Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Katherine Dacey

Pick of the Week: Modern Dracula

by , , and Leave a Comment

MICHELLE: It’s absolutely Glitch for me this week. Siblings investigating a weird town would be enough on its own even without the goodwill Lost Lad London engendered, honestly, but the fact that it’s by the same creator is extra enticing.

ASH: Generally when selecting my pick, I look towards debut or one-off volumes, but I do have to at least mention two ongoing series I’m particularly glad to see new volumes of this week: Emanon and Monthly Girls’ Nozaki-kun. But my official pick goes to #DRCL midnight children which, if nothing else, should have phenomenal artwork.

SEAN: It will probably be a bit too dark for me, but I have to go with #DRCL midnight children as well, because art.

KATE: What everyone else said: bloodsuckers and mystery manga for me, too!

The Manga Review: Cliff Notes Edition

by Leave a Comment

It’s been a slow week news- and reviews-wise, so this installment of the Manga Review is short ‘n’ sweet.

Netflix announced earlier this week that it would be renewing One Piece for a second season. The live-action adaptation of Eiichiro Oda’s hit series is currently Netflix’s top-ranked show in 73 countries around the world… the Blue Giant film is coming to North American theaters in October… Ablaze just licensed Choi Gyu-Seok’s award-winning series The Awl… Brigid Alverson breaks down the August Circana Bookscan numbers… and the Mangasplainers unveiled their latest projects: Search and Destroy, a “fresh take” on Osamu Tezuka’s Dororo, and Wandering Cat’s Cage, a new series from the creator of Sensei’s Pious Lie.

AROUND THE WEB

Over at ANN, James Beckett reassures One Piece fans that Netflix’s adaptation is “really good.” “For all of the (rightly deserved) praise that has been heaped onto the series’ pitch-perfect set designs and costume work—which perfectly evoke Oda’s original vision while still feeling at least mostly plausible when applied to living human beings—One Piece is a story that lives and dies on the strengths of its characters, and if we didn’t immediately fall in love with this iteration of the Straw Hat Crew, things would have been very dire indeed,” he notes. “Somehow, though, the show managed to exceed expectations by finding performers that fit so well into their respective roles that it is virtually impossible not to fall in love with them” [ANN]

Kara Dennison explains why you should be reading MamaYuyu, which just debuted on the Shonen Jump app. [Otaku USA]

Vrai Kaiser interviews artist Aiba Kyoko about the evolution of the BL market over the last ten years. [Anime Feminist]

Letterer Aidan Clark joins the Manga Machinations gang for a celebration of Naoki Urasawa’s work. [Manga Machinations]

The latest installment of Manga in Your Ears focuses on The Gay Who Turned Kaiju and Frieren: Beyond Journey’s End. [Taiiku Podcast]

Let the Mangasplainers convince you to read Not All Girls Are Stupid, “a blistering look at the difficulties of being a woman in your late teens and early 20s.” [Mangasplaining]

Should you add the KMANGA app to your phone? Justin lists the pros and cons of Kodansha’s digital manga platform, praising it for the selection and good image quality, and panning it for its point system: “There’s no getting around the fact that the points structure is an obstacle to really enjoying the service, especially if you’re not a fan of playing games to get points.” [The OASG]

REVIEWS

To honor the start of the academic year, Megan D. has a review of Zero’s Familiar, a high school harem comedy. “Honestly, I debated whether to even bother with a plot summary for Zero’s Familiar because if you’ve read a single magic school harem series before, then you know pretty much all the story beats you’re going to see and all the character types you’re going to meet,” she notes. “You’ve got the everyman Potato-kun protagonist, whose only distinct quality he possesses is his annoyance with his status as a servant and the social class system in general.  You’ve got the primary love interest whose personality begins and ends with ‘tsundere,’ and because this work came out in the mid 2000s she’s also comically tiny… She in turn is surrounded by a horny girl with big boobs, a stoic girl, a comic relief playboy, a perfectly ordinary maid/secondary love interest who is possibly even more boring than Saito, a handful of teachers, and the occasional disposable villain.”

New and Noteworthy

Complete, OOP, and Ongoing

Pick of the Week: Sweet Picks

by , , and Leave a Comment

SEAN: I’ve been enjoying the Dahlia in Bloom series since it began, and Lucia has been an excellent recent addition to the cast. As such, I’m making Lucia and the Loom my pick this week.

KATE: I’ll cop to being curious about The Darwin Incident, though I may have to check out DoesTheDogDie.com just to make sure I’m not going to be an emotional train wreck if I read it!

