Manga Bookshelf

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Archives for October 2017

Yokai Rental Shop, Vol. 1

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Yokai Rental Shop is a classic example of Monkey Paw Theater, in which a foolish person comes into possession of a magical object, uses said object to grant an ill-advised wish, then pays a terrible price for his rash decision. Author Shin Mashiba puts a Japanese spin on W.W. Jacob’s famous story, substituting a nekomata and an okuri-inu for a cursed paw, but otherwise conforms the tenets of the genre. The clientele of Pet Shop Crow seek quick or unwise solutions to everyday problems: one mourns the untimely demise of her favorite idol, another dreads his daily encounter with bullies, and a third worries that her younger sister is trying to steal her boyfriend. To help each client “solve” her problem, shop owner Karasu rents them an exotic pet with special abilities. That pet comes with specific instructions — defy them and the deal goes sideways, resulting in bodily harm or emotional trauma.

I liked this story better when it was called Pet Shop of Horrors.

Part of the problem is that Karasu’s clientele is an unsympathetic lot, especially when contrasted with the characters in “The Monkey’s Paw” or Pet Shop of Horrors. The bullying victim, for example, is so enraptured by his yokai companion’s powers that he explicitly ignores Karasu’s instructions, fantasizing about how he will utilize his new-found strength. Within two pages, however, he realizes the folly of his arrogance, as the okuri-inu metamorphoses into a canid Godzilla with a taste for human flesh. Only a quick intervention from Karasu prevents the chapter from devolving into a gruesome spectacle, though you may wish that Karasu had adopted a more laissez-faire attitude towards his foolish client.

The other major issue plaguing Yokai Rental Shop is that Mashiba doesn’t stick with the monster-of-the-week formula for long. A subplot involving Karasu and his half-brother Hiiragi, a fussy civil servant, takes a detour into InuYasha territory when Karasu makes an important discovery about their father. Mashiba tries milking the brothers’ temperamental differences for laughs, but the jokes don’t land with much force; if you’ve seen one episode of The Odd Couple or read a chapter of xxxHolic, you’ve seen this dynamic executed with more gusto and imagination, two qualities that Yokai Rental Shop sorely lacks.

Neither of these deficiencies would be so glaring if the artwork was less perfunctory, but Mashiba’s serviceable character designs and settings do little to imbue the story with its own identity. The shop’s clientele, in particular, are blandly interchangeable; they look like they belong in a government-issue manga about tax returns or recycling, lacking the kind of individuality that might highlight the poignancy of their dilemmas or underscore just how determined they are to get what they want. Even the “turn” in each story — in which the yokai reveal their true natures — is executed in get-the-job-done manner, relying too much on dialogue, smudgy screentone, and slashing lines to suggest what’s happening.

By skimping on these moments, Mashiba misses a crucial opportunity to make the reader feel pity, revulsion, satisfaction, or fear at the outcome of each story; the strongest reaction that any of these scenarios elicits is a shrug of the shoulders. The reader is left wondering why the author even bothered with the horror angle when her true objective seems to be writing a dramedy about a Mutt-and-Jeff pair of brothers—albeit eccentric ones.

YOKAI RENTAL SHOP, VOL. 1 • BY SHIN MASHIBA • TRANSLATED BY AMANDA HALEY, ADAPTED BY JULIA KINSMAN • SEVEN SEAS ENTERTAINMENT • RATED TEEN

Honey So Sweet, Vol. 8

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Honey So Sweet Volume 8 by Amu Meguro

I’m a little worried about Shojo Beat’s list of titles now, because with both My Love Story!! and Honey So Sweet ending, it seems to be like there is a slight lack of super adorable manga currently being published. I’m sure something else will come along soon to full fans’ need for low conflict shoujo where everyone is genuinely nice to each other, but in the meantime I might have to get that extra warm and fuzzy feeling by rereading older series instead of from new manga.

This final volume focused on the characters’ all getting their lives together as Nao and Taiga start to approach the end of high school. In particular, Nao’s uncle Sou finally has a chance at a life outside of being a parent, as a long-lost love from his past suddenly reappears in his life. Sou has put aside his own feelings to a degree, with all of his efforts focused on Nao’s happiness. Nao is determined to demonstrate that she’s capable of being more self-sufficient, with the goal of encouraging Sou to move on. She has some predictably funny mishaps in her first attempts at household management.

In the end, Taiga’s usual blunt nature and heartfelt feelings cut to the heart of the matter in a conversation with Sou. Sou might find a way to move on as the young couple enters adulthood together. There’s a predictably happy ending, and a bonus story in the back of the manga that shows the first, one-shot version of the story. Overall, while Honey So Sweet might not be the most challenging manga to read, the whimsical illustrations and gentle pacing of the plot in each volume made it a perfect stress relieving manga. It is difficult to feel cynical about the world when reading Honey So Sweet, and that’s the main reason why I enjoyed this series so much.

Log Horizon: Go East, Kanami!

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By Mamare Touno and Kazuhiro Hara. Released in Japan by Enterbrain. Released in North America by Yen On. Translated by Taylor Engel.

We continue our tour of the Elder Tales universe, with this volume not even taking place on the Japanese server for the most part. Instead we take a look at a group in Central Asia (Kazakhstan, to be precise) and their attempt to move slowly east so that they can swim to Japan (which seems ludicrous, but remember, adventurers). The reason to swim to Japan is quite a clever one: the whole disaster that caused the players to get caught in this world happened before the expansion pack had actually dropped… except in Japan, where they got it by virtue of the time zone. The group is led – sort of – by Kanami, a name that has come up quite often in previous books. The former de facto leader of the Debauchery Tea Party, she’s more a force of will than a leader. That said, it makes sense that of the main cast of this book, she actually gets the least attention – she has no character arc, being basically perfect.

No, instead, the main character for this book is Leonardo, who dresses like his favorite American hero, silly as it may seem, and says “Cowabunga” during desperate attacks. And is named Leonardo. But it’s OK, because this is a frog, not a turtle. Which makes this OK! Seriously, the mind reels at how much Touno wanted to use Teenage Mutant Ninja Turtles here, and the serial numbers aren’t so much filed off as covered over with see-through tape. Leonardo is actually a New Yorker, which is refreshing, and we get a passable idea of what his life was like in the real world before this (he seems to be a computer nerd). Here, he’s a very competent assassin, though he’s still not quite invested in their current situation, and has trouble seeing the People of the Earth as anything but NPCs. A lot of this book is showing him the error of his ways, including a subtle romance with Coppelia, a girl with a mysterious past.

