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Reviews

86 –Eighty-Six–, Vol. 1

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By Asato Asato and Shirabii. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Roman Lempert.

I have a certain reputation for being a softie, and will freely admit that I drop series sometimes just because I find them too bleak and depressing – in fact, see my review of WorldEnd a few months ago. But sometimes I get a book that, even though it is unrelentingly downbeat and cruel, I end up enjoying far more than I thought, simply because the writing is so damn good. Such a book is 86, a blunt look at war and racism seen from an alternate universe that seems eerily close to our own at times. It examines how easy it is for people to fall into hatred and murder, how being idealistic and thinking something is wrong is not really enough when you’re in a position of great privilege, and the constant physical, mental and emotional strain of being a disposable soldier whose “leaders” want them to die. I was depressed while reading most of the book, but I absolutely could not put it down. It’s stunning.

The Republic of San Magnolia is at war with the Legion, weapons of the Empire. Fortunately, they have unmanned drones to fight the battles for them! Unfortunately, their technology isn’t great, so their “unmanned” drones are manned by the Eighty-Six. There are 85 Sectors in the Republic, and it decided to take all those who weren’t “pureblood” and put them in an 86th, which is essentially a concentration camp, and send them out to fight the war. They’re not people, after all, just subhuman pigs, so it doesn’t matter what happens to them. Our story follows Lena, a young idealistic “handler” who thinks this is wrong, but also thinks that she can do something about it by virtue of forcefully making her point. She’s assigned to a new group of Eighty-Six, the crack squad who are on the front lines preventing an invasion of the Republic. Unfortunately, her squad is getting diminished by the day. And they have no respect for her. And the enemy are horrifying.

This is absolutely a book with an agenda, make no bones about it. It’s about human dignity and rights, and how easily everyone can throw away someone else’s for their own. The technology of the “Legion”, which is a bit higher than the Repiblic’s, allows for a truly terrifying scene where we see what has happened to many of the 86s who have died in battle, and it causes Lena to have a bit if a screaming fit. There’s also several scenes where Lena has her hypocrisy and privilege pointed out to her in the most caustic of terms, and she’s the one who grows the most in this book, to the point of sacrificing almost everything – but not her ideals. Despite being unrelentingly grim, the book somehow avoids being cynical. I honestly felt it was a one-volume series till the very end – it was apparently written for a competition, so had to be self-contained. (It won.)

I hate to repeat myself, but I don’t think I’ve been this blown away by a first volume in quite some time. If you are tired of isekais, or tired of fascism, or just love good prose, and don’t mind a lot of death and degradation, 86 is absolutely a series you should be reading. Highly recommended.

Plunderer, Vol. 1

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By Suu Minazuki. Released in Japan by Kadokawa Shoten, serialization ongoing in the magazine Shonen Ace. Released in North America by Yen Press. Translated by Ko Ransom.

Yes, yes, OK, I should have known better. Sometimes I preorder new series without paying much attention to what’s actually going on. Like, for example, the fact that this is written by Suu Minazuki, creator of Gou-dere Sora Nagihara, which I wasn’t fond of; Judas, licensed digitally by Viz but looking to be along the same lines; and Heaven’s Lost Property, whose length is probably the only reason it too was not brought over here. The author has a reputation for fanservice, let’s put it that way. Now he’s turning his attention to fantasy with this series, which features a plot which made so little sense that I had to go back and read the explanation again. It also gets pretty dark, to the point where I wonder if the editor said “can you add some blatant panty shots to cheer the reader up?” and the artist smiled and gave a thumbs up. That said… it’s written for an audience of teenage boys, and boy, does it know that market.

We start off with Hina, a young girl (she seems to fall into that “am I eight years old or sixteen?” type) who is searching for the Fabled Ace, a war hero who may or may not be a legend. Instead she finds a perverted guy who wears a mask, whose goal is to look up her skirt, and a nice bartender woman, whose goal is to explain why everyone has number tattooed on them. Each number is a thing that a person can achieve – the bartender has a number that’s the times her food has been called good, while Hina’s is apparently the miles she’s walked – and when that number hits zero, the person is sucked up by black tentacle things and sent to “The Abyss”. The achievement can be ANYTHING, which makes it simply confusing. Moreover, Hina is naive and trusts too easily. Fortunately for her, she has an ally, sort of. Unfortunately, it’s the pervert in a mask.

This series runs on fanservice to a large degree – when Hina has to disappear from the plot for a bit, we are introduced to a young sergeant major in the military who fills much the same position – and I absolutely do not recommend it to anyone whose tolerance for panty shots is low. That said, what about the rest of it? Well, I’ve made my opinion of the “count” thing clear, I think it’s overly confusing and a plot convenience. The actual plot is following Hina and Licht (the guy in the mask) as they try to avoid everyone going after her as she has a “ballot”, which is another macguffin that means essentially “whoever holds this has power”. The overall tone of the manga suggests it’s going to be fairly grim, and I suspect a few of the cast are not going to survive. That said, this is written by a creator who’s been around for several years, so the composition is fine, and the fights are exciting enough.

