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Bleach, Vol. 26

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By Tito Kubo
Viz Media, 216 pp.
Rating: Teen

At the end of volume 25, after discovering former soul reaper Aizen’s true objective, tenth division captain Hitsugaya was asked to stay behind for someone who was waiting to speak with him. That person turns out to be his childhood friend, Momo Hinamori, and volume 26 begins with a quietly horrifying scene in which she begs Hitsugaya not to kill Aizen, certain that he must have had good reason for his murderous acts. As short and simple as this scene is, it starts things off very effectively, setting a tone of tense anticipation that continues throughout the volume.

Though this volume’s big drama is saved for the end, its middle chapters provide some rich moments, particularly concerning Orihime, who is told very bluntly by Kisuke Urahara that her combat abilities are too weak for her to play a role in the upcoming battle with Aizen, and that she’d do best to stay out of the way. Orihime has long provided the heart of this series and here, poised on the brink of discovering her true worth, she shines, lending a much-needed warmth to the grim battle preparations that make up much of the volume. Rukia, too, plays a very poignant role here, making the series’ primary female characters the real stars of this volume.

Heavy on characterization and plot development, this volume is a welcome respite for the battle-weary, as it anxiously works its way toward its cruel cliffhanger ending. The volume’s humorous moments work well too, especially a scene in which Yumichika and Rangiku argue about their zanpakuto, each unwilling to admit that the qualities they find most frustrating about them are actually the same as their own.

Though this volume offers very little action, its quiet warmth and tense anticipation make for a nicely satisfying read.

Review copy provided by the publisher. Review originally published at PopCultureShock.

Let’s Talk About Manhwa

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So, I’m starting this entry with the full awareness that I know very little about Korean comics, and the truth is, I’m hoping it will lead to a flood of recommendations and information so that I can remedy that. Everything I say here will be based on the very small amount of manhwa I have read, almost all of which was provided by publishers and given to me to review at Manga Recon. I hadn’t really formed an opinion about manhwa as a whole, but as I was thinking about it recently, I realized that out of the five or so titles I’ve reviewed (most of them multiple volumes), I’ve liked all of them. This makes me want to know and read more.

Soyoung Jung, VP of NETCOMICS, has been quoted as saying that she considers manhwa to be more “poetic” than Japanese manga. I don’t have enough background to necessarily say the same, but I can speak to one genre and the titles I’ve read in it, and that would be boys’ love. Most of the manhwa I’ve reviewed so far has been BL manhwa (and by “most” I mean “three”): Let Dai and Totally Captivated, both from NETCOMICS, and One Thousand and One Nights from Yen Press. All of these are good-sized series (two of them complete at this time), and they definitely have some things in common.

First of all, they all tend to be pretty violent and somewhat melodramatic. This is obviously not the draw, though, as these are the two things (aside from bizarre female fantasy versions of gay men) I’m most likely to complain about in a BL review. So what is the draw? You know, they are all freakin’ epic. They are epic, plotty, multi-volume stories with complicated characters, and that’s the thing I want from comics in general that seems so hard to find in BL. I mean, even while these three Korean series are busy being melodramatic and violent, they are also getting really deep into the characters’ minds and hearts–all their strengths, weaknesses, and contradictions–great, small, ugly, beautiful–and that’s what makes these stories so compelling. It’s also what I’ve been missing in most of the Japanese BL I’ve read. Again, these observations are based on a pretty small sample of books, so there is no way I can claim any of it as Certifiably True, just true to my experience. And judging from my experience only, it wouldn’t be ridiculous to conclude that I like Korean BL more than Japanese BL, which I think I might, and indeed I might describe it as “more poetic.”

Of the other manhwa titles I’ve read so far, only one includes multiple volumes, and that is Yen Press’ series, Comic, which I talked about here. So far it has grabbed me a little less than the other manhwa series I’ve reviewed, but enough to happily anticipate the next volume.

So, what fantastic titles am I missing? There must be loads! What should I know about Korean comics that I’m not going to find out from wikipedia? Talk to me, friends! Teach me about manhwa!

