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Otaku Vampire’s Love Bite, Vol 1

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Otaku Vampire’s Love Bite Volume 1 by Julietta Suzuki

Hina is an otaku vampire who has decided to move to Japan to devote herself to her fandom, an anime called Vampire Cross. She’s basically a shut-in, only venturing out to try to score limited edition items at merch drops. She takes occasional calls from her father who seems supportive of her lifestyle choices but can’t help reminding her that vampires sometimes find a special human who they want to bite. Hina is resolute in her decision to only drink from blood bags and fully indulge her fangirl nature. She does become distracted one day by her next door neighbor who looks exactly like Mao, the character she’s obsessed with. Kyuta recoils in disgust initially when he realizes that Hina is an otaku, but something about her draws him in. On Hina’s side she finds that Kyuta smells irresistibly delicious. She notes that there’s a mysterious voice coming from his apartment occasionally – who or what could it be?

Otaku Vampire's Love Bite

Suzuki excels at portraying tsundere heroes. Kyuta initially finds Hina off-putting, but when he realizes that she truly knows nothing about how to live on her own he starts helping her. He gives her practical advice about taking out her trash and even joins her for a special Vampire Cross cafe event when the internet friend she was supposed to go with stands her up. Kyuta ends up being a vampire magnet, and Hina has the ability to protect him because she’s unexpectedly powerful even if she has no desire to engage in vampire activities like sucking blood. I enjoyed the developing relationship dynamic between Kyuta and Hina. Hina has powerful supernatural abilities but only cares about arranging acrylic standees and Kyuta’s ability to function in the modern world balances her out. Suzuki’s art is so whimsical and cute. Hina’s tiny fangs and pointed ears are adorable and Kyuta’s exasperated but kind in spite of himself mannerisms make him sympathetic. Suzuki’s series are always delightful and the first volume of Otaku Vampire’s Love Bite started off strong.

Like a Butterfly, Vols 1-3

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Like a Butterfly, Volumes 1-3 by Suu Morishita

Suu Morishita series are an automatic buy for me, after Shortcake Cake, I went against my self-imposed ban on buying digital first series to get A Sign of Affection (one of my favorites of all time), so I was delighted to have a chance to read an earlier series, Like a Butterfly. It deals with communication issues in a different way than Sign of Affection but is extremely compelling.

Like a Butterfly

Suiren is incredibly beautiful, but her beauty is actually a burden. People have an oversized reaction to her outward appearance, and she chose to go to an all girls middle school because of the unwanted attention. Unfortunately she received just as much attention there, but did have the benefit of some fierce female defenders who would fend off boys at the school gates. Over time, she began to develop a self-defense mechanism of speaking very little and having almost no self expression in order to not provoke any type of unwanted attention. She thus has the nickname “the mysterious flower”. Suiren’s old friend Aya is her main companion, and helpful social navigator. Suiren notices Kawasumi, a quiet boy with glasses who is consumed by karate a couple times at school. He comes to her rescue when an upperclassman takes her bag and announces that he’s going to walk her home. His method is to use some karate moves but expertly pull his punches so his opponent knows full well that Kawasumi could absolutely destroy him. With Kawasumi, Suiren has found someone that she wishes would notice her, but he’s not really able to talk to girls either, even though he notices her back.

An additional complication is introduced in the form of Koharu, a forthright girl who has developed a crush on Kwasumi and starts asking him out. She comments to Suiren that she doesn’t want to be a passive flower but a butterfly who will fly towards whatever she wants. Suiren is struck by the contrast in their personalities and also wants to go after what she wants. Like a Butterfly develops at a glacial pace, but due to the nature of Suiren and Kawasumi’s communication difficulties any interaction between them is charged with meaning. Their friends serve as both cheerleaders and sources of running commentary when they aren’t really able to express their feelings. Suiren gradually makes some overtures, but Kawasumi’s radar for dealing with attention for girls is so broken that he isn’t able to understand what’s happening very well. By the third volume, the not-quite-a-couple has been to a festival and Suiren has actually cheered Kawasumi on at a Karate tournament. The art for this series is great, I was continually amused by the many variations of Suiren’s expressionless face that end up actually telegraphing her feelings. I was predisposed to like this series and the first three volumes did not disappoint.

