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Spy Classroom: Fool Erna Once

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By Takemachi and Tomari. Released in Japan as “Spy Kyoushitsu” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Nathaniel Thrasher.

It should go without saying, but the series Spy Classroom involves spies. And spies can sometimes be not nice people. Downright unpleasant, in fact. We’ve seen that in previous books, with villains working for other countries ranging from weak to comically evil. But for the most part, we know our girls. Those wacky, lovable scamps who are all dropouts but come together in the end with the power of friendship. Surely they’re all different! Well, OK, not Annette. We already know fro previous books that Annette is one of the only girls in Lamplight who can, when push comes to shove, do something cruel. But she may not be alone, as we learn in this book that focuses, for once, on the character the anime tried desperately to adapt and failed miserably. The character that even the publisher tried to avoid drawing for the longest time. A girl plagued by misfortune. Which even extends to this review, because sorry, Erna, Sara is my favorite character in this book.

After the triumph of the fourth book, and becoming an official team, things are not going very well for Lamplight. They’ve been screwing up mission after mission, and believe it or not, it’s not JUST Lily. Things take a turn for the worse, though, when they meet two members of another spy organization working for their country, Avian. If Lamplight is composed of dropouts and washouts, Avian is composed of only the top graduates of spy schools. And recently, their handler was killed, meaning they don’t have a leader. After discerning that Lamplight are pathetic and awful, Avian decide that Klaus should be their leader instead, and Lamplight can all go back to spy school where they truly belong. Of course, the girls are not going to take this lying down, and it ends up becoming a competition to see who the best spy team really is!

If you thought that my description of Lamplight in the last paragraph was a bit mean, you ain’t heard nothing yet. Avian may be just as eccentric as Lamplight, but they’re far, far more skilled, and they have a heaping helping of arrogance to go with it. They’ve also had actual completion of spy school, which means they have an extra technique the Lamplight girls do not, and much of this book amounts to our heroines “trying to reach their second form”. Sara comes close, and actually manages to kick ass and take names (yes, Sara, the animal girl), but of course Erna is the star of the book, for spoilery reasons, and it’s her own development that provides the big climax. It also allows Klaus to have a paternal talk with her, which I appreciate, as Klaus as a hottie everyone wants to bone is not my favorite thing. (That also comes up here, alas.)

All this plus one of THOSE epilogues, the ones that really like to kick you in the teeth and then make you wait for months or so for the next book. This book, though, was good, and arrives just in time for the second half of the anime, which… has nowhere to go but up.

The Manga Review: Scrolling Down the River

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Kicking off this week’s news round-up is Shueisha’s announcement that it will launch its own manga app in 2024. The twist? Jump Toon will publish stories in a vertical scrolling format… will Netflix’s upcoming One Piece adaptation satisfy fans or alienate them?… Golden Kamuy creator Satoru Noda will be launching a new series this summer in the pages of Weekly Young Jump… Yen Press just unveiled six new licensing acquisitions… and Shueisha has teamed up with Marvel on a new manga: Spider-Man: Octopus Girl, in which Doc Oc finds himself trapped inside the body of a Japanese schoolgirl.

AROUND THE WEB

The Manga Machinations gang dig into the VIZ Signature archives to review three titles: Orochi, House of Five Leaves, and Saturn Apartments, all of which are now available on the VIZ Manga app. [Manga Machinations]

Robert Adams has the scoop on Yumi Tamura’s much-anticipated series Don’t Call It a Mystery. [Dad Needs to Talk]

Andy and Elliot dedicate the latest installment of Screentone Club to March Comes in Like a Lion and Crescent Moon Marching. [Screentone Club]

The hosts of Manga Kaiwa gush over the first new chapters of Berserk to be published since Kentaro Miura’s untimely death in 2021. [Manga Kaiwa]

Bill Curtis compiles a list of June’s new manga and light novel releases. [Yatta-Tachi]

If you’ve been curious about Dandadan, let Muraktama Rodrigues persuade you to give this exuberant supernatural comedy a try. “The creature designs are amazing,” he notes, “borrowing from different mythologies, urban legends, and even western horror comics, once again favoring the weird, ridiculous, and funny rather than the horrifying and disgusting.” [How to Love Comics]

REVIEWS

Palomo Lin-Linares pronounces The Strange Tale of Panorama Island “quite tame compared to other Suehiro Maruo works”… Kristin gives high marks to the 35th anniversary edition of AKIRA…. Megan D. revisits Shirahime-Syo, “a beautiful little oddity from CLAMP”… That Manga Hunter reviews the full run of Love and Lies… and my Manga Bookshelf colleague Sean Gaffney offers brief reviews of Blue Box, Dead Dead Demon’s Dededede Destruction, and The Yakuza’s Bias.

New and Noteworthy

Complete, OOP, and Ongoing Series

March Comes in Like a Lion, Vol 1

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March Comes in Like a Lion Volume 1 by Chica Umino

March Comes in Like a Lion was one of the releases I was most anticipating this year, and it was so worth the wait. The opening panels show Rei Kiriyama waking up, getting ready, going to a shogi hall, playing a game against a man he knows. Throughout this introduction Rei says nothing, and the panels of the shogi game are intercut with scenes from Rei’s childhood. When Rei wins the game and his opponent gets up and mentions that he and his family members are worried for him, Rei waits until he’s alone to say “Liar.” Rei then heads home, just as isolated, but he’s interrupted by a flurry of texts and goes over to the Kawamoto sisters’ house, where he’s immediately enveloped in a warm family gathering.

