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Reviews

The Apothecary Diaries, Vol. 3

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By Natsu Hyuuga and Touko Shino. Released in Japan as “Kusuriya no Hitorigoto” by Hero Bunko. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

One of the enjoyable things about the Apothecary Diaries is that, while it will always be about the relationship between Maomao and Jinshi to a degree, if you’re completely uninterested in that sort of thing there’s still a whole lot to get out of every volume. There are the mysteries, of course, as everyone and their brother wants Maomao to apply her cunning and figure out Who’s Killin’ Who. There is Maomao herself, who has an idea of what social niceties and graces are and has decided to tell them “no thank you”. And there’s an increasingly fun cast, including the amusingly carefree Xiaolan, who spends most of the novel learning to read – and unlike what most books of this sort would do, she proves to be pretty good at it once given proper education. And then there’s Shisui, who is my new Best Girl, and is basically to bugs what Maomao is to poisons. It’s tough to be so eccentric that Maomao is mistaken for you, but this girl can pull it off.

When Maomao is not busy snarking at Jinshi or “the quack doctor”, she is helping Jinshi to try to educate the people in the rear palace, discovers a cat that is quickly named after her (sort of), deals with a caravan that is selling all the ladies fragrant perfumes… some of which are potentially dangerous; trying to solve a recent disappearance that turns into a not-so-recent murder; figures out how a sheltered young woman snuck past her guards and got pregnant; discovers that the issues surrounding Consort Lihua, which is what started this series off, have not vanished; and ends up going on a hunting trip with a disguised Jinshi, which ends up turning far more dangerous than either of them had anticipated.

As I said last time, the series rewards close reading, and having prior volumes on hand. There are several pregnancies in this book, and several chapters dealing with people who are trying their hardest to make sure that those pregnancies are unsuccessful… or are they? It *could* just all be a coincidence. On the lighter side, for those who ARE reading the book for the relationship between Maomao and Jinshi, the last quarter of the book is pure gold. Something we had long suspected is finally straight up admitted, and you will never be able to see the words “decently sized amphibian” again without laughing. Maomao herself seems more determined than ever to avoid going anywhere near this – she’s very aware of how Jinshi feels, what it would mean for her future, and how she really does NOT want to deal with it. Even if she does go gaga when he gives her the right present.

So yes, this remains essential reading provided you don’t mind that it’s got the Emperor and his many consorts, or that the heroine (not one of the consorts) can kill a man with her sharp tongue at 500 yards.)

Magistellus Bad Trip, Vol. 1

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By Kazuma Kamachi and Mahaya. Released in Japan by DENGEKI no Shin Bungei. Released in North America by Yen On. Translated by Jake Humphrey.

This is another one of those books that starts off slow and kind of boring and only really pays off in the back half. Honestly, when I started it I kind of felt like Kamachi had gotten bored with writing A Certain Magical Index’s 245th volume and decided to transcribe his Let’s Play video and send it to Dengeki. (Honestly, given how “well” the Index books did here, it’s surprising we got this at all, though it helps that it’s finished at three volumes rather than running to an infinite number.) Taking place in a game world where anything goes as long as you make money, and starring a cool guy and his badass succubus familiar, the book oozes testosterone from every pore, and I was almost ready to give up till the interesting stuff kicked in. Fortunately, the interesting stuff IS interesting, and helps explain a lot of the plot holes that the attentive reader might have raised an eyebrow at. It makes me want to read more of the book, especially given it’s a finished series in Japan.

Kaname Suou is a player in a game called Money (Game) Master, a game with no rules or restrictions except “make money”. He is assisted by Tselika, an NPC assistant character who takes the form of a buxom succubus. When we meet then they’re pulling off a big caper that will get them a huge amount of ‘snow’, this game’s currency, which allows them access to an exclusive group trying to get a hold of a forbidden Legacy weapon, left behind by a former player who was able to make ludicrously powerful weapons. If you’re looking at this description and thinking “there’s going to be double-crossing”, you’re right, but that’s not exactly a spoiler. That said, things get more interesting when we meet Midori, the younger sister of the weapon builder, who is trying to destroy the Legacies. Oh, yes, and it turns out that this game has HUGE consequences for the real world as well – in fact, in most ways that count this game is now the economy of the real world.

So, not wanting to reveal the interesting twists too much, I will merely note that I did find them interesting, even if a few of them were a bit unsurprising. It’s not too hard to guess the identity of certain people if you know how to think like an author. Still, overall it’s a book filled with a great deal of action, which Kamachi is good at, a few stabs at humor, which he’s far less good at but at least they’re better than his attempts in Index, and a lot of thrilling intrigue, as the last part of the book involves a race against time, a big chase, and literally everyone in the world turning against our hero. Kaname is a bit generic, possibly to avoid too many people comparing him to Touma, but also because he’s playing a game character, he isn’t trapped in a game as his real self or anything. Everyone is deliberately making themselves cool and attractive in this.

So yeah, this is not New Testament, but it’s a good action thriller, and it should please fans who don’t mind a lot of cars, guns, things exploding, and questions about the nature of reality.