Neighborhood Story Vol. 1 By Ai Yazawa

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Neighborhood Story Volume 1 by Ai Yazawa

Neighborhood Story is a manga I’ve been aware of for a long time, because the characters drop in on Ai Yazawa’s Paradise Kiss, but I never thought it would actually be translated into English! I’m glad that Viz has licensed this shoujo classic. Mikako is an aspiring fashion designer who has a ton of personality packed into her tiny body. Tsutomo is the boy next door. They’ve been constant childhood companions, and many of their surrounding family and friends seem to expect that they’ll end up together.

Neighborhood Story Volume 1

Mikako is a little suspicious about Tsutomo’s inadvertent womanizing ways, as his similarity to a pop idol causes him to be fascinating to random girls. Tsutomo wonders if he and Mikako are so close that they aren’t ever really going to experience life without some time apart. They seem obviously perfect for each other and yet sometimes oblivious to their own emotions in ways that are utterly realistic for teenagers experiencing the first stirrings of something that might be love. Mikako is a force to be reckoned with, and as their extended group of friends start gathering together to pursue their creative dreams, I’m looking forward to experiencing again that combination of love story and artistic ambition that Ai Yazawa writes so well.

While the art isn’t as polished as Yazawa’s later series, her spindly characters and their fashion forward style contribute to the creative community that surrounds and supports Mikako and Tsutomo. Reading Neighborhood Story feels nostalgic in the best way, and I’m glad I finally have a chance to experience it.

Ima Koi: Now I’m in Love, Vols 1 and 2

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Ima Koi: Now I’m in Love Volumes 1 and 2 by Ayuko Hatta

In today’s stressful times, reading determinedly uncomplicated romance can be quite soothing, which is why I’m enjoying the angst free and sometimes silly series Ima Koi. Satomi was too shy to confess her feelings to a crush in middle school, so she’s determined to be different in high school and seize her next chance for love. When stoic, incredibly tall Yagyu saves her from a train groper and she finds out that he goes to her school she follows through on her vow and asks him out. He says yes, and thus their romance begins.

Ima Koi

Satomi is cute, with her quick entry into dating she’s fulfilled her main goal, but she’s still figuring out what to do now that she’s in a relationship. Yagyu is a bit more enigmatic, but he’s won over by Satomi’s forthright nature and her tendency to fling herself on top of him from the subway stairs. He’s interested in getting to know her, and they soon start dating. They deal with complications that beset any new couple as Satomi has to navigate around Yagyu’s suspicious best friend and his obsessed younger sister. While this manga doesn’t reach the hilarity of My Love Story!! there are plenty of funny situations, such as when Yagyu and Satomi go on a date to the zoo and his younger sister Juri tags along. Juri becomes more and more enraged as Satomi keeps not reacting to her attempts to undermine the date, until she transforms into a menacing side character from JoJo’s Bizarre Adventure. Ima Koi is a fun escape, and the way most issues get resolved by the end of every volume makes for a relaxing shoujo series.

Rosen Blood, Vol 1

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Rosen Blood Volume 1 by Kachiru Ishizue

The phrase “gothic reverse harem vampire shoujo manga,” is jam-packed with many plot tropes and Rosen Blood certainly manages to be all of those things. I might wish for slightly more character development, but I found myself sufficiently diverted by all the vibes this manga serves up. The manga opens with heroine Stella Violetta waking up in a luxurious bed with a handsome man with slightly outsized canines introduces himself as her host, Levi-Ruin. Stella was on the way to take up a position as a maid after her sister died and she’s completely destitute. She begs Levi-Ruin to let her work in his mansion and he promptly takes her on a tour.

Levi-Ruin’s house is inhabited by a number of men with outsized canines. There’s Friederich, who is flirty and a bit handsy, the exceptionally pretty Yoel, and the nearly psychotic Gilbert. Levi-Ruin warns Stella that she can’t go outside because the estate is surrounded by a forest of thorns, and she’s not supposed to go into the basement. It takes Stella quite a bit of time to figure out what might be happening, even with Gilbert exclaiming over her “elegant, pulsing veins…” But I suppose most gothic heroines wouldn’t automatically assume the worst when they head into a life of servitude in a creepy yet luxurious mansion. The art in this series is delicate and well-executed to produce plenty of surreal and emotionally overwrought scenes as Levi-Ruin and his companions struggle with having a human in their midst. If you enjoy spooky romances, Rosen Blood packs plenty of atmosphere into one volume. I’d like to see a bit more complexity in Stella’s personality, but I enjoyed the first volume and I’m curious to see where the story goes.

