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Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 4: Founder of the Royal Academy’s So-Called Library Committee, Vol. 9

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By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America by J-Novel Club. Translated by quof.

And so another arc in the Bookworm series comes to an end, this one the longest arc yet, at nine volumes. The arcs tend to end with big dramatic world shifts, and this one is no different, as Ferdinand finally departs for Ahrensbach to start his new role as victim… erm, husband to the delightful Detlinde. That said, Ehrenfest is managing to stay busy. The entire volume has the air of waiting for an axe to fall, which does make it a wee bit frustrating that it doesn’t quite fall yet. It can make for uncomfortable reading. We are basically watching our heroes getting ready to carry out a series of politically-motivated murders, and only Rosemyne is bothering to question it. And even then, she’s just saying “are you really going to kill the 5-year-olds as well?”. The other uncomfortable part is the relationship between Ferdinand and Rosemyne. It’s still very mentorish, but is rapidly becoming The Elephant In The Room.

The author makes a joke about how Eckhart and Justus are also on the cover, but they’re hidden by the title box, but that does sort of fit the “main” segment of the book very well, as Ferdinand and Rozemyne prepare to be separated from each other, and we watch each of them try to outdo each other in “being strong” and also “giving amazing going away presents”. Unfortunately, his departure happens a lot faster than they would like, owing to the ill health of the Ahrensbach Aub. As such, there’s only time for one more big deadly adventure, as Rozemyne arrives back at the temple after Ferdinand’s heartwarming and hilarious Italian dinner, only to find that something seems off. Her intuition helps her avoid death, but there’s still a sense that Georgine has won the day somehow, and that means that Ehrenfest is also going to have to get rid of the former Veronica faction once and for all…

So yeah, let’s talk about Ferdinand and Rozemyne. The relationship between the two of them has become, for many people, the main reason to read the book. Certainly it’s more interesting than the relationship between Rozemyne and Wilfried, which seems utterly doomed, mostly as the two of them really are not interested in each other at all – even political marriages need SOME sort of connection. Ferdinand has been a teacher to Rozemyne, as well as a mentor, and it’s to the writer’s credit that he’s never felt like a father. Rozemyne has a number of dads, but Ferdinand is not one of them. And then there’s the protective hairpiece he gives her on his departure – something that everyone around notes is the equivalent of a marriage proposal, even if Rozemyne totally does not take it that way. I think the book is edging in that direction. The main problem with it is that Rozemyne, even if the book says she’s been growing “slightly”, STILL looks eight years old. Nothing should happen unless that changes. To sum up, your discomfort level may vary.

The next arc is called ‘Avatar of the Goddess’, which makes me worry that Hartmut’s gospel of Rozemyne is spreading much too far. We shall see. Till then, this was a good Bookworm, but also has all the stuff in it that makes you say “It’s great, BUT…” when you recommend it.

Manga the Week of 10/19/22

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SEAN: Is it Halloween yet? No.

ASH: Just treats until then, right?

Airship has a print debut of one of my favorite 2022 light novels, Though I Am an Inept Villainess: Tale of the Butterfly-Rat Body Swap in the Maiden Court (Futsutsuka na Akujo de wa Gozaimasu ga – Sūgū Chōso Torikae Den). You may think “but I already read The Apothecary Diaries *and* Culinary Chronicles of the Court Flower, do I really need another of these?”. Yes. Yes, you do.

ASH: If those are comparable series, then that’s a solid recommendation.

SEAN: Digitally we see the early debut of Free Life Fantasy Online: Immortal Princess, whose manga Seven Seas has also released, so let me copy paste: A newbie gamer gets a new VR game from her younger sister… but her character build is horrible! Now she’s a zombie.

We also get the 2nd volume of Vivy Prototype.

Ghost Ship gives us a 4th volume of JK Haru is a Sex Worker in Another World.

J-Novel Club debuts Backstabbed in a Backwater Dungeon: My Trusted Companions Tried to Kill Me, But Thanks to the Gift of an Unlimited Gacha I Got LVL 9999 Friends and Am Out For Revenge on My Former Party Members and the World (Shinjiteita Nakama-tachi ni Dungeon Okuchi de Korosarekaketa ga Gift “Mugen Gacha” de Level 9999 no Nakama-tachi wo Te ni Irete Moto Party Member to Sekai ni Fukushuu & “Zamaa!” Shimasu!). I wish I was lying about that title. You’d think with a title like that it’s a parody, but I’m told it isn’t.

ASH: With a title that long, I’m not sure the novel would actually provide many more details.

SEAN: We also see Black Summoner’s 8th manga volume, Chillin’ in Another World with Level 2 Super Cheat Powers 8, D-Genesis: Three Years after the Dungeons Appeared 2, Housekeeping Mage from Another World: Making Your Adventures Feel Like Home! 3, John Sinclair: Demon Hunter 8, The Magic in this Other World is Too Far Behind!’s 9th manga, Sorcerous Stabber Orphen: The Wayward Journey 19, To Another World… with Land Mines! 4, and VTuber Legend: How I Went Viral after Forgetting to Turn Off My Stream 2.

Kodansha Manga has, in print, EDENS ZERO 19, Fire Force 29, and That Time I Got Reincarnated as a Slime: Trinity in Tempest 6.

Digitally there is more. We see And Yet, You Are So Sweet 6, Are You Lost? 10 (the final volume), Cardcaptor Sakura: Clear Card 12, Cells at Work! White Brigade 3, Doing His Best to Confess 3, Elegant Yokai Apartment Life 24, Gamaran 2, Golden Gold 5, I Guess I Became the Mother of the Great Demon King’s 10 Children in Another World 6, Medalist 5, A Serenade for Pretend Lovers 5, and She, Her Camera, and Her Seasons 3. Medalist is, as always, something everyone needs to read.

MICHELLE: I am going to start Medalist this week!

ANNA: I need to start it too!

SEAN: One Peace has a 5th manga volume of Higehiro: After Being Rejected, I Shaved and Took in a High School Runaway.

More piles of debut volumes for Seven Seas. CANDY AND CIGARETTES runs in Young Magazine the 3rd, and features a retired cop who needs a job to pay for his grandson’s medical treatment, so partners with… an 11-year-old killer?

ASH: Not a combo I would have expected.

SEAN: The Evil Secret Society of Cats (Aku no Himitsu Soushiki Neko) is from the publisher Eastpress, and their magazine Matogrosso. A group of cats try to show humanity they are to be feared… but shucks, they’re just so adorable! This is in full color.

ASH: Always ready to give cat manga a try.

ANNA: It sounds cute.

SEAN: I Got Fired as a Court Wizard so Now I’m Moving to the Country to Become a Magic Teacher (Kyuutei Mahou-shi Kubi ni Nattande, Inaka ni Kaette Mahou-ka no Sensei ni Narimasu) runs in Takeshobo’s Web Comic Gamma Plus. The plot is the title.

