Features & Reviews

QQ Sweeper Vol. 1

October 13, 2015 by Anna N

QQ Sweeper Volume 1 by Kyousuke Motomi

I’m generally excited for any debut series in the Shojo Beat line, but I was particularly interested in reading the first volume of QQ Sweeper because I enjoyed Dengeki Daisy so much. Motomi’s slightly offbeat and cynical sense of humor makes her series stand out, and I was curious to see how the paranormal and cleaning would come together in this title.

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Motomi does cranky heroes well, so I thought the male lead of the series was quite promising. Kyutaro Horikita is a member of the beautification committee at his school, and he’s introduced in the first chapter as a bit of a loner who is obsessed with cleaning. He comes across a girl sleeping in an abandoned room in his school. Fumi Nishioka is a new transfer student who is homeless, trying to hide evidence of how poor she is, and on a mission to become a real life Cinderella by snagging a rich guy. This doesn’t sound like the most flattering character description, but Motomi also is able to easily create sympathetic yet quirky heroines. Motomi’s slightly offbeat humor is on display in the first few panels, when Kyutaro seems to rely on threatening people with cucumbers a bit too much, and Fumi enters into a dangerous fugue state when she’s assessing the material possessions of a male student/mark.

I don’t even find shoujo cliches all that annoying when Motomi is executing them. In very quick order, Fumi finds herself interviewing for and getting a position as housekeeper for her school principal, who just happens to be Kyutaro’s older brother. Fumi quickly discovers that Kyutaro’s obsession with cleaning extends to cleansing the spiritual plane, and she also has the ability to help him. Motomi packs a great deal of plot and character development into this single volume, setting up the relationships between the characters, and establishing the background for the supernatural aspects of the manga. This is a very solid addition to the Shojo Beat lineup, and I’m very much looking forward to Motomi’s slightly twisted take on the supernatural romance genre in future volumes.

Showa 1953-1989: A History of Japan

October 13, 2015 by Sean Gaffney

By Shigeru Mizuki. Released in Japan as “Comic Shouwashi” by Kodansha. Released in North America by Drawn & Quarterly.

This was always going to be the trickiest volume of Showa. First of all, the span it’s covering is a good three times that of the other books. And secondly, the buildup and fallout from World War II, and the War itself, were amazing dramatic narratives. The rest of the Showa period has its interesting points, but there’s a struggle here to make it as exciting as the other three books. This might be why we see so much about murders and scandals, even more than the previous books. There’s also a constant reminder of the economic injustice in Japan, even as the country itself grows more prosperous. Again, having Nezumi Otoko as the narrator (though he’s at his most subdued here) helps. The success of postwar Japan is balanced by failures.

That cover image, by the way, has changed since its prerelease – the book I have has the bottom image replaced with a drawing of a bustling city with freeways surrounding it. Much of the final volume of Showa deals, in one way or another, with money. Companies get richer, politicians accept bribes, and at one point a man finds 100 million yen taped randomly to a bridge. As for Mizuki himself, we see him at the start just as poor as he’s always been, pawning everything he owns and eating food past its sell-by date. As time goes on, though, his desire to keep the ‘hopeless guy’ caricature starts to fail him, as we do see Mizuki doing better. He gets married in an arranged way, but seems reasonably happy about it, and has two kids. His yokai manga start to sell, and we see (but don’t really hear about) his improving circumstances. He’s even able to return to the South Seas a couple of times to meet the islanders who saved him in WWII.

There are also some highly disturbing fantasy sequences in this volume, reminding us that Mizuki makes his living writing horror, even if it can be goofy horror at times. One sequence where he has his soul stolen by a doppelganger and goes to the afterlife is surreal and cruel, as he narrates aloud that the “replacement” Mizuki has been living his life ever since that day. A funnier bit, but the humor is black as pitch, has a shyster talk Mizuki and his wife into a sort of ‘swingers’ arrangement where they get to choose from various girls-for-hire stacked up like cordwood on a boat. Mizuki asks what happens if the spouse gets cold feet, and we see a shot of his wife getting drugged and flash frozen in the back seat of a car. Mizuki’s sense of humor can be a bit beyond the pale at times, and I am pleased that the sequence sort of petered out after this.

There are many other reasons to enjoy this volume – I liked seeing the real-life visual inspirations for Nezumi Otoko and Kitaro here. And even though the story of Japan’s last 36 years of Showa is not the compelling narrative force of the first 27, this still remains one of his most important books. The final chapter ends with an inspiring rant against the evils of war, and how he hopes this history will show why it’s crucial to prevent it. An amazing series of books.

Bookshelf Briefs 10/12/15

October 12, 2015 by Sean Gaffney, Michelle Smith and Anna N Leave a Comment

Sean, Anna, and Michelle present a smattering of briefy goodness.

The Demon Prince of Momochi House, Vol. 2 | By Aya Shouoto | VIZ Media – At first, I thought this must be a short series, since Himari and Aoi already have feelings for each other by chapter four, but it’s not especially so. Thankfully, the pace slows down a little more toward the end of the volume, as Himari transfers into a new school. Curious classmates follow her home to her notoriously haunted house, and after a bit of comedic drag by the bishounen occupants, we learn that one of the visitors is already dead. It’s a nice bit of creepiness that will carry over into the next volume, hopefully boding well for more stories of a similar nature down the pipeline. Too, I liked the too-short bonus story of how Aoi came to reside within Momochi House. I am intrigued and will continue to follow this series! – Michelle Smith

Food Wars!: Shokugeki no Soma, Vol. 8 | By Yoto Tsukuda and Shun Saeki | Viz Media – I leave out contributor Yuki Morisaka in these briefs for reasons of space, but it’s fairly clear that she’s a second food expert on this title. The addition of the recipes makes sure that the series doesn’t get too ridiculous with its culinary competitions—when Alice uses liquid nitrogen to prepare her bento meal, it’s lampshaded that the bento recipe provided is a “super-easy” version of same. As for the contest, after Megumi’s spotlight last time, this time it’s Soma that gets to move on—though Megumi does have a not-so-shocking realization about her feelings for him. The question is not whether Soma will get past Alice—the nature of the title is not going to have him lose here. It’s how that makes us want more. – Sean Gaffney