March Comes in like a Lion

Umino balances portraying isolation, trauma, and depression with great skillfulness and moments of humor. She packs in so many slice of life character development vignettes into just a few panels. I appreciated the shonen battle stylings of Nikaido, who proclaims himself Rei’s rival and soon-to-become best friend. Rei goes to the hostess bar where Akari Kawamoto works with some other shogi players, and she cheerfully manipulates his companions into promising to look after Rei. Rei’s background is shown through a series of non-linear flashbacks, and while by the end of the first volume the reader has a sense of what has caused Rei to be so isolated, it is certain that there will be plenty more revelations ahead. One thing I really enjoyed is that the relationship between Rei and the Kawamoto sisters isn’t one sided – Rei also supports the sisters in his own quiet way.

Denpa’s production quality is excellent, with extras like french flaps and a color fold-out poster included at the start of the volume, which makes the manga feel like a bit more of a special collector’s edition. I also appreciated the essays about shogi that accompanied the story. I’m all in for this manga and seeing how Rei’s journey unfolds.

The Saint’s Magic Power Is Omnipotent, Vol. 8

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By Yuka Tachibana and Yasuyuki Syuri. Released in Japan as “Seijo no Maryoku wa Bannou desu” by Kadokawa Books. Released in North America by Airship. Translated by Julie Goniwich.

This may sound like a comparison only I would make (because it is), but a lot of Saint’s Magic Power Is Omnipotent is starting to feel like Der Werwolf to me. Specifically, our saint tends to regard herself as just an ordinary researcher who can use ingredients really well, whereas in reality everyone else in the world knows that she’s a… well, a SAINT. Literally, as we see here, as a gift that she gives to a colleague ends up healing permanent burn scars that another woman had on her face. It’s as biblical as they come, frankly, lacking only Sei literally laying hands on her. That said… no one actually mentions this happened to Sei, because I think they realize quickly that telling her “you did a miracle that saved by friend, I would die for you” would just make Sei feel uncomfortable. And she’s got enough trouble as it is, because a simple visit to the opera might torpedo her first love!

Sei has wrapped up all the monster hunting in Albert’s hometown, and is free to do things like sampling the local dried sausages and giving recommendations on how to turn a hot spring into a hot spring village. After that, she’s back home, trying to figure out how to get more land for her herbs and plants when everyone else in the research department also wants land. Thankfully, the King comes to the rescue by giving her and Johan an estate just outside the city which can house, essentially, top secret stuff – including most of what Sei deals with. And then there’s that trip to the opera I mentioned before. She goes with Yuri, and everything seems fine, but all of a sudden the rumor goes around that she and Yuri are getting engaged! Has Albert heard this rumor?

I really do love that this series is basically bereft of children (especially now that the prince has been exiled) and everyone has normal, sensible reactions. Albert hears the rumor, and his reaction is not “wow, it must be true, time to panic”, but to immediately understand what happened. Indeed, Sei may be the most immature one here, and the reason Albert has been courting her at a snail’s pace is for that very reason – he can tell she’s not ready for love yet. But she’s more ready than he might think, and what’s more, events have made it so that he HAS to take action. What follows is what I usually describe as “the payoff”, and it’s absolutely sweet and heartwarming. I could do without that ominous cliffhanger, though…

I would have liked to have seen more of Aria aside from the stories at the end (which are, like Bofuri, store exclusives from past volumes), but since she has her own spinoff I suppose it makes sense not to involve her. Fans of Sei and Albert will eat this up, though.

Manga the Week of 6/7/23

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SEAN: Oh dear, June is busting out all over. Better call a plumber.

Yen On has two debuts – sort of. They have a deal with J-Novel Club to do print releases of some of their more popular series. As such, debuting in print are Hell Mode: The Hardcore Gamer Dominates in Another World with Garbage Balancing and My Instant Death Ability Is So Overpowered, No One in This Other World Stands a Chance Against Me!. Both popular enough to get print, and both very much in a genre that people are vocally divided about these days.

ASH: I’m not particularly interested in these specific titles myself, but I do like to see these sorts of publisher collaborations.

SEAN: And Yen Press gives us The Case Study of Vanitas 9.

No debuts or final volumes for Viz, but a bunch of books. We see Ayashimon 2, Dragon Ball Super 18, Ima Koi: Now I’m in Love 6, Mashle: Magic and Muscles 12, Rainbow Days 4, Sakamoto Days 8, and Snow White with the Red Hair 25.

Udon Entertainment have Persona 5: Comic À La Carte, an anthology of manga and short stories based in the Persona 5 world, by various artists.

Square Enix has a 2nd volume of My Clueless First Friend.

I normally don’t mention OEL in this list, but Seven Seas is debuting Tiger, Tiger, an Eisner-nominated webcomic, so I will note it’s out next week. Looks good!

ASH: Oh! Speaking of collaborations between publishers, this one should be great!

SEAN: Also from Seven Seas: Chillin’ in Another World with Level 2 Super Cheat Powers 6, Free Life Fantasy Online: Immortal Princess 4, Futari Escape 3, Grandmaster of Demonic Cultivation: Mo Dao Zu Shi (The Comic) 2, I’m Kinda Chubby and I’m Your Hero 2 (the final volume), The Two of Them Are Pretty Much Like This 3, Yakuza Reincarnation 6, Yokai Cats 4, and You Like Me, Not My Daughter?! 3.

MICHELLE: I didn’t realize I’m Kinda Chubby and I’m Your Hero was so short! Better get on it.

SEAN: No debuts for Kodansha either, but we see Grand Blue Dreaming 19, In the Clear Moonlit Dusk 4, Lovesick Ellie 10, Orient 15, and Quality Assurance in Another World 2 in print.

MICHELLE: I got up to volume nine in my previous gush-filled read of Lovesick Ellie, so this one will actually be new to me! Very excite.

ANNA: I need to get caught up!

ASH: Likewise!

SEAN: Debuting digitally is Mermaid Melody Pichi Pichi Pitch: Aqua, a sequel to the original Pichi Pichi Pitch that Del Rey put out years ago here. It runs in Nakayoshi, and stars the daughter of the original heroine.

