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Paying to Win in a VRMMO, Vol. 1

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By Blitz Kiva and Kuwashima rein. Released in Japan as “VRMMO wo Kane no Chikara de Musou suru” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Elizabeth Ellis.

You would think after reading all of the light novels currently out in North America about games, either with people trapped in them, transported to them, or having worlds based on them, that I would be used to things by now, but Paying to Win in a VRMMO reminds me once again: I’m not really a gamer. I get the aggressiveness of microtransactions due to playing Candy Crush Saga, but that’s as far as it goes. And while it’s refreshing to actually see a book where people play a game they can actually log out of at the end of the day, it also means that more than the usual amount of prose was expended in regards to items, levels, attack names and types, and the like. Don’t get me wrong, the fights were exciting, especially the final one, it’s just hard for me to get into it as much when I’m seeing “he swiped his inventory to grab another sword”. But I suppose that’s VR for you.

Our hero is the man on the right, Ichiro, a young obscenely rich man who is also a genius, having graduated Harvard at age 13 (which is the usual requirement for fictional geniuses). Sadly, the fact that he can easily do anything has led him to be bored by almost everything. Then his second cousin Asuha asks for his help with a problem she has, one that needs to be solved by playing the popular VRMMO “Narrow Fantasy Online”. Ichiro has no reason to refuse, so agrees, pays an obscene amount of money to get an arcade version of the game put into his highrise penthouse, pays an obscene amount of money to get the cool character traits he wants, and pays an obscene amount of money to level up to obscene levels. He does all this rather coolly and stoicly, with the occasional bemused grin. Luckily, he finds something in the game that, for the first time perhaps ever, really challenges him. That someone… is Kirito.

Pardon me, my apologies. That someone… is Kirihito, one of many gamers who base their stats and appearance on “a certain famous light novel hero”. The main reason to get this book is probably for the almost-litigious-but-not-quite parodies of Sword Art Online, which keep coming fast and furious – the idea that most newbies play as Kirihito (this book’s version of WcDonald’s), the high-level Kirihitos who team up and become a sentai team, complete with pose (the illustration alone is worth the price of the book), all the way to “King Kirihito”, who may not like that nickname, but is the only other person in this game who can challenge Ichiro, and is also the source of the problem that Asuha would like to solve. (Also, if you’re going to be broadly satirizing SAO that much, perhaps choose a name other than “Asuha”, maybe?)

To be honest, while I enjoyed the book somewhat, I found the characters wanting. Kirihito’s real-life self was probably the most interesting, and I approve of the author leaving it up to the reader to choose their gender. Ichiro unfortunately grates a little too much with his “I earned this money myself, so can use it to solve all life’s problems and none can complain” ways, which get called out a bit in-book, but are mostly shrugged off. Asuha is very passive throughout the book, which is very frustrating given that one of the major cores of the book is getting her to stop being so passive – I didn’t really feel the satisfaction I was supposed to. And the otaku maid just wasn’t over the top enough for me to find amusing. The writing is good, and the jokes are excellent, but Paying to Win needs some better character development stat.

Captive Hearts of Oz, Vol. 1

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By Ryo Maruya and Mamenosuke Fujimaru, loosely based on the novel “The Wonderful Wizard of Oz” by L. Frank Baum. Released in North America by Seven Seas. Translated by Angela Liu. Adapted by Lianne Sentar

One of the big sellers about 5-6 years ago on the late lamented New York Times Manga Bestseller charts was Alice in the Country of Hearts and its 87 billion spinoffs, based on a number of otome visual novels by creator QuinRose. In fact, one might argue that for a while the market was a bit glutted with Alice manga. Sadly, when QuinRose’s business went under, so did the rights to her series, and therefore we’re not seeing any more Alices over here. That said, they were a big hit for Seven Seas in particular, and they decided to reach out to the most popular artist for the series, Mamenosuke Fujimaru, and ask her if she could create a similar styled manga based on the Oz series by L. Frank Baum, which Seven Seas had recently done a version of with manga-style illustrations. And so we have this new manga, in which Dorothy finds herself in a mysterious new world and is soon surrounded by handsome men.

The strengths of this book are somewhat similar to Fujimaru’s Alice titles. Her art is excellent, and the pacing and action flows very well. The characters are mostly likeable if not all that fleshed out yet, as is typical for Volume Ones. We get the addition of a brother-sister team of Crows, who have a complicated tsundere-ish relationship with the scarecrow that I quite liked, and led to the best moment of the book, in which Dorothy pretends to be an evil villain in order to lure them out. Best of all is the hint that one of the witches, Locasta (you know, the one who no one remembers) is trying to change the way that the story goes, and we get the suggestion that the Land of Oz is something that runs on rules of storytelling rather than logic, in a very similar way to the Alice books.

The weaknesses of the book also crop up. It’s wearing its heart on its sleeve, frankly – we can’t do Wonderland, so here’s Oz with very similar attempts at dark themes and a harem of young guys. Unfortunately, the premise, at least so far, seems to lack the Alice series’ caustic and complicated heroine. While she has her moments, Dorothy is simply too nice and sweet, and you’re reminded that the best Alice books showed us the truth behind everything in the world – that the world was created as an escape to help her run away with a reality too tragic to deal with. I’m not entirely sure whether something similar is going on here, but if so, there need to be more hints that Dorothy is more than what she seems, rather than just Oz being more than what it seems.

That said, this is still the first volume, and I’m perfectly happy to get the next one to see how things developed. In the meantime, Alice fans will definitely enjoy this, I think, even if it feels a bit “lite” compared to its inspiration.

My Big Sister Lives in a Fantasy World: The Half-Baked Vampire vs. the Strongest Little Sister?!

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By Tsuyoshi Fujitaka and An2A. Released in Japan as “Neechan wa Chuunibyou” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Elizabeth Ellis.

The second volume of a series like this one was always going to be tricky. The seeming big reveal of the first book was that Yuichi, the supposed “average high school student” protagonist you get in these sorts of harem stories, was not remotely average. In fact, given the oddballs we saw in the first book, I had mentioned that the closest we had to a normal person in the cast was Aiko, who happened to be a vampire but was otherwise the fairly typical “shy cute girl” stereotype. Of course, as we find in this second volume, Aiko is far from normal either, even if she towers over the other eccentrics in her family in that regard. “Half-Baked Vampire” is your first impression, and the book tries hard to make it stick at the end, but I’m not buying it.

