I wouldn’t say my hopes were dashed reading the eight volume since there were plenty of funny and dramatic moments, not to mention the introduction of a new character as well as several confessions of love, but the series still isn’t going anywhere fast. Both Robico and the characters know this, too, and even comment on the fact that nothing has really changed all that much from the beginning of the story. Although, I do suppose that it’s an important development that Shizuku and Haru are now officially a couple. (Except that I thought they already were? Guess I was wrong.) My Little Monster does frustrate me a little with all of its one step forward, one step back approach to storytelling and relationships, and it seems to have forgotten some of the major plot threads that were started earlier, but I do still like the series as a whole. My Little Monster can be very funny at times and the quirky characters continue to amuse me. So, I’ll likely keep reading.

Say I Love You, Volume 7Say I Love You, Volume 7 by Kanae Hazuki. Although Mei and Yamato are clearly the main characters of Say I Love You, large portions of the series are actually devoted to their friends, classmates, and families. After showing the outcome of Mei and Yamato’s date (which his sister crashed before his older brother was able to drag her away) and the result of their first night spent completely alone together, the seventh volume largely focuses on Megumi’s story. After Megumi was rejected by Yamato, who remains devoted to Mei, she has been trying to ruin all of Mei’s new-found friendships. She actually ends up making herself miserable in the process and ends up withdrawing more and more from the people who legitimately care about her. Like many of the characters in Say I Love You, Megumi is dealing with some pretty serious personal issues. Her self-confidence has been destroyed, she doesn’t trust other people, and her relationships are falling apart. As unlikeable as she can be at times, it’s still heartbreaking to see her intense unhappiness. But the growth and development of the characters in Say I Love You is excellent.

Wuvable OafWuvable Oaf by Ed Luce. I was introduced to Ed Luce and his work thanks to TCAF 2014’s Queer Mixer where I learned that Fantagraphics would be releasing a collection of his most well-known creation, Wuvable Oaf. The volume opens with “Music Is My Boyfriend,” the first major Wuvable Oaf story arc which follows the titular Oaf, an ex-pro wrestler who now spends his time crafting handmade dolls (stuffed with his own body hair) and working at Oaf’s Home for Wayward Kitties Who Are Really Cute & Need Lotsa Love, and his relationship with Eiffel, a much smaller and extremely surly fellow who is the lead singer of Ejaculoid, a disco grindcore band. The volume also includes a collection of Wuvable Oaf short stories and “The Official Handbook to the Oafiverse,” which contains detailed (and humorous) character profiles among other things. Oaf himself is adorable and an absolute sweetheart. Although occasionally kind of gross, Wuvable Oaf can be surprisingly sweet and charming, filled with all sorts of marvelous queerness. Wuvable Oaf is also very, very funny. And it just so happens to be a cat comic, too!

Yamada-kun and the Seven Witches, Volume 2Yamada-kun and the Seven Witches, Volume 2 by Miki Yoshikawa. Despite the manga’s title, the witches of Yamada-kun and the Seven Witches have yet to make their presence known, though I’m assuming it’s only a matter of time. I enjoyed the first volume Yamada-kun and the Seven Witches a great deal. I enjoyed the second as well, but it didn’t manage to leave as big of an impression on me. The fanservice seemed a little more forced in the second volume, too. Still, the series is a comedy more than anything else and I continue to find it to be highly entertaining. (But then again, I do have a proclivity towards stories that include body-swapping and gender play.) Yamada has discovered that he has a strange ability that allows him to switch bodies with another person if they kiss. He doesn’t know why he has this power, nor does he completely understand how it works. But even so, he and the few people who know about it are more than willing to use Yamada’s peculiar skill to their advantage, whether it’s appropriate or not. (Often it’s not.) This of course means there’s all sorts of kissing and other antics going on.

