harlequin manga

I recently read several Harlequin manga, and there was not a single kidnapping, secret baby, or case of amnesia in any of the titles! Despite my disappointment, there were a few manga in this batch that were entertaining. I’ll have another Harlequin manga post soon!

His Virgin Mistress by Anne Mather and Kazuko Fujita

This title seems very logistically complicated, or perhaps not very useful, because it seems like having a virgin mistress would be counter to the purpose of having a mistress in the first place. In this case, Joanna has agreed to pretend to be the mistress of a Greek tycoon who is struggling with a horrible illness. He’s returning home for his daughter’s wedding and doesn’t want his family distracted with the knowledge that he’s suffering from an incurable disease, so he decides to distract them with a beautiful young fake English mistress instead. Does he have a handsome son? If you have to ask you have never read a Harlequin romance! Demitri is incredibly perplexed when he meets Joanna, because she seems far too serious and intelligent to be a mistress. He’s instantly attracted to her, and horribly conflicted because he doesn’t approve of his father having a mistress.

The art in this title was a few steps above what I come to expect from a Harlequin manga. The character designs are attractive and distinctive, and Fujita illustrates the interactions between the characters with great fluidity. Demitri stomps around in the throws of angst, and Johanna is much more disposed to dealing with her turmoil inwardly. I’d recommend this title if you enjoy romances with a Mediterranean setting or virgin mistresses.

Night of Love by Diana Palmer and Harumo Sanazaki

I bought this title because the cover made me think that it would be a good example of the 80s manga style Harlequin manga adaption that I find particularly delightful. However, when I started reading I was a bit distracted because all the male characters were strongly afflicted with a case of triangle face. Most of the illustrations of men in this book basically gave them the facial structure of a guitar pick, with insect-like eyebrows. I did find this title entertaining because the heroine Meg was a prima ballerina with an injury who is forced to return home to recuperate. She’s spunky and still carries a torch for Steven, a businessman who she used to be engaged to. Their families conspired to break off the engagement for both of them. There is much emotional trauma when Meg and Steven meet again and their attraction to each other is immediately rekindled. There are many panels of sad people with flowing hair with roses in the background, which always adds that special touch to any Harlequin manga adaptation. There’s a lot of “I hate you but I love you!” in the relationship between Meg and Steven, and they gradually realize that they’ve both been making incorrect assumptions about each other’s feelings. There’s a random prince from the Middle East and a spy-related subplot to add additional suspense to the story. I have to say that I found the ending of this book a bit disappointing, because Meg demonstrates plenty of spunkiness throughout the book, yet towards the end of the book she just decides to give up so many of the things she’s been invested of for so long. This isn’t uncommon in Harlequin titles, but it is a little too old fashioned for my taste.

I do enjoy a Harlequin manga now and then! Here are a couple random titles I bought for my kindle recently.

The Venetian’s Midnight Mistress by Carole Mortimer and Yuko Ichiju

This was an enjoyable Harlequin manga, but I expected something a tiny bit more dramatic and angst-ridden from a story called “The Venetian’s Midnight Mistress.” Dani is a driven interior designer with the type of complicated family situation that seems to drive Harlequin heroines into the arms of a tall, dark, and handsome man. Dani’s grandfather is a jerk. He’s unhappy that his only heir is a woman, and he treats Dani’s father horribly for only producing a female grandchild. He’s arranged his will with a penalty – if Dani doesn’t produce a son the family will get nothing. Dani’s worried about her reproductive choices robbing her parents of the fortune that they’re entitled to, but she’s already had a disastrous first marriage and doesn’t want to enter into a relationship again. Dani’s best friend Eleni has a tall, dark, handsome, and arrogant older brother named Niccolo, who says seductive things to Dani like “When I think about kissing you, it makes me kinda sick.”

Sure enough, Eleni throws a masquerade ball and Dani and Niccolo are overwhelmingly attracted to each other when they are both wearing masks. They hook up, and Dani is horrified to realize that she’s slept with Niccolo. She escapes, but Niccolo soon figures out who his mystery woman was and heads after her. Dani soon finds out that she’s pregnant and Niccolo promptly proposes, but her psychological issues with commitment are going to prevent her from being happy with her new fiance.