Bond and Book: The Devotion of “The Surgery Room”

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By Mizuki Nomura and Miho Takeoka. Released in Japan as “Musubu to Hon: “Gekashitsu” no Ichizu” by Famitsu Bunko. Released in North America by Yen On. Translated by Nicole Wilder.

It’s good to be reading Mizuki Nomura again. Book Girl came out before the light novel boom, and as such I don’t think it ever got the attention that it deserved. This new series is not quite a sequel, and does not require having read Book Girl to enjoy it, but fans of that series will figure out fairly quickly that it’s set at the same school a generation later, and that some of the main characters are related to some of the people from Book Girl. This should not particularly be a surprise given that the premise is that a teenage boy names Musubu can “hear” the voices of books, which is not very far away from eating books. That said, while this does have serious moments, Bond and Book is a lighter series, an anthology-style tale where we see Musubu interact with someone and learn about their relationship with a book. Because trust me, books are the lovers here.

As we go through Musubu’s everyday school live, he a) tries to unite a battered copy of Pippi Longstocking with its former owner; b) helps a light novel author whose books are, um, not very good find a wider audience; c) tries to figure out which book has possessed an orchestra club member and caused him to lash out at others; d) goes with his friends to a deserted island to mimic the story of Fifteen Boys by Jules Verne (known everywhere outside Japan as Two Years’ Vacation); and e) try to help a college boy confess his love to the older librarian he adores… before she gets married and he regrets it forever. As he does this, we also hear from the books in question, who are very much characters of their own, particularly Musubu’s girlfriend, the petulant, prickly, and jealous Princess Yonoga.

This was a fun read, though I will admit that I liked some stories better than others. The light novel chapter, while an amusing look at the cliches that come from the genre these days, was not all that great; and the twist of the Fifteen Boys chapter also left a bad taste in my mouth, as it revolved around idols being despised and hated whenever they’re no longer ‘pure’. The fact that these are the two funny stories did not escape my notice – I think that Nomura is simply better at writing drama. The Pippi Longstocking chapter was an excellent look at what happens to books when you grow up or your world changes so much you can’t read what you love anymore. The story with “The Surgery Room” short story (by Kyōka Izumi, from 1895) revolves around a relationship that I suspect is not going to work out, but the whole point of the story is about passion winning out over sense, so hey.

So overall I am pretty pleased, and I would definitely recommend this to Book Girl lovers and book lovers.

If the RPG World Had Social Media…

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By Yusuke Nitta. LOL, and Yukinatsu Amekaze. Released in Japan as “Moshi Role Playing Game no Sekai ni SNS ga Attara” by Media Factory. Released in North America by Yen On. Translated by Daniel Luke Hutton.

I imagine many of you had the same reaction I did when Yen Press first announced this license. “Oh Jesus Christ, really?!?!” And yeah, I have to admit, this title had a lot of things stacked against it from the start. Aside from the premise, the format itself demands the “text bubble” style social media commenting throughout, with little icons to show who’s speaking, meaning that this light novel reads as a particularly wordy manga much of the time. The author is also not afraid to use every cliche at their disposal in the course of telling this story, mining standard RPG plots as well as anime and manga tropes galore. But somehow, along the way, this actually became quite a fun story, helped along by a hero and demon lord who are both very similar to each other: they have trouble communicating in anything but texts. A bad story would mock this mercilessly, but this one accepts it as a simple communication disorder.

Our “hero” has a few issues. He’s a shut-in, and as I noted above, can’t really communicate except via texting. Even to his mom. He’s also super, super weak, and can’t seem to get any stronger even when he does put in effort. Possibly because he lives in Beginnerland, where the king’s castle is called LMOA Castle. Unfortunately, the Demon Lord has kidnapped the princess! He has to rescue her!… if he could leave the castle without immediately getting killed. And if the princess weren’t far more interested in seducing the demon lord than being rescued. Fortunately, the Demon Lord is an understanding sort, and sends her minions to help him slowly (very slowly) make his way to her land to save the princess. This is all made much easier because everyone can text each other… including the Hero and the Demon Lord, who are rapidly falling in love.

As I said, there’s a lot of silly cliches here. The four Demon Generals are a catgirl, Darkness from KonoSuba (OK, a vampire masochist, but come on, it’s Darkness with the serial number removed), a tsundere fallen angel, and a strong and straightforward oni. Towards the end of the book, we also revive the Six Great Sages, who are famous in legend for fighting the demons but actually all turns out to be terrible, terrible people. The book knows its RPGs. That said, it treats everyone with respect. The Demon Lord is a shy but incredibly sweet young girl, who even trained for 8 years to lower her power level to the point where she did not kill everyone by just walking near them. Her Demon Lord Generals are all firmly in her corner. As for the hero, underneath that ‘wuss’ starter background is a young man who is willing to work hard if he has a clear goal in mind, and who can also see the goodness in the Demon Lord.

