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Archives for September 2020

Manga the Week of 9/23/20

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SEAN: Manga is here and nothing can stop it!

Except perhaps fire. Pacific Northwest-based Dark Horse has two manga releases currently scheduled for next week, but has already said the wildfires might delay releases. But we will note them anyway: Danganronpa Another Episode: Ultra Despair Girls 2 and Ms. Koizumi Loves Ramen Noodles 2.

ASH: Yikes, that is a completely understandable reason for possible delays.

SEAN: J-Novel Club once again has two debuts, one which I care about and one which I do not. The “do not” is My Instant Death Ability is So Overpowered, No One in This Other World Stands a Chance Against Me! (Sokushi Cheat ga Saikyou Sugite, Isekai no Yatsura ga Marude Aite ni Naranai n Desu ga). Leaving aside the fact that no light novel with the word ‘Cheat’ in the title should ever be licensed, this is by the author of My Big Sister Lives in a Fantasy World, and apparently ties into that story, but I’m still not interested enough to look at it. But it should appeal to those who like this sort of thing.

Far more to my taste is The Sorcerer’s Receptionist (Mahousekai no Uketsukejou ni Naritaidesu), a J-Novel Heart series about a commoner woman whose goal is to become a guild receptionist, and the duke’s son who she keeps running into while she achieves this.

ASH: That one’s more to my taste as well.

SEAN: Also coming out next week: I Refuse to Be Your Enemy! 3, Lazy Dungeon Master 12, My Next Life As a Villainess! 7, and Sorcerous Stabber Orphen 8.

Kodansha has a very light week next week. No print books, and the digital side is light as well. The debut there is Maid in Honey, a Dessert title whose synopsis and cover art makes me cringe, but I know there’s a big audience for series like these.

MICHELLE: Yeah, this is another of the “girl with a service job” titles I mentioned last week. The style of the cover looked familiar so I did a search on the mangaka and, yep, she’s the one who did Beauty Bunny also. I think I’ll be passing on this one.

SEAN: We also see Abe-kun’s Got Me Now! 4, Altair: A Record of Battles 22, DAYS 20, and the 20th and final Elegant Yokai Apartment Life, which I’m not sure if it completed or if it was simply cancelled.

MICHELLE: I’m hoping for the former! I have been meaning to read it for ages.

SEAN: KUMA has a print release of Canis: Dear Mr. Rain (which I thought we’d had before, but…)

MICHELLE: I am pretty sure it was supposed to come out earlier but got pushed back.

ASH: Yup, I think that’s the case. I’ll probably check it out at some point now that it’ll be available.

SEAN: Seven Seas has two debuts, one print and one early digital, but both yuri. The print is Our Teachers Are Dating! (Hayama-sensei to Terano-sensei wa Tsukiatte iru), a Comic Yuri Hime title about a gym teacher and nurse who are in a relationship… and the school is rooting for them! This looks cute, though future covers suggest it will also be ecchi.

ASH: I’m more in the mood for cute than ecchi at the moment, but I’ll admit to being curious.

SEAN: The digital debut, from GL Novels (you can guess what GL stands for), is I’m in Love with the Villainess! (Watashi no Oshi wa Akuyaku Reijou). As with many light novels recently, an OL dies and is reincarnated in an otome game. However, she’s the heroine. But she’s not interested in the guys… This looks fun, and I’ve been reliably informed is very well written.

Also out next week: Cosmo Familia 2, Gal Gohan 4, the 7th print volume of How a Realist Hero Rebuilds the Kingdom, the 2nd print volume of Kuma Kuma Kuma Bear, My Androgynous Boyfriend 2, My Senpai Is Annoying! 2, Peter Grill and the Philosopher’s Time 2, the 6th print volume of Reincarnated As a Sword, and the 8th and final volume of Tomo-chan Is a Girl!, which I have really loved from day one.

MICHELLE: Hooray for more My Androgynous Boyfriend!

ASH: I’m looking forward to reading more of that series, too!

SEAN: Tokyopop has a 2nd volume of Koimonogatari: Love Stories.

Vertical has the 1st volume of Weathering with You in print. Which I know I said 3 weeks ago, but this year has just been VERY BAD for release dates slipping.

There are a LOT of light novels from Yen due out next week. Including one debut, Banished from the Hero’s Party, I Decided to Live a Quiet Life in the Countryside (Shin no Nakama ja Nai to Yuusha no Party wo Oidasareta node, Henkyou de Slow Life suru Koto ni Shimashita). “Slow Life” in Japanese loan word has become “Quiet Life” in English for these sorts of books, but the intent is the same: the heroes shun him, so he goes off to do basic boring tasks. I’ve heard good things about this.

Technically there is another debut, but it’s a sequel to a spinoff. Konosuba: An Explosion on This Wonderful World! Bonus Story moves the timeline forward a bit, but still has the premise of “Megumin and Yunyun have side adventures”, this time with Princess Iris along for the ride.

Other light novels: The Alchemist Who Survived Now Dreams of a Quiet City Life 4, Baccano! 14, Combatants Will Be Dispatched! 4, The Devil Is a Part-Timer! 17, The Genius Prince’s Guide to Raising a Nation Out of Debt (Hey, How About Treason?) 4, A Mysterious Job Called Oda Nobunaga 2, Re: Zero EX 4, Suppose a Kid From the Last Dungeon Boonies Moved to a Starter Town 3, and Torture Princess 5.

ASH: Wow, it really is a full week for the Yen ON imprint!

SEAN: Yen Press has three manga debuts. If Witch, Then Witch? (Majo Raba Majo Reba) is a Shonen Gangan title about a boy whose life is saved by a girl donating her blood. He wants to repay her anyway he can… and finds to do this, he has to dress as a witch and help her pass the magic exams. My expectations are low but not zero.

ASH: Hmmm.

SEAN: The second debut is King of Eden, a Korean horror manga that got a limited release a few years ago but is now out in a two-in one omnibus (it’s 4 volumes total, so the 2nd should finish it). Given it’s horror, it’s not my thing, but… Ash?

ASH: Well, now that it’s made its way to print, I may very well take a look!

SEAN: Lastly, we see the manga version of Last Round Arthurs, which I have described as “King Arthur meets Haruhi Suzumiya”.

