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Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Archives for October 2017

Bookshelf Briefs 10/2/17

October 2, 2017 by Michelle Smith and Sean Gaffney Leave a Comment

DAYS, Vol. 5 | By Tsuyoshi Yasuda | Kodansha Comics (digital only) – Coming off the intense emotions of the fourth volume, in which Seiseki loses at the Inter-High Tournament, volume five at first feels like generic, episodic summer filler. The guys cram for finals so they can avoid remedial classes, then there’s a chapter at the beach, and one at a festival, and then it’s training camp time. But in each of these chapters, something important happens character-wise. In the beach chapter, we learn more about Kurusu and his relationship with his grandfather; at the festival we check in with Sayuri, who laments that soccer has stolen Tsukushi away from her; and at the training camp we get to know Haibara, an upperclassman whose rowdy behavior is just an act to cover his lack of self-confidence. And meanwhile, Tsukushi continues to make incremental improvement. Although not as exciting as its predecessor, this is still definitely a solid volume. – Michelle Smith

Dreamin’ Sun, Vol. 3 | By Ichigo Takano | Seven Seas Entertainment – There’s no better way to make me hate a shoujo heroine than to have her melodramatically run out of the house after an outburst (in the rain, naturally), crying over lightning and internally wailing, “Someone! Please come and get me!!” Zen’s critiques used to seem overly harsh, but I was cheering him on this time when he said, “You should be thanking me for coming after your sorry ass.” Things don’t improve much as Shimana takes forever to realize that she has feelings for Taiga the landlord, though I did like Zen’s tearful confession to her. It’s intriguing, too, that princely Asahi, originally the supposed love interest, has faded so far into the background. Some of the subplots are picking up, as well, so despite my irritation at Shimana I’ll probably be back next time. – Michelle Smith

Genshiken: Second Season, Vol. 11 | By Shimoku Kio | Kodansha Comics – Again, the best moments are when this series treats things a bit more seriously. The scenes between Madarame and Hato are excellent, as they both try to figure out what is going on here, how Hato identifies, what attracts Madarame, and can either of them even try to make this work for real? The answer is probably no, but the tension is real here, and I greatly enjoyed it. Sue’s stuff is done well too—it’s very clear that we’re stuck between Hato, Sue, or no one, and you suspect Kio will go for the easy third choice. And then there’s Hato and Yajima, which is mostly trying to get past Yajima’s self-hatred and Hato’s inability to see her a a woman. Better than it should be. – Sean Gaffney

Honey So Sweet, Vol. 8 | By Amu Meguro | Viz Media – I had actually forgotten that this was the final volume of Honey So Sweet, though the cover should have tipped me off. Much of the book is devoted to Nao’s uncle, who has been putting his life on hold until Nao grows up and is ready to take care of herself… which reminds Nao that she’s still not all that great at that sort of thing. I did appreciate that the old flame who arrived stayed mostly old, though there are hints that may eventually change. On a lighter note, I’ve liked Yashiro best in this cast, and seeing her struggle with direct communication is fun. This was a sweet and cute shoujo fluff series, and just about the right length. You’ll enjoy it. – Sean Gaffney

Plum Crazy! Tales of a Tiger-Striped Cat, Vol. 2 | By Natsumi Hoshino | Seven Seas Entertainment – If you liked the first volume of Plum Crazy!, you’ll probably like this one, which is more of the same. I do wonder if readers reacted negatively to the Nakarai family not doing anything to stop new kitten Snowball from repeatedly attacking incumbent resident Plum, because there’s more emphasis on her bad behavior this time around, including a chapter in which Taku’s friend attempts to distract Snowball with other toys, only to make her aggression toward Plum worse. I can only assume we’re supposed to find these kitten antics cute (and I’m sure I’m taking this too seriously), but as a cat owner, they actually kind of stress me out. I very much look forward to Snowball growing out of this phase. Maybe then I’ll be able to relax and just enjoy the kittehs. – Michelle Smith

Skip Beat!, Vol. 39 | By Yoshiki Nakamura | Viz Media – I avoided reading this book for a while. Kyoko’s mother was the one part of her life I was dreading the confrontation with, and I had worried it would be too sympathetic. I should have trusted Nakamura more, as I think she strikes an excellent balance between explaining Saena’s behavior without downplaying the horrible abuse Kyoko suffered growing up. Kyoko can’t hate Saena, but also doesn’t quite forgive her. Instead she throws herself into a possible new role, finally working alongside Moko. That said, I have a feeling the role will prove to be a lot more trouble than it’s worth. These volumes were good, but I’ll be happy to get back to acting. – Sean Gaffney

