Features & Reviews

Adaptation Adventures: Mushishi

July 14, 2016 by Ash Brown

After revisiting and reviewing each volume of Yuki Urushibara’s Mushishi for my horror manga review project, by now it’s probably readily clear that I greatly enjoy the series. I love the influence of traditional Japanese folklore on the stories. I love the manga’s subtle creepinesss. I love the exploration of the relationship between humans and the rest of nature. I love how the series delves into the connections that exist between people. I love the importance placed on the search for knowledge. The storytelling in Mushishi is atmospheric, beautiful, and frequently unsettling as individuals struggle with themselves and with the unknown. There is darkness and tragedy in Mushishi but there is also hope—one of the major themes in the manga is that for better or for worse, life will ultimately persevere.

Mushishi is a largely episodic series following Ginko, a mushishi, who travels the Japanese countryside studying mushi and trying to help people who have fallen under their influence. Mushi are described as creatures which are very close to the original form of life. Their presence is fundamental and necessary to the living world, but depending on the circumstances they may either be beneficial to or negatively impact humans. Mushi are frequently at the heart of unusual natural phenomenon or may cause otherwise unexplainable illnesses. Within the context of the series mushi can be taken literally, but they can also be read as metaphors for many conditions experienced in reality.

Urushibara’s ten-volume Mushishi, originally serialized in Japan between 1999 and 2008, was first released in print in English by Del Rey Manga between 2007 and 2010. Soon after, Del Rey’s manga imprint was closed and Mushishi subsequently went out of print. Unsurprisingly, the print edition of Mushishi has become increasingly difficult to find over time, but in 2014 Kodansha Comics released the entire series digitally. In addition to earning multiple awards and honors over the course of its publication, Mushishi was also the basis for multiple anime adaptations and a live-action film (most of which are available digitally if not physically in North America), as well as a variety of other media.

The first Mushishi anime series, directed by Hiroshi Nagahama, aired in Japan in 2005 and 2006. At twenty-six episodes, it only adapted a portion of the original manga. (Granted, the manga hadn’t yet been completed at that point.) Since I love the Mushishi manga, it probably doesn’t come as much of a surprise that I love the anime as well. Although the first Mushishi anime adaptation isn’t necessarily my favorite series, or even the anime that means the most to me personally, it is the series that I’ve seen the most number of times; I return to it frequently. Eventually, nearly a decade after the first Mushishi anime series, an animated television special was released which was followed a few months later by a second anime series. This twenty-episode series, also directed Nagahama, aired in Japan between 2014 and 2015 and adapted most of the remaining stories found in the manga. (A second animated television special was released during this time as well.) Despite the number of years that passed between the first and the second anime series, they are both very similar in tone and style. Nagahama also directed the Mushishi animated film released in 2015 which adapted the manga’s final story arc. Since I loved both the original manga and the first anime series, I was very happy to see so much more Mushishi anime produced.

The various Mushishi anime are very faithful adaptations of the manga. Frequently the scenes in the anime follow the scenes in the manga frame by frame and panel by panel, though occasionally the order that events appear in the narrative is slightly altered. Where the anime distinguish themselves is in their color and sound, especially in the establishment of the backgrounds and settings. Urushibara’s color artwork is lovely, but except for the covers of the individual manga volumes, very few examples of it officially appeared in North America. (I imported Urushibara’s 2015 Mushishi artbook which is filled with color illustrations and I adore it.) The anime bring the world of Mushishi to life. While the actual animation can at times be fairly simple and limited, the environments are always absolutely gorgeous and beautiful in their detail. The sound design in the anime adaptations is great, too, adding spectacularly to the overall atmosphere. The music by Toshio Masuda (which I’m constantly listening to) makes extensive use of bells, chimes, and other percussion along with unobtrusive synthesized and acoustic instruments, creating a beautiful soundtrack that is in turns ethereal and dramatic. Much like the original, the Mushishi anime creates an experience that can be calming and soothing as well as unsettling and disturbing.

Urushibara’s manga series was also the inspiration for Katsuhiro Otomo’s award-winning 2006 live-action film Mushishi. For the most part the film was received very well both inside and outside of Japan. Though overall it’s palette tends to be darker and more subdued than the anime adaptations, the visuals can be quite stunning; the special effects hold up surprisingly well even a decade after it was first released. I actually only very recently watched Otomo’s Mushishi for the first time. From the standpoint of someone who is very familiar with the original manga and its anime adaptations, the live-action movie is somewhat disorienting and perhaps even shocking. Though it begins much as one would expect, it ultimately deviates a fair amount from its source material even to the point of changing some of the underpinning mythologies and characterizations of the original. It’s clear that Urushibara’s manga provides the basis for the movie, but many details have been reimagined or remixed in some way. The narrative is still interesting, though. Otomo successfully weaves together several stories from the manga series and makes references to many others before taking the film in an entirely new and different direction. While the original Mushishi tends to be episodic, Otomo’s film is self-contained and provides a single cohesive story. In part this is accomplished placing a significant focus on Ginko’s past and what it means for his present and future, providing a framework for the film as a whole. Instead of simply wandering the countryside helping other people, Ginko has the additional motivation of trying to solve the mystery of who he really is and to reclaim his missing memories.

While I would consider the Mushishi manga and anime to be horror, albeit fairly subtle and subdued horror, the film is much more obviously so. Many of the underlying elements are the same, but the film focuses more directly on the aspects of traditional, supernatural horror. However, this does mean some of the more nuanced themes found in the manga and anime are missing. Otomo’s film is a much darker incarnation of Mushishi. The movie, especially towards its end, is incredibly creepy and extraordinarily disconcerting in both imagery and story. It’s so different in tone and narrative that it might actually be better described as a portrayal of an alternate universe of Mushishi rather than being a strict adaptation. It certainly won’t be to everyone’s taste, especially if viewers are expecting something more akin to the gentler (though still disquieting) anime adaptations, but I actually quite liked the movie. For me though, it’s really more of a horror film before it’s a Mushishi film. Still, I feel that the live-action film, the anime adaptations, and the original manga are all well worth checking out and are all fascinating in their own rights. And of course, although unlikely, I’d love to see more Mushishi media and merchandise released in North America.

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Ranma 1/2, Vols. 29-30

July 14, 2016 by Sean Gaffney

By Rumiko Takahashi. Released in Japan by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz.

There’s a lot I could discuss with this omnibus of Ranma 1/2, which is a strong one. There’s Nabiki’s 2nd and final focus story, where she meets her match in a man dedicated to making others spend money on him. It’s nice to see Nabiki actually tricked once or twice during this arc, and Ranma and Akane watching the debt rack up are hilarious. There’s also the story with Pink and Link, where Shampoo once again doesn’t seem to realize that the whole thing could be solved by her not being a violent jerk (to be fair to her, this applies to most of the cast as well). There’s also an amusing story that quickly turns bittersweet, as Ranma tries to turn a cold that temporarily stops his curse into an excuse to finally meet his mother at last. It’s a strong book.