Knights of Sidonia, Vol. 14 | By Tsutomu Nihei | Vertical Comics – Perhaps it’s an understatement to say that things are not looking good for the crew of the Sidonia. Spurred into the offensive against a huge cluster ship by the fact that it will only get bigger if they wait, two attack fleets are dispatched without injured ace Tanikaze and soon more gauna materialize to destroy half of them. Still more gauna threaten the Sidonia and, oh yeah, there’s a rogue crazy hybrid out there to contend with, as well. It’s a tense volume and I love that I can actually believe that Nihei really will allow humanity’s last hope to perish. My sole quibble is that when the captain tells Tanikaze about his origins and seemingly attempts to seduce him he has basically no reaction to the former and we never see response to the latter. You’d better not cheat on Tsumugi, you jerk! – Michelle Smith

Library Wars: Love & War, Vol. 14 | Original Concept by Hiro Arikawa, Story and Art by Kiiro Yumi | Viz Media – As ever, the basic premise of Library Wars is essentially ridiculous, and as a result it’s pretty hard to care about all the plotting the gang is doing to get an author whose freedom of expression is being denied to a foreign embassy so that he might defect. And yet, this setup does result in some terrific moments, like Shibazaki being omniscient (to anyone familiar with Suits, Shibazaki is the manga equivalent of Donna), Iku slinging an injured Dojo over her shoulder like a sack of potatoes, and the impossible-not-to-love two-page spread depicting a certain couple’s first kiss. Library Wars is very far from deep, but it is fun, and I expect that the next and final volume will offer up some satisfying resolution. Wonder if VIZ will release the sequel! – Michelle Smith

My Little Monster, Vol. 10 | By Robico | Kodansha Comics – Remember just one volume ago, where sweetly, slowly developing high school romance reigned supreme? Quite adeptly, Robico turns things on their head in volume ten. It’s Yuzan’s birthday, and his scandal-prone famous father is adamant that Haru attend the party for the sake of public appearances. He goes, and it’s awful, but before then we get some much-needed insight into Yuzan’s perspective. All along, I kind of thought Haru’s effortless academic superiority was just a throwaway attribute, but it turns out that it’s the source of all his problems. Young Yuzan envied Haru so much that he contrived to get him thrown out of their father’s house, and when Haru learns that Shizuku is jealous too, he can’t take it. It’s an excellent, though upsetting, volume and I absolutely love feeling that a happy ending is not a foregone conclusion. Even more strongly recommended than previously! – Michelle Smith

Seraph of the End: Vampire Reign, Vol. 6 | by Takaya Kagami and Yamato Yamamoto | Viz Media – This volume continues to show a bit of world building and backstory as Yu and Kimizuki face the demons inside their cursed weapons to gain yet another level of power. The political machinations in the Japanese Imperial Demon Army and the vampire nobility are also explained a bit, as Yu and Mika are set up for yet another confrontation. I enjoy the blend of character development and demonic weapon vs vampire action in Seraph of the End, mostly because there’s are more interesting storylines in this manga than the typical shonen action title. – Anna N

Toriko, Vol. 30 | By Mitsutoshi Shimabukuro | Viz Media – I do wonder if the reason for the big romance advancement this volume in a series where romance, let’s face it, is way way down on the list of importance was to dial back the series’ burgeoning BL fandom in Japan. Jump often gets accused of pandering to BL fans. Toriko isn’t Gintama, but they too can’t quite resist making fun of it—when Toriko accepts Rin’s proposal, Sunny straight up asks what about Komatsu? And Komatsu has dinner with a cute, like-minded chef not long after that. I think it would have more impact if Rin had been given a larger role in the story to date, but it’s still pretty heartwarming, particularly as it’s not the “I have no idea what I just agreed to” proposal acceptance I was assuming. – Sean Gaffney

My Week in Manga: October 5-October 11, 2015

October 12, 2015 by Ash Brown

My News and Reviews

Last week was a slower week at Experiments in Manga, but I am steadily coming to terms with the fact that I’m leading an increasingly busy life and that it’s okay to have slow blogging weeks. (Though I still wish I had the time to read and write more.) Anyway, last week I announced the Devils and Realist Giveaway Winner. The post also includes a list of some of the manga available in English that feature demons and devils. I also reviewed Project Itoh’s debut novel Genocidal Organ which is an excellent, intelligent work of near future science fiction. I’ve now read almost everything of Itoh’s that has been translated (I still need to pick up his Metal Gear Solid novel) which makes me a little sad since it’s all so good and I want more.

New York Comic Con was last week and there were some exciting license announcements to come out of that. Kodansha Comics will be releasing an Attack on Titan anthology collecting Western creator’s takes on the franchise (considering some of the artists and writers involved, this should be great) and has licensed Hounori’s Spoof on Titan and Hiroki Katsumata’s I Am Space Dandy. Viz Media announced a slew of new print titles: Mitsu Izumi’s 7th Garden, Yūki Tabata’s Black Clover, Izumi Miyazono’s Everyone’s Getting Married, Haruichi Furudate’s Haikyu!!, Tadatoshi Fujimaki’s Kuroko’s Basketball, Keiichi Hikami and Shin Yamamoto’s Monster Hunter, and Mizuho Kusanagi’s Yona of the Dawn. (I was very happy to see more sports manga and josei in that mix!) And Yen Press will be releasing Mikoto Yamaguchi’s Scumbag Loser, Makoto Kedōin and Toshimi Shinomiya’s Corpse Party: Blood Covered, Masafumi Harada, Sung-woo Park, and Red Ice’s Space Dandy, Yuji Iwahara’s Dimension W, and Cotoji’s Unhappy Go Lucky! as well as several new light novels.

Unrelated to NYCC (but still very interesting), manga-translator and yokai expert Zack Davisson was a guest on That Girl with the Curls podcast talking about all sort of things Japan-related. Actually, Davisson has been making the podcast rounds and was recently interviewed at Kaijucast, too, which happens to be featuring yokai all this month. Also of note, Connie at Slightly Biased Manga has posted a nice introduction/guide to all the various Alice in the Country of manga and light novels for anyone who may be intimidated the sheer number of titles involved.

Quick Takes

Devil Survivor, Volume 1by Satoru Matsuba. Shin Megami Tensei is a huge and popular franchise of video games spanning multiple series and spinoffs which has spawned numerous anime and manga adaptations. Matsuba’s Devil Survivor is one of those, based on a 2009 tactical RPG for the Nintendo DS system. I’m always a little wary of manga adaptations of video games but was still interested in Devil Survivor. Unfortunately, it’s painfully obvious that the manga originated from a game. Although the story has some great mystery and action elements, as well as religious cults, demons, and so on, the original game mechanics are blatant in the story, made even more obvious by the characters’ use of handheld consoles. I’m not completely writing off the Devil Survivor manga, but honestly, I was disappointed with the first volume. I’m hoping that in the future the series will focus more on the story and characters, which have some great potential, and develop into something that takes advantage of the manga medium and feels less like watching someone else play a video game.