Basically, this is a volume that hits its demographic, but ONLY its demographic. If you’re a teenage boy, you’ll love this. All others should read something else.

True Tenchi Muyo!: Washu

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By Yousuke Kuroda and Masaki Kajishima. Released in Japan as “Shin Tenchi Muyo! Ryo-o-ki” by Kadokawa Shoten. Released in North America by Seven Seas. Translated by Lillian Olsen. Adapted by AstroNerdBoy.

The subject of this book may come as a surprise, given that the first two books in this series focused, not on Ayeka and Ryoko, but on Ayeka’s father and Tenchi’s grandfather. But yes, the third book is out, and finally we have one that gives us backstory on one of the main cast. The prologue to this story takes place after the Tenchi OAV episode where they all have to take care of the baby, and expands on Washu’s past that came out in that episode, which was that she’d had a husband and child, but they were immediately taken from her. As such, the bulk of the book goes back in time – way back – and shows us Washu as a young woman, leaving her adopted home planet and going to the Imperial Academy’s Department of Philosophy… at the age of eighteen, smashing all records. There she meets a familiar young man…

First of all, it’s simply odd to have most of the book dealing with a Washu that isn’t 20,000 years old (cryofreezing notwithstanding). Washu here is young and idealistic, though she’s already starting to work on her snarky side. This is helped along by her sempai at the academy, Naja, who seems to be another one of those characters that all Tenchi fans should know about because they read the ancillary material. Naja basically fulfills the function of Airi in the last book, only without the romance (mostly: there is a hint that Naja’s moaning about boyfriends is a front for something else, but it never goes anywhere and also plays into uncomfortable “watch out for the predatory lesbian” territory once or twice). No, the romance comes from a young man who has a knack of walking in on Washu even when she’s in libraries with very tight security. They fall in love quickly, and have a child, but he has a Secret Past (a theme in all these books), and their love is quickly shattered.

It is, to me at least, a bit disconcerting that Washu’s husband is basically a Rule 63 Mihoshi. It’s a bit less surprising for those who’ve seen the other OAVs and know that Mihoshi’s family and ancestors all look almost exactly the same, but disconcerting nonetheless. The best part of the book is simply watching Washu have to deal with being a big fish in a very big pond – everyone wants to treat her like a VIP, and she hates that. It’s also amusing to see Dr. Clay, the pathetic villain in the 2nd Tenchi OAV series, as a pathetic younger villain in these books – well, villain is the wrong word. Jerk? The best part of the book may be Washu’s covert meeting with her husband’s new wife, which leads to a jaw-dropping bit that the narrative, thankfully (if sadly), did not take. Very well done.

There were supposed to be three more books after this one. I believe the fourth was about Mihoshi’s family, and may have finally given us the backstory to her that only the OAVs really had (it was hinted she was a crack, serious police officer till something broke her). Alas, it’s been twenty years, so I think this is all we get. Still, it’s a wonderful nostalgia trip for Tenchi fans.

Defeating the Demon Lord’s a Cinch (If You’ve Got a Ringer), Vol. 3

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By Tsukikage and bob. Released in Japan as “Darenidemo Dekiru Kage kara Tasukeru Maou Toubatsu” by Famitsu Bunko. Released in North America by Yen On. Translated by Caleb DeMarais.

It’s becoming clear that these books live or die based on the “guest” characters. The last book had a poor orphan girl who was so fed up by the antics of Ares and Amelia that she willingly went along with the villain at the end. But she was somewhat grounded, and this made everything easier to take. This time around we have Stephenne, whose joke is that everyone assumes her to be faking her “dojikko” personality because no one could truly be that dumb and unaware, but nope, what you see seems to be what you get. If anything, Stephenne helps to highlight one of the points of the book. Everyone is appalled at her basic personality, especially because she’s a super high level and can crush most things. Why would you not have her in the party? Well, because she’s like that. Yes, I just describes Ares. Replace “dojikko” with “asshole” and they’re the same character. No wonder his boss gets headaches just talking to him. It’s like watching Maxwell Smart and the Chief.

The premise is much the same as last time – our hero party has entered a new place, but they need to level up and get stronger, so Ares and company tail them and try to facilitate things. Stephenne is supposed to help on both sides, but she’s such a walking disaster that no one wants anything to do with her. In the meantime, Golem Valley, where this book takes place, seems to be distressingly free of dangerous golems. Oh, there’s enough so that the hero can defeat them, but where are the super strong ones? As Ares investigates, he finds that the demon lord has also sent a party to Golem Valley. A confrontation is needed, and Ares has to do the only thing he knows how to do really well: piss everyone off.