We also see A Bride’s Story 12, The Elder Sister-Like One 4, Kakegurui Twin 7, My Youth Romantic Comedy Is Wrong As I Expected 14 (manga version), Plunderer 5, The Saga of Tanya the Evil 11 (manga version), the 15th and final volume of Silver Spoon, Trinity Seven 21, and Yowamushi Pedal 15.

MICHELLE: Hooray for more YowaPeda!

ASH: Oh yes, and A Bride’s Story, too! And of course, Silver Spoon. Yen manga is where it’s at for me this week.

SEAN: Leaving aside MJ(SILVER SPOOOOOOOOOOOOON!), what are you all getting next week?

ANNA: I’m going to use this week as a breather to catch up on all my unread manga!

MJ: Hey, I think I missed my cue. SILVER SPOOOOOOOOOOOOOOOON!

Sword Art Online, Vol. 20: Moon Cradle

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By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

I’m not quite sure where the break is, but there was a big gap in time between Reki Kawahara starting the Moon Cradle arc in his webnovel version of Sword Art Online and his finishing it. The reason for the gap, of course, was that he was busy taking SAO and Accel World and making them actual published books. And I have to say, this book does feature a more mature style than I’m used to with this series, more in line with what he’d been doing with Progressive. There’s some wonderful prose descriptions of the Underworld here, and aside from a sneering villain (who even uses the word ‘confound’, a word only villains use), there’s not as much of the author’s usual bad habits. This book almost feels at times like it’s meant to be spinning off Ronie and Tiese into their own book series, serving as sort of a distaff Kirito and Eugeo for the next generation. But of course the issue there is that Kirito and Asuna are still around, and why call up Blue Beetle and Booster Gold when you can get Superman and The Flash?

We’re back in Centoria again after Kirito and Ronie’s adventures in the dark lands, but the threat of a civil war is still ongoing, and the investigation is proving frustrating, mostly as it would seem to involve people who can easily bypass the Taboo Index and also have tons of power. You would think it might be the Emperors and high nobles, but we’re shown a quick flashback at the start of the book that helpfully tells us they’ve all been killed off by our heroes. Fortunately, as it turns out, Tiese’s inability to let go of Eugeo sees her and Ronie visiting a mansion rumored to be haunted, and finding that it’s actually home to the very conspiracy they’re looking for. Can they stop the big bad by themselves? Well, no, it’s Kirito’s series still. But they do most of it. And their dragons are very cute.

The writing, as I noted at the start of this review, may be more mature, but the plotting still leaves something to be desired. He even admits in the afterword that most everything he sets up in these two books is left open-ended (including Ronie’s own love for Kirito, which Asuna muses on but never actually sits down with her to discuss), and it gives the whole volume a feeling of a series that got cancelled by Shonen Jump before it could really tell its story. There’s also a chapter with Ronie’s baby dragon going to get help, which involves befriending a rat and has a very Incredible Journey feel to it, but is also 100% pointless. I did really enjoy the scene with Kirito and Asuna getting ready for bed, which shows a relaxed ease to them as a couple (though honestly, Kirito still behaves like a kid a great deal of the time). Notably, they sleep in the same bed with pajamas on – after the first SAO book, any suggestion they’re a sexually active couple has been thoroughly absent.

So the prose is good here, but it leaves a reader dissatisfied if they were hoping for things to be tied up in a neat bow. But fear not, lovers of Kirito everywhere (there are some, right?), we’re getting a brand new arc next time that is not from a webnovel. Unital Ring brings us back to real-world future Japan, introduces a new game to confound everyone, and may bring back a few surprises from the past. But it won’t have Ronie or Tiese.

Chainsaw Man, Vol 1

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Chainsaw Man Volume 1 by Tatsuki Fujimoto

Monster or demon hunting manga is a fairly common shonen manga scenario, but Chainsaw Man keeps it fresh, thanks to the introduction of chainsaws!? Actually Denji starts out in such a difficult situation, it is hard not to sympathize with him. He’s sold off some of his organs like his eye and he struggles every day to piece together a meager living from monster hunting, helped out by his pet demon dog Pochita who manages to look adorable despite having a chainsaw for a nose. Denji dreams of the day that he’ll have enough money to actually put jam on the slice of bread that makes up most of his meals, but it wouldn’t be the first volume of a shonen manga if there weren’t some powered up surprises in store for the hero.

There’s a level of off-kilter humor in Chainsaw Man that I find endearing. I found Denji heading into the woods to cut trees with his dog’s chainsaw nose extremely amusing. When Denji tells Pochita that if anything happens to him, the demon is free to take over his body and live his best life, his dog unexpectedly answers saying “I’ll give you my heart, in exchange show me your dreams.” Denji wakes up with his wounds from a recent attack healed, and a chainsaw pull sticking out of his chest. In some illustrated action sequences that show an impressive command of body horror, Denji cuts his way out of a pile of demons do to his sudden ability to manifest chainsaws on the top of his head and one of his arms. An attractive girl accompanied by additional agents suddenly appears and gives him a hug and introduces herself as a devil hunter for public safety. Makita offers him the choice to be slain as a demon or live as her pet, and she’s willing to provide incredibly yummy breakfasts.

Denji has difficulty integrating into his new Public Safety Demon Hunter squad, with some altercations with a new rival, and some funny slice of live scenes that showcase his unending devotion to jam at breakfast. There’s also plenty of juvenile humor as once Denji has the basics of food and shelter secured he promptly decides that his next mission in life is to touch some boobs. Overall, I found the monster fighting, buckets of gore, and humor in Chainsaw Man plenty amusing. Denji is an incredibly damaged but potentially powerful hero, so I’m definitely intrigued by seeing him chainsaw his way through further adventures.

Wataru!!! The Hot-Blooded Teen and His Epic Adventures in a Fantasy World After Stopping a Truck with His Bare Hands!, Vol. 1

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By Simotti and RELUCY. Released in Japan as “Truck Uketome Isekai Tensei! Nekketsu Butouha Koukousei Wataru!!!” by Overlap. Released in North America by J-Novel Club. Translated by Adam Seacord.