The art for this title was fine – a bit middle of the road and generic, but that’s what I tend to expect from most Harlequin manga. I wish there had been some slightly more exciting plot elements like amnesia, a terminal illness, or a kidnapping, but for a nice predictable read featuring a masked ball, this volume delivers.

The Italian Prince’s Proposal by Susan Stephens and Kaishi Sakuya

This volume focuses on a marriage of convenience. Emily is substitute singing for her ill sister in a club where she’s spotted by Prince Alessandro. He decides that she’s the perfect fake bride for him. He arranges a meeting and feeds her chocolate from his home country. She slaps him. Clearly they are perfect for each other! Alessandro needs a bride so his father can abdicate the throne and officially retire. Emily needs money to help out her ailing sister. As in most Harlequin volumes focusing on a marriage of convenience, the couple soon develop feelings for each other, but a terrible misunderstanding threatens to tear them apart!!

The character designs for this volume were attractive, and the art was clear and easy to follow, if not very detailed. I appreciated that Emily enjoyed the chocolate festivals and wine making rituals of Alessandro’s home country. Really, with abundant chocolate and wine, I feel like most women wouldn’t mind the whole marriage of convenience thing. This wasn’t a standout title for me, but it was still fun for me to read. I think I need to be a bit more careful to pick titles that are a bit goofier, because I tend to enjoy Harlequins when there are more outlandish plot points than I found in these two volumes.

I went on a .99 cent shopping spree in the Harlequin manga section of the Kindle store recently, so here are some quick takes on bargain romance manga.

Maddie’s Love Child

The Maddie in question in this title is an Australian headstrong leather-garbed interior designer, who enjoys making rich and remote men fall in love with her and then stomps on their hearts. She’s also longing for a baby but not a husband, so she is determined to track down the perfect sperm donor. Miles McMillan, remote and rich British businessman comes back into her life. Maddie and Miles met previously but he rejected her advances because he was engaged. Now that he’s broken things off with his fiancee, he decides to return to Australia for business…and something else. Maddie and Miles start to date, but will her baby making schemes and romantic foibles, combined with his emotional reticence and uptight British ways result in a romance or just a whole bunch of emotional trauma? Maddie’s internal dialogues sizing up Miles’ fatherhood prospects (“My child would never learn his arrogance or cold pride. And I could give it all of my love!”) were pretty hilarious. The art in this title was a little stilted, but generally attractive. Maddie’s personality and forthright nature was refreshing compared to other Harlequin heroines, so if reading about emotionally distant British businessmen falling in love is one of the romance novel tropes that you enjoy, this title was worth the .99 cents.

Expecting the Boss’ Baby

In Harlequin world billionaire bachelors with attractive secretaries end up accidentally impregnating them FAR TOO OFTEN! Michael is a rich emotionally distant man who accidentally celebrates a business deal with his capable secretary Kate a bit too much. She’s now secretly pregnant and harbors feelings of affection towards Michael the millionaire robot, but he is oblivious and doesn’t want any sort of emotional connection with Kate. When he makes his feelings known to her, she promptly quits. Michael is emotional remote because he grew up in an orphanage, his only friends are a couple of other millionaires who dispense warped advice about women and relationships. When Michael realizes that Kate is pregnant, he’s determined to ensure that his child won’t grow up without a father. This was very much a middle of the road title for me. Both the story and art were about average in terms of what one would expect from a Harlequin manga adaptation. This is part of a trilogy, as I’m sure Michael’s millionaire bachelor friends also find themselves promptly married off in later installments.

The Royal Marriage

This title had the vaguely retro art that I tend to enjoy most when reading Harlequin manga. There are plenty of big eyes and flowing hair abounds as Gabriella, the Brazilian heiress finds herself trapped in a marriage with Prince Ricardo. Ricardo has the reputation of a playboy, but when Gabriella’s father dies, leaving her with no family and a will with some very odd provisions, she decides to go through with the marriage. Gabriella settles into her new rule as princess, while trying to figure out her feelings towards her new husband. There’s a bit of palace intrigue, and Gabriella is a bit sassier than the usual Harlequin heroine. Along with Maddie’s Love Child, this was the title I enjoyed the most out of this batch of four manga.