But a lot of these reviews have been about my own experience with Ranma back in the 1990s (this is why I still use the old-fashioned romanization), and therefore it would feel wrong if I didn’t talk the rest of this review about Akari Unryuu. I was never a big watcher of the Ranma 1/2 anime, preferring the manga and fanfiction. And in any case, the Ranma anime had ground to a halt right about Vol. 26’s material, meaning that the last 12 or so volumes weren’t animated. And I never really got the popularity of the Ryouga/Ukyou pairing in fandom either, because I hadn’t seen the anime do a much bigger job of putting them together. And, given I liked Ryouga and wanted him to be happy, I always hoped something would come along.

Now it has, as we meet a young girl and her farm of sumo wrestling pigs. Make no mistake about it, Akari’s introductory story is as ridiculous as all the other Ranma stories, and I admit if she’d never showed up again it wouldn’t be all that different from, say, the story earlier in the book with Pink and Link (who indeed never show up again). Akari is looking for a husband strong enough to defeat her champion sumo pig, and has been massacring the males of Nerima as a result. Ryouga, naturally, flips the pig into the air with his umbrella. It’s love at first sight… if only Akari wasn’t so devoted to pigs. Every time she mentions them Ryouga twitches, to Akane’s confusion (a reminder that she never, ever does figure out Ryouga is P-chan) and Ranma’s frustration.

Ranma asks here, and the fandom asked constantly, whether Akari would simply fall in love with anyone who beat her pig. But Akari really does seem to have fallen for Ryouga himself, to the point where, when she mistakenly thinks he hates pigs, she has her sumo pig beat her up till she can hate them herself and solve the problem. (This does not solve the problem. But then, if you’ve been reading Ranma 1/2, you’d have guessed this.) And tellingly, at the end of this short arc Ranma decides to solve the problem by exposing Akari to Ryouga’s curse – something that, as I’ve said above, never happens with Akane. So now Akari has the best of both worlds – she loves Ryouga, AND he turns into a pig.

I won’t deny, 20 years on, that Akari as a love interest is a bit flat. but then again, most Ranma characters are more two-dimensional than Fandom makes them out to be. She’s also introduced towards the end of the series, clearly as a love interest – go see ‘Pair the Spares’ on TV Tropes to see how this upsets people. But I still don’t really care, and Takahashi clearly didn’t either. Akari was popular enough that she gets a cameo at the end of this book, writing Ryouga a letter (which promptly gets destroyed, because that’s the kind of series this is, but hey). And she’ll show up again next time. In any case, this volume of Ranma 1/2 is excellent, and even if you don’t like Akari as much as I do (few do), you should still pick it up.

Bookshelf Briefs 7/11/16

July 11, 2016 by Sean Gaffney and Michelle Smith Leave a Comment

Behind the Scenes!!, Vol. 2 | By Bisco Hatori | VIZ Media – I was pretty disappointed by volume one of Behind the Scenes!!, but while the series remains far from great, the second volume is an improvement overall. Some parts of it I found excruciating, though, like the dumb gag where the props a girl stayed up all night making get destroyed because someone literally slips on a banana peel. But while I was groaning, the same girl would make a speech about refusing to repress her passions just to nab a boyfriend, and I’d have to begrudgingly approve. It’s only at the very end, when Ranmaru learns a bit more about mysterious Izumi, who heedlessly plunges his hand into boiling water to save a classmate’s cell phone and seemingly has no regard for his own welfare, that I actually found a character I could possibly care about. I’m willing to keep going with this for a little while, at least. – Michelle Smith

A Centaur’s Life, Vol. 9 | By Kei Murayama | Seven Seas – Once again, this is a tale of two halves. On the one half, we have the typical slice-of-monster-life we’re used to, with more ‘is it yuri or just akogare’ chapters, another examination of how monster bodies and human-style clothing works, and a bizarre omake where a political argument in class is resolved by the teacher transforming into a magical girl and mind controlling everyone. The other half has Hime and Shino accidentally transported to a fantasy dimension where she’s thought to be a god, and has to defend a fortress against various enemies with her archery and tactics. It doesn’t so much end as stop. I sense this series has become ‘whatever the author feels like writing that month.’ – Sean Gaffney

Honey So Sweet, Vol. 3 | By Amu Meguro | Viz Media – I talked about the new guy who arrived at the end of the last volume, and in the end he turns out to be a friend, enemy, AND love interest. Futami has the looks and personality that Onise doesn’t, and is quick to help him to open up and gain more support from his classmates. In fact, they get along so well Kogure worries that maybe she’s the one in the way (no, not in that way). But Futami is also falling for Kogure, and he’s determined to do something about it, even as Onise has mixed feelings. The whole subplot is handled quite well, and while there’s a bit more drama and angst to it, this still reminds me a lot of My Love Story!!—you read it for the sweetness. – Sean Gaffney

Nichijou: My Ordinary Life, Vol. 3 | By Keiichi Arawi | Vertical Comics – Nichijou is a surreal comedy, and so you don’t really go looking for character development here. That said, the third volume had a surprising number of heartwarming scenes mixed in among the hilarity. The Professor deals with the hazards of still being a young child, despite her genius, and bonds with Nano a bit. Mio and Yukko get into a huge argument that goes on for pages until it eventually circles back around and turns into the two of them praising each other. And Yukko goes to visit Nao and the Professor, and reassures her that, even if everyone knows she’s a robot, Nano is still just Nano to them. These scenes give the series a heart that helps it to earn the laughs and strange “huh?’ reactions it also gives us. – Sean Gaffney

One-Punch Man, Vol. 7 | By ONE and Yusuke Marata | Viz Media – Yes, we are here. It finally takes more than one punch for Saitama to take out an enemy, though he’s still not really breaking a sweat or showing much emotion. The main reason to get this volume is the artwork, which is simply amazing. This volume may have more two-page spreads than any other shonen manga I’ve seen, as the final battle is a huge monumental “serious punch” from Saitama that words cannot really describe. (And note he’s able to do this even after being hit TO THE MOON and having to jump back to Earth.) I suspect we’ll see more of Tornado, who has a giant chip on her tiny shoulder. And some other heroes get shown off here as well. But this is still The Saitama Story, and what a story it is. – Sean Gaffney

Pandora in the Crimson Shell: Ghost Urn, Vol. 5 | By Shirow Masamune and Rikudou Koushi | Seven Seas – There’s no Excel Saga cameos here, beyond the appearance of the Excel-ish Vlind, so I am once again forced to talk about the actual manga itself. Fortunately, the first 3/4 of this volume is relatively mild, and even interesting. Nene wishes for happy fun uneventful days, but Clarion knows that the world they live in is filled with evil organizations and killer robots. So she proceeds to go to town on said robots, as well as the local army. It’s almost worth recommending, except at the end they have to power up the Pandora, which is done via the wretched “not really vaginal fingering, but close” method we know and loathe. In the end, this is still Pandora, alas. – Sean Gaffney