Last time I found Ares slightly less obnoxious and awful, but that’s changed once more – he’s really terrible in this book, and you absolutely can see why most sensible people want nothing to do with him. Amelia, who is in love with him, isn’t much better, as for God’s sake, WHY? Seeing her jealousy at Stephenne hanging out with Ares and her increasingly unsubtle hints just makes me wince. They’re helped by a half-giant turned priest, who’s the nicest, most relatable character in the book and ends it by now speaking to Ares. Meanwhile, the hero party are suffering from now being good enough to defeat most low-level threats. All the major flaws from the first book have been explained or are about to be fixed. Unfortunately, that makes them all rather dull, with most of the interest, again, coming from Stephenne interacting with the party and being herself.

I’m not sure how much we’re supposed to sympathize with Stephenne here – the author doesn’t seem to like her much either, and the ending where her spirit familiar abandons her seems to be mean. But then the book runs on mean, because Ares is its star. It’s well-written and I like the plot beats, but man, you grit your teeth reading it. The fourth volume seems to be the last so far in Japan – perhaps Japanese readers feel the same? (EDIT: No, it’s apparently that the author is working on more than one series. It is still ongoing.)

Total Eclipse of the Eternal Heart

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By Syundei. Released in Japan as “Gesshoku Kitan” by Akaneshinsha, serialized in the magazine Opera. Released in North America by Seven Seas. Translated by Amber Tamosaitis. Adapted by Lora Gray.

I was quite happy to read another manga by this author, Go for It, Nakamura-kun!, and so I decided to pick this up, figuring it would have more entertainingly mild BL and wacky retro-style humor that reminded me of Rumiko Takahashi. In a way, I was right, this did remind me of Rumiko Takahashi. But it’s along the lines of Mermaid Saga rather than Ranma 1/2. Total Eclipse of the Eternal Heart is another done-in-one series from Syundei that ran in Opera, but there the similarities to Nakamura end. This is a brutal horror story, filled with murder, revenge, reincarnations, and reincarnated revenge. It’s very much a mood piece, and while I did end up enjoying it I’d say it doesn’t quite reach the same audience as Nakamura did. It’s also a lot more explicit than Nakamura was – here be blowjobs, and there’s some non-consensual sex sprinkled throughout. That said, if you like dark BL and suspense/horror, this is definitely worth picking up.

Hoshino is a young man at an all-boys’ school with a crush on his classmate and a recurring dream where he’s killed by an older man. His crush, Yamada, comes on a bit too strong, and is a lot more comfortable being gay than Hoshino seems to be. Things get a bit more complicated when, after suddenly getting kissed in the park after school, a blond boy shows up and brutally murders Yamada. Horrified, Hoshino calls the police… only the body is gone. Now he’s in trouble with the cops. What makes things worse is that the next day Hoshino sees the blond on the street… and the blond has no memory of anything that happened the previous day. What exactly is going on with Yamada? Is he really dead? Is he also connected to Tani, another classmate in their school? Or the writer that Yamada lives with… and sleeps with? And what does this have to do with Hiroshi’s dreams of getting killed in the past?

This is a riveting read, and I really enjoyed the story, but I’m not certain that I’d call it fun. There’s no consensual sex here – even the kiss Yamada gives to Hoshino is forced on him – and Yamada is a twisted villain… well, sort of a villain. As I also said, there’s a lot of brutal murders here, of various kinds, from stabbings to drownings, and the book, while it doesn’t revel in the violence, does not back away from it either. The best reason to get the book is the creeping sense of doom and suspense that goes along with turning the pages. The mystery, being somewhat supernatural in tone, isn’t much of one, but the mood is great, and there’s a twist at the very end that I really loved, one that only works with the logic of everything that came before – or rather, a lack of logic that comes with this type of story.

This isn’t for everyone, but if you like your BL with a side of suspense and don’t mind the violence – sexual or otherwise – it’s a good read.

Everyone’s Getting Married, Vol. 9

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Everyone’s Getting Married Volume 9 by Izumi Miyazono

I’m always glad when Viz puts out stealth josei under the Shojo Beat imprint, and while it might mean only one josei series from them running every year or so, I’ll take what I can get. The final volume of Everyone’s Getting Married reminded me a bunch of a last episode of a Korean drama, because Ryu and Asuka keep quasi breaking up and getting back together after long periods of time pass. Couples separating and reconciling in a dramatic fashion after many years is such a Korean drama staple!

everyone's getting married 9

All along, Ryu’s fervent opposition to marriage and Asuka’s total commitment to becoming a homemaker as her ultimate goal created plenty of dramatic tension throughout the series. It was difficult to envision a happy ending where both of them would be fulfilled, but this final volume showed in an episodic fashion how their personalities shifted a bit after they paused their relationship. Asuka started finding more fulfillment and rewards at work, while Ryu realized that he can’t be solely committed to his career. It takes the wedding of an equally unlikely couple, Rio and Hiroki, to bring Asuka and Ryu back together for good. This volume was much more episodic in nature than previous volumes, with the story unfolding more like a series of vignettes. I put down this volume appreciating all the emotional depth Miyazono brought to the story. Since most of the Shojo Beat imprint focuses on high school romance, it was refreshing to have a series featuring adults dealing with relationships and commitment issues. Now I’ve just got to be patient for fall when the Maki Enjoji series An Incurable Case of Love comes out for my next mainstream josei fix from Viz.

