Features & Reviews

Bookshelf Briefs 4/20/15

April 20, 2015 by Sean Gaffney, Anna N and Michelle Smith Leave a Comment

This week, Sean, Anna, & Michelle look at recent releases from Seven Seas & Viz Media.

Gakuen Polizi, Vol. 2 | By Milk Morinaga | Seven Seas – I had wanted Gakuen Polizi to get a bit less insubstantial, but I’m not sure this is what I meant. After fairly swiftly dealing with the evil rival who showed up for last volume’s cliffhanger, and who’s not all that evil after all, the final arc delves into the world of racy photos for money and spirals into teen prostitution. This includes a teacher whose talk about artistry of innocent half-nude schoolgirls trumping petty legality does not sound far off from some yuri fans. Oh yes, and there is a bit of yuri in here after all, though due to Aoba’s denseness we get a confession and kiss AND it doesn’t go anywhere. Fans of yuri will likely still enjoy this, but the last volume was far too moodswingey for me. – Sean Gaffney

Food Wars, Vol 5 | By Yuto Tsukuda, Shun Saeki, and Yuki Morisaki | Viz Media – Volume five of this series is a bit of a transitional one, as the big storyline centered around the competition at the Totsuki Resort gets wrapped up and Soma finds himself with a chance to go home for a little break. Unfortunately, there’s a culinary crisis at the street market near Soma’s family restaurant, with a new corporate fried chicken chain threatening all the businesses. Soma digs in and comes up with a solution with his childhood friend Mayumi and he even imports meat expert Nikumi from school for extra help. This made for an entertaining interlude right before the next competition at cooking school starts. Food Wars has grown on me a bit with each volume and now I’m finding it consistently entertaining. – Anna N

Meteor Prince, Vol. 2 | By Meca Tanaka | Viz Media – Meteor Prince comes to a close in this volume, though not before a couple more aliens (Tania, Io’s rather obnoxious and clingy “true mate,” and Yuro, his ruthless younger brother) show up to erect obstacles to our lead couple’s happiness. I was a little disappointed that the origin of Hako’s spectacularly bad luck was never revealed, but there were other good things, like her awesome parents and protective little brother, and an ending that had just the right smidge of a drama for a two-volume series but rectified it all pretty swiftly and sweetly while still showing us Hako determined to take more control of her own destiny. If you miss the breed of shoujo that CMX used to release, you really ought to check out Meteor Prince; I have a feeling it’ll be on your wavelength. – Michelle Smith

Meteor Prince, Vol. 2 | By Meca Tanaka | Viz Media – Despite taking place after the main couple gets together, I thought this was the stronger of the two volumes of Meteor Prince, as we see all the various fallout that comes from this decision, and Io’s insistence that in the end he doesn’t care. Given this is a manga that began with predestined soulmates connected by wavelengths, the decision to show how in the end it’s people’s own choices that are important is an excellent one. Of course it’s not very original – there’s a comedic fiancee, a jealous little brother, and the choice between duty as a prince and romance. But for a series that is only two volumes long, Meteor Prince wraps everything up nicely, and the size feels just right. – Sean Gaffney

My Love Story!!, Vol. 4 | By Kazune Kawahara and Aruko | Viz Media – I have to admit, we finally hit something in this manga that I was less than satisfied with. I did not like Hayato, and felt his behavior, which involved getting his crush to resolve her feelings for Takeo so she can move on to him, was creepy and far too sympathetically told. That said, it’s hard for even that to penetrate the fuzzy adorable feeling anyone gets reading this. We get more here of Takeo thinking over and over again that people just don’t like him in ‘that way’, and seeing time and time again that it isn’t true. Which is cliched, yes, but also helps to point out how negative reinforcement as a child or teen can have major self-worth consequences down the road. Thank goodness he has Suna and Rinko. – Sean Gaffney

Requiem of the Rose King, Vol. 1 | By Aya Kanno | Viz Media – I have now sampled three series by Aya Kanno, and they’re so different from one another that I am quite impressed! Based on Shakespeare’s Henry VI and Richard III, Kanno’s latest retells the story of The War of the Roses—with plenty of bishounen in significant roles—but instead of perpetuating the “hunchback” version of Richard, gives him a different body image problem (and quite a nifty character design!) that should affect the familiar tale in fascinating ways. My main complaint is that I don’t remember my history well enough to know if some actions attributed to Richard here, like the almost seductive way he cajoles his father into not giving up the fight for the crown, actually happened, or if Kanno is writing him somewhat inconsistently. In either case, I am definitely on board for volume two! – Michelle Smith

Toriko, Vol. 27 | By Mitsutoshi Shimabukuro | Viz Media – The power of positive thinking is what drives the first half of this volume, which is still devoted to a serious of battles at the shattered remains of the Cooking Festival. It takes Toriko a long way, to the point where we think that he’s going to be able to take out Starjun, but… in the end, all of our current heroes may not be enough, and not even Setsuno and company can turn the tide. Luckily, there’s a few more old-timers who’ve yet to arrive that may help out. There’s been a lot of fighting and very little food lately, and I am looking forward to seeing the outcome of this battle, even if things aren’t looking all that good for Toriko or Komatsu right now. – Sean Gaffney

Uninvited by Sophie Jordan

April 20, 2015 by Michelle Smith

book description:
When Davy tests positive for Homicidal Tendency Syndrome, aka “the kill gene,” she loses everything. Once the perfect high school senior, she is uninvited from her prep school and abandoned by her friends and boyfriend. Even her parents are now afraid of her—although she’s never hurt a fly. Davy doesn’t feel any differently, but genes don’t lie. One day she will kill someone.

Without any say in the matter, Davy is thrown into a special class for HTS carriers. She has no doubt the predictions are right about them, especially Sean, who already bears the “H” tattoo as proof of his violence. Yet when the world turns on the carriers, Sean is the only one she can trust. Maybe he’s not as dangerous as he seems. Or maybe Davy is just as deadly.

Review:
We meet Davina (Davy) Hamilton in March 2021, when she is about to graduate from her prestigious prep school and proceed on to Juilliard. Davy is a special snowflake musical prodigy who is also gorgeous, with a studly boyfriend many other girls covet. She’s also not shy about congratulating herself for these things.

Her privileged existence comes to an end when routine screening reveals that she carries the gene for HTS—Homicidal Tendency Syndrome. She is promptly uninvited from her swanky school and sent to a class for “carriers” at the local public school, where some of the kids are obviously creeps but others seem as normal and harmless as Davy insists she is. Carriers are treated poorly by society, and when an angry group of them perpetrates a mass shooting, all carriers are rounded up and sent to detention camps. Davy and a couple of classmates, however, are diverted into a program where they train to kill on government command.

While there were a few things I liked about Uninvited, I must admit that it was not especially good. Original-flavor Davy is not a sympathetic character, but she does eventually realize that she used to be a pretty crappy person and that her friends and boyfriend never truly cared about her. I also found the repeated references to music in her head puzzling—as a musician myself, it’s true that I usually have a song (or at least unformed noodling) in my head, but I thought this was normal for everyone, and not a sign of genius as we are evidently supposed to believe here.