ASH: The premise could have potential.

SEAN: The Saint’s Magic Power is Omnipotent: The Other Saint (Seijo no Maryoku wa Bannou desu: Mou Hitori no Seijo) is a spinoff of the main light novel series, telling the story from the perspective of Airi. It runs in Kadokawa’s Flos Comic.

Also from Seven Seas: The Ancient Magus’ Bride: Wizard’s Blue 5, How Heavy Are the Dumbbells You Lift? 9, The Idaten Deities Know Only Peace 3, and The Tunnel to Summer, the Exit of Goodbyes: Ultramarine 2.

Square Enix Manga has Soul Eater: The Perfect Edition 8.

Tokyopop has a 2nd volume of Yuri Espoir.

Viz Media has a one-shot, Drip Drip (Bota Bota), with a …striking cover. A young woman can’t see anything she thinks is dirty without getting a massive nosebleed. Can she find love? This is from the creator of BEASTARS, which is likely the only reason we’re seeing it, and it ran in Manga Goraku.

ASH: That is quite the cover.

ANNA: I feel safe skipping this.

SEAN: We get the print debut of Mission: Yozakura Family (Yozakura-san Chi no Daisakusen), which is up to 14 volumes in Japan so it was hard to ignore any longer. It’s a Jump title, about a boy who ends up involved with a family of spies.

Speaking of Jump, The Shonen Jump Guide to Making Manga is what it sounds like, and features commentary from your favorite Jump artists.

Viz also has Children of the Whales 20, Frieren: Beyond Journey’s End 6, Mobile Suit Gundam Thunderbolt 18, My Hero Academia Box Set 1 (the first 20 volumes, with an exclusive booklet), Persona 5 9, Record of Ragnarok 4, Twin Star Exorcists 26, and Undead Unluck 9.

ANNA: I need to get caught up on Frieren.

SEAN: Yen On has a lot of ongoing favorites. Bofuri: I Don’t Want to Get Hurt, so I’ll Max Out My Defense 7, Date a Live 7, Dragon and Ceremony 3, The Girl I Saved on the Train Turned Out to Be My Childhood Friend 3, The Irregular at Magic High School 20, Magical Explorer: Reborn as a Side Character in a Fantasy Dating Sim 3, Magical Girl Raising Project 14, My Youth Romantic Comedy Is Wrong, As I Expected 14.5 (the final volume), Spy Classroom 4, Unnamed Memory 6 (the final volume), and Your Forma 2.

Yen Press has several debuts. The Executioner and Her Way of Life (Shokei Shoujo no Ikirumichi) is an adaptation of the popular light novel, running in Young Gangan.

I Kept Pressing the 100-Million-Year Button and Came Out on Top (Ichioku-nen Button wo Renda shita Ore wa, Kizuitara Saikyou ni Natteita: Rakudai Kenshi no Gakuin Musou) is an adaptation of the popular light novel, running in Young Ace Up.

Sasaki and Peeps: That Time I Got Dragged into a Psychic Battle in Modern Times While Trying to Enjoy a Relaxing Life in Another World ~Looks Like Magical Girls Are On Deck~ (Sasaki to Pi-chan: Isekai de Slow Life o Tanoshi Mou Toshitara, Gendai de Inou Battle ni Makikomareta Ken – Mahou Shoujo Up o Hajimeta You Desu) is an adaptation of the popular light novel, running in Shonen Ace Plus.

ASH: These titles…

SEAN: She Loves to Cook, and She Loves to Eat (Tsukuritai Onna to Tabetai Onna) has a woman make far too much food due to stress from work. Fortunately, her next-door neighbor loves food! This is apparently a yuri series, though slow burn. It runs in ASCII Mediaworks’ Comic It, and is not an adaptation of a popular light novel.

ASH: Slow burn yuri food manga, you say? I’m in!

We also get The Abandoned Empress 3, Banished from the Hero’s Party, I Decided to Live a Quiet Life in the Countryside 3, Chitose Is in the Ramune Bottle 2, Combatants Will Be Dispatched! 7, Daughter of the Emperor 2, The Geek Ex-Hitman 2, In the Land of Leadale 2, Kakegurui – Compulsive Gambler – 15, Kakegurui Twin 11, MonsTABOO 2, Nights with a Cat 2, and No Matter How I Look at It, It’s You Guys’ Fault I’m Not Popular! 20.

What manga are you reading? Is it based on the popular light novel?

Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town, Vol. 10

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By Toshio Satou and Nao Watanuki. Released in Japan as “Tatoeba Last Dungeon Mae no Mura no Shonen ga Joban no Machi de Kurasu Youna Monogatari” by GA Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

If this series were not as successful as it has been, I could easily see this being the final volume. It has a final volume sort of feel to it – no, it doesn’t wrap up anything romance wise, but if you think this series is going to end with him picking one of the girls I have a bridge in Brooklyn to sell you. It does, however, wrap up almost all the plots that we’ve had bubbling under the last few books when the series hasn’t been trying to be wacky comedy (which is to say, rarely). Lloyd’s dark older brother figure Shouma finally is forced to realize that he’s projecting onto Lloyd heavily, and that sometimes people can in fact be nice. We get the backstory of Sou, which ties into the backstory we’ve seen before, with Alka and company in the past. And we get Lloyd being the equivalent of a high school student, unable to fill out that career survey.

The career survey is actually hitting cadets a little earlier than usual. mostly because the King is trying to figure out a way to get Lloyd and his daughter together – which might work better if Lloyd ever actually figured out that Marie is the princess. He does not. He’s also very unhappy with the survey, though, mostly as he’s not sure what he wants to do with his life. Cue a series of internships, each of which are basically an excuse for shenanigans from the entire cast. Unfortunately, while this is going on, Sou has bribed/blackmailed a noble into helping with what appears to be a curse on the military city, causing people to lose control of their emotions and lash out in a rage. Can our heroes figure out what’s behind this and stop it? And what job is Lloyd best suited for anyway?

I’m always a fan of times in broad comedies where the characters show a glimpse of self-awareness. This is hard to come by in this series, especially with everyone’s favorite yandere Selen. So it pleased me greatly when she got my favorite moment in the book, where she explains to Shouma (whose mental breakdown has been nudged along by Sou into “kill his friends before they betray him”) that the fact that she’s completely obsessed with Lloyd has nothing whatsoever to do with the fact that he was strong enough to undo the belt curse, or even that he saved her at all, but that he treated her like a normal person. Again, Lloyd is nice to a fault, and not in a standard light novel potato sort of way, but genuinely altruistic. Even Riho, who confesses she *was* planning to fleece Lloyd, admits that went out the window the more time she spent with him. He’s just a good kid.

So we’ve dealt with almost everything… maybe. We still have the queen who likes to dress in a rabbit costume, and I think she’s the next major arc. Till then, this book is always funny (particularly the narrative voice), but also has some slight narrative heft this time around.