So I’m a Spider, So What?, Vol. 5

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By Okina Baba and Tsukasa Kiryu. Released in Japan as “Kumo Desu ga, Nani ka?” by Fujimi Shobo. Released in North America by Yen On. Translated by Jenny McKeon.

There are a few series where you simply have to wait a few volumes/episodes for it to get really good. In fact, that’s the cry of the obsessive fan trying to get someone to try things. “By the way, it only REALLY gets good about the 26th episode!” they say, and then cry as they watch the interest in their new friend’s eyes die. But it’s true. Take, for example, the series So I’m a Spider, So What?. The first few volumes, while entertaining, suffered from a very real problem, which is that the spider slowly making her way out of the dungeon, along with the endless leveling up and pages of stats, was not inherently interesting. There were moments of excitement in the fights, and some plot development, but having her totally separate from the rest of the main cast was annoying – especially as it turned out she was separated by time as well. But now the spider is on the surface and interacting with the world. The result? The best book in the series, by far.

As with prior volumes, the books are divided into two segments which alternate. The first deals with our spider, who has run into a fellow reincarnated student, who is a vampire baby. Her parents are human, though, “vampire” is just the role she got when reincarnated. Spider takes an interest in her, and ends up getting embroiled in a fight between two countries that is turning deadly. There’s also a very familiar elf who wants to get that vampire baby… and kill her. Oh yes, and there’s also the demon lord, who is rapidly becoming a bit… different, personality-wise, thanks to one of Spider’s other minds hacking away at her own. Now I know why I thought Ariel was our heroine when I first met her. She has the “narrative voice” in her outward personality. But the spider (who I won’t name just yet, but we do seem to find out her identity here) is actually, when we’re not in her headspace, socially awkward and mostly silent.

Meanwhile, in the future, the demon lord’s army is taking on the elf village. The elves were not exactly nice when we went into the village last time, and here we find they’re possibly worse than the so-called villains – they’re dismissive of humans, physically abusive towards Anna, the half-elf girl, and in general you are not all that troubled by the idea of them getting wiped out in this battle. Which is good, because it’s leaning that way. Sure, the kids’ teacher is the elf leader’s daughter, but there’s only so much she can do, especially as everyone doesn’t trust her. And there’s the revelation that most of the “missing” kids – and indeed, one who was presumed dead – are on the side of the demons. It’s troubling for Shun, who is still a very shiny and noble hero. That said, one of the two or three cliffhangers we get here implies that may be changing soon.

While the “spider” part of the book ends in a very satisfying place, the “hero” part of the book is riddled with “what happens neeeeeeeext?” questions. Sadly, we’ll have to wait till the summer to find out. Till then, though, enjoy a book with excellent plot and character development, less stats than previous books, and some gripping fights. Really loving this now.

Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?, Vol. 2

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By Dachima Inaka and Iida Pochi. Released in Japan as “Tsujo Kogeki ga Zentai Kogeki de Ni-kai Kogeki no Okasan wa Suki desu ka?” by Fujimi Shobo. Released in North America digitally by Yen On. Translated by Andrew Cunningham.

Here we are with the second volume of everyone’s favorite parody. Last time, I was very pleased with the over the top humor and the fact that, desp[ite “lol incest subtext” being the premise, the book did not lean overheavily on any actual incest subtext. That’s still the case with the second book, which is not QUITE as funny but still has lots of amusing moments. Now that it’s an ongoing series, the author has to figure out how much it can rely on “this is a parody” and how much it actually has to take its plot seriously. Sometimes it doesn’t succeed – there’s a couple of stock fanservice moments in the middle of the book that are meant to be funny but made me cringe. Fortunately it fares better with its ongoing plot, which is comparing and contrasting Mamako to other moms in this game and realizing that she is, in fact, pretty awesome.

As the cover might have warned you, this second volume gets Mamako into a sailor suit school uniform. Our heroes find their next quest involves taking a week of school at a stock high school with NPC Teacher guy and a class so generic that their faces are literally ASCII art. Technically it’s kids-only. In reality, Mamako is there as an “observer”, and of course can’t resist taking up the spotlight and embarrassing her son. Also there is a pretty newcomer, Medhi, and her own mother (who is named “Medhimama” throughout the book, but I’m assuming that’s shorthand, as opposed to Mamako’s blatant actual name). Medhi is saddled with a classic “Education Mama” to the nth degree, who insists she be number one in everything. And while Medhi seems to be taking this with grace and patience, in reality she’s a seething cauldron of resentment waiting to go off.