Some listings say this is a Volume 1, but I’m pretty sure the novel series ends here, even if it leaves most of its “plot” in the air. The Hero and Demon Lord don’t even meet in person. The Hero is still cursed, etc. That said, the actual plot of the book is “found families are awesome” and “texting is a valid way of communication, don’t make fun of it”, so we don’t really need to see everything after this play out. This isn’t a must-read, but it is a book that makes the best use of its gimmick premise and treats everyone with care. I enjoyed it.

The Sidekick Never Gets the Girl, Let Alone the Protag’s Sister!, Vol. 2

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By Toshizo and U35. Released in Japan as “Shinyuu Mob no Ore ni Shujinkou no Imouto ga Horeru Wake ga Nai” by PASH! Books. Released in North America by J-Novel Club. Translated by Tristan K. Hill.

This book continues to be very good at not really doing what I would like it to do. I had expected, after the climax of the first book, that we’d be seeing a lot of fallout, or at least evidence that memory-erasing magic does not really work all that well in modern-day Japan. But no, we don’t even SEE the little sister again till the second half of the book, and while her fate is a big part of the plot, it’s somewhat secondary to the romcom antics. This is especially annoying as we get an excellent start to the book where we see, in the fantasy world Kou was sent to, exactly how he managed to get traumatized and have complete disaster befall him. It’s a bit rushed, but heartbreaking. Unfortunately, the author likes using it as flavor text for their real ambition: a standard high school harem comedy. And I have bad news for them, other authors are better at that.

After using magic that really should not be used in this world to wipe Hikari’s memories of him, Kou ends up sick as a dog, and also flashing back to the girl he fell in love with in the fantasy world, Rei… as well as her brutal murder, complete with dying in his arms. That said, he really can’t reflect too hard on that when both Kiryu AND Renge show up to care for him. This is especially bad in Renge’s case, as she’s a terrible cook! Oh no! This amazingly cliched scene is broken up by, of all things, the naked sexual assault guy from the start of Book 1, who shows up (clothed) and smashes a durian all over Kou and Kou’s room, I know, stay with me. After a chase, which ends up roping in Kazuki, his athletic kohai, he finds that this world and the fantasy world are more connected than he thought. But there’s no time to dwell on THAT – finals are coming up! Study group!

As you can see, the book is trying to hit every single groan-worthy high school romantic comedy cliche there is. They don’t do a bad job of having the characters go through the motions, but they don’t add anything interesting to the genre either. Kazuki has a mom. She’s hot, and teasing. Kou is bad at studying and on the verge of failure. Et cetera. I wouldn’t be complaining nearly as much if it weren’t taking away from the actual interesting parts of the book. Kou’s avoidance tactics and trauma are fascinating! The way that the weird pervert from the start of Book 1 ties into the fantasy world is something I really want to hear about… till it is thrown away because they can’t discuss it in front of “civilians”. It *is* made clear that Hikari is (no big spoiler here, it’s obvious) the reincarnation of his fantasy love… but then the book ends. Sigh.

I’m sure you’re reading this and wondering why I’m so annoyed, rather than just mildly disappointed. m Well, it’s mostly because the novel series ends here. The webnovel apparently went to a decent conclusion, but PASH! Books has shown no signs of publishing any more in print form, which probably means Japanese readers were as frustrated as I was. There’s an interesting story here that’s struggling to get past the author shoehorning in their favorite scenes from 2006 comedy anime. But… grr.

Dragon Daddy Diaries: A Girl Grows to Greatness, Vol. 1

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By Ameko Kaeruda and Sencha. Released in Japan as “Totsuzen Papa ni Natta Saikyou Dragon no Kosodate Nikki: Kawaii Musume, Honobono to Ningenkai Saikyou ni Sodatsu ” by GC Novels. Released in North America by J-Novel Club. Translated by Giuseppe di Martino.

While reading this book, I was asked about it on Twitter, and I made the observation that it was like reading a parfait. Having now finished the book, I stand by this 100%. Everything about this is adorable and sweet, and you get the added bonus of a good example of how found families can end up being much better for someone than a birth family that resents and disparages them is. All that said, please be aware, this book is not here to be serious or to raise questions that require deep analysis. It cares not about power levels – all four leads are ludicrously more powerful than anyone else in the book. There is a bit of worldbuilding, but it’s about as important as any other ingredient you’d have in a parfait. This book is here for a dragon dad, usually in the form of a hot guy, and his adorable daughter, who he dotes on.

Our narrator is an elder dragon who has spent the last few hundred years high up a mountain. One day, a four-year-old girl shows up, calling him “Daddy”. He tries to dissuade her, but after discovering what her birth father is like, he makes the decision to raise her as a doting parent. He makes her delicious milk soup. He moves them to a large castle, perfect for a growing girl… though the Demon Lord and her partner who already live there might think differently. And he teaches her how to read, and the Demon Lord teaches her magic. By the time she’s old enough to go to school, she’s possibly the most powerful human being alive. But, I mean, that’s fine, really? As long as she can make friends, and hang out with her dragon daddy and her two lesbian aunts.