The Log Horizon anime did a good job of steadfastly putting each book on the screen… with the exception of this book, which got short shrift, getting only one episode devoted to it. As such, if anime fans wanted to know which one they had to buy to get more details, this is definitely the one. There is the usual endless discussion of game mechanics, far more than almost any other LN in a game world bothers to do, but there are also some very cool battles. And we get more insight into what exactly is happening, and how the People of the Earth and its denizens are reacting to it. Lastly, I was very amused by the occasional mention of the series’ big bad, Indicus, the smug maid who’s using Nureha as a puppet ruler. Every time she’s mentioned, it’s in a “My friends… and Zoidberg” way, showing that almost nobody can stand her. I expect a confrontation between her and Shiroe soon.

This volume didn’t blow me away like the previous one did, but it’s a rock-solid volume of Log Horizon, and fans of the anime will absolutely have to get it. And remember, this Leonardo likes SUSHI, not pizza.

Bookshelf Briefs 10/30/17

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Alice & Zoroku, Vol. 2 | By Tetsuya Imai| Seven Seas – I’ll be honest, I have next to no interest in the science fiction part of this series, which involves mysterious powers, political intrigue trying to control those powers, a woman with a tragic backstory who is happy to use said backstory to kidnap children if it allows her to be close to her husband, etc. It’s told in a reasonable manner, but mostly left me cold. Where the series really takes off is when Zoroku is on the page—his righteous rage and straight-ahead manner no doubt frustrates his family endlessly, but they’re exactly what Sana needs, and his speeches to her were the highlight of the book. It’s an interesting balance between the two, but I’m still invested enough in the story to see where the author goes with it. – Sean Gaffney

Beasts of Abigaile, Vol. 2 | By Spica Aoki| Seven Seas – Most shoujo series live and die on the strength of the heroine, and that one big plus that Abigaile has going for it. Nina is spunky, righteous, and inspires others. She’ll sacrifice herself in order to save someone else, and also do her best to make friends AND try to figure out why she’s changed and how to escape this prison. We also get a little better look at why she left Japan, as it becomes clear it wasn’t just bullying but boomerang bullying. Naturally she’s about to get that here, as we have Eva clearly ready to take up the torch and become the Evil Girl who is there to make Nina’s life miserable. Not much in this series is surprising, but I enjoy its heart being on its sleeve, and fans of werewolves and shoujo will want to get it. – Sean Gaffney

Black Butler, Vol. 24 | By Yana Toboso | Yen Press – When a new volume of Black Butler comes out, I always think, “Ooh!” but then I read it and I’m like, “Oh yeah.” Because every time, I experience a mixture of mild interest and “I really don’t care about these characters.” In this installment, Ciel is up investigating a popular music hall that is extracting blood from its customers. Rather than raze it, he decides it’s wiser to set up an alternative to capture people’s hearts, and so he does, and we get another boy band performance from more students at the boys’ school. I suppose if one reads this series for fanservice reasons, this is plenty satisfying, but since I don’t, it’s rather ho-hum. I don’t know why I can’t just drop this series, but I guess I like it just enough to keep going with it. Faint praise, indeed. – Michelle Smith

The Girl from the Other Side: Siúil, a Rún, Vol. 3 | By Nagabe| Seven Seas – After the first two volumes were unsettling with occasional suggestion that things might get a bit scary, this volume jumps headfirst into terrifying, especially towards the end of the book. I will also give it credit for a major fake out—I was fairly certain that one of the characters reintroduced here was either a fake or dead, and the fact that they’re not really shook me. Of course, they’re not untouched by the events going on in the book. The whole infection thing appears to be very real, and we understand Teacher’s feelings and hands-off attitude with Shiva a lot better now. And, of course, the best reason to read this series: the art is amazing. Do yourself a favor and pick this up. – Sean Gaffney

Horimiya, Vol. 9 | By Hero and Daisuke Hagiwara | Yen Press – I’m happy to report that there was no sign whatsoever of Hori cajoling Miyamura into being rough with her in this volume. Instead, we get a series of vignettes about the Hori family kotatsu and how it lulls the unsuspecting into lengthy naps, plus a recurring theme about Hori eating too many tangerines. I really liked the final scene between Hori and Miyamura, as it’s the kind of important romantic development we haven’t had in a few volumes now, but my attention was most captivated by Yuki and Tooru, who are still pretending to be dating. Yuki doesn’t want to drop the ruse, even when it breaks Sakura’s heart, yet also doesn’t want to suggest that it could be the real deal, lest she lose what closeness she does have with Tooru. I find I’m pretty invested in the outcome of their side drama. – Michelle Smith

Please Tell Me! Galko-chan, Vol. 4 | By Kenya Suzuki| Seven Seas – By now you know what you’re getting with a volume of Galko-chan. There’s not as much constant sex talk as the first volume, though it definitely crops up, and the art occasionally loves to emphasize the bodies of the girls. On the bright side, while the author clearly loves large breasts, the bodies are drawn relatively realistically for such characters. But honestly, the real reason to read this series is the friendship between Galko, Otoko and Ojou, and their daily conversations and obsessions. Galko’s obsession with Western films is getting more and more attention, and we even get a Snakes on a Plane mention. One of the better slice-of-life style series out there. – Sean Gaffney

Sword Art Online: Girls’ Ops, Vol. 4 | By Neko Nekobyou and Reki Kawahara | Yen Press – I will admit, it’s possible that the outcome of this volume—which wraps up the storyline with Lux’s past in SAO—was a bit too overwhelmingly sweet and heartwarming. SAO doesn’t really lean on the whole “power of friendship” trope as much as some other shonen series, but Girls’ Ops is not afraid to take it and run, with our villain doing her best to break Lux and her new friends apart, and completely failing to do so. And the villain is saved too, and turns out to be another ojou like Lux (and Asuna—honestly, the game must have been expensive as it had a lot of rich kids playing it). And Silica got to be smart and cool! I like that. The series does continue, likely in another year or so. – Sean Gaffney