Too, the writing is sometimes weirdly choppy, and I’m not sure what the point of that was. Is it simply bad writing or is it an attempt to convey how grim the situation is? If that’s the case, why use it during a scene where Davy’s boyfriend seems to accept her, kill gene and all?

I need this. So much. His arms. His love.

That’s just one example. I confess that I eventually started internally reading these in a flat robot voice to amuse myself. Jordan sometimes seems to mix up musical terms, too, like when Davy refers to the “pitch” of an aria, or that her body sways to the “harmony.” Plus, there were two instances of “y’all” being spelled “ya’ll.” Can you become an editor without understanding how contractions are formed? Apparently, at Harper Teen you can!

So, irritating main character, bizarre writing style… what is there to like? Well, the concept itself is kind of interesting, and because I didn’t particularly care about anyone, their misfortunes didn’t cause me any anxiety. The portion of the novel set in the training program is the strongest, with Davy becoming determined not only to become strong in her own right, but buying into the claim that if she does well enough, the government will have the neck tattoo proclaiming her as a violent carrier removed.

In the end, I find myself interested enough to read the sequel, Unleashed, though I am very grateful that this series is not a trilogy.

My Week in Manga: April 13-April 19, 2015

April 20, 2015 by Ash Brown

My News and Reviews

Two more in-depth manga reviews were posted at Experiments in Manga last week, and once again they were both for manga. Though, unlike the week before which featured newer manga, last week’s reviews focused on a couple of older titles, one of which is actually out of print. That would be After School Nightmare, Volume 3 by Setona Mizushiro. This is the last volume in the series that I had previously read before embarking on my monthly horror manga review project, so I’m particularly curious to see where the manga goes from here. But, since next month’s horror manga review will be Mushishi, Volume 3, I’ll have to wait until June to find out. The other review posted last week was for Yak Haibara’s Sengoku Basara: Samurai Legends, Omnibus 1. Technically, it’s an adaptation of the Sengoku Basara 2 video game, but no familiarity with the games are needed and it stands alone as its own work. In addition to the incredibly over-the-top and badass characters and fight sequences, there’s actually some legitimate history mixed in as well. I find the series highly entertaining.

There wasn’t a lot in the way of manga news and announcements that I saw last week. (Granted, I was pretty busy paying attention to more pressing matters). If I missed something noteworthy, please do let me know! I would, however, like to mention Vertical’s ask.fm account, which continues provide a bit of fun in addition to excellent insight into the North American manga industry. I was particularly interested in the answer to a question about the impact of libraries on book sales since I happen to be a librarian. Also, Seven Seas has an ask.fm account, too, which I tend to forget about for some reason. Elsewhere online, Organization Anti-Social Geniuses has an interesting article about a used bookstore owner who nabbed more than 400 volumes of manga without even really knowing a thing about manga. Finally, two of Deb Aoki’s manga articles for Publishers Weekly were recently released from behind a paywall: Manga Publishing Update, Spring 2015 and Manga Publishers Try Games, Erotica to Grow Market.

Quick Takes

Karneval, Omnibus 1 (equivalent to Volumes 1-2) by Touya Mikanagi. Gareki is a fairly successful thief, but when a burglary doesn’t exactly go according to plan, he becomes the accidental protector of a strange young man called Nai and the both of them suddenly find themselves drawing the attention of Circus, a powerful association charged with dealing with criminals and situations regular law enforcement can’t handle. When Karneval was licensed, a resounding cry went up from its fans. I can definitely understand the appeal of the series. It has action and adventure, some sweetness as well as darkness, heroes with tragic backstories, mysteries and secret (and not-so-secret) organizations, quirky and attractive characters and designs (mostly men, but a few women as well), and so on. But although I thoroughly enjoyed parts of the first omnibus of Karneval, it didn’t quite grab my attention as much as I was hoping, or expecting, it would. I think this may be because the worldbuilding doesn’t feel as cohesive as I would like it to be. Mikanagi is smashing together some interesting and engaging elements and ideas, but they’re not quite meshing yet. However, I suspect the connections will become clearer as the series progresses.

Manga Dogs, Volume 3 by Ema Toyama. The third volume of Manga Dogs is also its last. It’s an amusing gag manga, but I think three volumes is just about right for the series. If it was stretched out for too much longer, it would likely become tiresome. Manga Dogs requires a high-tolerance for shallow characters, foolish comedy, and general absurdity. Although there is something of an overarching storyline, Manga Dogs tends to be fairly episodic, relying on the jokes to carry the manga more so than the characters or plot. As for the plot, at this point in the series Tezuka’s manga Teach Me Buddha is unsurprisingly in danger of cancellation as is the school’s manga program. Tezuka and the three air-headed male students who have attached themselves to her must work together in order to stop that from happening. Anyone who has read the first two volumes of Manga Dogs probably already has a pretty good idea of how well that works. I find Manga Dogs to be funniest when the humor directly ties into the manga industry or the mangaka’s creative processes. Although it’s taken quite seriously by Tezuka and the others, I’d actually be interested in reading Teach Me Buddha as a parody of shoujo manga; it has the potential to be funnier than Manga Dogs manages to be.

Yamada-kun and the Seven Witches, Volume 1 by Miki Yoshikawa. I first learned about Yamada-kun and the Seven Witches when it was added to Crunchyroll Manga. I heard very good things about it at the time, and it sounded like something that I would enjoy, so I was very pleased when Kodansha Comics picked it up for print release. I’ll admit, I tend to enjoy body-swap manga, especially when there is some gender-swapping involved. (Which, now that I think about it, is probably more often the case than not.) Yamada-kun and the Seven Witches is one of the most entertaining examples of that particular subgenre that I’ve read recently. At this point, the series is definitely being played as a comedy. The trigger for the body-swapping is kissing, and there certainly is plenty of that in the first volume. Girls kissing guys. Guys kissing other guys. (Perhaps later on in the series, there will even be girls kissing other girls.) There are kisses for everyone! Not unexpectedly, there is also a bit of fanservice. However, for the most part it doesn’t tend to be overly sexualized and generally makes sense within context of the manga. Yoshikawa used to be an assistant to Fairy Tail‘s Hiro Mashima; some of that influence can easily be seen in the artwork of Yamada-kun and the Seven Witches.

12 Beast, Vol. 1

April 19, 2015 by Sean Gaffney

By Okayado. Released in Japan by Fujimi Shobo, serialization ongoing in the magazine Dragon Age. Released in North America by Seven Seas.

When something sells, it makes perfect business sense to get 5 other things that are similar to that thing. This tends to irritate a certain type of reader, but it’s true. This is why I joke about the newest vampire manga being licensed all the time – vampire manga tend to sell. Even the really mediocre vampire manga. The same holds true for ‘real people end up in fantasy/game world and are forced to fight’. Oddly, it doesn’t really hold true for ninja manga – Naruto was a huge hit, but other attempts to bring ninjas over here haven’t quite caught on. And of course there’s the ever popular ‘lots of fanservice and suggestive sexual scenes with no actual sex’ manga genre. Add to this the realization that Monster Musume was a much bigger hit than expected (I think) and the desire to license something else by the same author, and 12 Beast is perhaps one of the least surprising licenses ever.

