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Skip Beat 43

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Skip Beat! Volume 43 by Yoshiki Nakamura

It says something about the enduring appeal of Skip Beat! that even though I have stacks of shoujo to read, whenever a new volume comes out it is my immediate priority. Kyoko has fought through an intense audition process to win the role of Momiji, but as usual in Skip Beat! this means that the drama is just beginning.

Skip Beat

Part of what made the most recent round of auditions so intense is that Kyoko and Moko had the possibility of working together. When Kyoko finds out that Moko isn’t cast, she has a torrent of emotions and anxiety about how her best friend might be feeling. It turns out that the producer has Moko in mind for a role in another project, and things get smoothed over. Kimiko does not accept losing the role of Momiji so gracefully, as she attempts to drug Kyoko and fling her off the roof of a building, only to be foiled by Erika putting a plan in motion to expose Kimiko’s insanity. This all seems like enough soap opera shenanigans for one volume of manga, but the story continues to unfold with Kyoko and Ren continuing to misunderstand each other, even though they’ve been able to acknowledge their feelings internally.

Kyoko’s quirkiness as a heroine is perfectly summed up when she calmly assesses her danger by concluding that she didn’t know how high up she was, and she probably would only have broken a couple of bones. There’s also a hilarious panel where Kyoko senses that Ren is looking at her and from her perspective his stare turns into the predatory glare of a snake, only for her to turn to look at him and be confronted by his usual pleasant expression. A innocuous picnic with a bento that Kyoko makes ends up turning into a prompt for some intense internal thoughts about budding romantic feelings. With the forced proximity element of Yashiro serving as manager to both Kyoko and Ren, I’m hoping that this story arc might move things forward a little bit. Then again, we are a good 43 volumes in to Skip Beat! and I’m entertained no matter what happens.

Ao Haru Ride Vol 7

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Ao Haru Ride Volume 7 by Io Sakisaka

With both Shortcake Cake and Ao Haru Ride coming out at the same time, it feels like the Shojo Beat imprint is going full steam ahead with romance manga that is a bit more introspective than usual. I’m finding all the interior soliloquies more diverting than usual in this series. Is there any kind of tension worse than seeing the slowly moving train wreck of someone making the wrong decision for seemingly noble reasons? It is pretty clear that Kou likes Futuba, and yet his traumatic past and issues dealing with his own grief have led him to willingly step into the role of quasi boyfriend for Narumi, who is surely having her own issues but is also spinning them in order to ensnare Kou into a closer relationship.

Futuba is avoiding Kou and falling back into her overly boisterous behavior, but Kikuchi keeps showing up to talk with her, despite some hilarious glaring from Yuri whenever she is at Narumi’s side. The attempt to put distance between Futuba and Kou utterly fails when Mr. Tanaka sends her over to check on Kou when he is sick. Futuba decides to confront Narumi about her and Kou’s weird co-dependent relationship that has them both stewing in grief, and Narumi promptly admits her tactics and then turns things back around on Futuba by accusing her of being selfish herself for intervening. This of course sends Futuba into another bout of introspection where she questions her own motivations. The forbidden attraction between Mr. Tanaka and Shuko almost spills over into a genuine incident at the school, but Ao Haru Ride tends to keep moving forward through plot twists while preserving the points of tension with the character relationships that keep the larger story suspenseful. The exploration of grief contrasted with the romantic foibles of teenage characters continues to make this series a compelling read.

An Incurable Case of Love, Vol 1

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An Incurable Case of Love Volume 1 by Maki Enjoji

I’ve been looking forward to this manga! I’m glad that the Shojo Beat imprint’s experiments in what I think of as “stealth josei” are successful enough that we reliably get titles like An Incurable Case of Love released here. Often for romance manga, I am irrationally fond of titles that embrace the ridiculousness of the genre with a touch of irony. After reading the first few pages of this manga, I was confident in Enjoji’s abilities to keep me entertained.