My Love Mix-Up! Vol 1

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My Love Mix-Up Volume 1 by Wataru Hinekure and Aruko

I was curious about My Love Mix-Up since I’m always up for a new shoujo series and Aruko illustrated the astoundingly good My Love Story!!. While this new series doesn’t have the innate hilarity of My Love Story!!, it is a light, warm-hearted unconventional love triangle with protagonists who are all kind to each other.

Aoki has a long-term crush on Hashimoto, the girl who sits next to him in class. On a fateful day he borrows her eraser and sees the name of another boy, Ida, with a heart symbol next to it. When Aoki drops the eraser and Ida picks it up, Ida assumes that Aoki has a crush on him. Aoki plays along with this assumption because he doesn’t want to reveal Hashimoto’s secret. Ida’s reaction to all of this is thoughtful consideration. Ida’s never dated anyone before, so he doesn’t immediately reject Aoki, even though Aoki is encouraging him to! As Aoki gets to know Ida better he starts realizing what a cool guy Ida is. While there is less opportunity for Aruko to engage in the more broad caricature work of My Love Story!!, there are a few great scenes where Aoki looks like a haunted zombie due to the depths of his teenage embarrassment about the confounding situation that he finds himself in.

There’s a similar sort of love triangle in Blue Flag, and My Love-Mix! up looks like it is going to cover the same territory but without the emotional depth. I don’t think that every series needs to have that degree of pathos, sometimes a relatively angst free love triangle is the perfect diversion. There’s a cliffhanger at the end that promises plenty of more romantic mix-ups ahead.

Prince Freya Vol. 1

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Like a well-listened to lullaby, I find myself in front of the keyboard with a manga volume beside me. And so, the song starts again. Fitting that I chose a story set in a fairy-tale world to return with.

Prince Freya is neither a Western style fable nor a Japanese high-fantasy adventure. Rather, it has elements of traditional fairy-tale stories in the Germanic-Franco style. I bet you didn’t know that in the original version, Cinderella’s sisters were beautiful but wretched and doves sent by Cinderella’s dead mother pecked their eyes out? Yeah, brutal. Well, the same kind of logic applies in Prince Freya. Freya, a young girl living with her ailing mother in a village in the Kingdom of Tyr. Nearby Sigurd is threatening to gobble up Tyr. So, secretly, her childhood adoptive brothers come back to the village to make sure a plan in Tyr’s capital doesn’t come to fruition. See, Tyr’s plan is to use Freya to sub in for Prince Edward, the ruler of Tyr. Edward is dying from poison and needs someone to pretend to be him to save the kingdom. So we’ve got elements of Prince and the Pauper, Grimm’s Fairy Tales, and a few that I’ve forgotten the name of.

Freya herself is a big crybaby, borne from her constant, unstated, fear that the people she loves will be taken from her. So when Aaron and Alek, her brothers, have to go back to the castle empty handed, she overhears a plot by Sigurd’s officers to kill Aaron as payment for Tyr’s resistance. She volunteers to Edward to take his place, in one hell of a Faustian pact: she becomes the prince, even with her crippling emotional state, but even in saving those she cares for, some of her happiness is destroyed. I found the bulk of the first volume to deal with the unseen threats that she did not foresee: palace intrigue, people who follow the prince’s every orders being thrown off by “his” abrupt change of behaviour, and being a person she could never be in her old life. But underneath, she remains the person back in her home village. When she (literally) leaps into the role of the prince in front of the castle, her sense of justice is now augmented by her new-found power as the regent. So the same girl who reached out for hurt people as a child now wields incredible public power. Some people who distrust her now can be smoothed over, others must be left for another day. Give and take, political pragmatism, and discretion being the better part of valour. All these things she has to learn in hours. All the while, Ishihara keeps the darker side of the fairy tale in play because at every turn, inside and outside the castle, death lies in wait.