Let’s get this out of the way immediately: the middle of the book has Mamako briefly molested by a tentacle monster, though it doesn’t get very far. There’s also a scene where Mamako has to apologize to customers for something (school festival booth), and her bouncing breasts are leered at quite a bit. These two tropes are not particularly part of what Mom Isekai is parodying, and so I am less inclined to give them a pass. They’re bad. Also, and possibly running the risk of taking this series too seriously, the relationship between Medhi and her mother is pretty abusive and toxic, a fact explicitly spelled out. As a result, I was a bit annoyed that Medhimama was possessed by some sort of illegal “dark item” (it came up last time as well, if I recall) that made her much worse. This makes it sound like the abuse was not her fault, which isn’t what the author wanted to say, I suspect. On the brighter side, the relationship between Mamako and her son is much better in this volume. He’s a good kid, and she’s a good, if overly affectionate, mom.

I still enjoyed this volume in general, even with my carps above. Those who like wacky parodies will still enjoy it, those looking for hot hot mom-son love will probably be frustrated. And it definitely needed more of Mrs. Shiraaase, who appeared far less this time around.

Ran the Peerless Beauty, Vol. 1

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By Ammitsu. Released in Japan as “Takane no Ran-san” by Kodansha, serialization ongoing in the magazine Bessatsu Friend. Released in North America digitally by Kodansha Comics. Translated by Nate Derr.

One of the running themes of this blog has been about how a manga can be good even if it is not original. Trying to describe Ran the Peerless Beauty simply by the plot and characters alone might have a reader who’s very familiar with shoujo rolling their eyes and moving on, or at least asking how much it felt like reading a secret, 31st volume of Kimi ni Todoke. (Answer: a whole lot.) It’s true that the premise does not really surprise. But I enjoyed this first volume immensely. The romance was sweet, both leads are nice people who get along with a minimum of teasing. Ran is introverted without being a shrinking violet. Akira is ‘the popular guy’ but lacks the ego that frequently goes with it (I’m looking at you, Hatsu*Haru.) It’s also frequently funny without actually being a comedy. It’s kind of like finding a new burger place. It’s still a burger and fries, but man, it’s tasty. You want to come back.

We are introduced to the titular Ran, who is tall, gorgeous, gets great grades, is good in sports, family is well-off, etc. She’s so maxed out on perfect attributes, in fact, that most guys never even try to approach her. It doesn’t help that she’s fairly stoic and introverted. She’s on the school’s gardening committee, but that’s more to fill out its ranks than anything else. One day, while watering flowers and thinking about other things, she accidentally soaks one of her classmates, Akira. He’s a popular guy in her class, nice, talks to everyone… grades not so great, but hey. He thinks she’s cute. He also has a dark secret. OK, not so dark. His family runs a florist shop, and he’s very good with flowers! Ran discovers this, and the two gradually become closer.

I like these two a lot. Ran is sort of like a less intense Sawako, as she soon comes to appreciate things around her and open up to Akira. Akira is the sort of boy you’d call ‘refreshing’. The rest of the cast hasn’t quite opened up yet (Ran’s best friend is there to be the extrovert to her introvert, but we know little about her except that she had a boyfriend, then broke up with him.) Mostly, though, I enjoyed this so much as I did because of the little stylistic things. The artist has lots of side comments and funny background events that reminded me of the old cluttered Hana to Yume manga. It’s not a comedy per se, but there’s lots of funny bits that come from this, and I like that Ran’s family is a normal goofy shoujo family. Best of all may be the portrayal of the Student Council, who are all, men and women, the complete cliche of the “student council member”, as if they were chosen based entirely on their looks.

So yes, the plot is “cute buy meets cute girl and they cute together”, but that’s fine by me, and I found a great deal to enjoy here. There’s far too many Kodansha series that are digital only for me to keep up with, but this is going to be one I’ll definitely make an effort on.

In Another World with My Smartphone, Vol. 13

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By Patora Fuyuhara and Eiji Usatsuka. Released in Japan as “Isekai wa Smartphone to Tomo ni” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Andrew Hodgson.

Smartphone continues to be a series with two very different types of interlocking plots. The first is the “main” plot, showing Touya battling the Phrase, deducing what’s actually going on in this world, and traveling to other worlds and having adventures. The second is Touya basically wandering around, goofing off, and leisurely talking with everyone in his kingdom. The problem is that the author is very good at the second thing but consistently falls down on the first. Oh, the Phrase battle was pretty good, except for one consequence which I’ll get to later. But when Touya comes back to the Reverse World, he promptly runs into a villain. Stop me if this surprises you… the villain is insane to the point of mad laughter, gleefully kills tons of innocents, and is also a bit of a sexual deviant. Touya learns that her personality might be degraded due to the golem she’s contracted with… but then undercuts it by saying “no, I think she’s like that anyway” so as not to upset readers with that fetish. Guh.