There are times when you want a light novel that delves into the depths of the psychological consequences of being sent to another world, or what it means to have modern-day culture impinge itself on a medieval fantasy world. Perhaps you want to delve deep into what the power structures of a demon lord’s minions would really be like, and immerse yourself in gripping fights where you’re not even sure the hero will win. If this is what you crave… there are other light novels elsewhere, I’m sure. If, on the other hand, you love exclamation marks, shouting, and most everyone being as stupid as they can possibly be, including the author, then Wataru!!! is right up your street. This series is here to be dumb and loud and have a ton of fun, and nothing else. It can be a bit exhausting… indeed, I worry that future volumes may wear out the welcome… but it succeeds in what it wants to do. Which is mock isekais with everything it has.

The book begins with the subtitle, as our hero is suddenly accosted by a truck, and does indeed stop it, but then realizes that this would kill the driver, so lets himself be hit, and ends up… in another world! There he meets Aria, a standard heroine with a nagging tendency to get bloody head injuries (but don’t worry, she knows healing magic). She tells him that her parents have been kidnapped by the Demon Lord, who’s super strong. One of these facts seems to matter more to Wataru than the others, and so he sets off to defeat the demon lord to prove who’s stronger. In the interim, he gains another companion in enemy-turned-neutral friend Résistance, has a rap battle, has a battle of the bands, has a literary critique contest, and yes, also has quite a few fistfights. Throughout, though, he stays as hot-blooded as possible.

Gonna be honest, I enjoyed this book but I suspect its core audience is going to be small. Everything is shouting. An audiobook would be amazing but also the worst thing ever. Wataru is more nuanced than you’d think, being kind at heart, and also not the rock-headed muscle guy that you’d normally expect. (My favorite part of the book is the fact that he speaks his own sound effects, which are abbreviations of what he’s doing. He stops the truck while shouting “TRK!!!!!”.) Aria is a rather flakey heroine by design, and when she’s not getting devastating head injuries or cheering Wataru on, she also shows off her passion for Beyblade… erm, sorry, Payblade toys. (The book doesn’t have WcDonald’s, but we do get Tot Hopic, which also made me laugh.) Résistance is the closest to a normal character in the book, but even she has a soft spot for really tacky jewelry, which Wataru convinces her is not a character flaw.

So yes, there is more here than just shouting and silliness… but not much. I’m not sure it can carry a series. But for a single novel, it’s recommended. Read with earplugs.

Pick of the Week: La Belle Maison

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SEAN: Despite my thinking that this series is a good example of why you shouldn’t use comedic sociopaths in a serious manga, the pick clearly has to be Maison Ikkoku anyway. It’s iconic, beloved, and Kyoko vies with Madoka from KOR as the most beloved anime heroine by men of a certain age. I’m quite happy Viz is bringing it back.

MICHELLE: Yep, it’s Maison Ikkoku for me, too, but honorable mentions for Ping Pong and The Way of the Househusband!

KATE: I’m voting a straight VIZ ticket, too, Michelle! Maison Ikkoku, Ping Pong, and The Way of the Househusband are all on my short list for this week.

ASH: VIZ has an incredibly strong showing this week! The second half of Ping Pong is most likely the first volume that I’ll be reaching for, but I’ll definitely be reading everything that’s been mentioned so far!

ANNA: I agree, this is a great week for Viz. I’m excited about many of the titles that have already been mentioned, but I do especially enjoy that classic manga is getting released, so I’m going to go with Maison Ikkoku.

MEINDA: I want to care about other things, but this week, my heart belongs to Maison Ikkoku.

Rascal Does Not Dream of Petite Devil Kohai

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By Hajime Kamoshida and Keji Mizoguchi. Released in Japan as “Seishun Buta Yarou wa Chibi Devil Kohai no Yume wo Minai” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

This book had several hills to climb in order to win me over, to be honest. I enjoyed the romance in the first volume, and was not fond of it being torpedoed right off the bat in the cliffhanger. The heroine of this book, Tomoe, did not make all that good an impression on me in the first one. Time loop stories make me vaguely uncomfortable, hitting a certain level of “I get embarrassed reading this” in me. And fake dating stories also rub me the wrong way in actual books, though oddly I’m fine with it in fanfiction, mostly as it almost always leads to real dating. That said, it’s a testament to the writing skill of the author that I was able to enjoy the book regardless, and most of my objections stated above were put to rest fairly easily. (The one heroine per book thing is something I fear I will have to get used to.)

The time loop is helped by it only being relevant at the start and end of the book. Sakuta is caught in a loop of the same day… for three days, and then, when it breaks, he’s basically in the worst possible situation. This is due to the heroine of this book, Tomoe, who is not a literal devil but is a stand in for “Laplace’s Demon”. We saw her in book one kicking Sakuta’s butt (and getting kicked in the butt in return, something that Sakuta, being who he is, brings up over and over again in this book), and now she has a problem, one that she tried to get Sakuta to help with once the time loop breaks. In order to fend off the attention of another guy, they have to pretend to date for the rest of the semester. Of course, Sakuta is in love with Mai, which makes things just a bit difficult. And that’s not even getting into Tomoe hitting the “fanfiction” part of the trope and wanting to turn her fake dating real.

As with the first book, the main reason to read the series is Sakuta, who is both a very nice , upstanding guy and a completely terrible lech who just has no filter at all. This book provides a different heroine to react to this, and while Mai was basically doing her best Senjogahara impersonation, Tomoe is the sort of blush, stomp her feet and say “Geez!” at his antics. Tomoe is far more likeable in this book when she gets the entire novel to sell herself, and I really enjoyed her backstory, which also tied into the reason why Sakuta, who is still trying to tell Mai he loves her, agrees to do this at all. There are hints of future plot developments – the third book seems to feature Rio, and there’s some setup for that here, namely her not-so-hidden crush on her friend Yuuma, and there’s another shocking cliffhanger ending that will no doubt play out in future books somehow. And there’s a lot of fun humor, mostly because Sakuta exists.

To sum up, I was wary of this book, but it ended up being a lot of fun. I am definitely getting the next in the series.

Bottom-Tier Character Tomozaki, Vol. 4

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By Yuki Yaku and Fly. Released in Japan as “Jaku Chara Tomozaki-kun” by Shogakukan. Released in North America by Yen On. Translated by Winifred Bird.