It’s a sign of Bunny Drop’s fandom presence that I feel the need to say this once more: this is not going there. Even if the daddy weren’t really a huge dragon, this is by the author of Sexiled, and we can be pretty sure that they’re not going to have this end with the girl marrying her dad. Speaking of Sexiled, in the afterword the author admits they wrote this to have fun with tropes: adorable girl who dotes on her dad, hunky dad who’s really a powerful dragon… and the Demon Lord and her partner, who (because this is entirely narrated from the POV of the dragon, who doesn’t get relationships) are clearly a couple but never explicitly called such. The Demon Lord is amusing in her own right, essentially being a shut-in with a tendency to talk big but fold like a card table, having to be bailed out by her knight/partner. The four of them end up being a wonderful and amusing family unit.

By the end of this first book Olivia (the daughter, sorry, names are hard) has already pretty much blown school out of the water… though she and her father elect to have her stay in her proper grade anyway, so she can better make friends. I expect even more ridiculous and sweet things will happen in the next book. If you love the author, or love found family, or just love sugary books, this is a winner.

Der Werwolf: The Annals of Veight, Vol. 12

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By Hyougetsu and Nari Teshima. Released in Japan by Earth Star Novels. Released in North America by J-Novel Club. Translated by Ningen.

It is a question often asked by authors, and even more often by publishers: when it the right time to end a series? It can depend very much on what kind of series it is, but for a series like Der Werwolf, the last volume certainly felt like an ending. Veight and Airia were together, she’d had their child, and he was busily uniting the entire kingdom and bringing a new era of peace to all. Medetashi, medetashi. Except frequently if you try to keep doing stories after “and everyone lived happily ever after”, it tends towards “until they died and here’s how”. Fortunately, Der Werwolf may be moving on to the Next generation, but it’s not quite ready to give up on Veight, or more accurately to give up on Veight being a living legend whose only fault is his absolutely crippling humility. Something that, fortunately, does not seem to have transferred over to his daughter, though she certainly seems to have inherited his ability to find trouble.

The book takes place, with many timeskips, around the first ten years of the life of Friede, Veight and Airia’s daughter. That said, most of it is still the usual setup for this series: Veight’s POV, and then an alternate POV from another character that expounds on Veight’s greatness. (I will assume that if this sort of thing bothers you,. you dropped the series ages ago.) Veight is filled with parental love and also Japanese ideas on how to raise children, which differ a bit from “give them to childcare people and see them once a year” that this world’s nobles tend to do. Friede is also not your typical child – while she can’t transform into a werewolf, she has all of Veight’s other abilities, enough mana to level a warship, and by the end of the book is learning swordfighting, martial arts, and diplomacy. Which may be needed, as she’s packed off to the Rolmund Empire at the end of the book, as Eleora wants to meet her.

Again, the biggest flaw in this book is is irrelevance: it’s After Stories, so if you wanted to drop the series neatly, doing so just before this book starts is a perfectly good response. That said, it doesn’t really do anything wrong, and gives us more of Veight being Alexander the Great as a wolf, only with more sense. He’s still resolving disputes, still occasionally being forced to fight 20-against-1 battles, and still insisting that he’s just a humble vice-commander. In addition, as much as Veight is hoping to usher in a time of peace, there are always going to be bad guys – someone in this book is kidnapping girls from other kingdoms and has them all holed up in a house in Meraldia… which Freide promptly finds in about two seconds, which bodes well for her. She’s a fun kid, who was raised thinking her dad was a normal goofy dad, and only now finding out that everyone reveres him. Which means she’s now in the “dad is so cool!” phase of her life.

So yes, if you really do like Der Werwolf, this is a fun read, and has a nice side story about Woroy trying to start his own city and realizing that the best way to do it is by inventing rollerball. Certainly the series was popular enough to be grabbed by a larger publisher… but we don’t have to worry about that till after Vol. 13.

A Tale of the Secret Saint, Vol. 1

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By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu” by Earth Star Novels. Released in North America by Airship. Translated by Kevin Ishizaka. Adapted by Matthew Birkenhauer.

It has to be said, I have a type. They don’t necessarily have to be the heroine (though they certainly are here), but if you get a really strong woman, usually holding a sword, who’s also kind and brave and cheerful… and a bit dumb? Let me tell you, that is my meat and potatoes. So as you can imagine, I was delighted to find that Secret saint offered me a full-course mean of ditzy strong girl. Now, this doesn’t mean the book is excellent. Like a lot of light novels of this sort, if you try to examine the actual plot it ends up having a lot of holes to poke through. But if you don’t, you get the story of a young girl who, near death, ends up getting memories of her past life as a powerful Saint, and her attempts to secretly use that power to help herself while also keeping it a secret from everyone else. Except… she’s terrible at this.