Tokyo Tarareba Girls, Vol. 8 | By Akiko Higashimura | Kodansha Comics (digial only for the moment)- Just as Rinko has found easy-going happiness with Mr. Hayasaka and has moved in with him, her friends and Mami turn up on her doorstep with the revelation that Key might be in love with her. To Rinko’s credit, she protests a great deal while en route to see him, but the fact is… she got in the car of her own free will. And man, Higashimura-sensei is so wonderfully cruel about depicting what ensues. Once Rinko and Key meet again, their chemistry is undeniable, resulting in some great dramatic moments, but these developments are intercut with scenes in which sweet Mr. Hayasaka thinks how nice it is to have someone to come home to and plans the nice dinner he’s going to make for their private housewarming party. It’ll be brutal to see how much he is hurt by this, but I still desperately want that final volume ASAP! – Michelle Smith

Pick of the Week: Break on Through to the Other Side

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MICHELLE: There’s a lot of potentially interesting stuff here, but I have to go with the title that I have been eagerly anticipating for months, which is the third volume of Nagabe’s The Girl from the Other Side, published by Seven Seas. With its unique, dark artwork and fairy-tale story, it’s one-of-a-kind and absolutely something every manga fan should read. Especially you, MJ.

ANNA: I agree! The Girl from the Other Side is different from so much other manga out there, and the foreboding feeling that permeates this series make it a great spooky choice to read around Halloween.

SEAN: There is an embarrassment of stuff I want to get this week. My pick is for the final volume of The Disappearance of Nagato Yuki-chan, though. A series somewhat unloved by original Haruhi fans (at least here), I think it has its own charm, and its Asakura Ryouko is my favorite Asakura Ryouko.

KATE: Man, next week looks like it might bankrupt me! I can’t decide between the AKIRA box set and the next installment of The Girl From the Other Side, both of which look pretty damn amazing. I’m also excited about In This Corner of the World — rescued from license oblivion by Seven Seas — and the print debut of To Your Eternity, which is gorgeously illustrated and incredibly sad. Like, have-a-stiff-drink-before-you-read-it sad. (You’ve been warned!)

ASH: My wallet is in trouble, too. There’s so much being released that I’m interested in! I’ll definitely be picking up the next volumes of Kitaro and The Girl from the Other Side and the release of In This Corner of the World is certainly notable, too. But in the end, I think I’ll be joining Kate in naming the debut of To Your Eternity as my official pick this week. I’ve really enjoyed seeing Yoshitoki Oima’s growth as a creator.

My Week in Manga: October 23-October 29, 2017

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My News and Reviews

In addition to the usual My Week in Manga, two other features were posted at Experiments in Manga last week. First up was the most recent monthly giveaway. The winner won’t be announced until Wednesday, so there’s still a little time left to enter for a chance to win the first volume of Oresama Teacher by Izumi Tsubaki. (I finally got around to reading Oresama Teacher because I love Tusbaki’s other manga series Monthly Girls’ Nozaki-kun so much. I am delighted to report that Oresama Teacher is great, too.) I also posted my review of the first omnibus of Sweet Blue Flowers by Takako Shimura last week. The manga was one of the debuts that I was most excited for this year and I was not at all disappointed. Like Shimura’s earlier series Wandering Son (which is an extremely important manga to me personally), Sweet Blue Flowers is a beautiful work. I’m so glad that it’s finally getting the print release it deserves and look forward to reading the rest of the series. (Now if only the rest of Wandering Son could be published, too! My fantasy is that Sweet Blue Flowers will be so successful that more of Shimura’s work will be translated.) Once again, I wasn’t actually online much last week and I worked on Sunday so I’m sure there’s plenty of news that I’ve missed. However, I did catch that Thomas Baudinette posted a translation of “Painting the essence of gay erotic art”–an interview with Gengoroh Tagame from a 2014 issue of the art magazine Bijutsu Techo.

Quick Takes

Fairy Tail: RhodoniteFairy Tail: Rhodonite by Kyouta Shibano. At first I was a little confused by the “2” emblazoned upon the cover of Rhodonite since it’s not in fact the second volume of Rhodonite. Instead, it’s the second volume in Shibano’s Fairy Tail Gaiden manga, one of a multitude of series spinning off from Hiro Mashima’s Fairy Tail that have recently been translated into English. Despite retaining the volume designations, the Fairy Tail Gaiden manga are being released as independent works by Kodansha Comics. Shibano’s three spinoff volumes, while relying very heavily on the original series, largely stand alone from one another. Rhodonite collects two side stories featuring Gajeel Redfox, one of the Dragon Slayers associated with the Fairy Tail Guild. Since I’m not especially well-versed in the Fairy Tail franchise, I’m not exactly sure where the first story, from which the volume gains its name, fits in. However, it does reveal more of Gajeel’s past and backstory as the guild is investigating the magic drug trade. The second story takes place while Gajeel is a member of the Magic Council during Fairy Tail’s disbandment. In this story he temporarily teams up with Cobra to rescue a group of children who were kidnapped to be sold as slaves. Already intended for those already familiar with Fairy Tail, Rhodonite will even more specifically appeal to those who are fans of Gajeel.

Spirit Circle, Volume 1Spirit Circle, Volume 1 by Satoshi Mizukami. I rather enjoyed Lucifer and the Biscuit Hammer, currently the only other manga series by Mizukami to be licensed in English. I would have been interested in Spirit Circle for that reason alone, but I’ve also been hearing great (and well-deserved) things about the manga beyond that. Like it’s predecessor in English (which is actually briefly referenced in passing), Spirit Circle is a manga that’s a little strange and quirky but that also has a great deal of heart and soul. Fuuta Okeya has the ability to see ghosts. That by itself would generally be enough to form the basic premise of a series, but thanks to a new transfer student, Fuuta must now also confront his past lives. Though meeting Fuuta for the first time in this life, Kouko Ishigami is very familiar with his previous incarnations. Historically, their encounters haven’t always gone so well, though. In the first volume of Spirit Circle, Fuuta is made to relive two of his pasts to the point of his deaths and parts of a third life are revealed as well. So far, I’m loving Spirit Circle. Fuuta and Kouko’s past lives are filled with heartbreaks and joys, echoes of which are apparent in the teenagers’ current existences. Taken separately, the stories are interesting, but together they’re marvelous. I’m very curious to see where Mizukami takes the series next.

