Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Katherine Dacey

Pick of the Week: Pick It Again, Nakamura!!

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SEAN: July 4th is always rough for me, as I live next to neighbors who love to shoot off fireworks and I have dogs. So I need comfort manga. Thus I pick My Hero Academia 31, which… is not a comfortable volume in the series, but eh. We like what we like.

MICHELLE: I’m in much the same boat, but with kitties, so I agree that comfort manga sounds like just the thing. For me, I’ll pick the fourth volume of My Love Mix-Up!. I’m actually a little behind already, but I am positive that getting caught up will be nothing short of delightful.

ASH: This week I’m thrilled to be selected to pick Go For It Again, Nakamura!! I was absolutely delighted by the original manga, so I’m really looking forward to reading the sequel. I’m not sure if it counts as a comfort manga or not, but maybe!

ANNA: I’m picking the latest volume of A Sign of Affection, one of my absolute favorite currently running series.

KATE: I’m joining Ash on Team Nakamura this week; I also found Go For It, Nakamura!! delightful and am looking forward to reading the sequel.

MELINDA: Okay, I somehow missed Go For It Again, Nakamura!! on the list when we were going through the new releases, but now I realize that it’s a must-read! Count me in!

The Manga Review, 7/1/22

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Good news: The United Workers of Seven Seas (UW7S) achieved a major victory this week when the company agreed to recognize their union. Though management has not yet spoken to the press, the UW7S Twitter feed posted the following statement on June 24th: “This decision by Seven Seas eliminates the need for an NLRB conducted election and will pave the way for a more expedited path to bargaining a first contract. At a time when many employers continue to fight the unionization of their employees, we appreciate that Seven Seas decided to respect the voices of the majority of staff and recognize us. We look forward to developing a mutually beneficial relationship and reaching a collective bargaining agreement in the near future.” The path to a better contract and better working conditions, however, is a long one. As OASG contributor Krystallina notes, “Bloomberg Law estimates the average length of time for initial negotiations to be 409 days — in other words, 1 year, 1 month, and 2 weeks. One analyst says there’s only about a 50-50 chance of reaching an agreement in a year, with additional estimates calculating it will take about a year and a half.”

NEWS

After 247 chapters, Yuki Suegetsu will bring Chihayafuru to an end. The series, which has been running in Be Love since 2007, proved so popular with Japanese readers that it spawned three live-action films and three anime series. [Anime News Network]

Looking for a manga industry job? VIZ is currently advertising four positions in its publishing division: Copy Editor, Editor, Editor of Original Graphic Novels, and Publishing Production Assistant. [VIZ]

The American comics market is booming, according to industry experts Milton Griepp and John Jackson Miller. They report that “total comics and graphic novel sales to consumers in the U.S. and Canada were approximately $2.075 billion, a 62% increase over sales in 2020.” Comics performed well at many types of retail outlets as well. As Griepp observes, “Sales through comic stores were up 60% vs. last year and 34% vs. 2019; sales through the book channel, including book fairs (which were back in operation) grew at a blistering 81% pace. Digital growth, while slower, was coming off a gangbuster year in 2020 during the shutdowns.” [ICv2]

FEATURES, INTERVIEWS, AND PODCASTS

As Pride Month comes to a close, Okazu reader Meru explains how reading yuri manga played an important role in their decision to come out as transgender. “When I look at Yuri, I see myself: I see the soft butches that could, in another series, be they/them or even they/he,” they note. “I see bodies and ideals and identities that mirror myself. I feel less alone. I feel natural in a country that would rather me turn my back on playing at soft masculinity and gender ambivalence in exchange for kitten heels, a lack of body hair, and legs crossed at the ankle. When I crack open a volume of Yuri and see tomboys and boyish girls and girls straddling the lines of socially acceptable gender and being themselves.” [Okazu]

If you’re a fan of Daytime Shooting star, Deb Aoki thinks you might like Mika Yamamori’s latest series, In the Clear Moonlit Dusk. [Mangasplaining]

On the newest installment of Manga Mavericks, Colton and Lum check in with ongoing series Haikyu!! and Magu-Chan!, and look at new offerings from VIZ, Manga Plus, and Azuki. [Manga Mavericks]

The Manga Machinations crew discuss three series that explore different facets of the LBGTQ experience: New York, New York; Catch These Hands!; and I Want to Be a Wall. [Manga Machinations]

Kory, Helen, and Apryll dedicate the latest Manga In Your Ears podcast to My Solo Exchange Diary and Yuri Is My Job! [Taiiku Podcast]

Paul Semel and Anne Ishii interview Gengoroh Tagame about Our Colours, a coming-of-age story that centers on a queer teen artist. “It’s something I’d wanted to read as a middle and high schooler myself, so decided to write for my own self,” Tagame explains. As I’m now in my 50s, I think of it as a gift to myself 40 years ago.” [Paul Semel]

Also of interest: Cayla Coates talks to Okura about I Think Our Son Is Gay, a gentle comedy about a woman who begins questioning her son’s sexual orientation. “I’ve always felt that gay people in manga and drama are often portrayed as either comic relief or someone with struggles and hardship.,” Okura observes. “I wanted to draw what I consider to be natural, ordinary gay people.” [Crunchyroll]

REVIEWS

Erica Friedman delves into the latest installment of Even Though We’re Adults, singling out the translation and lettering for special praise. “Jocelyne Allen’s translation is outstanding, in providing the nuance and ‘adultness’ this series needs,” she notes, while the “lettering and retouch by Rina Mapa lets’ me feel in the story in exactly the same way as I do when I’m reading the Japanese.” Meanwhile, Megan D. explores the forgotten corners of Tokyopop’s BL catalog with a look at Innocent Bird, “a limp, shallow romance… illustrated with an indifferent and murky hand,” and Christopher Chiu-Tabet continues his retrospective on Sailor Moon with a look at issues 15-20.

