Features & Reviews

Genkaku Picasso, Vol. 2

January 21, 2014 by Ash Brown

Creator: Usamaru Furuya
U.S. publisher: Viz Media
ISBN: 9781421537542
Released: February 2011
Original release: 2009

Genkaku Picasso was the second multi-volume manga series by Usamaru Furuya to be released in English. The first was a seinen gag manga called Short Cuts which, like Genkaku Picasso, was published by Viz Media. Genkaku Picasso is very different from Short Cuts. It’s an example of one of Furuya’s few shōnen manga and is currently his only shōnen series available in English. Furuya is an extremely versatile artist, changing styles, genres, and demographics to suit his needs. He had his start in alternative manga, but Genkaku Picasso, while quirky, is a more mainstream title. Initially serialized in Jump SQ, the second volume of Genkaku Picasso was released in Japan in 2009. Viz Media published Genkaku Picasso, Volume 2 under its Shonen Jump imprint in 2011. I found the first volume of Genkaku Picasso to be intriguing, but more uneven and less compelling than some of the other manga by Furuya that I had read. But with the second volume, the series finds its footing.

After a bizarre near-death experience, Hikari Hamura, given the nickname Picasso by his classmates, finds himself in an even stranger predicament. Chiaki Yamamoto, a victim of the same accident that nearly killed Picasso, is now small enough to fit in his pocket and is sporting angel wings. Picasso himself has gained the ability to see into people’s hearts and minds. Compelled to draw what he sees, he can literally enter into the psyches of others through his illustrations. Using this newfound power, Picasso is able to help his fellow classmates. Not that he really wants to go to all that effort. In fact, he’d much rather be left alone to concentrate on his artwork. But unless he wants to let his arm rot away–another peculiar consequence of his accident–Picasso must do what he can to help those around him. With Chiaki’s assistance and prodding he has successfully resolved some of his classmates problems and has even gained a few friends in the process, but Picasso is still incredibly reluctant to get involved.

Although there has always been an ongoing story in the series, the beginning of Genkaku Picasso felt fairly episodic. However, with the second volume the series starts to become a bit more cohesive. The stories in the first volume seemed to be resolved a little too simply and cleanly, but as Genkaku Picasso progresses it becomes apparent that it’s not really that easy. Picasso has helped some of his classmates (though they are only aware of that subconsciously) but they continue to have problems; he hasn’t solved everything for them. The first volume’s stories had a “one and done” sort of feel to them while the issues in the second volume, even after they are initially resolved, are long-lasting challenges. They are things that the characters may very well struggle with for the rest of their lives. I much prefer this approach since realistically matters of the heart and mind are not so easily mended. I think Genkaku Picasso becomes a stronger, better series with the inclusion of these more complicated and nuanced narratives.

From the very beginning one of Genkaku Picasso‘s strengths has been its artwork, something that continues to be a highlight in the second volume. Furuya uses a variety of art styles in the series. Picasso enters the drawings he creates of other people’s hearts. They are filled with beautiful, surreal, and even disturbing imagery, allowing Furuya to creatively illustrate and explore the characters’ internal states of mind. But probably the greatest reason that I find the second volume of Genkaku Picasso to be more effective than the first is that the problems that Picasso must help to try to solve happen to be more relevant to me personally. For me, many of the stories in the first volume were little far-fetched while those in the second volume are a bit more realistic and universal. Most of them focus on love, romance, gender, or sexuality which are themes that I have a particular interest in. I could personally identify with the characters in Genkaku Picasso, Volume 2 in ways that I previously couldn’t. I did enjoy the first volume of Genkaku Picasso, but I was able to appreciate the second volume even more.

Alice in the Country of Joker: Circus and Liar’s Game, Vol. 2

January 20, 2014 by Anna N

I enjoyed the first Alice in the Country of Hearts series much more than I expected to. I’ve since tried out some of the sequels here and there, and I think this series is one that I’ve enjoyed the most, just because the storyline seems to echo back to the first series in both theme and tone. While most of the other Alice series that I’ve read tend to focus more on what I think of as the core cast of characters, Alice in the Country of Joker introduces the Circus as a new place and the mysterious Joker accompanies the Circus. It is April season, which is a different and unsettling time for the inhabitants of Wonderland.

The second volume of the series continues with many of the things I enjoyed about the first. There are flashbacks to Alice’s previous life that hint at the psychological issues that might cause her to take refuge in Wonderland. Alice is reminded of her sister as she spends time with the obsessive white rabbit, Peter White. Blood Dupre continues his flirting campaign, but the influence of the Circus and the barrier that Nightmare placed in Alice’s mind are in conflict. There seems to be a cyclical conflict between the Circus and the rest of Wonderland, and Alice is trapped in the middle of it. The unsettling tone and hints of suspense were more of what I tend to look for in one of these many Alice stories. So far, this is the main spinoff series I would make a point of recommending to fans of the first Alice in the Country of Hearts. I still miss the art from Soumei Hoshino in the original series. There isn’t anything really wrong with the illustrations of the adapter here, but Hoshino’s art was more delicate and surreal, adding another dimension to the Wonderland portrayed in these stories.

My Week in Manga: January 13-January 19, 2013

January 20, 2014 by Ash Brown

My News and Reviews

There were three posts at Experiments in Manga last week, only two of which were mine. First up was my review of Negi Banno’s S.S. Astro, Volume 1, a yonkoma manga about a group of young, twenty-something high school teachers. Sadly, the series was canceled before a second volume could be released. The review is the second manga for my Year of Yuri review project. My other post last week is a part of my continuing efforts to track down manga podcasts. Discovering Manga: Podcasts, Part 3 takes a look a three ongoing podcasts that started in 2013. Also last week, I was happy to welcome Jocilyn Wagner as a guest to Experiments in Manga with her review of Hiroki Ugawa’s Shrine of the Morning Mist, Volume 1.

On to interesting things found online! Alexander Hoffman posted a Lessons from the Crater Project over at Manga Widget, which is a great summary of the events surrounding the Kickstarter project for Osamu Tezuka’s The Crater. The Daily Dot has an excellent overview of the debate over Zoë Hange gender in Attack on Titan, which has apparently become rather heated in some circles. Opening Ceremony took time to talk to the wonderful folks behind Massive–New-to-OC Brand MASSIVE on Husky Gay Asian Erotica. I also particularly enjoyed reading Tony Yao’s post The Beautiful Negativity of Seinen over at Manga Therapy.

One last thing: Usamaru Furuya’s birthday is on January 25. In honor of that, I’m declaring this week Usamaru Furuya Week at Experiments in Manga. Basically, it’s an excuse for me to get around to reviewing the rest of his manga, which I’ve been meaning to do ever since I hosted the Usamaru Furuya Manga Moveable Feast a couple of years ago. So, I’ll be posting a whopping five reviews this week! I hope you enjoy.

Quick Takes

Arisa, Volume 12 by Natsumi Ando. Since its beginning Arisa has gone through so many disconcerting twists and turns, how is it possible that the twins look so utterly happy on the cover of the final volume? For the most part, I was satisfied with the ending of Arisa. Things aren’t resolved as happily as the cover might imply, which I find appropriate considering the darker aspects of the story. And I wouldn’t want everything to be tied up neatly. Once again though, some of the plot twists are a little ridiculous and over-the-top. I’m all for heightened drama, but I also like it to at least make some logical sense. Admittedly, Arisa can be a bit of a mess. Even so, I really enjoyed reading the series. Also included in this volume is a rather silly side story that takes place before the events of the main series. In this case it’s Arisa posing as her sister instead of the other way around. The results are amusing though not particularly believable. Granted, at this point I’m not expecting Arisa to be particularly believable anyway.

Eyeshield 21, Volumes 28-31 written by Riichiro Inagaki and illustrated by Yusuke Murata. I’ve discovered that, for some reason, I really like sports manga, even when that sport is something that I’m not particularly interested in in real life. For example, American football. Yet here I am thoroughly enjoying Eyeshield 21, completely caught up in the Deimon Devil Bats’ fight to reach the Christmas Bowl. And a fight it is. These volumes focus on the game between the Devil Bats and the Hakushu Dinosaurs with an emphasis placed on football as a combat sport. (I’ve actually never really thought of football that way before, so that was an interesting take on the sport for me.) The Dinosaurs have a habit of intentionally sending their opponents to the hospital, so it’s a fairly rough game. The face-off between the two teams also shows just how far Sena has come as a player since the beginning of the series. Once a weakling pushover, he’s now become much more confident in his abilities and in himself. I’m very excited to read more of Eyeshield 21.