Persona 4, Vol. 3 | By Shuji Sogabe and ATLUS | Udon Entertainment – Most of this volume is dedicated to a new young man trapped in the killer TV program, and again it shows us hidden sides, this time dealing with traditional gender roles and how shameful it can be for a young Japanese boy to be good at traditionally feminine tasks. Naturally, this has led him to overcompensate and become a giant thug, hence the obvious choice of him going to TV Bear land. That said, it’s resolved fairly simply, and our heroes didn’t even need to do much besides stand around and comment. Of course, it’s not all psychological horror and battles, there’s also the worst curry in the world, as we discover that of the two main heroines, neither one can cook worth a damn. Pretty good. – Sean Gaffney

Princess Jellyfish, Vol. 2 | By Akiko Higashimura | Kodansha Comics – Kuranosuke and the residents of Amamizu-kan have declared their intention to buy the place to save it from redevelopment, but they lack the funds to actually do so. Kuranosuke rallies them into action, especially after being inspired by one of Tsukimi’s drawings to create jellyfish-inspired fashions. I love how all the various story elements service the series’ predominant theme. Meeting Kuranosuke has introduced Tsukimi to the passion of creating something she loves, but it has also brought her pain, as she is confronted with “evidence” that Shu has slept with the scheming Inari. It’s too much stimulation for her, and she retreats to the familiar territory of avoiding her emotions, and believing she’s not the kind of girl who could fall in love. Funny, poignant, addictive… I’m sad we must wait ’til October for more! – Michelle Smith

My Week in Manga: July 4-July 10, 2016

July 11, 2016 by Ash Brown

My News and Reviews

Okay! A couple of different although expected things were posted last week at Experiments in Manga in addition to the usual My Week in Manga feature. First up was the announcement of the Complex Age Giveaway Winner which also includes a list of manga which incorporates cosplay in one way or another. I also posted the Bookshelf Overload for June last week for those of you interested in what manga and such I’ve recently acquired.

Other interesting things found online: As Anime Expo wrapped up early last week, a few more licensing announcements were made. Viz Media announced that it plans on publishing the fourth part of Hirohiko Araki’s JoJo’s Bizarre Adventure as well as Araki’s How to Create Manga. Yen Press will release Erased by Kei Sanbe and Bungo Stray Dogs written by Kafka Asagiri and illustrated Sango Harukawa. Also announced last week was SuBLime’s partnership with Libre, outlining their plans to release Ayano Yamane’s Finder series as well as other titles in English. Ani-gamers posted an interview with Rei Hiroe from AnimeNext 2016. And over at the Lobster Dance, the sixth installment of “The Sparkling World of 1970s Shojo Manga” takes a look at the Rose of Versailles franchise.

Quick Takes

As Many As There Are Stars by Miecohouse Matsumoto. As Many As There Are Stars starts as one thing but by the end of volume the manga has turned into something else entirely. Matsumoto may very well have had this planned out in advance—hints about Kousuke’s tragic past and proclivities are present from very early on—but the shift in tone is still a bit jarring. As Many As There Are Stars is a boys’ love one-shot about seven young men who are all in the same club at college. Supposedly it’s an astronomy club of some sort, but it might as well be a club for sexual tension as most of the members have feelings for one or more of the others. The notable exception is the first year who, despite being an important plot point in the first chapter, is largely forgotten for the rest of the volume. Initially, the manga is fairly sweet and lighthearted if somewhat cliché as it explores the relationships between the club members. Eventually As Many As There Are Stars turns its focus onto Kousuke, an art student who is both desperate to be and terrified of being loved. What starts as a somewhat goofy manga develops into something more melancholic, a story about an unfortunate young man confronted by friendship and love.

Inuyashiki, Volumes 2-3 by Hiroya Oku. After reading the first volume of Inuyashiki, I was curious to see what direction Oku would take the series. At this point, I’m not entirely convinced that Oku actually has a cohesive overarching narrative in mind. Instead, the basic premise of the series creates a platform for Oku to tell some legitimately disturbing stories; I’m just not sure that there’s much of a point to them beyond their violence and depravity. Inuyashiki often feels like it’s being distasteful just to be distasteful in order to see just how far Oku can push the boundaries of acceptability. However, I will admit that it can be can oddly satisfying to see someone who looks like an elderly man protect others by beating the crap out of obvious wrongdoers. (Oku seems to go out of the way to make the bad guys as over-the-top and awful as possible, which is fitting for the series as a whole.) Inuyashiki—the previously mentioned old man—is starkly contrasted by Shishigami, the manga’s other, much younger, lead. Like Inuyashiki, Shishigami has been reborn as a cyborg. Unlike Inuyashiki, he has been using his newly-gained powers to cause death a mayhem at will. He is unyielding in his deliberate cruelty and absolutely terrifying.

Noragami: Stray God, Volumes 8-14 by Adachitoka. I have been enjoying Noragami more and more as the series progresses, but I still managed to fall behind on the manga. I was actually intending to only read a few volumes this past week, but once I started I found myself devouring my entire backlog; Noragami continues to get better and better. More of Yato’s backstory has been revealed at this point and his past has become central to the plot. The narrative flow can be somewhat odd, though. In between the intensely dramatic and serious story arcs, Adachitoka has the tendency to introduce several chapters (or more) of what feels like playful filler material. However, I’m really enjoying Adachitoka’s modernized take on Japanese deities and mythologies. (I also appreciate the thorough translation and cultural notes included in the volumes.) The interplay between the gods, shinki, ayakashi, and humans is fascinating and the relationships and power dynamics between them all are marvelously complex and nuanced even if the characters’ actions aren’t always the most subtle. Adachitoka also isn’t afraid of killing off major characters, which heightens the tension of the series’ conflicts and it’s unlikely anyone will remain unscathed.

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Haikyu!!, Vol. 1

July 10, 2016 by Sean Gaffney

By Haruichi Furudate. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz.

For a genre that has a reputation for not succeeding in North America, there have been quite a few sports manga released over here, most of them connected in some way or another with Weekly Shonen Jump. There’s been Slam Dunk, and Whistle, and Eyeshield 21. It’s a classic and established genre in Japan, with its own cliches and foibles, and I’ve read enough of them to know what to look for and to be surprised when something I expected didn’t happen. The type of sport shown doesn’t really matter – basketball and soccer are always popular, though not baseball – Jump avoids that, possibly as Sunday and Magazine are so well known for baseball titles. And now we have Haikyu!!, which tells us about a down-on-its luck high school volleyball team trying to make it back to the finals with some promising but troublesome rookies.