The Manga Review, 6/24/22

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Hi, all! Its been a relatively slow news week manga-wise and a crazy week for me work-wise, so I’m going to dispense with the snappy introduction and get right to the links! As always, if there’s a great blog, podcast, or YouTube channel that you think should be featured in The Manga Review, leave a comment below or contact me through Twitter. Your suggestions have already helped me make this a more inclusive and representative space, so keep ’em coming!

NEWS AND FEATURES

The folks at J-List have posted a thoughtful article explaining the steps the United Workers of Seven Seas will need to take in order to unionize. If you don’t know much about the National Labor Relations Board (NLRB) and its role in “mediat[ing] between the employer, union, and other parties to iron out all the details,” start here. [J-List Blog]

Erica Friedman’s latest Yuri Studio episode is now live, and focuses on sports in yuri anime and manga. [Okazu]

After a brief hiatus from blogging, Allison Ziebruh has revived Bloom Reviews with a raft of new reviews, as well as a thoughtful reflection on the current isekai manga boom. [Bloom Reviews]

Kelli Ewings posts a sneak preview of new works by Gengoroh Tagame, explaining why she’s excited to see more of his ground-breaking work available in English. [Panel Patter]

Wondering what’s new at Seven Seas? Carrie McClain has you covered with licensing news, unionization updated, and brief reviews of The Muscle Girl Next Door, Until I Meet My Husband, and more. [Women Write About Comics]

Laura Grace continues working her way through the shojo manga alphabet with a look at her favorite titles that begin with the letter D. [Beneath the Tangles]

Buckle up, Ryuko fans: Andrew Osmond just sat down for an interview with creator Eldo Yoshimizu. When asked why all his manga feature tough, sexy women in leading roles, he responded, “I like the strong woman, maybe that’s the reason. Especially when I started writing Ryuko, I wanted a lot to have female readers. I had that idea in my head. Especially in Japan, the woman is treated as vulnerable, kawaii… For child readers, that’s fine, but I wanted to provide something more sophisticated, better for the adult readers. Asura [the protagonist in Hen Kai Pan] and Ryuko, they make mistakes and they suffer a lot, and they’re going to grow up… That’s the kind of story I wanted.” [Anime News Network]

REVIEWS

Over at The Guardian, Rachel Cooke posts a thoughtful review of Yamada Murasaki’s Talk to My Back, due out from Drawn & Quarterly this summer. “Murasaki captures her character’s every mood shift and internal contradiction, her guilt as well as her longing (more than once, other people tell Chiharu she should be “grateful” for her life – as if she didn’t know this herself),” Cooke observes. “But Murasaki leavens this by recalling, too, the quotidian pleasures and rituals of home: the jokes, the teasing, a delicious (“slurp”) bowl of noodles. The result is a cross-cultural book about female self-worth – about where it comes from and why it sometimes disappears – that stands the test of time in the most remarkable way.”

Also of note: The OASG’s Justin and Helen offer their perspectives on the latest volume of Witch Hat Atelier, while ANN’s Lynzee Loveridge gives Hideshi Hino’s The Town of Pigs a solid grade of B, and Solrad’s Helen Chazan posts capsule reviews of several new releases.

 

Pick of the Week: Keep Smiling

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SEAN: If Kodansha thinks they can trick me into picking them every week just by putting out some really interesting josei titles… well, they’re probably right. The most interesting thing to me this week is A Nico-Colored Canvas. Again, great cover art.

MICHELLE: Who knew that we’d be really excited to see the sort of stuff people have been asking for for decades? 100% A Nico-Colored Canvas for me.

KATE: Add me to the chorus of folks who are excited about A Nico-Covered Canvas; there is always room for more josei on my shelf! I’m also curious about Yashahime: Demon Half-Princess, even though the anime was a hot mess. (I gave up after four episodes.) Here’s hoping the manga does more than just recreate each episode beat by beat.

ASH: I’m definitely interested in A Nico-Covered Canvas, but my pick this week goes to To Strip the Flesh. Transmasculine characters are such a rarity in comics, I can’t help but be intrigued. I’ve heard great things about this particular manga, so I’m going in with pretty high hopes and expectations.

ANNA: I’m likewise intrigued by A Nico-Covered Canvas, it sounds great. I’m also very excited to be getting the next volume of Witch Hat Atelier, which will rocket to the top of my stack of to-read manga. However, due to print sports manga being almost as rare as josei, I’m going to go ahead and highlight soccer manga Blue Lock as my pick.

The Manga Review, 6/17/22

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Big news from Yen Press: the publisher is launching IZE Press, a new imprint dedicated to Korean webnovels and webtoons. The imprint will debut this fall with three series created by HYBE and global pop stars BTS, as well as six additional titles: Tomb Raider King, The World After the Fall, The Boxer, My Gently Raised Beast, The Remarried Empress, and Villains Are Destined to Die. Explains JuYoun Lee, the Deputy Publisher and Editor-in-Chief of Yen Press, “we couldn’t be more excited to get a chance to really open up the doors to put these beautiful books in the hands of English-language readers.” I’m still a little salty that the original manhwa boom went bust–remember Dokebi Bride or Goong?–but optimistic that the current market will be more receptive to Korean comics.