I’d argue this book isn’t as good as the first. The character of Yuichi’s younger sister Yoriko seems to be added for the sole reason that series like these always have little sisters who love their big brother just a little too much, and she doesn’t play any role in the plot besides getting jealous of Aiko and being too clingy. (You’d think she was the “Little Sister” in the second part of the subtitle, but no, as we find out, that is not the case.) There’s a lot of rambling discussion of the nature of murder and various other thought experiments by Mutsuko, whose tendency to exposit whenever it’s needed is her worst character trait. Girl who likes isekai continues to get so little to do that I can’t even remember her name. And poor Natsuki, the villain of the first book, is now reduced to playing the straight man role that Aiko played in the first book, as Aiko is too busy being the heroine.

Where the book succeeds is in analyzing the plot and character tropes you find in “Middle School Syndrome” types and, if not exactly deconstructing them, at least making you think about them in a different way. Honestly, much of the time the book reads as if it was written by Mutsuko herself, being the sort of self-insert you get from first time fanfic writers in their teens. Mutsuko may be the most interesting character in the series, which is fitting given she’s in the main title. I loved her discussion with Natsuki of those downbeat endings that seek to be dark for the sake of gritty realism, and how much she hates them – I agree 100%. At the same time, as Natsuki gradually realizes just what training Mutsuko has given her little brother, and how little it occurs to her to wonder if this is actually abusive or insane, we begin to see a dark core to Mutsuko, which I’m not sure if the author intends or not. She gets the final scene to herself, taking out the “power behind the throne” villain with a literal railgun, as suits her personality. She’s horrible and fascinating, which is fitting given that she’s an expy of Haruhi Suzumiya, who was the same.

In the end, this is still a silly harem series, but I enjoy it best when it’s taking a look at the stereotypes of such series, or asking us to examine the characters further to see how seriously we’re supposed to take them.

Manga the Week of 2/22/17

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SEAN: Not only is next week a Yen Press week, but the other publishers have a bunch of stuff too. Get ready to be buried again.

J-Novel Club has three titles. Grimgar of Fantasy and Ash has a 2nd volume, and continues to be the “trapped in another world” title that is SERIOUS BUSINESS.

The debut this week is How a Realist Hero Rebuilt the Kingdom, which could be good but whose title makes me very wary. Realist Hero sounds only a few story steps from a Dark!Grey!Independent!Harry fanfic.

And we get the 2nd and (so far) final volume of Occultic;Nine, from the creators of other badly punctuated works.

Kodansha is doing a mass re-release of the Ghost in the Shell manga, featuring Ghost in the Shell 1, 1.5, and 2. No, it doesn’t have the hardcore lesbian sex scene, as I know someone will ask. The creator requested it be removed. It’s still good. Get it if you don’t have it.

ASH: It’s been a long time since I first read the original Ghost in the Shell manga! Along with Message to Adolf and Blade of the Immortal, it was actually one of the first manga that I ever read.

SEAN: And they have a 6th Inuyashiki as well.

Seven Seas has a quartet of titles, beginning with a second volume of Magia the Ninth.

ASH: The first volume of Magia the Ninth was absolutely ridiculous but I couldn’t help enjoy myself. I’ll definitely be picking up the second and final volume.

SEAN: There’s also a 6th volume of Magica Swordsman and Summoner, one of those titles that I sort of stick my fingers in my ears and go ‘lalala’ when I see it.

The debut is Magical Girl Site, another in a genre I am so sick of it’s beyond belief. If you like the 8th iteration of cute young girls dying in violent ways, here it is. Again.

And in the complete opposite direction, we have the 2nd volume of Miss Kobayashi’s Dragon Maid, which remains yuri-ish despite the best efforts of the English dubbers of the anime.

ASH: I was surprised by how much I enjoyed the first volume.

SEAN: Vertical has a 5th volume of Devil’s Line.

Viz gives us a 2nd Mobile Suit Gundam Thunderbolt, one of the newer Gundam iterations.

ANNA: I still need to read all the volumes of Gundam: The Origin that I hoarded.

ASH: I’m ashamed to say that there are a few volume of The Origin that I have left to read, too.

SEAN: And an 11th Tokyo Ghoul, which should outsell everything else on this list combined.

And there’s also a 7th Ultraman.

And then there’s Yen Press. As with previous months, we get most of their titles except one or two which are delayed a week (so don’t panic, Nozaki fans). Yen On has the 10th A Certain Magical Index. Will the entire world be forced to be Roman Catholic? Naruto never had cliffhangers like that.

Is It Wrong to Try to Pick Up Girls in a Dungeon? has the 2nd volume of its side story based on Aiz Wallenstein, Sword Oratoria.

Yen On’s debut is KonoSuba: God’s Blessings on This Wonderful World!, an abbreviation of Kono Subarashii Sekai ni Shukufuku o! (which I am happy to never type again). It’s a “trapped in another world” novel, but as you can see by its first volume subtitle, Oh My Useless Goddess!, it’s a broad parody of such titles.

And a 3rd volume of Psycome, in which the protagonist’s somewhat obsessed little sister joins the cast.

Oh yes, and three more Spice & Wolf volumes digitally, as the catchup really takes off.

Yen’s manga releases begin with the third Aoharu x Machinegun. Will we finally get the gender reveal that is probably long overdue?

ASH: Another series that surprised me with how much I enjoyed the first volume; I should probably catch up and see if I continue to like it.

SEAN: Onward and Onward and Onward goes BTOOOM!, now up to Vol. 16.

Corpse Party: Blood Covered has a 4th omnibus, and must be running out of corpses for the party. Someone will have to run down to the store.

MICHELLE: Hee! And that is the most amused I’ve ever been by Corpse Party!

SEAN: And we get a 5th Volume of Dimension W.

ASH: I’m still not sure if Iwahara can tell a coherent, cohesive story, but I did enjoy the first couple of volumes of Dimension W.

SEAN: Erased makes its debut, and it’s a hardcover omnibus. Dark time-travel thriller, from what I understand.

ASH: Now this I am very interested in reading.

SEAN: Fruits Basket has a 10th omnibus. We are rocketing towards the climax!

MICHELLE: After ten months, you’d think I’d be accustomed to the speed of this release, but you’d be wrong.

ANNA: Nice!

SEAN: KonoSuba, mentioned above, also has its 2nd manga volume.

Believe it or not, there are still Madoka Magica spinoffs, though they’re slowing down. Puella Magi Oriko Magica: Sadness Prayer’s 2nd volume sounds like the rest of the genre the main series inspired: bleak.

Rose Guns Days Season 2 Volume 2 is still not as good as Higurashi or Umineko.