Bottom-Tier Character Tomozaki, Vol. 8.5

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By Yuki Yaku and Fly. Released in Japan as “Jaku Chara Tomozaki-kun” by Gagaga Bunko. Released in North America by Yen On. Translated by Winifred Bird.

I was wondering if any of these short stories would show the lead up to the cliffhanger from Book 8, but it’s the opposite. Most of these stem from the end of Book 7, and the two weeks or so where Tomozaki and Kikuchi are in love-love couple mode before he decides to forget that he has a girlfriend. That said, the real value of this book is the insight into the characters of Hinami and Rena. They’re similar in a couple of ways, with one basing her life around “goals” and the other around “guys”. More to the point, you could argue that both are vying to be the antagonist of this series. It’s become clear since the start of the series that Hinami’s advice to Tomozaki should be taken with a massive grain of salt, and that reaches its apex in Book 8. As for Rena, we get her tragic backstory, which also seems to be similar to Hinami’s in a way, in that both are characters whose minds do not work the way that we’re used to with light novel teenagers.

The stories here are: 1) a party to celebrate the success of the play, on Christmas Eve, complete with snow; 2) Some more insight into Hinami’s character, including additional allusions to her tragic past that are not third-hand like the previous book; 3) Mimimi coming to terms with the fact that Tomozaki has chosen Kikuchi over her, and talking with Kikuchi about this; 4) Rena’s past and some scenes leading up to her scenes from the 8th volume; 5) everyone gathers together to sing karaoke, and Tomozaki has the assignment to sing a song with everyone else there; 6) Kikuchi’s post-Christmas pre-New Year’s romantic glow, which also includes a conversation she had with Hinami at the Christmas party; and 7) an adaptation of a Bonus CD audio track, featuring the cast trying a virtual reality game.

Some of these stories are more important than others, frankly. The Hinami one was fantastic, and makes it even more clear (as does her conversation with Kikuchi) that she is going to be having a complete breakdown at some point before the end of this series. We’re still not sure what happened with her family, but certainly there were three siblings and now there are two. Her story, and Kikuchi’s, really hammer home how she has turned her life and her sense of self into a joyless empty shell, and I think she knows this deep down and that’s why she was briefly angry at Kikuchi for essentially figuring it out immediately. I also really enjoyed Mimimi’s story, though it once again reminds me she’s coming in third in a two-person race. As for Rena’s, it was certainly insightful, but also difficult to read. I don’t like her much.

So this was pretty much about what you want in a group of short stories, and the end audio CD story has a very satisfying beatdown that I’m sure isn’t a metaphor for anything. Good stuff. Now, let’s have Tomozaki fix his punctured romance ASAP, please.

The Executioner and Her Way of Life: The Promised Land

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By Mato Sato and nilitsu. Released in Japan as “Shokei Shoujo no Virgin Road” by GA Bunko. Released in North America by Yen On. Translated by Jenny McKeon.

There is a famous quote (actually he said it a number of times) by Anton Chekhov about dramatic principles. One of the quotes says “If in the first act you have hung a pistol on the wall, then in the following one it should be fired. Otherwise don’t put it there.”. This is a perfectly fine dramatic tenet to use, and I have no real issues with it. That said… you still need to write something OTHER than the pistol hanging on the wall. You can’t just have 90 minutes of ‘pistol on the wall, la de da’ and expect the audience to stay invested. In case you’re wondering where I’m going with this, the 5th volume of The Executioner and Her Way of Life does have some guns go off near the end of the book. But the first half of this volume may be one of the most boring I’ve seen in Japanese light novels, as everyone walks around aimlessly, reiterates what we already know, and waits for Menou to have some revelations about herself.

Everyone’s arrived at the Holy Land. Flare has taken Akari, put her in an ivory tower, and given her an existential crisis to keep her busy for most of the book. Momo and Ashuna arrive there, and have some warmed-over banter before Ashuna promptly exits the plot after seeing a future plotline. Momo is, to her surprise, taken in by the Archbishop and put to work with Hooseyard, who is a summary of all the “naive but nerdy” glasses girls in anime. Manon, Pandaemonium, and Sahara have arrived to wreak havoc. And Menou has arrived to fight Flare and lose, because she knows that’s going to happen. The problem is that she’s right for the wrong reasons. Something she figures out when they fight and it becomes clear that Menou has surpassed her master… in all ways but one.

The book turns around, as I said above, once Menou has a horrific realization: she’s only killed strangers she barely knew, and when she tries to kill someone close to her, like, say, Flare… she can’t do it. In other words, despite forcing herself into the role of a “villain”, she has empathy. Surprise! That said, it is pretty dramatically satisfying, and I enjoyed her burst of hysterical laughter. Akari has the misfortune of spending most of the book in a state of shock after realizing that if Menou dies, and she has to rewind time again,. she’s probably going to start losing her memories of her time with Menou, which nearly destroys her. Of course, there’s an obvious answer to this for both of them, one that Flare (who seems to be trying to commit suicide by cop throughout this book – Menou is the cop) is trying to hammer home. By the end of this book, we’ve finally moved past “I’m going to kill Akari/Only Menou can kill me”, and it will be interesting to see where things go next, especially after seeing the last few pages, which confirm something hinted since the start of the series.

I’ll keep going with this, because I want to see what happens to the characters. But “writing style” is not a reason anyone should read this series, and it makes the front half of this volume sheer murder.

Didn’t I Say to Make My Abilities Average in the Next Life?!, Vol. 14

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By FUNA and Itsuki Akata. Released in Japan as “Watashi, Nouryoku wa Heikinchi de tte Itta yo ne!” by SQEX Novels. Released in North America by Seven Seas. Translated by Diana Taylor. Adapted by Maggie Cooper.

It’s been a while since we last had the adventures of Mile and company in front of us. Most of the reason for this is that the series got a new publisher in Japan, Square Enix, which necessitated renegotiating the license for the series, which takes time. But now, a mere 16 months after the last book, we have a new volume of the series. Perhaps sensing that this was a chance to show off why the series was picked up by a larger publisher, the author has decided to get slightly more serious than usual this time around. Oh, not to worry, there’s still plenty of “Mile does OP stuff” and fourth wall breaking, it’s just that the volume as a whole seems to want to go back to the main plot of the series, the one it usually ignores for books on end. It’s going to get harder to ignore from now on, though, as there are portals opening from another world.

That said, we have another plot to get through first. The Crimson Vow are hired as escorts/bodyguards… supposedly… to take Clairia and her fellow elves back to their village. The reason turns out to be trickier than that, as they wanted the Vow to distract from what turns out to be a “get married already” meeting set up by the village. This involves a lot of inbred misogyny, and the Vow quickly take matters into their own hands. The Guild then hires them to investigate a nearby kingdom, where things are just going… slightly worse than usual. For no stated reason. Mile is the perfect person to figure out what’s really going on… robots are making portals to their world from another world and sending in stronger, smarter monsters to take out the adventurers!