NEWS

Are you looking for a job in the publishing field? Yen Press is currently advertising a range of editorial, marketing, and accounting positions. [Yen Press]

The May NPD Bookscan numbers are in, and manga made a strong showing on the Top 20 Author Graphic Novels chart , with volumes of Solo Leveling occupying four of six top slots. Spy x Family continues to dominate the Top 20 Manga chart, though Death Note Short Stories and Toilet-Bound Hanako-kun also posted strong sales. [ICv2]

Justin Lin–best known for his work on the Fast & Furious franchise–has been hired to direct a live-action adaptation of One-Punch Man. [Deadline]

FEATURES, INTERVIEWS, AND PODCASTS

In honor of Pride Month, Latonya Pennington has posted a thoughtful exploration of the last 100 years of queer representation in manga. “A hundred years after the debut of the first yuri novel and twenty years after the publication of Wandering Son, LGBTQ+ manga has greatly matured in terms of their creators, content, and its subgenres,” she notes. “When it comes to manga with transgender characters and themes, there are more options than ever before… On the yuri and yaoi side of manga, both subgenres have moved beyond the teenaged schoolyard romances that were present at the genre’s inception. There are not only gay and lesbian manga featuring adult main characters, but also manga in different fictional genres.” [Popverse]

What LBGTQ+ manga would you like to see adapted into an anime? [Anime Feminist]

And speaking of queer manga, Kory, Helen, and Apryll discuss the merits of two recent titles: BL Fans LOVE My Brother?!, a done-in-one story from Tokyopop, and Even Though We’re Adults, an ongoing yuri series published by Seven Seas. [The Taiiku Podcast]

The latest Manga Machinations episode looks at 10 Dance, Classmates, and Ruri Dragon. [Manga Machinations]

Ashley and Asher investigate Flower in a Storm, a short romantic comedy about a super-rich boy and a headstrong girl. [Shojo & Tell]

The gang at Honey’s Anime compile a list of manga that they didn’t see through to the end. [Honey’s Anime]

Brigid Alverson interviews Seven Seas’ Lianne Sentar and Lissa Pattillo about the challenges and rewards of bringing Asian webtoons to the US market. “I think a huge factor is the convenience of the format,” they note. “Do you have a smartphone and an Internet connection? Here: endless comics to scroll through (discreetly!) during your lunch break, wherever you are. If you look at Asian markets like Japan and Korea, there’s a huge audience of people reading comics on their phones while commuting in public transit like trains. I think newer generations in particular are adding comic reading to the many other leisure activities they do on their phone, and in North America, the boom in Middle Grade comics over the last 5-10 years has seeded millions of new readers who are comfortable reading long-form, sequential comics the way they would ingest other media (prose, TV, etc.).” [ICv2]

REVIEWS

Over at Anime UK News, Sarah posts a glowing review of Gengoroh Tagame’s Our Colors, while No Flying No Tights declares Junji Ito’s Deserter a mixed bag. “That’s not to say this is a bad collection, but Ito has such wonderfully scary other pieces that many in this volume fell flat for me,” Kris notes. The latest Reader’s Corner is up at Beneath the Tangles, with brief reviews of Alice in Borderland, Golden Gold, and To Strip the Flesh.

The Manga Review, 6/10/22

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After Kentarou Miura passed away last year, fans feared that they would never see his long-running saga Berserk reach a proper conclusion. Then on June 7th, artist Kouji Mori announced that he would take the reins from his friend and complete the final story arc. Ryan Dinsdale reports that Mori pledged to “only write the episodes that Miura talked to me about. I will not flesh it out. I will not write episodes that I don’t remember clearly. I will only write the lines and stories that Miura described to me. Of course, it will not be perfect. Still, I think I can almost tell the story that Miura wanted to tell.” The Fantasia Arc/Elf Island Chapter will begin serialization in the June 24th issue of Young Animal magazine.

NEWS

Over at The Comics Journal, Ian Thomas interviews members of the United Workers of Seven Seas about their unionization effort. “At Seven Seas Entertainment we never received basic benefits such as healthcare or 401ks in the first place,” organizers note. “Even with the staff roster going from 10 full-time employees in 2018 to over 40 today, we are stretched to our limit trying to keep up with the volume of work. Like workers in every sector of the entertainment industry, we are burnt out, and unfulfilled promises of “imminent” benefits have worn thin.” [The Comics Journal]

Are you following the UW7S on Twitter? If not, you should; in addition to regular updates about their unionization efforts, they’re also posting great threads about the important work that other labor organizations do. [Twitter]

Brigid Alverson takes a closer look at the May 2022 NPD BookScan chart for the top 20 Adult Graphic Novels. [ICv2]

Kodansha Comics announced that it will be releasing a new edition of Princess Knight and a first edition of Bomba! [Anime News Network] 

Kodansha is also sponsoring a Humble Bundle that includes volumes of Beck: Mongolian Chop Squad, Grand Blue Dreaming, Initial D. Peach Girl, Tokyo Revengers, and Until Your Bones Rot. All proceeds will benefit The Trevor Project, a non-profit that focuses on suicide prevention and crisis intervention for LGBTQ youth. [Humble Bundle]

New title alert: VIZ just began serializing Fusai Naba’s Aliens Area on its Shonen Jump website. [VIZ Media]

And speaking of Shonen Jump, Netflix just posted a sneak peek of its forthcoming live-action adaptation of One Piece. I’ll let you decide for yourself if this project looks good:

FEATURES, INTERVIEWS, AND PODCASTS

Shimada Kazushi profiles the late Abiko Motoo, who, with Hiroshi Fujimoto, created some of postwar Japan’s most popular manga under the pseudonym Fujiko Fujio. [Nippon]

In honor of Sailor Moon‘s thirtieth birthday, Christopher Chiu-Tabet begins an arc-by-arc exploration of the beloved series. [Multiversity Comics]

Tony Yao deconstructs a favorite storyline in Tokyo Revengers, using it to meditate on friendship, self-love, and vulnerability. [Drop-In to Manga]

The dynamic podcasting duo of Elliot and Andy compare notes on two popular romantic comedies: How Do We Relationship? and Ouran High School Host Club. [Screentone Club]

Mike Toole and Joey Weiser join the Manga Mavericks to discuss Akira Toriyama’s under-appreciated masterpiece Dr. Slump. [Manga Mavericks]

If you’ve been on the fence about reading Blue Giant, let the Mangaplainers persuade you to try this entertaining, engaging series about a young saxophonist’s quest to become the next John Coltrane. (Seriously, this series is great–something I almost never say about music manga!) [Mangasplaining]

Looking for a good read? Anna Williams recommends five underrated seinen manga. [CBR]

The folks at Yatta-Tachi just posted a comprehensive list of this month’s light novel and manga releases. [Yatta-Tachi]

Matthew Hill interviews Japanese artist Kyo Machiko about Essential: My #stayhome Diary 2021-2022. “Being a cartoonist is not an ‘Essential’ profession, but imagining, creating, talking to each other, and living an ordinary life are ‘Essential’ things that are essential to living like a human being,” she explains. “I chose the title because I have been thinking about this for a long time with the COVID-19 Disaster. Most people are not ‘Essential’ in their professions, but there is no such thing as a person who doesn’t need to be in this world. By depicting the ordinary lives of ordinary people in the city, I hope to convey the message that all people are indispensable to each other.” [The Comics Journal]

REVIEWS

At Comics Worth Reading, Johanna Draper Carlson posts reviews of I Want to Be a Wall and the “weird but strangely attractive fantasy” The Masterful Cat Is Depressed Again, Today. Erica Friedman praises the twisty plot of Summer Time Rendering. “Its 374 pages have enough twists to appeal to the most hard-core of suspense readers,” she notes. “It made me gasp out loud – more than once! – and kept me glued to the page right through the astonishing end of the volume.” TCJ contributor Leonel Sepúlveda looks at Hideshi Hino’s The Town of Pigs, praising Hino’s ability to create the “feeling of being trapped in a nightmare,” while the crew at Beneath the Tangles posts short reviews of Fangirl, Crimson Prince, Deadpool Samurai, and more.

Crazy Food Truck, Vol. 1

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Crazy Food Truck isn’t the worst manga I’ve read this year, but it’s one of the most disappointing, marred by lazy writing, paper-thin characterizations, and excessive fan service.

The most basic problem is that Crazy Food Truck reads more like a rough outline than a fully realized story. The premise is–if you’ll pardon the expression–half-baked: a gruff ex-soldier ekes out a living by operating a food truck in a post-apocalyptic wasteland filled with rogue military officers, exploitative creeps, and downtrodden folk who are veritable serfs. In scene after scene, Gordon laments the lack of paying customers, a joke that doesn’t square with the fact he’s mounted a cannon on his truck to ward off bad guys. Gordon might be a more plausible character if his cooking exploits were interesting or educational, but the scenes of him drying squid meat or waxing poetic about mustard are executed in such a perfunctory way that they could have been lifted from almost any food manga.

Another issue is that Gordon is less a person than an archetype, a man with a secret military past who reluctantly helps people in need, always getting the upper hand in situations where he’s outmanned and outgunned. Early in chapter one, for example, he stumbles across a teenager in a sleeping bag. Arisa initially seems helpless and kind of dim, but turns out to be just as lethal as Gordon, with considerable martial arts skills and weapons expertise. Her bubble-headed observations and refusal to wear clothing grate on Gordon’s nerves, yet Gordon tolerates her child-like behavior, allowing her to tag along with him even after she eats all his food. (Surely that would be a bridge too far for a cook, no?) We never learn why Arisa is on the run from authorities, or why she acts like a six-year-old; she’s just a pin-up who pigs out with gusto. Fair enough, I guess, since this series ran in Monthly Comic @Bunch, but the infantilization of her character makes her exchanges with Gordon more icky than amusing, and gives us little insight into either character’s motivations.

Perhaps the most serious problem with Crazy Food Truck is Rokurou Ogaki’s lack of vision. A story this outlandish needs bold, individual artwork that matches the intensity and silliness of its central conceit, but Ogaki opts for a blandly synthetic approach that borrows liberally from better series. Each character seems to have been created by a different person: some are grotesquely cartoonish—the better to emphasize their villainy—while others look like they’ve escaped from Food Wars or Golden Kamuy. The backgrounds, too, lack panache, even when Ogaki teases the idea that the world was once a more lush place teeming with animals and people. In the absence of a distinctive, unifying style, the characters and objects look like they’ve been clipped out of different magazines and pasted into the panels.

It’s a shame that Crazy Food Truck is so indifferently executed, as I thought its Mad Max-meets-Food-Network premise sounded like fun. Alas, it’s the manga equivalent of a failed Iron Chef experiment, a mish-mash of ingredients don’t quite add up to a tasty dish. Not recommended.