Also digital: Chihayafuru 38, The God-Tier Guardian and the Love of Six Princesses 8, How to Grill Our Love 2, Life 4, MF Ghost 14, My Unique Skill Makes Me OP Even at Level 1 10, and Quality Assurance in Another World 8.

MICHELLE: Obligatory Chihayafuru squee!

ANNA: One day I will read it!!!

SEAN: Kaiten Books has a 7th manga volume of Loner Life in Another World.

One debut from J-Novel Club: Magic Stone Gourmet: Eating Magical Power Made Me The Strongest (Maseki Gourmet: Mamono no Chikara wo Tabeta Ore wa Saikyō!), which has reincarnated into a fantasy world, hero’s family hates him (except his mom here), useless powers that turn out to be awesome, all the bells and whistles you’re used to.

ASH: I continue to be surprised; I was not expecting a pica-based fantasy.

SEAN: We also see the 15th Ascendance of a Bookworm manga volume, which starts the 3rd arc, BLADE & BASTARD 2, Culinary Chronicles of the Court Flower 10, Full Metal Panic! Short Stories 6, The Ideal Sponger Life 12, In Another World With My Smartphone 27, Isekai Tensei: Recruited to Another World 4, Min-Maxing My TRPG Build in Another World 6, and Record of Wortenia War 19.

ASH: Bookworm!

SEAN: From Ghost Ship we get Do You Like Big Girls? 7 and the 24th and final volume of Yuuna and the Haunted Hot Springs.

Airship has a debut… or two debuts, depending how you look at it. To Every You I’ve Loved Before (Boku ga Aishita Subete no Kimi e) and To Me, The One Who Loved You (Kimi o Aishita Hitori no Boku e) are a paired duo of books that were recently made into a paired duo of movies, and feature a teenage couple dealing with parallel worlds. They can be read in any order.

ASH: I am intrigued.

SEAN: Also in print we see Mushoku Tensei: Jobless Reincarnation 22 and Raven of the Inner Palace 2.

ASH: I really need to get around to reading Raven of the Inner Palace.

SEAN: And there’s an early digital release of 7th Time Loop: The Villainess Enjoys a Carefree Life Married to Her Worst Enemy! 4.

Did we finish cleaning June up? Or is there more June still to come?

Bofuri: I Don’t Want to Get Hurt, So I’ll Max Out My Defense, Vol. 9

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By Yuumikan and KOIN. Released in Japan as “Itai no wa Iya nano de Bōgyoryoku ni Kyokufuri Shitai to Omoimasu” by Kadokawa Books. Released in North America by Yen On. Translated by Andrew Cunningham.

Bad news, folks: I think Bofuri may be starting to bore me. This is a combination of several factors, really. The anime decided to speedrun its second season, and as such this volume consists of stuff that I already watched for the first time in a few volumes. This volume is also almost entirely a “kill monsters” book, which means there’s very little for me to talk about and glom on to, and of course no character development. Hell, the nature of this book makes some characters worse – Mii appears throughout, but she’s always surrounded by people from other guilds, so she’s always in super serious mode. But super serious is not why I want to read Mii. Add all this up and we’re left with a volume that I found majorly underwhelming, not helped by a pile of pointless short stories from various retail giveaways added at the end. Honestly, the most interesting character now might be Iz, who’s become the star of Kaboom!.

The second part of this event has started, and Maple Tree rapidly set up a base (complete with ludicrous deathtraps) and go to find some monsters and dungeons to clear out. As the event goes on, though, they get split up, and each seems to hook up with members of the other two guilds we know, Mi’s group and Payne’s group. This leads to some different dynamics as the groups are forced to work together, though honestly, everyone in the groups is nice, so it’s not that much of a struggle. Eventually they decide to just do this level as a massive 16-person superunit, and, as the mods note, that’s terrible news – for the monsters. Still, the difficulty level gets higher and higher as the event goes on, with even Maple starting to have trouble killing these guys off. can Maple Tree all survive to the end and get their medals?

I mean, yes. This is not a “struggling underdog” sort of series, this is Maple. The most interesting part of her journey here might be the signal everyone sets up in case they’re separated, which turns out to be Maple literally blowing herself up over and over to create the equivalent of a flare. As I said before, Iz has become more and more relaxed and willing to “go crazy” with each book, and here we see her basically applying “when all you have is a hammer” only with bombs. Which work nicely. She also helps the twins essentially play lethal croquet, which was also amusing. If I recall, fans of the books complained the anime changed a part of this book which separated the twins briefly. Which might have been true, except neither twin did anything while separated. I think the author thinks of them as one character, too.

So the event is over, and we presumably start a new arc next time. I’m hoping that it will grab my attention more. Perhaps Maple and Sally on a date… erm, exploring together?

Alya Sometimes Hides Her Feelings in Russian, Vol. 3

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By Sunsunsun and Momoco. Released in Japan as “Tokidoki Bosotto Russia-go de Dereru Tonari no Alya-san” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Matthew Rutsohn.

I must admit, I’m growing increasingly frustrated with this series. I really do enjoy the romance between Alisa and Masachika, which is cute. And I also definitely like the family drama that is Masachika’s backstory, as well as the “war” he’s currently having with his sister. So basically I like the rom and the drama. The problem is the com. This book frequently tries to be funny, and while the jokes sometimes land, much of the time it’s more annoying than anything else. Masachika thinks in otaku terms a lot, as does his sister, and the conversations the two have frequently deviate into bizarre and depraved topics. Which is in character. But sometimes it seeps into the main story. The entire hypnosis chapter was ludicrously bad, and I kept waiting for a deconstruction or reversal. But no, it was exactly what it seemed. The same goes with Ayano, whose gimmick is that she’s a masochist and constantly aroused. At least she doesn’t mention uteruses. This time.