An Incurable Case of Love

The manga opens with a love confession going disastrously wrong, as a doctor with a grim look asks a newly minted nurse if “there is something wrong with your head.” The nurse in question is Nanase, who decided to study medicine after a fateful encounter years ago where she tried to help someone in medical distress on the street, only to attract the attention of the dangerously handsome yet kind Kairi Tendo. Of course after one brief meeting with Tendo, Nanase concludes that he is “THE PRINCE I HAVE BEEN WAITING FOR!” and builds her entire life and educational plans around the possibility of meeting him again. Nanase soon finds out that while Tendo has an exemplary bedside manner with patents, he’s harsh and exacting with the hospital staff and there are rumors that he’s a womanizer as well. Thoroughly disillusioned, Nanase tries to throw herself into her nursing orientation activities. There have been plenty of ridiculous premises like this to start off many romance manga, but one thing I found especially charming about An Incurable Case of Love is the fact that Nanase’s love confession provokes some supportive instead of malicious teasing from her new co-workers. Her new nickname is “Valiant One” and her co-workers take to calling Tendo “The Dark Lord” after Nanase refers to him with that phrase.

The hospital setting provides a twist on on office romance antics as Nanase attempts to put her schooling into practice. While she isn’t perfect all the time, she’s often effective in emergency situations and Tendo’s mannerisms towards her begin to change. I knew I would like this series after reading the first chapter, but I found the rest of the volume equally entertaining. Recommended if you are in need of a dose of josei romance.

Beastars, Vol. 1

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Beastars Volume 1 by Paru Itagaki

I’m always curious to see what Viz will decide to publish in their Viz Signature line, and I wasn’t really aware of Beastars other than just knowing that the initial license announcement was greeted with plenty of enthusiasm. Beastars takes place in an anthropomorphic high school where carnivores and herbivores are thrown together in their classes and clubs, but generally seem to stick to their own kind for dormitory arrangements.

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It is made very clear in the opening panels that not all is well in this high school as Tem, an alpaca student is hunted down and murdered by a mysterious carnivore in the opening panels. Suspicion lands on the grey wolf Legoshi, who was in drama club with Tem. The herbivores are mostly terrified and the carnivores are resentful at being under suspicion. A lot of the plot of Beastars seems fairly typical for any manga with a high school setting, but the animalistic nature of the students puts a bit of a spin on drama club shenanigans and random meetings across different animal families. Legoshi struggles with his own instincts and seems to be resigned to his status as an outcast. Seeing the twists of the animal nature of the students on fairly typical student roles can be amusing, as the imperious head of the drama club turns out to be the literal king of the forest in the form of Louis, a majestic red deer.

The art for Beastars is really well done, with somber grey tones that give the high school a bit of a dangerous noir vibe. In times of extreme emotion, Itagaki often fills the panel with just a character’s eyes surrounded by a dark background as a way of punctuating the intense instincts that the student body rarely acts on. The story sometimes shifts points of view, and it is interesting to learn more of the backstories of the student body. The idea of a “Beastsar,” an animal who is raised to have dominion over both carnivores and herbivores is raised briefly, and I expect the political jockying to be more intense in future volumes. I’m still a bit mystified as to why the students aren’t caught up more in an actual investigation of Tem’s murder, but I’m hoping this will be explored more in future volumes as well. The first volume of Beastars was very intriguing, and it capably set up Legoshi as a complex protagonist.

Witch Hat Atelier, Vols 1-3

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Witch Hat Atelier Volumes 1-3 by Kamome Shirahama

It is rare to find a series that is so fully realized in terms of both art and story that there is absolutely nothing to nitpick, but Witch Hat Atelier is one of those manga. Coco is a young girl who helps her mother who is a seamstress. Coco lives in a world where magic is practiced only by a select few, but she’s extremely curious about how it all works. Her life is changed when she sees a flying carriage land near her mother’s shop and she runs into a mysterious gentleman who wears glasses with one tinted lens. Coco ends up cutting a length of cloth for the man, and she recounts a story that ties in with her fascination for magic. When she was younger, she encountered an enchanter who wore a hat decorated with a single eye, fringed with fabric that obscured his face. He offered to sell Coco a book of magic spells and even gave her a wand. Coco soon found out that people need to be born to magic, and gave up on her dream. When the flying carriage is damaged, the mysterious man identifies himself as Qifrey the Witch, and he decides to fix it. Coco spies on him and discovers that magic isn’t something one is born with, it relies on careful drawing with a pen. She promptly decides to experiment.