MICHELLE: I haven’t yet managed to read Old-Fashioned Cupcake, but it seems to be sweet slice-of-life, which is my favorite sort of BL, so I’ll cast my vote for the sequel, Old-Fashioned Cupcake with Cappuccino, this week.

ASH: I am also curious about The Darwin Incident, but this week I’m going to join Michelle in picking Old-Fashioned Cupcake with Cappuccino… even though I likewise haven’t read the original volume. I’m in the mood for some vaguely food-themed BL manga, though.

The Manga Review: Going Merry

by Leave a Comment

The reviews are in, and One Piece is certified fresh, with an 85% approval rating from critics and a 96% approval rating from audiences. Just about every major media outlet weighed in on the series, from the Hollywood Reporter to CNN, New York Magazine, Rolling Stone, and USA Today. Though many critics applauded the show’s fidelity to the manga, a few—most notably Mike Hale and Alison Herman—felt the show lacked a reason to exist. Writing for the New York Times, for example, Hale argued that One Piece was a bigger misfire than Netflix’s much-derided Cowboy Bebop, while Herman, writing for Variety, asked: “If the best result one can hope for is an approximation of the original, close or far, what does this version of ‘One Piece’ provide that the original can’t?” Other critics were more enthusiastic, praising the performances, costuming, and fight choreography. In a thoughtful, in-depth essay for Geek Girl Riot, Sherin Nicole reassured long-time fans that Netflix stuck the landing: “This series gets it. It’s about found family and freedom; it seeks to dismantle systems of subjugation and its surrogates; it’s goofy and heartfelt.”

AROUND THE WEB

If you ever wondered why your local library doesn’t own a complete run of One Piece, or doesn’t offer free electronic access to manga, I strongly encourage you to read Priya Sridhar’s excellent, in-depth article about the unique challenges libraries face when acquiring longer series. [Anime Herald]

Gab Hernandez explains why Stop!! Hibari-Kun! is “so progressive yet so paradoxically backward.” [Anime Feminist]

Alexis Sara explores the complexities of transgender representation in yuri manga. [Anime Feminist]

Wondering what to read after Fabricant 100? Kara Dennison offers three suggestions, all of which debut this month on the Shonen Jump app. [Otaku USA]

Bill Curtis compiles a complete list of September’s new manga and light novel releases. [Yatta-Tachi]

The Reverse Thieves name She Loves to Cook, and She Loves to Eat their manga of the month. [Reverse Thieves]

That Manga Hunter delves into the history of shojo manga imprints, from Shojo Beat to Steamship. [That Manga Hunter]

Join comic pros Ed Piskor and Jim Rugg for a lively tour through Katsuhiro Otomo’s earliest work. [Cartoonist Kayfabe!]

Over at The Comics Journal, Austin Price revisits a favorite series—Knights of the Zodiac (Saint Seiya)—and discovers that nostalgia ain’t what it used to be. “I realized what I would find there was only disappointment,” he observes. “Not the true extent of that disappointment, you understand; as I said before, no one can know how wide is the disparity between their idyllic memories and their mundane present until confronted with it.” [TCJ]

REVIEWS

This week’s must-read review comes from Erica Friedman, who praises The Moon on a Rainy Night for resisting the most common tropes around disability. “What we get in Moon on a Rainy Night is the coming together of two people who help one another to become their best selves,” she observes. “It is a fantastic tale of what ‘accommodation’ ought to look like in a perfect world.”

New and Noteworthy

Complete, OOP, and Ongoing

The Manga Review: Deep in the Heart of Texas

by Leave a Comment

A television station in Houston reports that the Klein Independent School District (ISD) has been bypassing the usual administrative procedure for removing controversial books from its shelves, instead treating those titles as old or out-of-date materials that need to be purged. The majority of books on its list will be familiar to anyone who’s been following the conversation around race, gender, and “age appropriate” works for younger readers—The Bluest Eye, Fun Home—but the list also includes volumes of popular manga such as Assassination Classroom, Black Butler, and Soul Eater. The Texas chapter of the ACLU is currently investigating.

In other news, Brigid Alverson reports that a Texas judge has blocked the implementation of the READER Act, which “would require booksellers to assign ratings to all books they sell to schools and recall any ‘sexually explicit’ books that had already been sold”… Brigid Alverson also has the scoop on Burst Angel, which was rescued from licensing purgatory, as well as four new additions to the Yen Press catalog… Cutie Honey will celebrate her 50th birthday this November… The Witch and the Knight Will Survive will be complete in three volumes… Dead Dead Demon’s Dededede Destruction is coming to the big screen next year… the United Workers of Seven Seas just voted to ratify their first contract… and The Beat posted a generous preview of Issaka Galadima’s Clock Striker, “which follows a young Black girl in her quest to become an elite engineer warrior.”