Hetalia: Axis Powers, Volumes 4-5 by Hidekaz Himaruya. I know just as many people who absolutely hate the Hetalia franchise as I do people who absolutely love it. I wouldn’t necessarily call myself a rabid fan, but it is a series I follow. I do, however, generally prefer the anime adaptation over the original manga. For some reason, even though the anime and the manga both make the same jokes, I find the anime to be funnier. There are times that I just can’t seem to figure out what the punchline is supposed to be in the manga. The manga still can make me laugh, though, and I even occasionally learn a bit of history in the process, which I appreciate. The number of countries involved in Hetalia continues to grow with these volumes, including more female personifications which is nice to see. The Netherlands in particular seems to get a fair amount of page time this time, too. Hetalia does rely heavily on stereotypes for its humor, but I don’t get the feeling that they’re being used maliciously or to be deliberately offensive.

White Brand by Youka Nitta. Although I didn’t realize it until reading the afterword, apparently White Brand was Nitta’s first collection of boys’ love short stories. I’ve now read several of Nitta’s manga, but it seems that they tend to be fairly hit-or-miss for me. Despite Embracing Love actually being one of my favorite yaoi series, none of Nitta’s other works have really grabbed me. That hasn’t especially changed with White Brand, though I did like it more than The Prime Minister’s Secret Diplomacy. White Brand collects five short boys’ love manga. I’m not sure if it was an intentional or not, but a recurring theme throughout most of the stories is opposites. “White Brand” is about cousins with different color skin tones. “Teal End” is about two men from different countries. “Exhibition Painting” features men from very different classes and walks of life. “One Size Fits All” is somewhat frivolous story about a tall model and a much shorter man. “Hasta la Vista, Baby” is the only story that this play on opposites isn’t immediately obvious.

Mushishi: Sun-Eating Shade directed by Hiroshi Nagahama. I won’t lie–I love both the Mushishi manga and the anime. I was very excited when the special episode was announced and thrilled when Crunchyroll picked it up so that I could actually watch it. Although about twice as long as the individual episodes of the anime series, Sun-Eating Shade matches the tone, atmosphere, and ambiance perfectly. I was very happy to see that the same animation style was kept for the special episode. The backgrounds are still gorgeous, the music is still haunting, the pacing is still relaxed and unhurried. Mushishi has always been a rather episodic series, but I liked how Sun-Eating Shade made references to and loosely tied together several stories adapted in the first season of the anime. If someone didn’t enjoy the original anime series, there is nothing in Sun-Eating Shade that will change their mind. But established Mushishi fans (like me) probably won’t be disappointed with the special episode. I’m looking forward to the second season of Mushishi a great deal.

Fairy Tail, Vol. 32

January 20, 2014 by Derek Bown 1 Comment

Fairy Tail, Vol. 32 | by Hiro Mashima | Yen Press – The Grand Magic Games start in earnest with a game of “The Hidden” where the contestants must discern which of their opponents is real, in a way that makes me think Hiro Mashima was playing a bit of Assassin’s Creed at the time he wrote this story. Gray and Juvia try to win it for Fairy Tail, but the sinister Raven Tail marks them and constantly harasses them until they end the game at the bottom ranks.

From there, the tournament continues into regular combat with Fairy Tail doing their best but due to outside influence both Lucy and Jellal (who is disguised as Mystogan) lose their battles, ending with both their teams in dead last. It all ends, after some other battles from the different competing guilds, with Charle making a dire prediction for their future.

Where I enjoyed the last volume a lot more than I thought I would, this volume was a couple steps backward for me. The biggest problem is that we see exactly why tournament arcs are such a tiresome trope in action manga. It’s nothing but fights for several chapters as we get through all the non-Fairy Tail wizards. That’s not to say the fights aren’t interesting. In fact Mashima does mix things up by including other types of competition, and Lucy and Jellal’s fights are well done. In Jellal’s case it’s a matter of just being really funny, but Lucy’s fight is another matter.

While the outside interference and unfair methods practiced by Raven Tail during Lucy’s fight really make us hate them, I find that the fight falls flat because I am unable to suspend my disbelief that nobody would notice that Flare is threatening Bisca and Alzack’s kid to keep Lucy from fighting back. Are we seriously supposed to believe that these two don’t even bother looking at their kid from time to time? Even if they aren’t worried about her being kidnapped, being surrounded by friends and all, isn’t it common practice for parents to at least glance at their child every once in a while? I’m pretty sure that if I were a parent I would like to keep my child at least in my peripheral vision.

And if they were keeping her in their peripheral vision, how did they not notice the speck of bright red that suddenly appeared in the corner of their eyes! It’s all used to make Natsu look cool, which we’ve had more than enough of, when a different manga artist would have played how obvious the whole thing was as a laugh.

But the biggest problem with the volume is the stretch of individual fights right towards the end. We get the big game, we get Lucy’s fight, but then suddenly we get a bunch of characters fighting that we don’t care about. And while Jellal and Jura’s fight is great, we’ve still been fatigued on fights in general by the end and the volume itself doesn’t leave a good taste in our mouths. So as far as essential volumes of Fairy Tail go this one is not among them. There certainly are worse volumes out there but were I not an avid collector, as most manga fans are, I’d consider skipping this one.

A major problem this time around, even compared to last month’s volume, is the excessive fanservice. The fight with Lucy and Flare is impossible to take seriously solely because most of the panel layout seems to be to show off the assets of the fighters in the most erotic way possible. I don’t like to dismiss Lucy as the fanservice character, since she has had some great moments in the series, but her inclusion in the story is feeling more like she’s the one selling all the copies of this series to a target demographic of teenagers who haven’t figured out how to type the word “hentai” into google.

And yet, complain though I might, I do still enjoy this series. This just happens to be a volume that doesn’t have the useful distraction of good story or humor to distract from Mashima’s descent into complete ecchi artist.

Bookshelf Briefs 1/20/14

January 20, 2014 by Sean Gaffney, Anna N and Michelle Smith Leave a Comment

This week, Sean, Anna, & Michelle look at recent releases from Seven Seas, Viz Media, SuBLime, and Kodansha Comics.

Alice in the Country of Hearts: The Mad Hatter’s Late Night Tea Party, Vol. 2 | By QuinRose and Riko Sakura | Seven Seas – If this were the first Alice volume that a casual reader had read, I think they’d be pretty satisfied. At only two volumes, Alice and Blood not connecting doesn’t last long, there’s lots of discussion of the basic themes of this world, and we get some mafia madness with a few timely rescues. As someone who’s been following all the spinoffs, though, it’s all a bit same-y. It’s likely a lot easier with the game, where you can purchase one copy and explore all the different routes. Here, as individual manga series, it’s like starting over again each time, with a slightly diminished return. Some of the spinoffs make it worth seeing what they do to poor Alice, but while this is skillfully done, there’s nothing here we haven’t read before, so in the end it’s inessential. – Sean Gaffney

Crimson Empire: Circumstances To Serve A Noble, Vol. 3 | By QuinRose and Hazuki Futaba | Seven Seas – With the Alice series, while she’s quite a good protagonist, I tend to be more interested in her male partners. In this series, it’s the reverse – I find the men rather dull, but Sheila fascinates me. There’s a core of self-loathing to her that Alice simply doesn’t have, even with the tragedy in her life that she’s forgotten. Indeed, even after her lover wins the day, and the two admit they’re in love, Sheila still thinks nothing has changed, except now she’ll be bodyguard for a different man. Sheila IS her profession, which is assassin/bodyguard ninja maid. Anything else is just beyond her, both subconsciously and consciously. And that’ means that despite its happy ending, Crimson Empire seems a lot more melancholy than Alice in the Country of Hearts. – Sean Gaffney