Sweet Bean PasteSweet Bean Paste by Durian Sukegawa. The 2015 film adaptation of Sukegawa’s novel An has been released internationally under several different titles–Sweet Red Bean Paste, An, and Sweet Bean–and now the original work has been translated into English with yet another title variation, Sweet Bean Paste. I’ve not seen Naomi Kawase’s film, but it seems to have been generally well-received. As for Sukegawa’s original novel, it makes for a fairly quick and light read despite some of the story’s more tragic undercurrents and philosophical musings. Sentaro is a man with a criminal past, out of prison but still working off his debt by making and selling dorayaki in a confectionery shop owned by the widow of his boss. He’s not particularly invested in the job, but that begins to change when an elderly woman named Tokue, her hands disfigured from a childhood illness, convinces him to let her join him at the shop. Bringing a unique perspective on life along with a recipe for sweet bean paste more delicious than any other Sentaro has tasted, Tokue has a huge influence upon the younger man as their unexpected friendship blossoms. Although much about Tokue’s past is unfortunate and she continues to deal with the stigma associated with leprosy, she has still found a way to live on in the face of prejudice and discontent. Sentaro has much to learn from Tokue, even if the lessons are bittersweet.

Hybrid x Heart Magias Academy Ataraxia, Vol. 1

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By Masamune Kuji, Riku Ayakawa, Hisasi, and Kurogin. Released in Japan as “Masou Gakuen HxH” by Kadokawa Shoten, serialization ongoing in the magazine Comp Ace. Released in North America by Yen Press. Translated by Caleb Cook.

Every once in a while, despite knowing that it’s not really my thing, I take a look at one of these “excuse to draw large breasts” series. If I’m unlucky, I can’t even finish the thing. If I’m lucky, I find enough points of interest to catch my eye besides the boobs. Most of the time, though, I finish the volume and think “well, that certainly was that kind of series”, and such is the case with Hybrid x Heart, which also manages to work in the cliche of the magical academy of fighters. The thing that did surprise me, though, is how much the basic plot feels like Evangelion. Boy who was abandoned for being useless is brought back in a time of crisis to use his mecha powers to save the world, being led by his older sister, who is not a great Gendo figure, but we can’t have everything. The difference is that in order to save the world, he has to feel up the female cast until they gain power.

Yes, you read that right. Usually these series at least try to put a veneer of technology over the ecchi deeds, and we try to get that here with talk of “hybrid counts” and how it’s Kizuna’s power that basically refuels them. But it’s really about the breasts, which are groped quite a bit in this series, because there’s also a lot of mecha fighting and the girls who do the actual fighting need a bit of a recharge. I did notice that this is the sort of series where we not only credit the original character designer, but the original mecha designer, and the powered suits do look pretty cool if you’re into that sort of thing, though I imagine hardcore Gundam types might want to see more mecha battles and a bit less groping. As for the characters, they’re very generic, with the heroine Aine seemingly OK with Kizuna doing whatever he wants as long as she gets more power, and the standard blonde American Yurishia who will no doubt be the first main rival figure.

This was originally a light novel, and I think, as with the other series of this sort where the manga was licensed but the LN wasn’t (High School DxD, Testament of Sister New Devil) I should probably be grateful – the groping and constant boobfest is bad enough visually, but as prose I think it might be unbearable. As for the art, it’s passable, though I do note that Aine (blue hair) and Yurishia (blonde hair) have a tendency to look a lot alike in black and white, and it can be hard to tell them apart. Honestly, this reads sort of like the harem Evangelion fics you used to see back in the day on FFNet, with of course one big exception: no one is getting lucky here. The series doesn’t go beyond groping in this first volume. I’m not sure oif that will change, but in the meantime, I can recommend this series only to the most hardcore “must get everything with mecha” fans, or its likely audience, 13-year-old boys.

Kamisama Kiss Vol. 25 – limited edition

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Kamisama Kiss Volume 25 Limited Edition by Julietta Suzuki

I had a good time getting caught up on this series in order to enjoy the special edition concluding volume. After having to deal with the grand conclusion of the saga concerning Tomoe and Akura-ou, including visiting the land of the dead, tracking down Akura-oh’s immortal body, and dealing with Nanami’s decline after having her life force taken from her, the final volume gives all the characters in Kamisama Kiss some much needed breathing room, as Nanami and Tomoe prepare to enter the world of human adulthood together. Along the way Nanami helps out the Kotaro and Himemiko one last time, and it is nice to have this circular moment of returning to some of Nanami’s first friends after she became attached to the Ayakashi world.

Nanami and Tomoe’s wedding is a little bittersweet, because when they both become human, they’ll become cut off from the world where all their friends live. This is especially hard on Mizuki, who is worried about being left alone. Nanami and Tomoe decide to marry on the last possible day before becoming human, so everyone can be invited to the wedding. I do enjoy final volumes that allow the reader to say goodbye to an extended cast of characters, and this volume pulls off the reunion and celebration in a lively fashion, with detailed wedding costumes and panels that pause to show all the wedding guests. Someone as capable and arrogant as Tomoe isn’t going to have too much difficulty fitting into the human world, and the final chapter shows just how capable the newly human couple is at adapting to their new life.

The limited edition featured a slim hardcover book with the first few pages devoted to small reproductions of the color pages in the manga volumes. This was done in a collage, year-book style layout which was nice, but it also made me really long for an oversized volume of Julietta Suzuki illustrations because some of the detail was lost. The bulk of the volume is an extra bonus story that shows more of Nanami and Tomoe’s life after becoming human, with bonus pencil sketches of the final chapter of the manga. It was nice to get a window into Suzuki’s artistic process, I only wish the special bonus book had been two times the size and twice as long, but I shouldn’t be greedy! Kamisama Kiss was such a special series, I’m glad the final volume got a little extra bonus for the long-time fans who have enjoyed the series for so long.