Filed Under: FEATURES, My Week in Manga Tagged With: comics, Ed Luce, Kanae Hazuki, manga, Miki Yoshikawa, My Little Monster, Robico, Say I Love You, Wuvable Oaf, Yamada-kun and the Seven Witches

The Manga Revue: One-Punch Man

June 12, 2015 by Katherine Dacey

Here in the US, VIZ has been in the vanguard of digital manga initiatives. VIZ was among the first publishers to make its catalog available across a variety of platforms, allowing readers to enjoy Dragon Ball and Vampire Knight on their device of choice. VIZ has also been using its app and website to re-release older titles, both from its own catalog–hello again, Basara!–and from Tokyopop’s. More recently, VIZ has experimented with digital-first titles such as Tokyo Ghoul, releasing two or three volumes online before introducing a print edition. Today’s column focuses on another digital-first title, ONE and Yusuke Murata’s tokusatsu spoof One-Punch Man.

One-Punch ManOne-Punch Man, Vols. 1-2
Story by ONE, Art by Yusuke Murata
Rated T, for teens
VIZ Media, $6.99 (digital)

In a scene that would surely please Jack Kirby, One-Punch Man opens with a pow! splat! and boom!, as Saitama, the eponymous hero, goes mano-a-mano with the powerful Vaccine Man, a three-story menace with razor-sharp claws. Though Vaccine Man is formidable, he has a pronounced Achilles’ heel: chattiness. “I exist because of humankind’s constant pollution of the environment!” he tells Saitama. “The Earth is a single living organism! And you humans are the disease-causing germs killing it! The will of the earth gave birth to me so that I may destroy humanity and their insidious civilization!” Vaccine Man is so stunned that Saitama lacks an equally dramatic origin story that he lets down his guard, allowing Saitama to land a deadly right hook.

And so it goes with the other villains in One-Punch Man: Saitama’s unassuming appearance and matter-of-fact demeanor give him a strategic advantage over the preening scientists, cyborg gorillas, were-lions, and giant crabmen who terrorize City Z. Saitama’s sangfroid comes at a cost, however: the media never credit his alter ego with saving the day, instead attributing these victories to more improbable heroes such as Mumen Rider, a timid, helmet-wearing cyclist. Even the acquisition of a sidekick, Genos, does little to boost Saitama’s visibility in a city crawling with would-be heroes and monsters.

If it sounds as if One-Punch Man is shooting fish in a barrel, it is; supermen and shonen heroes, by definition, are a self-parodying lot. (See: capes, spandex, “Wind Scar.”) What inoculates One-Punch Man against snarky superiority is its ability to toe the line between straightforward action and affectionate spoof. It’s jokey and sincere, a combination that proves infectious.

Saitama is key to ONE’s strategy for bridging the action/satire divide: the character dutifully acknowledges tokusatsu cliches while refusing to capitulate to the ones he deems most ridiculous. (In one scene, Saitama counters an opponent’s “Lion Slash: Meteor Power Shower” attack with a burst of “Consecutive Normal Punches.”) ONE’s script is complemented by bold, polished artwork; even if the outcome of a battle is never in question, artist Yusuke Murata dreams up imaginative obstacles to prevent Saitama from defeating his opponents too quickly, or rehashing an earlier confrontation.

Is One-Punch Man worthy of its Eisner nomination? Based on what I’ve read so far, I’d say yes: it’s brisk, breezy, and executed with consummate skill. It may not be the “best” title in the bunch–I’d give the honor to Moyocco Anno’s In Clothes Called Fat–but it’s a lot more fun than either volume of Showa: A History of Japan… Scout’s honor.

The verdict:  Highly recommended. Binge-readers take note: seven digital volumes are now available. The first two print volumes arrive in stores in September.

Reviews: Are you crafty? If so, then Jocelyn Allen’s glowing appraisal of sewing manga Tsukuroitatsu Hito will be right in your wheelhouse. Here at Manga Bookshelf, Michelle Smith, Anna N. and Sean Gaffney post short reviews of new releases, from D. Frag! to Seraph of the End.