Sorry to say that despite the cover we do not get to see Touya and his fiancees racing early 20th century cars around the kingdom here. The majority of the book is supposed to be the Festival that Touya set up last time, and we do get to see the front end. It’s pretty fun, with baseball tournaments, shogi tournaments, lots of shops, lots of food. Touya gets to walk around with a fiancee or two, chat, and just be his usual bland self. It’s refreshing, and it makes it more entertaining when he has to actually try hard NOT to be his bland self. The best joke in the book has him walking with Hilde, one of his more insecure fiancees, and having to reassure her that he loves her by saying it out loud. This gets back to the others… and he now has to say it to all of them, something which causes him to nearly break down in embarrassment. It’s really cute.

Unfortunately, despite setting up for an entire festival (and even bringing God down from Heaven), the Phrase show up somewhere in the smoking remains of not-China and Touya and his mecha army have to go take them out. The plot here is actually interesting. The Phrase seem to be having a civil war, with Phrase that have been infected by the evil God killing the non-infected Phrases in a way that reminds me of the old Dalek civil war in Doctor Who. We also see the return of Gila, the arrogant Phrase construct who looked to be a reoccurring villain… till Touya killed him here, cutting that off pretty rapidly. Touya also has to use God powers to do it, meaning afterwards he falls unconscious… and we miss the entire rest of the festival as a result. This really irritated me, especially as Touya rattled off all the stuff that happened in a couple of paragraphs.

So, cute but also frustrating, bad villains but good fiancees and a bland hero who is at his best (and worst) when he tries not to be bland. In other words, typical Smartphone.

5 Centimeters per Second: one more side

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By Makoto Shinkai and Arata Kanoh. Released in Japan by Enterbrain. Released in North America by Vertical, Inc. Translated by Kristi Fernandez.

(This review is based on a review copy provided by the publisher)

I hadn’t initially planned to review this, mostly as I’ve never seen the 5 Centimeters per Second movie, and if I read the manga it was so long ago I’ve forgotten it. But I’m familiar with the author from the your name spinoff he wrote, which I enjoyed, and he also has a Voices of a Distant Star novel coming out over here this summer. So I gave it a try, and I’m glad I did. I knew going in from the start that the overall mood of the book would be ‘wistful verging on bleak’, of course. This is Makoto Shinkai we’re talking about, the creator who surprised everyone by NOT giving your name a bittersweet ending. 5 Centimeters per Second tells the story of a boy, Takaki, and a girl, Akari, who meet as kids, fall in love, separate, try to stay in touch, meet one more time in an ultra romantic scene… and then never meet again. This book tells the story from different perspectives.

I’ll be honest here, I liked Akari a lot more than I liked Takaki. This is deliberate, I suspect. It’s one reason why I think my favorite part of the book was the start, showing us Akari’s perspective of life as a shy, introverted child who had to transfer schools. Her emotions are raw, and mention is made of wanting to “disappear” but not actually having the wherewithal to kill herself, which is really bleak given she’s about nine. Transferring schools is a lot more common in Japan than it is in the West, and the lessons given here on how to fit in – and how hard it is – read very true. Takaki is at his best here, helping Akari with some sound advice and an ear to lend, but even at this age we can see how he tends to withdraw from her when things get too close.

The second part of the book is Takaki’s, showing his middle school life after he moves down South to Tanegashima. He meets a nice girl who falls for him hard, and he clearly likes her, but is also deliberately not doing anything. This compares nicely to the third part of the book, which has interlocking POVs, where he meets a nice woman as an adult who falls for him hard and he clearly likes her but is also deliberately not doing anything. Takaki seems trapped in that one moment he had with Akari at the station when they were thirteen (twelve? Around there), and it’s only at the very, very end of the book that he seems to grow past it. Akari, on the other hand, blossoms into a confident, happy young woman, marries a nice guy, and has a wonderful life. Seeing this made the ending less bittersweet than I’d expected. Sure, young love didn’t work out. That happens all the time. But, helped by Takaki’s advice as a child, Akari has become a wonderful young woman.

I’m not sure how this complements the movie, but I’m pretty sure fans of it will want to pick this up. The prose is gorgeous and evocative, worth the price of the book alone. I’ll definitely want to get more of this author’s take on Shinkai’s works.

Skip Beat! vol 42

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Skip Beat! Volume 42 by Yoshiki Nakamura

With such a long running series like Skip Beat! once it has caught up with Japan, the wait between volumes is long enough that I temporarily lose track of of the plot. But within just a few panels, my memory gets triggered and I’m back in the story again. In this case seeing Ren’s reaction to learning that Sho kissed Kyoko made the wait between volumes all worthwhile. It is always amazing how well Nakamura can portray someone attempting to be stoic when they are filled with turbulent emotions.