The two major male leads in the first volume, Alek and Aaron, are where the volume’s emotional gravity comes from. Aaron’s the older one, the one who had the Prince’s Black Knight bodyguard role, and he comes from the perspective of the practical soldier: yes, childhood was an adventure but there are evils out there, waiting to devour the unwary. He carries himself with the weight of a young man who knows the cost of friendship, family, and love. He’s prepared to pay it but can’t save those around him from heartache. Alek, on the other hand, is the prototypical foot soldier; hard-working but not made in the eyes of the court. Alek could die tomorrow and nobody in the castle will grieve. His cross to bear is that he has to rise to the challenges within and without or everyone he loves will be stolen from him. In many ways, he is his older brother but not a complete clone. Aaron seems to be certain that Freya needs to find her own way, however heart-breaking it is, whereas Alek thinks the same but yet as he sees it, who will protect Freya if they throw their lives away at the first sign of danger? Freya is not so much torn between them as she is trying to make sure they both get different levels of support from her while she battles her fear and terror at her role in this dangerous political play. Her upset is from them risking all for save her when she feels that she should do all she can to balance the scales.

The manga plays with all this and keeps the background machinations going as elements within the castle shift their weight as some know that Freya isn’t Edward and others don’t. These elements will end up colliding with Freya and the boys while she wrestles with her choices and decisions. The story hits hard in several scenes and reminded me that not all fairy tales end with the heroes making it out of every book. I liked how Freya loses more and more of who she and the boys were back in the village as they take on each terrifying moment. Ishihara has made a typical fantasy setting and made it more on what happens to Freya’s state of mind than what the world around her does. As the older stories tell us, there are worst things than death in a high fantasy.

Now, I put down this volume and reach for another. The lullaby goes on, the setting changes. See you next time, readers!

Adventures in the Key of Shoujo: Stepping on Roses Vol.1

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Stepping on Roses Vol. 1 | By Rinko Ueda | Published by Shojo Beat | Rated: Older Teen, Ages 13+

downloadAh, getting back to old habits can be good, no? Flexing your muscles after so long diminished is how you figure out what made you like your vocation. What am I prattling on about? I’m back writing about Shoujo again! instead of going back to Sailor Moon straight away, I’ve decided to tackle a clean title. Recently, VIZ Media opened their digital catalogue to people outside the US and I decided to buy with my money a Shojo Beat title that I’d never heard anyone talk about but that I had wanted to review blind. Was it any good? Ahhh, so close and yet so far.

Stepping on Roses by Rinko Ueda is a turn of the 19th century Japanese tail of Sumi Kitamura, a down on her luck girl taking care of four children that her dreamboat brother Eisuke keeps bringing home with him. As she’s taking care of these children, he’s supposed to be providing for them. He however, is about as helpful as a cardboard oar when it comes to money. As a result of Eisuke’s overdrawn credit, Sumi tries in vain to pay for one of the children’s medicine. Before anything bad can happen (this is a shoujo title after all), she is saved by a young man giving her a handkerchief with some money inside before disappearing into the crowd. When Sumi gets more pressure from Eisuke’s creditors, she tries to sell herself in the red light district and nearly falls into a nasty situation, only to be rescued (this is a shoujo title, after all) by Soichiro Ashida, a young, handsome and soon to be wealthy young man. Soon enough she has her money but there’s a catch: she must marry Soichiro who needs her to inherit the family silver, as it were. So, there she is in a life of luxury and hating it and wanting to get back to her kids while Soichiro goes to work changing her into a high lady of society.

OK, I’ve no problem with flights of fancy and this is an amazing flight, indeed. Sumi spends her first few days in Soichiro’s house desperately trying to find out if the children and Eisuke are ok but it’s not easy. Soichiro is cut straight out of the Charles Dickens playbook of villainy. He marries Sumi for money, treats her like harshly and knows that his friend Ijuin Nozomu is the boy she was saved by. Every time it looks like Sumi isn’t coming up to muster, he threatens to sink her to the bottom of the sea. Who even uses this kind of language in fiction? It’s too bad he doesn’t have a moustache to twirl. He barely eats anything (well, that amazing figure doesn’t tone itself I’d imagine), sleeps in silk pajamas, plots to defraud his grandfather and can now run his family’s fortune his way. So why do I like him? Hmm, I need to prepare your beforehand that I’ve only read this volume and no further in the series so Soichiro could turn out to be an edjit for all I know. OK, so Soichiro: I like him because despite all his villainy, he doesn’t hate Sumi and doesn’t hurt her in any way save dragging her across town to the church (ok, that came out all wrong). He seems to be more worried once he has control of the family fortune than he does beforehand. Every time he looks like he’s going to hurt her, it turns out to be something innocent. She thinks he’s going to have his way with her, turns out he noticed her nightdress is on backwards (through the personal space invasion is treading on thin ice). He does have this awful habit of flinging Sumi into lots of furniture: beds, sofas, chairs. That and treating her like dirt for being poor. It’s not like she could help it, dude.