Wild Ones, Vol. 6

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By Kiyo Fujiwara
Viz, 208 pp.
Rating: Teen

After volume five’s focus on holidays and gift-giving between Sachie Wakamura and her Yakuza family, volume six begins with a new school year and the introduction of Sachie’s new teacher who turns out to be her childhood friend, Chi-chan. Unfortunately, Chi-chan has a long-standing grudge against Sachie (of which she is completely unaware) and begins a campaign of harassment with the intent of exposing her family history to the entire school. Fortunately, even Chi-chan is eventually won over by Sachie’s plucky sincerity, and becomes yet another ally by the end. Also in this volume, Sachie saves a man’s family restaurant from unscrupulous loan sharks, and it is this plot that allows further development of the volume’s real drama—the continuing romantic rivalry between Rakuto and Azuma. Not that the rivalry actually gets anywhere. Though Azuma comes very close to confessing his feelings to Sachie, in the end he chickens out, leaving things essentially unchanged.

Out of all the things that are maddening about this series—the unbelievable premise, the warm-fuzzy Yakuza guys, the lack of any actual crime—the most maddening by far is the near suspended animation of the story’s romantic plot. While it’s usually effective to keep romantic tension going for as long as possible, in this case, the romance is just not exciting or complicated enough to withstand the wait. Sachie loves Rakuto, Rakuto loves Sachie, and so it has been for the entire length of the series. Everybody knows this. Nobody appears to object besides Azuma, and even he is visibly frustrated by Rakuto’s persistent inaction. In a more complex story this kind of anticipation might be intoxicating, but here it just makes the drama feel forced and repetitive.

That said, the volume does have some warm moments. The characters grow, little by little, and the uncomfortable bond between Rakuto and Azuma is almost interesting enough to make up for the endless drudgery of the romantic plot. While this series remains decidedly mediocre, there is still some distant hope of it one day finding its spark.

Review copy provided by the publisher. Review originally published at PopCultureShock.

NANA, Vol. 15

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By Ai Yazawa
Viz, 200 pp.
Rating: Mature

After Search’s cruel delivery of a suggestive photo of Ren and Riera at the end of volume fourteen, this volume opens with the fallout from that and Takumi’s brilliantly manipulative efforts to keep the photo out of the papers. Unfortunately, the ramifications of the photo run deeper than that and Nana and Ren’s relationship continues to unravel further. Hachi and Takumi finally get married (thanks to Takumi’s manipulations) and Yasu and Miu begin to solidify their relationship as well. All of this brings Nana’s abandonment issues to the fore as she watches the most important people in her life drifting further away from her. Shin, too, feels the effect of the Search incident as Reira, suddenly aware of how vulnerable her world is to scandal, suggests they stop seeing each other. The appearance of the Search photo highlights how fragile everyone’s world is and how far a single act of thoughtlessness or cruelty can reach.

The expressive genius of Ai Yazawa’s art is what really makes this volume shine, elevating what could easily be trite soap-opera to the realm of top-notch fiction. Her ability to use panel layouts and close-ups to get to the heart of her characters is unmatched. The art feeds the complexity of the characters, transforming them into something that almost feels more real than “real life.” It’s not the art alone, of course. Yazawa resists letting any character fall into pat categories like “good” or “evil,” giving full dimension to each of them and their rich, complicated, gray-shaded world. Even manipulative, controlling Takumi, who frames everything in terms of protecting own interests, is not a clear-cut villain any more than Nana and Hachi perfectly virtuous heroines.

There is an interesting scene early in the volume, where the folks at Search mull over the power that they wield, finally determining that if Ren and Nana break up because of what they print, then the breakup was “meant to be.” “The strength of their bond will be tested,” says one writer, determined to justify the paper’s actions as some kind of righteous social experiment. The lengths to which people will go to justify their own poor behavior is a fascinating (if horrifying) study, and it is this type of insight into humanity that makes Yazawa’s writing so powerful.

Though it is clear that much of the story’s real drama is yet to come, this is a strong volume in an exceptional series that continues to be both beautifully crafted and extremely compelling.

Review copy provided by the publisher. Review originally published at PopCultureShock.

NANA 15, Wild Ones 6, Ache of Head

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Still feel like I’m kind of running on empty over here, and it looks like my website is feeling the same way, considering how slow it’s loading this morning.