I know very little about Smokin’ Parade except it runs in Kadokawa’s Young Ace and looks grim.

Spirit & Cat Ears is from my old nemesis, Comic Alive, so expect fanservice and cuteness, in that order.

Lastly, we get an eighth volume of Trinity Seven.

With the Manga Bookshelf team breathing a sigh of relief that at least there’s a Fruits Basket they can use for Pick of the Week, what will you be getting?

ANNA: Apparently, all of Kodansha’s josei and shoujo digital releases from last week!

One Piece, Vol. 81

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By Eiichiro Oda. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz. Translated by Stephen Paul.

In almost all respects, this volume of One Piece is leagues better than the last one. It’s the start of a new arc, which means that the chaos that Oda now writes as a matter of course is a bit more tightly controlled. There’s amazing fights, mostly in flashback. There’s great humor, mostly involving the two leaders of Zou and their animal characteristics. Our heroes get to actually be heroes, and we are reminded once again that Luffy’s piracy is not about raping and pillaging. There’s also surprising drama, as we find out about the extent of Big Mom’s power (complete with a shout-out to the movie Se7en) and her reach. And, perhaps most important of all, Sanji gets a last name.

This is more important than it sounds. Of the original ‘main’ cast of One Piece, it was noteworthy that three of them were never given family names, which might imply there’s some lingering backstory to be had in the future. After all, we never met Nami’s birth parents, and Usopp’s father is still presumably bumming around with Shanks. And then there’s Sanji – or rather, Sanji Vinsmoke, who happens to be one of a family of famous assassins. We don’t actually get too many details here, and I’ve no doubt we’ll be meeting them soon, but I like that Oda is able to riff on details that he wrote literally over 70 volumes ago in an “I meant to do that” way – namely that Sanji was born in North Blue, and getting from North to East (where he met Luffy and the others) is not an easy thing, As for Sanji’s decision to leave the Straw Hats in order to forcibly be married off… well, that’s what this arc is about, no doubt, and I don’t doubt he’d sacrifice himself to save the crew. (Note Capone threatens Nami first – he knows Sanji well.)

We also see the Sanji side of the Strsaw Hats arriving at Zou in the aftermath of the battle with Kaido’s underlings (we’ve still not really dealt with Kaido much, but as is pointed out, no doubt they will need to face him soon – along with Big Mom), and right away they’re making a humanitarian effort to save lives and help people. I always enjoy it when the Straw Hat Pirates show off their innate goodness, and this isn’t even in a “we’re saving the kingdom” way – if that had been the case they’d have arrived earlier. There’s also a tremendous reveal right at the end of the volume, which I won’t spoil, but Usopp and Nami’s tears, as well as Luffy’s huge grin, pretty much spell out how I felt about it. It was amazing.

So all in all we’re back to excellent volumes of One Piece, and I couldn’t be happier. Next time we get more anthropomorphs, and try to decide which direction the plot will go next – there are many ways it could go.

Gatesmith, Vol. 1

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Gatesmith, Volume 1Creator: Jen Lee Quick
Publisher: Chromatic Press
ISBN: 9781987988079
Released: July 2016
Original run: 2014-2015

My introduction to the work of Jen Lee Quick was through her comic Off*Beat. The first two volumes of the series were originally published by Tokyopop after which the comic sadly languished unresolved until it was rescued by Chromatic Press, becoming one of the publisher’s flagship titles. After completing Off*Beat with Chromatic Press, Quick began working on a second comic series with the publisher called Gatesmith. The origins of Gatesmith actually date back to Quick’s Tokyopop days as well, but the ideas for comic have significantly changed since then. At least one thing has remained the same though–Gatesmith is a dark fantasy Western drastically different from Off*Beat. Gatesmith began serialization in Chromatic Press’ digital magazine Sparkler Monthly in 2014. The first volume concluded in 2015 and the serialized content was subsequently collected as an ebook along with an exclusive epilogue comic and the short prequel comic “Hungry.” A small print run of Gatesmith, Volume 1 was released in 2016. As a fan of Quick’s work, I was very happy to snag a copy.

Edgeward is a western frontier town undergoing a transformation as its residents slowly build it into a successful mining city. But Edgeward is also the home to numerous strange happenings, phenomena which some people attribute to the area’s large deposits of mythrilite, a promising but potentially dangerous new energy source which hasn’t yet been thoroughly studied. Modernization can carry along with it tremendous risks, but there seems to be something even more primal, ancient, and bizarre at work in Edgeward. On the outskirts of town, strange lights can be seen in the middle of the desert. Peculiar trees spontaneously emerge where no tree has any right growing. Rumors circulate about monsters and creatures of legend roaming about. Ranchers are losing livestock and are uncertain whether or not to blame humans or something much more diabolical. Whatever it is that is going on in Edgeward may very well have a greater meaning and far-reaching impact than anyone realizes.

Gatesmith, Volume 1, page 72The setting of Gatesmith, while beautiful, is also a harsh and frequently brutal one. Survival is certainly not guaranteed in such an unforgiving environment. The comic opens with an attack on a covered wagon that leaves everyone directly involved in the incident dead and the violence in the story doesn’t end there. At this point virtually everything is unknown in Gatesmith, and the unknown is very apt to get someone killed. Gatesmith, Volume 1 offers very few answers as Quick layers mystery upon mystery. In the series, myth, folklore, and the supernatural are closely intertwined with scientific, social, and technological progress. The anxieties surrounding the changing times are very real and sometimes manifest in unexpected ways. When humans are attempting to deal with things that they don’t completely comprehend or understand trouble naturally follows, but it’s not always the inhuman that people have to worry about–unintentionally or not, civilization can be just as destructive and isn’t necessarily always a positive force. Tremendous resilience and adaptability will be required of any of the characters who hope to reach the end of Gatesmith alive.

Gatesmith is off to an incredibly intriguing start with its first volume; I am intensely curious to see how the comic continues to develop from here. However, part of what makes Gatesmith so appealing and engrossing is also what makes the comic somewhat frustrating. Quick is working with several storylines and a marvelously diverse cast of characters, but this early on in the series the connections between them all are not immediately clear. With the many strange occurrences and often stranger characters involved in Gatesmith, the ultimate direction and drive of the story is somewhat obscured at the moment and the worldbuilding hasn’t yet been established in its entirety. What has been revealed so far is enticing and tantalizing, though. Gatesmith is an interesting blend of genres. Quick draws on traditions of Westerns, folklore, horror, and other speculative fiction without relying heavily on preexisting elements or well-worn tropes, combining them together in striking ways. Currently Gatesmith is on a break as Quick concentrates on a few other creative projects, but I hope to see more of the weirdly wonderful and wonderfully weird Western soon.