We’re still in the race for Student Council President. One of the three contenders has dropped out (and is dealing with nasty rumors about dropping out), but the other ones are still going strong. Yuki and Ayano, frankly, have things in the bag almost certainly… but it’s the almost that’s the problem, as Yuki knows that with Masachika at her side, Alisa can pull off pretty much anything. Then fate steps in, as after working himself into a frenzy trying not to scream at his mother during parental visits, Masachika gets a bad cold and is bedridden for two days. This allows Yuki to force Alisa to try to campaign on her own… and she’s wretched at it. Can a now recovered Masachika manage to help Alya regain her confidence and give a suitably dramatic, powerful speech? Or is “powerful” not what they need here?

In case folks are wondering, no, she still doesn’t realize he speaks Russian. This is despite his Russian-loving grandfather appearing, which I was sure would spoil things, especially when he meets Alisa’s mother, and the fact that, at the climactic speech, he literally says something to her in Russian, which she interprets as him learning it specially for that moment to encourage her. I anticipate a big blow-up when she eventually finds out. For the moment, though, once you ignore most of the comedy (though I did laugh at “Dammit! I forgot I was human garbage!”, this can be quite sweet, particularly when Alisa takes the lead on their not-dates and Masachika allows himself to simply relax and enjoy her company rather than being… well, himself. As for Yuki, she’s deliberately playing the villain to get her brother to step up and try again, and it’s working, but I have to wonder what it’s going to do to her own life.

So this is a flawed romcom, but the dramatic moments are good, and the lead couple is sweet. Just… try to ignore the author being funny.

Bookshelf Briefs 5/30/23

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Blue Box, Vol. 4 | By Kouji Miura | Viz Media – We finally tip the balance of this sports romance series back to romance in this volume, as Taiki’s cold means that Chinatsu ends up taking care of him, which leads to standard teen romance manga “I fall on top of you” shenanigans… but this is Blue Box, not Love Hina, so the reactions for both of them are very realistic and incredibly awkward. Chinatsu, unfortunately, is simply not ready for any kind of romance in her life right now, despite what her heart seems to be telling her, and Taiki accepts that for now, I think. As for Hina… hang in there, kid. I think until you get a spare to pair with, you’re pretty screwed. I expect we may go back to sports next time; I do like the back and forth. – Sean Gaffney

Dead Dead Demon’s Dededede Destruction, Vol. 12 | By Inio Asano | Viz Media – There probably wasn’t a good way that this final volume was going to wrap up for me. Asano’s series have always generally been too depressing for my tastes, and this is the only long-form one I read till the end. To its credit, all the timey wimey stuff happening throughout the series does mean that we get a happy ending of a sort, and the ending is somewhat optimistic, and ties in with Isobeyan. On the downside, I was not at all interested in the front half of this book, which basically involves a lot of freedom fighters and innocent civilians getting brutally murdered to show off what a terrible world this is now. Still, at its best, this series was magical. – Sean Gaffney

In/Spectre, Vol. 17 | By Kyo Shirodaira and Chashiba Katase | Kodansha Manga – Most of this volume is taken up by a new arc, written especially for fans who wanted to see more of the yuki-onna that settled down with her human lover, and it’s pretty good. But man, that first chapter is really something, as it just casually drops that there is no way that Kotoko can EVER be happy with him, she’s always going to have to end up killing him, because of the nature of who they both are. Fortunately, whenever Kotoko is NOT around, Kuro proves to be a lot more vocal about his feelings for her, and he’s working on a way to change that. All this and only ONE mention all book of Kotoko being sexually perverse. Possibly as she and Kuro are separate most of it. – Sean Gaffney

My Girlfriend’s Child, Vol. 1 | By Mamoru Aoi | Seven Seas – The title of this series seems to be a bit ironic, as we follow the POV of Sachi throughout the book (it is shoujo, from Betsufure), and it’s her thoughts and especially her fears that drive the book. It’s content to let us view Sachi almost through gauze, as her muted emotions slowly start to realize that she is, in fact, pregnant. Her boyfriend is there for her, as is her brother, but you get the sense that decisions about her future will need to come from her, and have been narrowed significantly because of this. That’s probably what leads to the cliffhanger ending to this volume, to be honest. It’s a riveting work, highly recommended if you like a series that rests entirely on mood. – Sean Gaffney

Natsume’s Book of Friends, Vol. 28 | By Yuki Midorikawa | Viz Media – Yay, Taki shows up! She’s the most normal of the cast, but I always like seeing her, and she helps her brother with what appears to be a yokai following him around on a tour of temples. Well, OK, she tells Natsume and Natsume helps him. Taki is never going to be that involved. In the main story, which will continue in the next book, we dig deeper into Natori’s past and family, as he goes back to his old home and ends up caught in a yokai’s trap… which, to be fair, he was expecting. This arc relies heavily on the fact that Natsume tends to sympathize with the yokai he’s helping, and the cliffhanger implies that it can be used against him as well. Still a fantastic shoujo series. – Sean Gaffney

Queen’s Quality, Vol. 17 | By Kyousuke Motomi | Viz Media – This volume technically ends with a death, and it’s handled really well, but it’s also a rebirth of sorts, so I think we come out ahead in the end. It also has some truly terrifying art inside—I’ve talked before about how I think there’s too many people in this cast, and that I can’t follow the plot, but I don’t talk enough about Motomi’s skill as an artist, which is exceptional. Oh yes, and we also get some nice little set pieces, including the “I was taken over by evil, I’m good now!….. jjuuuuuuuust kidding!” sort of character who you’re supposed to be happy to see the back of, though I don’t think this series can ever write someone being brutally killed without a bit of regret and sadness to it. Still reading it. – Sean Gaffney