Species Domain, Vol. 3 | By Shunsuke Noro | Seven Seas – I knew at some point we were going to see Dowa without her beard, so I wasn’t too surprised here. That said, kudos to the author for having her grow it back pretty quickly, showing that the character’s own desires are more important than looking “cute” for the audience. A more important detail here is Ohki’s “science” abilities, and how much of it is explained by genuine scientific principles. In a world like this, where there is literal magic, it’s hard to tell what is really going on—though Ohki seems very upset at the idea. There’s still lighthearted stuff, of course, with the constant fun that is Kazamori, as well as big sisters and little sisters. If you want a non-skeezy monster girls title, Species Domain is a good choice. – Sean Gaffney

Waiting for Spring, Vol. 2 | By Anashin | Kodansha Comics – The childhood friend who was thought to be a boy being a girl is fairly common in manga and anime, but seeing the reverse is a lot less common. The author sensibly keeps the attention on Mitsuki’s reaction to the whole thing, with her realization that this makes a number of childhood conversations very embarrassing. On the bright side, she’s getting closer to Towa, though he seems to be taking things a lot more seriously than she is at this stage. This is very much a ‘warmup’ volume, continuing to develop the characters and introducing a rival without moving things forward too much. It’s not fantastic, but it’s enough to make you want to read more. – Sean Gaffney

The Water Dragon’s Bride, Vol. 3 | By Rei Toma | Viz Media – This continues to be a lot darker than I was really expecting—a couple of villagers are straight up murdered in front of us, not to mention the war that ensues. It’s well done, but there’s no denying that the main reason this holds up well is because of the relationship between Asahi and the two men in her life—especially now that one of them actually IS a man. Getting her voice back is also unsurprising, as now that she’s grown up it will help the storytelling, both in terms of potential romance and in terms of Asahi’s status as a priestess. And of course she still wants to go home, even after so many years. There’s a lot going on in this series, and I’m grateful it’s so well told. – Sean Gaffney

Welcome to the Ballroom, Vol. 7 | By Tomo Takeuchi | Kodansha Comics – Tatara Fujita and his partner Chinatsu are trying to meld together as a pair, but it isn’t going very well, particularly due to Tatara’s uncommanding lead and Chinatsu’s inability to follow. They decide to get help from Hyodo Social Dance Academy, and though Tatara does learn more of the basics there than he had at Sengoku’s studio, he’s still impatient to compete, leading to a humiliating forfeit at the Grand Prix. Summer rolls around and, in true sports manga fashion, it’s time for a training camp in the mountains. This volume’s theme seems to be “strife and striving.” Until recently, this series had been on hiatus in Japan and I was worried we might not get to see the outcome to all of this, but I’m happy to see a new volume has come out since I last looked. A bit on the melodramatic side sometimes, but totally addictive.– Michelle Smith

Filed Under: Bookshelf Briefs

Assassination Classroom, Vol. 18

October 2, 2017 by Sean Gaffney

By Yusei Matsui. Released in Japan by Shueisha, serialized in the magazine Weekly Shonen Jump. Released in North America by Viz. Translated by Tetsuichiro Miyaki. Adapted by Bryant Turnage.

Jump series tend to be highly variable in how they handle romance in the titles (discarding actual romance series such as Nisekoi). Some series are happy to have romance as part of the character’s motivations, such as Naruto or Bleach. Some are proud of the fact that they eschew normal romance in their titles, such as One Piece or Gintama. A lot of series go for the in between, where romance sometimes crops up but it’s never really the focus and you aren’t really gunning for pairings. Toriko, My Hero Academia… and Assassination Classroom, where we’ve previously seen that Kayano is sort of crushing on Nagisa and that Irina has a thing for Karasuma, but that’s about it. Of course, sometimes those series will then take the opportunity to leap into the romance waters head-first… and what better opportunity than Valentine’s Day?