CRAZY FOOD TRUCK, VOL. 1 • BY ROKUROU OGAKI • TRANSLATED BY AMANDA HALEY • ADAPTED BY JENNIFER LEBLANC • LETTERING BY E.K. WEAVER, JEANNIE LEE, SARA LINSLEY, AND JAMES GAUBATZ • VIZ MEDIA • RATED MATURE (NUDITY AND VIOLENCE) • 198 pp.

Pick of the Week: Alices, Gundams and Food

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SEAN: Given the recent kerfuffle regarding Seven Seas, it feels awkward to pick a title of theirs for Pick of the Week. But the union has said they are not asking readers to boycott at this time. So I will be picking The Two of Them Are Pretty Much Like This, because I love the author, love the content, and it is one of my most anticipated titles this year.

MICHELLE: I really disliked The Flowers of Evil, but Blood on the Tracks has won me over to appreciating Shuzo Oshimi. So, this week I’ll pick Welcome Back, Alice and hope that it’ll be great.

KATE: I have a love/hate relationship with Shuzo Oshimi’s work: I think he’s a terrific artist, but I sometimes find his works just too… pervy, maybe?, so I’m going to pass on Welcome Back, Alice for now. The title I’m most excited about is The Men Who Created Gundam, which looks like a fun version of DMP’s old Project X series–think Cup Noodle with jokes and hijinks.

ASH: As far as debuts go, Seven Seas and Denpa seem to have the market cornered for me as I’m interested in most (but not all) of those releases. That being said, I’m probably most excited for the newest volume of What Did You Eat Yesterday? to come out.

ANNA: I’m not sure how I missed The Men Who Created Gundam because it sounds like a hoot. That being said I’m not going to pass up the chance to pick the latest volume of Yona of the Dawn.

The Manga Review, 6/3/22

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Two weeks ago, Seven Seas’ employees formed the United Workers of Seven Seas (UW7S). Their goal? To negotiate a standard benefits package that includes health insurance, retirement plans, parental leave, and paid time off. UW7S is also pushing for higher wages and better working conditions; in particular, the union’s mission statement emphasizes the importance of ending “both at-will employment and unnecessary ‘permalancing.'” On May 29th, management declined to voluntarily recognize the new union. In a press release, Seven Seas stated:

We respect the rights of our employees to choose or not choose union representation. While we have been requested by a number of employees to voluntarily recognize the Communications Workers of America as their legal representative—without a National Labor Relations Board conducted election—we have decided to respect the right of all eligible employees to vote on this issue. Since unionization would affect more members of staff than those who have already come forward, an election will ensure that everyone has the opportunity to learn about their rights and the details of this process before they cast their vote through a governed process.

We have notified the [National Labor Relations Board] that we are prepared to move forward with an election among an appropriate unit of employees, and we will, of course, abide by the outcome of the election.

The company’s next move was to hire the law firm of Ogletree Deakins, which has represented clients such as Boeing, Duke University, and IKEA in labor disputes. (Adding insult to injury: Ogletree Deakins counts former Maricopa County Sheriff Joe Arpaio among its clients.) I’m not sure what’s next for UW7S, but as someone who belongs to a union, I fully support all of the staff at Seven Seas in their fight for a better, more secure workplace. For updates, follow UW7S on Twitter.

NEWS

Diamond Comic Distributors just released its Top 400 Graphic Novels list for April 2022. Manga made a strong showing in comic book stores, with three titles–Chainsaw Man, Jujutsu Kaisen, and Kaiju No. 8–among the month’s best sellers. (For a little perspective, these three books sold between 3,369 and 5,944 copies each.) Scanning the top 100 titles, there were another 37 manga on the list, ranging from the final volume of The Rose of Versailles to the new edition of Apollo’s Song. [ICv2]

J-Novel Club unveiled five new manga licenses at its Anime Boston panel, including Tearmoon Empire and Oversummoned, Overpowered, and Over It! [Anime News Network]

Dark Horse will be publishing the sixth and final installment of Neon Genesis Evangelion-The Shinji Ikari Raising Project Omnibus this December. [AiPT!]

After social media users criticized the Toronto Comic Arts Festival (TCAF) for inviting artist Pink Cat (Saba Moeel) to appear at this year’s event, TCAF withdrew the invitation. In a statement posted to its website on May 31st, organizers explained that “TCAF initially extended a programming invitation to Moeel on the basis of their daily digital comics work on Instagram, and the personal importance that work had to one of our team members. At the time of this invitation, the organization was unaware of Moeel’s online conduct, plagiarism, or allegations of tracing. We apologize for programming and promoting this artist.” [Toronto Comics Art Festival]

Heidi MacDonald has the full scoop on the TCAF/Pink Cat controversy. [The Beat]

FEATURES, PODCASTS, AND INTERVIEWS

Erica Friedman files a report on this year’s Anime Boston convention, where she was a featured panelist and author. [Okazu]

Deb Aoki explores the secret history of Unico, Osamu Tezuka’s lonely little unicorn. [Mangasplaining]

Elias Rosner previews August’s best new manga, from Rooster Fighter to The Poe Clan. [Multiversity Comics]

BuzzFeed shares a list of 15 LGBTQ+ Comics, Graphic Novels And Manga To Read After Watching Heartstopper. [BuzzFeed]

It’s that time of the month again: Walt Richardson and Emily Meyers do a cover-to-cover roundup of Shonen Jump‘s May issue. [Multiversity Manga Club Podcast]

The Manga Mavericks assemble an all-star team to discuss Akira Toriyama’s Manga Theater. [Manga Mavericks]