Fairy Tail, Vol. 33 | By Hiro Mashima | Kodansha Comics – After a somewhat teeth-grinding Vol. 32, it’s nice to see *some* things go our heroes’ way in this volume. Mirajane wins, as expected, but she gets the comedic fanservice win – though it does end in a powerful finish. Elfman also impresses, taking the fight that was supposed to be Erza’s and managing to be the manlier man. There’s a few other amusing things here as well, which is good, because there are implications of very dark things to come. Saber Tooth and Raven Tail are looking like even worse guilds than we expected, and the way they’re treating their members (female, of course – Mashima tends to have his women suffer nobly) is horrid. And what does Lucy have to do with everyone’s plans? This volume has a good balance between ‘tournament battle’ and other plot, overall.. – Sean Gaffney

Natsume’s Book of Friends, Vol. 15 | By Yuki Midorikawa | Viz Media – I don’t even know where to begin in expressing my utter adoration for this series in general and this volume in particular. There’s just so much to love: the wistful tone, the episodic stories that still advance the overall plot; the comic relief provided by Nyanko-sensei; the yokai, who are often sweet, sad, and endearing; and, of course, Natsume himself, who is better able to discover the reasons for yokai activity at a former exorcist’s home than anyone else and single-handedly responsible for resolving things peacefully. As if all of this weren’t great enough (and it is), the last chapter in the volume is a special episode about Toko and Shigeru, the distant relatives who took Natsume in when the rest of his family had written him off as disturbed. It is simply lovely and prompted many a sniffle. Natsume’s Book of Friends is a true gem. – Michelle Smith

NightS | By Kou Yoneda | SuBLime Manga – Having enjoyed Kou Yoneda’s No Touching At All back in 2011, I was pretty eager to check out NightS, even though it’s a compilation of short stories, which aren’t really my thing. None of the stories included here is terribly unique in premise—an attraction between a “transporter” and a yakuza, a fairly standard high school romance, love blooming at the car dealership—but Yoneda fills her stories with intelligent, natural-seeming dialogue and characters (well, at least the adult ones) with interesting personality quirks and flaws that impact how they approach relationships. While the format prevents achieving much depth, and hence prevents the volume from matching No Touching At All for quality, it’s nonetheless an enjoyable read. – Michelle Smith

Pokemon the Movie: Genesect and the Legend Awakened | by Momota Inoue | Viz Media I have to admit, I am not really all that interested in Pokemon, but Pokemon fever is raging through my kids’ elementary school, so I read this book with them. This is a stand alone one-shot movie adaptation centering around the story of an ancient Pokemon called Genesect who has suddenly awakened, causing trouble for the present day Pokemon and their trainers. Mewtwo takes on an important role in dealing with the Genesect, although Ash and Pikachu also contribute. The art is consistent, my kids enjoyed spotting all the Pokemon, and they smuggled it out of the house to show off at school. So if you have young Pokemon fans, I feel safe in predicting that this manga will appeal to them! – Anna N

Rurouni Kenshin: Restoration, Vol. 2 | By Nobuhiro Watsuki | Viz Media – This wraps up the revisiting of Rurouni Kenshin prompted by the recent live action movie. Really, the original series was so great, revisiting the series in a slightly different form wasn’t really all that necessary. Still it was nice to be reminded of Watsuki’s facility with character design, especially the villians, and most characters from Kenshin got a little bit of a showcase. This second volume featured more turns from Saito and Yahiko, as they also battle in the Meiji era. Even Watsuki’s author notes seem to indicate that he was going through the motions a little bit, pointing out small things that he changed that he ended up regretting. Really, the original series is so much more charming than this version, most people would be better off just picking up some of the VizBig versions if they are interesting in reading this shonen classic. – Anna N

Shrine of the Morning Mist, Vol. 1

January 19, 2014 by Jocilyn Wagner

I am very pleased to introduce Jocilyn Wagner to readers of Experiments in Manga. Jocilyn doesn’t currently have a platform of her own, but she was still interested in occasionally writing about manga. And so, I’m happy to offer up some space here and welcome her to Experiments in Manga as a guest.

Greetings and Salutations! Some of you might know me from my love of yuri and occasional manga and light novel translations, but that’s not what I’m doing this time. Instead… I thought I’d introduce you to some of the most forgotten and/or unappreciated (usually for good reason) manga I own, which have, in all likelihood, never before been reviewed on a Manga Bookshelf blog!

* * *

I’d like to begin with a title that was so under-sold and under-appreciated it literally debuted at number 92 in graphic novel sales. The year was 2006; it was the end of an era. I’d just wrapped up my undergrad and year-long stint as president of the Western Michigan Anime Addicts and my heart was still full of some of the incredible anime we’d enjoyed: Paradise Kiss, Madlax, Last Exile, Read or Die, the list goes on. In my youthful vigor and utter boredom I was working on one of the many anime subtitling teams (in the days before Crunchyroll a great many of these existed if you can believe it!) editing scripts for #Ishin, when I was asked to finish up work on a silly series no one was watching. It was bizarre, ugly and ridiculously cute, and the episodes were so short it would be a breeze. I’m speaking of course of Asagiri no Miko (朝霧の巫女). You may now groan and pinch your noses in despair and hopefully save yourself the trouble of reading the following review of TokyoPop’s 2006 edition of the series they called “Shrine of the Morning Mist.”

The name has always been something of a sticking point with me since a literal translation would be closer to “shrine maiden of the morning mist” but then, I suppose TokyoPop didn’t want to confuse people with the bull in a china shop, Kannazuki no Miko, for which they’d already used the term (never mind the fact that the miko in Asagiri no Miko actually resemble real miko and Himeko and Chikane are rather infamous, but not for their pious purity), but I digress.

Ugawa Hiroki’s story is usually seen as a seinen action comedy, but I always thought of it as a supernatural slice-of-life romance. In the fine tradition of early 2000s dating sims, the story revolves around a loner teenage dude (Amatsu Tadahiro, usually referred to as Hiro) who returns to the home of his childhood and some of the girls he left heartbroken in his wake. In this case, the brokenhearted is his cousin Yuzu who is painted to be a fiery but loveable tsundere, as well as his closest childhood friend. Yuzu is the middle child of three girls: Kurako, the eldest, is quiet, thoughtful and spiritually driven and has made it her goal to bring the two star-crossed lovers back together. She reminds me of a cross between Belldandy and Toudou Shimako. Yuzu’s younger sister Tama-chan is the fun rascal who dotes on “Hiro Onii-chan” but often speaks with a maturity beyond her years. Actually she very closely resembles Yukino’s sister Kana from Kare Kano, except she isn’t a manga geek. Their father, in his insane knee-jerk reactions to everything, sketchy behavior and extreme unpopularity could easily be mistaken for Shimura-sensei of Azamanga Daioh! fame. A chapter or two into the series, we’re introduced to the girls’ mother Miyuki. I’m not at all sure how to describe Miyuki since she isn’t given a lot of dialogue in this volume. She’s really rather unlike other manga moms: she arrives on the scene with a samurai-like speed, agility and appearance, wielding a bouken and saves Hiro from becoming breakfast to a giant cyclops. The reader’s told she’d been sent to Izumo, so one might infer she’s a gifted Shinto priestess, but it’s not at all clear at this point. Finally, we’re introduced to Koma-san, a mysterious short-tempered but otherwise solemn woman who claims to have known Hiro’s father, though he had died before Hiro was born and this woman looks to be in her mid-to-late 20s. The way Koma is drawn, I can’t help but be reminded of Yumura Kirika, except Koma is endowed with some rather annoying feline qualities. No doubt inspired by a little known game at the time, Tsukihime.

The plot is tragically somewhat thin. Hiro has been traveling, searching out his way in life and has finally come home to the quiet town of his childhood (Miyoshi, in Hiroshima Prefecture). His cousins, the Hieda sisters put him up for the night but are hesitant to let him go since it’s obvious Yuzu still has feelings for him. From the moment he arrives, Hiro is hellhounded by a mysterious sorcerer who wears a tengu mask and summons a host of cruel-intentioned spirits to eliminate Hiro and his spiritual potential before it upsets the balance of something or other. Tengu-san and Hiro have many annoying random encounters in which Tengu-san is always easily defeated by the sisters, and a thoroughly incompetent yet nevertheless unappreciative Hiro is saved from certain doom in the nick of time. One might compare Hiro to Morisato Keiichi, except Hiro’s not all that nice or mature. He’s also unmoved by Yuzu’s total red-faced embarrassment (which comes into play whenever he’s around), though he obviously remembers what transpired between them five years ago. Yuzu’s mom and sisters are constantly trying to push Hiro and Yuzu together. That’s basically the entire plot.