AROUND THE WEB

Matt Alt explains how some of Japan’s most time-honored methods for cooling off in the summer are disappearing in the face of modernization and global warming. [The New Yorker]

Eiichiro Oda sat down with the New York Times to talk about Netflix’s upcoming adaptation of One Piece, and why he thinks his series will be a hit with international viewers. [New York Times]

Shelby Tozier examines the legacy of Arina Tanemura, author of such shojo classics as Phantom Thief Jeanne and Full Moon o Sagashite. [Anime Feminist]

Also at Anime Feminist: Sarah Guinevere Smit uses Yokohama Kaidashi Kikou to explain “what many transgender people went through during the pandemic.” She explains: “In the solitude and desolation of COVID-19, cut off from the pressures and expectations of society, there was a silent wave of transgender people coming to the realization that they no longer needed to pretend to be someone they were not, beginning their transitions in the midst of death, despair, and loneliness.” [Anime Feminist]

To mark the tenth anniversary of Radiant‘s debut, Dark Aether offers an in-depth look at the series. [AniTAY]

Wondering what to watch this fall? Kara Denison has prepared a helpful list of anime whose source material is already available in English. [Otaku USA]

Jocelyne Allen sings the praises of Hokago no Etude, a BL manga about a ballet troupe. “For a BL manga, it has a real shojo vibe to it at times,” she notes. “Dance scenes get room to breathe, while the sexy times have closely packed panels, loads of dialogue and sound effects, for an overall intensity that makes those scenes even more effective.”  [Brain vs. Book]

REVIEWS

Erica Friedman argues that Otherside Picnic is “one of the most extraordinary explorations of physical, emotional and psychic boundaries that I have ever read”… librarian Ashley Hawkins has a brief but excellent review of Susumu Higa’s Okinawa… Adam Symchuk explains how Yokohama Station SF finds its footing in volume two… Megan D. reads Corrector Yui so you don’t have to… Sarah gives two thumbs up to After We Gazed at the Starry Sky… and the gang at Beneath the Tangles post a fresh batch of short reviews.

New and Noteworthy

Complete, OOP, and Ongoing Series

My Dear Detective: Mitsuko’s Case Files, Vol. 1

by

Have you seen The Law According to Lidia Poët? It’s a period drama that’s loosely based on a real-life woman who was the first in Italy to pass the bar exam. Though the series explores the real-life Poët’s long, lonely battle for professional recognition, it also makes plenty of room for romance and adventure, portraying her as a free spirit who solves mysteries with the aid of a handsome male journalist. The show’s breezy tone is more Remington Steele than Masterpiece Theater, but it never shies away from acknowledging that nineteenth-century Italy was truly a man’s, man’s world.

If Lidia Poët sounds like something you’d watch, you might like My Dear Detective, which also features a plucky heroine in a male-dominated field. The setting is Taisho-era Japan, where twenty-something Mitsuko Hoshino works for the Ginza Detective Agency as an investigator. Though Mitsuko is a natural, she faces skepticism and condescension in her day-to-day work that sometimes shades into outright hostility; early in volume one, for example, local hooligans vandalize the agency with slogans accusing her of “stealing men’s jobs.” Her boss is unfazed, however, and remains quietly but kindly supportive of her desire to be, in her words, “a working woman.”

Through one of those only-in-manga contrivances, Mitsuko crosses paths with Satou Yoshida, a handsome young man who turns out to be the scion of a prominent family. (The Yoshidas own one of the poshest department stores in Tokyo.) He soon joins the agency as Mitsuko’s assistant, chauffeur, and bodyguard, dropping the Yoshida name whenever it expedites their investigation, and swooping in to save Mitsuko whenever she’s in danger. Mitsuko—ever the consummate professional—won’t admit to herself that she likes Satou, and puts up a blustery front any time he flirts with her.

Though the script is lively, and the pacing brisk, the artwork is a little plain. The costumes, hairstyles, and props are just detailed enough to give a sense of the period, though the backgrounds are a little sterile. More appealing are the character designs: Natsumi Ito does an effective job of conveying each cast member’s age, social standing, and personality through small but meaningful details. Mitsuko, for example, sports a sleek, modern bob and knee-length skirts, while the older women she interacts with favor Nihongami and kimono, evoking the transitional spirit of the Taisho era.