witch hat atelier

Like most books that feature a child adventurer and inconvenient parents, Coco’s mother is quickly dispatched when Coco’s first spell goes awry, turning her into a statue. The only solution is for Coco to dedicate herself to learning magic in order to reverse the spell. She becomes Qifrey’s newest apprentice, and travels with him to his school where he is already teaching several other girls her age. Coco has an enthusiasm for knowledge and a unique way of looking at magic but her fellow apprentices are suspicious of her. Coco’s roommate Agott in particular has a cranky attitude which backed up with unusual expertise in magic. The world of magic can be dangerous, for example when Agott goads Coco into taking a test that she’s unprepared for. The girls later get whisked away to a labyrinth guarded by a dragon due to some machinations of the witch with the eyeball hat, and later help with a rescue. The world is filled with odd magical contraptions that take the place of technology, like a water bubble for transporting water, bricks that light up under people’s feet, and shoes that are enchanted to give the power of flight.

Shirahama has a detailed style that is reminiscent of illustrations that might be in a classic childrens’ book. Panels are occasionally decorated with botanical motifs, with a nod to art nouveau. The various costumes of the witches have elaborate decoration, and spells look intricate, causing effects that look both elegant and unnatural. The worldbuilding and illustrations are lovely, but there’s an undercurrent of menace, as the one-eyed hat magical practitioner is intervening in Coco’s life for an unknown reason. The secretiveness of the witches also causes Coco to be threatened with a memory wipe spell multiple times. Her status as an outsider gives her an innovative and instinctive feel for magic, and she often manages to improvise spells due to her unique mindset. Coco’s new found family keeps expanding as the series develops, and it seems like she’s meeting other magic practitioners that ultimately will help her if there’s a confrontation with the dark witches who seem to be far too interested in her. There’s certainly some Harry Potter parallels, but not enough to make it seem like Witch Hat Atelier isn’t original. I’m equally entertained by both the art and the story in Witch Hat Atelier, and highly recommend it if you are looking for a fantasy series that lets the reader disappear into another world for a little while.

The Way of the Househusband

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The Way of the Househusband Volume 1 by Kousuke Oono

I was looking forward to The Way of the Househusband very much, because the title, premise, and subtly menacing cover art made it seem like just the type of action and humor manga I would enjoy. The househusband in question is a former yakuza member whose nickname was “The Immortal Dragon.” I think it is easy for a reader to tell if they will like this series from the first few pages, which show the househusband waking up, clothing himself grimly in all black, putting on an apron, and then making an adorable bento box for his wife. The househusband loves coupons, sales, and going to grocery stores while wearing his shibainu apron. Unfortunately his past has a tendency to catch up with him. While the Immortal Dragon still has the skills to administer a severe beatdown, often he disarms situations with his househusband hobbies by breaking through people’s emotional barriers with homemade cookies or a pair of deeply discounted gloves.

househusband

I particularly enjoyed the marriage scenes in this manga. The househusband’s wife is a designer who loves anime, and the lengths to which he will go to make her happy display the same relentless attitude that I’m sure helped helped him ruthlessly dispatch his enemies. It would be hard to pull off this title without solid art, and Oono excels at showing the househusband with epic resting bitch face that basically means that regular people find him terrifying. He seems to always be surrounded by film noir shadow effect lighting that throws his features in stark contrast. The larger format of the Viz Signature line makes it easier to appreciate the fight scenes taking place in mundane locations. I had high expectations for this title and I wasn’t disappointed.

Daytime Shooting Star, Vol. 2

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Daytime Shooting Star Volume 2 by Mika Yamamori

I can usually tell if I’ll like a series after I read the first volume, but after two volumes I can more easily decide if I really like it. The second volume of Daytime Shooting Star still features plenty of angst over a potential student-teacher romance, but the supporting cast was featured a little more and I started to find this series endearingly quirky.