Tune in next time for another segment of The Manga That Time Forgot/Was Hoping To Forget. ~jocilyn

Excel Saga, Vol. 27

January 19, 2014 by Sean Gaffney

At last, after 11 years, we have the 27th and final volume of Excel Saga translated. To sum up my review, I was pretty much satisfied with the ending. it still managed to be very confusing, and I’m still a bit iffy on the details of Il Palazzo’s origin and the Cores, but emotionally, the story hits all the right beats, and thematically, it resolves itself beautifully. With that in mind, let’s go through some things one by one and see if we can dig deeper into things, though in no particular order.

Misaki and Iwata, first of all. We started the series off with Misaki as pretty much the only one in the entire group who had normal reactions. Indeed, the one time we were supposed to infer that she was upset and blushing deeply, she had her back to us so that we couldn’t see her expression. I have no doubt that Rikdo was doing this deliberately to save it all for this ending. Misaki’s had a very bad last few days, and her nerves were already starting to get a little shredded even while they were trapped in ACROSS’s base. Then she has to deal with Iwata, who she’s always had complicated romantic feelings towards, having sacrificed himself for her. Except… as they arrive back at their own base, it turns out that this was in fact a robot controlled by Iwata while his body healed – a fact that Umi is rather surprised everyone was not aware of.

While Iwata’s robot body has, at times, been occupied by various opposing forces, I think we have to accept that some of the time we’ve seen him act more maturely it has actually been him acting more maturely. Character development in Excel Saga is rather hit-and-miss, to be honest, but if we can accept that Misaki has come to terms with her feelings for Iwata – as she seems to do after the big reveal here – than we have to accept that Iwata has become less goofy and more heroic because of his own feelings for her. Honestly, saving her at the cost of his own life is the sort of super sentai thing that Iwata would love anyway, and I suspect even if that was his real body he’d have done the same thing.

In any event, after seeing Iwata’s malnourished but very much human body, alive and reasonably well, Misaki snaps and gives him a Big Damn Kiss. And then a Big Damn Beatdown. And then she finally cracks, sobbing helplessly in a full-page closeup, as we finally see everything catch up to her in the best/worst way possible. Naturally, for someone like Misaki this is the most humiliating thing imaginable, so it’s not surprising she immediately bolts. That said, after recovering she and Iwata have seemed to come to terms with whatever it is they have, and he’s even living with her (Mostly as he’s still legally dead), which she can deal with with only the most minor of blushes. It’s very heartwarming.

Watanabe and Sumiyoshi get less focus, but each also gets resolution in their lives, even if they can’t quite escape working for Kabapu. (I will leave the revelation that they’re all his descendents to the side, and then walk away and leave it to be thrown out by the waitress afterwards.) Watanabe gets his heart’s desire, only to have it ripped away from him when ACROSS revives and takes over the world. But then, at the very end, he does get Hyatt back, or at least “Ayasugi”. (This is actually a change from the ending in the Young King Ours magazine, but I’ll get into that later). Likewise, Sumiyoshi is alive and well, though how much he actually wanted the return of Ropponmatsu 2 into his life is questionable.

As for Shiouji and Umi… sigh. This is one of the bits of the ending I’m not thrilled with, to be honest. Shiouji being a lolicon has been with us since the moment he was introduced, though, and even though Rikdo tried to dial it back a bit and explain it through the introduction of Miwa, it’s never really gone away. As for Umi, well, she’s in love with Shiouji, and if he’s found a way to loli-fy her FOR SCIENCE, I can see her going along with it just to make him happy. But it’s not remotely healthy, as he himself indicates. I find it more interesting that Menchi ends up with Umi… I suppose it might be the closest thing to Teriha that Excel can give her. (This was also changed for the book ending.) In any case, let’s leave the scientist and his loli off to the side as well.

Momochi, it turns out, was nothing more or less than the most capable executive assistant in the world, and though I wish she’d gotten more depth, I will content myself with that. As for Kabapu, I’ve never really liked him, mostly as he’s not all that likeable. There’s a brief fakeout here where you think that Rikdo might actually kill him off, but in the end he’s back to laughing insanely and plotting wars against Il Palazzo, mostly as he really doesn’t know how to do anything else. It ends in his abject surrender much faster than usual, though, and he’s forced to dress in an embarrassing costume (not that he is remotely embarrassed by it) and join ACROSS himself Even post-invasion, he’s bored and wants to blow stuff up. Kabapu is an eternal child, really.

Hyatt and Elgala get to survive and live on Earth having some modicum of a regular life. This is a change, as I’ve noted earlier, from the original magazine ending, where Hyatt, Elgala and Menchi were forcibly abducted and taken on Il Palazzo’s ship along with Excel. It was an amusing ending, but it was a bit too cynical and comical, I expect. Seeing Hyatt get the change to start over with Watanabe (who is thankfully no longer remotely evil) and Elgala grump about life but at least no longer being a fugitive from justice, is more heartwarming. There’s also some interesting dialogue that implies that Hyatt and Elgala are similar to Excel in many ways, and it notes that Excel “fixed” them by returning them to the apartment complex like this – indeed, the core notes they were “unique failures”. Both have occasionally exhibited supernatural endurance – in Hyatt’s case, though undeath, and in Elgala’s by merely surviving being near Excel. They are untapped potential. I wish them well.

Sigh. OK, let’s talk Cores. There is still much of this I don’t quite get, I will admit, but suffice it to say that there seem to be multiple cores that can control multiple artificial humans. This is complicated by Tenmangu, Shiouji’s father and the maddest of the mad scientists we’ve seen. (Notably, his face is never quite shown, leaving him to look a lot like the hero of a dating sim – perhaps School Days, given what a loathsome man he is at heart.) He’s the one who’s seen controlling Il Palazzo – basically, he’s the “competent” Il Palazzo. There are also two cores, a chaos and an order core. The chaos core is the one that’s put into Miwa’s body – through Tenmangu – but I think it’s also what was “let out” by Excel’s hand at the cliffhanger for Vol. 26. This is the ‘horndog’ Excel we briefly see here – the core is enjoying being back in a human body, and is quite willing to experiment on Misaki, Umi, Il Palazzo, or anyone else who might want to get it on.

This leads me to a side note – how much does this tie into Holy Brownie? Holy Brownie is an untranslated/unscanlated fantasy series that Rikdo wrote for the tie-in magazine Young King Ours+ at the same time he was writing a lot of Excel Saga. It stars two ‘Brownies’ – Piola and Fio – who are sent to Earth by God to try and advance humanity by urging them to attempt impossible tasks. It was filled with nudity, sexual situations (sometimes involving minors), and comedic violence, and was a lot darker than the premise suggests, so do not ever expect to see it over here – it’s also out of print, so scanlations are also unlikely. In any case, the relationship between Il Palazzo and the Chaos Core possessing Excel reads a lot like Holy Brownie, it changes Excel’s hair black and develops ‘flat line’ eyes much like Holy Brownie, and things aren’t helped by the Core calling Il Palazzo ‘Pio’. Honestly, I expect even if I had read Holy Brownie translated, I’d still be confused, but clearly there’s a tie in somewhere here.

In any case. The Chaos Core has a lot of memories that look familiar to us – we’ve seen them as far back as Vol. 4, when Excel first got amnesia – and seem to imply that much of what went on throughout Excel Saga was carried out for the benefit of Il Palazzo. That said, Excel doesn’t really care much about any of this. We see a sort of ‘Herman’s Head’ landscape in her mind (yes, yes, go Google it), where the ‘default’ snarky Excel watches those memories and rails about how confused she is (probably speaking for the reader, to be honest). We also see Teriha, who is only concerned for the safety of Umi and the others – and once ‘reabsorbed’ into Excel, Excel suddenly grows concerned as well, so therefore we might think of Teriha as her conscience in some way. We also see a crabby military sergeant Excel type, who seems to represent the ACROSS soldier in her. The end of the manga implies she has almost infinite personalities that she can control, and the two amnesia arcs we saw in the series were different ones coming to the foreground.