Fia, the youngest daughter in a family of knights, has not had a very good life so far. She’s trying to follow in her siblings’ footsteps, but despite training constantly, she’s not a great knight. Her father ignores her, her brothers disparage her. Then when she goes on her coming-of-age ceremony, she ends up accidentally healing a monster… who then tears a big hole in her. She then remembers her past as a Saint… and now knows how far Saints have fallen in the last three hundred years. Fortunately, with the knowledge from her past, she not only passes her ceremony with flying colors, but also ends up as a knight guarding the royal family! With her ability to make extra strength healing potions, keen instinct for both monsters and humans, and complete lack of common sense, can she keep everyone from knowing who she is now?

As noted above, the fun part of the book is Fia’s increasingly hilarious attempt to pretend that everything she’s doing is perfectly normal and not suspicious at all. No one really buys it… but she never QUITE lies, and they aren’t really able to read her enough to get a bead on her. Her personality made me happy. That said… first of all, her backstory, both as Fia and in her past life, seems far too brutal for a light, fluffy story like this one. “I can put up with an abusive knight captain because it’s nowhere near the abuse I got from my brothers” is not a good punchline, and it occasionally jars. There’s also the fact that the narrative is not good at telling us how much of this is Fia herself and how much is Fia’s past memories. The implication is that her observational talents and sudden tactical genius is all because of her past, but you could also argue that it merely unlocked something in her all along. It’s confusing and I wish it was delineated better.

But honestly, if you don’t think too hard about it, this is a winner. Fans of My Next Life As a Villainess who wonder what Katarina in an RPG would be like can read this and see: she’s be much the same.

Villainess: Reloaded! Blowing Away Bad Ends with Modern Weapons, Vol. 2

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By 616th Special Information Battalion and Wuhuo. Released in Japan as “Doushitemo Hametsushitakunai Akuyaku Reijou ga Gendai Heiki wo Te ni Shita Kekka ga Kore desu” by K Lanove Books. Released in North America by J-Novel Club. Translated by Shaun Cook.

Fans of genres that have twenty billion books in said genre tend to fall into two distinct types: those who don’t just want to read the same old plotline and characters, and those who do, because it’s their comfort food. In most ways, Villainess Reloaded falls into Category Two. This is a magical academy series with villainess overtones, and so we get a lot of the usual staples: heroine tries to avoid her fate but doesn’t realize everyone loves her; lots of magic discussion and magic experimentation; a beach episode; and yes, for a brief moment, we meet the game’s heroine, who Astrid proceeds to try to avoid. There’s even a maid who seems cool and frosty but secretly cares about her charge! That said, there is one teeny, weeny problem with this being a comfort novel that’s more of the same: Astrid has no morals or ethics, and is turning more evil by the day as we read about her antics.

The book covers Astrid’s final year in elementary school and first year in middle school. She’s experimenting with new ways to fire guns, including howitzers, but is running into an issue: a lack of electricity won’t let her make the truly big guns. That said, she also has other things to worry about. Her father is against her doing much of anything. She meets Adolf’s younger brother, who immediately becomes infatuated with her. (He’s 6, she’s 10.) The Magic Research Club that already exists on campus is an excuse to hang out and eat cookies. And worst of all, she needs money to fund her magic experiments. This means sneaking out on weekends to become an adventurer, going on dragon-slaying quests, and meeting with a cabal of Witches who are holders of the lost magic… which was lost because it’s pretty much “magic you can use to torture or kill people”. Will Astrid join them?

She absolutely will. This should not surprise me, given that I dropped Her Majesty’s Swarm, by the same author, for having similar issues, but the heroine of this tale is morally bankrupt. That said, I will give it major points for thinking of “what if a villainess tried to avoid her fate by becoming MORE EVIL”, which is certainly *not* more of the same old stuff. Seeing Astrid experimenting with blood magic, first on animals and then on herself, to try to remove her conscience is creepy as hell, and the fact that it’s clearly the author’s intention to creep us out doesn’t really help. We do occasionally see her backing away from the darkness – she thinks about killing someone as part of an experiment but doesn’t because she’s not “quite that heartless”. Oh yes, and there’s also the fact that, like Katarina, she thinks of her fate as something that is inevitable unless she puts up a constant struggle… which also makes her a warmonger in terms of her politics.

I’m not sure I could describe this series as enjoyable. Fascinating, perhaps. I’ll be reading the next volume in the series. That said, if you enjoy villainess books in general, there are others that can scratch your itch far more than Little Miss Sociopath and Her Armory.

My Daughter Left the Nest and Returned an S-Rank Adventurer, Vol. 1

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By MOJIKAKIYA and toi8. Released in Japan as “Boukensha ni Naritai to Miyako ni Deteitta Musume ga S-Rank ni Natteta” by Earth Star Novels. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

There is a certain disconnect in this novel which threw me off for a time till I realized what it was doing. The daughter leaving the nest happens right at the start of the book, and returning an S-Ranked adventurer right at the end, and so there’s a lot of middle to fill. Some of it can be frustrating at first glance, such as the running gag of Angeline starting off on a vacation to see her dad again at long last only to have it cut short because other issues take priority or because she’s the only really strong adventurer in the area. As it turns out, though, it’s more than a running gag, it’s a part of a greater problem that needs fixing. That said, we do get a reunion at the end, and there’s plenty of what I would call the meat of this book: Angeline praising her father to a ridiculous degree, and Belgrieve proving that it’s not just rose-tinted glasses, he really is that good.