Before that, though, let’s wrap up the “space station” arc, one which if I recall correctly was one suspension of disbelief too many for a lot of readers. The author does try to keep things as ridiculous as the premise (I love Nagisa’s bomb with ‘BOMB’ written on it), but it is a bit anti-climactic that the whole thing is resolved in one chapter, though it’s nice to see Ritsu actually doing something again. That said, this is all a setup for the main thrust of the first half of the book, which is that these are idealistic middle schoolers, assassins or no. They think because Koro-sensei exploding is now a less than 1% chance, that those odds mean they can save him. In the real world, that’s not how things work, and it’s no surprise that the bad guys are working hard on plan B. Even Irina is concerned, thinking that someone killing Koro-sensei in front of them will ruin the kids’ innocence.

But then there’s the Valentine’s chapters. Again, the author blissfully ignores the most popular fan pairing – Nagisa and Karma – but there’s still plenty to draw on here. We see the class playboy screw things up and then try valiantly to fix them, especially as Koro-sensei says his recommendation to a high school depends on it. We see Kayano, who not only has to work up the courage to give Nagisa chocolates, but has to do it without Koro-sensei spying on her and with the “help” of Rio and Karma, who turn into literal devils in some panels as if it weren’t obvious enough. (We also see Rio quietly admitting she likes Nagisa too, but feels Kayano made the better showing here.) If it’s frustrating, that’s because this is one of those ‘middling’ Jump romance series; hence, there won’t be a pairing because Nagisa needs to focus solely on the future. And the adults also get in on this, with Irina’s worries that I mentioned above prompting Karasuma to tell her to stop being an assassin and join the defense agency. Her compassion for the students also prompts him to give in to her affections… though it’s done Karasuma-style, with a subtle, almost non-existent proposal that he refuses to repeat. Irina’s facial reaction is the best reason to buy this book.

In short this novel is a shipper’s paradise, but we’re also told we’re not going to be getting a get Koro-sensei out of jail free card. It’s becoming more and more clear that Koro-sensei being killed is the endgame. As we get to the final volumes, will the kids keep their youthful innocence? I can’t wait to find out.

Filed Under: assassination classroom, REVIEWS

Shojo Fight, Vol. 1

October 1, 2017 by Anna N

Shojo FIGHT! Volume 1 by Yoko Nihonbashi

I’m very happy about Kodansha’s recent investment in digital manga, since it means that some titles that might be not commercial enough to get a print release are being translated. At the same time, I’ve been burned by digital manga in the past, and I only have so much budgeted for digital comics a month, so I’ve been a little picky with my purchases. I was very interested to see a girls volleyball title coming out from Kodansha, because I do enjoy a good sports manga. The first volume of Shojo FIGHT! is largely set-up for the whole series, and it packs an impressive amount of drama in one short volume.

Neri spends her time on the bench for her middle school volleyball team. She seems to be content to be incredibly unassertive and dismissed, but she has a group of friends and fans who look after her. The manga starts by showing the dynamics of Neri’s current team. Koyuki seems to be noticed as much for her looks as her volleyball talent, while Chiyo is the seemingly evil teem member who is comfortable saying horrible things to everyone. While Neri doesn’t do much in the way of athletics in the first few pages, it is clear that she has the aura of somebody special. Neri has a built in fanclub that includes Odagiri, a girl who spends her time drawing volleyball manga. There are also the brothers Shikishima. The younger blond Shikishima is a carefree volleyball player while his his older brother with the dark hair has the burden of being the heir to his family’s osteopathic clinic, having magic injury soothing fingers, and also playing volleyball.

When Neri does get off the bench, it is clear that she’s been hiding her skills as well as her single-minded intensity towards the sport of volleyball. Part of the reason why she’s been able to hide so long is because her school tends to give starting positions based on the height of the players. Neri becomes aggressive and vocal, yelling at Koyuki to get her head in the game. Neri and Koyuki end up colliding when they go after the same ball. Neri’s travails in volleyball would be enough to carry this volume, but she also has a family tragedy that she’s dealing with as well. Slowly the details are revealed as the story progresses, and while Neri’s set up for a different type of volleyball career as she enters high school, she’s still dealing with plenty of baggage. It seems like her friends are always going to be around to support her, especially Shikishima the elder.