Another thing that doesn’t really add up is Eisuke is a complete cad but Sumi is the nice one. So if she’s been missing for a day or two, why is Eisuke not worried? Money comes in from a mysterious person and he doesn’t bat an eyelid. Little known fact, people with less than honorable traits usually notice when something is up with someone who does have positive traits. Not here. Eisuke just rolls with it. Only when the kids pester him into it, does he decide to look for her. Who’s betting he decides to blackmail Soichiro only for a rival for his affections to notice and use it as a reason to get rid of Sumi out of Soichiro’s life? If I turn out to be right, VIZ can post my royalty checks to the editor here of Mangabookshelf. I could be wrong and this could turn out to be completely different in its execution but somehow I doubt it. I also think that Soichiro and Sumi will fall more in love with each other as the volumes progress. Why? Well, if they break up, he loses everything. If they do, Sumi is free to marry Nozomu except that I think Nozomu is in love with Soichiro. So that’s not going to happen. Do you really think Ueda is going to go full blown David Copperfield on Sumi with Soichiro? If she did, I’d eat up every volume because I root for the underdog always. But Soichciro isn’t a bad person, just makes rather mean choices. So, there is a chance of redemption for him. So that leaves Sumi and Soichiro together for the duration as they learn about themselves and about love. Now, I love that when it happens in a Nora Ephron film but here, stretched out over 9 plus volumes when I checked, I don’t know if they can hold my attention. Time will tell. So what’s the upside to this first volume?

People get slapped senseless in this book, it’s a shame there isn’t a hit counter on each page. Ueda seems to delight in having people beaten. Landlords, kerb crawlers, the main lead, the main love interest, the manservants. Just like an episode of Dallas or Falcon Crest except done in black and white. It’s awesome. There’s always tears or shocked expressions whenever it happens. Also, I love Sumi as our plucky hero. She just goes from nothing but happy to everything and depressed in the blink of an eye and this just makes her grit her teeth harder. Despite her feeling that Soichiro is a very stern and harsh person, she looks conflicted when he acts nice to her or at least it looks like he’s acting. I got the sense in the scene where he continuously kisses her to make sure she can pass inspection from their keen eyed guest, she doesn’t know what to think since their deal didn’t involve showing each other affection. Also, she looks so scared when he kisses her but still comes through to talk with Nozomu when she gets looked in her room by Soichiro. Soichiro’s manservant Gengoro provides a lot of fun in his calm demeanour being spoiled by his master giving him crazy orders like teaching Sumi how to write and read, eat in a Western fashion and walk in Western clothing in less than a month!

Artwork wise, it’s six of one, half a dozen of the other. Ueda gives her cast a sweeping look with Soichiro being that classic archetype who looks good in anything: wedding suits, evening wear and so on. Sumi doesn’t really look poor, she just looks like she’s wearing someone else’s costume. When she’s dressed in high fashion, she looks stunning and Ueda loves working on her. But she frequently neglects her background characters. The only way I could tell the kids apart is when they were separated, when put together, they just are a mess. But that might be deliberate on Ueda’s part so I’ll hold off. The people in the background (prostitutes, wedding guests and so on) just look like a bunch of character models on a page. Needs more work as my old teachers would say.

Stepping on Roses problem isn’t that it’s boring or that the story isn’t good. It’s just that it feels like more of the same for me and works too hard at the scenes instead of the characters. I want to like the story and the cast but it feels like I’m watching a soap opera instead of a story. In some cases, the bubble of artificiality can work to an author’s advantage. Here, the bubble is getting between you and the story. Soichiro really isn’t a nice person but he’s portrayed as being redeemable. Sumi is a good, likable girl who is willing to sell herself but gets nervous around another stranger who’s got a contract with her. It’s a bunch of people who can’t settle on being good or bad or conflicted. Arrggh! It’s so frustrating. I’ll report back when I get volume two.

Yakuza Lover, Vol 1

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Yakuza Lover Volume 1 by Nozomi Mino

I’m glad that Shojo Beat remains committed to bringing out one mature title at a time, so with An Incurable Case of Love ending, Yakuza Lover rotates in. Yuri is a 20 year old college student who capably fends off the overtures of sketchy men, loudly proclaiming “I want a guy who loves me for me!” Her desire for a boyfriend takes an unconventional turn when she ends up in the wrong party room and needs to defend herself from some criminals through the application of a handy side table and her previous experience as a high school athlete. Local yakuza boss Toshiomi Oya comes in to check up on her and gives her his coat as well as his business card, which he says can be used as a shield if she ever finds herself in a similar situation.