Skip Beat 42

Kyoko meanwhile has her own battles to fight, and Skip Beat! always excels when she has to fight for a role. She’s in the middle of a rigged contest, trying to get a role alongside her beloved Moko. Kimiko, the niece of the producer, is determined to use any advantage against Kyoko and she plays up an imaginary relationship with Ren just enough that Kyoko becomes totally distracted and forgets to focus when she’s receiving directions for the next stage of her audition. Moko ends up saving Kyoko by altering her body language just enough that Kyoko is able to intuit the rest of the scene, and she ends up turning in an impressive performance.

One of the most entertaining part of this volume was seeing Ren’s manager accompany Kyoko throughout the audition process. His interior thoughts as he observes Kyoko’s reactions and starts building up theories about Ren and Kyoko’s relationship are priceless. As the audition progresses, Kyoko is able to battle through her emotional turmoil and fully inhabit her character. One of the things about Skip Beat! that I enjoy so much towards the start of a story arc is being able to look forward to all the impending drama. Kimiko seems to be engaged in a strategic retreat, I’m guessing that she’ll return to cause even more chaos. Ren and Kyoko haven’t met yet since Sho kissed her, so I’m looking forward to that scene, I’m guessing in two more volumes or so? Skip Beat! always manages to draw the reader in, and even though the big confrontations and resulting emotional growth for the characters doesn’t happen right away the series always delivers.

Captain Harlock: The Classic Collection, Vol. 3

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By Leiji Matsumoto. Released in Japan as “Uchuu Kaizoku Captain Harlock” by Akita Shoten, serialized in the magazine Play Comic. Released in North America by Seven Seas. Translated by Zack Davisson. Adapted by Snati Whitesides.

In many respects this is Daiba’s story more than Harlock’s, and we’ve been following his journey and not really going back to show how Harlock got started, got the crew together, etc. That said, just because we started with Daiba doesn’t mean we get a satisfying ending for him – or anyone. A lot of Matsumoto series, I’ve found, tend to best be described as “a cutout of a larger, more epic tale”, even when they’re being epic tales themselves. And so this volume wraps up with not much having changed, except that we’ve possibly found the Mazon are more similar to humanity than anyone expected – except, of course, the reader. The Arcadia, with its main cast all intact, set sail to further adventures and battles, which we, as a reader will not see, because Matsumoto wrapped up the manga at this point, probably so he could concentrate more on Galaxy Express 999.

A lot of the back half of this volume is concerned with the life and death of Tochiro, who frequently appears posthumously in the Harlockverse (he was in Queen Emeraldas as well) but rarely shows up in the flesh. His death looms over everyone, and is handled with such reverence and dignity that when a rogue Mazon tries to attack Arcadia while they’re at his gravesite, the Queen literally throws her off the ship, where she falls to her death, because let’s face it, these are pirate ships more than spaceships. It’s a bit ridiculous, but fits with the overall mood of the book, which is brooding, somber, and oh so serious. Aside from the occasional stab at humor, such as everyone’s collections falling over in a battle, or Kei getting fall down drunk at one point, the laughs of the last two books are mostly gone. (There is a short Harlock/Emeraldas story added after the main events here, which is meant to show them as almost Rule 63 versions of each other. I didn’t enjoy it much, but it DOES have humor.)

As for Daiba, well, he’s trying hard to grow and learn everything as fast as possible, and that’s not going very well, though he is rather clever. Harlock seems to be grooming him as a sort of heir at times. He also helps to discover the Mazon’s involvement with the Ancient Pyramids, as the Wagnerian myth takes a slight detour and also shows off the Mazon as sort of dandelion spores that will gradually infect everything in the galaxy. Not the world’s most original plot, but that’s fine, as you’re reading a story about space pirates, so originality is not why you’re here. The dialogue continues to be ripe, even with the seriousness, and I think it may actually work even better if you read it aloud in a stentorian voice, sort of like William Daniels as Captain Harlock.

The modern-day reboot of the series, Dimensional Voyage, is still going strong, and adding a bit more depth and characterization that isn’t in this original. But if you want the definitive mood for Harlock, it’s hard to beat this three-volume set, which is dramatic and stentorian to the last. A classic slice of manga history.

Amagi Brilliant Park, Vol. 4

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By Shouji Gatou and Yuka Nakajima. Released in Japan by Enterbrain. Released in North America by J-Novel Club. Translated by Elizabeth Ellis.