On the latest installment of Shojo & Tell, Ashley and husband Asher Sofman jump in the WABAC machine to look at one of the weirder shojo titles Tokyopop published: Yuri Narushima’s Planet Ladder. Beware the giant chicken! [Shojo & Tell]

Claire explains why you should be reading Kageki Shojo!! The setting “is fascinating, with copious details about Japanese traditional arts interspersed with contemporary (otaku) cultural references that will delight manga and anime fans,” she notes. The author “gives her story and the girls room to breath and develop at an organic (and thus, often hesitant) pace. There is substance to each of these girls, and I for one am delighted that the series survived the dissolution of its original publisher so that we get to see what happens next. These girls are going places.” [Beneath the Tangles]

REVIEWS

Looking for a good beach read? The staff at Beneath the Tangles just posted brief reviews of the latest releases, from Ghost Reaper Girl to Summertime Rendering.

Also of note: Kate Sánchez declares I Want to Be a Wall “one of the most beautiful takes on a relationship I have ever read,” while Helen recommends Summertime Rendering for manga lovers “who want a read that they can’t put down late into the night.”

Pick of the Week: Baking with Bears

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KATE: I gotta admit that I’m pretty indifferent to what’s on offer this Wednesday; as Anna so aptly put it, it’s a “word salad” titles kind of week. If pressed, though, I’d pick Baby Bear’s Bakery, which sounds cute and inoffensive.

MICHELLE: I’m not super enthused by any of the debuts, either. I think I’ll award my pick to the fact that I will get to have a Yowamushi Pedal catch-up marathon, which sounds pretty fun to me!

SEAN: I’ve been told that Summertime Rendering is supposed to have a Higurashi feel, so I will probably check it out, though three hardcovers in the same week is a bit much.

ASH: I’m certainly interested in everything that’s been mentioned so far, but I’ll be joining Kate in selecting Baby Bear’s Bakery as my official pick this week. I’ve seen a few preview pages and it seems like it should be delightful.

ANNA: I’ll join with Kate in picking the hopefully cute Baby Bear’s Bakery!

MELINDA: Like Kate, I’m having kind of a “meh” week here, but Baby Bear’s Bakery does indeed sound cute, so I’ll go for that as well!

The Manga Review, 5/27/22

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Everybody’s talking about Tokyopop this week, as the publisher that brought us Mixx, Sailor Moon, and Rising Stars of Manga celebrates its twenty-fifth anniversary. To mark the occasion, Brigid Alverson interviewed Tokyopop founder Stu Levy about the company’s history. “Not a single person believed it would work—and frankly many called us crazy,” Levy recalled. “Even internally, most of my team was against it—or at least wanted to test it. My view was we either had conviction and went all-in or we didn’t. Testing wouldn’t work because retailers would always favor the left-to-right reading books if they had a choice—so there would never be a true test of its potential. So, I bet the company on it.” Over at Drop-In to Manga, Tony reflects on how Tokyopop titles such as Chobits and GTO: Great Teacher Onizuka helped introduce him to the joy of reading manga. “I know there’s a lot of criticism towards its founder, Stu Levy, and a lot of it is warranted,” he observes. “But I still respect Tokyopop for showing Japanese manga publishers that America can be a hotspot for manga during a time when that wasn’t the case.”

NEWS

Moto Hagio has just published a new installment in her on-again, off-again vampire saga The Poe Clan. The newest storyline, Poe no Ichizoku: Ao no Pandora, takes place in present-day Munich. [Anime News Network]

Mari Yamazaki’s Olympia Kyklos will resume serialization in Grand Jump next month. The story follows the adventures of an ancient Greek potter who’s accidentally transported to the 1964 Tokyo games. C’mon, this needs to be licensed STAT! [Anime News Network]

Are new chapters of Hunter x Hunter on the horizon? [Variety]

Brace yourself for more H.P. Lovecraft: Dark Horse will be publishing Gou Tanabe’s adaptation of The Shadow Over Innsmouth in a single omnibus edition. No word yet on a release date. [Anime News Network]

Earlier this week, the employees of Seven Seas Entertainment announced that they’d formed their own union, United Workers of Seven Seas. In a statement on their website, union organizers explain the rationale for their decision: “The company has grown exponentially since the start of the COVID-19 pandemic. But with rapid growth comes growing pains, and we, the workers of Seven Seas, have been shouldering much of that pain. We find ourselves overworked, underpaid, and we do not currently receive the benefits otherwise typical of the publishing industry.” [ICv2]

FEATURES AND INTERVIEWS

Are you interested in learning more about the roots of contemporary Japanese culture? Kathryn Hemmann offers a great list of “popular-audience books that are smart and specific yet still accessible to a casual reader,” from Matt Alt’s Pure Invention: How Japan’s Pop Culture Conquered the World to Tara Devlin’s Toshiden: Exploring Japanese Urban Legends. [Contemporary Japanese Literature]

Jocelyne Allen swoons over the gorgeous artwork and soapy plot lines of Ashita Niji ga Denakutemo. [Brain vs. Book]

Over at Women Write About Comics, Carrie McClain highlights some of Seven Seas’ best new releases. [Women Write About Comics]

The folks at Anime Feminist want to know which unfinished or cancelled Tokyopop series you’d like to see rescued. [Anime Feminist]

Bill Curtis wins the award for best headline of the week with How to Ease Your Big Burly, Hairy, Glistening, Beer Swillin’, Iron Pumpin’ DUDE Self Into the Wonderful World of Shojo & Josei Manga. Amen! [Yatta-Tachi]