Our two heroes are on the cover, although it’s possible that the dark-haired guy is more of an anti-hero. Hinata is a very typical Jump hero – short, overenthusiastic, filled with amazing athletic abilities that no one has ever been able to hone, but also prone to overconfidence and lack of experience. Kageyama, at first glance, appears to be the classic polar opposite to that sort of character – stoic, always frowning, experienced and unlikely to make the sort of rash decisions that Hinata would. But, as it turns out, this is just a fakeout, and was possibly my favorite part of the book. For Kageyama is actually an arrogant guy with a very hot temper, who expects to be the star and is rather frustrated that this is actually a team sport. Seething ball of rage Kageyama is a very interesting character, and I look forward to seeing more of him.

If you don’t know volleyball, no worries – Hinata barely knows the basics as well, so we get a lot of explanations. We also get a whole lot of characters, typical for a series like this – a team needs players, after all. There’s 2 third years who play good cop/bad cop, and an overzealous 2nd year who matches the rookies’ enthusiasm. There’s a tall, arrogant first-year whose face every reader will want to punch, and I can’t wait to find out what kind of situations he’ll have to go through before he stops being a complete jerk (he’s on the same team as our heroes, so will no doubt have to stop at some point). Oh yes, and the female manager is cool rather than cute.

There’s nothing particularly groundbreaking here, though as I said I was surprised and pleased by a few of the character choices. It’s just a sports manga, well-told. It’s 20+ volumes in Japan, which means that Viz is going to be releasing it every month for a while, so get used to these guys. And it’s the start, hopefully, of a sports manga renaissance, as now that Slam Dunk has finally finished, Viz is also picking up Kuroko’s Basketball as well. Can Touch or Major be far behind? (Well, yes, they can. Far, far behind.) In any case, Haikyu!! is a fun and energetic sports manga in the classic Jump tradition. You’ll enjoy it.

Manga the Week of 7/13

July 7, 2016 by Sean Gaffney, Ash Brown, Michelle Smith and Anna N Leave a Comment

SEAN: For a 2nd week of the month, there sure is a lot of stuff coming out. What have we got here?

Dark horse has a 6th and final volume of the Oreimo spinoff Kuroneko. Is it a slightly less incestuous ending? (Actually, I think, unlike many harem spinoffs, it’s not an AU at all.)

If you recall Spirit of Wonder coming out from Dark Horse, a) you are very very old, and b) you will be delighted with the release of Wandering Island by the same author.

ASH: I missed out on Spirit of Wonder, but I’m looking forward to giving this series a try.

SEAN: Fairy Tail Zero from Kodansha is, as the title might suggest, a prequel focusing on Fairy Tail’s founder, Mavis.

Forget Me Not has a 3rd volume. Note this isn’t the Forget Me Not which the author of Wandering Island wrote back in the 1990s.

ASH: Ha! I hadn’t made that non-connection yet.

SEAN: And The Seven Deadly Sins gives us Vol. 15, and has surely run out of sins by now, just as I have run out of jokes to use about this title.

Seven Seas has an 8th volume of Magical Girl Apocalypse, because grim and gritty refuses to go away no matter how many wishes I use.

And the Monster Musume spinoff I Heart Monster Girls gives you some 4-koma gag monsters.

Pandora in the Crimson Shell’s 5th volume has less Excel Saga knockoffs, but does have a fair amount of exciting action, and of course the awful service is there too.

The big release this week is The Osamu Tezuka Story, a biography from Stone Bridge Press that is over 900 pages (and print only, so I will let someone else read it – Ash, I suspect).

ASH: Yup! It might take me a while to get through, though. My copy just arrived, and it is ENORMOUS.

SEAN: SubLime has the 2nd and final volume of Midnight Stranger, who is no doubt friends with the Midnight Cowboy and Midnight Rambler.

ASH: The first volume of Midnight Stranger was, well, strange, but the clueless goat spirit was rather endearing.

SEAN: Viz gives us the 59th volume of Case Closed. I don’t read it, but it’s always great to see non-Jump series reach this many volumes – in fact, I think Case Closed may be the ONLY non-Jump series to reach this many volumes here.

Ranma 1/2’s 15th omnibus volume has the introduction of my favorite Ranma character. I am alone in this, and have been since 1996, but I don’t care. It’s been 20 years, I won’t back down now.

ASH: I’m still glad this series is getting a re-release.

MICHELLE: Me, too.

SEAN: Lastly, Rin-Ne has a 21st volume. My guess is that ghosts will feature in some way. Also, Rinne will be poor. And Sakura will continue to not have any emotions at all.

What’s your wallet paying for?

MICHELLE: Nothing this time, actually.

ANNA: My wallet is paying for nothing! It is a good thing so much great manga came out in the previous week!

Princess Jellyfish, Vol. 2

July 7, 2016 by Sean Gaffney

By Akiko Higashimura. Released in Japan in two separate volumes as “Kuragehime” by Kodansha, serialization ongoing in the magazine Kiss. Released in North America by Kodansha Comics.

Princess Jellyfish is turning out to be a difficult but worthy read for me. I spent much of this omnibus being irritated by the majority of the characters, either for making stupid decisions, being horrible people, or having the self-awareness of a gnat. And of course, that’s what the whole point is. It’s where the majority of the comedy comes from, and also the character development. Without Tsukimi’s introvertedness and low self-esteem, without Inari’s blackmail and vampishness, and without Kuranosuke’s amazing unself-awareness (though he’s above the majority of Amars, to be sure), we wouldn’t have anything to read about. And all of these aspects are in this volume in abundance.

Tsukimi is our heroine, of course, and so she gains the most depth here, even as she takes a few steps back as well. I’m still not particularly happy with Kuranosuke’s constant attempts to get her to do things and be more outgoing, but it does lead to a few nice moments, particularly when they’re designing dresses based on types of jellyfish and Tsukimi unleashes her inner fashion designer. (I also appreciates the fact that, while she does have untapped talent, things weren’t perfect right off the bat and the first attempt was totally wrong.) Sadly, she alsp sees the guy she has a crush on with another woman, and has no idea how to deal with it, even as she’s unsure what her feelings are. She equates love as something that makes her a ‘normal girl’, something to be truly feared.

And while the residents of Amars may not be normal girls (though they show surprisingly more aptitude at attempting it than Tsukimi does), Kuranosuke and his family prove to be just as screwed up. Inari is trying to tempt Shu using sex as a weapon, but he’s repressed (as we discover here, he seems to have been traumatized by walking in on his father as a young boy) to a point where she’s actually thrown off her game. Inari is at her most interesting when she’s like this – the idea of Shu being a genuine innocent virgin almost horrifies her a bit – but I’m unsure how long the manga can keep this plot going. She certainly has staying power, I’ll grant you. As for Kuranosuke, he may be the most interesting character so far, even if I keep waffling between liking and disliking him. He’s amazingly selfish most of the time, and, just like Tsukimi, seems horrified at the idea of falling in love like a normal guy.

It’s the tension that keeps me going as a reader, seeing how far the author can take all these plot points – Kuranosuke’s secret that he’s actually a man, Inari being terrible, etc. – and actually have them collapse. And, of coruse, there’s the fashion design, which I suspect is going to take up more and more of this manga’s time. It’s not perfect, but it’s the flaws that make Princess Jellyfish so fascinating.