Chihayafuru, Vol. 1

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By Yuki Suetsugu. Released in Japan by Kodansha, serialization ongoing in the magazine Be Love. Released in North America digitally by Kodansha Comics. Translated by Ko Ransom.

It has become very difficult these days, as manga fandom expands and grows more varied, to state outright that a series will “never be licensed”. Sure, there’s still a few holdouts that can boast that – I’m looking at you, Hajime to Ippo – but for the last few years we have lived in a renaissance of “oh my God I never thought we would get this title!”. In particular, seeing josei series on a regular basis is something that is welcome and heartwarming. And, in fact, Chihayafuru pulls off a troika. It’s josei, running in Kodansha’s Be Love, which has almost never been mined for licenses; it’s a big comeback for the author, whose career was on ice after a plagiarism scandal – this is her magnificent return. And it’s also a sports manga, something which may not be obvious when you look at its cover, but really sinks in after reading the first couple of chapters.

Of course, you could argue we’re overlooking another big reason why this was an unlikely license, which is the subject matter. This is a manga about a group of kids and their love for Hyakunin Isshu Karuta, a Japanese game that combines memory with one hundred famous poems – you’re given the start of the poem, and need to find the card with the second half of it. It requires speed, smarts, and a certain amount of guile – there’s a lot of smacking of cards here that made me raise an eyebrow and wait for a foul to be called, but that never happened. Playing this game is our heroine, Chihaya, whose name is similar to the start of one of the poems. She’s a brash tomboy who tends to always say what she’s thinking, which gets her in trouble. She’s friends with Taichi, a smart young kid with an oppressive mother – he carries both a chip on his shoulder and a crush on Chihaya. And then there’s the new student Arata, made fun of for his heavy local dialect (which is nicely adapted here by Ko Ransom – I’m reminded somewhat of the way Sweden has been translated in Hetalia, only more coherent) but a whiz at karuta. He gets the other two kids involved, and Chihaya in particular discovers that her speed and acute hearing are a boon.

Fans of the anime may be surprised to see that this entire volume takes place in elementary school – the adaptation made this a flashback after introducing her in high school. It’s still a good start, introducing the strengths and weaknesses of our leads, and having a romantic triangle that pretty much isn’t yet because they’re kids, but you can see it bubbling anyway. Unfortunately, everything comes to an end with Taichi going to a different middle school, and Arata having to move again due to the health of his grandfather (a world-famous karuta player). Will they ever meet again? Signs point to yes. In the meantime, with its engaging characters, dynamic art, and the ability to explain a complex sport/game without getting bogged down in exposition, Chihayafuru is a must read. It’s digital only, but if enough people get it, print may be feasible. Go get it, it’s worth it.

Sweetness & Lightning, Vols. 1-3

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By Gido Amagakure | Published by Kodansha Comics

sweetness1Widowed math teacher Kohei Inuzuka wants to do his best when it comes to raising his daughter, Tsumugi. It’s been six months since his wife passed away, and because he has never had much of an appetite and hasn’t fared well with cooking in the past, he mostly relies on store-bought fare for Tsumugi. However, after they run into one of his students, Kotori Iida, while looking at cherry blossoms, he can’t help but notice how fascinated Tsumugi is by the home-cooked lunch Kotori’s been eating. To make his daughter happy, he ends up taking her to Kotori’s family restaurant, which leads to regular dinner parties where they experiment with making different things together.

Sweetness & Lightning is not the only food manga currently being released in English, but it does offer something a bit different. Whereas Food Wars! features students enrolled at an elite culinary academy and What Did You Eat Yesterday? focuses on an accomplished home cook, Sweetness & Lightning is about neophytes. Almost everything is new to Inuzuka, and though Kotori is an enthusiastic fan of food with a chef for a mother, her own fear of knives has prevented her from doing much beyond making rice. With her busy mother helping with recipes and easy-to-follow instructions, the trio learns how to make things like Salisbury steak, sweetness2chawanmushi, and some seriously drool-inducing gyoza. Recipes are included, and for the first time, I feel like they’re actually something I might attempt.

The secondary focus of the story is on Inuzuka’s life as a single parent. Between having to leave work to pick a sick Tsumugi up from preschool, or losing sight of her at a crowded festival, or reacting to her leaving the apartment while he’s sick, he does his best to parent her in a loving and rational way. After being reunited at the festival, for example, I love the way he shows her that he’s been scared and upset, and yet recognizes that she feels bad about running off and is not a bad kid at heart. Tsumugi is a girl with a great deal of enthusiasm for life, and Inuzuka wants to preserve that as much as possible. Their bond is very sweet.

Of course, the questionable propriety of afterhours teacher-student socializing isn’t lost on Inuzuka, who consults with a colleague (and Kotori’s mother) prior to agreeing to the arrangement. sweetness3He and Kotori maintain their distance at school, and he frequently worries about inconveniencing her mother. And yet, the gatherings make Tsumugi so happy—and even lift her spirits when she begins to truly comprehend the permanence of her mother’s absence—that he gratefully accepts the Iidas’ hospitality. He behaves professionally at all times. Kotori, however, seems to be developing feelings for him, though it’s all mixed up as she sees him as both a guy and as a father figure. I wouldn’t be surprised if the manga ends with them getting married, but I hope nothing romantic ensues for a very long time.

Ultimately, this is a sweet, occasionally poignant, slice-of-life story about a father learning to prepare food for his daughter. It’s adorable in a non-treacly sort of way and I very much look forward to continuing.

Sweetness & Lightning is ongoing in Japan, where it is up to eight volumes. Kodansha will release volume four in English later this month.