Nick Creamer on vol. 1 of The Ancient Magus’ Bride (ANN)
Allen Kesinger on vol. 1 of Big Hero 6 (No Flying No Tights)
Megan R. on Death Note (The Manga Test Drive)
Joe McCulloch on Dream Fossil (The Comics Journal)
Helen and Justin S. on Father and Son (Organization Anti-Social Geniuses)
Leroy Douresseaux on vol. 12 of Magi: The Labyrinth of Magic (Comic Book Bin)
Wolfen Moondaughter on vol. 12 of Magi: The Labyrinth of Magic (Sequential Tart)
Lori Henderson on vol. 3 of Manga Dogs (Manga Xanadu)
ebooksgirl on vol. 2 of My Neighbor Seki (Geek Lit Etc.)
Ash Brown on The Ring of Saturn (Experiments in Manga)
Leroy Douresseaux on vol. 5 of Seraph of the End (Comic Book Bin)
Sean Gaffney on vol. 1 of So Cute It Hurts! (A Case Suitable for Treatment)
Sheena McNeil on vol. 1 of So Cute It Hurts! (Sequential Tart)
Ian Wolf on vol. 1 of So Cute It Hurts! (Anime UK News)
Hillary Brown on Trash Market (Paste Magazine)
Shea Hennum on Trash Market (This Is Infamous)
Sheena McNeil on vol. 8 of Voice Over! Seiyu Academy (Sequential Tart)
Ash Brown on vol. 8 of Wandering Son (Experiments in Manga)
Ken H. on vol. 3 of Witchcraft Works (Sequential Ink)

The internet is a big place, and it’s easy to miss a good manga review! If you’d like to see your work featured in our weekly link round-up, leave a comment below.

Filed Under: MANGABLOG, REVIEWS

Wandering Son, Vol. 8

June 12, 2015 by Ash Brown

Wandering Son, Volume 8Creator: Takako Shimura
U.S. publisher: Fantagraphics Books
ISBN: 9781606998311
Released: May 2015
Original release: 2008

Wandering Son by Takako Shimura is a manga series that is incredibly important to me on a very personal level. The series’ exploration of personal identity, especially in regards to gender and sexual identity, is beautifully done with great sensitivity. It’s a rare comic in which gender expression and other issues relating to gender are treated realistically and not as a joke. Wandering Son is an authentically meaningful series. Fantagraphics Books has been releasing the manga in English in a lovely hardcover edition; I only wish that the individual volumes were able to be released more frequently. Wandering Son, Volume 8 was first published in Japan in 2008 while the English translation was published in 2015. Wandering Son concluded in 2013 with its fifteenth volume, meaning that the eighth volume marks the beginning of the second half of the series. I am so incredibly grateful that Wandering Son is being translated and look forward to reading the remaining volumes.

Spring has come, which means a new school year is about to begin. Shuichi, Takatsuki, and their classmates are entering the eighth grade, but with a new year comes new class assignments. The students, whose often precarious friendships and relationships were at least temporarily stable, once more find themselves confronted with new and changing group dynamics. Some friends are separated while others are reunited. And of course, not-quite-friends and past bullies are included in the mix as well, creating some challenging and awkward situations for everyone involved. Springtime has come for some of the young people in a more figurative sort of way as well. Anna and Shuichi continue to date each other and enjoy being together despite Shuichi’s lingering affections for Takatsuki. Everyone has mostly come to terms with this development in their relationship, but more than one person has commented that Takatsuki and Shuichi would make an ideal couple.