Of course, the question is, what happens when you try to take multiple popular genres and cram them all into the same work? The answer is a bit of a mess, unfortunately. Our hero is the heir to a ninja school who would much rather spend his time playing games, and who is quite happy to humiliate himself in order to avoid any sort of trouble. Of course, this can’t possibly stand, so into his world comes Aero, who is a bird-woman demanding that Eita come and save her people with his amazing hero skills. He spends much of the volume trying to run away, or at least talk sense into the berserker bird-woman soldiers whose idea of attacking the enemy is ‘hit it till we die’. But naturally, when push comes to shove he gets to show off his awesome ninja skills and talent at battle analysis (via gaming, which we all know from other manga is a perfect preparation for real warfare). And of course he starts to amass a harem of bird-women who are falling for them, possibly as he keeps rubbing their wings, which are oh so sensitive.

If you imagine that last paragraph read out by me in a sort of flat monotone, you get my general impression of the book. I will give Seven Seas credit, the adaptation is excellent, and almost a reason to get the book on its own. It’s filled with humor and in-jokes from page 1, where we not only get a reference to No Game No Life (another SS series), but also a nostalgic reference to “attacking its weak point for massive damage”. Unfortunately, the same can’t be said about the manga itself, which, like its hero, is content to coast. Almost everything here has been done better somewhere else. Hell, even the blatant fanservice is not as blatant as it is in the author’s other title Monster Musume. Basically, if you’re looking for a hero coming to a fantasy kingdom and saving the day, amassing women as he does so, and want to collect the entire set of manga that feature this plot, pick this up. But I’d wait till the very last to get it.

Sengoku Basara: Samurai Legends, Vol. 1

April 17, 2015 by Ash Brown

Creator: Yak Haibara
U.S. publisher: Udon Entertainment
ISBN: 9781926778334
Released: April 2012
Original release: 2007-2008

Sengoku Basara, an outrageous reimagining of the people and events of Japan’s Warring States period, is a franchise that started out as a series of video games but expanded to include manga, anime, and radio shows among other media. Although I have been aware of Sengoku Basara for quite some time, I’ve somewhat surprisingly never actually played any of the games. Instead, my first direct experience with the franchise was through Yak Haibara’s manga series known in English as Sengoku Basara: Samurai Legends, an adaptation of the second game, Sengoku Basara 2 (which is also the Japanese title of the manga). The first volume of Udon Entertainment’s Samurai Legends was released in 2012. It’s actually an omnibus collecting the first two volumes of the Japanese edition, published in 2007 and 2008 respectively. Normally, I tend to shy away from video game adaptations, often finding them to be less than satisfying, but I liked Haibara’s artwork and so made an exception for Samurai Legends. I’m glad that I did, because the manga is a tremendous amount of fun.

June 2, 1582. Akechi Mitsuhide leads a rebellion against Oda Nobunaga, setting fire to Honnou Temple and burning those inside alive. With Nobunaga dead, Japan’s temporary peace is disrupted as warlords once again battle to gain control over the country. The power vacuum is quickly filled by Hideyoshi Toyotomi with the aid of his impressively skilled strategist Hanbei Takenaka. Currently, they’re in the best position to seize complete control, but they aren’t the only ones taking advantage of the recent upheaval. In the east, the young and brash Masamune Date is itching to make his move, his chance encounter with Shingen Takeda’s protegé Yukimura Sanada spurring him on. Meanwhile, further to the west, Takeda is locked at an impasse with the “God of War” Kenshin Uesugi. While the balance of power is shifting swiftly and dramatically, the appearance of the vagabond Keiji Maeda on the field of war only seems to hasten events.

The Sengoku or Warring States period was an extremely tumultuous time in Japan, lasting from the fifteenth to seventeenth centuries. Conflict was nearly constant as alliances between military factions were repeatedly forged and broken, making for an exciting setting for a franchise like Sengoku Basara. While fairly loose with its interpretation of historical figures and events, one thing is for certain: the action and fighting in Samurai Legends is almost nonstop. It’s also ridiculously over-the-top and over-powered. Characters are incredibly strong and resilient. They each have their own style of fighting and distinctive weaponry that, frankly, are often absurd. I mean, Date fights with three swords in each hand and Takeda’s battle-axe is as big as a horse. And that’s only two examples. Samurai Legends includes anachronisms and is hardly realistic, but the manga’s badassery is bombastic, dynamic, and highly engaging as a result.

Surprisingly enough, there actually is some legitimate history mixed into the raucousness that is Samurai Legends, but the manga was never intended to be a primer or to be taken too seriously. Though I will admit, I do find it much easier to remember who was who historically having been exposed to their highly-fictionalized counterparts. The manga has a very large cast of important and memorable players. Though Date is arguably the lead in the series, every faction involved in the conflict has at least one moment in the series in which it takes precedence. Samurai Legends isn’t particularly subtle or nuanced with its story or characterizations—more often than not it’s just one spectacular fight scene after another—but the manga’s humor and intense drama, exciting action, and sheer audacity have their own charm and appeal. Honestly, I never expected that I would like series as much as I do, but I get a huge kick out of Samurai Legends and find it to to be extraordinarily entertaining.

Gangsta Vols 4 and 5

April 16, 2015 by Anna N

As I embarked on getting caught up on Gangsta, I found myself very grateful for the character bios and plot summaries in front of the volumes. The first couple volumes focused on the slightly more intimate lives of Alex as she meets and is taken in by the Handymen Worick and Nic inter cut with various scenes of violence, but the series is now headed into a full on gang war, and it is useful to be reminded of just who is who in the ever expanding cast of characters.

Gangsta Volume 4 by Kohske

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The fourth volume deals with the personal problems of the characters as well as introducing more members of the sprawling underworld in the city of Ergastulum. The handymen are cleaning up after an attack, and Alex is distracted with memories of her younger brother. After shaking the dependency on the drugs she was previously addicted to, more of her normal memories are starting to come back, but she’s not yet able to recall the details of her past life. One of the things I like about this series is the artful way Kohske portrays her action scenes. Alex goes on an errand for the Handymen, and when she happens on a scene where another woman is being attacked, she grabs a stray piece of lumber and rushes in to defend a stranger without thinking of her own safety. Alex is about to get attacked herself, when on the next page a single panel of Nic in motion, mid-leap behind her attacker shows that the problem is being taken care of with almost frightening efficiency.

Alex and the Handymen go to a party thrown by the Cristiano Family, one of the weakest mafia families who is also the most charitable when it comes to taking care of Twilights who would otherwise not have a place to claim sanctuary. The head of the family is a tiny young girl named Loretta, who pragmatically surrounds herself with skilled bodyguards. An equally young twilight hunter shows up at the party and sets off a bloodbath. Another hunter names Erica appears, and while the Handymen and their allies manage to fight off the attack, they sustain huge losses in the process.