Excel makes a very good point to Tenmangu here, though – she isn’t a follower who simply trails after Il Palazzo. She’s his John the Baptist, blazing a trail so that he may pass without hindrance. She’s the advance guard. And more to the point, her love for Il Palazzo is pure and innocent (given her implied creation by Il Palazzo, I think this is a good thing), so what really gets her to fight back and take over her own mind once more is the chaos core starting to make out with him – this makes her cry tears of blood. But take control she does, and once Excel is back in the house, there’s no stopping her. Remember the incompetent goofball of Vol. 1? Yeah, she’s long gone. Excel can eliminate the Chaos Core, beat the crap out of Tenmangu and make him her lackey, start a war (with many mini-Excels also strongly reminiscent of Holy Brownie) to take over Fukuoka, and eventually use a robot army to take over the world. This is how far she’s come.

…and then they’re ll bored, and decide to abandon earth and leave. Il Palazzo and Kabapu’s boredom has been an issue throughout the series, with each noting that, as Mai famously put it, “Victory is boring.” Excel has no desire to actually FIX Earth, despite its corrupt nature, or even run it via their secret organization. World Conquest is simply the end goal, and once that’s done, there’s nothing keeping her there (old ladies aside – nice final joke there, Rikdo). What matters is that she’s succeeded and pleased Lord Il Palazzo, and that the others who helped her are as reasonably happy as they can be. With that, it’s off to outer space, because that’s where Il Palazzo wants to go. It’s not a satisfying ending in terms of the plot so much as a satisfying ending in terms of the mood. The themes of Excel Saga are resolved.

Favorite moments in this volume:
—Possessed Excel groping Elgala and Misaki, one last blast of fanservice from our perverted author.
—the aforementioned crying blood
—the shot of Excel holding her arm back from killing everyone in the room
—”Umi, you’ve got to call her name LOUDER!”
—”Is it your core that feels sad?”
—’Il Palazzo’s dramatic rope pull to save the day (briefly)
—all of what follows, as Excel reaffirms her core values and defeats the Chaos Core
—”Whoa, check it out! It’s like a solidified mass of my abstract loyalty!”
—”Doing things is what I, Excel, do!” (What would Elgala say about Excel stealing her speech patterns?)
—the cliffhanger with Misaki falling into the abyss
—Iwata’s Big Damn Hero moment
—Misaki’s complete breakdown
—Elgala and Hyatt’s faith in Excel, complete with “she wouldn’t die even if you killed her”.
—Kabapu falling asleep, looking as ancient as he ever has.
—”IS THIS THE DRUNKARD’S DEN?!”
—seeing Dr. Black Jack and his nurse, as well as our favorite Matsumoto parodies, one last time
—the last third of the book essentially being Excel Saga’s Greatest Hits
—Golgo 13 Hyatt, with little chibi-Excels
—the “fuck everything” expression on Misaki, Iwata and Sumiyoshi’s faces
—Elgala strapped into a dangerous death machine, just because we needed her humiliated one last time
—”Suicide bombers are so lame.”
—Misaki dressed as an ACROSS member
—Kabapu’s ridiculously tight-crotched outfits.
—Excel browbeating Tenmangu
—the Excel Robot Army conquering the world in two pages
—Watanabe and “Miss Ayasugi” meeting cute – again – and Elgala’s disgust at this
—the final two page spread of Excel, happy and content in Il Palazzo’s arms

I offer tremendous thanks to Carl Gustav Horn, Kyoko Kondo, Viz Media, and everyone involved in bringing us this series. My love knows no bounds. It’s also entirely available digitally in North America, for which I thank Shonen Gahosha giving permission. I love this series to death. Go buy it. HAIL IL PALAZZO!

Discovering Manga: Podcasts, Part 3

January 17, 2014 by Ash Brown

Over the last few years, I’ve made an effort to track down podcasts that feature manga. I haven’t found that many that focus on manga exclusively, but there are anime and comics podcasts that address manga at least on occasion. A few months ago I posted Discovering Manga: Podcasts Redux which was a quick update and overview of podcasts that I had discovered and written about in the past. The post also included a list of podcasts that I was aware of but hadn’t written about yet. And so, as promised, here is a quick look at a few of the podcasts from that list, all of which happen to have started in 2013.

The first episode of the Manga Dome Podcast was released in April 2013. The podcast generally updates weekly around Sunday and is the work of Lori Henderson of Manga Xanadu, a manga blog that I’ve been following for a few years now. The blog has written posts as well, but nowadays the focus seems to be on the podcast. Generally, Manga Dome is a one-person show although recently the podcast had its first guest. Each episode is around ten minutes or so in length and features news, reviews, and other commentary. As might be implied by its name, the focus of Manga Dome is on manga. Lori knows her own taste in manga quite well but is still willing to try manga that might be out of her comfort zone. She doesn’t tend to enjoy manga with heavy ecchi elements, nor is she a particular fan of horror and gore. Shoujo, mysteries, and fantasy are more to her liking. What I probably appreciate most about Manga Dome is Lori’s emphasis on digital manga. It’s nice to be able to get a quick rundown on the digital landscape as well as other manga news.

Another podcast devoted to manga is the Weekly Shonen Jump Podcast which started in May 2013. This podcast is put together by a crew of manga editors and others who work for Viz Media. It provides an insider’s look into Viz’s digital Weekly Shonen Jump and includes a recap of the most recent issue. Released on Mondays, each episode is around an hour in length and generally follows the same format, starting out with introductions (which is handy as different people participate each week), followed by news, the Weekly Shonen Jump review, and ending with questions from listeners (gathered from the show comments, Twitter, Facebook, and surveys.) Although the focus of the Weekly Shonen Jump podcast is on Weekly Shonen Jump, it’s also about manga in general. I particularly like listening to the Weeekly Shonen Jump podcast to learn more about the publishing side of the manga industry, but everyone participating are fans as well. Since there is a group involved the podcast’s style tends to be somewhat conversational, which I enjoy.

As part of August 2013’s 801 Manga Moveable Feast, Otaku Champloo’s Khursten Santos invited two of her fellow fujoshi to talk with her about boys’ love manga. It went over very well and she had so much fun that the Fujojocast was born. Fujojocast doesn’t have a set schedule and there have only been three episodes so far, all over an hour in length. Despite some sound and microphone issues, I’ve enjoyed them all. Fujojocast features fans, translators, and academics from all over the world who share an unabashed love for boys’ love. I appreciate the women’s enthusiasm and intelligent conversation immensely. As the host, Khursten sets the episodes’ themes and leads and organizes the discussions. Fujojocast isn’t always about manga specifically, and it’s not always strictly about boys’ love, either. Other topics discussed include anime (the second episode is all about Free!: Iwatobi Swim Club, for example), conventions, merchandise, shipping, and general fujoshi fandom. I’m definitely looking forward to future episodes, whenever they might come out.

Manga the Week of 1/22

January 16, 2014 by Sean Gaffney, Ash Brown, Michelle Smith, Anna N and MJ 1 Comment

SEAN: Here is a list of what everyone except me will be getting next week in manga. I will not be getting any of this because Diamond Comics never met a street date they didn’t hate. And yes, I am incredibly bitter.

Dark Horse, which is the exception to my Diamond whining, has Blade of the Immortal 28 coming out. We’re getting near the end of this series, I believe, though I’m not sure how near.

ASH: We are indeed getting near the end. Assuming Dark Horse continues as it has been recently, there should be three more volumes after this one.

SEAN: Kodansha gives us the 12th and final volume of Arisa, which was a good attempt at combining shoujo with a mystery thriller-type story. Also, twins!

MICHELLE: Arisa gets a little ridiculous as it progresses, but I still plan to read the ending!

ASH: The series does get a little ridiculous, but I’m really curious to see how Natsumi Ando wraps everything up.

SEAN: Kodansha also has the 2nd hardcover for Vinland Saga, which hopefully will be a bit easier to order from Amazon than the first was. It has Vikings, and bloodshed.

ANNA: I love vikings and bloodshed! Really looking forward to this!

ASH: As am I! I really enjoyed the first omnibus.

SEAN: Seven Seas gives us the 5th Haganai: I Don’t Have Many Friends, one of the winners from the recent otaku-friendly licenses, mostly as it tends to go light on the obvious fanservice and heavy on the friendships and comedy.

There’s also Love In Hell 2. I was somewhat ambivalent about the first volume, but we’ll see if this can improve as it goes along, as many series I am ambivalent about do.