Taken as a whole, however, My Dear Detective is the manga equivalent of The Law According to Lidia Poët. One the one hand, it’s a fizzy, fun series that offers solid mysteries with interesting twists solved by impossibly good-looking people. On the other hand, My Dear Detective gently reminds the reader how many practical barriers professional women faced a century ago, acknowledging the degree to which misogyny made it all but impossible for smart, ambitious women to chart a course for themselves outside of traditional gender roles. These two sensibilities don’t always mesh harmoniously, but most of the time My Dear Detective toes the line between escapism and didacticism in a highly entertaining fashion. Lidia Poët would undoubtedly approve. Recommended.

MY DEAR DETECTIVE: MITSUKO’S CASE FILES, VOL. 1 • BY NATSUMI ITO • TRANSLATED BY SAMUEL R. MESSNER • LETTERING BY BARRI SHRAGER • COVER DESIGN BY GLEN ISIP • AZUKI • 183 pp. • NO RATING

Pick of the Week: Guardian and Others

by , , , and Leave a Comment

SEAN: I have been hearing about the amazingness that is Guardian: Zhen Hun for years now, so it will be nice to finally see what the fuss is all about. This is my danmei of the week. My manga of the week is Nichijou, though.

MICHELLE: Frankly, I don’t see how I could pick anything other than Guardian: Zhen Hun this week!

ASH: Out of all of the releases coming out this week, Guardian: Zhen Hun has definitely captured most of my attention, so that’ll be my pick, too!

ANNA: I’m also pretty excited for Guardian: Zhen Hun, but also stoked for Don’t Call It a Mystery volume 2!

KATE: I’m joining Anna in picking volume two of Don’t Call It Mystery. It’s a little weird and talky, but also incredibly entertaining–think Columbo with fabulous hair and hot guys!

The Manga Review: The Dog Days of August

by Leave a Comment

Pour one out for Comic Book Resources: on Wednesday, a staff member hijacked CBR’s official Twitter feed to decry parent company Valnet for firing editorial staff and abandoning the site’s commitment to in-depth reporting and thoughtful criticism. Heidi MacDonald has the details. In other news, Kadakowa’s recent efforts to remove pirate manga apps from Apple and Google went unheeded, so the publisher is taking steps to find out who created those apps… the production of Susumu Higa’s Okinawa was delayed after the original printer demanded editorial changes to the book… the live-action version of Rohan at the Louvre arrives on Amazon Prime next month… Titan Manga has rescued Speed Grapher from publishing limbo… ABLAZE announced its fall 2023 publishing plans… Harta will publish the final chapter of Delicious in Dungeon next month… Yuki Kaku has collaborated with Givenchy on a one-shot story for UOMO magazine… and Nami Sano, the creator of Haven’t You Heard? I’m Sakamoto passed away at age 36.

AROUND THE WEB

Marion Pena sits down with former NBA player Johnny O’Bryant to discuss his latest venture: Noir Caesar. The company just released two news series, XOGENASYS and Primus7, and has several other projects in development, including an adaptation of Osamu Tezuka’s Alabaster and a live-action version of Me and the Devil Blues. [The Beat]

In the latest installment of My Fave Is Problematic, Rebecca Fleeman puts JoJo’s Bizarre Adventure under the microscope, noting the degree to which the series often conflates queerness with villainy. [Anime Feminist]

Anime Feminist polls its readers for the best beginner yuri manga. [Anime Feminist]

Jon Holt and Saki Hirozane translate manga scholar’s Hiroshi Miyamoto’s essay on Happy Mania. [The Comics Journal]

Job alert: VIZ Media is hiring two manga editors. N.B. to prospective job seekers: you must be willing to relocate to the Bay Area. [VIZ MEDIA]

Cat nip for translators—that’s how Jocelyne Allen describes Smoke Blue, a “a bewildering and yet entirely satisfying mix of translation tips and hot guys getting hot and heavy.” [Brain vs. Book]

Masha Zhdanova weighs in on three recent VIZ releases: My Special One, Akane-banashi, and Cat-Eyed Boy. [WWAC]

Kara Dennison offers a helpful list of swoon-worthy shojo manga you can read on the VIZ app. [Otaku USA]

Trevor Van As explains what why Junji Ito is a “master of the genre,” capable of producing “imaginative, visceral” stories filled with “shocking concepts” that stay with you long after you finish reading. [How to Love Comics]