I have two reviews out in the world today, both at Manga Recon’s On the Shojo Beat column. The first is for volume fifteen of NANA, and the second for volume six of Wild Ones. The difference in quality between these two series is so great, it would be unfair to compare them, so for the moment let’s just say I really love NANA. Reading volume fifteen gave me the urge to do a re-read of the series so far. I haven’t started yet, but I think I probably will do this. Volume fifteen also provids one of those sporadic moments in which I identify strongly with Nana Osaki. Most of the time I identify really heavily with Nana Komatsu, but when it comes to career drive, it’s all Nana O. I suppose I’m three parts Hachi, and one part Nana, if you think of it like that. This particular instance was very rare, because it actually had nothing at all to do with career. I have (more than once) had the experience of watching everyone around me drifting away, or worse, the sudden realization that everyone is already gone (hello NYC in the couple of years before I left), and I was feeling that hard while reading this volume.

In other news, I have had a headache since Saturday evening, and it won’t really go away. Ugh. Oh, and the guy who draws xkcd has obviously been visiting my dreams. I’m almost forty and I still have these, including just last night. I also still have theater dreams. You know, where it’s time for your entrance, and you realize you never learned the lines/song/dance/etc., and in fact are not sure what the play is. Oh, and you’re going to miss the entrance anyway, because you aren’t in the right costume/shoes/wig, etc. Even after all these years. Wow, my head hurts.

Totally Captivated, volume 6 + links

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I can’t believe I haven’t made a post here in almost a week! Oh, life. So, those who follow me on Twitter will know that I spent last evening hurriedly writing a review, which is not something I was certain I could do. Usually I read a book, think about it for three days, and only then can I even begin to put down any kind of words about it. Last night I attempted to read and review in the same evening. And here is the result! Volume six of Totally Captivated, reviewed at Manga Recon. This is a Korean boys’ love manhwa (published by NETCOMICS) which I enjoyed quite a bit, particularly in its final volume. It’s got a somewhat ridiculous premise, but the characters are extremely well-written and it provides the kind of emotional complexity I love best.

It’s worth noting, too, that I experienced almost none of the readability issues with Totally Captivated at NETCOMICS that I had with Let Dai, which leads me to believe that Let Dai was a victim of particularly poor scanning or reproduction that may even reflect issues with the print volumes.

Speaking of BL manhwa, I also recently read NETCOMIC’s U Don’t Know Me which, despite its weird netspeak title, is actually a really nice BL one-shot. Michelle reviewed it in yesterday’s Manga Minis, and I don’t have much to say that she didn’t, though I am slightly disappointed that it falls into the same old habit of basically ignoring the characters’ sexuality aside from their feelings for each other. I know that it plays into a lot of women’s fantasies to make a couple of guys gay only for each other (rather than gay in general), but it’s also offensive on a lot of levels, and I wish BL authors would stop pandering to that. That said, it’s a very nice story with fantastic characters and a warm, delicate feel, so I’d second Michelle’s recommendation.

Speaking of recommendations, one more link before I go, to Ed Sizemore’s detailed, thoughtful, and all-around awesome write-up of the first twenty volumes of Tsubasa Reservoir Chronicles at Comics Worth Reading. I love this series, and he writes beautifully about it. Go read!

Monkey High! 3 by Shouko Akira: B+

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From the back cover:
On Valentine’s Day, it’s no surprise that playboy Atsu gets plenty of chocolates from fawning girls. But everyone’s shocked when a heart-shaped box is found on Macharu’s desk—especially since it’s not from Haruna! Does Macharu have a secret admirer?

Review:
The trend of basing the chapters around relatively commonplace events continues—there’s one taking place on Valentine’s Day, one on Haruna’s birthday, and one about student council elections. The overall story continues to be pretty episodic, with much silliness from the supporting cast, but the moments between Haruna and Macharu are always serious and always good. I think that’s because Haruna herself is so serious she balances out the wackiness of her classmates.

Like the main couple in High School Debut, I like that it’s easy to see why Haruna and Macharu like each other and why they’re a good match. I get a little annoyed when various characters attest that Haruna really should be going out with Macharu’s friend Atsu because of his looks, but I suppose that does give her the opportunity to unequivocally state that she likes Macharu. There’s a great scene toward the end of the volume where she seeks him out to talk about some thoughts she’s been having, like how she’s not sure what she can do on her own, having always believed the influence of her politician father was in some part responsible for her success at her old school. It’s nice that they can talk to each other so freely. I also love that Haruna many times initiates the smooching, rather than passively waiting for it like some shoujo heroines I could name.