No Matter How I Look at It, It’s You Guys’ Fault I’m Not Popular!, Volumes 4-6 by Nico Tanigawa. In general Watamote tends to be fairly episodic, but time does slowly pass; the rhythm of school life drives the series along even if there isn’t much plot or character development per se. However, more and more recurring characters and running jokes are introduced and smaller story arcs form. The basic premise of Watamote is unchanging—Tomoko is an extremely awkward young woman whose social skills (or really the lack thereof) are entirely informed by the video games and manga that she’s interested in, many of which are rather raunchy. Occasionally she makes an effort to fit in with her classmates, but more often than not it backfires in terribly embarrassing ways. Watamote can be very funny in a painful and incredibly crass sort of way. Some but not all of the humor requires the reader to be at least vaguely familiar with Japanese pop culture, especially anime, manga, and video games. But there are copious translation notes available and the manga is usually fairly successful in conveying the basic gist of any given joke.

The Sky Over My Spectacles by Mio Tennohji. I will readily admit that I have a thing for glasses; in addition to having to wear them myself, I really like how they look on other people. One of the leads in titular story of The Sky Over My Spectacles has a similar fetish, which is what initially drew the collection of boys’ love manga to my attention. (The Sky Over My Spectacles was actually one of the first boys’ love manga that I ever read.) The four main manga collected in the volume—”The Sky Over My Spectacles,” “Let’s Fall in Love,” “Let’s Meet at 1 p.m.,” and “Tell Me You Love Me with Earnest Eyes”—all tend to be fairly upbeat and even surprisingly cute and sweet. Although there’s a bit of drama to be found, nothing ends in tragedy, which I appreciate. I also enjoy the light sense of humor present throughout the stories in the collection. The titular, and longest, manga is probably my favorite, though. In it, Azuma, whose glasses fetish is infamous, has developed a crush on one of his male, glasses-wearing classmates but then discovers that his feelings remain unchanged even when the glasses come off.

Genocidal Organ

October 9, 2015 by Ash Brown

Author: Project Itoh
Translator: Edwin Hawkes
U.S. Publisher: Viz Media
ISBN: 9781421542720
Released: August 2012
Original release: 2007

Although Genocidal Organ was the third novel by Project Itoh to be translated and released in English, in Japan the book was actually his debut work as an author. My introduction to Itoh’s fiction was through the award-winning Harmony, his first novel to be translated into English, which I greatly enjoyed and found to be an intelligent, thought-provoking work of science fiction. I was also greatly impressed by his two short stories: “The Indifference Engine,” collected in The Future is Japanese, and “From Nothing, With Love,” found in Phantasm Japan. Thus, reading Genocidal Organ, released by Viz Media’s Haikasoru imprint in 2012 with a translation by Edwin Hawkes, was an obvious choice for me. The publication of Genocidal Organ in Japan in 2007 established Itoh as a talented author to watch out for. Sadly, he died two years later at the age of thirty-four from cancer. But Itoh and his work haven’t been forgotten. In 2014 it was announced that three of his novels, including Genocidal Organ, were to be adapted as feature-length animated films.

Ever since the attack on the World Trade Center on September 11, 2001, American citizens have more or less willingly given up their privacy and freedoms in order to feel safer from perceived terrorist threats. Much of the world has followed suit and there are very few places left where a person isn’t closely monitored and recorded, the immense amounts of data and metadata collected being saved indefinitely, waiting to be complied at a moments notice. In order to maintain this life of extreme hyper-surveillance there are people who must deal in death. Clavis Shepherd is one such man, an assassin who is a part of the Special Operations of the United States Military. He has killed countless people in service of his country—men, women, even children—but his recent missions have all had one target in common, an American linguist by the name of John Paul. Time and again the man seems to manage to slip away just before Shepherd’s unit arrives, leaving behind one developing country after another devastated by civil war and genocide.

Genocidal Organ is a novel that is absolutely saturated with death. It’s something that Clavis cannot escape in either his personal or professional life, whether he’s asleep or awake. Killing other people is his job and aided by modern science and medicine he is largely able to accept that, but his work is still tremendously damaging psychologically. But it’s not until Clavis had to make the decision whether or not to remove his mother from life support after she was in an accident that mortality really became personal to him. From there, his mental stability begins to steadily unravel as he is haunted by all of the death that he has seen and the death for which he has been responsible. Genocidal Organ can be horrific and tragic, gruesome and visceral. Clavis has been both a participant in and a witness to some truly terrible things—war and genocide that lay waste to entire countries and populations and all that accompanies that devastation. And, as an assassin for the government, he knows that he’s not an innocent bystander in how events unfold.

First and foremost, Genocidal Organ is Shepherd’s own personal narrative as he struggles to come to terms with his role as an assassin, but his story is couched in a much larger one dealing with global policy and international politics. Itoh has successfully incorporated many different genre styles in order to create a compelling and cohesive novel. In addition to all of the action and espionage, there are also the mysteries surrounding Paul as the “King of Genocide,” and an exceptionally strong philosophical and intellectual bent to the story as Genocidal Organ examines the worth of life and cost of freedom. Itoh presents an incredibly insightful perspective of the Untied States as a world power. Although it is perhaps more critical and frank than most American authors would likely attempt, the perspective is one that still feels surprisingly authentic. (It’s also very clear that Itoh was particularly well-versed in Western literature and popular culture.) Ultimately, though at times heavy-handed, Genocidal Organ is a fascinating and engaging novel of the near future; I remain convinced that Itoh was an author of exceptional talent.

Manga the Week of 10/14

October 7, 2015 by Sean Gaffney, Ash Brown, Michelle Smith, MJ and Anna N 1 Comment

SEAN: It’s the week of NYCC, so let’s keep this Manga the Week of short and sweet.

Dark Horse has a 10th Lone Wolf and Cub omnibus.

ASH: I really need to sit down and catch up with Lone Wolf and Cub now that it’s being released in an edition I can actually read…

SEAN: Kodansha debuts a series that some may have already seen on Crunchyroll’s manga site, the very well titled Kiss Him, Not Me. A warning: there is ‘sudden weight-loss makes me attractive’ here, as in Let’s Dance a Waltz. That said, the annoying premise is used entirely for comedy here, as our heroine is far more interested in pairing her hot guy suitors with each other.

MICHELLE: Yeah, I saw the weight loss thing and it disinclined me to investigate further. I’ll wait on others’ reviews of this one.

MJ: Ugh, not that again.