The second volume opens with the shoujo staple of a school trip, and when Suzume finds herself accidentally trapped in a ravine with Mamura the boy who is pathologically afraid of being touched by a girl, they actually have a couple moments of conversation. Suzume passes out just in time for Mr. Shishio to come to the rescue, and Yuyuka quickly figures out that Suzume has a crush when she visits her in the aftermath of the forest adventure. Yuyuka’s offhand gestures of friendship and blunt personality are a useful contrast to Suzume’s tendency to get lost in thought about her new life. There’s a hilarious scene when Suzume is studying and Yuyuka’s usual social mask slips as she launches into a tirade and Suzume grabs Mamura’s arm in a desperate attempt at distraction. Yuyuka then finds herself beset with a group of boys who follow her around in hopes of being berated. In the meantime, Mamura seems to have gotten over his fear of girls, but only with Suzume.

This volume sets up an entertaining soap opera with plenty of humor as well as more quiet moments of reflection. I’m also enjoying the art in Daytime Shooting Star, Yamamori’s character designs have a touch of whimsy, and she easily shifts from more cartoonish exaggeration to panels that highlight contemplation and internal emotion.

Idol Dreams Vol. 6

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Idol Dreams Volume 6 by Arina Tanemura

Idol Dreams! The manga that I read compulsively but also dread a little bit every time I pick it up because I wonder in the back of my mind if something truly problematic is going to happen in this story of an emotionally stunted office lady who returns to her youth in the form of an idol singer with the aid of magic pills who then becomes romantically entangled with some of her teen contemporaries from the music world.

Idol Dreams 6

One of the reasons why I enjoy Tanemura so much is that she brings the melodrama in a way that few other manga creators can aspire to. In this volume alone, there’s a death, a pregnancy, and a wedding crisis. Few other series can hit these heights of melodrama in just six chapters. All of these things happen to friends of Chikage’s and it is interesting to see how she reacts as the people she is closest to suffer through some severe emotional trauma. The volume kicks off with an illness followed by a death in Hibiki’s family. Chikage in her Akari persona tries to support him as best she can, but the pressures of Hibiki’s idol career cause him to not take time off work because he doesn’t want to disappoint the fans who support him. He doesn’t have the luxury of taking time to grieve, and I wonder in some ways if his professionalism is a way for him to escape confronting tragedy.

In the adult side of her life, Chikage is way too invested in the success of Tokita and Hanami’s wedding. As I read this volume I was reflecting on the ways that Chikage has changed as a character, from having almost no emotional connection with other people, to now having far too much invested in seeing a particular relationship succeed. Part of this is due to the fact that she’s still repressing her own deeper emotions. There is a moment where she runs into Haru when she is actually able to relate to him as a potential friend without becoming flustered, which made me think that while she’s come pretty far in terms of becoming more self-possessed since her teen adventures. I left this volume wondering how Chikage is going to come out on the other side of these tragedies, but she’s shown enough personal growth that I’m hoping she continues to become stronger. Tanemura’s art is always best when she has an opportunity to be unabashedly girly, and the illustrations of many wedding dresses in this volume are a real treat, in addition to the dramatics of all the tear-stained faces.

Shortcake Cake Vol. 5

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Shortcake Cake Volume 5 by suu Morishita

I feel the need to preface this review by noting that there is absolutely no Rei content in this volume, for those readers who might have been hoping for that. What this volume does feature is plenty of internal anguish and teenagers just being weird in endearing ways. There’s something about the way that Morishita is skillfully navigating some familiar shoujo tropes that has me full of suspense about what happens next instead of rolling my eyes at the potential love quadrangle that is slowly being explored.

The volume opens with Ten still trying to sort out her feelings, as her feelings for Riku have grown only after she turned him down. Meanwhile, Chiaki lurks in the background, doing his best impersonation of a second lead guy from a Korean drama, as he makes veiled references about a girl he likes to Ten, with her not realizing he is actually talking about her. There’s some great paneling in the opening pages of the manga, when Ten is thinking about her and Riku living in the same house, the illustrations of them silently looking at each other interspersed with the everyday interiors of the boarding house underscore her quiet contemplation and awkward feelings about the whole situation. Ten continues to just be adorable all around, as she starts acting incredibly awkward around Riku and boisterously slaps Chiaki on the back and tells him not to give up on his mysterious crush.