Gangsta Volume 5 by Kohske

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In this volume it seems clear that the mafia factions in Ergastulum are going to be headed into war. The team of Destroyers becomes more defined, and the situation for regular Twilights not affiliated with an organization is looking worse and worse. Alex has gained even more of her memories, remarking to Nic that she knew him before, only to not get a response. Worick is forced to use his sense for objects to identify corpses, and he and Nic are separated throughout most of this volume, with dangerous consequences. The Destroyers begin to tear through the city, and identify themselves as agents of the Corsica family. Still, even in the middle of a tidal wave of violence, there are quick scenes of normal daily life, when Nic hands Alex a mug as soon as she wakes up from some disturbing dreams of her past. Nic heads off to help out Loretta, and Worick is left to help fend off an attack at the Monroe family house. Things are looking fairly grim for the found family the Handymen have built for themselves. We’re starting to get more caught up with the Japanese release of Gangsta, and I know I’m going to start getting impatient as the wait between volumes grows longer.

While Gangsta does feature plenty of action and grim themes centered around drugs, class issues, and the mafia, the core story circling around Alex and her relationship with the Handymen ensures that the violence in the manga always seems to have a narrative purpose. Koshke’s narrative start small and builds up to a intercut scenes of a sprawling cast headed into some serious confrontations is building more and more suspense and tension as the series progresses. I’m also always impressed with the variety of character designs and defined looks as the manga includes more and more characters. I’m glad that Viz is continuing to give quality seinen some serious attention in the Signature Line with this title.

Manga the Week of 4/22

April 16, 2015 by Sean Gaffney, Michelle Smith, MJ, Anna N and Ash Brown 2 Comments

SEAN: I feel that the “Yen Press” week of every month is just going to be like this now, and we will simply have to accept it.

Before Yen, though, there’s also enough from other publishers to make it a big week anyway. Gantz is still not over, as the 35th volume from Dark Horse will attest.

Kodansha debuts two new series. The first, Let’s Dance a Waltz, is from shoujo master Natsumi Ando, and I reviewed it here.

MICHELLE: This was not on my radar, but I think from your review that I might give it a pass. Thanks for the warning about the “overweight girl transforms to find love” trope.

MJ: Yeah, that’s a deal-breaker for me, too.

ANNA: And me as well.

SEAN: There’s also Your Lie in April, whose anime recently finished. Will folks pick up the manga even though they know how it ends? Come on, how can you resist those adorable faces on the cover?

ASH: I’m a fan of music manga, so I’ll be following it. In fact, I’ve already reviewed the first volume!

MJ: Now, this I’ll give a try!

SEAN: Seven Seas’ A Certain Scientific Railgun has reached double digits, but can it last much longer with Misaka in this much trouble? Or will a certain guy come to her rescue again? I think we know the answer to that, but read it anyway, it’s good.

Clay Lord: Master of Golems is probably the debut with the least buzz this month, but it’s a Zero-Sum title, so I know MJwill be interested if no one else. It’s about, unsurprisingly, a young man who can create golems.

MJ: Yes. Yes, yes. “Zero-Sum” is pretty much all it takes. And it’s interesting to see this coming from Seven Seas, whom I generally count on to publish manga I would not like at all. So I’m anxious to be proven wrong about that.

SEAN: Udon is putting out another “Manga Classics”, this time of Dickens’ Great Expectations. Pip pip, cheerio!

MJ: I could get interested in this.

ANNA: I need to check out a Manga Classics one day!

SEAN: Vertical gives us the 4th volume of Witchcraft Works, which I’ve fallen 3 volumes behind on, alas.

It has been almost 5 years since the last Black Lagoon volume, and the author insists that it was not “put on hiatus” or anything like that. (The author is notorious for not finishing his series, and may be worried he can’t do the same here.) In any case, for those who forget, the last volume ended with Rock being reminded how far his moral sense has fallen. Can he recover? I talk about that here.

MICHELLE: Wow. I kind of forgot about Black Lagoon.

ASH: It’s been a long time!

SEAN: Viz is re-releasing the manga Gyo in a 2-in-1 omnibus, and I recommend it for all seafood lovers.

MICHELLE: But will it still include the amazing short story, “The Enigma of Amigara Fault”?!

SEAN: And there’s also the 4th Perfect Edition of Monster, which is not quite as body horror as Gyo but is disturbing enough anyway.

There are two flavors of Vagabond next week. We have Volume 37 for regular readers, and the 12th VizBIG edition for newbies.

ASH: I’m a VizBIG reader myself, but either way this is a great series.

ANNA: I also like the VizBig editions of this series very much.

SEAN: Yen On has been trickling out new titles for some time now, but this is the biggest month yet, with 6 different novels all out next week. We start with The Devil Is a Part-Timer!, a comedic fantasy which seems to lean heavier on the comedy, at least so far.

ASH: The anime adaptation was surprisingly entertaining, so I’ll definitely be giving the original series a try.

SEAN: Just in time for the anime debut, we have the 2nd volume of Is It Wrong to Try to Pick Up Girls in a Dungeon? The first volume wasn’t terrible, but also didn’t knock me out. We’ll see how the 2nd fares.

MJ: I’ve been considering giving this one a try.

SEAN: Log Horizon is another light novel whose manga made its debut last month, but I understand the plots aren’t too similar. I’m interested in seeing how different this experience is from Sword Art Online.

No Game No Life seems like one of those titles that I will do much better with as a novel – the manga intrigued me, but man that fanservice was rampant. It’s easier to ignore in textual format if nothing else. I want to read this for the codependent heroes, really.

Spice & Wolf has no truck with these newbie Vol. 1 novels. It’s already at Vol. 14, a mature, fully developed title.

Lastly, Sword Art Online wraps up its Fairy Dance arc, which I’m sure will relieve many of its readers. Will Kirito defeat the world’s smuggest villain? What do you think?

MJ: I suspect he will, and I’ll be there to find out.

SEAN: Now on to Yen proper. Akame Ga KILL! has its second volume out, and I suspect will get even darker than it already began.

And on a slightly milder note there’s also the 4th Barakamon.

MICHELLE: I plan to get caught up on this soon.

ASH: Barakamon grows on me a little more with each volume.

MJ: Same here.

SEAN: I’ve been enjoying Inu x Boku SS quite a bit, so am sad to see that its author passed away recently. We have a few volumes to go still, though. Here’s the 7th.

Kagerou Daze is another ‘release the manga a month before the novel’ title, and I believe may be tangentially tied into the Vocaloid franchise, being based off a series of songs that tie together. Its plot is far more serious than you’d expect from that description, though.

If you ever wondered whether Joan of Arc was a magical girl, why not try new Puella Magi spinoff, Tart Magica? (Spoiler: it won’t end well. Is that even a spoiler for this franchise? Or this historical figure?)

If you enjoy busty shinigami, lecherous leads who are prevented by plot circumstances from actually doing anything, and more harem comedy than you can shake a stick at, then you’re the right audience for So I Can’t Play H!. Unlike many other recent titles from Yen, only the manga is licensed at this time.

The second Sword Art Online: Progressive manga should wrap up the first ‘arc’ of the novel, and give Kirito and Asuna fans a lot to be happy about.

Lastly, we get the 7th Tena on S-String, much quicker than we got the 6th volume.

What in this giant mound of manga and novels makes you most excited?