While I’m very happy with the development of the main couple, I could wish for a more memorable supporting cast. Atsu’s easy to remember because he talks so much. Next in recognizability are the guy that eats a lot and the girl from the student council, but that’s seriously all we know about them. There are a couple of other boys and girls who appear and have lines of dialogue and stuff and I have no idea what their names are or anything. I don’t want the story to veer off and focus on one of these classmates or anything, but they’re meaningless as they are.

Sayonara, Zetsubou-Sensei + Geekiversary!

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First of all, my review of Sayonara, Zetsubuo-Sensei, Vol. 1 is finally done and posted at Manga Recon. I really enjoyed this book, and though I haven’t read any other full reviews of it yet, I get the feeling most people will either be pretty delighted with it or be completely baffled that anyone could be. Its humor just happens to hit my funny bone just so, which is a pretty great thing!

Secondly, I’ve been waiting until I was finished with the review to talk about my anniversary, so it is finally time! Besides a lovely dinner and so on and so forth, the main feature of the day was that we both got Blackberry Storms! Yes, we spent our wedding anniversary geeking out over new phones, do you have a problem with that? We geeked out at home, we geeked out at the restaurant. All in all, the “Geekiversary” (as we named it early on) was pretty fantastic, and now that I’m finally done with that review, I am finally allowed to really play around with my new toy! I’ll begin with two photos I took this morning of my office. The camera on the Blackberry blows away the one on my old phone (though my skills are sadly the same). …

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Sayonara, Zetsubou-Sensei, Vol. 1

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By Koji Kumeta
Del Rey, 192 pp.
Rating: OT (16+)

Schoolteacher Nozomu Itoshiki is pessimistic, depressed, and fed up with the world. He is first introduced attempting to hang himself from a cherry tree, where he is discovered by student Kafuka Fuura, who nearly kills him in the process of trying to pull him down. “What if I had died?” Nozomu exclaims, setting the tone for this whimsical black comedy from the start. Kafuka is the polar opposite of Nozomu, excessively optimistic to the point of delusion. Unable to believe that anyone could consider suicide on a beautiful spring day, she insists that Nozomu must have been trying to “make himself taller,” a practice she confesses her father took up often when faced with hard times. “At times, even mother would try to grow taller,” she says brightly, pushing Nozomu’s patience to the limit. Thus the two who never should have met, meet—the man who views everything negatively, and the girl who views everything positively.

Despite the inauspicious nature of their meeting, it seems that it was destined (or at least unavoidable), as Nozomu soon discovers that Kafuka is a student in his new class. The rest of the volume proceeds to introduce Nozomu’s other students one by one, each of whom is an extreme example of a dysfunctional stereotype—a stalker, a hikikomori (shut-in), an obsessive-compulsive, an abusive e-mailer, et cetera—most of whom develop some kind of fixation with their teacher. Though the premise could easily become mean-spirited, it never does, and each of the characters is presented with both humor and affection, the most poignant perhaps being Nami, the “ordinary” girl, whose only defining trait (much to her dismay) turns out to be that there is nothing really wrong with her at all.

Nozomu is not exactly a misanthrope, though he does suspect most people of plotting to wrong him, and he bonds with his students in spite of himself, if sometimes in slightly disturbing ways. Yes, he tears down their aspirations, belittles them with low expectations, engages in blatant favoritism (“Hold it! Don’t bully the girl I’m favoring.”), abandons them in class, and occasionally evaluates them as potential candidates for double-suicide. Yet somehow, through the filter of Koji Kumeta’s dark humor, he manages to be charming and almost warm as he leads his small band of misfits down the road to despair. His students are delightful, each in her own way, but Nozomu is the unlikely touchstone who keeps things grounded, and during the chapter or two in which he plays truant, his absence is keenly felt. Fortunately, the humorous payoff when he finally returns to the page is well worth it.

The real secret to this manga’s success is that nothing is ever allowed to become too serious or biting. The humor is dry but never bitter, and though some of the jokes translate better into English than others, each leads deftly into the next, showing off Kumeta’s satirical prowess. Even the fan service is played for laughs, deliberately inserted into the most absurd situations. The humor is sharp but never cutting, and the juxtaposition of complex satire, silly puns, and simple sight gags ensures that the mood remains light throughout.