The elf stuff was not as good as the rest of the book, mostly depending on “ha ha, it’s funny because elf men are lolicons” and a heaping helping of “women should stay in the village and breed more elves”. The latter, to be fair, the narrative rips apart with its bare hands, and indeed one of the main themes of the entire series has been “you don’t have to get married immediately”. The second part is more setup for the next few books, made more amusing by Mile literally sacrificing some of her nanos to a portal to another world just to get information, and their irritated response. We also see that the Crimson Vow are a mature, powerful, respected team… but only in their own lands, and when they go elsewhere, or when their intelligence is disseminated by the Crown, it still has an air of “these are stupid kids, why should we care?” to it. Mike needs to become more famous, and not just as an author.

This is a good, not great book, with the series’ usual flaws. But it also has the series’ usual strengths as well, and fans should be pleased.

Emma Dreams of Stars: Inside the Gourmet Guide

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Before Yelp! and Open Table made it easy to find a good restaurant, you had two options: consult your local newspaper’s Arts & Leisure section, or buy a guidebook that ranked and sorted joints by price, cuisine, decor, and service. Zagat’s, for example, offered pithy, sometimes withering, assessments of restaurants that were capped by a starred rating, while The Fearless Critic used a ten-point scale that resembled the scoring system for a gymnastics meet. The most trusted—in the US, at least—was the Forbes Travel Guide, which employed an army of undercover critics to evaluate hotels and restaurants, and rank them on a scale from “average” to “one of the best in the country”. Though different in tone and format, all three owed a debt to a much older publication: The Michelin Guide, which was introduced in 1900.

The Guide was the brainchild of Édouard and André Michelin, founders of the Michelin Tire Company. At the time their booklet debuted, France was just beginning to embrace the automobile; the brothers hoped that distributing free copies might encourage people to buy their first car, as the Guide contained a wealth of information for the would-be motorist, including maps, auto repair tips, and lists of hotels, garages, restaurants, and attractions. In the 1920s, the Guide introduced its first rating system, eventually settling on a scale of one to three stars. The Guide also began hiring anonymous male inspectors to visit restaurants and hotels around Europe, reasoning that the nature of the job—travelling solo for weeks at a time—made it impossible for a woman to perform.

Enter Emmanuelle Masionneuve, who joined the Guide almost 100 years after Michelin introduced its star system. Masionneuve had an unusual path to becoming an inspector, training first as a lawyer and journalist before pivoting into the culinary industry. After working for three France’s most esteemed chefs—Michael Bras, Alain Ducasse, Alain Passard—she decided to put her food expertise to the ultimate test by auditioning for the Michelin Guide. Emma Dreams of Stars: Inside the Gourmet Guide, co-written with Julia Pavlowitch and illustrated by Kan Takahama, tells Masionneuve’s story.

In the early chapters, Emma functions both as a character and a reader surrogate. We follow Emma through every stage of her training, from her initial interview to her first solo trip, along the way gleaning interesting tidbits about how inspectors maintain their anonymity, interact with chefs and hoteliers, and avoid heartburn. (Eating rich meals all day isn’t all it’s cracked up to be.) Emma Dreams of Stars also explores Maisonneuve’s efforts to navigate the stuffy male culture of the Michelin Guide, where she’s reminded on a daily basis that she’s the only woman inspector. Though most of her male peers are collegial, she feels the weight of being a trailblazer, worrying that even the smallest mistake will jeopardize her future with the Guide.

Of course, Emma Dreams of Stars is also a story about French cuisine, and that front, the authors deliver exceptionally well. Throughout the book, there are lengthy discussions about the merits of various cheeses and wines, as well as numerous soliloquies extolling the virtue of simply prepared dishes, locally sourced ingredients, and regional specialties. Artist Kan Takahama does an expert job of rendering the food, using a soft palette that captures the texture and presentation of each meal in life-like detail. The same is true of her backgrounds; every setting demonstrates similar attention to light, pattern, and color, making it easy for the reader to feel the atmosphere of every restaurant and hotel that Emma visits, from a chic Parisian cafe to a dim but cozy rural pub.

Whenever the shop talk threatens to stop the story in its tracks, Takahama breaks up the stream of chatter by breaking the flow of her tight, orderly grids. Characters burst out of the frame, allowing us to more fully appreciate their enthusiasm and resolve. As these panels demonstrate, Takahama has a great talent for faces, working in a naturalistic style that’s reminiscent of Naoki Urasawa; Takahama imbues each one of her characters with an individuality that speaks volumes about their age and experiences, as well their taste in food and wine.

Though Takahama’s artwork is stellar throughout the book, there are a few passages where the authors didn’t fully trust the images to tell Emma’s story, most notably when depicting her strained relationship with Thomas, her long-term boyfriend. The two never meet in person, but exchange increasingly tense voice mails and text messages that reveal just how much Thomas resents Emma’s growing independence. Takahama’s artwork does a great job of showing us how conflicted Emma feels, but the authors saddle these moments with heavy-handed voice overs that spell out what the reader can readily grasp from Emma’s facial expressions and body language: she’s determined to have a meaningful career on her own terms, even if that means leaving Thomas behind.

If these moments feel a little forced, Emma’s interactions with other female foodies do not. In one particularly delightful chapter, for example, the Guide dispatches Emma to the Côte Vermeille, where a chance encounter with Natalie, a local vinegar maker, leads Emma to a lively farm-to-table bistro on the outskirts of town. As Natalie and Emma chat about the terroir–the secret ingredient in Natalie’s concoctions–we can see how their expertise and enthusiasm helps them form an immediate bond; by the time they arrive at the restaurant, they’re chatting like old friends.

The same spirit of mutual respect animates Emma’s interactions with another culinary expert: Kanami, a travel guide who leads Emma through a whirlwind tour of Tokyo. Kanami explains the origins of particular dishes, challenges the Michelin rating for a famous restaurant, and takes Emma to the Tsukiji Market to see how local fishmongers transform enormous tuna into delicate morsels. Emma is humbled by the depth and breadth of Kanami’s knowledge, and vows to return to Japan so that she can “keep learning and growing.” By the time I finished Emma Dreams of Stars, that’s how I felt, too. I was reminded of how little most of us know about the food we eat, and pledged to develop a deeper, more thoughtful relationship with the meals I prepare, and the dishes I enjoy. Recommended.

EMMA DREAMS OF STARS: INSIDE THE GOURMET GUIDE • BY EMMANUELLE MAISONNEUVE AND JULIA PAVLOWITCH • ART BY KAN TAKAHAMA • TRANSLATED BY EAMON FOGARTY • KODANSHA COMICS • NO RATING • 192 pp. 