In Another World with My Smartphone, Vol. 5

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By Patora Fuyuhara and Eiji Usatsuka. Released in Japan as “Isekai wa Smartphone to Tomo ni” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Andrew Hodgson.

First, off, here’s a surprise with this volume of Smartphone: there’s no new love interest. Touya’s list of wives is still stuck at five, and (for anime watchers who were rather startled to see her name on the flashforward) Leen here does nothing except dole out the occasional exposition and pine for the library to be discovered. That does not mean that there’s not a lot going on here: the story is jam-packed as always, though typically it does not appear to follow a specific path so much as meander. Touya sets up his new duchy, adding renovations to the castle (game room with bowling alley and whack-a-mole), gets the major rulers of the area obsessed with mahjong, creates roads, brings in new businesses, and creates a legion of soldiers (including a team of ninjas led by Tsubaki from the Eashen volume). Typical Smartphone stuff, and nothing that would raise an eyebrow. But let’s talk about the religious dictatorship.

This is the first volume to come out after the anime finished, so I expect may grab a few more readers who want to see what happens next. They may be surprised. Not so much by the evil and hypocritical dictatorship – such things are a dime a dozen in manga and light novels, and honestly the fact that the main Cardinal was described as looking exactly like Hitler barely raised an eyebrow. No, what startled me was Touya’s vehement reaction to the attempt to proselytize his nation, which in my opinion really went above and beyond natural “I’m not a fan of organized religion”. Touya’s past on our Earth pre-death has been completely ignored as we’ve gone along, but I do wonder if there was something in his past that led to this. I also suspect the author has an ax to grind. To be fair, Touya does say that he’s fine with people worshiping God in the way that they want – but he’ is very much against organized religion trying to flex its muscle, and says so vehemently. Where this becomes hilarious is that the God of this series – the one who resurrected Touya, which is why he can say “Sure I do” when people ask if he believes in God – comes down from on high to thank Touya for his speech decrying religion, and affirms to the somewhat terrified priestess watching that he really barely watches over the world at all – humans should seek to improve the world themselves, rather than rely on deities. The entire chapter is rather mind-boggling, and I wonder how it will read here in the West.

There is also a certain amount of backstory regarding the Phrase, which is not discovered through hard work and research, but instead given to us in an infodump by Ende, whose sole purpose in this series is to give exposition and look like Kaworu from Evangelion. The series’ faults are all still there – Touya is ridiculously overpowered, and finds out in this book he actually is a demigod; the BL author seems to have driven him into a complete “ew ew ew” rage whenever she’s remotely mentioned, which is irritating; and as I said before, despite the Phrase there seems to be no driving force behind this title beyond “watch what Touya does next”. That said, I’m content to do just that. The fiancees don’t get much to do here, but they all do kick ass in the final story, without Touya’s help, which pleased me. Oh yes, and Touya used his powers at Olga and Lyon’s nuptials for one of the sweetest wedding speeches you will ever see – it may be the highlight of the book. If you hated Smartphone, this won’t change your mind. If you loved Smartphone, unless you’re an Evangelical Christian, this will give you what you want.

Oh, and Touya also invents baseball. Because of course he does.

Gabriel Dropout, Vol. 1

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By Ukami. Released in Japan by ASCII Mediaworks, serialization ongoing in the magazine Dengeki Daioh “g”. Released in North America by Yen Press. Translated by Caleb Cook.

We’ve seen a lot of comedy manga lately from various publishers, but it’s been very hit and miss, which is not surprising given the nature of the beast. Comedy is hard, and comedy is also subjective. Sometimes something that’s enjoyable for a volume or two is going to be tiresome in the long haul (I’m looking at you, Aho Girl). Sometimes something that other readers find funny is going to rub you the wrong way, or you end up sympathizing too much with a group of characters who are clearly meant to be complete asses. That is, I suppose, theoretically possible with the cast of Gabriel Dropout, but I for one welcome a series that is not afraid to show us that both Heaven and Hell are combining to produce angels and devils that seem to specialize in being lazy, unproductive, pathetic, cruel, and completely unable to fulfill their original mission. If only as I find it very funny indeed.

Once again, the title is the premise. The girl on the cover is Gabriel, an Angel who graduated top of her class in Heaven, and is sent to Earth to learn how humans work so that she can help them in the best way possible. We do not, thankfully, see her arrival and fall – that would ruin the comedy. Instead, we simply cut to her, months later, down on Earth in a filthy apartment, playing RPGs, manga and rubbish stacked high, lazing around in her underwear. Her explanation for how this happened is as vague as it is self-serving, but I don’t care, as this sort of character is simply funny. She has a good snarky monologue in her head, can be the boke or tsukkomi as required, and clearly has the ability to be noble and upright but chooses not to. She’s assisted by Vignette, a demon who is essentially her mirror image – she needs to be doing bad things but has wound up being the student council president type.

These two alone would be a decent enough comedy, but we then add the ludicrously over the top Satanya, also a demon but far more egotistical, dramatic, and stupid. She’s the sort who brings her own downfall on herself, but it’s her reactions to everything that are wonderful. Then we see Gabriel’s fellow Angel Raphael, who is basically Mugi from K-On! if she were totally evil. Raphael lives to tease and troll, and therefore we see her most often with Satanya, who is the perfect victim. The premise of the series seems to be that the Angels and Devils would function much better of they were on each other’s team, though nobody is actually trying to do anything genuinely bad – Satanya regards throwing away a bottle without taking off the cap first as the height of villainy, after all.

Again, comedy is subjective, and I think some people might not enjoy this as much as I did. Certainly if you take Satanya’s suffering seriously the entire cast might simply be giant jerks. But I found Gabriel Dropout very funny, and am definitely adding it to my list of ongoing comedy manga. Whether it can survive the long haul… is a question the next volume will have to answer.