Vertical has the 2nd volume of From the New World, its dark science-fiction manga with fanservice. It’s done pretty well for them, so fans should be pleased to see more.

ASH: I loved the dark science-fiction aspects of From the New World. I was less enamored with its gratuitous fanservice.

SEAN: Viz has Vol. 9 of Ooku, which has slowed to the Japanese release schedule, meaning it comes out once every blue moon. On the bright side, this makes every new volume a bigger deal.

MICHELLE: Yay, Ooku. This inspired me to check and see when Yoshinaga’s What Did You Eat Yesterday? comes out. The answer is March 25!

ANNA: I’m behind on Ooku, but looking forward to getting caught up one day. Also looking forward to What Did You Eat Yesterday?!

ASH: More Fumi Yoshinaga manga in English is always a good thing in my book!

MJ: This is one my few highly-anticipated releases this week. I’m such a fan of this series. And I, too, am anxious to see What Did You Eat Yesterday?!

SEAN: Yen has a huge giant pile of stuff, made even higher by a few omnibuses. First we have the 16th volume of Black Butler, which must be looking at Attack on Titan and thinking “You know, I remember when I used to own 5 of the 10 places on the NYT bestseller list. Kids these days…”

MICHELLE: The recent arc, in which Ciel goes undercover at a public school and must curry favor with prefects and such, is actually rather fun.

SEAN: The final volume (of the main series; future short story collections are possible) of Book Girl is coming out, with Book Girl And The Scribe Who Faced God, Part Two. Will Konoha finally get it together? Let’s find out.

ASH: I’m behind with Book Girl, but I like the volumes that I’ve read.

SEAN: Durarara!! is another series caught up to Japan, hence the 8-month wait before we got this 3rd volume in the Saika arc. I expect a lot of red eyes and possessive swords.

MICHELLE: I didn’t expect to like Durarara!!, but I do!

SEAN: There is no Pandora Hearts this month, to the collective sadness of the MB team. However, we do get the 14th volume of Goong, that should make them happy.

MICHELLE: Very happy indeed! I’m so grateful that they started releasing this again!

ANNA: Hooray for Goong! . Is Amazon still listing the kindle volumes with the single volume numbering next to the print omnibus versions? That being out of sync is really confusing.

MJ: Yes, yes, YES!! I love this series so.

SEAN: Higurashi: When They Cry is nearly complete (barring any side-story licenses) with the 3rd Festival Accompanying Arc omnibus, as the plot to defeat Takano switches into high gear, and everyone goes from ‘horror manga’ mode to ‘shonen ACTION manga!’ mode.

Inu x Boku SS, like Haganai, proved to be far more interesting than I had expected from what looked like ‘moe yokai’. I am looking forward to the 2nd volume.

WataMote Volume 2 (OK, it’s technically No Matter How You Look At It, It’s You Guys’ Fault I’m Not Popular! Volume 2) will continue to test the resolve of its readers who war between finding its heroine funny and finding her desperately horrifying.

ASH: The first volume was simultaneously one of the funniest and most depressing manga that I’ve read. I’ll definitely be picking up the second volume.

SEAN: Omamori Himari has hit its 11th volume, and I must admit I still don’t actually know what the hell it’s about. One day I will remedy this.

Soul Eater is at Volume 18, and will hopefully continue to pay off the excellent genderbending setup that the 17th volume left off with.

Triage X reaches Vol. 5, and yet still has enough fanservice to fill 50 more volumes without blinking an eye.

Lastly, Umineko: When They Cry returns with Banquet of the Golden Witch, which also sees the artist from the first arc return. (If you like her, you’ll be happy to hear she’ll also be back to wrap up the series when we get to Arc 8 in 2018 or so.) This arc focuses more heavily on the adults, particularly Eva, the sharp-tongued and bitter woman who graces the front cover.

Assuming you don’t order from Diamond Comics, what are you getting this week?

S.S. Astro: Asashio Sogo Teachers’ Room, Volume 1

January 15, 2014 by Ash Brown

Creator: Negi Banno
U.S. publisher: Yen Press
ISBN: 9780759528987
Released: August 2008
Original release: 2007

S.S. Astro: Asashio Sogo Teachers’ Room is a yonkoma, or four-panel, manga created by Negi Banno. The first volume of S.S. Astro was originally published in Japan in 2007. Yen Press released the English translation of the manga in 2008, around the same time that it was licensing several other yonkoma manga series. As for S.S. Astro, only one volume was ever released. As far as I can tell, the series has been on hiatus since 2007 in Japan. Although I believe that Banno has created more S.S. Astro strips than those found in the first volume, there have not been enough to collect into a second volume. I have no idea if Banno plans to ever return to the S.S. Astro manga, but because so many years have passed it seems increasingly unlikely. S.S. Astro was actually one of the first yonkoma manga that I ever read. I originally came across it a few years back while searching for manga in English with yuri elements, which used to be a little more difficult to find than it is now.

Seven years after she graduated, Izumi Maki is back at her old high school. Except this time she’s one of the ones responsible for molding the young minds of Tokyo’s Asashio Integrated Public High School. It’s her first year as a teacher. Maki’s now in charge of both health and physical education classes, not to mention a home room with nearly forty students. (Now she just somehow needs to find a way to remember all of their names.) Maki’s not the only fresh blood at Asashio. Her good friend Yuko Nagumo, the new Japanese instructor, is also a first year teacher. The nursing teacher Setsuna Arai has a couple of years of experience on them and Maki’s backup teacher Kaname Karasuma, the instructor for the school’s English course, has even more. She also has a huge crush on Maki, not that Maki has noticed. Throw in all of the other teachers and their quirks, as well as Maki’s older brother, and high school is just as entertaining and complicated as it was the first time around.

Yonkoma manga tend to be fairly hit-or-miss for me, but in the case of S.S. Astro it’s mostly a hit. As with many four-panel manga, whether or not someone actually likes the series will depend on whether or not the reader likes the characters as they are. Although there are plenty of running jokes in S.S. Astro, the series tends to be episodic without much of an overarching plot and very little in the way of character development. Fortunately, I do like the characters. Quite a bit, actually. Maki’s a scatterbrain but earnest. Nagumo can put away an impressive amount of food and is closet fujoshi. Arai has a delightfully sadistic streak. Of the four main characters, Karasuma is the most responsible one, at least when she isn’t completely lovestruck. About halfway through the first volume of S.S. Astro the rest of the Asashio staff are more thoroughly introduced. Prior to that they were largely relegated to the background. I like the other teachers as well and wish more time could have been spent getting to know them better, too.

Quite a few manga licensed in English take place in a school setting. What helps to set S.S. Astro apart is that it focuses on the teachers rather than on the students. I find this to be a refreshing change of pace. One of the reasons that I’m particularly fond of S.S. Astro is that the manga focuses on the adults and their lives and relationships. Granted, the main cast are all relatively young and still in their twenties, but there are some older characters as well. Maki and the others can be immature at times, but in the end they are adults with adult responsibilities. Which is not to say there isn’t room for fun in S.S. Astro; being an adult has its perks, too. Video games, drinking parties, and a little bit of workplace romance (straight and otherwise) all have their place in the series. The artwork tends to be rather cute, too. In general, I find S.S. Astro to be fun and funny. S.S. Astro may not be a manga that I go out of my way to recommend to people, but it is one that I quite enjoy. I only wish that there was more of it.

Attack on Titan, Vol. 11

January 14, 2014 by Sean Gaffney

By Hajime Isayama. Released in Japan by Kodansha, serialization ongoing in the magazine Bessatsu Shonen Magazine. Released in North America by Kodansha Comics.

Sometimes you want lots of characters and plot development, with surprise revelations out the wazoo, aadn sometimes you just want to watch big guys beating the snot out of each other. We actually get both here, but it’s the latter that gets most of the attention, as the cover art will attest. As if to announce that his artistic skills have at last improved to ‘passable’, Isayama gives us a chapter almost entirely devoted to Titan-Eren being a seething ball of rage and trying to punch all his problems. Amusingly, it almost works this time.

The majority of this volume is devoted to the Armored and Colossal Titan trying to escape with Eren and Ymir, and Eren attempting to prevent that happening. This means the above-mentioned battle royale, and it’s actually a lot of fun. The use of the flashback is well-placed here, reminding us that Annie and Reiner may seem like obvious suspicious people now, but they were once our heroes’ trusted comrades. The interaction between Annie and Mikasa in particular is quite amusing, though as always I could do without Mikasa’s jealousy. Chapter 44 is named after a slogan in Mixed Martial Arts, and even as a Titan, Eren puts his moves to good use.