That Manga Hunter sifts through the VIZ Signature catalog in search of good manga for older readers. “If you’re looking for alternative manga, mature non-smut manga, and manga intended for adults, then Viz Signature isn’t a bad place to start,” they opine. “The imprint contains series from a wide range of manga of various art styles and genres. If you’re coming from American comics and graphic novels, of superhero origin or otherwise, this is also the imprint for you.” [That Manga Hunter]

LISTENING IN

Join the Mangasplainers for an in-depth conversation about Pluto: Urasawa X Tezuka, Naoki Urasawa’s re-telling of the classic Astro Boy story “The Greatest Robot on Earth.” [Mangasplaining]

The Manga Machinations gang just finished a three-part series on Tatsuki Fujimoto’s breakthrough series Fire Punch. [Manga Machinations]

For spoiler-free commentary on Kyoko Okazaki’s River’s Edge, tune in to the Spiraken Review. [Spiraken Review Podcast]

Alain and Kate highlight Mermaid Scales and the Town of Sand in their first-ever Manga of the Month podcast. [Reverse Thieves]

Gee and Ray unpack Moto Hagio’s groundbreaking boys’ love saga The Heart of Thomas. [Read Right to Left]

Which manga did Andy and Elliot dub “Salaryman Cardcaptor Sakura“? Find out on the most recent episode of Screentone Club! [Screentone Club]

In the latest installment of Manga In Your Ears, Kory, Apryll, and Helen compare notes on Mizuno and Chayama and What Did You Eat Yesterday? [Taiiku Podcast]

REVIEWS

Paging Mushishi fans! This week’s must-read review comes from OASG contributor Helen, who shines a light on When a Cat Faces West, an overlooked gem from Yuki Urushibara. “When a Cat Faces West is a lovely, quiet series about supernatural happenings and the myriad ways that they can be both harmless and deeply unsettling,” Helen notes. “I never felt like the series crossed the line into soft horror but it’s definitely ‘softly unsettling’ at points… a difficult mood to pull off well but it does so splendidly.”

Shall we gather at the river? TCJ posts two reviews of Kyoko Okazaki’s River’s Edge: one by Helen Chazan, and one by Brian Nicholson, while WWAC contributor Kathryn Hemmann offers their own insight into the story’s “gritty millennial malaise”… Johanna Draper Carlson sings the praises of Why I Adopted My Husband… Megan D. revisits Kia Asamiya’sSilent Möbius… and Rebecca Silverman reviews Nazuna Saito’s Offshore Lightning, calling it “one of those books that you find yourself thinking about long after you’ve finished reading it.”

New and Noteworthy

Complete, OOP, and Ongoing Series

Bookshelf Briefs 8/21/23

by and Leave a Comment

Blue Box, Vol. 5 | By Kouji Miura | Viz Media – Sometimes trying to be kind can just look like mixed signals. That’s what Taiki’s having to deal with in this volume of Blue Box. He takes Hina to the festival, but ends up spending most of it with Chinatsu, as they try to help a child find their mother. The two clearly have the chemistry of a main couple. Taiki doesn’t want to say anything because they’re living together, and it would be awkward if he confessed his feelings or not. But it’s pointed out to him that by doing so, he just makes it seem to Chinatsu that he’s going out with Hina—who is clearly interested in Taiki, something he doesn’t get either. Basically, for a sports manga, there’s sure a lot of romcom in this. – Sean Gaffney

Frieren: Beyond Journey’s End, Vol. 8 | By Kanehito Yamada and Tsukasa Abe | Viz Media – Generally speaking, you can’t always save everyone. Unfortunately, even when you don’t save them, sometimes the problem still remains. That’s what we see with the bulk of this volume of Frieren, as the traveling main characters come across a village where most everyone is already dead. The reason they’re dead is a demon that’s been using multiple swords, and the demon is still there. Opposing it is the grumpy Genau, who’s already seen everyone around him die, so is very unimpressed with Stark’s comparative low abilities. You know, for a slow life manga, this series sure has a lot of battle scenes. Which will probably make it flow better when the anime is out this fall. Still recommended. – Sean Gaffney

