high school prodigies have it easy even in another world

By Riku Misora and Sacraneco. Released in Japan as “Choujin Koukousei-tachi wa Isekai demo Yoyuu de Ikinuku you desu!” by GA Bunko. Released in North America by Yen On. Translated by Nathaniel Hiroshi Thrasher.

I am tempted to simply cut and paste the first paragraph of my last review here, because it applies even more. The middle section of this book is some of the bleakest, most cynical stuff we’ve seen in this series to date… and it’s a series that’s rooted in cynicism, so that’s pretty impressive. The Reform Party leader is seen as well-meaning but naive, and gets taken to the cleaners by the more experienced nobles. The leader of the interventionist party is a figurehead who has no idea what her supposed allies are planning behind her back, and when she finds out, well, bad things happen. (More on that later). As for Tsukasa and company, well, they get the confirmation they need that something is rotten in Yamato, and have to make a graceful retreat courtesy their powerhouse Aoi. It would be a dark but strong book in the series… were it not for the climax. Instead, I almost feel like dropping it.

Meeting with the leaders of Yamato, and after a brief game of Spin the Bottle that is the sole attempt at humor in this book, Tsukasa and the others get confirmation that, indeed, the nation is so peaceful and happy because of mind control – and that Princess Mayoi is driven by a fierce hatred and contempt for everyone around her. Making their escape, they end up reconnoitering with the resistance unit, which has far more resistance than Tsukasa expected. At the same time, the election heads to its conclusion, and unfortunately is being entirely controlled by Glaux, the noble who is manipulating both sides, plotting murders, and also selling out his country to boot. Fortunately, the cover up of one of his murders is not as smooth as he thinks, especially with Keine on the scene.

The dramatic revelation of just how evil Glaux really is was predictable, but well-handled, and Tetra’s murder was brutal and tragic. I knew Keine was going to be involved in some way, and when she didn’t show up until later I assumed it was going to be to help with the time of death at the autopsy, which it was. That said… Tetra showing up alive at the end of this book is jaw-dropping in its awfulness, and feels like a betrayal of the reader. I already don’t like Keine to begin with because she strikes me as the biggest sociopath among the prodigies, but I acknowledge she can work miracles. But there’s miracles and then there’s impossibilities, and please do not stab someone through the heart, then chop at their neck, then leave them for days, and expect be to be happy that they were somehow resurrected. It’s absolutely ludicrous, and makes the whole election feel pointless. I hated it.

At the time of this review the 7th volume of High School Prodigies is not solicited yet, and perhaps that’s for the best. I need a break to get the taste of this book out of my mouth.

By Riku Misora and Sacraneco. Released in Japan as “Choujin Koukousei-tachi wa Isekai demo Yoyuu de Ikinuku you desu!” by GA Bunko. Released in North America by Yen On. Translated by Nathaniel Hiroshi Thrasher.

Churchill once said “Democracy is the worst form of government – except for all the others that have been tried”. Leaving aside his own legacy for the moment, there was sort of a minor fandom kerfuffle at the idea of the prodigies coming into this world and introducing the people to the wonders of free elections. It felt a bit condescending, to be honest, and the cynicism that some of them seem to wear around them at all times did not help. This volume serves to try to balance that out a bit. Democracy is happening, but what actually comes of it is anyone’s guess. We see the formation of two factions, one isolationist and one interventionist, and they both have good points. Certainly the interventionist one would be better for our heroes of their won. Sadly, they’re already corrupt from within and loaded with people who want perks and bribes… which is, let’s face it, another part of democracy.

There’s actually an extra story taking up most of the first third of the book, where some “bandits” have taken over a stronghold and are wiping out the military trying to stop them, mostly as the military still isn’t used to fighting against modern weapons. Ringo could fix things immediately, but instead Tsukasa leaves it up to a child genius girl, who is very much the classic princess curled OHOHOHOHOHOHO! sort, and also sadly has invented one of history’s most infamous weapons. The book proper is devoted to a plea from one of the Yamato princesses to save her country. Tsukasa is not interested in that, but might be interested in saving her people… if she’s telling the truth. And for once the prodigies are not united – the fellowship is broken as Masato and Tsukasa disagree on their next step, and he heads off to a port as part of his own agenda.