 

Sugar Apple Fairy Tale: The Silver Sugar Master and the Obsidian Fairy

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By Miri Mikawa and Aki. Released in Japan by Kadokawa Beans Bunko Bunko. Released in North America by Yen On. Translated by Nicole Wilder.

Frequently in romance novels, in both English and Japanese, I find myself waiting for the bomb to go off. It’s always really easy to spot the bomb. It’s the guy who we first meet. He’s not on the cover art. He’s usually a Swell Guy ™. He loves the heroine. He says so. A lot. Ignoring whatever she might have to say about it. Sometimes everyone else around her also assumes that they’re fated to be together. And, credit to our Sugar Apple heroine, she is deeply aware of this and runs away at the earliest opportunity. Alas, the bomb follows her. That’s when I started to get annoyed. I was on edge, waiting for the Asshole Bomb to go off, and when it finally did, I breathed a sigh of relief. Now, it does mean the identity of the villain in this first book is immediately obvious from about page 3, but that’s fine. This first book is not about Asshole Dude, it’s about a teenager who just lost her mother weeks before trying to cope with overwhelming grief.

Our story takes place in the Kingdom of Highland, where they have candy crafters, the highest ranked of which are Silver Sugar Masters, whose candy is basically endorsed by the Crown. Our heroine, Anne, has bee traveling the country with her mother Emma, learning at her elbow and growing up. Then Emma gets sick and dies. Anne resolves to travel to the main city of the Kingdom so that she can pass the test to become a Silver Sugar Master. She needs to do this by the next holy day, so that her mother’s spirit can rest in peace. Of course, she can’t make it in time till she takes a nasty and brutal shortcut… for which she will need a bodyguard. Fortunately, this Kingdom also has fairies! To be their slaves.

So yeah, I liked this book, but it has a very high bar to clear. There’s slavery here, and our heroine immediately buys a slave, because she needs a bodyguard to get there in time and does not have the ability to stick to her principles. She talks about slavery being wrong, and frees him at the end of this book, but… yeah. Fairies are still slaves, that’s not going away. As for the rest of the book, the romance was OK, but I think my favorite part was exploring Anne’s attempts to be plucky and have gumption in the wake of her mother’s death, which the book needs to remind us a few times was only about three weeks before the start. She’s an excellent candy crafter, but she’s not making her OWN candies, she’s making the candies her mother made. She needs to accept her grief, then she can flower as a true artist. That’s the good part of the book.

I also enjoy Culinary Chronicles of the Court Flower, by the same author. This series came out before that one, and is 17 volumes, so we have a ways to go. If you like romantic fantasies, and can get past “slaves are bad, but here I am buying a slave”, this is a solid start.

The Manga Review, 10/7/22

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Bust out that Sailor Moon costume–New York Comic Con is in full swing! If you’re looking for a good manga panel, I highly recommend This Manga Is Awesome! Manga Must-Reads and Underrated Gems, which is happening today at 3:30 pm. Deb Aoki leads an all-star crew of librarians, industry professionals, podcasters, and critics in a lively discussion about their favorite series. Also of note is Comics in the Post Pandemic World, which is scheduled for Saturday at 12:30 pm. Publishers Weekly is the sponsor; the conversation will focus on the explosive growth of the comics industry during lockdown, and will consider some of the challenges facing publishers as supply chain issues increase and inflation rises.

NEWS AND VIEWS

Jamila Rowser, founder of Black Josei Press, posted an update on the forthcoming Gladiolus Magazine, which “will feature comics, essays, short stories, and more created by people of color from marginalized genders and sexualities.” Rowser shared a list of contributors whose work will appear in the inaugural issue, as well as the magazine’s expected publication date: spring 2023. [Black Josei Press]

Bill Curtis compiles a list of October’s new manga and light novel releases. [Yatta-Tachi]

To kick off LGBTQ History Month, the librarians at No Flying No Tights recommend nine queer-friendly comics for teen readers, including The Bride Was a Boy and Be Gay, Do Comics. [No Flying No Tights]

Yuu Watase is resuming work on Fushigi Yugi Byakko Senki. [Otaku USA]

It’s a hit: Chainsaw Man now has 16 million volumes in print. [Otaku USA]

Dog lovers rejoice: Seven Seas has licensed Shibanban: Super Cute Doggies which is pretty much what it sounds like: a parade of adorable Shiba Inus doing adorable things. Volume one is slated for a May 2023 release. [Seven Seas]

If you’ve been on the fence about Taiyo Matsumoto‘s work, let Jocelyne Allen’s generously illustrated review of Tokyo Higoro persuade you to give him a second chance. “Pretty much every page is filled with such thoughtful detail to make even minor characters seem fully fleshed out,” she notes. “It’s one of those books that I kept flipping back and forth in, just to drink in the details, the art, and the many, many perfect pages.” [Brain vs. Book]

VIDEO OF THE WEEK

I’m not a big MangaTuber, but I make an exception for BakaBoysClub, a new-ish YouTube channel featuring lively, thoughtful reviews of manga, old and new. In particular, I thought that host GrunWho did an exceptional job of explaining why The Girl from the Other Side: Siúl, A Rún is such an engrossing story, making great use of the video format to highlight Nagabe’s beautiful artwork:

Check out the BakaBoys’ other videos here: https://www.youtube.com/channel/UCnmtMpN3E2LGnz_Mef4zCCw.

REVIEWS

Thinking about starting your own manga blog or podcast? One great way to build an audience for your work is to contribute to an established site like The Fandom Post, which is currently looking for reviewers. Site founder Chris Beveridge notes that “we get a good range of books from publishers and have a bit of a backlog we’re looking to clear out… There’s a good mix of one-offs and ongoing series that we’re looking for people to take on and new series starting up all the time.” For information on how to apply, click here.

New and Noteworthy

Complete and Ongoing Series

When Supernatural Battles Became Commonplace, Vol. 4

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By Kota Nozomi and 029. Released in Japan as “Inou Battle wa Nichijoukei no Nakade” by GA Bunko. Released in North America by J-Novel Club. Translated by Tristan K. Hill.

As always, this series tends to run on character-based comedy that is 50% decent, 30% good with a side of heartwarming, and 20% godawful. Usually the godawful part involves Andou doing something mind-numbingly stupid, but aside from one poorly-delivered euphemism that causes dangerous searches on the internet, he’s mostly fine now. It’s Sagami that gets the bulk of being awful. That said, it’s good in this case, because it’s showing off that he really IS the villain of this piece. For the most part the overarching plot of this series has been very hit and miss, and we haven’t seen that gang that attacked Hatoko since her book. But Sagami’s preening, salacious inability to see anything except as a fictional construct does make him a good antagonist. And of course this IS a fictional construct that is also a romantic harem comedy, so he gets the added aggravation of being correct. I think most readers were thinking the same thing Sagami was: in a harem of four girls, Sayumi is a distant fourth place.