In/Spectre, Vol. 18 | By Kyo Shirodaira and Chashiba Katase | Kodansha Manga – This arc wraps up with Kotoko’s story-spinning abilities in full flight, as she tells the story of the “yuki onna” first as if it’s not true and everything can be explained by humans, and then as if it is true and there definitely was a yuki onna. We, of course, having met said yuki onna’s sister, know which version is actually the case. But it’s presented, as always, as just another story that may or may not be the truth. (And Kotoko really, really seems taken with the idea of our swordsman hero being impotent for some reason.) After the heavy angst of the previous arc, this was a mild and relaxed arc by comparison, with the death happening long ago. Next time we’re promised some shorter stories. Good times. – Sean Gaffney

Issak, Vol. 1 | Story by Shinji Makari, Art by DOUBLE-S | Kodansha (digital only) – If you’re jonesing for some old-school manly man manga, Issak might be your cup of tea. The story follows a Japanese marksman who travels to Europe—in 1620, no less!—to avenge the death of his mentor by joining a band of Protestant mercenaries. Issak has a nifty gun, a lethal sword, and an almost supernatural ability to get the upper hand in every situation. Alas, the script is kind of a drag, as most of the dialogue takes the form of dull history lessons delivered with all the flair of Ferris Bueller’s economics teacher. About the best I can say for Issak is that it captures the brutality of seventeenth century warfare in realistic detail, so if you want a better sense of how miserable it was to fight in the Thirty Years’ War, this manga is for you. – Katherine Dacey

Kubo Won’t Let Me Be Invisible, Vol. 8 | By Nene Yukimori | Viz Media – Most of this volume is dedicated to the Kubo family, plus Shiraishi, at the beach. There’s the usual sorts of things you’d expect: blushing at swimsuits, swimsuits malfunctioning in the water, Shiraishi helping out at the cafe they run, etc. Throughout this, Shiraishi has a minimal amount of “no one can see me” gags—he’s starting to get noticed by people other than Kubo. The other subplots, near the start of the book, are about exams, and the goal of trying hard when you’ve never bothered to try hard before. This is not Kubo or Shiraishi but Tamao, who is the “dumb” character in the series so gets this subplot to prove she can do it if she tries… and is forced. Still cute fun. – Sean Gaffney

Like a Butterfly, Vol. 1 | By suu Morishita | Viz Media – As with the author’s other series, whether you like this book depends on how you like long pauses in conversation, people having difficulty communicating, and feelings developing very rapidly but being figured out very slowly. Unlike A Sign of Affection, Suiren doesn’t have any hearing issues. She is bad at communicating, though, mostly as she’s so beautiful everyone treats her as an object rather than a person, so she’s just turned inward. When she meets shy but earnest Kawasumi, she finds him fascinating and can’t stop looking at him, but isn’t quite sure why. Or why it bothers her that an upperclassman is throwing herself at him every single day. If you liked A Sign of Affection and Shortcake Cake, get this too. – Sean Gaffney

My Girlfriend’s Child, Vol. 2 | By Mamoru Aoi | Seven Seas – This series is not here to give you easy, magical answers. Sachi, after being shown how far along her child is now, is starting to walk back on wanting to get an abortion. But she’s too young to make that decision, it has to come from her parents. The good news is that her boyfriend is in her corner no matter what she decides (the author says he was deliberately written to be a great guy as an inspiration for other guys reading this). Sadly, his mother is basically furious, openly at him but privately at her, and she demands that they break up—and that she get an abortion. This is extremely well done, but also not for the faint of heart—there aren’t any jokes or lighter moments here. – Sean Gaffney

Pick of the Week: Long Awaited Manga

by , , , and Leave a Comment

MICHELLE: I don’t know much about After We Gazed at the Starry Sky, but I am all for sweet BL, so I will give it my vote this week!

SEAN: My vote this week goes to Otherside Picnic. Manga or light novel? Yes. Both.

ASH: What an interesting and varied bunch of releases this week! My official pick goes to Okinawa as I’ve been waiting for it for so long and have a particular interest in the island and its history for a several different reasons. I may want to balance the heaviness with something a bit more lighthearted, though, and so also have my eyes on the Wotakoi artbook.

ANNA: I’m going to go with Tsubaki-chou Lonely Planet just because I’m looking forward to reading a couple volumes of the series to get caught up.

KATE: I’m with Ash: I’ve been looking forward to Okinawa since the Mangasplainers first serialized it on their Substack.

From the Vault: Yakitate!! Japan

by

A quick glance at the calendar reminded me that this is my seventeenth year of blogging about comics—a figure that I find hard to contemplate! When I posted my first review at PopCultureShock, I was living in New York City and slogging through a graduate program in musicology. I was also new to manga; I hadn’t been a childhood comics fan, but my ex-husband was, and insisted on buying me volumes of X/1999 and InuYasha, introducing me to Midtown Comics, and bringing me to my first ComicCon. Things snowballed from there: I started contributing to Good Comics for Kids in 2008 and launched my own blog in 2009. Though I’ve tried quitting a couple of times, I find it hard to do; every time I’m certain I’ve posted my last review, I read a series that reignites my passion for writing about manga.