Unlike previous books in the series, this one does not have any glaring horrible bits in it, it’s very readable. Though I wish that all the talk about saving Roo’s dream had been done with Roo in the room… or even in the book, which she isn’t. There’s a sense throughout the book that we’re setting things up for the back half of the series (we’ve halfway done by the end of this book), and indeed the Yamato problem is not remotely resolved by the end of it. Everything else seems to be simmering but not boiling over as well, including Tsukasa’s love triangle, which is a very awkward one indeed giving he’s ignoring both love interests… well, the love part, at least. There is a crisis of conscience from Prince, who feels weak and feeble compared to the others, but I gotta be honest, I find Prince dull so it didn’t really resonate with me. And the illustrations are laden with service, though I was amused at Shinobu literally calling attention to her own shower picture in the novel text.

This feels like the sort of book that will feel better after the next book is out. Till that, I’m giving it a B minus.

By Riku Misora and Sacraneco. Released in Japan as “Choujin Koukousei-tachi wa Isekai demo Yoyuu de Ikinuku you desu!” by GA Bunko. Released in North America by Yen On. Translated by Nathaniel Hiroshi Thrasher.

While there are no long-term disasters here, it’s safe to say that this might be the first volume to actually belie its title, as the High School Prodigies don’t really have that good a time here. Trying to get their kingdom to stand on its own so that they can make preparations to go home turns out to be easier said than done. The actual way to go home seems to be offered up to them on a plate… but what’s the catch? Aoi finds that it’s not enough having a really strong sword, she needs a really strong CURSED sword or she’s screwed. And worst of all, economics happens. All of this barely leaves time for the love triangle that still inhabits the heart of this book, but rest assured there’s still time to deal with that. And, thankfully, there’s a minimum of Keine here, so we don’t need to worry about any questionable medical practices.

The book is divided into three, with two medium chunks and one long one. In the first, the prodigies go to negotiate with the Empire, currently being ruled by a proxy, and finds things go… suspiciously well. What’s more, said proxy is also from a different world. In the second story, Lyrule and Winona try to teach Jeanne how to cook, which is interesting more for Lyrule’s own tortured love life than anything else. The final story features the new nation of Elm, with Elch as its new Finance Minister, trying to introduce a new currency to the other nations. Masato is there as well, but he’s trying to be hands off so that the natives can attempt to handle things themselves. m Unfortunately, he underestimates Roo, and thus everything turns out both better and much worse than it could have gone.

Changing a world is not particularly an easy task, and the Prodigies have limited themselves to merely one part of it. When visiting the empire, they get a glimpse of the slave trade there, and we see a maid of the main villain of this book who is horribly abused. But she’s not there to be rescued later on, and indeed isn’t; she’s there to show us that you have to fix what you can for now. Which here mostly means the currency, as there’s a lot of back and forth, deals, secret deals, and endless piles of backstabbing. We get to learn firsthand the difference between politics and economics, and also see what I feel may be the first of many attempts to lure one of the prodigies to the enemy side. (It doesn’t work.. yet.) We also get to see how Roo has been soaking up information and tactics like a sponge from Masato, and though she still ends up getting tricked and almost killed, her resolve is impressive. (I do sort of wish we’d seen more of her after this scene.)

Overall I was pretty happy with this book, and the cliffhanger clearly introduces what’s likely to be the Big Bad of the series. It’s never going to be what one might call a good light novel, but it’s perfectly serviceable popcorn.

By Riku Misora and Sacraneco. Released in Japan as “Choujin Koukousei-tachi wa Isekai demo Yoyuu de Ikinuku you desu!” by GA Bunko. Released in North America by Yen On. Translated by Nathaniel Hiroshi Thrasher.

I’m not even sure where to begin. It’s sad that this is a book where our heroes literally fire a nuclear weapon that destroys a stronghold, and yet that isn’t even close to the most appalling thing that happens in it. I am familiar with the light novel cliche where, in order to show that your morally vague heroes are on the side of goodness and niceness, you need to show that the bad guys are evil, raping the virgins and biting the heads off kittens sort of guys so that the audience says “they had it coming” to any punishment they may get. I had thought dropping In Another World with My Smartphone would mean I might see the end of that. And yet here we are. For now, I will merely content myself with saying lobotomies are bad, were historically mostly done on women, and please do not use them as what amounts to a comedy punchline – even if I grant you the author does not want us to find it funny.

Keine’s on the cover, and also gets the biggest fanservice in the book. The plot of this volume mostly involves gearing up for the next steps – trying to get a republic started. Tsukasa does not want him and his geniuses to stay here forever, of course, and knows that a democracy band-aid is not going to cut it. And “the nobles rule, we just serve” is pretty ingrained into the people. More troubling is that they’re running out of penicillin (which Keine and Lyrule take care of, inventing sulfa drugs) and the other nations are starting to want to stop this before it goes too far. And let’s not even get into the fact that the supposed saviors the Blue Brigade are actually mostly bad guys. It’s getting so that he can’t even go out on a note date with the girl who’s crushing on him!