Battle Rabbits, Vol. 1

July 5, 2016 by Sean Gaffney

By Ameichi. Released in Japan by Ichijinsha, serialization ongoing in the magazine Comic Zero-Sum. Released in North America by Seven Seas.

Back in my pre-blogging days I used to write up the week’s manga shipping list on my LiveJournal, similar to Manga the Week of but with less commentary. I noted the Japanese company the work came from, and what genre it fell into – shonen, shoujo, seinen, josei, or “whatever Wings is”. The last was my running gag for Shinshokan’s flagship magazine, which by all rights should probably have fallen under shoujo, but always had a bit more action and fantasy than your typical Margaret or Hana to Yume works. Of course, this was about 7-8 years ago, and now we know there’s also GFantasy, and indeed Comic Zero-Sum, which is where today’s title comes from. Battle Rabbits not *quite* BL, as there’s never any actual follow through, but I would say it caters to BL readers who don’t mind just being teased. And oh do they get fanfic fodder here.

I had actually forgotten this was a Zero-sum title until it arrived. Based on title alone, I was expecting a different kind of Seven Seas series, catering to their flagship demographic. And to be fair, there is a young girl wearing rabbit ears in this first volume. Mao is cute, and a bit of a ditz, and there are precisely zero readers who would get this title for her, because oh those guys. We start with our hero, Kaguya, who really should have known what was going to happen just by looking at his name. As a child, his father was murdered by a mysterious demon, but no one believed him and called it a suicide. Now he’s in high school and still dreams of getting revenge. Which, good news! A delinquent with a grudge against Kaguya gets possessed and attacks him, and we find out that Kaguya is actually a Battle Rabbit – which technically are supposed to defend the Earth but in actually seem to, as many of these titles are wont to do, stop people whose personal life problems are making them turn into monsters and heal them.

Despite the delinquent clearly being tsundere for our hero, the real BL tease comes in the 2nd half of the volume, when we meet Hijiri, leader of the Battle rabbits’ base on Earth. It turns out Kaguya is not only a Battle Rabbit but basically King Battle Rabbit, and thus everyone’s calling him “Young Master” and such in the best Little Lord Fountleroy-sama tradition. Hijiri meets him by putting a ring on his finger, uses mind control to get him to agree to fight as a Battle Rabbit for them, and later pops up in a dream literally in a wedding dress marrying him. So yeah, the authors (who have mushed their names together as a single pen name) know their audience. I’m less taken with Kaguya himself – I liked the idea that his need for revenge is just too emotional a reason to actually fight, but when he’s reluctant he’s far more generic. Oh yes, and Mao, the female Battle Rabbit, does the third-person speaking thing, for those who don’t like that style.

If you enjoy handsome guys looking cool and saving the day with a smile and a smirk, you should get a lot out of Battle rabbits. I’m not sure I’d be desperate to continue it, but as I said before, this series has a demographic and knows how to hit said demographic right in its sweet spot.

Bookshelf Briefs 7/4/16

July 4, 2016 by Sean Gaffney and Michelle Smith Leave a Comment

The Ancient Magus’ Bride, Vol. 5 | By Kore Yamazaki | Seven Seas – Chise is an all-loving heroine sort of girl, and when she sees someone she naturally wants to help them. Which is fine, and leads to some nice heartwarming scenes here, but it also does a number on her body, as she simply can’t use all that magic and not pay for it in some way. This leads to much of this volume taking place in Fairy Land (and a return to winter later), where we meet a doctor with a harsh but effective bedside manner, and Elias is once again mocked by everyone who seems to see him as being too selfish. Again, it’s not clear how bride-like this series will ever get, but I’m content with detailed descriptions of magic plants and rituals and gorgeous art in the meantime. – Sean Gaffney

Barakamon, Vol. 11 | By Satsuki Yoshino | Yen Press – It’s hard to follow a volume as good as the last one, and much of this new Barakamon is spent wrapping that story up and starting a new one. No one really expected Handa to get married, and he doesn’t, but it is interesting seeing the idea of an arranged marriage for him being tossed about among all the other characters who’ve grown close to him. Once his parents have departed (and I think his father understands him better now, if not the reverse), we see the return of old rival Higashino, who Handa still doesn’t remember but who seems dedicated to theoretically ruining his life, although as always most of that is merely in Handa’s head. Will he be able to grow the best vegetable garden ever? Results are unclear. – Sean Gaffney

He’s My Only Vampire, Vol. 7 | By Aya Shouoto | Yen Press – Ever since the very first chapter, we’ve known that Eriya was going to show up eventually. And sure enough, he’s now here, conveniently at a time when Aki is still dealing with amnesia. Kana isn’t sure what to make of this—she’s having enough trouble dealing with the fact that Aki’s love for her is now history, though he seems to be backsliding a bit there. That said, Eriya seems to be evil, or at least rather selfish, using a chance at a “normal school life” to try to win Kana over for himself, with the use of liberal hypnosis to make the school OK with this. Kana is, by the nature of the series, a somewhat passive heroine, but I really hope she’s able to do something about this next time. – Sean Gaffney

He’s My Only Vampire, Vol. 7 | By Aya Shouoto | Yen Press – There are two distinct halves to this volume, and they don’t fit together terribly well. We begin with Aki having forgotten his feelings for Kana, due to trading the “lust” stigma in exchange for her release from her Tsubakiin captors. Eve the succubus and her dealer try to take advantage of Aki’s personality shift to cause the final stigma, “envy,” to manifest—mostly by making him kill deranged humans but also through a random beauty contest—and it also seemed like the story would be developing its love triangle by bringing Kana and Jin closer together, but then both of those threads are abandoned in favor of Eriya’s return, which might have been surprising if it hadn’t been foreshadowed so heavily. I’m afraid that as this series approaches the end, it’s going to get as convoluted as Shouoto’s Kiss of the Rose Princess did. That would be a shame. – Michelle Smith

The Honor Student at Magic High School, Vol. 3 | By Tsutomu Sato and Yu Mori | Yen Press – If ever there was a spinoff that felt like a spinoff, it’s this series, which never lets me forget throughout its entire reading that more important things are happening to the actual hero elsewhere while this is going on. The three ‘detectives’ are amusing, and they do achieve something, but compared to Tatsuya and Miyuki they’re mostly there as victims. Miyuki, of course, is not going to be your garden variety victim, and the best parts of this book show off how much of the “darkness” within herself she wants to hide from her brother so that they can live happy, normal high school lives. I suspect, as with the previous two volumes, this will read better after I’ve read the second irregular novel. – Sean Gaffney