Bookshelf Briefs 2/13/17

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Assassination Classroom, Vol. 14 | By Yusei Matsui | Viz Media – Japan enjoys using abusive parents for the sake of drama, but they sometimes have difficulty following through on this, and a lot of the time the parent is easily forgiven and it’s shown that the right thing to do is really to respect your parents after all. This shouldn’t be surprising, particularly in a Jump title, but Western fans might find Nagisa’s mother’s quick turn to the good fairly unrealistic. And judging by the cliffhanger we see here, we may be about to get the tragic flashback that shows how the school principal ended up being the sort who will literally destroy lives in order to better educate. I betcha two to one he’s easily forgiven as well. Despite this, still very recommended. – Sean Gaffney

Black Clover, Vol. 5 | By Yuki Tabata | Viz Media – After gradual improvements from volume to volume, this one is a bit of a step back, as we resolve one plot a little too easily before moving on to the next. Asta’s kidnapping is taken care of in a perfunctory “I needed a cliffhanger” way, and the villains get away to live to fight another day. The best of them is Sally, a sort of Evil Hange Zoe who is perfectly happy to drain magic permanently from a bunch of kids FOR SCIENCE! Things pick up in the second half, when said young kids are kidnapped in a very pied piper sort of way. Unfortunately, Gauche, another Black Clover member, has a sister complex which is explained and deconstructed, but that doesn’t make him any less irritating. A wildly variable volume. – Sean Gaffney

Fire Force, Vol. 2 | By Atsushi Ohkubo | Kodansha Comics – I’m still somewhat torn about this series. The characters are fun and the premise is good, and any manga series about firefighters is always welcome, even if we need to make them cool supernatural firefighters. That said, the move to Kodansha has overall been a very mixed bag, as this is simply visually less arresting than Soul Eater, though you can see him trying. The fanservice is also greatly amped up, not a surprise given that it’s Shonen Magazine, but something of a surprise after a series that ended with a giant boob joke. I guess he still had more to do. Overall, this is pretty good, and worth investigating further, but I’m not sure Soul Eater fans will be enjoying it as much. – Sean Gaffney

Food Wars!: Shokugeki no Soma, Vol. 16 | By Yuto Tsukuda and Shun Saeki | Viz Media – The running gag of the series was that the main heroine was barely in it, but we’re finally starting to see that change with this new volume. Erina was always going to be Best Girl, much to the frustration of some fans, and it was therefore surprising how little she did over the course of the series. Now Daddy Dearest has come home to roost, hijacking the school and impressing his cooking theology on the student body, who I expect will get winnowed down very soon. He’s also shown to have been abusing Erina since she was a child, and his return is very much unwelcome by the now former head of the school, who begs Soma to save his granddaughter. I expect a far more serious arc next. – Sean Gaffney

Kuroko’s Basketball, Vols. 7-8 | By Tadatoshi Fujimaki | VIZ Media – What does any character in a sports manga do after suffering crushing defeat? Try to get stronger, of course. Everyone’s got their own wall to surmount, and Kuroko and Kagami realize they must get stronger independently before they’re able to rely on each other again. Kuroko, in particular, lacks any other skills aside from passing, so it takes him a while to figure out what he needs to do. But, because this is sports manga, he does figure it out. Also figuring things out is Kise, whom we spend a great deal of time with in the second half of the book, as Seirin wraps up their training camp with a trip to watch Kise and Aomine duke it out in the tournament. It’s definitely entertaining, though I can’t help but note some members of the Seirin team get a lot less attention than other guys on other teams. – Michelle Smith

One Piece, Vol. 81 | By Eiichiro Oda | VIZ Media – Man, it is such a relief to finally be done with the Dressrosa arc! In this volume, the two halves of the Straw Hat crew reunite on the island of Zou, populated by talking animal people called minks. I liked the way the story of the conflict there was related after the fact to the new arrivals, including the departure of Sanji, who has taken off on his own to take care of a problem related to his hitherto-unknown past as the son of the leader of an evil army. The problem is, he might end up making an enemy of one emperor of the sea while the Straw Hats have been gearing up for conflict with another. Luffy is far more concerned about losing Sanji as a crewmate, but I really loved the scene of the whole gang back again, debating what to do. And hey, it wasn’t Dressrosa! – Michelle Smith

Say “I Love You,” Vol. 17 | By Kanae Hazuki | Kodansha Comics – All right, Asami’s relationship troubles ended a lot more positively tan I expected, and Mei and Yamato are able to patch things up as well. And we’re even getting the next generation, as the grumpiest cast member, Aiko, is also the first to get pregnant. Given the series ends in the next volume, this is unsurprising. It does mean that the bulk of the dramatic lift is done by Megumi, who remains the one cast member whose life is still unresolved. It’s getting resolution now, but not really in the way that she wants. She and her French boyfriend break up (good, I never liked him), but this means she’s now getting almost no work at all. I doubt the series is going to end darkly, but given the last volume is months away, I worry. – Sean Gaffney

Toriko, Vol. 37 | By Mitsutoshi Shimabukuro | Viz Media – This is Toriko‘s final arc, and it’s the first time that I’ve ended a volume thinking “Thank God this is almost over.” The manga has become tedious, as it’s come to suffer from massive cast expansion at the expense of the regulars (Bleach Syndrome), and we’re getting a bunch of fights which feel like recapitulations of fights we’ve seen done better before. I did enjoy seeing Komatsu bond with a young poor kid who lives with his (as it turn out, missing) mom, but then he disappears so that we can move to another locale for more shonen battle rage. This eventually happens to all Jump series (even One Piece lately with Dressrosa), but it’s a shame to see it happen to Toriko. – Sean Gaffney

Yona of the Dawn, Vol. 4 | By Mizuho Kusanagi | VIZ Media – Once again, Yona of the Dawn reminds me of various different shoujo manga, but in a good way. Yona, along with her three male companions, is searching for the other legendary dragon warriors in a very Fushigi Yuugi way, even while she insists (in a very Basara way) that she’s not the incarnation of the Crimson Dragon King. When they do finally track down the Blue Dragon, he’s shunned by the villagers and forced to wear a mask to hide his powerful eyes, and given a sad backstory with an atmosphere that reminded me a bit of Natsume’s Book of Friends. I suppose all these comparisons show that Yona is not exactly the most original story ever conceived, but that doesn’t mean that it isn’t extremely enjoyable, and I will always appreciate Yona’s insistence on being able to protect herself. – Michelle Smith

Shojo Beat Quick Takes – Honey So Sweet Vol. 5 and My Love Story!! Vol. 11

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Kicking off the week of Valentine’s Day by reading some shoujo manga seemed like a good idea! Honey So Sweet and My Love Story!! are some of the most adorable and cute manga currently being published. Both couples in this series are in more established relationships, so it is interesting to see how the series continue to develop these romances.

Honey So Sweet Volume 5 by Amu Meguro

Christmas dates are a staple plot element in shoujo manga. In this case Nao and Taiga plan on getting together, but their solo date plans are quickly derailed when their entire group of friends decides that a Christmas party is happening. While everyone does have fun, it turns out that Futami decides to employ some social pressure to make sure that Nao and Taiga get some alone time. Hence, a scene of fierce blushing as the young couple is painfully aware that they are at last alone with each other. Other than blushes and some hand holding, nothing happens because Taiga’s mom suddenly returns home and embarks on a fierce examination of her son’s new girlfriend.