Belgrieve left his village to be a top adventurer… but a bit later lost a leg. While still an E-rank. So he went back to the village, put up with the ridicule, and set out to do whatever else he could. In fact, despite his prosthetic leg, he’s managed to become quite strong simply by constant monster hunting and gathering supplies. Then one day he finds an abandoned child in the forest, and raises her as his own. Twelve years later, inspired by the stories her father told her, Angeline goes out to the big city to become an adventurer herself. She has a lot more success than her father did, and five years later is the top adventurer in the city, and possibly even in the top adventurers in the country. Unfortunately, there’s also a larger amount of fiends lately, meaning she has no time at all to return home and see her dad. What can she do to fix this?

As noted when this title was licensed, this is NOT going to be a Bunny Drop or If It’s for My Daughter, I’d Even Defeat the Demon Lord series. All 10 volumes of S-Ranked Daughter are out in Japan, and from what I hear the relationship remains a normal dad and daughter relationship. This doesn’t mean that she’s not obsessed with her dad – a lot of the comedy comes from hearing just HOW obsessed with her dad she is. But knowing it won’t go “there” means we’re able to enjoy it as a typical spoiled daughter behavior. Plus, honestly, he deserves most of it. Turns out, prosthetic or no, Belgrieve is able to take on C-class monsters with ease, and makes friends with the local gods to boot. Which might come in handy in future books, as we get hints that someone is trying to raise a lot of demons for some sinister purpose.

The cast is more than the two of them, of course. I particularly like the family of nobles we meet, three daughters who can be summed up as “sensible”, “airhead”, and “named after a font”. Still, it’s dad and daughter you’re hear to read about, and I will be looking forward to Book 2.

Invaders of the Rokujouma!?, Vol. 37

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by HJ Bunko. Released in North America digitally by J-Novel Club. Translated by Warnis.

Given the longevity of this series – at 39 volumes (counting the two .5 volumes) it’s probably the biggest light novel series to hit North America in full translation – it’s not particularly a surprise that the more recent volumes are taking the time to look back at the past. This is particularly true of this, a short story volume that follows the usual pattern we’ve seen to date – three web-only short stories and a longer story written specifically for this book. The three web stories all involve looking back at the past in some way, shape or form, and seeing how far people have come. Harumi and Clan, who are in many ways opposites, each envy the other; Theia and Ruth reflect about the fact that they can trust other now and are better people as a result; and Sanae and Shizuka think about life without Koutarou in it and decide “no thank you”, even if at the time they may have felt differently. Fortunately, the final story in the book looks toward the future… and has swimsuits.

In the first story, Clan and Harumi (and Alaia, as Harumi’s later ego) are looking back over events of two thousand years prior, where Clan is forced to admit that Koutarou basically did all the cooking and laundry. The two then use magic and technology to swap bodies, essentially, so Koutarou can roughly rub Harumi’s head and treat Clan with respect and politeness. The second story has Theia and Ruth trying to pick out photos for a news article about the Blue Knight, and thinking about their childhood together and how difficult it was for both of them. The third story sees Shizuka and Sanae spring cleaning all the apartments in the complex, and also stirring up memories – be it Shizuka’s parents before their death or Sanae’s “haunting” of Koutarou before the others arrived. Finally, Koutarou and the girls go on a private beach holiday… but also find time to sneak in some plot-based activities.

Shizuka’s story reminded me that there are other residents of the apartment complex besides her and the 106 herd, and we really haven’t ever ran into any of them, have we? Even if they don’t complain about the noise and/or property damage, you’d think the idea of one man living with so many girls would cause them to at least talk to the manager. Then again, she *does* know martial arts… As usual with these short story volumes, the longest was the best, as we see Nefilforan and her troops wanting to train against Koutarou and the other girls, as they’re all basically powerhouses. This gives us a chance to see just how powerful everyone in the group has become… and yes, for once that includes Yurika, though she thinks sleeping gas is not very cute and magical girl-ey. Unfortunately for the girls, while Koutarou is slowly getting over his past traumas and personality flaws, he’s not really ready to admire the girls’ swimsuits at all or show that he is sexually attracted to them. Perhaps it might take another 39 books.

Of course, this still leaves a cliffhanger from the last book hanging there, and the author promises that we’ll get back to the main plot in Vol. 38, which should focus on Sanae. Till then, this is a good short story volume that is a definite buy for anyone who’s read close to forty other volumes of this series.

Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 4: Founder of the Royal Academy’s So-Called Library Committee, Vol. 2

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By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America digitally by J-Novel Club. Translated by quof.