Wandering Son, Volume 8, page 101I’ve come to really like Anna as a character. When she was first introduced in the series, she came across as aloof and perhaps even a bit mean-spirited, but as Wandering Son has progressed, more about Anna has been revealed. It’s not exactly that she’s bad-natured, she just doesn’t have a high tolerance for people who don’t approach their lives and work seriously. Anna can be surprisingly mature for her age—something that may probably be true for many of the younger characters in Wandering Son—but I still find her personality and character to be a believable. She is extraordinarily accepting and kind in her own fashion, seeming to lack the jealous tendencies that cause so many problems for her peers. But what I love most about Anna in Wandering Son, Volume 8 is her acceptance and support of Shuichi through their relationship as a couple. She is perfectly content to go on dates as two girls if that’s what Shuichi wants and she never denigrates Shuichi’s interests or feelings.

For the most part, Wandering Son tends to be a fairly quiet series, which is not to say there isn’t drama. And I certainly don’t intend to downplay the very real and intense emotions experienced by the characters as they struggle through their adolescence and personal turmoils. Those are central to Wandering Son. However, the eighth volume is the first volume that really ends with a dramatic turn of events that could be described as a cliffhanger. Throughout Wandering Son, Shuichi and Takatsuki have become more comfortable and increasingly bolder with how they express themselves in the clothes they wear, largely because they’ve received encouragement from their classmates and friends. But up until this volume, that outward expression has mostly been limited to their private lives; now they’ve begun to push the boundaries in how they dress at school, which has an explicit dress codes and uniforms based on gender. I am very glad to see the two of them developing a firmer understanding and acceptance of who they are, but I also worry for them because, as Wandering Son honestly portrays, the world can sometime be a very cruel place.

Filed Under: REVIEWS Tagged With: Fantagraphics Books, manga, Takako Shimura, Wandering Son

Manga the Week of 6/17

June 12, 2015 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ 1 Comment

SEAN: A second small week in a row! This is getting creepy. Where’s that manga boom?

eden1

Fans of Eden: It’s an Endless World will be more disappointed than ever see see that a new manga called Eden is not what they think. Fans of Gen Manga’s alternative stuff, though, will be delighted with Eden Vol. 1.

xxxHOLIC Omnibus 6 is a bit smaller than previous ones, as they had 4 volumes to go so had to divide it 2 and 2. Also, we’re at peak Syaoran levels. This is not a drill. Please protect yourself from further Syoaoran outbreaks.

MICHELLE: *snerk* Someday I really will finish this series and Tsubasa Reservoir Chronicle.

ASH: And thanks to the omnibuses, you can! (I’m on the same reading program)

ANNA: I enjoy Clamp, but I gave up on xxxHOLIC and Tsubasa. Also I am still bitter that X/1999 is unfinished.

MJ: Sean, you hurt me. Also. You people. What.

SEAN: Not only does the cast of Haganai still not have many friends as of Vol. 11, but the cover shows that Yozora is looking more sullen than ever.

And Servamp’s protagonist is probably looking sleepy in this 2nd volume, if Vol. 1 was any indication.

Viz has Dogs reaching double-digits with Vol. 10. Man, remember when this was the new Black Lagoon, as opposed to Gangsta? Also, is it me or is this out before its traditional one-per-year release?

MICHELLE: I think it is.

ANNA: Just wanted to mention how much I like Gangsta!

fragments

SEAN: Junji Ito time, with Fragments of Horror, a short story collection that will no doubt scare the bejabbers out of everyone. It’s in hardcover, too.

ASH: Very much looking forward to seeing more of Junji Ito’s work in English!

SEAN: Master Keaton’s 3rd volume will continue to show why Keaton is a brilliant investigator and a less-than-brilliant husband and father.

MICHELLE: I am terrible because I haven’t managed to find time to read 1-2 yet!

ANNA: I agree that you are being terrible to yourself for not reading these books already!

SEAN: Lastly, there is the much anticipated Tokyo Ghoul, which seems to be making fans of the anime very happy, but is not as pleasing to the manga blogger crowd. We shall see.

ANNA: I am going to check this out.

MJ: What she said.

SEAN: Are you getting something, or saving your money for the following week’s deluge of Yen?