One of the best visual gags happens quite early on as the book introduces Matoi Tsunetsuki, a girl who obsessively stalks any guy she falls for. After becoming interested in her teacher (Nozomu) she begins following him. This causes the boy she was previously interested in to become jealous, and so he starts following her. Another girl who is interested in that boy notices, and starts stalking him, and so on, until there is finally a chain of stalkers, each following the last with minimal subtlety.

The art is nicely clear and deceptively simple. Most of the girls are so similar in design, they look like a single girl with interchangeable hair, though the level of individuality granted to them with just hairstyle and expression is pretty impressive. The overall design is more complex, filled with fantastic angles and fun backgrounds, all in a wonderfully crisp style that manages to be both detailed and clean at the same time.

The book is dense with obscure jokes and Japanese cultural references, painstakingly annotated by translator Joyce Aurino over a whopping twelve pages at the back of the book. With so much information provided, it is easy to fall into the habit of checking the endnotes obsessively while reading, but this is really not a good idea. With a few exceptions (and despite what must have been an incredibly difficult translation process), Aurino’s adaptation stands strongly on its own, and though the notes are very interesting and informative, the interruption of the reading experience is simply not worth it. In most cases the context itself is sufficient, at least for the first read-through, and the notes can be viewed as an enlightening bonus to be enjoyed afterwards. With multiple layers of satire at work, this is definitely a book worth re-reading, so there are plenty of opportunities to catch new jokes that may have slipped by on the first read or two.

It is probably safe to say that the success of Sayonara, Zetsubou-Sensei with any individual reader will depend entirely on whether or not that reader’s sense of humor meshes with Kumeta’s, and this question should be clearly answered by the end of the first chapter. If it’s not funny by then, it’s never going to be. But for those who are laughing by the end of the chapter, this book will provide a rare treat which, thanks to Del Rey, is about to become more common.

Review copy provided by the publisher. Review originally published at PopCultureShock.

Monkey High! 2 by Shouko Akira: A-

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From the back cover:
Haruna and Macharu head off to the amusement park for their official first date! But how romantic is the date going to turn out with scary roller coasters, guys hitting on Haruna, and even rowdy classmates popping up?

Review:
Considering that my two complaints about volume one were its clichéd events and annoying supporting characters, this back cover blurb didn’t do much to entice me. Thankfully, the contents were better than described.

I continue to like the main characters and the contrast between them. Macharu is all spazzy, hyper, and enthusiastic while Haruna is beautiful and “cool.” It’s so nice to have a shoujo heroine who’s smart and reserved! The pain of her broken home life weighs on Haruna, and we see more evidence of that in this volume, so it’s nice to see her laugh in Macharu’s presence. She really needs someone like him, and this is the reason why she ultimately keeps some of her problems from him, to avoid damaging his carefree outlook.

The overall plots of these chapters are pretty silly—an amusement park date, the gang participating in a big quiz show, et cetera—but there are plenty of good character moments sprinkled throughout. There’s also a really cute bonus story about Macharu’s little sister, Misato. Usually the bonus stories included in manga don’t do much for me; this is probably the best one I’ve read in some time.

A few lunchtime thoughts

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Just a few loose ends on this lunch hour. Today is my eighth wedding anniversary, so I probably will not be online much this evening, but there are a couple of things lurking in my head which I will try to type out now.

Random: I finished Sayonara, Zetsubou-Sensei last evening in preparation for writing a review this week for Manga Recon, and it is one of those comics that makes me really, really wish I could read Japanese. Also, I’m really looking forward to completing my review so that I can finally read everyone else’s.

Also, someone’s comment early this morning got me thinking more about the discussion of online identity, specifically what I value most when I’m assessing someone’s credibility online. I replied in comments with my thoughts, but I’ll share them here as well. …

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Monkey High! 1 by Shouko Akira: A-

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From the back cover:
Haruna Aizawa thinks that school life is just like a monkey mountain—all the monkeys form cliques, get into fights, and get back together again. The school that she just transferred to is no exception. There’s even a boy called Macharu Yamashita who reminds her of a baby monkey!

It’s hard enough fitting in at a new school while dealing with family problems… Will Haruna remain jaded and distance herself from everyone around her? Or will Macharu win her over with his monkey magic?