SEAN: Noragami is up to Volume 7 and making me wish I’d kept up with it, as it’s apparently insanely popular now.

ASH: Very popular! I’ve been enjoying it, too.

SEAN: From Seven Seas, Dance in the Vampire Bund II: Scarlet Order 3. Sean 0.

If you missed the Love in Hell volumes from a while back, there’s a Complete Collection coming out, also from Seven Seas.

The Seven Seas debut is Merman in My Tub, from Media Factory’s oddball magazine Comic Gene. If Monster Girls are a big hit, will Monster Guys sell just as well? Especially if there’s BL subtext?

MJ: Hm. Maybe?

ASH: I’m willing to give it a try!

ANNA: Hasn’t there already been a merman BL/yaoi title published over here? Is this an established genre?

SEAN: SubLime gives us a 3rd volume of The World’s Greatest First Love. Amazon seems to be listing Vol. 4 for next week as well, but I’m not sure if that’s accurate.

ASH: Yeah, I’m pretty sure it’s not. Volumes 3 throu 5 were delayed some.

SEAN: And Vertical has a 7th Witchcraft Works. They’ve almost caught up with Japan.

ASH: Another series I need to catch up on myself!

SEAN: Viz has a 56th volume of Case Closed, and will never, ever catch up with Japan, but at least it’s still coming out regularly.

Deadman Wonderland continues to head for a climax, but it’s not there yet with Vol. 11.

Lastly, we get a 14th volume of Magi, which continues to features our leads separating to have their own adventures/level up.

MICHELLE: Yay, Magi!

ANNA: Woo hoo for Magi!

SEAN: Anything from this list catch your eye?

So Cute it Hurts! Vol 3

October 5, 2015 by Anna N

So Cute it Hurts! Volume 3 by Go Ikeyamada

This is an excessively silly series, but I’ve been enjoying it, mostly because of the amount of plot twists that get resolved in each volume, so more goofy subplots can promptly develop. Also, I feel like Shojo Beat should always be publishing at least one title where the heroine cross dresses just on principle.

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I feel like in many shoujo series, the fraternal twins’ cross dressing antics would fuel plot lines for 4-5 volumes, but in So Cute it Hurts! their true identities were unmasked at the end of the second volume. Aoi, the delinquent boy with a crippling physical aversion to female contact is surprised when the boy he’s been hanging out with is unmasked as Mitsuru’s sister Megumu. At the same time, Mitsuru’s masquerade is uncovered by mean girl Azuza. Aoi deals with the psychological impact of being around a girl unknowingly, and Azuza blurts out a confession of her crush to Mitsuru instead of revealing his secret. Meanwhile, Mitsuru is struggling with his feelings for Shino, but doesn’t want to ruin their friendship by telling her that he’s actually a boy. Oh, the tangled storylines of cross dressing shoujo romance!

When the week-long switch ends after Megumu has taken Mitsuru’s tests for him, there’s still plenty of emotional fall-out as Megumu pines for Aoi, and he begins to come to terms with his own feelings. Aoi’s allergy to girls causes some hilarious reactions when he and Megumu get closer, although they have to stay a certain distance apart to avoid triggering him. Their budding romance is indeed ridiculously cute, and while this manga in no way approaches both the hilarity and emotional depth of My Love Story!!, it is still entertaining. Ikeyamada ratchets up all the emotional reactions of her characters for added hilarity. While this volume focused a bit more on Megumu, I can see how the next volume is going to be focusing more with the love triangle Mitsuru is in since the object of his affections does not even know him as a boy while Azuza continues to have a violent crush on him. So Cute it Hurts! continues to be a fun read for those who enjoy romance with broad comedy.

Bookshelf Briefs 10/5/15

October 5, 2015 by Michelle Smith and Sean Gaffney Leave a Comment

Sean and Michelle present another round of Bookshelf Briefs!

Assassination Classroom, Vol. 6 | By Yusei Matsui | Viz Media – It’s unsurprising that there are people in Class E who are somewhat resentful of what Koro-sensei is trying to do. The entire class, as we’ve seen, is not of one mind, and Terasaka is perfectly happy scraping along at the bottom. Of course, Koro-sensei can win anyone over, though it also takes some tough love from Karma as well. Things are going pretty well for our heroes, though, which is why it’s time to introduce a new villain—this one the son of our main villain, the school principal. Asano is there to ensure that Class E does not make headway in the school exams. I’m not sure if he’ll succeed, as the class making headway would result in their promotion, which would make it hard to continue the series. Good stuff. – Sean Gaffney

He’s My Only Vampire, Vol. 4 | By Aya Shouoto | Yen Press – Aki’s pursuit of the seven stigmas needed to gain the power to wake his slumbering brother continues, despite the objections of a pair of angels, culminating in the acquisition of a third stigma and the apprehension of the serial killer who’s been on the periphery since the beginning of the series. This is an entertaining volume, largely due to some manipulation of shoujo tropes. A classmate goes missing, and ordinarily we would expect the heroine and friends to succeed in rescuing her, but that does not happen. Then we get the “our leads fill in for a school drama performance” plot, including Aki in drag, but this old idea is made fresh by the lurking supernatural menace. Of the three Aya Shouoto series coming out presently, I like He’s My Only Vampire the best. The tone is darker and more consistent and plotting feels more sure-footed as well. Recommended! – Michelle Smith

Kokoro Connect, Vol. 5 | By Sadanatsu Anda and CUTEG | Seven Seas – Being an ongoing light novel series whose manga was going to end here, I’m not surprised that Kokoro Connect has a very open ending that doesn’t really resolve the main love triangle or Heartseed. But it does continue to do what it does well, which is put its cast through the wringer—particularly Inaba, whose self-loathing turns out to be just as bad if not worse than Iori’s sense of self issues. The weak link here is Taichi, whose “knight complex” gets called out here without nearly as much development in the narrative. Still, it’s a solid ending that leaves things open for a second series (though one hasn’t happened as of yet in Japan). A surprisingly emotional romantic comedy with psychological underpinnings. – Sean Gaffney

Love at Fourteen, Vol. 4 | By Fuka Mizutani | Yen Press – As the focus expands slightly to show us other students in this series, it’s clear that not only do Kazuki and Kanata have the whole ‘mature’ thing going for them, but their own love affair is the only one that’s going relatively smoothly. There are issues like a need for closeness and face time, but given they’re both fourteen that’s understandable. To contrast this, we have the ongoing teacher/student relationship that knows it’s wrong but just can’t stop itself, the yuri writer whose Kanata fantasies are getting more robust, and the standard “why the hell won’t he notice me, dammit” girl who’s growing her hair out for the clueless guy she likes. Honestly, the main couple is the main reason to read this—the rest grates. – Sean Gaffney