It’s all for naught, though, as the villains get away with what they came for. This does give us a chance to see a more vulnerable Mikasa, who has spent far too much time being either a supersoldier of a jealous would-be lover. Here we see a bit of the child that she was never allowed to be, and it’s very appropriate that Hannes be the one to show up and give her and Armin a pep talk. For all that Mikasa’s obsession with Eren is disturbing, at heart it’s the obsession of a girl who just wants to be near the one she loves most.

The second half of the volume teases us about revealing more information regarding Beast Titan and company, but in the end is far more interested in fleshing out its characterization. Reiner in particular is having difficulty coming to terms with his actions, and Ymir notes that he went so deep undercover that he actually seems to have separated the part of him that’s a soldier from the part of him that’s a Titan, and can’t really get them back together. (Bertolt doesn’t seem to have this issue, though it’s possible we’ll get to see more of his emotional issues next time.) As for Eren, possibly the funniest part of this volume is when he realizes that in order to get anywhere with Reiner, he has to control his emotions. This lasts about 3 pages before ending in screaming, as you would expect.

As for Ymir, it’s become clear she does *not* in fact know everything, but she can certainly make some educated guesses, and is just about to when Reiner threatens her obvious weak spot, and Ymir decides to clam up. (It’s played seriously, but I couldn’t help but imagine Reiner and Bertolt as the Vercotti Brothers from Monty Python – “Nice Krista you’ve got here, Ymir. Be a shame if something… happened.” “Yeah, fings break, don’t they, Ymir?”)

There’s even more that I could discuss (Hange is absolutely terrific in this volume), but I think you get the gist. Attack on Titan remains riveting reading. And we have at last ‘caught up’, so be prepared to wait till April to see what happens next. (Or just go to Crunchyroll and read up to the current chapter.)

Ciao, For Now

January 13, 2014 by Erica Friedman Leave a Comment

In previous posts, we’ve discussed two of the best-known Shoujo manga magazines, Ribon and Nakayoshi. So many popular manga series have come from these two magazines, it’s almost certain that any western manga fan will have at least seen their names. But, of the three most popular girls’ manga magazines, these are #2 and #3. The best-selling girls’ manga magazine in Japan is Ciao (ちゃお).

How much more popular? According to the Japanese Magazine Publisher’s Association data for 2011-2012, where Ribon sells about 225K copies a month and Nakayoshi about 171K/month, Ciao sells 620,000 copies a month. In a market that shrinks a little bit with every passing year and better technology, this is a significant number of young girls reading actual print copies of a manga magazine.

While most of the Ciao titles familiar to a western fan are those that we might consider “for children”—Pocket Monsters (Pokemon,) Hamtaro and some of the Di Gi Charat series—at least one series that developed an older following, the Chiho Saito and Be-Papas collaboration Revolutionary Girl Utena, ran in Ciao. Based on my Twitter feed of manga artists and fans the number one series running in Ciao right now is Aikatsu!, the manga for a popular anime/collectable card game/video game franchise about girls in a idol academy.

At 540 yen per issue, ($5.23 at time of writing) for about the same number of pages, Ciao is a good buy. Ciao Land, the website for the magazine, is filled with colorful shininess and a number of tools that create audience engagement without breaking barriers between creators and readers. Reader diaries and messages from authors let each feel connected to the other. Like Ribon and Nakayoshi, Ciao‘s print edition comes bundled with toys such as accessories, writing sets, and phone and calendar stickers.

While any given issue of Ciao will be filled with typically passive shoujo manga female protagonists waiting for romance, from time to time, Ciao escapes from the shoujo manga stereotype. And when it does, as in Utena, Bloody Lily or Waza-ari Kiwami-chan, the result is not at all what you might expect. Ciao heroines have the potential do amazing things.

Ciao magazine from Shogakukan: http://www.ciao.shogakukan.co.jp/

Bookshelf Briefs 1/13/14

January 13, 2014 by Sean Gaffney and Michelle Smith Leave a Comment

This week, Michelle & Sean (okay, mostly Sean) look at recent releases from Viz Media, Kodansha Comics, Seven Seas, & Vertical, Inc.!

Dengeki Daisy, Vol. 13 | By Kyousuke Motomi | Viz Media – Dengeki Daisy is at its best when focusing on the romance between its leads, Teru and Kurosaki. Unfortunately, the past several volumes have focused on the “code virus” that Kurosaki created back in his hacker days and the search for information on the nebulous baddies who sought to use it. Although I have the feeling that we’re supposed to find all this cyber espionage stuff very exciting, the details are so vague that it ends up being rather boring. It’s better than episodic randomness, though, and I have to give the series credit for its heroine being able to get herself out of tricky situations and for a central romance where the age gap is acknowledged as an issue. Plus, there are a few nice, quiet moments here that are almost enough to make me overlook the ridiculousness of the last couple of chapters. I’ll probably keep reading this one to the end. – Michelle Smith

Fairy Tail, Vol. 32 | By Hiro Mashima | Kodansha Comics – The danger of telling a story where injustice happens to our heroes and they’re meant to be angry and frustrated with it is that the reader may end up being a little TOO angry and frustrated in sympathy, to the point where it affects their enjoyment of the volume. That’s where I ended up in this volume of Fairy Tail, which starts going though its tournament arc. I was expecting losses – after all, every hero/team has to come back from adversity. The combination of cheating from the other side and the extra dollops of humiliation felt a little too real, sadly, though you could argue that this is because I’ve come to care about these characters so much. I am hoping that Volume 33 (already out, I’m running behind) will help to balance the scales a bit. – Sean Gaffney

Kimi ni Todoke, Vol. 18 | By Karuho Shiina | Viz Media – The cover art pretty much describes the mood of this volume – it starts with a kiss, and doesn’t let up on being romantic and heartwarming for the entire length. Sawako and Kazehaya have resolved their lack of communication problem, Ayane and Kento are now officially a couple, and as for Chizu… well, she’s working on it. Slowly. I loved the fact that the majority of this was just given to telling everyone what’s been going on in their lives – after seeing Sawako and Kazehaya’s guessing games recently, it felt even more satisfying. Even her father seems to have finally admitted to the fact that Sawako is growing up and has a boyfriend. I expect the next volume will be more devoted to college and the future, so I will enjoy this for what it is: a celebration of how we got here. – Sean Gaffney

Knights of Sidonia, Vol. 6 | By Tsutomu Nihei | Vertical, Inc. – The harem antics continue in Sidonia’s 6th volume – more and more characters are falling for Tanizake, and we even get ‘walking in on naked girls’ and ‘comedic choking of the hero’ here as well. However, this plotline exists, I think, to emphasize further the sense of wrongness that exists throughout this universe. There’s just so many things that already feel off about everything going on, even discounting the evil body horror antics of Kunato. The artwork, which I’m still getting used to, helps further by continuing to use characters who look a lot alike, particularly during battle. This can be annoying, but also contributes further to the sense of distance and otherness that emerges from this series. The goal is to do all this while still retaining reader interest, which Nihei has absolutely done. Also, poor Izana. – Sean Gaffney

Midnight Secretary, Vol. 3 | By Tomu Ohmi | Viz Media – Having set up the premise of this series over the previous two volumes, Ohmi now begins to tear it apart for dramatic effect, as first Erde, the company Kaya was reassigned to, asks her to stay permanently, and then Kyohei resigns from his own position, striking out on his own. All of this, of course, plays second fiddle to the real story here, which is that these two are falling deeply in love and cannot keep their hands off each other. I’m actually surprised that the vampire part of this story isn’t playing a larger role – this could be edited to be non-supernatural fairly easily. Also, this title is rated M and lets you know it – the sex is red hot, and at one point you see Kaya staggering down the street, barely able to walk straight after their intense lovemaking. Right now, this tops Happy Marriage?! as Viz’s spiciest title. – Sean Gaffney