Black Lagoon, Vol. 10

April 16, 2015 by Sean Gaffney

By Rei Hiroe. Released in Japan by Shogagukan, serialization laughably sort of ongoing in the magazine Sunday Gene-X. Released in North America by Viz.

If everyone has in fact forgotten about Black Lagoon, I wouldn’t be the least bit surprised. I wondered why I’d never reviewed it here, then realized the last volume came out in 2010, before I started blogging manga. Rei Hiroe’s past series have not so much ended as stopped, and I have a sneaking suspicion that this one may do the same. The end of this volume has him a) apologizing to readers for this volume taking so long to come out, and b) adamantly insisting the manga was not on a hiatus. This despite the fact that after putting out this new volume of Black Lagoon, we seem to be in the midst of another drought. Sunday GX’s website has a Black Lagoon section, but it’s mostly about a new game, I believe. In other words: enjoy this volume, but expect to forget it all over again soon.

Of course, enjoying this volume may be difficult in any case. Not because of any real quality issues, but because the author is deliberately reminding readers what sort of world Roanapur is, and how deep Rock is now embedded in it. The last volume had Fabiola calling Rock out on his ambiguous morality, even if he did manage to save the day. Here he seems to still be taking that to heart, to the point where he’s gotten too jaded to actually be himself – much to Revy’s annoyance, as a cynical and bitter Rock is not something she likes to see (or finds attractive). Then there’s the return of Greenback Jane, who was played for mostly light relief in her debut arc but now is pretty much horrible. She cheerfully leads a woman into a deathtrap for her own means, justifying it by the woman’s inability to have a successful cover story. And her sexual activities with Benny have become almost constant, to the point where, after hearing a suggestion that she might drag Rock into them as well, Revy pulls off one of the best threats in the entire series.

But let’s talk about the woman I mentioned above, Feng Yifei, who if pretty much deliberately introduced to be Rock’s female counterpart, and succeeds in that she’s likeable and we are rooting for her, as opposed to most of the rest of the cast where we just sit back and watch the catastrophe. She’s clearly drawn to Rock, and he to her, but my biggest interest was in how Revy saw her, and I was very pleased. I think there is a bit of jealousy in there, though Revy would never admit it. But more to the point, Revy not only sees in her what she saw in Rock, but actually wants to help her as a means of helping Rock out of his funk and getting him to be the moral guy again. It’s terrific character development, really.

There’s a lot more I could talk about here, including the hilarious and disgusting appearance of Sawyer the Cleaner, the Chinese politics that mostly passed over me but seemed serious enough, or the appearance of three goofy assassins for hire who call themselves the Four Brothers (you’ll see). But basically: Black Lagoon 10 is much like 1-9, only you really get it rubbed in your face here what a scummy, amoral world this is. Even Gangsta seems lighter and fluffier in comparison. Despite that, it’s still a good read, especially for action fans. Just… don’t expect Vol. 11 anytime soon.

After School Nightmare, Vol. 3

April 15, 2015 by Ash Brown

Creator: Setona Mizushiro
U.S. publisher: Go! Comi
ISBN: 9781933617244
Released: April 2007
Original release: 2005

After School Nightmare is a ten-volume manga series created by Setona Mizushiro which has prominent psychological elements and an unsettling atmosphere. The series is currently out-of-print in English, but fortunately most of the volumes are still relatively easy to find. I initially read the first few volumes of After School Nightmare after borrowing them from my local library and made a point to collect the entire series based on the impression left on me by the early part of the manga alone. However, I never actually read any further than the third volume, in part because I found the series to be so effectively disconcerting (which I don’t necessarily consider to be a bad thing, especially for what could be considered a horror manga) and because some of the themes in the series are pretty hard-hitting and true-to-life, even if they are explored in a fantastic way. After School Nightmare, Volume 3 was originally published in Japan in 2005. The sadly now defunct Go! Comi released the English-language edition of the volume in 2007.

Every Thursday, Mashiro and a small group of other students attend a special class after school required for their graduation. In it they enter one another’s dreams, taking on forms representative of their true selves and forced to face the darkness that resides in their hearts. Many of these forms are so unlike the students’ appearances in their waking lives that it’s often impossible to know for certain who is who. At least that was true before Itsuki Shinonome joined the class. The youngest student at the school and a genius with an incredible intellect, he is prepared to leverage that privileged information in any way that he can in order to leave high school behind as quickly as possible. Knowing that Mashiro is desperate to uncover the identity of the student who takes on the form of the Black Knight in the dreams, Itsuki makes him a deal. In return for Mashiro helping and protecting him, as well as closely following his orders, Itsuki will reveal the name of the student who is the Black Knight, but only after he is able to complete the class.

Over the last few volumes of After School Nightmare Mashiro has become increasingly obsessed with the identity of the Black Knight, and with good reason. He was assaulted by the Black Knight within the dreams and suspects that the knight may be the same person as Sou, another student who has been very forceful about his feelings for Mashiro. Mashiro wants to confirm whether or not his suspicion is correct, but he hasn’t really completely thought through what he will do with that information once he knows the truth or fully considered exactly how having that knowledge will change him. Already Mashiro finds himself thinking more and more about Sou—the thin line between hate and love becoming blurred to an even greater extent—and this has had major impacts on Mashiro’s other relationships, particularly on the one with his girlfriend Kureha. Something that Mizushiro has done especially well in After School Nightmare is capture the complexities and turmoil of interpersonal relationships and how they affect one another.

Through the genre of dark, psychological fantasy, After School Nightmare touches upon issues related to identity, gender, and sexuality. Although all three can be closely intertwined, gender specifically is frequently at the forefront of Mashiro’s mind since his body has both male and female characteristics. He is so concerned about being seen as a man by others that he immediately rejects anything feminine about himself, blaming that side of him for all of his weaknesses instead of taking full responsibility for his actions and feelings. But as Itsuki points out, girls have to deal with plenty of challenges and unfair situations every day of their lives; simply existing within society requires and demands incredible strength from them. Mashiro’s attitude towards gender roles in the first two volumes of After School Nightmare was very traditional, so I’m glad to see his rigid assumptions and beliefs being shaken up a bit. Of course, this will force him to completely reevaluate who he is as a person, which will be a difficult and perhaps even traumatic process, especially as he was already struggling with establishing and accepting his own identity.

Bookshelf Briefs 4/14/15

April 14, 2015 by Sean Gaffney, Michelle Smith and Anna N Leave a Comment

This week, Sean, Michelle, & Anna look at recent releases from Seven Seas, Yen Press, and Viz Media.