Filed Under: FEATURES, manga the week of

The Ring of Saturn

June 10, 2015 by Ash Brown

The Ring of SaturnCreator: KaiJu
Publisher: Chromatic Press
ISBN: 9780993861178
Released: May 2015
Original run: 2014

The Ring of Saturn was the first work that I read by KaiJu, a creative team made up of animator Jennifer Xu and cartoonist Kate Rhodes. A short three-part comic, The Ring of Saturn was first serialized online in Chromatic Press’ multimedia magazine Sparkler Monthly in 2014. The comic was collected as an ebook soon after and then in 2015 the print edition was released. I initially read The Ring of Saturn online as it was being serialized and was very impressed by the comic, so I was looking forward owning a physical copy. The gorgeous cover artwork was what first caught my attention, but the comic’s musical elements and historical drama immediately appealed to me as well. Although The Ring of Saturn stands completely on its own, the comic is actually a side story, a pilot of sorts, for a much larger work pitched by KaiJu to Chromatic Press. Based on the strength of The Ring of Saturn alone, I hope to one day see that project come to fruition. In the meantime, I’m very happy to have The Ring of Saturn.

Miriam Frayne is a student of Gustav Holst, the Director of Music at the prestigious St. Paul’s Girls’ School. Although a skilled pianist with a passion for music, she is confounded by the solo arrangement of Holst’s “Saturn, the Bringer of Old Age.” She simply can’t seem to grasp its meaning or feeling, much preferring the rousing “Jupiter” movement of the suite which better suits her exuberant temperament and style of playing. It’s that energy that captures the attention of Rasim Rahal, a young astronomer who is intrigued by Holst’s work. At first Miriam is annoyed by Raz, but she soon finds herself warming up to him. Although he’s not the only one to express enjoyment of Miriam’s performance of “The Bringer of Old Age,” she herself continues to be dissatisfied and frustrated with it. And while Miriam continues to struggle with “Saturn” her country is locked in a struggle of its own—The Great War. Though seemingly far removed from her quiet life at school, the war is something that will affect everyone, including Miriam.

The Ring of Saturn, pages 69-70One of the things that I love about The Ring of Saturn is how the music forms a parallel to the narrative of the comic and to Miriam’s development as a character. The music serves as a metaphor for growth and change in a way that is remarkably effective and which never comes across as trite. “Jupiter, the Bringer of Jollity” is a flashy piece with a sense of brilliance. As Miriam describes it, it steadily moves forward with purpose. “The Bringer of Jollity” captures Miriam as she is at the beginning of the comic—youthful and fervent, though perhaps a little naive when it comes to some of the harsher realities of life and of war. But by the end of The Ring of Saturn, Miriam is finally able to understand and even identify with “The Bringer of Old Age.” She has had to grow up, and with that maturity she is able to approach the music and her life more fully. She is no longer the person she once was, which can be seen in both how she acts and in how she plays. Miriam has become wiser with age and with experience.

Music, which is beautifully conveyed visually throughout The Ring of Saturn, is a critical component of the work. The Ring of Saturn also one of the few comics that I know of in which a composer, and a historical one at that, plays an important role. And it’s certainly the only one that I’m aware of that features Holst. While the details in The Ring of Saturn aren’t quite as intricate, KaiJu’s work in the comic reminds me of some of the manga by Kaoru Mori in both its artwork and in how history is incorporated into its setting and story. The Ring of Saturn is historical fiction and so some freedom has been taken with historical fact, but the feeling of era is there. I also enjoyed the comic’s witty and poetic dialogue. The Ring of Saturn is a short comic, well under a hundred pages, but it is also satisfyingly complete. Reading it again I love it just as much as I did the first time and have perhaps come to appreciate even more what KaiJu has accomplished with The Ring of Saturn.

Filed Under: REVIEWS Tagged With: Chromatic Press, comics, kaiju

So Cute It Hurts!!, Vol. 1

June 10, 2015 by Sean Gaffney

By Go Ikeyamada. Released in Japan as “Kobayashi ga Kawai Sugite Tsurai!!” by Shogakukan, serialization ongoing in the magazine Shoujo Comic (“Sho-Comi”). Released in North America by Viz.