So yes, I could have done without the entire Keine chapter, which seems to simply show off that she’s a sociopath. And, as I noted, we get not one but TWO sets of villains who talk about raping young women. The best chapter in the book, hands down, was Ringo’s date with Tsukasa, and its general tone of “you are already losing to the girl who got the cover of Volume 1, do something or you will not be able to catch up”. The date went well considering Ringo’s extreme introversion (we also learn about her past, which is sort of what I expected) and Tsukasa’s deliberate obliviousness. She also gets the emotional climax, where it’s her turn to remind Tsukasa that he is in fact a real human being who is allowed to feel things, and this time it’s Lyrule who’s on the outside looking in.

That said, in a series about establishing a new political landscape and finding ways to defeat bad guys who seem to be unkillable, the fact that I’m focusing on the love triangle is not a good sign. The High School Prodigies may be having it easy, but they’re giving me trouble.

By Riku Misora and Sacraneco. Released in Japan as “Choujin Koukousei-tachi wa Isekai demo Yoyuu de Ikinuku you desu!” by GA Bunko. Released in North America by Yen On. Translated by Nathaniel Thrasher.

I really have to hand it to the writer of this series, they know how to keep a reader’s attention distracted. There’s romantic subplots (none of which are going to go anywhere given the nature of Tsukasa, but hey), there’s political intrigue, there’s starting a revolution by starting a religious movement, there’s a big-ass fight (literally in some cases) near the end of the book, and there are even moments of pure horror in a “welcome to our totally average town, weary travelers!” sort of way. And then you get to the end of the book, and you realize that the entire thing was incredibly dumb and full of holes, with one plot getting dropped so fast that I’m concerned my digital book was missing a chapter. Last time I said that this series is popcorn, which is very true. You eat it and enjoy it, but if you want an actual meal, look elsewhere.

Unlike the manga, the light novel covers are allowed to have more than Lyrule on the cover. Here we see Ringo, who doesn’t really do much here besides build power plants and get really jealous of Tsukasa and Lyrule’s relationship. Life is tough when you’re the unlucky childhood friend. The book deals with the aftermath of the coup that has happened. There’s a lot still to achieve. They need to figure out a way to unite the people regardless of class. They need to figure out ways to keep up their modernizations. And they need to worry about the neighboring Duke, who is made entirely of fury and condescension, and also has a magic firebomb that can take out a city. Even Shinobu, who is traveling towards the capital to try to get the lay of the land, runs into trouble when she gets to a village that is glad to eat her — I mean, meet her.

I will say one thing, which is that the book’s message of “the rich hate everyone else and will happily watch them die purely for entertainment” is a very 2020 mood, even if the book was written five years earlier. It tries to distinguish between “normal” nobles who are just rude assholes and “evil” nobles who are doing things like raping and murdering, but it doesn’t quite get it. Shinobu’s subplot is good and also quite dark… but then gets resolved so fast, and dropped so hard, that, again, I worried a section was missing. And then there’s Aoi, who in the grand finale volunteers to help a guided missile reach its target (a magic spear of fire) by running along side it… then hitting it with her “honed glutes” to get it to change course… then smashing her “sizable breasts” against the missile’s air vents to get it to change course AGAIN. The scene is so dumb your jaw drops, and sexist as hell, but you have to admire the bravado of writing it at all. I imagine this must have been something to see animated.

So yeah, this book is dumb but highly readable, provided you are not troubled by plot, or characterization, or thematic unity, or overt fanservice.

By Riku Misora and Sacraneco. Released in Japan as “Choujin Koukousei-tachi wa Isekai demo Yoyuu de Ikinuku you desu!” by GA Bunko. Released in North America by Yen On. Translated by Nathaniel Thrasher.

There are series where you want to concentrate hard on the worldbuilding, characterization, and moral quandaries. And then there are series that you want to read like popcorn, where you are not in the mood to think hard about anything. If you want one of the latter, then this new LN series is right up your alley. Thinking too hard about anything going on in this first volume, from its questionable “heroes” to its tendency, as with so many other light novels, to have its villains be the worst of the worst in so many ways, to its annoying White Man’s Burden viewpoint of isekai, you will probably end up finding this series quite annoying, especially as I don’t think it’s doing anything interesting with any of those issues. If you just sit back and enjoy the isekai candy and cool fights/schemes, then it’s a hell of a lot of fun. Check your brain at the door.