We have reached the point in this series where Tomozaki is starting to get good at playing Hinami’s “game” of life, and for the most part he sails through her directives in this book. In fact, the first two thirds of this book are a great deal of relaxing fun, especially after the confrontation between our two leads in the last volume. Most of this chunk of the book revolves around the sports festival, where the boys and girls in the class will be competing. The role of girls’ captain is somewhat thankless, and is at first foisted off on one of the quiet wallflowers in the class, then by Izumi. The true stumbling block, though, is Erika Konno, the Queen Bee of the class, who does not want to try hard or care unless she has to. So Tomozaki’s task is to get Konno interested in the sports festival. And now that he’s become something of a social animal, he can even ask others for help as well.

Izumi gets a lot to do in this book, as she’s involved in every single plot and subplot. She and Nakamura make their relationship clearer, and they’re now going out. She’s also the one who’s most invested in another issue – due to Nakamura and his mother fighting, he’s not coming to school, and it’s taking a worryingly long time for them to make up. This was probably the funniest part of the book, as Hinami is very reluctant to get involved in this – until Atafami is brought up as the reason for the fight, when she suddenly changes her tune. As with previous books, Hinami is at her best as a character when we see her mask cracking, which it does several times here. The sports festival also goes well, and provides Tomozaki a chance to bond with the other boys in the class AND have a laughable anti-sports manga moment. Everything’s great, and the game is fun. What could go wrong?

…well, life is not a game you can stop playing when it ceases to be fun is the lesson we learn in the last third of the book, when Erika Konno moves from apathetic Queen Bee to nasty bully, picking on the shy girl in the class because, well, for the same reason that bullies always pick on the quiet kid. The book then gets really good again (the author is excellent at making the last fifth of so of each book really sing) when Tama-chan gets involved. She hasn’t been a big part of the series so far, and most of what we know about her is that she’s very serious and straightforward. That ends up being both a strength and a weakness when she confronts Konno, and we get an excellent look at how this sort of bullying can affect the mood of a classroom, and why the sympathy of a group is rarely with the bullied. We also see the previous crack in Hinami’s armor get larger – just as she was willing to get involved when Atafami was being dissed, here she’s ready to go to bat for her friend. That said, Tomozaki is not the only one growing and learning in this series.

The book ends with the problem unresolved, and given Tama-chan is on the next cover, I expect we’ll get a lot more of it. It’s a good way to end a great book in the series, one willing to deal with problems both small and large, and with an excellent view of classroom dynamics and mood. Forget “read this if you find Oregairu too depressing”, just read this, period.

86 –Eighty-Six–, Vol. 5: Death, Be Not Proud

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By Asato Asato and Shirabii. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Roman Lempert.

It’s only taken a few volumes for this to rise to near the top of my list of favorite Japanese light novels, and there are several reasons for it, but I’ll focus on one here: the author is very good at strong, memorable set pieces. I’ve talked before about how the most ordinary ideas can become magic with good writing and strong characterization, and that’s true here as well, though given the books we’ve seen lately trying to ape 86, perhaps the ideas aren’t that ordinary. But the best light novels also have one or two scenes that blow the reader away, something that when you are recommending the book to someone else you cannot help but gush over. 86 is particularly good at this, and there’s more than one in here, both dramatic and horrific. (If you’re looking for humor, this is not the series for you.) But a conversation between Shin, our hero, and Lerche, who is… well, a spoiler, upends the entire picture of what war is to an 86, and how war should be fought. Because don’t forget the main thrust of this series: war is awful.

The 86 and Lena are sent to the United Kingdom, which is a bit on the nose for books like these, but hey – which is also battling the Legion, and is now desperate enough to call in France… erm, the Federacy… because they’re running out of time to fix things. Fortunately, they have another genius to help guide the combat in Prince Vika, who will be leading an army of young women who are dead soldiers who have been resurrected, sort of, as essentially androids. They are there to fight the war, and are happy to do so, given that they’re not actually alive. The 86 find this a bit disturbing, but also do not seem to see the parallel between these girls and themselves. As for Lena, well, she’s still struggling with several issues – she still can’t understand Shin and tends to lean towards pity, that face that she’s clearly from the Republic earns her hatred, and perhaps worst of all, she’s forced to wear a skin-tight suit in order to better communicate and lead the soldiers under her command.

The last part is probably the one low point in this book – you get the sense the editors ask for one fanservice scene per book that they can hand to the illustrator. The high points in the book are numerous. The battles are vicious and nasty, with the Legion proving to be exceedingly clever even though they lack a personality. The way that the Sirins solve the problem of the siege is mesmerizing in its grotesqueness. There’s a secondary romance in this book starting between Anju and another soldier that manages to get farther than Shin and Lena have in five books. Indeed, by the end of the book they seem farther apart than ever, as Shin realizes that he knows absolutely nothing about Lena. But the highlight, as I said, is that scene between shin and Lerche, where Lerche, despite seemingly being an automaton, gradually grows more furious hearing about Shin vowing to continue the fight because if they let others fight for them they’d be “cowards”. It is, in its own way, an argument between two tools. But only one of these tools can stop being one and become human again.

This is still a brutal series, and if you dislike war-filled battlefields you may want to skip it. But it’s seriously one of the best books currently coming out, and I can’t wait for the 6th volume.

Bookshelf Briefs 9/10/20

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BL Metamorphosis, Vol. 2 | By Kaori Tsurutani | Seven Seas – The balance in this series is nearly perfect. You’d expect, given the premise, that there would be more focus on Ichinoi, and we do get a lot about her current life, her classes she teaches, meeting her daughter, etc. But Urara’s side of the equation is just as strong—she’s not simply there to introduce her elderly friend to the world of BL, as this isn’t that kind of series. The two enjoy discussing their passion for the work, but also find out more about each other, come see each other for other reasons, etc. Urara’s teenage friendships also permeate the volume, and the best exchange in it may be Eri hearing Urara call herself “nobody” and taking it personally, as she knows who her boyfriend really likes. Fantastic stuff. – Sean Gaffney

Bloom Into You, Vol. 8 | By Nakatani Nio | Seven Seas – With the emotional climax of the series coming at the end of the last volume, it’s tempting to simply call this an epilogue, but that isn’t quite right, as Touko and Yuu still have to negotiate the boundaries of their new relationship. To some (Sayaka), they’re really obvious, but not everyone knows about it. Moreover, how physical do the two of them want to get? (Turns out, they do want to get physical.) We then get a flash forward seeing them relatively happy, as well as the fate of some others. (Sayaka has a girlfriend, as you will find out if you read the third novel about her life.) Overall, this did not go quite in the directions I was expecting, but it improved with each volume, and I greatly enjoyed it by the end. – Sean Gaffney