Natsume’s Book of Friends, Vol. 15 | By Yuki Midorikawa | Viz Media – It struck me as I read this new volume how segmented Natsume’s relationships with all of his (human) friends are. For all that the series has shown Natsume starting to open up, trust and appreciate people again after so long being closed up, he still tends to keep everything to himself – and more importantly, take on everything himself. I fear this may get him in trouble soon, and not just him (there’s a suggestion in this volume that Taki’s spell circle is far more dangerous than it seems – and it’s seemed pretty dangerous). This is, however, balanced out by the 2nd half of the book, which is adorable, heartwarming, and shows the strengths of both humans and yokai. Darker tones may be arriving soon, but for now I will continue to enjoy this shoujo yokai manga’s relaxed and unhurried pace. – Sean Gaffney

Zero’s Familiar, Vols. 6-7 | By Noboru Yamaguchi and Nana Mochizuki | Seven Seas – As you might expect, I enjoyed the dramatic plotline that wrapped up here more than the attempts at fanservice and wacky harem antics. The discovery of the Dragon’s Raiment is a nice tie-back to the start of this series, and it was also a relief to see what we knew would eventually happen – Louise finds the magic that she is truly suited for, and turns out to be terrific at it. (That said, an entire battleship VANISHED, but no loss of life? Keep telling yourself that, princess…) The pacing sometimes suffers here, and I find the art, particularly in dramatic moments such as the side story with the Princess and late Prince, does not always convey emotional turmoil very well. Still, as an adaptation, this is probably good enough, and we’ll get another portion of it later this spring. – Sean Gaffney

My Week in Manga: January 6-January 12, 2014

January 13, 2014 by Ash Brown

My News and Reviews

Two reviews were posted at Experiments in Manga last week! The honor of the first in-depth manga review of the month (and of the year, for that matter) goes to Tetsu Kariya and Akira Hanasaki’s Oishinbo, A la Carte: Fish, Sushi & Sashimi. I love food, I love manga, and so I love Oishinbo, too. I happen to really like fish and sushi as well, so I particularly enjoyed this volume. I also posted a review for Edogawa Rampo’s mystery adventure The Fiend with Twenty Faces which is the first novel in his series The Boy Detectives. I’ve read some of his stories and essays written for adults, but this was his first work for younger audiences that I read. It’s a lot of fun.

As for news and other interesting things found online: The English translation of Toh EnJoe’s Self-Reference Engine (one of my most notable release of 2013) has been nominated for a Philip K. Dick Award. The University of Michigan will be hosting an international conference on Natsume Sōseki from April 18 through April 20. (If you happen to be in Michigan around then, it’s be free and open to the public!) After months of no news, it looks like those who supported the Kickstarter for Osamu Tezuka’s The Crater may actually receive their rewards. And finally, Joe McCulloch takes a look at some of Suehiro Maruo’s most recent work over at The Comics Journal. Now if only more of his manga would be licensed in English!

Quick Takes

Basara, Volumes 6-10 by Yumi Tamura. I love this series so much! It really is a shame that Basara is going out-of-print in English, but at least Viz has begun to release it digitally as well. The story is epic and engaging and the characters are complex and multi-layered. These particular volumes of Basara include the Okinawa story arc, which I especially enjoyed. It’s very interesting to see how Tamura is using events and politics from throughout Japan’s history to inform her post-apocalyptic world and culture. There are definite echos from the Warring States period, World War Two, and so on. Just as it was historically, in Basara Okinawa is a separate country from Japan that maintains its own traditions, relies heavily on trade, is largely at the mercy of foreign military influence, and is beset by natural disasters. Also, it’s the homeland of karate, which plays a part in some of the battles. (As a karateka myself, I couldn’t help but appreciate this.) I’m really looking forward to reading more of the series.

Entangled Circumstances by Kikuko Kikuya. I ended up enjoying Entangled Circumstances much more than I thought I would. I found the first chapter or so to actually be a little boring, but by the end of the volume Entangled Circumstances had managed to turn itself into a rather funny, and even a little sweet, boys’ love story. Actually, bonus chapters after the main story were the funniest and probably the favorite part of the manga for me because of that. Shibui and Himeko were once college classmates, but now they work at the same advertising agency. Himeko’s been in love with Shibui for a while now, but after a past awkward love confession, things have been strained between the two men. Often they seem to act like high schoolers rather than full-grown adults, so it’s difficult to take Entangled Circumstances completely seriously. It’s a lighthearted and fluffy sort of manga. The manga is nothing extraordinary, and I don’t know that I will necessarily need to read it again, but it was quite enjoyable.

Zoo by Andy MacDonald. I haven’t read the original novel Zoo, a science fiction thriller written by James Patterson and Michael Ledwidge, but MacDonald’s graphic novel adaptation somehow came into my possession, so I figured I’d give it a try. Since I haven’t read the original, I can’t definitively say how the graphic novel works as an adaptation, but I get the impression that MacDonald has been very faithful to the source material. The Zoo graphic novel can be somewhat text-heavy and some of the plot lines are a little compressed (though not exactly rushed) but I was never confused as to what was going on. Even so, I may have rolled my eyes a bit at the plot’s development and some of the rather predictable “twists.” Unfortunately, Zoo just doesn’t have that original or great of a story to begin with and I had a difficult time suspending my incredulity. The ending in particular was rather disappointing. Zoo starts out as a fairly action-packed, and bloody, doomsday scenario, but its heavy-handed moral can be a bit much.

Meganebu! directed by Soubi Yamamoto. I already knew that I enjoyed Yamamoto’s visual style from her previous work and so I wasn’t disappointed by Meganebu!‘s brightly colored and slightly eccentric animation. Even so, it took a few episodes for the series to really grow on me. There’s not really much of a plot to Meganebu!. There are the members of the Glasses Club and their continuing efforts to create a pair of glasses with X-Ray vision (with some very unexpected and explosive results) but mostly the series just follows their daily lives and the trouble they all get into. Once I got over the fact that Meganebu! is fairly pointless, I could sit back and enjoy its peculiar sense of fun. As a glasses wearer myself, I could particularly appreciate all of the humor surrounding eyeglasses. To the members of the Glasses Club, glasses are more than just a fashion accessory. Neither are they simply used to correct vision. Glasses have the power to change the world. Meganebu! is an absurd anime, but I’ll admit to enjoying it.

Nisekoi: False Love Vol 1

January 12, 2014 by Anna N

Nisekoi: False Love Vol 1 by Naoshi Komi

I don’t tend to track trends in English releases of shonen manga as much as I do shoujo manga, but it certainly seems like it has been some time since we’ve seen a shonen romantic comedy set in high school. Raku is the typical shonen protagonist who (say it together with me!) “just wants a normal high school life.” Unfortunately while Raku has set his goal as becoming a reliable civil servant, his desire to be boring and normal is foiled by the fact that he’s the heir to a yakuza clan. Raku also is dealing with the aftermath of an encounter in his youth, when he exchanged vows of love with a girl he cannot remember. He has a special pendant in the shape of a lock, and his faceless beloved is holding on to the key. But Raku doesn’t remember her name!

Raku starts school awkwardly failing to ask out the nicest and prettiest girl in school, Ondera. His romantic ambitions are foiled when a new girl appears in his class. Chitoge is cute, athletic, and brash and she and Raku naturally start bickering immediately. They are assigned desks next each other as well as duties after school and they spend most of their time arguing so much, their classmates start to wonder if they are especially close. Things get even worse for Raku when he agrees to pretend to be romantically involved with the daughter of a rival gang boss in order to preserve peace, only to find out that his new “girlfriend” is Chitoge. Under the watchful eyes of retainers from both families, Raku and Chitoge go through the motions of a weekend date, only to find out that their romantic status has been announced at school as well, leaving them no rest from their charade.

There’s plenty of humor in this title even though it doesn’t reach the laugh out loud heights of Oresama Teacher. Komi frequently draws rictus-like facial expressions when his characters are in the grips of strong emotions. While the love triangle in this book is predictable, it certainly isn’t more derivative than the typical shoujo title. Chitoge and Raku’s similar backgrounds and tendencies to freak out often make them seem like natural friends with something in common, whereas Ondera’s more retiring personality makes her someone that Raku can easily admire from afar even though he doesn’t know her very well. While I didn’t connect with this title the same way I do my treasured shoujo romances, for anyone looking for shonen romantic comedy I think this will be an enjoyable manga to read. The art is well-executed, the personalities of the characters are interesting if a bit broadly drawn, and random yakuza thugs make everything more fun.