Each volume has focused on one of the girls in the Literary Club, and as the cover suggests, this is Sayumi’s book. The actual present-day dilemma is fairly easy to resolve, but it also ties back to the past, so we see flashbacks, from Sayumi’s POV, of how she first met Andou and immediately did not get on with him. Unsurprising, this is Andou. In the present, the girls all present Andou with a game that they’ve been coding and ask him to play test it, which gives us a string of great humiliating gags as well as a wonderful sweet heartwarming bit at the end. As for the conflict, Andou discovers that Sayumi was going to run for Student Council President in high school, but never did… and he thinks that he’s the reason for this.

Sayumi is the most mature of the cast, meaning that thankfully we get less of the antics that we got last volume (though they’re still there, sadly, but at least Andou is NOT involved in the stupidity this time). It makes sense that her arc is resolved by simply telling Andou he’s gotten things wrong and that she doesn’t regret what happened. Of course, that’s not really what this book is doing. This is the fourth volume, so we’ve run out of heroines. It’s setting up the next arc, and doing so pretty well. All four girls are explicitly in love with Andou by the end of the book. Chifuyu doesn’t really know what it means, Hatoko knows what it means and who the “best girl” is and is ready to go to war, and Sayumi is getting advice from the devil himself. That just leaves Tomoyo, and if Sagami was here he’d no doubt say that she’s “best girl” at this point, or at least the most likely winner, if she can stop tsunning it up.

As always, I don’t recommend this book to anyone but those who are buried so far into otaku culture that they don’t really notice the bad things. If you’re that sort of person, this is a solid volume.

Bookshelf Briefs 10/6/22

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Falling Drowning, Vol. 3 | By Yuko Inari | Kodansha Comics (digital only) – It’s the final volume and, inevitably, Honatsu has begun to regain her memories. With them, she remembers that Shun was once her most precious person. Unfortunately, she’s currently dating Toma. Seasoned shoujo readers might expect that Honatsu choosing one of them would be the culmination of the series, but it’s actually her relationship to her past self that has the biggest payoff, as she eventually comes to recognize that young Honatsu was never really as invincible as everyone thought, and the past six years have taught her how to talk about her weakness and sadness without hesitation. It’s clear from the author’s notes that she was told to wrap things up quickly and that there had been more she wanted to draw. While things do feel somewhat rushed, Falling Drowning still comes to a satisfying conclusion. – Michelle Smith

Kubo Won’t Let Me Be Invisible, Vol. 3 | By Nene Yukimori | Viz Media – This is an improvement on the second volume. There is still the occasional mention of Shiraishi lacking any presence, but for the most part we’re moving on from that and starting to show WHY Kubo seems to be so over the moon for him. Because she 100% is, far more than the Takagis and Nagatoros of this world. It can be embarrassing, as she would no doubt freely admit when her older sister starts drunkenly teasing her in front of Shiraishi (who now worries this is his fault somehow). I’m not sure when these two cuties are going to get together, and I’ve no doubt it will be a few more volumes. But guaranteed money they’ll do it before the other two girls I mentioned above. – Sean Gaffney

Lost Lad London, Vol. 2 | By Shima Shinya | Yen Press – To be honest, the central mystery of Lost Lad London—who is framing Al Adley for the murder of his biological father, the mayor of London?—doesn’t move forward much in this volume. The most significant thing that happens is that the cops decide Al’s their prime suspect, haul him in for questioning, and search his residence without a warrant. The real charm is the atmosphere. This feels like a proper mystery, for one, but there is also some amusing interplay between Al and Ellis that makes me yearn for an adaptation of some kind. Too, I appreciate that the characters discuss the racism and sexism they’ve had to contend with in their lives. I look forward to the third and final volume for the solution (and to see if my guess is right) but I’m bummed our time with these characters will have been so brief. – Michelle Smith

Queen’s Quality, Vol. 15 | By Kyousuke Motomi | Viz Media – Suddenly Queen’s Quality has gotten a lot more depressing. Certainly this helps with the aimless feel we’ve had the last few books, and the cast is now winnowed down to people I can remember. But man, when the “good end” is your hero protecting everyone by destroying all the memories he’s ever had, that’s bleak. Fortunately, I doubt that Fumi and company are going to let Kyutaro get away with that. Unfortunately, all their alternatives also seem to involve sacrificing themselves. Hell, even some of the terrible villains are falling to horribly gruesome deaths. I don’t THINK this is the sort of manga to end with its main couple dead or dying. But I guess we’ll have to see. – Sean Gaffney

Spy x Family, Vol. 8 | By Tatsuya Endo | Viz Media – Not gonna lie, this is THE best arc of Spy x Family to date, and the entirely of this book is right in the middle of it. Not only do we see Yor take out dozens of assassins, either in public (so she has to incapacitate them) or in private (where she can murder them). She is simply amazing, and it’s also stunning to see a Jump series show off this much blood, gore, and death—expect the anime to cut this heavily. At the heart of this, though, is the core of Yor’s story arc—her goals in becoming an assassin are mostly fulfilled now, or can be fulfilled by the family that she loves dearly but doesn’t know it yet. She wants to give it up. Unfortunately, she can’t right now, as she has to save the mother and daughter from death. Amazing book. – Sean Gaffney

We’re New at This, Vol. 11 | By Ren Kawahara | Kodansha Comics (digital only) – Aside from one chapter right at the start of this volume which tries to get into the topic of fetishes and flounders badly, this is a very good entry in the series, mostly because of a discussion I don’t think I was expecting it to have, even if it doesn’t dwell on it ling. When our married couple go to buy a car and Ikuma has to take a call, he returns to find that the salesman was “waiting for the man” to offer his card and start the pitch—something Sumika notes happens ALL THE TIME. Indeed, when Ikuma does the bare minimum of pointing out that women should be treated as equals, he gets a round of applause from every woman in the dealership. An unexpected surprise in this otherwise cutesy volume. – Sean Gaffney

Manga the Week of 10/12/22

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SEAN: Manga the Week of is brought to you this week by Weetabix.

MICHELLE: I will never not associate Weetabix with Spike and Giles.

ASH: Now that you mention it!

SEAN: We start with Yen On, which gives us In the Land of Leadale 6, Magistellus Bad Trip 2, and Sasaki and Peeps 2.

While Yen Press has The Hero Laughs While Walking the Path of Vengeance a Second Time 2 and Kaiju Girl Caramelise 6.

ASH: Oh, I somehow didn’t realize that Kaiju Girl Caramelise was an ongoing series.

SEAN: Viz Media debuts Dandadan, a Shonen Jump + title. A boy believes in aliens, but thinks ghosts are the bunk. A girl in his school believes the exact opposite. Together they will discover… that aliens and ghosts are too spicy for Shonen Jump’s app, I can tell you that.