Part of my enjoyment of Shojo FIGHT! is due to the novelty factor. Perhaps because I haven’t been able to read many female-oriented sports manga, I found Neri’s portrayal as a volleyball hero with athletic prowess and intensity that could cause situations to get out of control refreshing, just because I’m much more used to seeing this type of character as a male protagonist. If this had been the 5th female volleyball manga that I’d read instead of the 2nd, I might not find it quite as charming though. Other reviewers have noted that the art of this volume looks very similar to OEL manga, with smooth dark lines, sparse backgrounds, and lacking the delicacy that most shoujo fans might expect. I was halfway wondering if it was as I was reading it if it was OEL, but as I looked up Shojo FIGHT, it indeed came out in Japan originally in the mid 2000s. Nihonbashi’s style made me wonder if it really was that unique, or if it comes down to just the type of series that tend to get translated for a North American audience. Nihonbashi’s high contrast style gives Shojo FIGHT a more graphic, less flowery sort of look, and while she is good at facial expressions, I did find myself wondering at times if Neri had variants of her stunned and shell shocked look as she grapples with her emotions. I did enjoy all the distinctive character designs. With such a large cast, having distinct looks for the characters helps the reader greatly.

There was enough drama for two volumes in the first volume of Shojo FIGHT!, but at the same time I’m reserving judgement a bit, because I expect the narrative to settle down in the second volume. I’m hoping to see if Neri is able to fight off her inner demons a bit for the sake of volleyball.

Filed Under: Manga Reviews, REVIEWS Tagged With: kodansha, shojo, Shojo Fight!

I Saved Too Many Girls And Caused the Apocalypse, Vol. 5

October 1, 2017 by Sean Gaffney

By Namekojirushi and Nao Watanuki. Released in Japan as “Ore ga Heroine o Tasukesugite Sekai ga Little Mokushiroku!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Adam Lensenmayer.

After a couple of books where I was fairly dissatisfied with the series, this is a much stronger volume of Little Apocalypse. It still has its cliches that it falls into, and has pretty much given up being a parody, but that also means the plot gets much more serious and thrilling. Rekka actually manages to achieve cool things, and his wishy-washyness about the heroines is a bit less frustrating. Also R has a lot more to do, and has become the reader stand-in, admiring the girls and tweaking Rekka. We also get a second book in a row where one of the heroines turns out to be not what they seem, but this one actually comes as a bit of a surprise, one of quite a few genuine surprises I had reading this book. There are still a few major problems with it (more on that below), but rating it against other books in the series, it’s the best since the first.

The plot kicks off when Iris invites Rekka to a water planet for the weekend to do some swimming. By now Iris has gotten used to the fact that she can’t have Rekka all to herself as much as she wants, so she even goes as far as to invite the others as well. (The revolving heroine door revolves again this time – Lea can’t make it, but instead Tetra gets a much larger role, to make up for being absent in the prior book.) Upon arrival, they find the planet, in order to survive, has basically become a resort, with the mermaid palace a glorified hotel. Unfortunately, the palace is soon attacked by pirates, whose motive is murky but who seem prepared to kill. Rekka teams up with his usual crew, along with Rain, the princess of the mermaid planet; Shirley, a scientist who seemingly was simply there on holiday as well; and Fam, one of the pirates who’s noticed that the captain has not been himself lately. Interestingly, only the last two are identified as ‘heroines’ by R; I wasn’t sure why Rain wasn’t, but in the end she ends up being one anyway.

As I said, for the most part I enjoyed this. The first at the end was quite good, and the villain’s broken motivation was treated with sensitivity by Rekka when almost any other hero would have simply taken them out. That said, I had two big problems. The first is Raul, a Lupin wannabe who seems to be there to do all the things that the author realized would be impossible for Rekka to achieve, which is nice except that seeing how Rekka achieves impossible things is the main reason to read the series. He’s a deus ex machina character. The other is the ending, which I knew was coming but still cringed at. If you’re going to have a villain threaten an entire planet with death and be well advanced in actually achieving this, even if the motivations do turn out to be “I have never had friends and am desperately lonely”, I’m pretty sure you still have to serve time. The Get Out Of Jail Free Because I’m A Heroine card works far less well here than it does for Rosalind.

But oh well. Little Apocalypse is never going to be perfect, particularly as it keeps advancing its ridiculous premise. Most of the book works pretty well, some neglected heroines get things to do (and no doubt will be neglected again while others rotate in), Rekka gets to be cool and yet still unaware that people are attracted to him, and R is snarky. We’re almost a third of the way through the series, and I’m starting to be curious as to how the author can keep this up without it collapsing.

Filed Under: i saved too many girls and caused the apocalypse, REVIEWS

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