Thanks to the magic of the Wayback Machine, I recently discovered an old trove of reviews I wrote for PopCultureShock between 2006 and 2008. While many of the titles I reviewed have disappeared without a trace, some of them are enjoying a second or third life through digital platforms. From time to time, therefore, I’m going to dig into the PCS vault and share those old reviews with anyone who might be interested in learning more about these newly resurrected series, and for anyone curious about the state of manga licensing in the early 2000s. I freely admit that my motives are also a little selfish: I hate to see my work disappear into the ether, and so, in the spirit of historic preservation, want to give these essays a more permanent home.

First up: Yakitate!! Japan, a shonen series about competitive bread baking. The series spans twenty-six volumes, all available in English in both print and digital. The cheapest way to read the series is through a subscription to the VIZ Manga app. (N.B. There is an untranslated sequel, Yakitate!! Japan Super Real, which was serialized on the LINE app and eventually collected in five volumes.)

Yakitate!! Japan, Vols. 1-4
Story and Art by Takashi Hashaguichi
Translated by Noritaka Minami; Adapted by Drew Williams
Lettering and Touch-Up by Kelle Han

In the first volume of Yakitate!! Japan, we meet Kazuma Azuma, a teenager with an unusual dream. His great aspiration is to create a bread so beloved by the Japanese people that it becomes synonymous with the country itself: Ja-pan. Though he lacks formal training and, frankly, common sense, he’s a prodigy in the kitchen, blessed with “hands of the sun” (a.k.a. hands warm enough to jump-start the dough’s rising) and a jazz musician’s knack for improvisation. These skills land him at the modest South Tokyo branch of Pantasia, a popular chain of bakeries. There, alongside the loud-mouthed apprentice Kyosuke Kawachi, the cute but steely manager Tsukino Asuzagawa, and the bread master Ken Matsushiro, he hones his craft, develops new Ja-pan prototypes, and enters countless bake-offs.

Having introduced us to the principle characters, volumes two and three of Yakitate!! Japan then settle into a basic formula: Kazuma and Kawachi attend a competition where they’re regarded as the underdogs. When faced with a challenge—say, making mold-resistant bread or baking the perfect butter roll—Kazuma cheerfully devises a new recipe on the spot, wowing the skeptical judges and advancing to the next round. Though the stories trace a familiar pattern, I found much to love about these volumes. The ridiculous, Iron Chef-style competitions. The wretched puns. The impromptu science lessons. Matsushiro’s hairnet-defying ‘fro. But most of all, I loved the mouth-watering descriptions of baked goods, from Ja-pan #57—the deep-fried concoction that Kazuma fashioned out of day-old bread—to Ja-pan #32—the wasabi bread he improvised in volume 3. Those first 600 pages were pure pastry porn.

Then I read volume 4.

Volume 4 begins with the extras: a brief flashback explaining how Matsushiro became a baker, and a super-jokey short called Takitate!! Go-han. At first glance, Takitate!! appears to be a Bizarro-world parody of Yakitate!! Just as Kazuma encourages his family to substitute toast for their customary breakfast of rice, an American boy tries to wean his father off bread in favor of a Japanese-style porridge sold by a comely young foreigner. So far, so good. Then we get a glimpse of the vendor herself: a super scantily clad hottie in a bikini top and cut-offs that would make Daisy Duke blush. That initial hubba-hubba sketch is followed by several pages of utterly gratuitous fan service that sorely tempted me to abandon ship.

I’m glad I didn’t bail out at page 40, however, as the previous volume ended at a climatic moment in the Pantasia Rookie Tournament. Having survived the near-disastrous decision to use margarine instead of butter in a previous challenge, Kazuma must now overcome his lack of culinary skills to produce an “okonomiyaki sandwich.” (Imagine a hot dog bun filled with deep-friend soba noodles and a tangy sauce.) He and Kawachi face added pressure to succeed, as Tsukino’s honor rides on the contest’s outcome. Just as Kazuma and Kawachi are poised for victory, however, a hulking figure in a koala mask proves himself to be a formidable opponent. In other words, it’s another helping of business as usual: pratfalls, shouting matches, wacky new characters, and death-defying feats of bread baking.