Welcome to Demon School! Iruma-kun, Vol. 1 | By Osamu Nishi | Kodansha Manga – This is probably just me, but the first volume of this book is almost exactly like the first volume of Hayate the Combat Butler, right down to the incredible powers that the hero has all being products of the abuse of his parents. Iruma doesn’t become a butler, though, but instead ends up, as the title suggests, in a school where he’s the only human, and has to hide that fact. Most of the humor here is “I am trying not to be noticed, and fail miserably,” and to be fair it is a lot of fun—I can see why the series has a following. The one flaw might be Iruma himself, who in this first book is a bit TOO milquetoast for my liking, though again, abusive parents, so it makes sense. Good start. – Sean Gaffney

The Yakuza’s Bias, Vol. 1 | By Teki Yatsuda | Kodansha Comics – I didn’t realize initially that The Yakuza’s Bias is basically a gag manga. I don’t generally fare too well with those, but I was fairly amused by this one. Ken Kanashiro, second-in-command of the Washio Clan, is introduced by the boss’s daughter to the Korean idol group, MNW, and is immediately taken by one of the members, Jun, who teaches him what it means to be a man. Subsequent chapters involve Ken’s underlings noticing a change in him, a rival yakuza (Mizuhara) who sets out to whack him but ends up a MNW convert instead, and Ken’s growing Twitter fame. Any time I’d start to get weary of the joke, Yatsuda-sensei would find a way to make it fresh again. I might eventually get impatient with this series for not going much of anywhere, but I will definitely be back for volume two. – Michelle Smith

Sasaki and Peeps: The Psychics and the Magical Girl Drag the Death Game Crew into the Fight ~Alert! Giant Sea Monster Approaching Japan~

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By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

I observed as I was reading this new volume of Sasaki and Peeps that I felt the author had read a lot of the Bakemonogatari Series. Their writing style isn’t anything like NISIOISIN, but this is a story of a guy who saved the world while being surrounded by underage girls, and it also has a tendency sometimes to actively drive its audience away. There’s a scene halfway through the book where Sasaki is trying to rescue the first prince, a rival to Sasaki’s group in the other world, and comes across the aftermath of a sexual assault, which is described in detail. This then turns out to be a trick to get him to lower his guard, and what follows is sort of mind control but also involves homoerotic flourishes and… just describing the scene is difficult. I felt like screaming out, WHY? And yet the rest of the book is quite entertaining. This is, in my mind, very much the same experience I sometimes have with Bakemonogatari, especially when Araragi molests Mayoi for the lulz.

After managing to resolve the cliffhanger stand-off from the previous book, Sasaki, Hoshizaki and Futarishizuka end up spending most of the book dealing with, as the title might give away, a giant sea monster. Sasaki pretty much feels he has to deal with it, as Peeps confirms the monster is actually a dragon from the other world, somehow brought over here. It draws in a worldwide response, which not only brings in Sasaki and company, but the magical girl from previous books, who works with her five-person magical girl team to try to destroy it. Unfortunately, bullets can’t stop it, rockets can’t stop it, we may have to use nuclear force! And then of course there’s also the death battle between angels and demons, which ends up affecting Sasaki very personally when his apartment building is bombed.

As always with this series, I find the neighbor most fascinating, even though it’s been four books and we’re no closer to learning her name. (She in turn does not refer to Sasaki by his name, even after she heard other people use it.) She’s growing more confident and outgoing now that she’s around Abaddon all the time – frankly, he’s a better romantic match for her than Sasaki, though I wouldn’t wish that on him. The aforementioned bomb was meant to kill her, and does kill her mother. Sasaki spends the rest of the book thinking that her somewhat remote attitude is due to processing her grief. In reality, she doesn’t even think of her mother a single time after the bombing. This is not unexpected, given her mother’s abuse of the neighbor girl, but Sasaki’s idea of what she’s like versus her own POV (she’s the only other character who gets POV narration) can be amazing.

As for who Sasaki will end up with in his harem of little girls and girls who look like little girls, if I were a betting man I’d say Futarishizuka, but this volume also makes it clear he has no real romantic or sexual drive at all. That’s not what this series is about. It’s about mashing genres together, making salaryman jokes, and occasionally throwing in truly appalling scenes to weed out the casuals. If that floats your boat, read on.

High School DxD: Ouroboros and the Promotion Exam

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By Ichiei Ishibumi and Miyama-Zero. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

This contains spoilers for the end of Book 11, but not till the third paragraph.

High School DxD remains one of the most shonen series ever written, because it’s absolutely filled to the brim with what makes a shonen series – on both sides. On the one side we have the shonen battle manga, with lots of powerful enemies, dealing with almost certain defeat, discovering that the person you just struggled to take out was merely the weakest of the ones you have to fight, etc. It’s the classic old-school “you defeat the bad guy by everyone in the cast shouting the hero’s name in unison as they hit him” shonen. But it’s also very much the other kind of shonen, in that the hero is excessively horny and can only think of sex, the girls are all in love with him and have big breasts, and the one who doesn’t have big breasts asks him to marry her once she grows up and gets them. That kind of shonen series. And when we combine them, what do we get? Well, we get the Breast Beam, of course, possibly the most High School DxD thing ever.

Issei, Kiba and Akeno have been through a lot recently, and have many accomplishments to their names – enough that they really should be high-ranked demons. But there are procedures to follow, so first they must take the exam to become MIDDLE-ranked demons, which, because demon society bases a lot of things on humanity, consists of a written and a practical test. The test itself proves to not be too much of an issue, even for a “poor grades” guy like Issei. The problem is that they’re being forced to take in a hideously powerful infinity dragon, Ophis, because Azazel is trying to achieve a greater peace with the other factions and hopes that she can help. Ophis, for her part, just wants to sit back and observe Rias’s group. Unfortunately for Azazel, if he wants peace, he’s in the wrong series.