QQ Sweeper, Vol. 1 | By Kyousuke Motomi | VIZ Media – Stop me if you’ve heard this one before. Here we have a Kyousuke Motomi shoujo manga featuring a custodian with past trauma for which he blames himself and the plucky orphan who is recruited to work alongside him. Happily, while there are obvious similarities to Dengeki Daisy, the tone of QQ Sweeper distinguishes itself nicely and its lead characters are distinct, as well. (Also, while Kyutaro describes himself as “the custodian of the Genbu Gate,” it’s not really a janitorial position.) I particularly like Fumi, both in character design and personality, especially her unabashed pursuit of a rich husband but unwillingness to get in the way of true love. I’m still positive she and Kyutaro will end up together, but for now I love that she’s not even considering him romantically, despite telling him “you’re special to me.” I really enjoyed this debut and look forward to more! – Michelle Smith

My Week in Manga: September 28-October 4, 2015

October 5, 2015 by Ash Brown

My News and Reviews

A few different things were posted at Experiments in Manga last week. First of all, it’s time for the most recent monthly giveaway. The winner will be announced on Wednesday, so you all still have a chance to enter to win the first volume of Madoka Takadono and Utako Yukihiro’s Devils and Realist. The honor of the first in-depth review for October goes to Jim Zub and Steve Cummings’ Wayward, Volume 2: Ties That Bind, which continues to successfully meld the history and legends surrounding yokai with a brand new story. The series, which I’m thoroughly enjoying, would probably make a great entry point for manga fans who would be interested in exploring American-style comics. Finally, over the weekend I posted September’s Bookshelf Overload.

As for some of the interesting things that caught my attention elsewhere online last week: Foreign Policy has a nice piece about evolving LGBT rights in Japan and the role that manga like Wandering Son and boys’ love has played in it; Otaku USA has an interview with the (in)famous mangaka and tentacle master Toshio Maeda; it looks as though Masahiko Matsumoto’s long-awaited Cigarette Girl is currently scheduled for release in 2016 by Top Shelf; and Digital Manga, despite the trouble it seems to be having actually publishing anything in print these days, has launched its newest Tezuka Kickstarter aiming to release Wonder 3 and, as a stretch goal, The Film Lives On.

Quick Takes

The Divine by written by Boaz Lavie and illustrated by Asaf Hanuka and Tomer Hanuka. The striking color artwork of The Divine is what first caught my attention. (It looked vaguely familiar, and indeed, it turns out that Tomer created the cover art for Haikasoru’s recent Battle Royale releases.) The graphic novel follows Mark, an explosives expert, who travels to a remote Southeast Asian country on a military contract. The mission seems relatively straightforward—blowing up a mountain, supposedly to help the locals gain better access to its rich mineral resources—but Mark ends up caught up in the local civil war when he’s captured by a group of young rebels. Mixing mythology and modern warfare and the supernatural with man-made terrors, the comic is graphic in its blood and violence. The artwork is consistently great, but I found the narrative to be a little uneven and none of the characters are particularly likeable. The Divine was in part inspired by a photograph of the twelve-year-old Htoo twins from Burma, the leaders of the God’s Army guerrilla group in the 1990s. Although I did enjoy The Divine, I think I’d actually be even more interested in seeing a direct retelling of their story.

Inuyashiki, Volume 1 by Hiroya Oku. It’s been a long while since I’ve read any of Gantz, the series that Oku is most well-known for, but I was still curious about Inuyashiki, his most recent series to be released in English. Almost unheard of in manga available in translation, which largely tends to be targeted at a younger audiences, one of lead characters, the titular Ichiro Inuyashiki, is nearly sixty years old. In fact, he looks even older than that. The first volume of Inuyashiki seems to mostly be a prologue for the rest of the series, establishing the premise of the manga and introducing the characters who will become the major players. Oku makes a point to emphasize just how sad and miserable Inuyashiki’s life is before killing him and another innocent bystander off in a freak accident. Granted, they are then both resurrected as extraordinarily powerful, weaponized cyborgs. In the case of Inuyashiki, he’s using his new-found abilities for good, and in spectacular fashion, too. As for the other victim, I don’t expect that he’ll be quite as magnanimous. Inuyashiki, as ridiculous as its setup is, has a promising start. I’m rather curious to see the direction Oku will be taking the series.

Suikoden III: The Successor of Fate, Volumes 1-5 by Aki Shimizu. Although I am aware of the RPG series, I haven’t actually played any of the Suikoden video games. I was specifically interested in the Suikoden III manga adaptation for two reasons: the entire Suikoden series is loosely based on the Chinese classic Water Margin, and I generally enjoy Shimizu’s work (which also tends to have a Chinese influence). An overview of the previous two Suikoden stories is provided before the manga gets underway; it’s a nice, but largely unnecessary addition. The Successor of Fate seems to stand well on it own, so far. The manga doesn’t really feel like a video game adaptation, either, which I was happy to discover. References are made to past events (and past games, technically), but for the characters that history is shrouded in myth and legend. At this point The Successor of Fate hasn’t really made itself stand out from most other epic fantasy series, but its a solid beginning and, despite a few infodumps, there are plenty of things to like: a large cast of characters (including quite a few women in prominent roles), prophecies and magic, politics and intrigue, battles that rely on strategy as much as strength, and so on.

QQ Sweeper, Vol. 1

October 4, 2015 by Sean Gaffney

By Kyousuke Motomi. Released in Japan by Shogakukan, serialization ongoing in the magazine Bessatsu Comic (“Betsucomi”). Released in North America by Viz.

I was a big fan of Dengeki Daisy, Motomi’s previous series, which ended up being a technological thriller as much as it was a shoujo romance. Thus I was quite excited to learn of the license of her new series. There are certain similarities between the two titles – the comedy is much the same, our heroine is a spunky orphan, and there seems to be a lot of janitorial work. But whereas Daisy was grounded in tech, QQ Sweeper looks to be more of a fantasy, with owl familiars, doors leading into people’s inner hearts, and creepy black thoughts turning into bugs. It’s a solid first volume, though, and we also have a hero who seems more stoic than Kurosaki was, which leads to a different vibe between the lead couple.

Actually, I’m wondering if the lead couple will actually be the focus of the series, as this has the potential to be something of an anthology, with our heroes solving the personal problems of various classmates. The first volume gives us Sakaguchi, a baseball star who was injured and now takes his self-loathing out on everyone around him, including his childhood friend who also feels inadequate. This is the sort of series that makes you want to invite these sweepers into your own life, to be honest, as despite the disturbing mental imagery, things seem to work out for the best – and it’s also shown that it’s not just the “cleaning” that did it, but the affected parties also have to make an effort. I look forward to seeing more of these sorts of stories.