I Love You So Much, I Hate You | By Yuni | Yen Press – As always, very happy to see a yuri manga that’s not about girls in high school with their touching first romance. Fujimura is an up-and-coming office worker. Asano is her hard-working, driven boss. They are secretly having an affair—Asano is married—and trying to keep things as “just a casual thing.” Unfortunately, events conspire against them, both externally (another office couple is caught and one of them resigns) and internal (their growing love for each other). The tension between the two leads is the main reason to read the book, and it feels quite real—though there’s not quite as much of the ‘I’m dating my boss’ power issues as I’d expected. If you’re looking for a solid portrayal of an adult couple, this is a good choice. – Sean Gaffney

Komi Can’t Communicate, Vol. 8 | By Tomohito Oda | Viz Media – This volume has the school trip, something Komi hasn’t done before (last time her class did it she didn’t go due to communication issues). Fortunately, she has Tadano with her this time. UNfortunately, the groups for the trip are segregated by sex, so she’s going to have to be on her own most of the trip, with two of the lesser-known cast members alongside her. We get to know those two, and their awkwardness but try-hard attitude around Komi, and as you’d expect the results are mostly heartwarming—a good time is had by all. She even gets a quiet moment with Tadano towards the end. This is a manga that knows exactly the mood it wants to set, a balance between funny and touching. – Sean Gaffney

The Man on the Other Side | By Poteto Ueno | Futekiya (digital only) – Takuma Sano is a rather boring salaryman who has trouble connecting with people. The only friend he has is “S,” a Twitter follower whom he hasn’t met in five years of chatting. Finally, S proposes a meetup and turns out to be Sayaka Narumi, a popular and handsome actor. They both want to become friends, but their relationship is hampered by Sano’s profound social awkwardness—I love how Ueno doesn’t depict him as shy or withdrawn, just oblivious to social cues—and Narumi’s paranoia, after having recently been in the tabloids, that Sano is going to blab. This is a very chaste title with only a couple of smooches, and the big payoff comes when they can both finally clearly communicate their feelings. I enjoyed it, and was particularly amused that a photograph of (presumably) roasted chicken served as a sort of bat signal for the couple. Recommended. – Michelle Smith

Our Wonderful Days, Vol. 3 | By Kei Hamuro | Seven Seas – I think I forgot to brief the second volume of this, and now it’s come to an end with the third. The series does a good job of showing us exactly what a series like K-On! or Lucky Star would be if it had genuine yuri in it instead of tease. Mafuyu and Koharu grow closer as a couple, thanks mostly to some nicely surreal dream imagery, but the series seems to be more dedicated to everyday life with friends than budding romances. Which is fine, as the friendships here are great, particularly the beta couple Nana and Minori—though the gag at the end shows off that those two aren’t actually a couple after all. (Honestly, given Nana’s brain, they may just not be aware of it.) This won’t be in a top-ten list, but it’s cute. – Sean Gaffney

Primitive Boyfriend, Vol. 2 | By Yoshineko Kitafuku | Seven Seas – After the first volume returned our heroine to the present, I wasn’t expecting to go back to the caveman era quite so soon. But most of this second volume has Mito once again bopping around the jungles and plains, sent back there to find Garhi. She runs into another primitive man, and manages to befriend him in much the same way, while also getting herself into peril, etc. Naturally, it turns out that she’s way in the future, and that this man may be Garhi’s descendant. She ends up back in the present at the end, and the implication is that she has to find Garhi’s soul in someone in modern times. Will it be one of her many potential boyfriends? We’ll know soon; this ends with the third book. – Sean Gaffney

Sacrificial Princess and the King of Beasts, Vol. 10 | By Yu Tomofuji | Yen Press – Well, we couldn’t go too far without another kidnapping, and that’s what we get here, with our favorite sacrificial heroine allowing herself to become a hostage to save the rest of the boat. That’s not something that can stand, and while the king is (for now) restrained, several are coming to her rescue, including the former villainous chancellor. There’s a lot in this series about vows of loyalty overriding most other reasons, and I really liked Sariphi showing her mettle against her captor, indicating that gifts and luxuries are nothing without the feeling behind it. This feels like it’s going to be wrapping up soon, but this is a typically strong volume, and an underrated series. – Sean Gaffney

Venus in the Blind Spot | By Junji Ito | Viz Media – I’m always glad for a new volume of Ito’s manga to be released, so it shouldn’t be surprising that I was looking forward to Venus in the Blind Spot, a “best of best” collection. The anthology brings together ten of Ito’s short manga as well as a small selection of illustrations, a few but not all of which have previously been released in English translation. It’s an interesting mix of stories ranging from original tales of horror to adaptations of work by other authors, including two which are based on stories by Edogawa Ranpo (“The Human Chair” and “An Unearthly Love”). As a fan of Ranpo, I was particularly excited to read these, but I was also especially delighted to discover the inclusion of one of Ito’s autobiographical pieces (“Master Umezz and Me”). Ito’s short masterpiece “The Enigma of Amigara Fault” is here, too, adding to an already great collection. – Ash Brown

Waiting for Spring, Vol. 13 | By Anashin | Kodansha Comics – Mitsuki and Asakura-kun officially became a couple in the previous volume, so now it’s time for Ryuji and Nanase to sort out their status. Although Waiting for Spring doesn’t do anything unexpected with its plotting, I do like how it focuses on communication issues for these couples, with Mitsuki somewhat troubled by Asakura’s perpetually calm exterior and Nanase worried about the age difference and the things that will be new for Ryuji that aren’t new for her. You never feel like either pairing is in actual jeopardy, but there will be things that they will have to talk through together. We also see Mitsuki successfully deliver a heartfelt speech to the incoming first-year students. The main story ends here, but there will be one more volume, featuring bonus stories and an epilogue. Anashin hasn’t started a new series yet, but I look forward to reading more by her someday. – Michelle Smith

With a Dog AND a Cat, Every Day Is Fun, Vol. 1 | By Hidekichi Matsumoto | Vertical Comics – This manga is mostly presented as a series of two-page strips. On the first page, Inu-kun, Matsumoto-sensei’s dog, will be full of innocence and energy on a given topic, and on the second page, Neko-sama, the cat, will be… a cat. Topics include things like laptime jealousy, bathroom visitors, the pets trying to cheer up Matsumoto-sensei, etc. I definitely snickered at a few different things, but wasn’t prepared to end up sniffling, too. The story about Matsumoto’s previous dog and how a friend’s comment revived happy memories that had long been obscured by sad ones really got to me, as did the part about lingering regrets affecting how a person interacts with pets who yet live. I know exactly how that feels. So, yes, it was the sad bits that really won me over in the end, but the cuteness is undeniably beguiling, as well. – Michelle Smith

Manga the Week of 9/16/20

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SEAN: Mid-September, and, for once, quite a light week. We do have some very impressive debuts, though.