Of the Red, the Light, and the Ayakashi, Vol. 3 | By nanao and HaccaWorks* | Yen Press – I’m guessing the author heard me when I said in my last review I’d drop the series if the cute little sister got erased. She not only doesn’t, but gets actual things to do, as she is able to tell that her brother is in trouble and get help for him! (Of course, this implies that she too knows more than she’s saying, and may have dark secrets of her own, but I’ll deal with that when I come to it.) As for said big brother, he is indeed in peril from one of the most dreaded monsters of all, the bratty girl sort, who is desperate to eat his soul but also toys with her food far too much, so she’s not going to be long for this world. I still have no idea where this is going, but it’s fun. – Sean Gaffney

Of the Red, the Light, and the Ayakashi, Vol. 3 | By HaccaWorks* and nanao | Yen Press – I compared the first volume of this series to Natsume’s Book of Friends, but now it has evolved to the point where there’s hardly anything similar about them. Of the Red… has a more defined plot—a delightfully creepy one that heightens the ethical dilemma for our hero—as well as multiple action scenes, as one of Yue’s new friends, Tsubaki, is revealed to be an extremely desirable and tasty target for the local ayakashi population. (Also, his sister seems to be protecting him somehow, and his dad recognized Yue as someone called “Yoshiki.”) The mysteries continue to unfold but the answers do, too, which I really appreciate. I continue to really enjoy this series and look forward to volume four! – Michelle Smith

My Week in Manga: June 27-July 3, 2016

July 4, 2016 by Ash Brown

My News and Reviews

Last week was the end of one month and the beginning of another, which means it’s time for yet another manga giveaway at Experiments in Manga. There are still a couple of days left to enter for a chance to win Complex Age, Volume 1 by Yui Sakuma. As can probably be gleaned from my relatively recent review of the first volume, so far I’m really liking the series.

In other news, it sounds like Akimaro Mori’s award-winning collection of short mysteries The Black Cat Takes a Stroll will finally be released by Bento Books this year, perhaps even within the next few months. Fans of Vampire Hunter D will likely be interested in a recently launched a Kickstarter campaign to produce Vampire Hunter D: Message from Mars, a comic based on Hideyuki Kikuchi’s unpublished short story Message from Cecile. (Anime News Network posted an interview with part of the creative team which has more information.) But the Kickstarter project I’m personally most excited about at the moment is the campaign to support the fourth year of Sparkler Monthly Magazine. I’m not shy about my love of Chromatic Press and Sparkler Monthly (Chromatic Press even has its own tag here at Experiments in Manga) so I really want to see the campaign succeed.

Anime Expo began last week and there were plenty of licensing announcements to come out of the event. Dark Horse has licensed Hatsune Miku: Rin-Chan Now!, Neon Genesis Evangelion: Legend of the Piko-Piko Middle School Students, and H.P. Lovecraft’s The Hound and Other Stories by Gou Tanabe which should be great. The announcements from Kodansha Comics included an interactive Attack on Titan novel, and four manga for print release: Fire Force, Clockwork Planet, Toppu GP and the one I’m probably most interested in, Ichi F, about a nuclear power plant worker in Fukushima. Seven Seas has picked up Magical Girl Site, Species Domain, Plum Crazy! Tales of A Tiger-Striped Cat, and Dreamin’ Sun which is by Ichigo Takano, so I definitely plan on checking it out. Vertical will be translating the Nisemonogatari light novels. Viz Media will be releasing Dragon Ball Super, The Water Dragon’s Bride, and Mobile Suit Gundam Thunderbolt and will be rereleasing Yu-Gi-Oh! Arc-V, Rurouni Kenshin, and Revolutionary Girl Utena. Yen Press has added one light novel (Rokka: Braves of the Six Flowers), five manga (Rokka: Braves of the Six Flowers, The Isolator, Big Order, Smokin’ Parade, Murciélago) as well as an original graphic novel by Cassandra Jean, Reindeer Boy, which I’m especially looking forward to.

Quick Takes

My Little Monster, Volumes 11-13 by Robico. While the middle part of the series felt like it dragged a bit, overall I would say My Little Monster was a manga that for the most part I enjoyed. I particularly liked the characters and their quirkiness. The story itself was at times tedious to read due to the fact that the narrative often backtracked after any forward progress was made in regards to the plot and so the same ground had to be covered multiple times. The seriousness of some parts of the story (like Haru’s background and family situation) didn’t always seem to mesh well as a whole with the series’ comedy. Robico tended to handle the humor better, and I like My Little Monster best when it’s being ridiculous (I can’t begin to tell you how pleased I was to see Nagoya the chicken at the wedding), but there were still some very touching moments. I also really enjoy Robico’s after-chapter four-panel manga. The series proper actually ends with the twelfth volume while the thirteenth volume collects various side stories and epilogue chapters that focus on the series’ supporting cast. Because the English-language release of series has been so well supported, Kodansha Comics also includes an extra sixty pages of comics and character profiles which were a great deal of fun.

Persona Q: Shadow of the Labyrinth, Side: P4, Volumes 1-2 by So Tobita. I still haven’t played the original Persona Q video game, but since I’ve read the Side: P3 manga adaptation I now have a decent sense of its story. Or, at least the beginning of the story; Side: P3 was only two volumes long. I incorrectly assumed that Side: P4 would follow the same pattern, but as far as I can tell the series is still ongoing. Reading Side: P4 almost immediately after reading Side: P3 does cause a fair amount of déjà vu, and understandably so as it’s more or less the same story simply from a different perspective with the characters from the Persona 4 series taking the lead this time instead of those from the Persona 3 series. There are original scenes and content to be found in Side: P4, but the further along the series gets the more similarities are to be found. While I generally liked Side: P3, I’m actually really enjoying Side: P4. This rendition of the story is able to stand on its own fairly well so that even readers who aren’t already familiar with Persona as a whole can follow along more easily. I also find that I generally connect more with the Persona 4 cast more than I do the Persona 3 cast. And as an added bonus, Side: P4 has significantly more homoeroticism, which I do enjoy.

Wrecked Hearts by Mathilde Kitteh and Luca Oliveri. I came across Wrecked Hearts almost entirely by accident but I’m so glad that I did because I loved it. The volume was published by a small press in Sweden and features science fiction stories in English from two creators based in France which are heavily influenced by shoujo manga. Wrecked Hearts opens with the shorter of the two comics, Oliveri’s “The Real Thing,” about a shape-shifting alien living her life as a human girl while her father studies the human race. She develops a crush on a boy in her class and so poses as another boy during a school trip in order to try to get to know him better. The longer comic, “Dark Energy” by Kitteh, is about a celestial goddess who takes human form to experience love only to encounter heartbreak after heartbreak, ultimately deciding to travel through space alone until an android journalist comes to visit her ship. The two comics in Wrecked Hearts are not directly related by characters or plot, but the tone of the stories and some of the themes explored are similar—loneliness, love, romance, gender, sexuality, and identity are all important to the tales being told. Wrecked Hearts is also a beautifully produced book, and both Kitteh and Oliveri’s illustration styles are lovely.