If the plot of all nine of the books in this arc is 75% “Rozemyne goes to the magical academy and fun things happen” and the other 25% is “Sylvester and Ferdinand stare in horror, mouths agape as Rozemyne tells them what she did”, I will be a happy clam. Yes, once again she’s breaking rules she didn’t know existed, or breaking rules simply because she’s too deep inside a book to really pay attention to anything around her. Everyone in this book is constantly talking to her about sociability lessons and etiquette, etc. That said, they really should remember what she used to be like, as should the reader… we have come a LONG, LONG way from the Myne of the first three books. There are a grand total of zero temper tantrums here, even when you’d expect her to have them. – Benno doesn’t even noogie her! That said, one sad note for older readers, as her path back to Lutz and her old family is getting fainter and fainter.

The cover art shows Rozemyne and her attendants engaged in what seems to be a sporting match… indeed, I was a kid once, so I’ll buy the author’s explanation that she based the game played here on her daughter’s invented dodgeball variation. That said, the author is also correct that anyone who is reading the description of the match will be thinking of some other fantasy series. The match itself comes about because it turns out that the two rabbit familiars Rozemyne powered up last time are not only highly intelligent and powerful but also wanted by most of the other student cliques, and just getting them to her dorm so they can be measured for new clothes is an adventure. Getting them back is even more of one, and leads to the game of “ditter” we see on the cover, which our heroes only win because they have Rozemyne’s bag of tricks – they’re clearly outclassed in every other way.

In other news, much as she would like to try to stay out of everyone’s way and read books, that’s not going to happen, and much of it is Rozemyne’s own fault. Sure, she cannot turn down a prince when he arrives at a tea party she’s going to, but at the same time, she did not have to bluntly play matchmaker for him and tell him how far he has to go to be prime boyfriend material. She is fortunate that the advice works really well, or else disaster might have occurred. Then there’s the issue of her attendant Traugott, Rihyarda’s grandson. He’s a hothead who thinks you can get what you want through charging ahead, but unlike the other rock-stupid attendant we know and love (and Angelica is wonderful throughout, she’s my favorite after Rozemyne), he does not actually listen to or care about Rozemyne. As such… bye-bye. Mama don’t allow no mana-compression leeches in here.

I’m not sure what else to say, except that everyone should be reading this. Despite its length (each book is easily the size of two normal light novels), you’ll want to plow through it the moment you pick it up.

The Devil Is a Part-Timer!, Vol. 20

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By Satoshi Wagahara and 029. Released in Japan by Dengeki Bunko. Released in North America by Yen Press. Translated by Kevin Gifford.

Sometimes I worry that an author might be paying too much attention to their fans. This is not a bad volume of Devil Is a Part-Timer! per se, though it’s light on the series’ usual wacky comedy. As we get closer to the end of the series, Chiho and Suzuno are too busy to crack many jokes, and Maou and Emi are too stressed out. But we do get to the point where we’re ready for the final battle next time, which is good. Maou is still waffling, which is less good, but at least in the cliffhanger ending he admits that it’s because he has no idea what it means to love someone. That said, there’s a sense that the author saw a few Maou/Emi fanfics and got annoyed, because this volume definitely has the feeling of the author trying too hard. The plot is “Maou and Emi have to live in her apartment for the sake of Alas Ramus”, and they try to bond as a family, but there’s no sexual tension at all. Meanwhile, Chiho is… well, overpowered.

Maou and Emi are able to do this “live in her apartment” thing because they’re mostly being kept out of the loop, as Chiho organizes a gigantic peace summit for the express purpose of not getting left behind in Japan when this is all resolved. This involves trying to please every faction, many of whom have reason to hate the Devil King… including a few surprises. That said, Maou and Emi have a good reason to not be part of the preparations: Alas Ramus is starting to suffer what Acieth did last book, only it’s not eating but attention she wants, and it’s causing her to grow between infancy and middle school age… and also teleport. And there’s also the matter of Sariel, who is just a bit stressed out that Chiho revealed everything to the McRonald’s staff without bothering to check with him first. A lot going on.

Look, I like Chiho. I’ve even shipped Maou/Chiho since the book began, mostly as Japanese titles with a tsundere lead and a cute plucky second girl always end the same way. But… damn, this feels forced. There’s a hysterically bad section of the book where Chiho discusses talking with the student council and studying how parliament works as last-second prep for chairing a summit of supernaturally-powered factions. Yeah, even I’m not buying this. As for Maou and Emi, Chiho makes a good point when she says if anything was going to happen between them, it would have by now, but still… it’s a bit of a damp squib here, showing off all their awkwardness but none of their friendship. On the bright side, there was actual depth given to Emeralda, who is pretty good at hiding behind her speech affectations and “don’t care” attitude, but it turns out has real reasons to hate the Devil King. That said, just before the end of the series is not a good time to remind us he was supposed to be fantasy Hitler.

And so everything is prepared for the final volume, though honestly I feel that dealing with love confessions may be more difficult than an actual war with heaven. In the meantime, if you’re going to break the cliche, you might want to try a bit harder than this does.

The Genius Prince’s Guide to Raising a Nation Out of Debt (Hey, How About Treason?), Vol. 7

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By Toru Taba and Falmaro. Released in Japan as “Tensai Ouji no Akaji Kokka Saisei Jutsu ~Sou da, Baikoku Shiyou~” by GA Bunko. Released in North America by Yen On. Translated by Jessica Lange.