Sweet Blue Flowers, Vol. 1

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Sweet Blue Flowers, Omnibus 1Creator: Takako Shimura
Translator: John Werry
U.S. publisher: Viz Media
ISBN: 9781421592985
Released: September 2017
Original release: 2005-2006

Takako Shimura is probably best known for two manga series. The first, and my introduction to her work, is Wandering Son, a series which sympathetically explores some of the challenges faced by transgender and gender non-conforming youth. (Wandering Son is an incredibly important manga to me personally and I will forever lament the fact that it will likely never be released in English in its entirety.) The second manga is Sweet Blue Flowers, another series with queer themes, this time focusing on bisexual young woman and lesbian teenagers. While the anime adaptation of Sweet Blue Flowers has been readily available in English for years, the publication history of Shimura’s original manga has been more fraught. Originally translated in 2012 as part of the failed JManga digital initiative, the first volume was subsequently released by Digital Manga in a less than stellar ebook version after which the series languished unfinished. Surprisingly, Sweet Blue Flowers would be rescued by Viz Media, making it one of the first yuri manga to ever be released by the publisher. The first print omnibus of the Viz Signature edition of Sweet Blue Flowers, collecting the first and second volumes of the series originally published in Japan in 2005 and 2006, was easily one of my most anticipated debuts of 2017.

Fumi Manjome and Akira Okudaira were very close as children but the two girls fell out of touch after Fumi’s family moved away. Many years later they meet again by chance while commuting by train on the way to their first day of high school. They don’t actually realize who the other one is at first, but soon Fumi and Akira’s friendship is rekindled and their relationship blossoms once more. Since they attend different all-girls schools they don’t get a chance to see each other as much as they might like, though. Even so, both Akira and Fumi are faced with some similar trials which bring them together–making friends at their new schools and finding an extracurricular club to join that interests them among other things–but not everything is the same for them. Although complimentary, the two young women have strikingly different personalities, resulting in drastically different experiences and interactions. And while Akira doesn’t seem to have put much thought into romance, Fumi has recently had her heart broken. But now Fumi has fallen for an older student at her school, Yasuko Sugimoto, a young woman who is interested in Fumi but who is also dealing with an unrequited love of her own.

Sweet Blue Flowers, Omnibus 1, page 92Shimura’s artwork in Sweet Blue Flowers is simple and refined, but is still able to carry the emotional weight and expressiveness of the story. The focus of the manga’s illustrations is almost entirely on the characters themselves. Except for when the actual setting is intended to make an impact, such as the hallowed halls of a prestigious school or the imposing home of a distinguished family, backgrounds are minimalistic and sometimes even non-existent. Just enough is implied to give readers an impression of place and location. This technique, along with Shimura’s use of light and shadow, is reminiscent of intentionally minimal set design used in some theatrical performances which in turn nicely echoes the high school stage production of Wuthering Heights featured prominently in the first omnibus of Sweet Blue Flowers. The characters’ involvement with the play is an important part of the series both aesthetically and thematically. The connections to theater and creative performance arts present in Sweet Blue Flowers can also be found in Shimura’s other work, including but not limited to Wandering Son.

Sweet Blue Flowers is a wonderful series. The manga is emotionally resonate, with a realistic portrayal of the experiences of young women who love other young women. The characterizations and character development in Sweet Blue Flowers in particular are marvelous. Shimura effectively captures the nuances of a multitude of personalities and how they interact with one another, showing both individuals and their relationships as believably layered and convincingly complex. Sweet Blue Flowers is a relatively quiet story, but the emotional drama is powerful and the manga conveys a compelling sense of authenticity and honesty. I am loving the series and find that I am completely invested in the lives and well-being of Fumi, Akira, and the other characters as they navigate their adolescence. Life and relationships can be challenging and messy, something that Shimura does not shy away from in the manga. The young women in Sweet Blue Flowers grow and change, gaining maturity through their mistakes and missteps as well as personal clarity as they slowly discover their own identities. Sweet Blue Flowers is a worthwhile and lovely work; I’m so glad that it’s finally receiving a proper release in English.

Manga the Week of 11/1/17

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SEAN: (stares brokenly)

We’ll start off with the titles that are already out but were announced too late to be in last week’s column, which is unfortunately becoming a weekly occurrence. First off, Bookwalker debuts a new digital light novel, The Ryuo’s Work Is Never Done! This is a very popular series in Japan about a teenage shogi master who takes an elementary school girl as his apprentice. The prologue is jaw-droppingly appalling, but I am hoping for the best? Maybe?

MICHELLE: I thought I might check this out for a moment before I read some of the preview.

SEAN: Kodansha also has its digital horror debut, I Want to Hold Aono-kun So Badly I Could Die. Despite the title, not based on a light novel. It runs in Afternoon.

MICHELLE: I find this kind of intriguing, actually. It doesn’t appear gory, at least.

SEAN: Now on to next week, and it’s a killer week even based on the experience of previous killer weeks. Dark Horse gives us yet another Hatsune Miku manga spinoff with Future Delivery.

Drawn & Quarterly delights us with another Kitaro volume, Kitaro’s Strange Adventures.

ASH: Yes! I’m always looking forward to more Kitaro.

SEAN: J-Novel Club has *five* novels debuting next week, which I think may be a record for them. We have Clockwork Planet 2, Demon King Daimaou 3, Infinite Dendrogram 3, Invaders of the Rokujouma!? 7.5 (no, you’re reading that right, there’s a reason for the .5), and Paying to Win in a VRMMO 5. Phew!

Kodansha also has a GIANT PILE of digital coming out. In addition to whatever new horror title they debut next week, we have All Out!! 2 (more rugby!), Beauty Bunny 2, Black Panther and Sweet 16 3, DAYS 6, DEATHTOPIA 5, Drowning Love 3, Love’s Reach 4, and Peach Heaven 8. More titles to get behind on!

MICHELLE: Dang! I’m definitely keen on several of those.

ASH: It’s great that so much digital is being released these days, but it’s so easy to loose track of what is being released (and when, apparently).

SEAN: In print, the big release next week is the Akira 35th Anniversary Box Set. If you want a new, huge, handsome version of Akira, this is the title for you. Do Millennials remember Akira?

MICHELLE: Random note: years before it became a fandom word, there was a panel of a rat in Akira who had the dialogue, “Squee.”

MJ: That rat was ahead of its time.

SEAN: Animal Land has its 2nd to last volume (13)! The last one is not yet scheduled because, well, y’know, Animal Land. But yay anyway!

ASH: I will be glad if we can actually make it to the end! The series ended up really growing on me.