ASH: Ha!

Also from Viz: Case Closed 84, Kaiju No. 8 4, Komi Can’t Communicate 21, Sakamoto Days 4, and Splatoon 15.

Tokyopop has a shoujo debut, Formerly, the Fallen Daughter of the Duke (Moto, Ochikobore Koushaku Reijou desu). J-Novel Club releases the light novel of this. The manga runs in MAGCOMI. It’s essentially a Villainess story, even if the lead isn’t evil in the original.

They also have a new one-shot, Hyperventilation. This BL manwha features two guys who meet again at a high school reunion and rekindle things.

Titan Books debut Atom – The Beginning, which runs in Shogakukan’s Heros magazine. It is, as you may have guessed, a prequel to Tezuka’s Astro Boy.

ASH: I am intrigued.

SEAN: SuBLime has Black or White 5 and Moon & Sun 2 (the final volume).

ASH: Which reminds me that I’ve been meaning to read the first volume.

SEAN: Square Enix Manga gives us Beauty and the Feast 4, Hi Score Girl 9, and My Isekai Life 3.

Seven Seas once again has a number of debuts. Black and White: Tough Love at the Office (Shiro to Kuro) probably has that subtitle to set it apart from other manga with similar titles. Two women at the same office who can’t seem to stop a) beating the shit out of each other or b) having sex with each other have to team up to solve a mystery. It runs in Comic Ruelle.

ASH: Not the type of yuri series we often see.

SEAN: Hunting in Another World With My Elf Wife (Hokkaidou no Geneki Hunter ga Isekai ni Hourikoma Rete Mita – Elf Yome to Meguru Isekai Shuryou Life) is a MAGCOMI title. A hunter gets killed by a bear and ends up in a fantasy world… but he still has his shotgun!

SHWD is also from Comic Ruelle. It stands for Special Hazardous Waste Disposal, and has been described as “yuri buddy cop story meets horror”.

ASH: Another atypical combination!

SEAN: Seven Seas also has Cat Massage Therapy 3, Creepy Cat 4 (the final volume), The Duke of Death and His Maid 3, The Girl From the Other Side: Siúil, a Rún Deluxe Edition II, Kemono Jihen 2, Magic Artisan Dahlia Wilts No More 3, The Saint’s Magic Power is Omnipotent 6, and This Is Screwed Up, but I Was Reincarnated as a GIRL in Another World! 3.

MICHELLE: I enjoyed the first volume of Kemono Jihen so look forward to the second.

ASH: I’m buying The Girl From the Other Side again; the deluxe edition is lovely.

SEAN: One Peace Books debuts Usotoki Rhetoric, a Bessatsu Hana to Yume title (!) about a girl who can hear lies teaming up with a detective in the mid-1920s.

MICHELLE: Ooooh. This sounds potentially fun!

ASH: It does!

SEAN: They’ve also got I Belong to the Baddest Girl at School 5.

Kodansha debuts Last Gender (Last Gender: Nanimono demo nai Watashitachi), an LGBT title about a hidden bar where people can explore different sides of themselves. It ran in Evening Magazine.

ASH: My curiosity is piqued.

SEAN: And they also have Shonen Note: Boy Soprano, a Morning Two title from the creator of Shimanami Tasogare. A middle school student with a wonderful soprano voice runs into issues growing up. This has been nominated for awards.

MICHELLE: I’ll definitely be checking this out.

ASH: I’ve really been looking forward to this one, too.

SEAN: And they have this weird poster book/artbook/massive thing, AKIRA: Art of Wall.

Also in print: The Ghost in the Shell: The Human Algorithm 3, Island in a Puddle 4, Lovesick Ellie 6, The Seven Deadly Sins: Four Knights of the Apocalypse 5, and Something’s Wrong With Us 11.

Digitally, we see The Fable 7, Giant Killing 33, Girlfriend, Girlfriend 10, Medaka Kuroiwa is Impervious to My Charms 4, My Maid, Miss Kishi 4, Police in a Pod 17, Quality Assurance in Another World 6, The Shadows of Who We Once Were 5, Tokyo Revengers 27, and Vampire Dormitory 7.

MICHELLE: One day I really will succeed in getting caught up on Giant Killing.

SEAN: J-Novel Club has a light novel debut. Yuri Tama: From Third Wheel to Trifecta (Yuri no Ma ni Hasamareta Watashi ga, Ikioi de Futamata Shite Shimatta) features a girl who is best friends with her school’s yuri power couple. Sadly, that means everyone else hates her. She doesn’t like herself much either. Then… both of her friends, separately, ask her out. And she says yes. To both of them.

ASH: Oh, my!

SEAN: Also digital: The Apothecary Diaries 6, the 8th manga volume of An Archdemon’s Dilemma: How to Love Your Elf Bride, Full Metal Panic! Short Stories 2, In Another World With My Smartphone 26, My Quiet Blacksmith Life in Another World 4, and The Reincarnated Princess Spends Another Day Skipping Story Routes 5.

Drawn and Quarterly are reissuing all four volumes of Shigeru Mizuki’s Showa: A History of Japan, with new cover art, as well as single volume Onward Towards Our Noble Deaths.

ASH: Very glad to see Mizuki’s work staying in print.

SEAN: And now we jump to Airship, which has some print light novels. We see the print debut of The Case Files of Jeweler Richard. There’s also Berserk of Gluttony 7, Failure Frame: I Became the Strongest and Annihilated Everything With Low-Level Spells 5, and I’m in Love with the Villainess 5 (the final volume).

ASH: I’ve been waiting for The Case Files of Jeweler Richard.

SEAN: And in early digital we see I Swear I Won’t Bother You Again! 2, I’m the Evil Lord of an Intergalactic Empire! 3, and Kuma Kuma Kuma Bear 12.

Please enjoy this delicious manga made from whole grains. What are you eating next week?

My Stepmom’s Daughter Is My Ex: “First Kiss Manifesto”

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By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

Last time I mentioned that the anime was just starting, and I wondered how it would be handled. Well, now we know, and we also know that apparently the anime producers like Akatsuki as much as I do. Almost the entire third volume was jettisoned from the anime, which decided it really did not need multiple episodes focusing on the world’s most toxic ex-couple. More to the point, they knew something had to go if they wanted to adapt this volume, which turns out to have the perfect “open ending” for an anime that might eventually get a second season. It focuses squarely on our main couple… well, OK, no it doesn’t. It focuses squarely on Yume. The back and forth narrative voices are skewed very much towards the feminine thins time around, because Yume wears her heart on her sleeve and is really easy to figure out, but Mizuto bottles everything up and is not. It takes a family reunion to finally crack the “my stupid ex” facade.