Yakuza Lover Volume 1

While Oya says farewell, Yuri can’t stop thinking about him and seeks him out to return his coat. Oya promptly confesses his feelings of affection for Yuri and she’s fascinated by him. They start dating, but each time Oya leaves he references his criminal lifestyle, saying “I’ll call you again if I’m still alive.” Like a Mayu Shinjo hero, Oya’s main personality trait is extreme possessiveness. However, he is happy to indulge Yuri’s whims, like dressing up in traditional clothing while playing tourist. Yuri is still trying to find a better part-time job and not all that invested in material things, although it remains to be seen if some of the complications of dating a crime lord are going to test the relationship.

This first volume was over the top and entertaining, and I enjoyed the elements of dark humor like Oya repeatedly referring to the potential of his impending death. As much as I enjoy a good shoujo trope, I do sometimes want to read a series that doesn’t feature school festivals and sports days all the time, and it seems like dodging bullets and dealing with rival crime lords will be plenty entertaining in Yakuza Lover.

Daytime Shooting Star, Vols 11 and 12

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Daytime Shooting Star Volumes 11 and 12 by Mika Yamamori

There are so many Shojo Beat series wrapping up! I’m trying to catch up on my reading and get myself psyched for new series. Daytime Shooting Star is by far the most anxiety-provoking Shojo Beat series for me, just due to the situation where Suzume falls in love with her teacher Mr. Shishio. From the first volume, the thing I was most dreading was a “10 years later” epilogue ending where Suzume is out of college, meets Shishio again and they live happily ever after. In this case my worry was unfounded and my expectations built on years of shoujo plot tropes might have made me worry needlessly. It is a testament to Yamamori’s storytelling abilities that this series was regularly on the top of my to-read pile and I was so invested in the story that I kept reading despite my worries.

Daytime Shoting Star 11

I’ve been on team Mamura all along, and it was great seeing Suzume and Mamura actually start tentatively dating. Of course Shishio has an incredibly immature reaction to Suzume moving along is to reel her back in with a confession of his feelings. One of the reasons why I’m so invested in the Mamura/Suzume relationship is that Mamura is unusually insightful, and willing call out Suzume a bit when she’s pretending that everything is ok when something is clearly bothering her. Mamura is putting her peace of mind in getting some sort of resolution over his own desire to move ahead with their relationship. There’s a great and touching scene where Suzume just leans her head into Mamura’s chest to calm herself, thinking “I feel like he’s putting my heart back where it belongs”. What follows is a sports day full of emotional confrontation and drama, as Mamura and Shishio compete in a relay race, Suzume gets injured in her dogged pursuit of bread, and she and Shishio have another emotionally charged talk.

Daytime Shooting Star 12

As the final volume opens, Suzume and Mamura go on a trip to Okinawa with friends, but he pushes her to resolve her feelings for Mr. Shishio. Shishio’s evolution from charming but slightly sketchy to selfish and incredibly immature over the twelve volumes has been something fascinating to see. Yamamori manages to make all her characters charming no matter what emotional issues they’re dealing with, and by the time I finished this volume I was convinced that all the teenage characters were exhibiting a maturity of character and psychological insight that far outpaced any of their adult counterparts in this manga. Suzume has been a charming and irrepressible heroine who has been plagued by self-doubt as she struggled to make sense of her emotions. By the end of this volume, she has clarity and is truly happy, which was wonderful to see. Daytime Shooting Star featured some great humor, stylish character design, and characters who grew and changed, becoming more secure in themselves as the series concluded. Daytime Shooting Star was an extremely satisfying series to read.

An Incurable Case of Love, Vol 7

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An Incurable Case of Love Volume 7 by Maki Enjoji

Especially in these pandemic times, sometimes I just want to read something light and fairly predictable. I don’t want surprise plot twists or social commentary, but seeing a couple work through and resolve all the impediments to their romance and end up with a happy ending is often just the diversion that I’m looking for. The Shojo Beat “stealth josei” titles like An Incurable Case of Love tend to be limited, with only one or two coming out at a time but I really enjoy them.