In general, I’m a sucker for over-the-top comedic shenanigans in a shoujo manga, but it can be very difficult to actually achieve this. The author has to be ridiculous while still keeping the reader interested, and suspend disbelief without hanging it by the neck. It can also be very easy to slide into drama, particularly if you run in a magazine like Sho-Comi. When done right, though, it can be pure fun. I think the first volume of So Cute It Hurts!! shows a lot of promise, and while not perfect, has enough fun that I will be reading more.

scih

The author was previously best knows for Suki Desu Suzuki-kun!!, an 18-volume series that I thought might be licensed by Viz but never was. (Not that you’d know that by the back of this book – all the extras are included, including the cast of SDSK talking to us about the new title.) This new one is 11 volumes and counting, and for once actually feels like it was planned out to be a long series rather than a short one that catches on and gains plot points afterwards. Our heroes are identical twins, one male and one female. Mitsuru is good at athletic things, a bit of a playboy, and a bit of a delinquent. Megumu is a history otaku who plays Edo-period datesims. Together, they do not fight crime at all – in fact, they don’t really interact as much as you’d expect. But when Mitsuru’s grades are in danger, he asks his lookalike sister to swap with him for the week and take the tests for him.

To her credit, she refuses. Of course, he then proceeds to switch anyway, as he’s that sort. Mitsuru spent the first volume annoying me, to be honest, and I had to occasionally remind myself that his character development is part of the point. He does despise bullying, of course, like all manga heroes, and when he comes across a deaf girl who is being harassed by the queen of the school, he not only falls head over heels but starts to study sign language. As for Megumu, she’s in at the deep end at the boys’ school, not even trying to act like her brother and accidentally winning fights by tripping and headbutting the opponent’s crotch. She does meet a sexy aloof guy, though. With an eyepatch.

If all of this sounds melodramatic, you are absolutely correct. Naturally, the deaf girl seems to be in love with the eyepatch guy. Naturally, the Queen of the School ends up falling for Mitsuru (in another disguise), and absolutely everyone is completely amazed at the feelings in their heart! The humor is broad but fun. I like that the twins never even bother to try to imitate each other beyond the outfit swap, and how it works anyway. I like Mitsuru’s cocky ‘I can’t believe I’m this cute’ persona, which provides the title for us but also tells me he’s being set up for a fall. I like how Megumu may be a shy girl falling in love, but she’s still happy to rabbit on about Masamune for minutes on end in front of her crush.

this first volume doesn’t knock it out of the park. It’s fun but slight, and I hope it will continue to develop its characters as it goes along. If you’re a Shojo Beat fan, this should please you.

Filed Under: REVIEWS

Bookshelf Briefs 6/9/15

June 9, 2015 by Michelle Smith, Sean Gaffney and Anna N Leave a Comment

This week, Michelle, Sean, & Anna look at recent releases from Seven Seas and Viz Media.

dfrag5D-Frag!, Vol. 5 | By Tomoya Haruno | Seven Seas – I must admit we got off to a slow start with this volume, as the lunchbox plot was dull, and yet another Momotaro parody never took off. But once we introduced our new adversary, Tama, D-Frag! goes back to doing what it does best – humiliating its entire cast for the sake of comedy, while at the same time allowing them to be completely awesome. Tama fits right into the manga, and shows off a surprising childhood side of the seemingly indomitable Chitose (and Roka being an adorable yet incredibly weird baby). Actually, it’s Sakura who now gets the role of the indomitable fighter. Add in a few jokes about Takao’s chest (because without those, how would you know you were reading D-Frag!?), and it adds up to a strong finish. – Sean Gaffney