Review:
Viz really does have some quality shojo of the high school romance genre. Love*Com, High School Debut, We Were There, and now Monkey High!. Each one that I’ve read, I’ve really liked a lot.

Haruna Aizawa’s father is an upstart politician at the center of a corruption scandal. Because of this, she transferred into a new high school, but the group dynamics—which she compares to a gang of monkeys—are much the same. She strives to keep her distance, but one boy manages to befriend her. Macharu is rather scrawny and not generally someone a beautiful girl like Haruna would consider the ideal boyfriend, but he’s kind, considerate, and sincere and before Haruna realizes it, she’s fallen in love with him. They receive instant support from their classmates who think the mismatch has great potential to be interesting.

Haruna and Macharu are both interesting characters, and it’s awfully refreshing to read a title where the heroine is not earning the affections of the dreamiest, most popular boy in school. Also, Haruna has had boyfriends before, so is not going spazzy over having attracted a boy’s notice. There are some genuinely cute moments between them, and I’m happy to see them become a couple so quickly, as I tend to like stories where getting together is only the beginning of the story, rather than its culmination.

There are some things I found a little annoying, though. The three chapters in this volume deal with the school play, school trip, and Christmas, respectively. Is Akira-sensei just getting the clichés out of the way up front? I’m a little worried. Also, I didn’t find it funny when Haruna and Macharu’s classmates just happened to be eavesdropping on the lead pair at a few crucial moments, interrupting with their antics.

Considering how often I grumble about unfunny attempts at comedy in manga, I wouldn’t blame anyone for concluding that I simply have no sense of humor. I assure you that isn’t the case; I just don’t like it when it isn’t part of the story but instead disrupts it.

Monkey High! was originally published in Japan as Saruyama! and is complete with eight volumes total. Viz is releasing it in English and five volumes have been published so far.

Papillon 2 by Miwa Ueda: B-

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Shy Ageha has long dwelled in the shadow of her beautiful and popular twin sister, Hana. With help from her school’s new guidance counselor, however, she’s begun to transform herself. In this volume, she reconciles with her mother after years of feeling that her parents preferred Hana and even moves on romantically when she realizes that her feelings for Ryûsei might not actually be love.

Papillon is a pretty fun series, and I definitely enjoy seeing family issues get some attention in a manga. The reconciliation between Ageha and her mother is a bit too easily achieved, but when’s the last time you saw a shojo manga heroine enjoy a nice warm hug with her mother? Not often, I’d wager.

On the negative side, I can’t help but feel that the actions of Ichijiku-san, the counselor, are incredibly inappropriate. He has groped Ageha a couple of times (apparently accidentally) and playfully made pretend advances upon her that would get him fired about a hundred times over in the real world. It takes me out of the story that he’s doing these things and is seemingly unconcerned about the occupational repercussions.

What I liked best about volume one—the relationship between Hana and her scheming sister—takes a backseat in this volume, but the way Hana lurks about looking furious as Ageha reconnects with her parents suggests there’ll be more sisterly strife in the future, which is all the reason I need to read on.

Review originally published at Manga Recon.

Just five more minutes, mom…

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It’s an ugly morning here in western Massachusetts, with snow, freezing rain, oh and that thing where it’s AN HOUR EARLY. *weep* I’ll be heading out to work shortly, but I do have a review out there this morning in today’s Manga Minis column. The review is for the two most recent volumes (4&5) of the Korean series, Comic, and though I enjoyed the first three volumes more, it still interests me as a series and I’m hoping the next one will offer less romantic drama and more of the story’s main plot.

Now I must prepare myself to face the elements. Later!

Musings on online identity

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Hello all. I’ve been nursing a severe case of crankiness with a side of the blues over the past couple of days which has made me a poor blogger. Hopefully this will soon pass.

There’s been a disturbing exchange going on in sci fi fandom recently, which I won’t get into here because everything useful has already been said (my favorite post is actually by a friend of mine, here, which also links to this astonishingly thorough nutshell), but something that has become a side-issue of sorts is the question of using pseudonyms on the internet, and whether doing so diminishes a person’s credibility or perhaps even negates it entirely. As a person who has interacted online both using a pseudonym and using my real name, I find this attitude perplexing at best. Names, after all, are loaded things, capable of both giving someone power and taking it away. Let me explain what I mean by that….

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