A Certain Magical Index, Vol. 7

July 3, 2016 by Sean Gaffney

By Kazumi Kamachi and Kiyotaka Haimura. Released in Japan as “To Aru Majutsu no Index” by ASCII Mediaworks. Released in North America by Yen On.

There is a certain amount of religion in Index, more and more as the series goes on, in fact. The whole point of the Magic side of Index is that it’s made up of various religious factions who are at odds with each other and themselves, and even an Angel has gotten in on the act. That said, I’m not really sure Kanachi has anything deep to say about religion in particular. I think he’s just using the basics as fodder for what he wants to do, which is tell stories where cool things happen. Which is fine, and there’s lots of cool things going on in this volume of Index. I quite enjoyed it. But I also grew up Roman Catholic, and the group of nuns that are introduced here adhere far more to the “Spanish Inquisition” type than the more modern Catholic Church. In fact, the text goes out of its way to say “Roman Orthodox”, and casually says the word Catholic doesn’t really apply to them anymore. Which is true, because what we have here is not a convent, it’s a paramilitary unit.

Introduced in this volume: Laura Stuart, Orsola Aquinas, Agnes Sanctis, Lucia, Angeline, Saiji Tatemiya. Yes, Yen’s translation spells it Agnes, not Agnese. I think that’s fine. For anime and manga readers expecting Itsuwa, she was added to the adaptations but isn’t in the light novel. No worries, she’ll turn up later. This takes place a whole week after Book 6, which is huge in Index terms. for Railgun readers, Misaka’s not in this one, probably as she’s still in California dealing with events in the Railgun SS novel. For Accelerator fans, the Accelerator manga’s start takes place around this time.

Laura Stuart is the most important of the names mentioned above. For all of the amusing “Your Japanese sounds stupid” jokes and occasional dojikko moments she gets, she’s clearly meant to be to the Magic Side what Crowley is to the Science side, i.e. a chessmaster who’s always thinking 10 moves ahead of everyone else. As Stiyl notes, she’s the one who told all those lies about Index that kicked off the series in the first place (a popular fan theory is that she’s Index’s mother, possibly as that makes it much worse), and certainly nothing that happens in these pages seems to surprise her – everything turned out as planned. That said, simply due to her nature and the way she’s written the reader tends to find her more sympathetic than Crowley (who, as we learn here, is likely also a magician in any case).

Much of the volume deals with a grimoire called The Book of the Law, written by Crowley, which is supposed to be undecodable, except Orsola thinks she knows how to decode it. Orsola is basically the one Roman Orthodox nun we meet here who isn’t a villain, and her tendency to underplay horrific injuries and forgive those who have attempted to kill her must surely strike a familiar chord with Touma. As for Agnes and the others, they’re zealots, thinking nothing of lying to Touma and the others about absolutely everything as, well, they’re non-Catholic heathens, so who cares? That said, Touma, who possible has been spoiled for the 11th novel, says he can totally see him being on Agnes’ side later. Touma tends to be on the side of whatever he thinks is right at the time.

There’s more I could discuss, including Index (who once again gets a lot to do) using a whole lot of magic given that she’s someone who supposedly is unable to use magic (I suspect that Laura may be responsible for that as well), but I think this is getting a bit long. Suffice to say this is a strong volume of the Magical Index series that will please its fans, unless they’re hardcore Catholics, in which case please note that Index is to actual religious theory of today what Goofy is to an actual dog.

Complex Age, Vol. 1

July 1, 2016 by Sean Gaffney

By Yui Sakuma. Released in Japan by Kodansha, serialized in the magazine Morning. Released in North America by Kodansha Comics.

The genres that make up the Japanese manga industry have been becoming more fluid over the last few years, and there are titles and even entire magazines that don’t quite fit the label. That said, I still try to always put where the manga first came out in my reviews, both as a helpful reference and because it can be useful to see if you’re going to like something. Jump shonen titles are very different from Magazine shonen titles, and both of those are equally different from a Sunday title. A title that runs in Betsucomi is probably never going to fly in Hana to Yume. With seinen and josei it’s a bit less regimented, but you still see it. All of which is a fairly long preface to explain that I was rather surprised to see that Complex Age ran in Weekly Morning, a seinen magazine, rather than the josei magazine Be Love, where I would have expected it.

Complex Age stars Nagisa, a mid-twenties OL who also has a hobby of cosplay that takes up most of her time and money. She creates the costumes herself, and goes to show them off at the latest Comiket and other such events, along with her friend Kimiko. Her obsession is a long-running magical girl series that isn’t quite PreCure, but it’s close enough for jazz. She is, however, running into several problems. She still is trying to keep her cosplay a secret from her office life, particularly as some of her coworkers seem like the sort who would use it against her; another, younger girl comes along and looks absolutely perfect for the role that Nagisa is cosplaying herself; and Nagisa is getting to the age where it’s harder and harder to realistically play a 14-year-old magical girl. She’s also really tall, which also doesn’t help. This culminates in someone at the even calling her a “giant old lady”, causing her to snap and have a bit of an emotional breakdown.

I’m trying to think of a better way to say it, but I can’t: this is a very good series. The characters all have a depth and nuance that takes them beyond a level where I would normally expect them to stay. Nagisa’s friend Kimiko in particular amazed me. At first I thought that she might be setting up Nagisa for a horrible fall, and couldn’t imagine why, given they’re best friends, but it turned out to be – pardon the term – far more complex than that. As for Nagisa herself, after the beginning emotional turmoil, she actually proves to be far more mature than you’d expect, helping her new protege even as she inwardly writhes. And while new protege may look the part, there’s a lot more to cosplay than just looking right. The manga shows that cosplay can be a money-sucking hobby, but it never belittles it. And there’s a nasty cliffhanger that immediately makes me want to get the next book.

There’s a one-shot at the end of this volume that was the basis of the ongoing series, and it won an award. It’s quite different, showing a married woman as opposed to Nagisa’s OL, and seems a lot starker, ending in a literal bonfire where she cuts off her old cosplay life and moves on. It was well-told, but I preferred the ongoing tale, and I hope that Nagisa can find an ending that allows her to not be completely cut off from what she loves.

Haikyu!!

June 30, 2016 by Anna N

Haikyu!! Volume 1 by Haruichi Furudate

I’m always curious to check out new sports manga, mostly because we tend to get so few licensed over here. Haikyu!! is a shonen volleyball title. I still have fond memories of the shoujo series Crimson Hero, so I was curious to see the world of volleyball manga yet again.

Shoyo Hinata saw a volleyball tournament when he was younger, where a shorter than average player made up for his height with some wonderful athleticism. Shoyo is determined to become an elite volleyball player, and he’s not going to let the fact that he’s the only member of his volleyball club in middle school stop his dreams. Eventually by his third year, Shoyo manages to put together a small team and play in a tournament, where he faces down Tobio Kageyama. Tobio is a star player, and he knows it, yelling at his teammates constantly and trying to win on his own. Shoyo loses, but displays a ton of heart in the process and manages to score some great points.