Speaking of josei, the Mangasplainers dedicate their latest episode to an in-depth exploration of Fumi Yoshinaga’s All My Darling Daughters. [Mangasplaining]

Congratulations to the Manga Mavericks crew: they just celebrated their 200th episode with a roundtable discussion about Tatsuki Fujimoto’s one-shot Goodbye, Eri. [Manga Mavericks]

Lucas DeRuyter revisits Death Note, a series he “took super seriously” as a teen viewer. “When I watched Death Note as a teenager I definitely hadn’t lived enough to recognize it as camp; nor did I have as firm of an understanding of my own sexuality as I do today,” he observes. “I thought I’d be returning to a problematic fave, but was delighted to realize that Death Note is camp. Accidental, ostentatious camp that, in its attempts to create a dark and edgy power fantasy, stumbles so spectacularly that it tears down some of the worst kinds of people and beliefs around today.” [Anime Feminist]

REVIEWS

Reviewing volume five of Kageki Shojo!!, Yuri Stargirl raises a good question about the state of shojo and josei licensing in North America. “Has the industry just become dominated by trite, superficial storytelling and bland art that can’t decide if it’s moe or realistic?” she asks. “Or is what gets translated to the US market so limited, that they pick lowest common denominator titles to publish even though there are a lot of higher quality ones in Japan going untranslated?” Meanwhile, Megan D. takes a look at one of the weirder titles DMP ever licensed, Bambi and Her Pink Gun, while Rebecca Silverman reviews Erica Friedman’s new book By Your Side: The First 100 Years of Yuri Anime and Manga. “If you are a fan of yuri or simply want to understand what the deal is with any of the genre’s elements or major texts, I’d highly recommend reading this book,” Silverman argues. “It’s both an analysis of and a love letter to the genre, both academic and accessibly readable, and worth your time.”

Pick of the Week: Lose Yourself in London

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SEAN: The me that knows I should be interested in worthy, intellectual manga that’s won awards knows that I should be picking Lost Lad London, even as the me that also loves reading complete and utter trash gravitates towards the second volume of Loner Life in Another World.

MICHELLE: Real mystery manga is in pretty short supply, so I am fairly enthusiastic about trying Lost Lad London. The chaotic fluff seemingly offered by Phantom of the Idol deserves an honorable mention, as well.

KATE: After getting burned last week by Crazy Food Truck (seriously, Food Truck is Manga Hall of Shame Material), I’m going to listen to my inner manga critic and choose something more high-minded: Lost Lad London.

ASH: Lost Lad London is one of my top picks this week, too. But I’m also very curious about Let’s Go Karaoke! and am happy to finally see the publication of the collector’s edition of A Silent Voice after it was delayed. It should be an excellent release of an excellent series.

ANNA: I’m not going to deny it, I’ve been swept away by the excitement for Lost Lad London, so that’s my pick as well.

The Manga Review, 5/20/22

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This year’s Eisner nominations have just been announced. In the Best U.S. Edition of International Material—Asia category, VIZ Media garnered five of the six nominations with crowd-pleasers such as Chainsaw Man and Spy x Family, while Seven Seas nabbed one for Robo Sapiens: Tales of Tomorrow. The only other manga nominated for an Eisner was Zom 100: Bucket List of the Dead, which is competing in the Best Humor Publication category. Also nominated for an Eisner is Eike Exner’s Comics and the Origins of Manga: A Revisionist History, which was published by Rutgers University Press last year.

MANGA NEWS

Big news from Seven Seas! The company has just launched two imprints: Seven Seas BL, which will publish works in the BL/Boys’ Love genre, and Seven Seas GL, which will publish works in the GL/Girls’ Love (yuri) genre. [Seven Seas]

The final chapter in Wataru Hinekure’s My Love Mix-Up! will run in the June issue of Bessatsu Margaret. [Anime News Network]

Brigid Alverson previews three new shonen titles that debut in July. [ICv2]

Over at Book Riot, Carina Pereira highlights eight of the summer’s most anticipated graphic novels. [Book Riot]

How do librarians respond book challenges in their communities? Shawn, Megan, and Tayla offer a variety of helpful strategies for handling complaints about graphic novels, from setting clear policies about who can bring a formal complaint to using peer-reviewed sites to demonstrate that your collection is, in fact, age-appropriate. [No Flying, No Tights]

FEATURES AND INTERVIEWS

Looking for a good read? The crack team at ANN have just posted their Spring 2022 Manga Guide. Look for daily updates through the end of this week. [Anime News Network]

Tony explores the complex friendship between Kaguya Shinomiya and Ai Hayasaka in Kaguya-sama: Love Is War. [Drop-In to Manga]

On the latest Manga Mavericks podcast, host Siddharth Gupta convenes a roundtable discussion about Yona of the Dawn with panelists from Anime Feminist, But Why Tho?!, and Good Friends Anime Club. [Manga Mavericks]

Geremy and Kevin round up the latest Shonen Jump chapters, then turn their attention to volume thirteen of Haikyu!! [Jump Start Weekly]

Why did Nobuhiro Watsuki’s Gun Blaze West get the axe after just three volumes? David and Jordan investigate. [Shonen Flop]

Did you know that Tokyopop’s Warriors fandom is still going strong after fifteen years? Patrick Kuklinksi shines a light on the fan-made comics that explore “parts of the books that weren’t detailed in canon,” re-write controversial storylines, and introduce original characters. [SOLRAD]