SEAN: Fairy Tail has a 5th volume of its Master’s Edition, which tries to impress next to Akira’s box set but sadly comes in second. Which, well, Fairy Tail should be used to.

ASH: Ha! This probably is the edition to get for anyone starting to collect the series, though.

SEAN: Kigurumi Guardians gets a 2nd volume. The first was very… strange. I wonder what direction it will go.

MICHELLE: I need to read these!

SEAN: That Time I Got Reincarnated as a Slime also has a 2nd manga volume, as we wait for December to see the light novel.

ASH: I found the first volume surprisingly entertaining.

SEAN: The big debut from Kodansha is To Your Eternity, the new series from the author of A Silent Voice. I’m hoping for big things! It runs in Weekly Shonen Magazine, and is far more supernatural than her prior series.

MICHELLE: Ooh.

ASH: I am definitely looking forward to this one. The artwork is beautiful and the story devastating, from what I’ve heard.

MJ: Well, that sounds pretty interesting.

SEAN: Seven Seas has the first of its releases in the Devilman franchise with Devilman Grimoire. This remake of Devilman ran in Champion Red Ichigo, and all I can tell you is try not to get too attached to the characters.

ASH: That seems to be fair advice.

SEAN: There’s another omnibus of Freezing, containing Vols. 17-18..

The Girl from the Other Side: Siuil A Run has a 3rd volume of vaguely heartwarming, vaguely disquieting beauty.

MICHELLE: I am looking forward to this very, very much.

ASH: Same. The Girl from the Other Side is a tremendous series.

SEAN: Seven Seas’ big release next week (sorry, Devilman) is In This Corner of the World which is coming out as one big omnibus. Old-timers may recall that J-Manga released some of this series digitally, but here it is in print. It ran in Futabasha’s Manga Action, and is from the creator of Town of Evening Calm, Country of Cherry Blossoms.

ASH: I’m planning on picking this one up. I actually still need to see the anime adaptation, too.

SEAN: Speaking of omnibuses, Vertical Comics has the first in their omnibus re-release of The Flowers of Evil.

And now it’s time for Yen. Amusingly, this list was originally larger – some titles are delayed due to shipping issues with the recent storms, and so be prepared for a pile of Yen every week for the next few weeks. This is a REALLY big pile even so, though.

Digital? We have you covered. There’s Corpse Princess 13 and Saki 12. There are also digital editions of Accel World and The Irregular at Magic High School’s light novels, being released in chunks to catch up ASAP. We get Accel World 1-4 and Mahouka 1-2.

On the light novel front, Yen On debuts a new series, The Empty Box and Zeroth Maria. This is somewhat unique as, like Psycome, it does not seem to have a manga or anime attached to it but was licensed anyway. It seems to involve time loops – which we know Western fans LOVE after Endless Eight.

ASH: Say that again?

SEAN: On the light novel front, Yen On debuts a new series, The Empty Box and Zeroth Maria. This is somewhat unique as, like Psycome, it does not seem to have a manga or anime attached to it but was licensed anyway. It seems to involve time loops – which we know Western fans LOVE after Endless Eight.

There’s also a 4th DanMachi: Sword Oratoria, 9th Log Horizon, 5th (and penultimate) Psycome, and 5th Re: Zero.

Debuts from Yen Press next week are Gabriel Dropout, a Dengeki Daioh comedy about Angels down on Earth, Hybrid x Heart Magias Academy Ataraxia (Masou Gakuen HxH), which is another very ecchi title set at a magical school, based on a light novel (which Yen doesn’t have). There’s also a new spinoff debuting with Danmachi: Sword Oratoria’s manga debuting.

Ending next week is The Disappearance of Nagato Yuki-chan with its 10th volume. You can see what I said about this in my review here.

The rest we’ll divide into two: manga based on light novels and manga that is not. For the former, we have the 11th A Certain Magical Index; 2nd Grimgar of Fantasy and Ash; 4th Overlord; two Re: Zero volumes with the 3rd volume of the 2nd arc and the first volume of the 3rd arc; and the 4th in the Sword Art Online spinoff Girls’ Ops.

We also have a 12th Akame Ga KILL!, a 24th Black Butler, the 9th Horimiya, the 2nd Sekirei omnibus (in print), and the 14th Triage X.

MICHELLE: I’ll always appreciate more Horimiya!

ASH: It’s such a great series.

SEAN: And there is the 6th Shoulder-a-Coffin Kuro, which I love so much it gets kudos away from the group.

Lastly, there’s another Soul Eater artbook, imaginatively called Soul Eater: Soul Art 2.

I compressed this list a lot, and it still looks long. And remember, Yen delayed 9 titles to the week after! What are you getting next week?

The Disappearance of Nagato Yuki-chan, Vol. 10

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By Nagaru Tanigawa and Puyo. Released in Japan as “Nagato Yuki-chan no Shoushitsu” by Kadokawa Shoten, serialized in the magazine Young Ace. Released in North America by Yen Press. Translated by Paul Starr.

And so we come to the end of the Disappearance of Nagato Yuki-chan, and it feels thematically appropriate that Yuki doesn’t exactly disappear but she definitely takes a back seat in this final volume, entirely devoted to Ryouko’s decision to move to Canada to live with her parents and go to college there. It feels appropriate because, no offense to Puyo, but Kyon, Yuki and their relationship have been the weak part of this title. Yuki’s been OK, and I’ve enjoyed seeing her gain a certain level of confidence, but Kyon is a pale shadow of his self from the main series. They only shone in the amnesia arc, which featured what was essentially Yuki from the main series crossing over.

No, the big achievement of this series has always been Ryouko Asakura, written off as a villain in Haruhi proper (and don’t get me wrong, she made a wonderful villain), then turned into a comedy punchline by Puyo in his other Haruhi series,the gag manga Haruhi-chan (which is still running, by the way – Vol. 11 comes out here in December), but in the Nagato spinoff she became the main reason to watch it, easily having the most depth and emotional pull while also gaining an alternate characterization as Yuki’s “mother” figure who is also overly stressed and worrying to the point where, when being around her, Haruhi ends up being the deadpan straight man figure.