This review was originally published at PopCultureShock on March 7, 2007 at http://popcultureshock.com/index.php?p=41094. It has been lightly edited for clarity.

Pick of the Week: Many Picks Make Light Work

by , , , and Leave a Comment

SEAN: Nothing immediately leaps out at me. I think I’ll pick the manga version of Villainess Level 99, because I enjoyed the light novel, and the protagonist has that “deadpan yet earnest” vibe to her.

MICHELLE: In the absence of any exciting-to-me debuts, I’ll choose volume three of Welcome to Demon School! Iruma-kun!

ANNA: I’m delighted for the next volume of Nina the Starry Bride!

KATE: I’m voting for Issak, which sounds like the kind of entertaining manly-man nonsense that Dark Horse and ComicsOne used to publish by the truckful back in the day.

ASH: All good votes, but I’ll add yet one more to the mix! I will be enthusiastically returning to the Maiden’s Bookshelf for the illustrated edition of Osamu Dazai’s The Girl Who Became a Fish.

The Manga Review: I Had a VIZion of Love

by Leave a Comment

The July sales numbers are in, and VIZ rules the roost once again, occupying sixteen of the top twenty slots on the Circana Bookscan Top Manga Graphic Novel List. While the list is mainly comprised of long-standing favorites–Jujitsu Kaisen, Spy X Family, One Piece–there are new entries, including Tatsuki Fujimoto’s Goodbye, Eri and Yana Taboso’s Disney Twisted-Wonderland. Manga sales on the whole, however, have been down this year, a point acknowledged by VIZ’s Kevin Hamric in a recent interview with ICv2. “The entire book industry in the US is down 3.2 percent right now,” he noted. Manga, in particular, “is down 23 percent. That’s BookScan numbers; that’s right for what they track.” Nonetheless, he remained optimistic: “If things continue like this,” Hamric explained, “it’ll still end up being the third‑best year on record.”

In other news, Cat + Gamer and Shuna’s Journey are among the titles vying for this year’s Harvey Awards in the Best Manga category… Azuki has teamed up with One Peace Books to release 23 series online… The Promised Neverland may be over, but it’s still selling briskly, with more than 40 million volumes in circulation… Otaku USA has a preview of Ryo Sumiyoshi’s Centaurs… Japanese fans reacted more positively to Netflix’s One Piece trailer than their American counterparts…and speaking of One Piece, Eiichiro Oda reportedly insisted that Netflix showrunners not alter any of the principal cast’s backstories. One Piece begins streaming on August 31st.

REVIEWS

The folks at Otaku USA have been busy: Kara Dennison explains what makes Shojo Null so compelling, while her colleague Danica Davidson reviews Offshore Lightning, Horror at Doll’s Village, and Villainess Level 99. Elsewhere on the web, Grant Jones gives Wolverine: SNIKT! a C+… Renee Scott “can’t recommend Akane-banashi enough” to readers of all ages… and That Manga Hunter offers an in-depth review of Prince Freya.

New and Noteworthy

Complete, OOP, and Ongoing Series

Pick of the Week: Performers and Delinquents

by , , , and Leave a Comment

MICHELLE: I am, of course, happy to see new volumes of Lovesick Ellie and Giant Killing, but this week I’ll pick Delinquent Daddy and Tender Teacher simply because it looks like it could be a lot of fun.

SEAN: Akane-banashi. That is all.

KATE: What Sean said; I’ve been dying to read it since it debuted on the Shonen Jump app!

ANNA: I’m sure I’ll like Akane-banashi, but I’m going with regular favorite Lovesick Ellie for my pick!

ASH: I’ll admit, I tend to enjoy BL in which at least one of the leads is a parent or parental figure, so I’m definitely looking forward to reading Delinquent Daddy and Tender Teacher, but my official pick this week actually goes to the print debut of Akane-banashi!

Pick of the Week: It’s August Again

by , , , and Leave a Comment

SEAN: Given that they not only have the yearly release of Kaze Hikaru, but also new volumes of Kaguya-sama: Love Is War and Yona of the Dawn, I think I’ll just go with Viz Media in general as my pick this week.

MICHELLE: I can get on board with that!

ASH: Definitely a good week for ongoing Viz series, that’s for sure! As for debuts (or at least print debuts), I plan on checking out Wind Breaker. Delinquent manga, for the win!

ANNA: I can’t choose between Yona and Kaze Hikaru either!

KATE: C’mon, you KNOW what I’m going to pick: Kaze Hikaru.