Fast forward to the following year, and it is no surprise that Shoyo and Tobio are starting on the same volleyball team in high school. The captain Daichi Sawamura immediately sees a problem with the two new rookies and tells them that they can’t even practice until they can work as a team. While undisciplined enthusiasm and athletic snobbery might not be the best thing for the disgraced former champion team of Karasuno High, Daichi thinks that they could be an unstoppable team if they are able to work together. Shoyo and Tobio have to earn their way back to the team by facing off against the other first-years.

The art in Haikyu!! uses plenty of action and unconventional angles to display the tension of the volleyball game. Shoyo leaps all over the place for the ball, and Tobio tends to lurk around in a gloomy manner, then suddenly strike like a snake. The character designs are well-executed, with a large supporting cast all given distinct looks and personalities, making it easy to navigate the mass introductions that come with reading the first book of every series. I enjoyed getting a glimpse of the upperclassmen on the team, who range from being able to give wise volleyball philosophical advice, to being knuckleheads. The dynamic between Shoyo and Tobio is interesting, because it is so antagonistic but it is clear that there’s a lot they can learn from each other. This first volume mainly served to set up the characters and their long road to a possible championship, but it was definitely entertaining.

Manga the Week of 7/6

June 30, 2016 by Sean Gaffney, Ash Brown, Anna N and Michelle Smith 2 Comments

SEAN: July, another big month for manga, because there are no small months for manga anymore. What’ve we got for the first week, aside from a pile of Viz (though we’ll be getting to that as well)?

Kodansha has the 6th volume of Devil Survivor. Is every manga title in Japan somehow based on Shin Megami Tensei?

And an 8th Your Lie in April, sure to be gut-punchingly heartwarming in a horrible way.

ASH: I finally just got caught up with this series! Pretty sure I already know how some things will turn out, but I’m still glad to see music manga being released.

SEAN: Seven Seas gives us a 5th volume of The Ancient Magus’ Bride, and I cannot wait, as it’s one of my favorite titles from them.

ASH: Same!

ANNA: I started the first volume and didn’t finish it for some reason. I should try again!

SEAN: Then there is the debut of Battle Rabbits. Judging by the title, you’d expect bad things, but no, this is a Zero-Sum series, so I doubt it’s boobies and fighting. It’s by the authors of 07-Ghost.

MICHELLE: Huh! This wasn’t on my radar.

ANNA: I’m interested, and also feeling guilty for not reading more 07-Ghost.

SEAN: A Centaur’s Life continues to be utterly strange and unpredictable, even as we reach Volume 9.

Vertical gives us a 3rd Nichijou, which is strange and unpredictable in a totally different way. I love it a lot.

MICHELLE: I enjoyed the first two more than I expected to, so am looking forward to this one.

SEAN: Now here’s the Viz. Behind the Scenes!! has a 2nd volume. I’m not used to series starting out caught up with Japan. This feels like it’s been a while since Book 1.

MICHELLE: It really has. I hope I like volume two more than the first.

ANNA: I liked the first one well enough!

SEAN: You’ll never guess who shows up at the end of the 67th volume of Bleach. No one could have predicted… no, wait, everyone did.

The Demon Prince of Momochi House continues Aya Shouoto’s demonic hold on all of North American manga publishing with its 5th volume. (Speaking of which, why hasn’t Kodansha picked up Super Darling?)

MICHELLE: At only two volumes, it definitely would seem to be an easy contender.

ANNA: I like Demon Prince, and thought the 4th volume was really strong.

SEAN: Dragon Ball Full Color Freeza Arc Volume 2. Yes, it’s still being re-released.

The big release this week is Haikyu!!, the new Jump sports manga – remember when that was box office poison? – about a volleyball team. It’s a monthly release, as this has already reached 22+ volumes in Japan. Friendship! Training! Victory!

MICHELLE: YAYYYYY!! Also… new volumes every month!

ASH: It’s an ambitious publishing schedule, but I think it might just pay off.

MICHELLE: Back in the day, this was more common. I want to say the entirely of Rurouni Kenshin came out this way, and there were periods of time in which Fruits Basket, GetBackers (someone rescue this), and InuYasha were all monthly releases, too.

ANNA: I am always stoked for more sports manga.

SEAN: Honey So Sweet has a 3rd volume. I’m hoping for more mild angst and mild romance. And more of that other girl.

And then there’s My Love Story!!, which has Vol. 9. It introduced a rival last time. Will he ruin everything? Will there be angst in my beloved shoujo sweetness?

MICHELLE: I will be snagging both of these.

ASH: I still adore My Love Story!!

ANNA: Looking forward to both titles very much!

SEAN: Naruto has a 15th 3-in-1. Perhaps you’ve heard of it.

And Jump’s most popular harem series continues with Nisekoi 16.

One-Punch Man 7! Has Saitama finally met someone who will take MORE than one punch? It’s looking likely!

ASH: I desperately need to catch up with this series. I really love Murata’s artwork, though.

ANNA: More punching!

SEAN: The other debut from Viz, 7th Garden, comes from Jump Square. From what I hear, it may appeal more to a Seven Seas demographic than a Viz one, as it seems a bit servicey? But hey, demons.

Twin Star Exorcists has a 5th volume, and I understand its anime is still chugging right along as well.

Lastly, there’s an 11th World Trigger.

What manga are you buying? What manga are you tragically breaking up with?

Manga Giveaway: Complex Age Giveaway

June 29, 2016 by Ash Brown

While I’m currently following a more relaxed posting schedule at Experiments in Manga if there’s one thing that you’ll be able to count on it’s the monthly manga giveaway. And as it is now nearing the end of the June, it’s time for another one! This month you all have a chance to win a copy of Yui Sakuma’s Complex Age, Volume 1 as recently published in English by Kodansha Comics. As always, this giveaway is open worldwide!

I reviewed the first volume of Complex Age not too long ago and was surprised by how much I could identify with a manga that focuses on cosplay. Not that I have anything against cosplay. Quite the contrary, I admire the enthusiasm and devotion that so many cosplayers display and enjoy seeing the results of their efforts; it’s just that cosplay isn’t something that I’m personally invested or involved in. Complex Age is one of the few manga I know of in which cosplay has such a prominent role, but I can think of a few others that incorporate it in passing as well. Perhaps unsurprisingly, I tend to enjoy them, but Complex Age was the first to really hit close to home for me.

So, you may be wondering, how can you win a copy of Complex Age, Volume 1?

1) Have you encountered cosplay in a manga? If so, tell me a little about it in the comments below! (If you haven’t, simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

It’s as simple as that. Everyone participating has one week to submit comments and can earn up to two entries each for this giveaway. If you prefer or if you have trouble with the comment form, you can also send your comments to phoenixterran(at)gmail(dot)com and they will be posted here in your name. The winner of the giveaway will be randomly selected and announced on July 6, 2016. Best of luck to you all!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest Winner Announced–Manga Giveaway: Complex Age Giveaway Winner