Ah, yes, Ryouko and Haruhi. Folks who’ve read my other reviews of this series know that I’ve shipped them almost as soon as they had significant scenes together, and the tenth volume, while not, of course, making anything canon, is written as if the author read my reviews and said “let’s see what I can do with that”. Being unable to tell Yuki straight away about her decision to move, Ryouko opens up to Haruhi, who alternates between being a sounding board and being a complete goofball (trying to stand on the exercise ball, and the goose egg punchline that follows, was amazing). Haruhi immediately says she will fly to Canada to visit Ryouko – her “free room and board” line implying she’ll just stay at Ryouko’s – and when Ryouko does eventually fly off, Haruhi’s farewell is given a full page, as is Ryouko’s response – more than Yuki!

We then get the epilogue, where Haruhi ends up being the only one who picks up Ryouko at the airport returning from college. There is a brief attempt at heterosexuality, but it’s almost laughable – Haruhi had absolutely no idea Koizumi liked her till he confessed, her “try to make me fall for you!” line implies she hasn’t yet, and Ryouko points out it sounds like she’s just trying to dodge the entire issue. Koizumi is, of course, nowhere near the finale, which is composed of the four “main” character finally meeting again after so long – Kyon and Yuki, now living together (though, despite Ryouko’s fervent imaginations, not with child) and Ryouko and Haruhi, who may not be an explicit romantic pairing but certainly are given as much canon teasing as is humanly possible.

So, in the end, is The Disappearance of Nagato Yuki-chan worth it? It certainly was to me, but as I’m sure you noticed, I wasn’t really concentrating on the main plot. The art improved as it went on, but that does mean it starts as “very mediocre”. In the end, I recommend it to Haruhi fans who want to see a different side to Haruhi, one that is milder and more mature but still clearly her. I also recommend it to Ryouko fanatics, but honestly I’d hope they were already reading it. I enjoyed some volumes more than others, and it could have been shorter, but I adored the final volume.

Manga Giveaway: Oresama Teacher Giveaway

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The end of October is quickly approaching which means it’s time for another monthly giveaway at Experiments in Manga! For this month’s giveaway, everyone participating will have the chance to win Oresama Teacher, Volume 1 by Izumi Tsubaki as published in English by Viz Media. Oresama Teacher isn’t the newest series, but it is one that I recently started reading and quickly fell in love with. Since these giveaways are in part meant to help me spread my love of manga, it made since to me to include Oresama Teacher in the fun, too. Oh, and as usual, the giveaway is open worldwide!

Oresama Teacher, Volume 1

I’m not sure exactly why it is, but I really enjoy manga about delinquents. There’s just something about ruffians with hearts of gold that warms my own heart. Granted, not all delinquents in manga are so benevolent, and some series can be quite brutal, but I tend to enjoy those as well. Whether a manga takes a more comedic or more dramatic approach the the pervasive delinquent character type there’s usually some sort of well-deserved ass-kicking involved which, in general, is something that I can appreciate. All that being said, I’m a little uncertain why it took me so long to give Oresama Teacher a try considering the prominence of delinquents and ex-delinquents in the story, but now that I have I am completely hooked. And I am completely okay with that.

So, you may be wondering, how can you win a copy of Oresama Teacher, Volume 1?

1) In the comments below, tell me a little about your favorite manga delinquent. (If you don’t have a favorite, or haven’t encountered any, simply mention that instead.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

It’s as easy as that. Giveaway participants can earn up to two entries and have one week to submit comments. If needed or preferred, comments can also be sent to phoenixterran(at)gmail(dot)com which I will then post here in your name. The giveaway winner will be randomly selected and announced on November 1, 2017. Best of luck to you all!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Oresama Teacher Giveaway Winner

Yokai Rental Shop, Vol. 1

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By Shin Mashiba. Released in Japan as “Yokai Nii-san” by Square Enix, serialized in the magazine GFantasy. Released in North America by Seven Seas. Translated by Amanda Haley, Adapted by Julia Kinsman.

Those who are familiar with this author’s previous series, Nightmare Inspector (released by Viz, though I think Yen Press has the digital rights now), will be very familiar with the sort of series this is. There’s a mysterious shop where people come to have wishes granted that they can’t quite achieve using normal means. An eccentric shopkeeper hooks them up with a yokai monster that will theoretically give them what they want. In reality, of course, almost all the customers are selfish and warped individuals who need to get what’s coming to them instead, and karmic retribution is not all that far off. Into this fairly typical setup walks Hiiragi, a salaryman who’s just found he has a half-brother – who turns out to be the proprietor of said shop. His heartwarming meeting with his brother instead becomes a long stream of reaction takes as Hiiragi slowly realizes who that brother really is.

There are two very good reasons to read this series. The first, as with the artist’s other series, is the compelling artwork, which draws the eye in and entertains you even when the story being told is predictable. I especially liked Karasu’s overdramatic dynamic entry, as he drops into his shop from the ceiling for no apparent reason other than to look cool (which honestly, given he’s almost totally covered in bandages, I think he has going for him anyway). And the yokai look scary when they need yo, also important given this is at heart a horror sort of series. The other big plus is Hiiragi, who starts off somewhat nebbish but gets better as he reacts against the supernatural events going on around him. His inner tsundere comes out when he’s dealing with his brother, who he immediately tries to force to eat healthier, and it leads to some very funny situations. He also can drive the plot due to pigheaded stubbornness, always a valued trait in a straight man protagonist.

The downside is that there’s not much in these stories that you haven’t seen done elsewhere many times before. It’s an anthology of “be careful what you wish for” stories. I’d joked that this was something of a gender-reversed xxxHOLIC, and the two do share similarities, but unfortunately Karasu just isn’t as interesting or funny as Yuko was, though he tries. And the fact that all the customers have, for the most part, unlikeable and selfish motivations makes it pretty hard to root for anyone – even the bully who wants something to help him avoid getting beaten up breaks the rules the moment he gets a chance to. You’re left only caring about our heroes, which is not what you want to see in a horror anthology manga.

Still, overall the good outweighs the bad, and the series is only four volumes long, which is about right if you’re doing a shop with the customer-of-the-week. If you like hot supernatural guys who makes bad things happen to bad people, or just like cool art, Yokai Rental Shop is worth picking up.

Also, it gets bonus points for the “Fake news!” translation/adaptation.