The artwork shifts from the general wispy and feminine style Meguro usually employs into some panels with dark screentone and bold fierce lettering as Taiga’s mom demands that the couple break up. Aggressive mothers are no match for Nao’s earnestness, as she proclaims that she loves Taiga and is determined to stay in the relationship. They then bond over Taiga’s embarrassing childhood photo albums. Nao also has to repair her relationship with her uncle and guardian Sou after accidentally staying out all night. While Sou denies being angry while acting passive aggressive and Nao decides that she’ll avoid the situation as much as she can, it takes a moment of insight and extraordinary emotional intelligence from Taiga for things to get back to normal.

A shoujo series that only focuses on the main couple gets boring fast, which is why this volume emphasizing relationships with parents or parent-like figures along with the regular romance ensures that the series as a whole continues to be entertaining.

My Love Story!! Volume 11 by Kazune Kawahara and Aruko

First of all, the skewed Sleeping Beauty illustration on this volume is hilarious. This is one of my favorite shoujo manga currently being translated just because it raises the bar so much for any series attempting to be both sweet and hilarious at the same time. At this point, Takeo and Rinko haven’t seen each other very much, but they are about to be thrown in close proximity due to some coinciding class trips.

Takeo is freaking out about his ability to control his romantic urges, while Rinko keeps not so innocently popping up in his personal space. As always in My Love Story!! there’s plenty of comedic tension but the couple ends up talking things through to smooth over any awkwardness. The next story in this volume focuses on a scenario where Takeo and Rinko try to learn more about each other’s hobbies. Takeo attempts to make pancakes with results that end up carbonized while Rinko starts running around to boxing gyms because she wants to learn how to do feats of strength. Takeo ends up training her in tumbling techniques, and the scenes showing his intensity with constant frowning and fire burning in the background and her determined attempts to be a good student are fun to read. I always put this manga down feeling like I’m in a better mood, and what more could someone want out of some leisure reading?

A First Look at Tokyo Tarareba Girls

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Are you breathlessly awaiting the next installment of Princess Jellyfish? Still fuming over Tokyopop’s cancellation of Suppli? Eagerly searching for a manga romance whose heroine is old enough to drink? Then I have the cure for what ails you: Akiko Higashimura’s Tokyo Tarareba Girls, which makes its digital debut tomorrow (2/14) courtesy of Kodansha Comics. This fizzy, fast-paced comedy is every bit as good as Higashimura’s Princess Jellyfish, deftly mixing wacky misunderstandings and witty banter with moments of genuine rue and self-reflection.

The first chapter begins with the narrator declaring, “I spent all my time wondering ‘What if,’ and then one day I woke up and was 33.” As Rinko fills us in on her career, female readers will feel an immediate sense of identification with her — she’s smart, capable, and constantly imagining her future instead of being fully invested in the present, something many of us are guilty of doing in our twenties and early thirties. Though Rinko has forged her own career path, she frets over being single. Rinko isn’t alone in her frustration, since Kaori and Kayuki — her gal pals and drinking buddies — are in the same boat.

The plot is set in motion by a cryptic message from Rinko’s co-worker Hayasaka. In a brief flashback to 2004, we see Rinko and Hayasaka on an uncomfortable date: she focuses on his shyness, his clothing, and his fumbling efforts to be suave, while he ignores her squirming and tries to give her an unwanted gift. Ten years later, both still work for the same company, although there’s a lingering note of tension — or is that romantic frisson? — between them. When Hayasaka sends Rinko a text asking, “I would like to discuss something with you. Could I trouble you for some time later this week?” Rinko immediately declares a “four-alarm” emergency and reaches out to her girls for counsel: after all this time, is Mr. Hayasaka planning to propose? And if so, should she say yes?

If you’re thinking been there, seen that, I get it. Tokyo Tarareba Girls sounds like a hundred other comedies about single women navigating a paired-off world, from Bridget Jones’ Diary to How to Be Single. What prevents Tarareba Girls from reading like a Sex in the City clone is Higashimura’s storytelling chops.

Consider Higashimura’s strategy for making us privy to Rinko’s thoughts. Though Rinko often functions as the series’ narrator, Higashimura looks for more imaginative ways to dramatize Rinko’s emotional life than simple disclosure. In one scene, for example, Rinko’s food — yes, you read that right — cheerfully engages her in a conversation about her romantic dilemma:

Coming from one of her gal pals, this exchange would sound too on-the-nose, a bald statement of the manga’s main thesis. But coming from an izakaya dish? That’s genius! It allows us a window into Rinko’s state of mind (and her state of intoxication) without falling back on such shop-worn devices as the “Dear Diary” entry or the “Little did I know then…” voice-over.

Elsewhere in chapter one, Higashimura uses a similar technique of transposing Rinko’s inner thoughts onto the outer world, using the visual language of action movies — explosions, falling debris — to evoke the intensity of Rinko’s embarrassment over misunderstanding a friendly overture:

This sequence, too, is genius: anyone who’s ever read too much into an email, a voice mail, a text, or a friendly conversation knows exactly how Rinko feels in that moment and can laugh — or cringe — in self-recognition. At the same time, however, the reader can also see that Rinko’s romantic delusions are blinding her to the real lesson of turning 33: that she should learn what — or who — she really wants instead of settling for Mr. Not Quite Right.

The first chapter ends with the introduction of a prickly, truth-telling character whose appearance adds a welcome jolt of energy to the story; his barroom sermon about self-defeating female behavior is a show-stopper, both for its blunt honesty and for the impact it has on Rinko and her pals. Whether he becomes Rinko’s enemy or love interest, his memorable exit leaves the reader wanting to know what happens next — further proof of Higashimura’s storytelling mojo.

TOKYO TARAREBA GIRLS, VOL. 1 • BY AKIKO HIGASHIMURA • KODANSHA COMICS • RATED OT, FOR OLDER TEENS (16+) 

My Week in Manga: February 6-February 12, 2017

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My News and Reviews

Last week at Experiments in Manga I posted the Bookshelf Overload for January–it was kind of a strange month for manga and other media acquisitions for me, but it wasn’t as absurd as December so at least my wallet’s a little happier. I also managed to finish my draft for February’s in-depth review, so I should have that cleaned up and posted sometime later this week.

Last week I came across a few interesting things online related to queer manga, comics, and other media. Massive has now released Jiraiya’s Two Hoses in English, a manga telling the story of “The Greatest Couple,” characters who were initially designed for the company as part of its launch. (Massive has released Jiraiya’s Caveman Guu manga, too, which was subsequently collected in the excellent anthology Massive: Gay Erotic Manga and the Men Who Make It.)