Arpeggio of Blue Steel, Vol. 4 | By Ark Performance | Seven Seas – A step down from the previous volumes, mostly as we take a brief break from the thrilling action scenes to focus on a) a naval captain having erotic dreams about a 17-year-old girl, and b) the fetishization of Takao, who’s even using phrases like “I’ll let you see my engine’. Thankfully, the majority of the volume remains excellent. In particular, the odd friendship between Haruna and Makie, as the former realizes that they have far more in common than you’d expect. Meanwhile, we see something happen to Gunzou that we hadn’t expected – he’s defeated, and it doesn’t sit well with him at all. Oh, yes, and is his childhood friend not quite dead? Despite the fanservice, still very recommended. – Sean Gaffney

Food Wars!: Shokugeki no Soma, Vol. 5 | By Yuto Tsukuda and Shun Saeki | Viz Media – Tempted as I am to have this review simply say ‘Note: Food Wars! is a cooking manga’, I will add that this is quite a strong volume. We see Soma learn the value of TPO (Time, Place, Occasion) in his cooking and survive the hotel contest. We see him return to his old restaurant and get help from his childhood friend (remember her? from Chapter 1?) and Ikumi to take down a fast-food chain. And perhaps most importantly, we see Megumi Tadoroko: Ping Pong Goddess. It does sound as if we’re going to head into a longer arc starting with the next volume, though, complete with a new arrogant jerk for Soma to take down. All this, and Erina was in it as well. Remember her? The supposed heroine? – Sean Gaffney

Food Wars!: Shokugeki no Soma, Vol. 5 | By Yuto Tsukuda and Shun Saeki | Viz Media – It’s perhaps the highest compliment I can give a series to say, “I could happily marathon fifty volumes of this series,” and that is precisely how I am feeling about Food Wars!. While I liked the chapters in which Soma helped his hometown neighborhood market compete with a fried-chicken chain, what I liked best was the conclusion to the intense cooking camp, which saw timid Megumi achieving greater confidence, and actually performing better than Soma in a grueling challenge. Yes, we saw him rise to the occasion and pull out an impressive win, but I liked that he easily admitted that he’d made a mistake and was determined to learn from it. And then he reflected that he was glad he’d come to culinary school after all. You guys, the cock protagonist is evolving! This is hitting my sports manga buttons, big time, and I love it. – Michelle Smith

He’s My Only Vampire, Vol. 2 | By Aya Shouoto | Yen Press- As this series is coming out concurrently with Shouoto’s Kiss of the Rose Princess, I am unable to resist comparing them. I’d have to say that, despite my vampire fatigue, this one is far superior. It’s a later effort from Shouoto—a bit darker (though the tone veers a bit lighter in this second volume), more mature (earning an OT rating), and better plotted, with several story threads in play from the start. It does still seem to be shaping up to be a male harem sort of series, but the introductions of new guys are better paced. Too, Shouoto seems to have developed a better sense for comedy, and I encountered no jarring goofy gags disrupting dramatic moments. Okay, yes, there are some standard shoujo tropes, and Aki’s possessiveness of Kana is plenty creepy, but there’s enough about this series to recommend it. Consider me pleasantly surprised. – Michelle Smith

My Love Story!!Vol. 4 | By Kazune Kawahara and Aruko – Every time I pick up this manga, I’m reminded that intense soap opera plots and meanness aren’t necessary ingredients for a captivating shoujo manga. Ai comes back home with Hayato, a friend from school who is determined to learn the identity of the Takeo Goda that she has a crush on. Hayato then encourages her to confess her feelings to Takeo, so she will get some closure. Takeo and Yamato’s relationship is too strong for any attempts at breaking them up, and they are both too naive to pick up on the undercurrents of emotion surrounding them. Later, there are more problems when Takeo’s assumption that he’s unpopular turn out not to be true. There’s something that is just so sweet about the unlikely love story portrayed in this manga, and the humor contrasted with the bits of drama that only serve to make Takeo and Yamato more and more in love with each other ensures that My Love Story!! makes me smile whenever I read a volume. – Anna N

Skip Beat!, Vol. 34 | By Yoshiki Nakamura | Viz Media – Lory’s Love Me group isn’t there to help his wannabe actresses find true love, it’s there to help them realize that they can’t simply shut off that part of themselves and expect their acting to reach the next level. As a result, his confrontation with Kyoko about her love for Ren feels more like a catharsis than anything else, and it’s beautifully done. Of course, his plotting and scheming is about to be taken down by one thing he is unaware of, which is the past that Kyoko has with “Corn”. While I have some issues with Ren taking advantage of her naivete about fairies to keep his identity a secret, this can’t help but be utterly adorable – or should I say corny? Still top-tier shoujo. – Sean Gaffney

One Piece, Vol. 74

April 14, 2015 by Sean Gaffney

By Eiichiro Oda. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz.

It has to be said, Oda is perfectly fine with repeating himself provided that it makes a good story. And as long as we’re still highly entertained, I think that’s fine. Certainly the Usopp sections of this volume were my favorite part, even if their basic shape felt a little familiar. We see Usopp in over his head, talking about how he’s a hero while having no idea what to do. We see him attempting to run away, only to return because of his guilty conscience. and we see his “victory”, as it’s a truly grotesque face that makes miniboss Sugar pass out and save the day – not unlike what happened with Perona in Thriller Bark. But of course this is how Usopp grows stronger, and I expect big things from him soon. He’s not allowed to start beating up bad guys or anything, due to Oda’s desire to always have that basic ‘type’ on the crew, so you need moments like this.

Meanwhile, you absolutely need Sugar to pass out, because the danger has been ramped up as Robin was turned into a toy. It actually happens so casually amidst the chaos that it’s a surprise when we see her Raggedy Anne body, and we see her desperation as she realizes that her fate is totally in Usopp’s hands now, even if he doesn’t remember her. The concept of the toys in general, and who they used to be, is a grotesque sort of horror even for Oda, and it’s almost a relief when we finally learn what we’ve suspected for some time now, which is that the Tin Soldier who’s tried to protect Rebecca is in fact her father. As I said, the beats may be similar to other storylines, but they’re good beats.

On the lighter side, Oda has occasionally done mild shout-outs to other Jump artists in the past – I’m thinking of the big giant ‘shock faces’ he’s used from Enel on down, which are a straight rip of Bobobo-bo Bo-bobo – and so I have to think that the minor villain whose minions go on about him being too hardboiled is a reference to Gintama, which sadly I think most readers will miss given its cancellation here in North America. Other than that, though, there’s not a lot of room for humor in this volume. Things are turning even more deadly than before, and our mystery savior who’s helping Luffy by taking his place in the arena can’t even stop to reveal who he really is (we all know who he really is, but let me keep up the pretense.)

This is not a perfect volume – Scarlet’s backstory was rather sexist, something Oda’s at least made attempts to avoid in the past, even though he’s been backsliding a lot lately. And of course, being in the middle of 11 chapters that are just ‘a giant fight happens’, the plot moves forward only incrementally. Still, now that Usopp has scared the bejabbers out of Sugar, we should start to see things get cleared up. Unless of course it leads to even wider chaos. But this is One Piece, what are the chances of that happening?

My Week in Manga: April 6-April 12, 2015

April 13, 2015 by Ash Brown

My News and Reviews

I posted two reviews last week at Experiments in Manga that featured some of Kodansha Comics’ newest series: Masayuki Ishikawa’s Maria the Virgin Witch, Volume 1, released back in February, and Naoshi Arakawa’s Your Lie in April, Volume 1, which will be released later this month. The main reason I picked up Maria the Virgin Witch was because Ishikawa was the creator of Moyasimon. I really wasn’t expecting to like it as much as I did, but now I’m very interested in reading the rest of the series. Your Lie in April caught my attention because it’s a music manga. It has the potential to become rather melodramatic, but I did enjoy the first volume and plan on reading more.