foodwars6Food Wars!: Shokugeki no Soma, Vol. 6 | By Yuto Tsukuda and Shun Saeki | Viz Media – It’s time for a new arc, and Totsuki Institute’s Fall Classic, a “grand stage for fierce cooking battles,” seems poised to offer some tremendous shounen tournament fun featuring quite a few new characters. Before it kicks off, though, Soma’s dad stops by to encourage his son by trouncing him in an invigorating breakfast challenge (it’s nice to see Soma lose for a change!) and Soma realizes his scent-fu is not up to par when confronted with a master of spices. I’d forgotten how much this series reminds me of The Prince of Tennis, but volume six evoked those feels once again. It also, alas, evoked some ews with ickier-than-usual fanservice, though even Soma had his clothes blown off by some potent curry, so I guess that evens things out a bit. The volume ends just as the classic begins, so I am definitely looking forward to volume seven! – Michelle Smith

girlspanzer4Girls Und Panzer, Vol. 4 | By Girls Und Panzer Projekt and Ryohichi Saitaniya | Seven Seas – This is a franchise, of course, and most of those who are buying the manga will already be familiar with the anime, which ends in the same way. (I imagine the light novel, which focuses on Saori, ends the same – don’t expect it licensed anytime soon.) So the manga, unlikely to show off more thrilling action scenes (though they are done very well indeed) shows us instead more of its focus character, Yukari, and her love of tankery. It can sometimes feel a bit odd – the emotional core of the story is Niho’s, and seeing it viewed through Yukari’s prism feels off. But overall, I think this was an excellent adaptation, and I’m surprised I enjoyed it as much as I did. Sweet and fun. – Sean Gaffney

kamisama18Kamisama Kiss, Vol. 18 | By Julietta Suzuki | Viz Media – It almost felt like this series could end at the conclusion of the time-traveling arc, what with Nanami and Tomoe officially becoming a couple, but I’m glad it didn’t. It’s actually refreshing for her to get back to her old life, studying for finals so that she can go on the class trip to Okinawa. While I don’t love that Nanami is another in the long line of scholastically challenged shoujo heroines, I did like her being motivated by Tomoe’s resolve to absorb human knowledge, since he intends to be a more permanent part of her world. Too, the class trip brings greater definition to Nanami’s closest school friends and affords Nanami the opportunity to be very brave in attempting to save one of them from an aggrieved yokai. I admit to being a little lost about this whole Kirihito storyline, but was nonetheless thoroughly entertained. – Michelle Smith

kiminitodoke21Kimi ni Todoke: From Me to You, Vol. 21 | By Karuho Shiina | Viz Media – Sometimes, narratives I am consuming for entertainment purposes portray the agonies of youth so acutely that said consumption becomes a bit stressful. Such is the case with Kimi ni Todoke’s 21st volume, in which the cast enters their final year of high school and must decide what to do about their futures. I absolutely love that Sawako is nudged into pursuing her own goals more aggressively—it’s great to see her feeling energized about something—and the idea of Ayane going off alone to see new things and become the confident person she knows she isn’t, even though others think differently, is great. (We can has spinoff?!) But there are some hints that at least one relationship might end (and if it doesn’t, that’s probably worse) and many exciting yet bittersweet days are to come. It’s great, but it hurts. It’s great because it hurts. – Michelle Smith

seraph5Seraph of the End: Vampire Reign, Vol. 5 | By Takaya Kagami and Yamato Yamamoto – I continue to enjoy the worldbuilding in this manga. The past two volumes were mostly concerned with training and fighting, so I was interested to see some of the backstory of the Japanese Imperial Demon Army get filled in when Yuichiro is called before some members of the high-ranking Hiragi family and subjected to an interrogation. The leader learns why Shinoa is disaffected from her family and also why despite his rank, Gurren is a target of suspicion. Yuichiro is determined to master his demonic weapons, hold on to his new found family, and try to turn his long-lost friend Mika into a human again. We’ll see if he can pull that off in the next few volumes. Seraph of the End is still an engaging series five volumes in. – Anna N

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