Megan D. jumps in the WABAC machine for a look at Rumiko Takashi’s Rumic Theater, a collection of short stories that VIZ published more than twenty-five years ago. “What caught my notice about this anthology is that they all feature something you don’t see a lot of in American manga releases: adult women,” she observes. “Every lead character is either a currently married woman (be they with or without children) or one who was married in the past.  A lot of their stories are small-scale, focused on their homes and their immediate community of friends and family. True to Takahashi fashion, though, they are also often comical”.” [The Manga Test Drive]

REVIEWS

Are you following Al’s Manga Blog? If not, you should: this review-focused website has been publishing insightful, crisply written essays since 2016. Al’s latest offerings include in-depth reviews of The Music of Marie, a new title by Usamaru Furuya (Short Cuts, Genkaku Picasso); Island in a Puddle, a thriller by Kei Sanabe (Erased); and Sakamoto Days, a new Shonen Jump series by Yutu Suzuki.

Also of note: ANN’s Caitlin Moore draws on her own experiences with ADHD in a thoughtful review of My Brain is Different: Stories of ADHD and Other Developmental Disorders, while Masha Zhdanova posts capsule reviews of three new VIZ titles.

Sakamoto Days, Vol. 1

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The opening pages of Sakamoto Days unfold with ruthless efficiency: in just a handful of panels, author Yuto Suzuki shows us how twenty-two-year-old Taro Sakamoto, once Japan’s most “feared and revered” hit man, became Mr. Sakamoto, twenty-seven-year-old husband, father, and shopkeeper. Though Sakamoto seems content being the neighborhood jack-of-all-trades, his former associates view him as a potential threat, dispatching Shin the Clairvoyant to kill him. Shin appears to have the upper hand in this contest–he’s younger, fitter, and, as his name suggests, telepathic–but Sakamoto quickly subdues Shin with a bag of cough drops and a well-timed kick, leaving Shin gasping for breath–and, oddly, eager to join forces with his old rival.

This initial encounter highlights Suzuki’s strengths and weaknesses as a storyteller. In the plus column is Suzuki’s ability to stage a great sight gag, as evidenced by Sakamoto’s MacGuyver-esque ability to transform ordinary objects into powerful weapons. Suzuki also makes the most of Sakamoto’s sangfroid; no matter how chaotic the scene or ridiculous his opponent, Sakamoto never betrays a hint of emotion, making him an excellent foil for the chatty Shin. In the minus column is Suzuki’s fixation with Sakamoto’s weight. Other characters routinely comment on how “out of shape” Sakamoto is, and express surprise at his speed and agility—Shin, for example, initially dismisses Sakamoto as a threat because “he’s gone all tubby now.” One or two comments in this vein are enough to subvert the idea that a skilled assassin needs to be fit to be lethal, but this “joke” is repeated almost every time Sakamoto mixes it up with a new bad guy. 

Art-wise, Suzuki’s style is pleasingly organic, relying more on linework than screentone to create depth and volume. Suzuki compliments this approach with an imaginative use of perspective and panel shape that suggests the controlled frenzy of Sakamoto’s attacks. In chapter three, for example, Shin and Sakamoto attempt to rescue Officer Nakase, a newly-minted cop who’s been kidnapped by a motorcycle gang. Sakamoto uses a smoke bomb to surprise his opponents, then unleashes a series of kicks, body slams, and upper cuts to overwhelm the gang members:


Suzuki presents the fight in a kaleidoscopic fashion, using panels of varying shapes and sizes to show how quickly Sakamoto dispatches his enemies. The density of the images allows Suzuki to compress the action into just a few pages, creating a reading experience that puts the viewer in the middle of the action, watching the fight unfold in something approximating real time–a welcome antidote the bloated, multi-chapter fights scenes characteristic of so many Shonen Jump titles.

If some of the later chapters aren’t as tightly executed as the first, Sakamoto Days nonetheless achieves a good balance between character development and karate-chopping, affording us enough insight into Shin and Sakamoto’s personalities to make their Laurel and Hardy dynamic amusing. Recommended.

SAKAMOTO DAYS, VOL. 1 • ART AND STORY BY YUTO SUZUKI • TRANSLATED BY CAMILLA NIEH • LETTERING BY EVE GRANDT AND SNIR AHARON • VIZ MEDIA • RATED TEEN PLUS (VIOLENCE AND GORE) • 196 pp.

Pick of the Week: Authors Old and New

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MICHELLE: I never did manage to read Mushishi and am excited by the prospect of following a Yuki Urushibara series from the beginning. I don’t know how I feel about the “stuck in the body of a twelve-year-old” part and I kind of doubt there will actually be any kitties, but When a Cat Faces West is still my top choice this week.

SEAN: Ever since I first read Short Cuts years ago, I’ve always loved Usamaru Furuya’s strange, dark works, and therefore I’m definitely making my pick this week The Music of Marie.

KATE: I whole-heartedly second Michelle and Sean’s picks, but I freely admit that my less responsible self thinks that Crazy Food Truck looks like a lot of fun–a kind of mash-up of Mad Max: Fury Road and The Great Food Truck Race. Paging George Miller!

ASH: These all sound intriguing for different reasons, but this week I’m throwing my lot in with Sean and The Music of Marie. More than a decade ago (I can’t believe I just typed that), I was the host of the Usamaru Furuya Manga Moveable Feast, so perhaps this is an obvious pick for me. I never thought we’d get to see more of Furuya’s work in English, though!

ANNA: There are many intriguing titles coming out this week, but the one I see myself reaching for first is The Untouchable Midori-kun. I’m always curious about josei manga and idol singers!