Last week also saw the release of Gamon Sakurai’s Ajin: Demi-Human, Volume 4 from Vertical. I’m actually quoted on the back cover, a blurb taken from my review of the first volume. This is all very exciting, although my legacy will now probably be that of an ignorant reviewer who spouts nonsense about production values and the quality of paper. Although I thought it looked nice, it turns out Ajin is actually printed on one of the cheaper, thinner stocks used by Vertical. Anyway. Lesson learned! I also discovered that a much more flattering quote of mine from a quick take last year was used for the final volume of Tetsuya Tsutsui’s Prophecy, except that it was credited to Manga Bookshelf. So it goes!

Elsewhere online, Lori of Manga Xanadu has recently been putting together some interesting lists of manga. A few weeks ago she featured sewing and fashion manga and last week focused on manga which include books with great power. Organization of Anti-Social Geniuses posted the transcription of the panel with Abigail Blackman on manga editing, lettering, and Japanese nuance. from the Castle Point Anime Con. Geeks OUT! has an exclusive interview with Jiraiya (one of the creators featured in the Massive gay manga anthology) from his recent North American tour. And Zero Comprehension has a brief guide to the official releases of the Golgo 13 manga in English.

In licensing-ish news, Digital Manga has launched another Tezuka Kickstarter for Clockwork Apple and is making plans for its next yaoi Kickstarter. Unrelated, there’s also a Kickstarter project for an original-English boys’ love anthology that looks quite good—Boy, I Love You. Viz Media has licensed the Yo-Kai Watch manga series for its Perfect Square imprint. I don’t often mention anime licenses, but I was very excited to learn that Discotek Media will be releasing Library Wars and Dororo. Finally, Sparkler Monthly has added the reboot of Jennifer Doyle’s excellent webcomic Knights-Errant. (Also, the most recent Sparkler Podcast talks about josei manga and the differences between the Japanese manga industry and the North American comics industry, among other topics.)

Quick Takes

Genshiken: Second Season, Volumes 4-6 by Shimoku Kio. For some reason, I don’t find the second season of Genshiken to be as engaging as the original manga series. I haven’t quite been able to identify why yet, though I suspect it may be because most of the newer characters haven’t seen much development in the recent volumes and the characters from the first “season” feel like they’re invading the new series. I think Genshiken works best for me with an ensemble cast. While there are still plenty of characters in the manga as well as regular plot tangents, lately the story has primarily focused on just a few. Admittedly, the two characters who are getting the most attention, namely Madarame and Hato, happen to be my favorites in the series. Hato in particular is marvelous. He’s going through some significant personal turmoil over his cross-dressing and love of boys’ love, which has a tremendous impact on the rest of the story and characters. And apparently just about everyone is in love with Madarame. But as interesting as the increasingly convoluted relationships in the series are, at this point what I really want is to know more about the other club members.

Last Man, Volume 1: The Stranger by Bastien Vivès, Michael Sanlaville, and Balak. Despite France being one of the world powerhouses of comics creation, relatively few French comics have been translated into English, especially when compared to the number of manga available. Last Man, which is in part inspired and heavily influenced by shōnen battle manga, has been very well received in France. And now, thanks to First Second, it’s available in English. (I believe Last Man may actually the first comic in translation that has been released by First Second.) Adrian is a young boy who has been training hard for his first fighting tournament, but when his teammate gets sick, it looks like he won’t be able to compete. Enter Richard, the titular stranger and a physically imposing man, who also needs a partner in order to compete. They make a peculiar pair: Adrian hasn’t quite mastered the magic and special techniques of his martial style, and Richard relies completely on his fists and strength. He also doesn’t appear to actually know the rules of the tournament, which poses a bit of a problem. So far, Last Man is delightfully engaging; I’m really looking forward to reading more of the series.

Missing Road by Shushushu Sakurai. Before quietly disappearing, DramaQueen released two final manga by Sakurai, Junk! and Missing Road. What particularly caught my attention about these two manga was the fact that they were science fiction—a genre that I’ve rarely seen in translated boys’ love manga. Missing Road specifically was described as “an epic sci-fi adventure of love, loss, and redemption.” Sadly, although some of Sakurai’s ideas certainly had great potential and I did like the setting, Missing Road doesn’t quite live up to that promise. The manga would have been more successful from a narrative standpoint if Sakurai could have expanded the story over the course of multiple volumes. As it is, she tries to cover too much ground in a single installment and many of the manga’s elements feel underdeveloped or truncated as a result. There are important close and intimate relationships, but Missing Road isn’t really a love story and is instead more about brutal war and revenge. Most of the sex is of a violent nature and rape occurs on several different occasions. The English-language edition was actually censored (with permission from Sakurai) for fear of United States child pornography laws.

Tsubasa: Reservoir Chronicle, Omnibus 3 by CLAMP. With this omnibus, I have entered into territory that I previously didn’t have the opportunity to read before Tsubasa originally went out-of-print in English. At this point, I’m still enjoying the series. It’s not always the most emotionally compelling manga (although admittedly it can sometimes be heart-wrenching), but Tsubasa is definitely a solid adventure tale. The manga’s premise allows CLAMP to very creative and develop world after world, each one different from the ones preceding and following it and each with its own challenges and dangers to be faced. Nods to other CLAMP manga and characters are still prevalent, and I assume this will likely be true for the entire series. This particular omnibus prominently features RG Veda, which I haven’t actually read, so I probably don’t appreciate the references as much as someone who has. It looks like the alternate version of Seishirō from Tokyo Babylon and X will be an important antagonist in Tsubasa as well. The series Tsubasa most directly crosses over with is xxxHolic. This connection actually works very well for Tsubasa, but I find it somewhat distracting when reading xxxHolic.

Accel World: The Twilight Marauder

April 12, 2015 by Sean Gaffney

By Reki Kawahara and Hima. Released in Japan by ASCII Mediaworks. Released in North America by Yen Press.

This was a good volume of Accel World, though I think I enjoyed it a bit less than the other two. It can be exhausting to read for extended periods. Kirito may rub people the wrong way, but at least in game he’s fairly matter of fact and confident in himself. Haruyuki’s issues – his self-hatred, the bullying he’s endured and can’t reveal, his desperation to keep his friends safe and keep their friendship, and his tortured love for Kuroyukihime, who he still holds up on a giant pedestal – permeate his narrative voice, and while that’s excellent in a realistic way – are visceral and explain the actions he takes, and you understand why he despairs or does seemingly stupid things. But as escapism, you’re left wanting a bit. Particularly as this book has a cliffhanger.

It doesn’t help that Kuroyukihime is conveniently absent from this volume, off to Okinawa and sending Haruyuki adorable videos of herself in a bikini. (I do like that her friends whipped off her hoodie to reveal the bikini, showing that they seem to be supporting the love between the two of them far more than the rest of the school – or indeed Haruyuki himself – might.) So the new threat is dealt with by our trio of childhood friends, one of whom is brand new to Brain Burst, and given this is volume one of a two-volume set (something that Kawahara is very fond of, as SAO fans are aware), they fail rather miserably. (The cliffhanger involves the seeming betrayal by one of said friends, but I suspect that absolutely no one is actually fooled by this. (checks TV Tropes page) No, wait they were. Sigh.)