shortcake cake 5

The part of this volume that I absolutely loved was when Chiaki comes up with a bizarre excuse to go on an outing with Riku, in an attempt to smooth over any issues with them both liking the same girl. They go on a random shopping trip, followed by some bookstore browsing and debating about UFO machine strategy. It really underscored how socially awkward Chiaki is, and if if I wasn’t rooting for him do to my general tendency to fall for second lead guys, the fact that he quotes from Anne of Green Gables in this volume was extra adorable. I’m enjoying the slow pacing of this series, and definitely recommend it if you are looking for a high school romance with more depth than the typical shoujo series.

Kakuriyo: Bed and Breakfast for Spirits, Vols. 4 and 5

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Kakuriyo: Bed and Breakfast for Spirits Volumes 4 and 5 by Waco Ioka, Midori Yuma and Laruha

I feel like now Kakuriyo has settled into a reliable rhythm for the reader, with each volume blending elements of food preparation and consumption and showcasing supernatural entities with some hints at the ongoing mystery surrounding Aoi’s grandfather and his relationship with the spirit world.

One of the reasons why I enjoy this manga is because it blends in very mundane concerns with a supernatural setting. This was particularly on display in volume 4 when Aoi needs to take into consideration vital aspects of business administration in her attempt to launch a cafe in a slightly inconvenient corner of the Tenjin-ya Inn. Aoi treats everyone who has been helping her get the cafe ready for opening to rice balls with individualized flavors that appeal to their unique personalities. When Aoi ventures out with Odanna to the local markets and gets a clue about a mask she remembers an ayakashi wearing who helped her a long time ago. Aoi is still running into resistance from other members of the Tenjin-ya staff, but she finds some ways of winning over new customers by creating special bento boxes for a sequestered writer. I do still sometimes wish the art for Kakuriyo was a little more elaborately detailed or creative, but I’m happy to see some unsettling ayakashi character designs such as a three-eyed woman with a snarky three-eyed baby, or the no-face handmaidens who always show up to give Aoi a makeover.

The fifth volume opens with Aoi sharing a quiet moment with Odanna, as she follows him out to his mountain retreat and learns about a new delicacy – fire chicken eggs cooked in a hot spring. Aoi also gets a new clue about the white-masked ayakashi from her past and an impactful endorsement from the badger demon novelist. Business starts to look up a little bit after Aoi also gets a visit from a fortune spirit who loves red bean paste desserts. I found myself really enjoying the way this manga is paced, with Aoi slowly finding out more about the strange world she’s been transported to, and her low key ways of getting to know ayakashi through preparing simple dishes with their unique needs in mind. Five volumes into the series, it is much more satisfying as a food manga, with the food preparation showcased in at least a page or two instead of being skipped over.

Yona of the Dawn, Vol. 19

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Yona of the Dawn Volume 19 by Mizuho Kusanagi

An evaluation of any volume of Yona of the Dawn boils down to the sentiment “if you are not reading this series, there might be something wrong with you.” This particular volume functioned well as bridge between story arcs, as well as including some bonding humor amidst a story of spiritual possession. As the reader can guess from seeing an unmasked Sinha on the cover, the first part of the volume delves more into the history of the Blue Dragon through his encounter with one of his predecessors. There’s plenty of group bonding time along the way as Yona and her companions tease Yun for taking on an inadvertent role as the group’s “mother,” but despite all the teasing he prepares snacks and worries with great maternal instincts.

Yona of the Dawn 19

Sinha’s spiritual possession causes a number of issues, as he returns to the group with another Blue Dragon in control over his body. Everyone but Yun ends up in a super creepy tomb filled with spirits, as they attempt to deal with Sinha’s vengeful spirit. As always, Yona manages to overcome difficulties by simply being true to herself and overcoming obstacles through her humanity and compassion. What initially seems like a story about a vengeful spirit ends up highlighting the strength inherent in forgiveness.