Most English-speaking High School DxD fans, and yes, that includes the ones who actually *buy* the books, are familiar with the series to a ridiculous degree. They know that it’s 25 volumes long, and has a sequel that might equal that. And, of course, there’s the afterword from the author, where they discuss what’s going to happen in Book 12. That said, if High School DxD was not selling as well here, maybe if it was more like Index, it would be cruelly amusing for Yen On to simply cut the afterword and pretend that this was the final book in the series. “Yup, Issei dies. Bit of a downer ending, huh?” Of course, even someone who isn’t spoiled probably doesn’t buy that Issei’s death is anything but temporary. Still, it does make the final moments in this book nicely depressing, and also makes me wonder who’ll be narrating the next volume.

Solid book in the series. Fights. Breasts. And tragedy.

Baccano!: 1935-D Luckstreet Boys

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By Ryohgo Narita and Katsumi Enami. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Taylor Engel.

At last, we are forced to discuss the elephant in the room. This volume came out in Japan in August 2016, and there has not been another one since. Ryohgo Narita has been battling a lot of health issues. He’s also been writing another Bleach novel series, which was licensed in North America, and an ongoing manga series, which was licensed in North American AND got an anime. And, most importantly, there has been Fate/strange Fake, a light novel spinoff of the super duper popular Fate series, which began in 2014 but has had five new light novels since the last Baccano!, the most recent being this year. And it’s ALSO getting an anime. It has to be said, Dengeki Bunko know what is popular and what is merely a cult series. It has gotten to the point where, after I joked on Twitter about Narita forgetting about Baccano!, he actually replied to me to apologize and say it’s coming. So we’ll hold out hope. But till then, hope you enjoy this, as it may be a while till the conclusion we’re supposed to get with 1935-E.

The main thing that happens here which ends up dragging everyone into one place is that Charlie, the massive grizzly bear from a previous book, is now wandering around the streets of Manhattan. Fortunately, he very quickly ends up at the Grey Doctor’s office, where he finds friends in Isaac and Miria (who will befriend anyone). Unfortunately, Firo and Victor are also there, and they’re quickly joined by Ladd and Graham. Then everyone there (including the bear) is lured to Central Park, where ALL the Lemures have gathered, along with Maria and Luck’s other paid shit-stirrers. Oh yes, and Chane has come running, seeing that Ladd is there and really, really, REALLY wanting to kill him. None of this is surprising. What *is* surprising is that Lua gets a couple paragraphs all to herself, possibly the most she’s spoken in this entire series.

Usually in Narita’s books there’s always some normal guy who has to pretend not to be normal in order to get by. In Durarara!! it was Mikado, though he very quickly shot past that character type in a big way. It’s been a few people in Baccano!, most notably Jacuzzi. But in this entire arc, it’s been Nader, and that continues here – he’s basically the protagonist of this arc. (Melvi should be the antagonist, but everyone the last two books has spent all their time talking about how pathetic he is compared to the rest of the cast, so nah.) Nader is a two-bit villain who does not have the drive to be anything more, but when he finds out that Sonia is not only no longer in his hometown waiting for a hero to save her, but is actually the protege of Spike… well, let’s just say this is where the dramatic theme music starts playing behind him. Even Ladd notices the difference. I hope he lives, but it’s gonna be tough.

It’s also gonna be tough waiting for the next book, but at least we’re waiting a lot less time than Japan. Come back to Baccano! soon, Narita-san!

Reign of the Seven Spellblades, Vol. 8

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By Bokuto Uno and Miyuki Ruria. Released in Japan as “Nanatsu no Maken ga Shihai suru” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

I have grown used to this series casually killing people off. It’s easy to guess when they’re one of the people on Oliver’s hit list, but we’ve also seen the glorious death of Diana Ashbury and others. The author knows this, of course, and plays with it throughout this book, making me assume once or twice that we were going to see yet another tragic student fate. Because, well, every student at this academy has a mission just as important to them as Oliver’s, a mission that they will kill for (OK, maybe not Guy, I can’t see Guy turning into an instrument of vengeance), and that unfortunately a lot of these goals and missions end prematurely and in death. It’s the nature of how they’re being taught in this academy that, frankly, takes sink or swim to all-new heights. It doesn’t help that – again – this volume ends with no epilogue or cooldown, just a climactic final scene and then the end.

The combat league continues, but there’s a more important issue to deal with: Godfrey’s sternum bone has been stolen by Cyrus, and without it his abilities are down to about 1/20th what they should be. No, this is still enough for him to slip through the early rounds of this tournament, but he needs that bone back if he’s going to get further – or win the election. And so everyone who is supporting him in the election, including our heroes, go on a journey to find Cyrus and get the bone back. Along the way they discover exactly WHY Cyrus is going around stealing everyone’s bones, and it will come as no surprise to find that it’s not because he’s just a giant jerk, but because of a life goal he has to achieve.

Fans of Spellblades will find a lot of things they like in this, including the fact that every single time Oliver and Nanao converse with each other at all, it’s interpreted by everyone else as “flirting” – much to the annoyance of Katie and Pete, the others in his unwanted harem. (I say again, poor Guy, who has so many issues. He’s the least developed character of the six, he’s clearly being paired off with Katie but she likes Oliver, and he’s R*n W**sl*y in all but name.) There are also some truly fantastic fights, and we get to spend time with the badass Lesedi Ingwe and the badass but also hilarious Tim Linton. That said, the best part of the book is Cyrus and why he’s doing this, and the final pages are really well handled. To say more would be to spoil.