J-Novel Club has two new digital light novels. The first, and more sensible one, is Mapping: The Trash-Tier Skill That Got Me Into a Top-Tier Party (Hazure Skill “Mapping” wo Te ni Shita Shounen wa Saikyou Party to Dungeon ni Idomu), a standard “my skill seems useless so everyone hates me but in reality it’s super overpowered” light novel. I’d planned on skipping this, but have been told it’s better than it sounds. We’ll see.

ASH: I mean, cartography is incredibly useful.

MJ: I kind of have a thing for maps, but I tend to NOT have a thing for light novels, so???

SEAN: The next one I am absolutely not skipping. This may be the most ridiculous license we’ve ever seen. WATARU!!! The Hot-Blooded Fighting Teen & His Epic Adventures After Stopping a Truck with His Bare Hands!! (Truck Uketome Isekai Tensei! Nekketsu Butouha Koukousei Wataru!!) is a massive parody of isekai works where the hero gets hit by a truck and dies. Wataru does not die, though, he’s JUST THAT TOUGH. I am hoping this is as silly as it sounds.

MICHELLE: I am amused by the phrase “the hot-blooded fighting teen.”

ANNA: I hope this is as silly as you are expecting!

ASH: I am amused by the premise, at least!

MJ: I, too, am amused. Probably not reading this, but still amused.

SEAN: We also get Deathbound Duke’s Daughter 2 and the 3rd and final volume of The Extraordinary, the Ordinary and SOAP!.

Kodansha has some print debuts, both of which have appeared before digitally. Sayonara Football is from the creator of Farewell, My Dear Cramer (in fact, it may be an noutright prequel), and came out digitally around the time the author’s other series Your Lie in April was doing well. Now it has a print release.

MICHELLE: Yep, Sayonara, Football came first, which is something I didn’t know when my first reaction to Farewell, My Dear Cramer was basically, “Why did the mangaka introduce these two girls and then quickly start focusing on someone else instead?”

MJ: That sounds frustrating.

SEAN: Sue & Tai-chan is, of course, the new cat manga from the author of Chi’s Sweet Home.

Also in print: Eden’s Zero 9 and Witch Hat Atelier 6.

MICHELLE: I still need to read Sue & Tai-chan and Witch Hat Atelier.

ANNA: I love Witch Hat Atelier, excited for the print volume. The art is so fantastic.

ASH: It is an astonishingly beautiful series, both art-wise and story-wise.

MJ: I’m behind on everything, but I like both cats and witch hats, so I feel like I should be on board for these.

SEAN: There’s two digital debuts, but one has print coming 2 weeks later. Whisper Me a Love Song (Sasayaku You ni Koi wo Utau) is from Comic Yuri Hime, and looks quite sweet.

Digital-only for now is Heroine for Hire (Heroine Hajimemashita), a Dessert series about a very strong girl who becomes bodyguard for her high school classmate, who says he will make her “the most important girl in the world!”. Any title that has the heroine suplexing people is always on my watch list.

MICHELLE: I will check out both of these. Kodansha has a couple more of these “girl with a service job” series coming out over the next couple of weeks, but this one looks the most promising.

ANNA: I enjoy this type of dynamic in shoujo, I might overcome my usual resistance to digital shoujo and check it out.

ASH: Likewise.

MJ: Same.

SEAN: Also: Dolly Kill Kill 6, GE: Good Ending 9, Kakushigoto 7, Men’s Life 4, Orient 6, and Saint Young Men 8. Also, Something’s Wrong with Us 3, which will also get print in 2 weeks.

MICHELLE: This is the final volume for Men’s Life, also. I never hear much about Orient.

SEAN: Seven Seas is taking a break, they have one print release, which we’ve discussed when it came out digitally: Sazan and Comet Girl.

ASH: Now that it’s out in print, I’ll likely be checking it out!

SEAN: Digitally they have the 3rd volume of light novel Magic User: Reborn in Another World as a Max Level Wizard.

Udon has Persona 4 12, meaning it is as strong as three Persona 4s.

MICHELLE: *snerk*

SEAN: Viz has the debut of one of the most beloved manga classics, now getting a re-release with all the bells and whistles. And digitally as well! Maison Ikkoku is the story of a guy who didn’t quite make it into college and his attempts to live at an apartment complex filled with eccentrics… and a gorgeous apartment manager! I have… very mixed feelings about this series, but cannot deny it’s super loved by everyone who isn’t me. Love to see it get this release.

MICHELLE: I’m not surprised that it inspires mixed feelings. There were definitely things I found kind of annoying, but on the whole I love it anyway. I’ve reviewed all of it before, but I will at least do briefs for the re-release.

ANNA: I’m glad it is getting a re-release too.

ASH: I had just finished putting together a complete set of the out-of-print volumes when the new edition was announced. Still, I’m glad it’ll be more readily available for others again!

MJ: This is THRILLING. I suppose I also have mixed feelings about aspects of this manga, but in most ways I adore it. I was never able to compile a complete set for myself, so here’s my chance!

SEAN: Ping Pong also comes to an end with its second and final omnibus, speaking of super beloved series.

MICHELLE: I decided to wait for the second volume and read it straight through. I’m looking forward to it!

ANNA: Haven’t read the first volume yet, but I have it!

ASH: I am absolutely thrilled we finally got this series in English.

MJ: Like Michelle, I’m behind, but I can’t pretend it was on purpose. I must catch up and read them both together!

SEAN: And we also get 20th Century Boys Perfect Edition 9, BEASTARS 8, Hell’s Paradise Jigokuraku 4, Levius/Est 6, No Guns Life 7, and The Way of the Househusband 4.