The broader story arc that begins to be set up is a return to the Water Tribe. When Yona and her companions left previously it was clear that they’d affected a small part of a systemic drug trade. While Su-Won strategizes with his generals and tribal leaders in his palace, Yona reunites with Riri and joins up with her again to help with her mission to help the Water Tribe people. As always Kusanagi does an excellent job juggling character development and storylines with such an expansive cast. While Yona is shoujo, the romance elements are fairly sparing, but fortunately there’s a wonderful scene between Yona and Hak as they have trouble sleeping that shows romance progressing slowly. I always put each volume of Yona of the Dawn down feeling immensely satisfied at the amount of story Kusanagi is able to express in just five or six chapters.

Ao Haru Ride, Vol 6

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Ao Haru Ride Volume 6 by Io Sakisaka

I’m enjoying the way this series presents young romance with a sense of nostalgia mixed with compassion. Futuba’s heightened awareness of memory and lost time as she attempts to get to know Kou after not being in contact with him for years has her approaching school milestones with great introspection as she attempts to find just the right moment to confess her renewed feelings.

Ao Haru Ride 6

Complications loomed at the start of this volume, as it is clear that Kou has gotten himself a bit enmeshed with a former classmate named Narumi, who is leaning on him as her main source of emotional support. Narumi shows up at the school festival, and Futuba tries to figure out what sort of relationship she and Kou have. Futuba’s friends see through this situation and warn her of being too trusting. Kou continues to be motivated by jealousy, when he sees Futuba make a point of attending a performance from Kikuchi’s band, he also attends and they accidentally kiss. The fallout of this event dominates the rest of the volume as Futuba tries to figure out what it all means, if anything.

As far as enigmatic yet troubled dark-haired shoujo male protagonists go, Kou is rapidly moving up my unofficial rankings. He has not yet reached the heights of Izumi Sano from Hana-Kimi, but who knows how I’ll feel by the end of this series. While his tendency to go hot and cold and engage in impulsive actions that cause Futuba to experience the torments of teenage angst, his background and his own emotional turmoil still make him sympathetic. There’s a hilarious sequence where Futuba keeps running away because she doesn’t want Kou to be able to see her face and he keeps running after her, eventually cornering her in a classroom where she proceeds to hurl maid costumes at him. Futuba again gets some key advice from her friends as she struggles to deal with her emotions. Kou disregards the advice of his friends who tell him, quite reasonably, that “You can’t save everyone!”

This volume of Ao Haru Ride concludes by pulling off an impressive narrative maneuver of making mostly everybody miserable, but all for very good reasons. Surely this will sustain the shoujo drama for several more volumes and I have to say I am willing to endure plenty of tears to eventually get some sort of happy ending, or somewhat wistful conclusion.

Snow White with the Red Hair Vol 2

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Snow White with the Red Hair Volume 2 by Sorata Akiduki

Snow White with the Red Hair had a fairly episodic first volume, so I was curious to see what the second volume would bring now that the characters and setting had all been set up. This volume blended medical mystery and palace intrigue with a little hit of the undercurrent of emotions between Shirayuki and Zen, in a way that sets up a great escapist read for anyone wanting to disappear momentarily into another world.

Snow White With the Red Hair Volume 2

Snow White with the Red Hair doesn’t have the magical elements of a fantasy manga yet, but it has a quasi-medieval setting in an imaginary kingdom, and this volume opens with a low key slice of life situation as Shirayuki takes up her role as a court herbalist and finds out that she’s been paired with Ryu, a 12 year old prodigy as her new mentor. Ryu is brilliant, but not so great at dealing with people. Shirayuki’s open manner and genuine approach to dealing with people wins him over gradually. Shirayuki also learns some hard truths about Zen’s life when she gets a glimpse of his medical chart, which shows that however idyllic the setting of this manga is, people are still cruel to each other in unfathomable ways.

Shirayuki’s skills come to the forefront yet again when Zen investigates a fort where many of the soldiers are dealing with a mysterious illness. Here, all of Zen’s princely strategies aren’t all that useful, but Shirayuki’s keen knowledge and observational powers cause her to come up with a solution that he’d be unable to achieve. Things are complicated even further when Zen’s older brother comes back to the palace and shows himself to be thoroughly unpleasant. Even though there might be some manipulative scheming going on, the core of Snow White with the Red Hair is the gradually deepening friendship between Shirayuki and Zen. Seeing two characters who treasure each other so much invests this manga with a ton of heart. While most of their serious interactions are just a few panels here and there in between dealing with various tough situations, Akiduki has built up a tremendous amount of goodwill towards the couple in just two volumes. It is impossible not to root for them, even seeing that they will have plenty of obstacles ahead.