Word of a Gentleman

I tend to take notice when I find a Harlequin title with decent art, because mostly I tend to expect somewhat lackluster art. Of the batch, this had the worst artistic adaptation, with stilted, out of proportion characters. The sub-par quality of the lettering was also distracting. This was a bit of a shame, because aspects of the story were a bit interesting. Clarissa decides that she’s going to hire herself a poor husband in order to get away from the machinations of her evil guardian Uncle and the loutish pawing of her cousin. She fixates on Hugh Richfield, who actually decides to take her up on her offer to pay him to elope with her. Hugh and Clarissa take off for Gretna Green and have some adventures along the way. Unfortunately the happy ending where everybody suddenly becomes rich strains even my willing suspension of disbelief.

Although I’ve read a bit of manga on the Kindle app for my iPad, I haven’t actually read any manga on my newest toy – a Kindle Paperwhite. When I discovered that there were actually several Harlequin manga for sale for .99 cents on amazon, I wasted no time in purchasing them. I was particularly interested in these two titles, because I’d previously read another title adapted by Kazuko Fujita, Sale or Return Bride. I tend to assume that the art for these Harlequin adaptations is going to be fairly rushed, but either Fujita’s art is among the best that I’ve seen in a Harlequin manga. Her character designs are attractive, and she manages to convey a great deal of nuance in their facial expressions, with the end result that she ends up elevating the stories in these volumes. Backgrounds are sparse, and if you read Fujita’s manga one after the other you will notice that she only draws one basic hero, but she does draw him very well.

Buying Harlequin manga on the Kindle is a bit confusing because there are multiple editions for each title, but I’m linking to the editions that I bought and read here.

Angus’s Lost Lady by Kazuko Fujita and Marie Ferraella

Angus’s Lost Lady is the story of a PI and single father named Angus who is surprised to see a woman with with a lost shoe and amnesia on his doorstep. The only clue to her identity is the fact that she’s clutching his business card, but she hasn’t met him before. She has a head injury as a result from being grazed by a bullet. Since this is a romance manga Angus promptly moves the lost woman into his apartment, introducing her to his daughter Vikki and trying to jog her memory by giving her a phonebook to read. The woman decides to adopt the name Rebecca. Rebecca and Angus investigate her accident and missing memories, and along the way struggle with their attraction for each other. The old “woman in danger with amnesia” is not a novel plot device, but Fujita does a good job portraying the chemistry between Angus and Rebecca, and Rebecca isn’t as simpering and weak as many Harlequin amnesia ladies usually are.

The Seduction Bid by Kazuko Fujita and Amanda Browning

Perhaps it is due to my own anger management issues, but I generally enjoy it when women in romance manga yell a lot. In this case, the heroine of The Seduction Bid barges into an office and starts to chew out an incredibly handsome man who she thinks is an unscrupulous reporter for a local tabloid. Carrie is determined to defend one of her friends from scandal. While she is momentarily distracted by the stormy grey eyes of the man she is yelling at, she ends up storming out of the office ranting about “garbage journalism”. The man with the mysterious grey eyes decides that he wants to be yelled at forever and vows to marry her. Later, as Carrie is hanging out at the house belonging to the parents of her late husband she is introduced to the object of her rant and he turns out to be Lance, cousin of the gutter journalist. Lance then proceeds to relentlessly pursue the reluctant Carrie, and his charm gradually begins to wear down her well developed defense mechanisms.

The attractive art makes these volumes a pleasure to read, and the stories are basically what you’d expect from Harlequin. Reading these on the Kindle was fine – the size of the manga to fit the Kindle screen is about what you’d see in a Japanese tankobon, and since the backgrounds of the manga weren’t particularly detailed, the smaller reading size for the manga didn’t make much of a difference. At only a dollar a pop, buying these is a no-brainer for anyone who enjoys Harlequin manga.