MICHELLE: I am steadily falling farther and farther behind on BEASTARS. Sigh.

ANNA: Always delighted by another Way of the Househusband volume.

ASH: Ditto and ditto! I’ve also been meaning to read more of Hell’s Paradise, too.

SEAN: Is your life being destroyed by Yotsuya-san? Or are you buying manga?

The Temptation of Marielle Clarac

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By Haruka Momo and Maro. Released in Japan as “Marielle Clarac no Saiai” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Philip Reuben.

There have been a lot of J-Novel Heart series by now, of various shades and types, and one thing that Marielle Clarac has over the rest of them is that it’s easily the biggest in terms of page length. These are all chunky books, a good 50 or so pages longer than the average light novel, and filled with lots of plot complications and twists. It’s nice to see the reader getting some bang for their buck. Especially as, as with previous installments of the series, we have to alternate between Marielle’s crime solving persona and Marielle being a complete flibbertigibbet, going on about romantic and BL-laced tropes while also sometimes missing the obvious. But that’s why we’re here, and we wouldn’t have it any other way. Last time I said the wedding seemed imminent, and it still is (the next volume is called “The Wedding of…”), but first we have to deal with a bit of a crisis that might put a wrench in things. It’s hard to marry when your fiance is under arrest.

To Marielle’s horror, Simeon has been taken into custody for allegedly selling state secrets, and while it’s fairly obvious he isn’t doing that, she is ordered not to interfere in the investigation. As you can imagine, she does not obey this order at ALL, twisting around various vows and promises she makes with an increasingly frustrated Prince to try to see who is framing her beloved. Is it the childhood friend who seems to have a troubled past? Is it the gorgeous woman who wears pants and seems to be very friendly with Simeon indeed? (And does this mean that Simeon has had other women before Marielle?) Is it the gorgeous blond who looks like he stepped out of Rose of Versailles, who Marielle keeps getting saved by at odd moments? Is it Simeon’s puppy-like brother? (OK, it’s probably not.) Or is it the angry Naval commander with a vicious hatred of Simeon? The answer… is not TOO surprising, but well handled.

Now that Marielle and Simeon are a couple, and know of each other’s feelings, but are NOT married yet, there’s a lot of tension between them. Part of this is simply that they are really lusting after each other, and there are several almost kisses here, along with Simeon trying to exercise great restraint in not pushing Marielle up onto his desk and having his way with her. Balancing this is Marielle’s poor self-image, which continues to balance with her extroverted confidence – she’s accepted her plain looks, and so doesn’t get upset when they are pointed out. (Simeon does, as his brother finds out in a painful way.) This leads to some doubt and jealousy when she meets Rose, who also could have stepped out of the pages of Rose of Versailles. Among this is the usual thriller stuff, including a visit to a brother far shadier than the one Marielle usually sneaks into, and another wonderful conversation with Marielle’s nemesis Lady Aurelia, who will be best friends with her by Book 5 at the rate they’re going.

So another fun entry in the series, provided you can tolerate the heroine basically doing whatever the heck she wants with no regards to the consequences.

ROLL OVER AND DIE: I Will Fight for an Ordinary Life with My Love and Cursed Sword!, Vol. 1

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By kiki and kinta. Released in Japan as “Omae Gotoki ga Maou ni Kateru to Omou na” to Gachizei ni Yuusha Party wo Tsuihou Sareta node, Outo de Kimama ni Kurashitai” by GC Novels. Released in North America by Seven Seas. Translated by Jason Muell.

Given the title, you’re probably expecting one of those slow life titles. Young woman is told she can’t be in the hero’s party, so she ends up living her life in the city as an H&R Block Accountant and getting into everyday troubles. Well, half of that is true. Unfortunately for Flum, this first volume definitely is not a “slow life” book, but a “gore-filled horror” book. There is yuri as well, of course, and that seems to be the main selling point for the book both in Japan and here, but for the most part the reader is here to read about graphic, somewhat appalling battles that our heroine is forced to fight in order to save her own life and that of Milkit, a fellow slave that she met while being tortured to death. Yeah, that’s right, it’s one of those slavery books as well.

As noted, Flum is part of the hero’s party to defeat the demons, mostly due to a prophecy. Unfortunately, Flum’s stats are all zero – and can’t be raised. This seemingly makes the entire party hate and turn against her, though most of this hatred springs from Jean, who decides to do something about it by selling her into slavery and abandoning her. Given that her stats are zero, she’s not a great slave either, so the slave owner decides to kill her (this is where she meets Milkit). Fortunately, the “cursed sword” part of the title comes into play here, and Flum discovers how her powers are really supposed to work. Unfortunately, after escaping, things are still not very slow life. She has to work as an adventurer to live, and ends up pissing off the local adventurer goons. Milkit has been so beaten down by slavery that she’s unable to think for herself. And, while trying to get a rare and illegal herb, she discovers that her name is far more important than she expected.

First things first, if you dislike death, blood and violence, drop this book like a hot potato. I was not kidding when I said this was a horror novel, particularly in the back half, where we meet up with a nigh unkillable scientific experiment. That said, the book ended up being quite readable. Flum is likeable and grows fast once she realizes that she CAN grow. I’m less happy with Milkit, especially her need to dress up as a maid call Flum her Master, but I will assume that her character arc is not yet finished and but it aside for now. (Their yuri scenes are all packed together at the end of the book, and are sickeningly cute). There’s also the start of the book, where we see Flum’s POV of the rest of the party, and she comes to the conclusion that they all find her a useless burden. The reader accepts this too, and when it later turns out not to be true, it feels a bit out of the blue.

All this and an adorable ten-year-old battle nun. (More nuns should use maces instead of rulers.) This is definitely not Adachi and Shimamura, but if you like your yuri filled with swordplay, magic and a whole lot of blood and guts, it could be right up your alley.