I’m still trying to figure out why I find Amagi Brilliant Park so hard to like but difficult to drop. Part of it may simply be an issue that I have with several light novel series, notably Index: the author is trying to be funny but I’m not laughing. As with the third volume, this book consists of one long story and several shorter ones. The long story gives us a deeper look at Bando Biino, one of the part-time staffers we’ve met before, whose gag was that she always wound up bloody due to accidents. The story behind this could actually be very depressing and chilling if the author wanted to (and the afterword hints that he was talked out of doing so), as it turns out that she’s under a very nasty curse that influences all of those around her. The trouble is that the resolution to this is a) a sexually harassing doctor who isn’t as funny as the author imagines, and b) a ritual that is really a parody of TV quiz shows, which is DIRE.

The problem is that when the author isn’t trying to be funny, this is actually rather good. Biino’s situation is horrible, and seeing her perky optimism slowly break down is devastating. We even get some depth added to Tiramii, the lecherous dog mascot thing, who takes a non-lecherous (mostly) shine to Biino and resolves to help her. There’s also some intriguing stuff with Seiya, who spends much of the story irritated at Biino but not to the extent that he actually does anything about it, which is hinted to be due to his strong resolve – the curse can’t make him abuse her. And then we see Biino’s brother, who has now been released from an institution he was put into after trying to kill her, now out, recovered, and ready to love his sister – they’re not really related! – and you just have to facepalm. It feels like I’m reading something where the dials are set in precisely the wrong positions to be fun.

The rest of the short stories run along the same lines. The best shows a curious (and possibly jealous) Isuzu tailing Seiya as he goes to a meeting with what turns out to be his stepsister, who is trying (unsuccessfully) to patch things up between him and his father. Seiya is normally default obnoxious, and it’s nice to see that this comes from a very real difficult childhood, which is not simply easily resolved by a cute little sister type. The one story played entirely for comedy involves one of the park’s staff (a dinosaur mascot thing) trying to make a promotional video of the park, and being told to make it less dull. This is done for pure comedy, which sometimes does actually work (Isuzu’s ongoing reactions) and sometimes doesn’t (everything else).

It’s possible that I’m just a grumpy cuss, and certainly those who watched the anime and enjoyed it should like this. But I really think the author’s strengths lie in more dramatic writing, and all Amagi Brilliant Park does is make me miss Full Metal Panic.

The Ideal Sponger Life, Vol. 1

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By Tsunehiko Watanabe and Neko Hinotsuki. Released in Japan as “Risou no Himo Seikatsu” by Kadokawa Shoten, serialization ongoing in the magazine Young Ace. Released in North America by Seven Seas. Translated by Wesley Bridges. Adapted by Jessica Cluess.

Well, here we are again with another isekai. They tend to be male power fantasies, but this one’s even more blatant about what it is than most. Based on an (as yet unlicensed) light novel, our hero is a Japanese salaryman working for a shady company and not enjoying his life, until he’s transported to another world! (Not hit by a truck, which is honestly what I was expecting.) There he meets the beautiful and busty Queen, ho explains why he’s there. Due to plot reasons, he has royal blood from the other world in him, so he needs to marry the queen and get her producing an heir. That’s all he has to do. Despite this world being pretty patriarchal, he’s not required to rule the land a la Realist Hero or anything. He’s savvy enough to realize that’s the catch (she wants to rule herself, not pass a baton), but decides to go for it anyway. Of course, this being an isekai, he immediately is an influence regardless.

It has to be said, even for a male power fantasy this one’s pretty nice to the hero. He’s briefly threatened by guards when he approaches the queen, but that’s about it. She happily explains everything to him, and even allows him to return to Earth for a month so he can settle his affairs and say goodbye to his family, which is more than 90% of isekai heroes get. He also thinks ahead, taking a portable generator and tons of books/CDs/DVDs/a fridge with him when he goes, as he knows this is standard fantasy world. I’m assuming there will be the typical adventure things later on in the series, but for the moment he is there to marry and knock up the queen. Which he does, or at least presumably. He also needs to learn the language, as it turns out that while he can hear everyone in Japanese, they aren’t really speaking it – it’s a magic ability he has. This means learning to read and write, and also teaching Excel Spreadsheets to the kingdom, which I suspect may win him enemies.

Given that we see it on Page 1 (in a sort of premonition), it should not be a surprise that there IS sex in this, which isn’t 100% explicit but gets as close as it can to that line. I’ll be honest, I was expecting more plot to interfere in the actual consummation, since I’ve seen this type of thing before, but no, this time both hero and heroine are actual adults, and the whole point is to produce an heir, and so coitus ensues. This also allows us a brief look at the queen, Aura, when she isn’t wearing the queenly mask, as we see her on the wedding night trying to act smooth and seductive, but once she’s alone in the bedroom she shows off a blush that suggests she’s just as innocent as he is. Nor is he a majestic lover, either – while they both seem to have happy sex, the line “I guess this means you’ve finished” seems to imply it was better for him than for her.

I’ve heard this series described as “come for the boobs, stay for the political intrigue”, and that seems accurate. Certainly the latter is what motivates me to try another volume. There’s some good setup here, assuming you can get past the sex scenes and objectification of the queen that’s also in these pages.