As for Fumi, it’s quite refreshing seeing a girl who is honest and upfront about wanting to date a guy solely for his money – the catch is that she’s ALSO searching for a Prince Charming, and won’t actually get in the way of true love. Her love dreams of rich handsome young men are a comedic high point to this series. Her mysterious past, though, is what will likely carry over to future volumes. Well, I say “mysterious”, but I will be very surprised if there’s not a connection between Kyutaro’s tragic past with Fuyu and Fumi – betcha Fuyumi us her real first name, in fact. Kyutaro himself is the brooding sort, but not in a grumpy or overly sadistic way like a lot of other shoujo manga – though he does admit to Fumi going to far when she overwhelms him with how happy she is at the end of Volume 1. Oh, and his obsession with cleaning provides his own comedic highs – I bet he’d get along great with Levi from Attack on Titan.

This is a new series that could go in several directions, but the first volume is strong enough that the reader is willing to go along with any of them. I look forward to seeing how it develops.

The Manga Revue: Say I Love You

October 2, 2015 by Katherine Dacey

This week, I’m catching up with Say I Love You, a shojo romance that’s been garnering strong reviews here and elsewhere since Kodansha began publishing it last August.

Say I Love You, Vols. 1-3
By Kanae Hazuki
Rated OT, for older teens
Kodansha Comics, $10.99

Back in the 1980s, filmmaker John Hughes peddled an intoxicating fantasy to thirteen-year-old girls: you might be the class misfit–the kid who wore the “wrong” clothes, listened to the “wrong” music, and had the “wrong” friends–but the hottest guy in school could still fall for you. Better still, he’d like you for being a “real” person, unlike the two-faced girls who inhabited his social circle. You’d have a bumpy road to your happily-after-ever, of course, since his friends felt compelled to say that you weren’t in his league, but in the end, your sincerity and quirkiness would prevail.

Say I Love You reads a lot like a manga version of Pretty in Pink or Some Kind of Wonderful, right down to the meet-cute between Mei, a moody loner, and Yamato, the most popular guy in school. Mei mistakenly believes that Yamato tried to peek up her skirt, and responds with a powerful roundhouse kick. Though Yamato’s friends demand an apology from her, Yamato is intrigued by Mei’s display of bravado and asks her out.

Mei is initially bewildered by Yamato’s courtship: why would someone as outgoing, handsome, and well regarded find her interesting? (You, dear reader, may also wonder why Yamato pursues Mei, given her generally sullen demeanor.) As Mei soon discovers, however, Yamato’s dating history is more complicated than she assumed; his good looks belie an earnest, thoughtful person who lost his virginity before he met someone he really cared about. He’s willing to endure a few tearful outbursts–not to mention some mixed signals–if it means he’ll get to know the real Mei before they go all the way.

And speaking of mixed signals, Say I Love You is refreshingly honest in acknowledging the full spectrum of teenage desire. Some characters embrace their feelings in healthy ways; others use sex to fill a void in their emotional lives; and still others are just beginning to explore their sexuality. Though many of the sexual encounters in the series are ill-advised, the teenage logic that underpins them rings true; an adult may feel an uncomfortable pang of recognition while reading Say I Love You.

The series’ greatest strength, however, is that author Kanae Hazuki is unusually generous with her supporting players. We’re privy to both Mei and Yamato’s thoughts, of course, but Hazuki also pulls the curtain back on other characters’ interior lives. In volume two, for example, mean girl Aiko becomes the temporary focus of the story, narrating her own transformation from a plump, pretty girl to a skinny, angry young woman who is furious that Yamato doesn’t like her. Her blunt self-criticism and body hang-ups remind younger readers that everyone wears a mask in high school; even students who seem outwardly blessed with good looks or talent are wrestling with the familiar demons of self-doubt and self-loathing.

If I had any criticism of Say I Love You, it’s that the plot twists are a little too by-the-book, with beach visits, Valentine’s Day agita, and misunderstandings of the “I saw you kiss her!” variety. In volume three, for example, Hazuki introduces Megumi, a model who’s hell-bent on making Yamato her boyfriend. When a direct approach doesn’t work–Yamato, of course, rebuffs Meg’s initial proposition–Meg transfers schools and ropes Yamato into becoming a model himself. I realize that “model,” “celebrity,” or “singer” epitomize a thirteen-year-old’s dream job, but the artifice and obviousness of diving into the modeling world feels like an unnatural direction for such a finely observed romance.

Perhaps the best compliment I could pay Say I Love You is that it has all the virtues of Pretty in Pink and Some Kind of Wonderful: it’s got a proud, tough heroine who’s skeptical of the popular kids, a sincere hot guy who can see past her bluster, and a veritable Greek chorus of peers who chart the ups and downs of their relationship. All it needs is a killer soundtrack.

Reviews: At Brain vs. Book, Joceyln Allen sings the praises of Takehiko Moriizumi’s Mimi wa Wasurenai, an untranslated short story collection. “It’s okay if you don’t read Japanese,” she explains, “you can just stare at the beauty on every page. Moriizumi makes manga like nothing I’ve ever seen before.” Go see for yourself!

Saeyong Kim on vol. 1 of 21st Century Boys (No Flying No Tights)
Jessikah Chautin on Awkward (No Flying No Tights)
SKJAM on vols. 1-2 of Captain Ken (SKJAM! Reviews)
Kat Stark on vol. 1 of Devil Survivor (AiPT!)
Jessikah Chautin on vol. 1 of Durarara!! Yellow Scarves Arc (No Flying No Tights)
SKJAM on Gimmick! (SKJAM! Reviews)
Kat Stark on vol. 1 of Kiss Him, Not Me! (AiPT!)
Ian Wolf on vol. 1 of the Kurosagi Corpse Delivery Service Omnibus (Anime UK News)
David Brooke on vol. 1 of Ninja Slayer Kills (AiPT!)
Anna N. on vol. 2 of Requiem of the Rose King (The Manga Report)
Ian Wolf on vol. 2 of Requiem of the Rose King (Anime UK News)
Rebecca Silverman on vol. 1 of Rose Guns Days, Season One (Anime News Network)
Marissa Lieberman on vol. 1 of Seraph of the End (No Flying No Tights)
Sean Gaffney on vol. 11 of Umineko: When They Cry (A Case Suitable for Treatment)
Ash Brown on vol. 2 of Wayward: Ties That Bind (Experiments in Manga)
Ken H. on vol. 3 of Yamada-kun and the Seven Witches (Sequential Ink)