Altina the Sword Princess, Vol. 5

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By Yukiya Murasaki and himesuz. Released in Japan as “Haken no Kouki Altina” by Famitsu Bunko. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

We start things off in this volume with the the battle Altina and Regis came to at the start of the fourth book. They win, but it isn’t pretty, and there are a lot of casualties, which briefly devastates Regis, who until now has been fairly lucky in his plans having minimal fatal consequences. They also lose Eric, who gets an arrow to the shoulder and has to be left behind. But they are able to muster a force and set out to help fight against Brittania, whose main force are the villains we met last time – Oswald, the eccentric tactician, and Margaret, the bored and changeable queen, who are likely meant to be a dark counterpart to our hero and heroine. Regis and Altina both must deal with the other companies of soldiers looking down on and belittling them. Can they survive what turns out to be a fierce battle? And, most importantly, can Regis survive meeting up with his sister?

Meeting up with Vanessa is probably the highlight of this book for readers who aren’t here for the combat. She’s a lot of fun, and I love her husband (he’s a blacksmith who is tasked with fixing Altina’s massive sword, which she broke in the initial battle of this book, and he’s also a sword nerd who will no doubt make it 800 times better). That said, I was intrigued by the serious core of her story, as she reveals just how Regis got his superhuman lack of self-confidence. It’s rather sad, and fits very well with a twelve-year-old girl who’s trying to be the adult in the family but is still emotionally growing and does not take kindly to having a younger sibling who’s brilliant. It also shows that words matter, and things that you teach kids can leave lingering scars even after you no longer mean them.

As for the battle itself, it’s a classic case of “we are arrogant and will listen to our arrogant tactician’, which sadly leads to piles on piles of dead soldiers and a tactician who has his mind broken by events. Luckily, Regis is there to ave the day, though I think he’s going to need to learn how to think about battles that are not related to a fantasy book he happened to read a while back. And the battle is won at great cost, while the war is still going. I expect this war will continue into the 6th book. One interesting feature was showing us a brief look at a common soldier, charging into the enemy. He’s a farmer and sets off several death flags, including mentioning wanting to see his wife and kids back home. Imagine my surprise when he shows up at the end to be the one soldier who was not beaten down by the battle and who wants their fight to actually mean something. I wonder if we’ll see more of him.

It may be a bit – Book 6 has not yet debuted on J-NC’s site – but I will definitely be sticking around for the next book in this series, an underrated military history where the only fantasy element is that it’s set in “not-France”.

Pick of the Week: Lucky Manga

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MICHELLE: I’m happy to get more of Ace of the Diamond and Giant Killing, two long-running sports favorites of mine, but last week my love for Spy x Family eclipsed all else and I neglected to mention another long-running favorite has a new volume! And thus… Skip Beat! 44 is my belated pick.

SEAN: I should be picking Fly Me to the Moon out of loyalty to the Hayate creator, but I’ve got to admit, my eyes are drawn more to antique-shop mystery novel series Holmes of Kyoto, so that’s my pick for the week.

KATE: I’m feeling a little sentimental for the aughts, so my pick goes to CLOVER, a swoon-worthy sci-fi tale that doesn’t make a lot of sense but sure looks nice. By my count, this is the third edition of this series, which has passed from Tokyopop to Dark Horse to Kodansha, so I’m curious to see how the material is presented this time around.

ASH: Even considering some of the other interesting releases coming out this week, I’m in complete agreement with Kate. Clover has such a distinctive artistic approach from CLAMP, I’m looking forward to seeing its newest deluxe treatment.

ANNA: I’m intrigued by Clover too, but I’m also all CLAMPed out. I’m going to take the opportunity to celebrate Skip Beat!!

MJ: Okay, this is seriously off-brand for me, but even though I fully anticipate buying the new edition of CLOVER, I’m going to take a risk and check out Fly Me to the Moon. I wasn’t a Hayate fan, particularly, and this seems ] likely to backfire on me in a fanservicey way, but I’m so intrigued by the premise, I just gotta take a look.

In Another World with My Smartphone, Vol. 20

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By Patora Fuyuhara and Eiji Usatsuka. Released in Japan as “Isekai wa Smartphone to Tomo ni” by HJ Novels. Released in North America by J-Novel Club. Translated by Andrew Hodgson.

I’d said before that I plan to read this series until the wedding/honeymoon and then drop it. Perhaps the author heard me, and also knows I was planning to do the same thing with Irregular at Magic High School and didn’t make it, because this volume seems to be filled with my least favorite things. Now, to be fair, Touya does not commit genocide, but that’s only as he’s starting to run out of countries, even with the addition of an entire new map thanks to the Reverse Universe and Touya’s own crashing together. No, instead we get a roundup of all the niggling little Smartphone things that get under my skin. Inappropriate sexual humor, gay rape as comedy, ‘henpecked guy’ as comedy., etc. The joy of seeing the J-Novel Heart line start, and other women-oriented light novels and isekais catch hold over here, is that it will mean fewer series like this. And it started so well, too…

Now that the Phrase and Evil God have been dealt with once and for all, it’s finally time to prepare for the wedding of Touya to his brides. Of course, nothing there is going to go smoothly. Touya is forced to intervene between two countries who are always at war, and essentially solves the problem by turning the two kings into The Defiant Ones. Back in “heaven”, there’s a war among the various gods as to who gets to attend Touya’s wedding, and he gains a “grandmother”, the God of Space and Time. Turns out Touya’s quite popular. Then he has a new crisis when a princess shows up asking to be another one of his brides… but she may be a fake. For this particular crisis, Touya is told to stay home and let his fiancees handle things. That said, the problem turns out to be more of the same: ancient tech gone wrong and a villain so evil it’s amazing you don;t see him kicking puppies.

If you were to ask me which character I least wanted to see become a regular, the unicorn from the last volume would likely be tops on the list. And yet, here he is, used as the “comedy” punishment for the villain, and it’s just as funny as it was last time, which is to say not at all. The start of the book also get very bad very fast, as Touya has to deal with the captured Luna, whose mind has been possessed so long that it’s hard to break her of her pain-loving ways. That said, Touya’s solution was fairly obvious, and I could ALMOST have accepted it as sort of fanservice comedy… if he didn’t then take her to a goddamn elementary school. Fuck. That. In between is the usual Smartphone stuff, but fortunately nothing else that stood out as monstrously awful like those two. It’s typical Smartphone. And it was nice seeing the fiancees show off how they’re now just as OP as Touya. (Could have done without the “ranking”, though, even if Touya insists it’s not him.

So next volume is the wedding and honeymoon, and barring a cliffhanger that is REALLY good, it will be the end of the line for me. This volume is recommended if, like me, you can’t seem to let go of this thing.