This series continues to do what I want it to do, and that makes me very happy. There’s some whining and complaining from Wein here, but nit’s kept to a minimum. There’s a larger role for his sister, with promises of more to come in the future. There’s a lot of very clever people trying to outfox each other, succeeding, then being upended by someone else. And in the end it turns out that the unloved son, who is the least suited for the throne, is the only one who really wins here. There’s also a lot of discussion about what it means to rule a nation… and an empire, for that matter. All of Wein and Lowellmina’s old classmates get cool things to do. Including Ninym, who continues to function as Wein’s minder and sounding board, but also shows that she’s dangerous on her own. Basically, if you like this series, you’ll really like this volume.

The throne war in the empire is heating up, and Demetrio, the eldest son, has decided to advance things by having himself baptized in the holy land, the first step towards becoming the new Emperor. Naturally, none of the other candidates, including Lowellmina, will stand for that. She invites Wein and Ninym to the Empire to discuss an alliance… but on the way there, they’re waylaid by the first prince’s soldiers, and have to pretend they’re there to answer HIS summons to discuss an alliance. Which is awkward, because a) the alliance letter was meant to be a formality, no one expected Wein would agree to it, b) the first prince is the one with the lowest chances of becoming Emperor, and c) this is probably all part of Lowellmina’s plot to use Wein to further her own interests. Fortunately, Wein had a backup plan. His sister.

There’s a fair amount of military battles in this book, and we get to show off the strategist and the swashbuckler in Wein’s “college days” party being fairly awesome. Wein himself, as with the previous book, is more of an influencer here. Indeed, he has to be, as he been put in a very awkward position. But he’s got a sharp mind, and he knows that all three factions have their own issues. (The second prince doesn’t really seem to want the job, to be honest.) It also would not be a new volume of Genius Prince without a new eccentric character, in this case the Prime Minister of the empire, who has some wonderful ideas for what makes a good ruler but also seems to ramble on about anything and everything and randomly collapse. He was fun. The best part, however, was seeing the continued development of Falanya. Events are conspiring to pit her against her brother in a civil war, even to the point where she’s hiring a vassal who’s one of Wein’s former enemies. That said, I think the two siblings adore each other too much for real conflict to arise.

So yes, good volume, and of course it has a nasty cliffhanger, as it looks like we’ll be seeing more of the secret cabal that rules over the other half of this territory. Enjoying this series more and more.

Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?, Vol. 10

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By Dachima Inaka and Iida Pochi. Released in Japan as “Tsujo Kogeki ga Zentai Kogeki de Ni-kai Kogeki no Okasan wa Suki desu ka?” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

For some reason, I had it in my head that most of the last five books were short-story volumes. This isn’t actually the case, it just seems like it, but even the other short story volumes added a plot that coheres more than this one, a volume that is the very definition of “we need you to end with Vol 11 instead of 10, so can you just busk for 200 pages?”. There is a plotline introduced here, one that seems to promise that the final volume will at least not consist of stories from Dragon Magazine, but unfortunately we only see that plot in a brief prologue and in the final story. For most of this, it’s generic adventures. And, because they’re meant to slot in anywhere for readers as they’re magazine stories, that means Masato is more annoying than usual, and also more put-upon than usual, a dangerous double combination. Basically, this was hard to push through.

We open with a prologue where Shirase (in the real world, so without extra letters) is explaining to the government that they’re ready to actually launch the game – but the identity of the beta testers comes as a surprise to one of the people in the room. After this, our heroes try to stop a restaurant feud between mother and daughter, which mostly involves paying high bills and a lot of curry; the appearance of a MOD that allows a body modification leads to one of the few cliches the series had not done yet, a bodyswap between mother and son; the monsters are all getting a holiday, leaving our heroes at loose ends… well, just Masato really; our heroes team up with an overly florid grocer to try to stop a shoplifter; and our heroes film a commercial for the game, and all try to show their best sides. We know how that works out.

The final story is the best… OK, let’s be honest, the only one that did not make me want to skim the book, though the shoplifting story has its clever moments. A new beta tester, named “Hawk” arrives, led by Shiraaase. He looks 15, but his real identity is obvious to… well, Mamako and the reader, and even Masato is coming up with a good guess. Yes, it’s his dad, and he seems to be just as much of a dad stereotype as Mamako is the mom stereotype. Despite the cliffhanger, he does not actually seem to be evil or misguided here, and clearly loves his family. He’s also impressed with the growth Masato has shown, which I’d likely have appreciated more if I hadn’t just plowed through those short stories where he was more generic dipshit guy. It does serve to remind you that the game it meant to serve a purpose beyond “make Mamako an OP goddess”.

So yes, the next volume is the final one, and I’m hoping that it will not have more short stories. It will also probably bring back the rest of the cast like Hahako and the 3 evil minion kids, etc. Heck, we might even see Wise and Mehdi’s mothers again. Till then, though, the best part of the book was seeing that dad is just as big of a dork as his wife and child.