Takane & Hana, Vols. 8 and 9

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Takane and Hana, Volumes 8 and 9 by Yuki Shiwasu

At 9 volumes in Takane and Hana continues to have story arcs centered on wacky shenanigans, but since those shenanigans seem to be prodding along the romance between Takane and Hana at a glacial pace, I tend to just sit back and enjoy the story.

Most of this volume is taken up with Hana’s realization that she actually cares for Takane, and stumbling through events like Valentine’s Day and dinner with her family while she’s burdened with newfound awareness of her own feelings. There are still plenty of moments of culture shock as Takane isn’t sure what to do the first time he encounters insufficiently marbled beef. There could only be so long that Takane could survived in forced poverty in the position of a mediocre salaryman, mostly because while he is an emotional idiot, he’s actually exceedingly good at business. His current company ends up creating more of a manager role for him, and he’s clearly moving up.

Takane & Hana 9

Takane’s grandfather is pleased with the success of his machinations to force his grandson to grow through vicariously experiencing poverty, but now he’s worried that there will be no time for Takane’s romance to progress. Since exercising familial authority through housing worked so well the last time, he decides to provide Hana’s family with an elaborate mansion to live in as part of a made-up “testing program.” They all move in, only to find out later that they are also required to live with Takane. Takane and Hana end up setting some rigid boundaries around their new living situation, but they aren’t rigid enough for Okamon. Okamon has been lurking on the margins with his carefully deadpan expression, but he hasn’t weighed in on Takane and Hana’s relationship before. I was delighted that volume 9 finally featured Okamon being more direct and also presented a chapter from his point of view. While Okamon may firmly be fulfilling the role of “second lead guy” so familiar in Korean dramas, and I don’t think that he represents a serious threat to an eventual resolution for Takane and Hana, it was a nice change of pace to get to spend more time with him in this volume. I’m expecting that Takane and Hana cohabiting in a mansion will provide plenty of antics for at least 2 volumes.

Daytime Shooting Star, Vol 1

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Daytime Shooting Star Volume 1 by Mika Yamamori

We haven’t had a ton of student-teacher shoujo romances being translated here recently, but perhaps series like Dengeki Daisy and Takane and Hana have paved the way. Suzume has a comfortable, slow-paced life in the country. Her classmates are all as familiar to her as siblings, and she feels free to randomly ditch class and go up on the roof of her school building to stare at the sky. Unfortunately her routines are about to be disrupted, as her parents announce that they have to go abroad for her father’s work, and they are sending her to Tokyo to live with her uncle. Suzume ends up getting lost on her way to her uncle’s house and an eccentric young man wearing a goofy hat helps her out. It turns out that Shishio is a friend of her uncle’s and her teacher! This amazing coincidence isn’t terribly surprising. The contrast between Shishio’s mannerisms when he’s off-duty and when he’s at school is amusing.

Suzume initially has a hard time fitting in with her new school, but she makes a quasi-friend in Mamura, the boy she ends up sitting next to in class. He has a almost pathological reaction of terror in response to any contact from girls. She also makes a frenemy in the form of Nekota, a girl at school who sets up a fairly weak way of deliberately excluding Suzume from a weekend outing with her classmates. When Suzume realizes what is going on, she decides to charge in and confront the issue. Shishio keeps showing up at odd moments when Suzume is feeling down, and while she’s clearly developing a hidden crush, she has plenty of other things on her mind as she attempts to deal with adjusting to life in Tokyo.

Yamamori’s art is attractive and stylish, and I enjoy the varied way Suzume is portrayed, as she swings from being timid in a new environment, to cool and confident on the volleyball court, to desperately trying to cover up evidence of a girlfight. Suzume is an engaging heroine, and I’m looking forward to see what happens next as the relationships between the characters develop more.