I have no idea what’s going to happen next, thanks to this volume ending so abruptly. I assume more combat league stuff, as you can’t really drag a tournament arc on too long… (stares nervously at The Asterisk War)… right?

Maiden of the Needle, Vol. 1

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By Zeroki and Miho Takeoka. Released in Japan as “Hariko no Otome” by Kadokawa Shoten. Released in North America by Yen On. Translated by Kiki Piatkowska.

This book’s plot and characters have a familiar feel, to the point where the biggest surprise I had in the first volume is that the male love interest has a goatee. So permit me to talk about one of my pet problems with light novels in general, which is that the writers don’t feel content to have antagonists be bad people, they’ve got to be THE WORST PEOPLE EVER. Sure, you could have a simple parent who favors one daughter over the other and just, y’know, frowns when she walks by, but why do that when they can starve her to death, lock her in a room, not teach her anything (which is an issue given the heroine is inevitably a reincarnation from Japan), etc? Oh yes, and let’s make them incompetent as well. And secretly housing possible terror weapons? Hell, even the heroine’s Japanese family was awful. Of course, this means you don’t have to worry when they’re all inevitably executed. Serves them right! Easy peasy.

In Japan, Tsumugi was dealing with an abusive father, a cowed mother, and her joy was hanging out with friends. Then she dies (I assume from the traditional traffic accident) and she is reincarnated as Yui. In this world, which is the traditional sort of fantasy kingdom, her family is supposed to have a special power to weave protective magic. Unfortunately, they’ve fallen on hard times, possibly as they’re all evil (see above), and the first fifteen years of her life are a living hell. Then she’s sold to another merchant for a large sum and, once given adequate food, water, and actual explanations about how things work, turns out to not only be a prodigy but close to a goddess, with her powers being able to heal fairies (the main source of magic here) and also cure fashion faux pas. But will she survive long enough to be acknowledged?

Yui is probably the reason I enjoyed this more than it possibly deserved. She’s a character that has to walk a fine line. She is definitely still suffering the effects of her abuse – even after proper food and water, she still looks thin and years younger than she is, and she has trouble speaking through the entire book, with extended conversations leading to coughing fits simply due to her never speaking before this. But she’s relatively matter of fact about things, not being too excited or too depressed. The book does not have much time to devote to her suffering in any case, as this is 100% the story of Yui being amazing and everyone praising her for being amazing. It’s fairly charming, and never annoyed me the way I’d expect, but this is a book you should only read if you love Cinderella stories, and it definitely has a lot of light novel cliches. In addition to the abusive family, we also get the shy but large-breasted knight, and the maid who loves cute things (including our heroine).

This could easily have ended in one book, but there is apparently a second, as Yui needs to power up so that, when she cuts off ties with her family, she isn’t cursed. I’ll probably pick it up.

Manga the Week of 5/31/23

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SEAN: It’s the 31st of May, so get back indoors, you filthy people. (Sorry, Jonathan Coulton joke.)

ASH: I lol’d.

SEAN: Airship debuts, in print, There’s No Freaking Way I’ll be Your Lover! Unless… (Watashi ga Koibito ni Nareru Wake Naijan, Muri Muri! Muri Janakatta!?), whose digital edition came out last month. If you like protagonists who tell you how much they dislike themselves, you’ll love this.

Also in print: Disciple of the Lich: Or How I Was Cursed by the Gods and Dropped Into the Abyss! 5, She Professed Herself Pupil of the Wise Man 7, and The Strange Adventure of a Broke Mercenary 8.

In early digital, we see Free Life Fantasy Online: Immortal Princess 3 and Though I Am an Inept Villainess: Tale of the Butterfly-Rat Body Swap in the Maiden Court 4.

A debut from Cross Infinite World, as we see The Invisible Wallflower Marries an Upstart Aristocrat After Getting Dumped for Her Sister! (Kon’yaku Haki Sareta “Kūki” na Watashi, Nariagari no Dan’na-sama ni Totsugimashita). This too seems to feature a protagonist who puts herself down a lot, but this genre tends to bear that more than the “high school yuri comedy” genre, so I’m a bit more hopeful.

Also from CIW, we see Since I Was Abandoned After Reincarnating, I Will Cook With My Fluffy Friends: The Figurehead Queen Is Strongest At Her Own Pace 5.

From Ghost Ship, we see The Witches of Adamas 5.

J-Novel Club has one debut next week: Villainess Level 99: I May Be the Hidden Boss but I’m Not the Demon Lord (Akuyaku Reijō Level 99: Watashi wa Ura Boss Desu ga Maō dewa Arimasen). This one’s already getting an anime soon. An introverted gamer is reincarnated as the villainess, and does the sensible thing of avoiding most of the cast. The trouble is… man, her stats are so awesome! Her gamer instinct awakens! So she grinds till she’s Level 99, and, well, now she can’t avoid attention.

Also out next week: The Apothecary Diaries 9, Ascendance of a Bookworm 25, Cooking with Wild Game 21, Dahlia in Bloom: Crafting a Fresh Start with Magical Tools 7, Enough with This Slow Life! I Was Reincarnated as a High Elf and Now I’m Bored 2, Gushing Over Magical Girls 6, and I Parry Everything: What Do You Mean I’m the Strongest? I’m Not Even an Adventurer Yet! 2.

ASH: I somehow missed that Cooking with Wild Game was already in the 20s. Probably because I was distracted by apothecaries and bookworms.

SEAN: Kodansha Books gives us another gorgeously illustrated Japanese short story, The Surgery Room, as well as the second volume of My Unique Skill Makes Me OP Even at Level 1, which is slightly less prestigious.

ASH: Very much looking forward to The Surgery Room.

SEAN: Kodansha Books has some print manga. Am I Actually the Strongest? 3, Blue Period 13, A Condition Called Love 3, Fire Force Omnibus 4, The Great Cleric 3, and I’m Standing on a Million Lives 14.