An Incurable Case of Love Volume 7

This is the final volume of An Incurable Case of Love! I’ve been feeling like the past couple volumes have been stretching out the story a little too much, this would probably have been a very tight 5 volume series as opposed to a slightly meandering 7 volume series, but I very much enjoyed it overall. I’m a sucker for repeated plot tropes and anything in shoujo manga that reminds me of a k-drama, so I was delighted when there was a time skip involved when Dr. Tendo had to study abroad for a number of years only to finally reunite with Nanase at the end. I do not feel like I’m even revealing any major spoilers as all of this has been telegraphed to the reader all along. Still, by the end of the manga the Dark Lord and the Valiant One have become an adorable couple and it is nice to see Nanase win in her steadfast goal of bagging the one doctor that she feel in love with at first sight so many years ago. For fans of predictable workplace romance, An Incurable Case of Love absolutely delivers. I’m hoping to get some more josei titles that are set in places beyond offices, because this series was amusing and the medical setting gave the author plenty of opportunities to explore extra drama.

An Incurable Case of Love, Vol 5

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An Incurable Case of Love Volume 5 by Maki Enjoji

After four volumes with plenty of workplace hijinks now that Tendo and Nana have become an actual couple, there have to be some random external influences show up to test their relationship. In the fifth volume this takes the form of a forlorn young man who shows up and demands that Nana hide him from some people who are following him. This turns into an extremely odd impromptu date involving a bowling alley and a park. Nana humors him for awhile, because her nursing instincts are kicking in. When he has a seizure, Nana has him transported to her hospital.

An Incurable Case of Love Volume 5

The young man turns out to be Chikashi, the heir to a conglomerate. He refuses to be transported to a private hospital and demands that Nana be assigned as his personal nurse. Nana agrees after Chikashi makes it clear that he isn’t above a bit of blackmail, he also incorporates some threats to Tendo’s career. Nana and Tendo’s relationship is strained, and while Chikashi is clearly acting like an extremely bratty patient, he’s also doing this because he’s incredibly lonely. One of the best parts of this volume was Tendo’s aggravated faces as he attempts to deal with this situation semi-professionally. Nana lets her caring nature lead to her getting taken advantage of, but it seems like Chikashi ends up in a better place than he was before, so if her goal is to maintain being an excellent nurse, she’s still on track to achieve it. While there isn’t really a high amount of drama or complex story line in this volume, this workplace romance still manages to be diverting and seeing Nana and Tendo work through their issues with the core of their relationship strong is plenty heartwarming.

Yona of the Dawn, Vol 27

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Yona of the Dawn Volume 27 by Mizuho Kusanagi

I’ve been eagerly waiting for this volume of Yona of the Dawn since Hak came forward with an actual love confession in the previous volume. One of the things I love about this long-series is the fact that it can still surprise me. Instead of any drawn-out angst, in the aftermath of the love confession Hak totally oversleeps, unburdened by worries while Yona is the one who has been tossing and turning all night. This volume serves as a transition from one storyline to another as the Four Dragon Warriors need to recuperate closer to Hiryuu Palace. There’s some adorable awkwardness between Yona and Hak, and he decides to take up training with her again in an attempt to make things a bit more normal. Kusanagi’s illustrations show Yona progressively more embarrassed and overcome with emotion as Hak no longer has any hesitancy about telling her exactly how he feels.

While I enjoy the sweeping action and more complicated political plots as Yona roams around trying to make the lives of her people better, I find these more character-focused quiet volumes in between the larger story arcs a great way to reset and reflect, setting me up to look forward to the next complex storyline. Of course, this wouldn’t be shoujo manga without additional emotional complications, and Hak speculates that while Yona might be able to move on with her feelings about Su-Won, he is still dedicated to nurturing his hatred.

This volume also provides an opportunity to check in on other beloved characters such as Riri and Tae-Jun, who are dealing with the aftermath of the averted war with Xing in their own ways. There’s a skirmish happening and Yona and her warriors come to Tae-Jun’s aid. While Yona’s been able to be somewhat undercover for awhile, more and more people are beginning to realize that she’s not dead after all. As it turns out, Yona’s growing notoriety and the legend of the Four Dragon Warriors might be the cause of upcoming conflicts

Love Me, Love Me Not Vols 4 and 5

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Love Me, Love Me Not Volumes 4 and 5 by Io Sakisaka

With the conclusion of Ao Haru Ride, I’m glad that the Shojo Beat imprint has another Sakisaka series running with Love Me, Love Me Not. This series doesn’t quite have the layers of meaning I was finding in Ao Haru Ride, as the love quadrangle in this series lends itself more to more of a chill teen soap opera feeling with plenty of slice-of-life elements that makes this a soothing series to read, even as the protagonists deal with plenty of romantic complications.