Mizuto and Yume have now gotten comfortable with each other, and with arguing. Perhaps a bit too comfortable, as their parents note they act like a couple that’s fallen out of the “honeymoon” phase. Because Yume is Yume, she looks up online how to deal with this, which apparently involves going with Mizuto to try on swimsuits. The reason for the swimsuit is that they’re making the annual trek into the rural hinterlands of Japan to see Mizuto’s extended family, and this is the first year Yume and her mother will be making the trip. Meeting the in-laws goes well enough, but unfortunately they also come with a hot older cousin, who Yume seems to be convinced was Mizuto’s first love. And in fact Mizuto has been acting even more remote and uncaring than usual lately. Is there something going on?

I don’t want to spoil one of the major emotional parts of the book, which involves Mizuto’s great-grandfather, but suffice it to say it’s really well handled and offers some insight into Mizuto himself. But what this book is really about is Yume coming to terms with the fact that she’s in love with Mizuto. I enjoy the way that it’s framed, as it’s not a case of “oh, I’ve been in love with him all this time”, but rather that the Yume here and now loves him, and her biggest rival turns out not to be Higashira (who is busy trying to write AO3 fanfics of herself and Mizuto, and failing) but her younger self, the one who first captured Mizuto’s heart. The reason that most of the narrative is from her perspective is because we need Mizuto to be mysterious and remote here. I do wonder what his reaction will be in the next book.

I may need to wonder longer, of course, given that the cover art and back cover copy of Volume 5 imply it’s a 100% Higashira focused book. In the meantime, this was an excellent romantic comedy volume… unless you’re Akatsuki and Kawanami, I guess. Sorry, guys, cute pool antics aside, you’re just not important enough.

A Late-Start Tamer’s Laid-Back Life, Vol. 4

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By Yuu Tanaka and Nardack. Released in Japan as “Deokure Tamer no Sono Higurashi” by GC Novels. Released in North America by J-Novel Club. Translated by Yuko C. Shimomoto.

At long last, Yuto and his tamed monsters are finally starting to get good at the sort of combat that everyone else figured out three days into the game. Sure, later in the book he runs into two top-tier players who remind him that he’s still really weak by comparison, but there’s more here of him and the others actually defeating a lot of monsters. That said, fear not, because the main reason to read the book is still here, by which I mean Yuto telling Alyssa about everything he’s done recently and watching her reaction. I’m not kidding, this has become the highlight of the series, and I love it every time. He simply cannot accept that he is breaking the game in ways no one would ever think of before… but that also allows other players to do things the normal way, so everyone benefits. Indeed, another running gag, which has Yuto casually giving away powerful intel and items because he wants to, is all present and correct.

At long last, after three books hanging around the starter town like Lloyd Belladonna, our heroes finally move on to the next set of towns (though they maintain their farm back at the start as well). This allows Yuto to accidentally figure out how to access two powerful areas, where he can tame an undine (who is, of course, incredibly cute), gain odd new skills that will work out down the line, and have his monsters level up and evolve by the secret method of being nice to them and treating them like equals. We also meet the rest of Alyssa’s intel group, and they’re all as fired up about him as you’d imagine. And he runs into the game’s other top tamer, Amimin, and her summoner friend Mattsun, who both happen to fill the ‘shy girl and her aloof tomboy friend’ stereotype this series has desperately needed. Yuto’s circle of friends is opening up!

We do see the occasional sign that reminds us that Yuto is actually a middle-aged salaryman, and that it’s probably a good thing he’s unlocking so many things, as soon he will have to go back to the grind. For now, though, he’s essentially walking around this game like Maple from Bofuri, accomplishing things the development team had made ludicrously impossible by accident. The devs, at least, seem far more sanguine about it than Maple’s do – especially about Sakura’s evolution, which was supposed to be super incredibly rare and which (as we see in a battle near the end) proves to definitely be life saving. And… yeah, sorry. This is still a slow life book about a game, so I don’t really have much to analyse here. He makes lots of fish dishes. The treant from the last book evolves, but is a stay-at-home treant, so we don’t learn much about it. The undine seems nice, but the fact that none of the monsters speak makes character development more obscure.

Still, this is another volume of the series that does whatever the hell it wants, and does it in a way that I want to read more of it. For fans who would like to play this game themselves.

Surviving in Another World As a Villainess Fox Girl!, Vol. 1

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By Riia Ai and Mucha. Released in Japan as “Scenario Nante Iranai! Rival Chara no Kitsunekko” on the Shousetsuka ni Narou website. Released in North America by Cross Infinite World. Translated by Miki “Zombie” Zuckerman.

It’s always tough when a word ends up being shorthand for a genre. There’s no “villainess” in this book. Indeed, the Japanese romanji uses “Rival Chara”, which is far more accurate. But, as with “isekai” books that aren’t really isekai, “villainess” has become shorthand for a genre of books that this series falls under, so here we are. That said, it’s also intriguing for other reasons. First of all, as the blurb suggests, we have two different “reincarnated into a game” characters butting heads in order to save the game from a bad end, which honestly is mostly used for comedy here. Secondly, the “villainess” is NOT one of the reincarnated Japanese people, and she’s the narrator. Just having a reincarnation book from the POV of someone else is refreshing, but it turns out that the villainess is sweet as pie, and makes everyone around her want to protect and love her. Honestly, it’s no surprise that the actual “heroine” doesn’t even show up in this volume.

Miku and Claire are sisters, and both are Fox Girls, one of many demi-human races in this world. That said, Miku was rather startled when Claire, back when she was 4 years old or so, fell over, hit her head, and then started talking about her past life from Japan! Miku doesn’t really get all this talk about otome games and airplanes, but she loves her sister, so if her sister wants her to train her magic so that they can fight monsters and save the village from a theoretical attack, then that’s what they’ll do. Things get complicated when the love interest from the game arrives, and he too also appears to be attempting to change the narrative to suit his tastes. Both Ektor and Claire have Miku’s best interests at heart… even if they want to solve things in different ways. After all, if they don’t do anything, Miku will die!

I will be honest, this is a book that lives and dies on its ideas, because its writing style and characters are somewhat basic and bland. I had to look at the cover to remind myself that Claire did not have red hair, simply because she fills the “red-headed anime girl” slot so well. As with many books in this genre, Claire and Ektor both don’t really seem to realize that by changing things so much, they’ve probably already achieved their goal. That said, the “gimmick” behind Miku’s powerful light magic is a dangerous one, and while I get that they wanted to wait till she was mature enough to handle it, I appreciate it that they told her immediately once the truth came out. Mostly, though, this is a story of Miku walking around charming everyone in her wake by being adorable, naïve, kind, and earnest. The reader wants to protect her as well.

As noted above, the cliffhanger ending of this volume implies that the “heroine” of the games (there’s more than one genre, something that comes as a surprise to Claire, who only played the original) will show up and make things difficult, though given that Ektor is firmly on Team Miku, it’s hard to see how.Till then, this is a standard webnovel with a decent gimmick of having the narrative come from the non-isekai character.