As for the new characters, Nomi will hopefully gain more depth in the fourth book, as he’s very much the sneering, posturing villain here, determined to bully Haruyuki (who is very quick to accept this, as if nothing else it must feel familiar) and keep Chiyuri as a “pet” (more casual sexism, though given Nomi is about 11 years old at least there aren’t any rape threats like in SAO.) He’s there for readers to hate and root for our heroes to destroy, that’s about all. I liked Sky Raker a lot better, who gets to be the one who trains and inspires Haruyuki in Kuroyukihime’s absence, but who also seems to have an intense backstory involving trying to rise above a disability – and how it can fail despite all your best efforts. I’d like to see that scene someday.

Of course, much of her story is there to give inspiration to Haruyuki – he’s the hero, and that means that most of what goes on is for his benefit. This can be tragic, like with everything that happens with Nomi, but it can also be hilarious, as with the return of Ash Roller, who will not stand for this meek, uncool and despairing Silver Crow, and proceeds to take him on the bike ride from hell just to pep him up. I suspect I’ll enjoy this volume more, though, once the next one comes out and completes it.

(Also, can we get an embargo on any story involving a boy trapped in the girls’ shower? Even if it’s for dramatic reasons?)

Your Lie in April, Vol. 1

April 10, 2015 by Ash Brown

Creator: Naoshi Arakawa
U.S. publisher: Kodansha
ISBN: 9781632361714
Released: April 2015
Original release: 2011
Awards: Kodansha Manga Award

Your Lie in April is the first and so far only manga series by Naoshi Arakawa to have been released in English. Arakawa is still fairly early on in his career—Your Lie in April was only his third major work—but the series earned him a Kodansha Manga Award in 2013 for Best Shōnen Manga. The first volume of the eleven-book series was originally published in Japan in 2011. In English, the manga was released by Kodansha Comics in 2015. The entirety of Your Lie in April was adapted into an anime series between 2014 and 2015, which is how I first learned about the manga. My interest in the series primarily stems from the prominent role that music has to play in the manga. Music is something that is incredibly important to me and continues to be a major part of my life. Probably unsurprisingly, I tend to enjoy music manga. And so, I was particularly happy to receive an early copy of Your Lie in April from Kodansha for review.

Kosei Arima was a child prodigy, admired for his skill and success as a pianist, winning competition after competition. But ever since his mother died and he had a breakdown in the middle of a performance on stage when he was eleven, he hasn’t been able to play the piano. Not for others and not even for himself. Piano was such an integral part of Kosei’s life that he seems to be somewhat lost without it and he hasn’t been able to completely let music go. Several years have passed since then, leaving Kosei a rather withdrawn and gloomy young man. But then he meets Kaori Miyazono, an extremely passionate violinist who attends the same middle school that he does. Kaori plays the way that she wants to play, disregarding traditional interpretations and technique to make the music her own. Though he is still reluctant and hesitant, watching Kaori’s enthusiastic, free-spirited performances has reignited something within Kosei and she and his friends are determined to see him play once again.

A particular challenge faced by music manga like Your Lie in April is expressing sound in a visual medium. It takes more than simply throwing notes on the page to effectively convey the feeling of music in a comic. For the most part, Arakawa handles this aspect of the series quite well. The music itself isn’t heard, but the expressions and reactions of the listeners and musicians, the impact created by the music, can readily be seen. Perhaps the best example of this in Your Lie in April, Volume 1 is Kaori’s performance during a violin competition. The violinists before her are poised and fairly reserved in their playing, but Kaori uses her entire body to emote and express the music. This and the stunned faces of the audience members make it very clear that her invigorated style is drastically different and unexpected. But while music is obviously an important part of Your Lie in April, the real focus of both the artwork and the storytelling is on people’s experiences of that music.

Kosei’s relationship with music, and specifically with playing the piano, is a complicated one. He is struggling with intense psychological distress and it is revealed very early on in Your Lie in April that his mother physically, and very likely emotionally, abused him as well, trying to force her own dreams onto her son. Whether he is aware of it or not, Kosei’s feelings towards music and the piano are very much tied up with his feelings towards his mother. Underneath a relatively calm exterior is a turmoil of conflicting emotions that includes both love and hatred and even some fear. Deep down, Koesi does still seem to have the desire to continue playing the piano, though he denies it to himself and to others. It’s something that he will have to face head-on eventually, but Kaori’s influence threatens to make it something that he will have to deal with sooner rather than later, perhaps even before he’s really ready. I am very curious to see how Your Lie in April continues to develop and the steps Kosei may take to overcome his trauma.

Thank you to Kodansha for providing a copy of Your Lie in April, Volume 1 for review.

Manga the Week of 4/15

April 9, 2015 by Sean Gaffney, Ash Brown, Anna N, Michelle Smith and MJ Leave a Comment

SEAN: Welcome to a wonderful week of manga here on Manga the Week of. For those of you who don’t like variety, there’s variety!

Dark Horse has the first volume of Oreimo spinoff Kuroneko, for those remaining fans who weren’t completely put off by the ending of the main series.

Does anyone remember Aquarion? Anyone? Anime, around 2005? Well, for those who yearned for a sequel in manga form, One Peace is giving us Aquarion Evol. It’s a Comic Gene title, so expect weirdness.

ASH: I like weirdness!

ANNA: I think I watched the first episode of the show and thought that there were too many orgasms when the robots combined.

SEAN: 12 Beast is a new Seven Seas series. It runs in Dragon Age. It’s from the creator of Monster Musume. It sounds radioactive to me, but I know others love this.

Gakuen Polizi is more up my alley, though I wish it was a bit less inconsequential. The 2nd and final volume is next week.

And if you don’t like ecchi fantasy or fluffy lesbians, well, there’s a third Magical Girl Apocalypse, which should at least give you gore.

The title The World’s Greatest First Love may not mean much to BL fans, but if I said it was Sekai-ichi Hatsukoi, I’m sure you’d know exactly the series I mean. SubLime has the long-awaited first volume.

MICHELLE: Ah, now this is one I’ve actually heard of!

ASH: As have I!

MJ: Count me in!

SEAN: I loved My Neighbor Seki even more than I thought I would, and am delighted to see a 2nd volume next week from Vertical.

MICHELLE: I regret to say I haven’t gotten around to reading the first volume, but I definitely will one of these days!

ASH: You definitely should, My Neighbor Seki is absolutely delightful.

ANNA: This is on my list of things I need to read!

MJ: Mine, too!

SEAN: Case Closed still has more mysteries, and Shinich… sorry, Jimmy is still a little kid, even as we hit the 54th volume.

We’ve passed the halfway point in Deadman Wonderland, and Vol. 8 comes out from Viz next week.

And Itsuwaribito, a series that has a much longer run than I really expected, has Vol. 14.

Lastly, a new volume of Magi is always welcome. Next week we have Vol. 11.

MICHELLE: <3

ANNA: I have been stockpiling stray volumes of this here and there. One day I shall read them!

SEAN: And for those of you who don’t like manga… well, why are you reading this?