In the fourth volume, there’s the fallout of Rio kissing Akari to deal with. While Akari has been dedicated to putting up emotional walls since they became step-siblings, Rio hasn’t been able to detach from his previous feelings so easily. Along the way Akari has to deal with a boy at school who has a crush on her who turns hostile after she turns him down. Inui is around to help her deal with things, but Akari wonders just how much he understands about her situation. Akari gets self-conscious and starts avoiding Yuna, who is dealing with her own feelings for Rio. Really, the tangled relationships ensure that there’s plenty of drama to come. However, one of the reasons why Love Me, Love Me Not remains interesting is that the characters actually talk about what’s bothering them and evolve and change. Yuna calls out Rio for his actions and points out that he’s not being considerate of Akari, and she then messages Akari so they can have a chat as well. Being active in her friendships and talking to the boy that she has a crush on show how much Yuna has evolved from the shy and self-contained girl she was in the first volume of the series. Rio even comments to her that Yuna is “growing into the person you want to be” while he hasn’t progressed much beyond the person he was in junior high.

The fifth volume features that staple of shoujo romance, a festival! Rio is haunted by the fact that he had a dream about Yuna, which makes him finally start to be interested in her romantically. Akari continues to be intrigued by Inui, and she and Yuna engineer a double date to the festival. Out of all the main characters, Inui has been a bit of a cipher, occasionally dropping by to make enigmatically mature pronouncements and then moving on. I was happy that this volume featured a little more of his self-reflective moments, making it clear that he’s only steering clear of Akari because he doesn’t want to hurt Rio. I really like the way some of Sakisaka’s illustrations shifted to reflect the characters’ feelings in this volume. Yuna has a few panels of looking absolutely adorable, because Sakisaka is showing her from Rio’s point of view as he appreciates her more and more. It is particularly fun to see Rio in a somewhat tortured state throughout this volume as he struggles with his new feelings, since he was originally introduced with such a self-assured, flirtatious personality that was all on the surface. While the characters are all suffering through the foibles of teenage romance, there’s no question in my mind that there will eventually be a happy ending, which makes this a great comforting manga to read when I feel the need to de-stress a little bit.

Daytime Shooting Star Vol. 9

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Daytime Shooting Star Volume 9 by Mika Yamamori

At last! I could tell by the cover that this was going to be a Mamura-focused volume and I wasn’t disappointed. I tend to always root for the second lead guy in Korean dramas, and if Daytime Shooting Star was a K-Drama, Mamura would likely be the second lead, but in many ways he’s so much better than Suzume’s alternate romantic option of dating her teacher Shishio. While Suzume’s been rejected (good!) by Shishio, she’s attempting to move on with her life, however she becomes distracted due to the fact that in their second year of high school, Mamura is being targeted by throngs of first-year girls. With Mamura’s innate allergy to female contact, this creates a very awkward situation.

Daytime Shooting Star 9

Yuyuka decides to take matters into her own hands in order to defend Mamura’s honor and proposes a plan where Suzume will pose as Mamura’s girlfriend. He rejects the idea, but Suzume becomes more and more irritated about the girls that are following him around, prompting Yuyuka to propose the idea of Suzume posing as Mamura’s girlfriend in order to get rid of the throngs of girls following him around. Mamura turns down the idea. When Suzume sees Shishio for the first time in weeks though, Mamura happens upon the scene and declares that they’re dating! when he sees Suzume being distressed when she runs into Shishio for the first time since he rejected her, he declares that they’re dating!

I was pretty delighted by this turn of events, with this faux relationship that might turn real. Mamura is clearly devoted to Suzume, and he does call her out when she’s dwelling too much on the past. I’m hoping that things move forward and she can actually experience a more normal high school romantic relationship? But I’m not holding my breath because the second lead guy rarely gets the girl. I enjoy Yamamori’s stylish illustrations in each volume, and the prospect of non-Shishio romance for Suzume makes me feel less of a general sense of creeping dread about the ending. In any case, Daytime Shooting Star continues to be an extremely engaging high school soap opera.