The digital debut is The World of Summoning (Shoukan Suru Sekai). It’s a Bessatsu Shonen series from the creator of Blood Lad. A boy trying his best to be a summoner, who can bring things from other worlds to his own, finds the job is not as popular as he expected.

And we also see Having an Idol-Loving Boyfriend is the Best! 3, My Master Has No Tail 9, Otherworldly Munchkin: Let’s Speedrun the Dungeon with Only 1 HP! 7, The Untouchable Midori-kun 4, and Yozakura Quartet 30.

Debuting from One Peace Books is Parallel World Pharmacy (Isekai Yakkyoku), based on a webnovel (not licensed) and also with an anime. It runs on Comic Walker. A man dies in Japan from overwork, and finds himself in medieval fantasy land, where medicine is the province of shysters and frauds. Time to overwork himself some more, I guess, but at least he has the usual OP cheats…

ASH: I’ll admit to being intrigued by this one.

SEAN: Seven Seas’ danmei line has Heaven Official’s Blessing: Tian Guan Ci Fu 6.

Debuting from Seven Seas is Don’t Call it Mystery (Mystery to Iunakare), which will be an omnibus of the first two volumes. This josei series from Flowers (pause for Michelle and Anna to freak out)…

ANNA: YES! I AM INDEED FREAKING OUT! WOOOOOOOOOOOO!

MICHELLE: Kyaaaaaaa~!

ASH: Oh!

SEAN: By the author of 7 Seeds and Basara (pausing even longer for the same reason)…

ANNA: WHY WILL SOMEONE NOT LICENSE 7 SEEDS, WHY WHY WHYYYYYYYYYYYYYYYYYYYYY.

MICHELLE: I READ A THEORY IT WAS BECAUSE THE ANIME WAS KIND OF LAME BUT I WILL HAPPILY ACCEPT THIS IN ITS PLACE!!!!

ASH: Oooh!!

SEAN: The book is about a young college student with a huge head of hair who keeps getting involved in crimes – first as the suspect, then as the detective! It’s won multiple awards.

ANNA: I AM HYPED UP FOR THIS!

MICHELLE: COULD IT BE BOTH YUMI TAMURA AND A GENUINE MYSTERY MANGA? IS THIS HEAVEN?!?!

ASH: I am here to find out!

SEAN: In non-josei from Flowers by the author of 7 Seeds news (yes, there is some), Seven Seas also has The Duke of Death and His Maid 6, My Room is a Dungeon Rest Stop 6, Polar Bear Café: Collector’s Edition 2, Sakurai-san Wants to Be Noticed 4 (the final volume), Servamp 18, and Skeleton Knight in Another World 10.

ANNA: I mean, I don’t really care if Don’t Call it Mystery coming out.

MICHELLE: Srsly. All other manga is dead to me this week.

SEAN: Square Enix Manga has The Great Jahy Will Not Be Defeated! 5 and SINoALICE 3.

And Steamship gives us the 3rd volume of Ladies on Top.

And that’s it, because it’s the 5th week of the month, so a lot of publishers punt. What interests you?

ANNA: I’m tentatively interested in i>Don’t Call it Mystery. Perhaps.

MICHELLE: Just a smidge.

The Manga Review: Simply the Best

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Words like “icon” and “legend” are so overused today that when a true pioneer dies, it’s hard to describe their legacy. By any reasonable measure, though, Tina Turner was both an icon and a legend, a ground-breaking figure in R&B and rock music whose expressive voice and commanding stage presence radically transformed American popular music. Her voice could be seductive or powerful, heart-breaking or soul-stirring, embodying the real emotion behind even the most banal lyrics. (Who but Tina Turner could make “River Deep, Mountain High” into something glorious?) That she had her greatest success in her forties is perhaps the most astonishing part of her story. At an age when women are often pushed to the margins of the popular music industry, Turner packed stadiums around the world, sold millions of albums, and won legions of new fans through her music videos and standout performance at Live Aid, reminding all of us that artistry is a life-long pursuit. As much as I love her earlier work, though, the song I come back to is one of the last recordings she made: “Edith and the King Pin,” a Joni Mitchell cover she recorded with Herbie Hancock in 2007. The whole album is terrific, but Turner’s contribution is revelatory, a stellar jazz interpretation of Mitchell’s song that is delicate, lyrical, and yet unmistakably Tina Turner:

RIP, Acid Queen!

AROUND THE WEB

Otaku USA has a preview of Alpi: The Soul Sender, a new series from Titan Manga; look for volume one in early October. [Otaku USA]

Tony Yao explains why Tokyo Revengers’ Chifuyu Matsuno is one of his all-time favorite supporting characters. [Drop-In to Manga]

Something old, something new: Kory, Apryll, and Helen compare notes on Lil’ Leo and Oshi no Ko. [Manga in Your Ears]

Join the OverMangaCast gang for a lively discussion of JoJo’s Bizarre Adventure—specifically, the Battle Tendency arc. [OverMangaCast]

Place your bets: Sean, Mike, and Phil have just embarked on their annual Trashtacular Tournament Arc, sifting through the good, the bad, and the ugly so that you don’t have to. [Trash Manga Friends]

REVIEWS

Over at Anime Collective, Kristin reviews the deluxe versions of 20th Century Boys, Blade of the Immortal, and Pandora Hearts… Megan D. jumps in the WABAC Machine for a look at Cipher, a manga with “a great cast, a compelling premise, and great art that looks as fresh as it did nearly 40 years ago”… Adam Symchuk weighs in on Small Nozomi and Big Yume… and the latest Reader’s Corner looks at Helck, Honey Lemon Soda, and the final volume of Horimiya!

New and Noteworthy

Complete, OOP, and Ongoing Series