Wayward, Vol. 2: Ties That Bind

October 2, 2015 by Ash Brown

Creator: Jim Zub and Steve Cummings
Publisher: Image Comics
ISBN: 9781632154033
Released: August 2015
Original run: 2015

Ties That Bind is the second volume of the American comic series Wayward, created by Jim Zub and Steve Cummings and released by Image Comics. Anything having to do with yokai immediately catches my attention, and I had previously read and enjoyed some of Zub’s earlier work, so I was very interested in reading Wayward. I thoroughly enjoyed the first collected volume in the series, String Theory, meaning that there was absolutely no question that I would be picking up the second, too. (Well, at least that was the case before I learned that a deluxe omnibus edition was going to be released—then there was a difficult choice to be made.) Ties That Bind, published in 2015, collects the sixth through tenth issues of Wayward which were originally serialized between March and July 2015. Also included is an introduction by Charles Soule as well as several yokai essays by Zack Davisson which I especially appreciate. For this particular volume, Zub is credited for the story and Cummings for the line art while the credit for the color art goes to Tamara Bonvillain and color flats to Ludwig Olimba.

Emi Ohara’s life follows a simple, predictable routine. Without much variation from day to day she wakes up, goes to school, and returns home. But Emi yearns to have the exciting lives that the heroines of her favorite shoujo manga enjoy. Little does she know that she’ll get what she wished for, but not at all in the way that she expected—Emi discovers she has the ability to manipulate her body and the materials around her in astonishing ways. Suddenly, among other strange developments, her touch is able to melt and mold plastic and her arm can take on the characteristics of metal and glass. At first she thinks it’s all a dream, but then she is chased down by a group of monstrous kitsune only to be rescued by Ayane and Nikaido, two young people who have their own special powers and who are also the yokai’s targets. It’s been three months since the other members of their group, Rori and Shirai, disappeared during the chaos of an epic confrontation with a faction of yokai. At this point Ayane and Nikaido are welcoming any allies they can find, and that includes Emi.

Whereas String Theory largely followed Rori’s perspective of the supernatural events unfolding in Tokyo, much of the focus of Ties that Bind is on Emi. Some of the contrasts between the young women as two of the leads in the story are particularly interesting. Rori, who is half-Japanese and half-Irish, is often considered to be an outsider within Japanese society. Emi, on the other hand, is a “proper Japanese girl,” dutiful and obedient even though she finds that role to be increasingly suffocating. Rori is a Weaver with the ability to alter reality and change a person’s fate. (Just how incredibly powerful and far-reaching her talents truly are is still in the process of being revealed, but the continuing development and evolution of her skills in Ties That Bind is impressive.) However, Emi, who like Rori is sensitive to patterns and seems to be able to at least partially identify the course of fate and destiny, feels trapped and unable to make meaningful choices or to change the direction of those events that have already been set in motion.

At times, Wayward can be an extremely violent series. Ayane’s way of taking charge of the situation is to go on the attack, dragging Nikaido and Emi along with her. The yokai, threatened by the very existence of the supernaturally-gifted teens, are more than willing to fight back. The resulting battles are intense, bloody, and even gruesome. But the yokai aren’t united in their efforts—Ties That Bind introduces the tsuchigumo, or dirt spiders, who would seem to have their own agenda. I love that Wayward incorporates the lore and, especially in the case of the dirt spiders, the history surrounding yokai. The series’ interpretation of yokai and traditional tales is its own and is closely integrated with an entirely new, contemporary story. Wayward effectively creates a cohesive and compelling narrative that can be enjoyed by readers who are already familiar with yokai as well as by those who are not. Ties That Bind brings together new characters, new conflicts, and new plot threads while expanding and further developing those that had already been established. Wayward is an excellent series with great art, characters, and story; I’m definitely looking forward to the next volume.

Manga the Week of 10/7

October 1, 2015 by Sean Gaffney, Ash Brown, MJ, Anna N and Michelle Smith 2 Comments

SEAN: First week of October, and therefore hope you like Viz. But first:

Diamond Comics has been messing with me, saying this wasn’t coming out and then saying it was. Amazon says 10/21, but they’re usually behind Diamond by 2 weeks. I don’t know when it’s actually coming out (this makes me nostalgic for Dark Horse releases days past). But it’s Oh My Goddess 48, the final, very last Oh My Goddess, except for all the omnibus releases. I’ll miss it.

Kodansha hits a milestone with the 50th volume of Fairy Tail, which I’ll be honest I’m just following on Tumblr for Gajeel/Levy moments.

Genshiken 2nd Season Vol. 7 continues to show us the world’s most unlikely harem comedy.

ASH: I’ve been enjoying this one! Hato is the best.

SEAN: One Peace gives us a 4th volume of Aquarion EVOL.

Seven Seas has the 5th and final volume of Kokoro Connect, a series I’ve greatly enjoyed. Given there are many light novels after the two that were adapted, my guess is the ending will be somewhat open.

And there’s a 5th volume of gore-filled Magical Girl Apocalypse, for those who felt Madoka Magica didn’t go far enough.

Vertical Comics have a new series debuting. Tokyo ESP, about a girl who suddenly finds she has… well, ESP. And she lives in Tokyo. Sometimes titles write themselves. This also had an anime last year.

MJ: I’m a sucker for ESP stories. So, yeah. This one’s for me.

And now here’s Viz. Assassination Classroom gets a 6th volume, and introduces the chief villain’s villainous son.

ANNA: Wow, I am so far behind with this series, even though I quite like it!

SEAN: Two big Viz shonen series come to an end next week, and sadly I expect this is the one folks won’t be talking about as much. But Claymore has been quietly awesome for some time, and the 27th volume is definitely worth a look.

MICHELLE: Some day I really will read all the volumes of Claymore that I have accumulated.

MJ: Yes! So happy to see this!

SEAN: The Demon Prince of Momochi House has a 2nd volume.

ASH: If nothing else, the first volume was pretty!

ANNA: It was! Even though it seems a bit too similar to Kamisama Kiss, I found it enjoyable.

SEAN: And Food Wars! is up to Volume 8, and still in the midst of its tournament arc, though there’s still time for teaching little kids to make food as well.

MICHELLE: Yay Food Wars!.

SEAN: Kamisama Kiss is at volume 19, and is edging towards romantic resolution, possibly? Have I said that before?

MICHELLE: It certainly feels that way.