I haven’t had a chance to actually listen to it yet, but the most recent ANNCast focused on LGBT representation in manga and anime with guests Erica Friedman, Jason Thompson, and Valerie Complex. Friedman also visited the University of Michigan back in January to discuss queer manga. The recording of her presentation Alt Manga, Queer Manga: Telling Our Own Stories is now available to watch on YouTube.

There were a few Kickstarter campaigns that caught my attention last week as well. First and foremost, Chromatic Press is raising funds to release the final volume of Lianne Sentar’s series Tokyo Demons in print, produce a revised edition of the first novel, as well as reprint the other books in the series. It isn’t a secret that I am a huge fan of the series, so I definitely want to see the project succeed. Tabula Idem is a great-looking tarot-themed queer comics anthology with an accompanying queer-themed major arcana tarot deck. I’m not very familiar with most of the artists involved, but Kaiju (whose comics I greatly enjoy) is contributing the cover illustration. Pamela Kotila has also launched a campaign to print the second volume of the webcomic Spidersilk. Though I haven’t actually read it yet, I recently picked up the first volume so this project seems to be aptly-timed.

Quick Takes

The Ancient Magus' Bride, Volume 4The Ancient Magus’ Bride, Volumes 4-6 by Kore Yamazaki. It’s been a little while since I’ve read The Ancient Magus’ Bride but that’s not because I don’t like the manga. In fact, it’s quite the opposite–The Ancient Magus’ Bride is actually one of my favorite series currently being released in English. I simply wanted to have a whole stack of volumes to read all at once. (Also worth noting: The first printing of Volume 6 is even accompanied by a special booklet with an additional comic!) Somehow, I had managed to forget just how much I enjoy The Ancient Magus’ Bride. I love its moody atmosphere and setting, beautiful artwork, and intriguing characters. Elias remains something of an enigma although parts of his past have now been revealed. He isn’t particularly happy about this development, though. Likewise, more is known about Chise, too, although she is still hesitant to share. The relationship dynamics in The Ancient Magus’ Bride are somewhat peculiar but remain compelling. Most of the characters in the manga are struggling with some sort of heartbreaking loneliness or feelings of isolation. To see them slowly drawing closer together, forming bonds of friendship, family, and love is immensely satisfying.

Mr. Mini MartMr. Mini Mart by Junko. Although the boys’ love manga Mr. Mini Mart was released in English first, my introduction to Junko’s work was through the series Kiss Him, Not Me. Because I was enjoying that series, I made a point to track down a copy of Mr. Mini Mart which for a time had gone out-of-print. (It’s more-or-less back in print again, but the manga seems to only be available directly from Juné Manga’s online store.) I forget why I initially passed on Mr. Mini Mart but I’m very glad that I finally got around to reading it. Mr. Mini Mart collects two boys’ love stories. Most of the volume is devoted to the titular “Mr. Mini Mart” but a short, unrelated one-shot manga “Young Scrubs” is included as well. It’s not nearly as good, though. “Mr. Mini Mart” is wonderful and surprisingly sweet. The story follows the high-school-aged Nakaba who, after an unfortunate incident in middle school, has been living as a shut-in. He gets finally gets out of the house when his uncle gives him a job at his store, but Nakaba has a difficult time getting along with his coworker Yamai and his abrasive personality. I’ll admit, I’m a sucker for a sensitive tough guy and it turns out that Yamai is an amazing example of one and is just a great person in general.

The Seven Princes of the Thousand-Year Labyrinth, Volume 1The Seven Princes of the Thousand-Year Labyrinth, Volume 1 written by Yu Aikawa and illustrated by Haruno Atori. I really wanted to like the first volume of The Seven Princes of the Thousand-Year Labyrinth more than I actually did. The basic premise is intriguing. A group of some of the kingdom’s most noteworthy, and in some cases most notorious, citizens wake up to find themselves trapped together in an elaborately booby-trapped castle. (The exception is the protagonist Ewan whose only distinguishing characteristics are his trusting nature, inherent kindness, and the fact that he’s from the kingdom’s most remote island.) The assumption is that whoever manages to survive the ordeal will become the kingdom’s emperor and reigning lords. There is a ton of potential in this set up, but The Seven Princes of the Thousand-Year Labyrinth simply didn’t work for me. Mostly I think it’s because the characters all come across as types rather than well-rounded individuals. What’s more is that they don’t even feel like they should all be a part of the same series; I found this lack of cohesiveness to be frustrating. The artwork is pretty, though, if not especially distinctive and there are plenty of plot twists, too.

TomieTomie by Junji Ito. Although uncommon, license rescues aren’t particularly rare, but Ito’s horror series Tomie is one of the very few manga to have been released in English by three different publishers. Most recently, Viz Media has collected the entire series in a single, massive tome with over seven hundred forty pages. The translation used is the same as the one in Dark Horse’s Museum of Terror series which I own, but I couldn’t resist the deluxe, hardcover treatment the volume received to match Viz’s other recent re-releases of Ito’s manga. Tomie was actually Ito’s award-winning professional debut and began serialization in 1987 in a shoujo magazine. The manga is largely episodic although there may be several chapters devoted to a single story arc and later stories sometimes make passing references to earlier ones. What ties the series together is the presence of Tomie, a beautiful young woman who is seemingly immortal. Time and again men fall desperately in love with Tomie and are eventually overcome by a desire to murder and dismember her. Not only does Tomie survive, she regenerates and multiplies, and so the horror continues. While not as mind-bendingly bizarre as some of Ito’s later works, Tomie is still weird, horrifying, gruesome, and grotesque.

Overlord: The Bloody Valkyrie

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By Kugane Maruyama and so-bin. Released in Japan by Enterbrain. Released in North America by Yen On. Translated by Emily Balistrieri.

There is a glut of light novels at the moment based on the game stats premise, be it “trapped in a game” or that the world simply works like a game. This includes Overlord, which manages to be a combination of both. At its best, Overlord shows us the cognitive dissonance between what Ainz is thinking in his head and what is actually happening, or what his minions are actually doing without his knowledge. At its worst, it gets bogged down in long grinding fights that are simply collections of spell moves. Overlord seems to be very much in the Dungeons and Dragons mode, which is fine for worldbuilding, but to keep the mechanics of it as well means that for non-gamers, the climactic fight can get amazingly tedious at times. Which is not what you want to hear about what you’ve spent the entire book building to.