The gimmick here is that it’s an isekai times seven. Seven of Japan’s most powerful people, who are all teenagers and all friends, are swept away while on a plane trip to another world. We meet stereotypical samurai Aoi, morally terrifying doctor Keine, cowardly magician Prince, introverted inventor Ringo, arrogant businessman Masato, Prime Minister of Japan (in high school) Tsukasa, and “journalist” Shinobu, whose specialty is really being a ninja. Some of these are, obviously, more important than others in this first book, which focuses on Masato (in this volume) and Tsukasa (likely for all of them, he seems the “primary hero” sort). We also get Lyrule, who is the elf who is on the cover. She’s sweet, has a mysterious past, has a great figure, and she and Tsukasa bond almost immediately. In any case, this book focuses on them settling in with the village that rescued them and saving it from the local nobles, who are Very Bad Guys.

The author is also the writer of Chivalry of a Failed Knight, which is for magic academies what this is for overpowered isekai. Which is to say, the author wants to play in a fantasy world playground. There’s lots of ridiculous fun in this, from Ringo being able to build a nuclear power plant from scratch in about three months to Masato taking down the monopolistic trade company in the space of ONE DAY, to basically everything Shinobu says or does. (Who are secret ninja always named Shinobu?) We get a sense that each of the prodigies has their own tragic past – Tsukasa revealing his own father’s embezzlement leads to abandonment by his mother, and Masato’s father killed himself due to lack of money. I’m sure more will come in later volumes. And there’s also a lot of fun action sequences here as well, mostly due to Aoi, who is so terrifying bears run away from her, but also Tsukasa, who turns out to be well-protected against assassin’s bullets no matter what the world.

This series will, I anticipate, always be ethically suspect and have a tendency to fall apart if you look at it closely. But I had fun reading it, and will definitely get the 2nd book.

By Riku Misora, Sacraneco and Kotaro Yamada. Released in Japan as “Choujin Koukousei-tachi wa Isekai demo Yoyuu de Ikinuku you desu!” by Square Enix, serialization ongoing in the magazine Young Gangan. Released in North America by Yen Press. Translated by Caleb D. Cook.

I’ve talked before about whether we’ve reached isekai critical mass in terms of the sheer number of titles. If you went by message boards and forums, you’d think the trend was long over and that fans were desperate for something else. But from what I understand, sales don’t really support that – in fact, they seem to support the opposite, and it’s “anything but isekai” that is suffering. That said, I certainly understand feeling a little burned out by the variations on a theme. This new title, based on a light novel (unlicensed here in North America) hits a lot of the standard fantasy isekai buttons, and reminds me quite a bit of Realist Hero. But the very title itself implies that there will be a minimal amount of conflict, and warns the reader in advance that these are not your “average harem hero” isekai students – they’re top tier. OP is what they have for morning coffee.

We’re briefly introduced to the titular group in their own element – seven teen geniuses who between them control most of Japan. They also all know each other from school, which is why they’re all together on a plane that has a fateful plane crash. When they wake up, they’re in another world, with magic and dragons and overendowed elf girls like the one on the cover, who is absolutely not one of the teen geniuses, but she’s cute, right? They’re not sure if they can get back, but looking around at the poor farming village and the folks who saved them from the wreckage, they are sure they can do something to repay them by bettering their life. But they’ll have to deal with tributes to the local lord, and bandits, and merchants who control the economy, and (inevitably) slavery. Can they turn things in their favor? Easily.

As you’d expect in a series supposedly starring seven kids, not all of them get focus here. Also unsurprisingly, it’s two of the guys who get the bulk of it in this first volume. Tsukasa is Japan’s prime minister (yes, he’s still in high school) and seems the “sensible yet compassionate bishonen” sort, and is also clearly being romantically paired with the elf girl, as if the “I’ll feed you by mouth” wasn’t obvious enough. There’s also Masato, a genius businessman who’s the perfect person to help the village sell their wares and not knuckle under to gougers. They’re both likeable types, but they’re also very obviously types, not people yet. As for the others, the only other one who makes an impact is Shinobu, the reporter/ninja girl who’s there to be perky (and also punish Masato when he reveals she isn’t a virgin, in a tired gag that is nevertheless the best gag in the book). This is very much a first volume, and we’re waiting for more depth.

I suspect I might have enjoyed this more in prose, but it’s all right. If you’re looking for another isekai with cute girls, this is perfectly serviceable. But like its premise, it promises absolutely nothing to the reader who dislikes overpowered heroes who cruise through everything. That is what these kids are. But they invent mayonnaise, so we’re good.