ANNA: Such a good series! I hope this isn’t the last Julietta Suzuki we see over here.

ASH: I still actually need to read Kamisama Kiss.

SEAN: Library Wars: Love & War has its penultimate volume out next week, and I can confirm it DOES have quite a payoff, though it’s still not quite resolved.

MICHELLE: So much good stuff this week!

ASH: Penultimate volume! I hadn’t realized that.

ANNA: Library Wars! I love it so! I am also stoked that the anime has been licensed.

ASH: YES!!

SEAN: My Love Story!! is up to Volume 6, and still adorable.

MICHELLE: Like this!

ASH: Yes!

ANNA: YAY!

MJ: Same.

SEAN: Naruto has come to an end with its 72nd volume, though there are six novels and several spinoffs still to come. The ending was… controversial among fandom. Should be interesting.

A new debut from the creator of Dengeki Daisy, one of my favorite Shojo Beat series. QQ Sweeper has a bit more of a supernatural flair to it, but the sense of humor and “plucky heroine” style is the same.

MICHELLE: I’m curious about this one, definitely.

ASH: Same here.

ANNA: It is good!

MJ: I really enjoyed this first volume—hit all the sweet spots!

SEAN: So Cute It Hurts!! only has two exclamation marks, despite this being Vol. 3.

ANNA: Call me a sucker for fluffy shoujo series, but I like this. We haven’t had many cross-dressing shoujo series recently, so it certainly serves that niche.

SEAN: Toriko 30 has what many saw as one of the biggest surprises of the entire series, though no surprise as to what it entailed – it involves romance.

Twin Star Exorcists gives us a 2nd volume as well.

World Trigger has a 7th volume, and is doing far better than I expected it to based on the first few chapters.

Lastly, Yu-Gi-Oh 5Ds 8 continues to look like some bizarre library indexing system.

What are you planning to get next week?

Umineko: When They Cry, Vol. 11

October 1, 2015 by Sean Gaffney

Story by Ryukishi07; Art by Akitaka. Released in Japan in two separate volumes as “Umineko no Naku Koro ni: End of the Golden Witch” by Square Enix, serialized in the magazine Gangan Joker. Released in North America by Yen Press.

Umineko has a problem that Higurashi never really had, which is the fact that it is far more of an intellectual exercise. With Higurashi you had the mystery aspect of it you were trying to solve, but the primary focus was “oh my God, these poor kids, how will they avoid a tragic fate?”. Umineko has made it increasingly clear that there is no avoiding of any tragic fates, but more importantly, it’s become clearer that so much of what we’re seeing – all the meta, the increasingly ludicrous fantasy creatures and special effects shonen battles – is completely and totally bogus. Not just the “is it really witches” question, but the entire narrative.

The end of this omnibus features the witches in charge, Lambdadelta and Bernkastel, sweeping all the ‘pieces’ off the board entirely, to do the rest of the arc as a mock trial to show off how guilty Natsuhi is. The cast sits there like robots (with the exception of Battler, Natsuhi, and the witches), not really caring much about anything till they have to. It can be… hard to get invested in a plot like this. This is probably why Natsuhi made the best focus for this arc. Given choices of the other adult women we’ve seen, Rosa is a child abuser, Eva is also a child abuser (see: Ange), and Kyrie, aside from being a yakuza daughter, simply isn’t the sort who has emotional collapses. Natsuhi, who came into the Ushiromiya household as a fragile flower and has had every single one of her nerves shredded over the years, can give us realistic hysteria.

As you might gather from the cover, we get a few more new characters this time around as well. I love Dlanor – her name is a reversal of Ronald Knox, a classic mystery writer who gave us Knox’s Decalogue, a list of 10 rules that must be obeyed in mystery stories. (Yen does not explain either of those points, a shame as this series does have endnotes.) Dlanor, though, is a tiny, haughty minister of justice, here to make sure that everyone follows the RULES. Ah yes, she also has an odd Japanese verbal TIC. I was pleased to see that the official translation stuck with what Witch Hunt had done in the VN translation and gave her ending words CAPITALIZATION (or, given that comic fonts are always capitalized, BOLDNESS). It’s an excellent way to show off her ODDITY.

Dlanor is also far more sympathetic to us than Erika, despite being on her side. Of course, having spent most of the first volume letting us hate her guts, we see Erika start to lose it here. as Battler runs rings around her logic (arguably this is Lambda using Battler as her mouthpiece, but let’s let him have his fun), and many of her theories are smashed into bits. This allows her to be abused by Bernkastel, who is truly terrifying here, possibly as Erika is supposed to be her own self-insert there in Rokkenjima, and she’s humiliating the author. Erika then takes it out on Dlanor’s subordinates, of course, because where would Umineko be without cycles of abuse?

As for the standard murder mystery, it’s still not solved as of the cliffhanger, though I can give you some pretty good guesses. One thing for sure, it’s not Natsuhi, who everyone is gleefully setting up to look as guilty as possible. Not that Natsuhi is totally innocent – she has been faking Kinzo’s death for the last two years, after all, and the whole “Man from 19 Years Ago” thing does not sound done to me either despite supposedly only being Natsuhi’s guilt for wishing a baby dead followed by it happening. Assuming you don’t mind that the characters you’re invested in are frequently revealed to be the fiction they actually are, this remains an excellent series.

Manga Giveaway: Devils and Realist Giveaway

September 30, 2015 by Ash Brown

The end of September doesn’t just approach, it’s here! And because it’s the end of the month, it’s also time for another giveaway at Experiments in Manga. This month you all will have the chance to win a copy of Devils and Realist, Volume 1 written by Madoka Takadono, illustrated by Utako Yukihiro, and published in English by Seven Seas. And, as always, the giveaway is open worldwide!

I always find it interesting when manga incorporates Western settings, religions, and mythologies. In some cases they aren’t used as much more than an aesthetic (I’m looking at you X), but in other cases the mangaka have clearly done their research. Legends surrounding angels and demons seem to be a particularly rich source of inspiration. Series like Devils and Realist take that inspiration, but then spins the stories and their interpretations to create something entirely different. The results can often be entertaining.

So, you may be wondering, how can you win Devils and Realist, Volume 1?

1) In the comments below, tell me a little about your favorite manga featuring devils or demons. (Don’t have one? Simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

There it is! Everyone has one week to submit comments and can earn up to two entries for this giveaway. If needed or preferred, comments may also be sent to me directly at phoenixterran(at)gmail(dot)com. The comments will then be posted here in your name. The giveaway winner will be randomly selected and announced on October 7, 2015. Good luck!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Devils and Realist Giveaway Winner