This book also spends a large amount of time away from ainz – he doesn’t show up till a third of the way in – and thus also shows that the book is best when it focuses on him. I can see why we had the extended prologue – the plot is that his minion Shalltear has been mind-controlled, so we need to spend a fair amount of time with her at the start so that we actually get a sense about what the mind control really means and can try to care about her. Unfortunately, this is Overlord, a series made up of evil villains. And so Shalltear is a monster, who only seems sympathetic because the humans that she lays to waste here are a bunch of thugs who like to rape and rob young women. Her best moment was when she ran into one of the humans Ainz met in Book 2, who has one of his potions. This accidentally saves the girl’s life, as Shalltear has no idea why Ainz gave it to her, and so doesn’t dare kill her.

We are at the “this is successful, go ahead and expand your subplots” point in the series as well, so we get a few characters who show up and I suspect will be plot-relevant later on. This includes the somewhat ineffectual king, whose only ally seems to be his noble soldier (who we met in Vol. 1 thanking Ainz for defending the village). There’s also the king’s young daughter, who is gorgeous and beloved and I suspect has a lot more to her, and the daughter’s somewhat overly serious and twitchy bodyguard. And there is the unfortunately named Brain (it’s OK, the bodyguard’s name is Climb), who has spent much time training to be the strongest only to run into someone who completely breaks him to bits with no effort at all. The humans in this book tend to be cannon fodder, but he actually gets away, so we’ll see if he shows up again.

As I indicated, this is best when focused on Ainz and his inner monologues, meaning it’s the middle third that held my interest most. Overlord is still a series well worth reading. But it could stand a good editing, and eventually I will have to get used to the fact that it’s a bunch of bad guys power-tripping.

Secret of the Princess

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By Milk Morinaga. Released in Japan as “Ohime-sama no Himitsu” by Shinshokan, serialized in the magazine Hirari. Released in North America by Seven Seas. Translated by Jennifer McKeon, Adapted by Shannon Fay.

Morinaga Milk’s books are simply nice. They’re sweet. They put a smile on your face. They are not the most original books in the world – in fact, they sometimes have so many cliches that they rack up a Yuri Trope Bingo before they’re halfway done – but they’re smooth reads, and you don’t have to worry about serious tragedy befalling anyone. There is angst in this volume, don’t get me wrong, but it’s the sort of book where one of the heroines threatening to kill herself by jumping off a roof is treated as a loving confession rather than an actual suicide attempt. If you try to attack too much reality to this, it begins to come apart, but that’s the point. It’s yuri fantasy.

Stop me if you’ve heard this one before. At an all-girls school, Fujiwara is the tall, athletic, cool, one-quarter Western beauty who all the girls admire. She’s also just accidentally destroyed the principal’s expensive vase. This is witnessed by Miu, a girly young first year whose mother has drilled into her that the secrets to catching a good husband. Of course, at an all-girls school, men are thin on the ground, so Miu has no idea how actual dating works. So, in exchange for her silence, she asks Fujiwara to pretend to date her so she can discover how this all works. Of course, she doesn’t consider the jealousy of her fellow students, or Fujiwara’s own loneliness and need for the social interactions that she gains with Miu, or, of course, her own growing and conflicting feelings.

Miu can be a weak part of this book – she’s a bit hard to take and frustrating, though she improves as the volume goes on. This is complete in one book, and a short book at that, so there’s not really much time to slowly develop anything. Fujiwara fares better, having a home life that seems to be mostly filled with maids (of course she lives in a rich mansion, have you read this genre before?) and her friend Hirosawa, who is also a short-haired beauty with a fan club but is second to Fujiwara. (The shoujo dynamic of the blond taking second place to the brunet lead seems to be reversed for Yuri titles.) Other than that, there’s not much to talk about – they date cute, break up when they start feeling guilty about the “falseness” of things, get back together dramatically, and end up in bed (though fleetingly – for the most part, this is pretty squeaky-clean.)

So it’s not mind-boggling, but it’s nice to see some sweet titles coming out here after a year of Citrus and Netsuzou Trap. And we have more from this author coming up next month as well. I suspect it will be sweet, fluffy, somewhat insubstantial, and yuri. Much as this is.

Strike the Blood, Vol. 5

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By Gakuto Mikumo and Manyako. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Jeremiah Bourque.

As always, Strike the Blood does what it wants competently and efficiently, with good pacing and a nice balance between the hero and his various female leads. And yet it continues to be one of the most frustrating light novel series that I follow, because it is content to be simply that. There’s potential for a lot more here, and at times the series looks as if it’s going to show you that potential… and then it backs off, content to give us a comedic perverted parent, or a bath scene with a giant nosebleed, or Yukina saying her catchphrase again with all the well-crafted timing of a Swiss watch. Strike the Blood is what it is, and thus I will never get to experience what I have with most other cliched light novel series, which is the joy of seeing the books get better as they go along.

This is the second half of a two-part arc, and as such we hit the ground running, with less development and more fights. Sadly, this also means less development for Yuuma, who is injured enough to be shunted to the side for the majority of the book, until the climax where she shows up to use her clone status against her mother. There is talk of the idea of her being a disposable tool being wrong, which would probably read a lot better of the author weren’t treating her like a disposable tool, using her to help resolve things at the climax and then cheerfully writing her out to go serve time as an accessory. We also finally meet Kojou’s mother, who is unaware (possibly) that he is a vampire now, and is an absurdly youthful genius doctor mom who has a tendency to feel up girls for fun. I called this “TV Tropes: The Novel” last time, and that hasn’t changed. His mother is there to provide gropes and exposition, and stop Yuuma from dying.

As for the plot itself, as the villain cheerfully admits, half of it is an excuse for a giant runaround using minibosses to build up tension but never actually do much beyond sort of threaten the hero and heroines and then get dealt with. I was happy to see Asagi get something more substantial to do – she remains my favorite of the three main heroines, and her solution to the first miniboss battle showed off her smarts (with the help of her AI that controls the entire island). Sadly, the main villain herself is less interesting, which is especially irritating as she didn’t have to be. There’s suggestion of a deeper story between her and Natsuki, and we even see a brief flashback, but it’s just spice to show why she hasn’t merely killed everyone before this. If we’d gotten an entire chapter devoted to Natsuki and Aya’s school days and what led to her descent into mad villainy, I might have praised it. But we don’t.

I keep hoping this will get bad enough for me to drop, but it’s far too efficient for that. It has dropped a new novel in our laps, and we will read it, vaguely enjoy it, be disappointed at what could have been, adn then forget about entirely until the next book. Sigh.