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How a Realist Hero Rebuilt the Kingdom, Vol. 4

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By Dojyomaru and Fuyuyuki. Released in Japan by Overlap, Inc. Released in North America digitally by J-Novel Club. Translated by Sean McCann.

Realist Hero continues to keep my interest even as my teeth grind more and more at the mindset of the author and his characters, which is to its credit. Certainly there are similar isekais that did not hold my attention and have since been dropped (hi, Death March). It’s even more impressive given that, for the second volume in a row, this feels like a setup book, putting various things in place, introducing new technology that will no doubt be needed down the road, and (at last) finally answering one of the lingering questions of the series: why on Earth did the former King abdicate to Souma after merely having one conversation with him? And for fans of the romances, you not only get a new queen added to the mix, but Souma finally comes to terms with the fact that he is in this world for good, and that he is worthy of being loved, and is able to take that next step.

The girl on the cover is Roroa, who we’ve seen crop up in cameos before this book, here to save the day (despite Souma completely ruining her planned overdramatic entrance). Roroa is, in many ways, an Osaka stereotype transferred to the fantasy world: she not only has the sort-of-Southern accent, but is also far more of a merchant than she ever is a Princess. Yes, she’s the Princess in Amadonia, which is now fully incorporated into Elfrieden (which means the new name of the country is Friedonia, which I refuse to believe is by accident) and has presented herself as a prospective bride, Like other prospective brides we’ve seen in these sorts of series, she runs rings around Souma till he gives in. That said, she does look like a good addition, and it will be nice to see Souma try not to juggle economics quite as much. Oh yes, we also get a mad scientist girl, though she won’t be part of the harem. She is very much in the “ditzy teen genius” mode.

There is an extended plot here regarding slavery in this world, which I was less happy with. I accept that slavery in this fantasy world does not carry with it the baggage that it does in our own world, and that it seems to be more indentured servitude. But both Souma and the author seem to treat slavery as an intellectual problem to be solved, rather than as a monstrous evil. This is not unique to the isekai realm, of course, and I should be grateful that the protagonist doesn’t simply say “oh, slavery exists here” and shrug his shoulders like some others. It does add to my biggest beef with this series: it can be as dispassionate as its hero is, and as I’ve said before, seems like it’s one of those “dark/grey/independent” fics you always saw in Harry Potter written by teenagers who wondered what the world would be like if everything were more badass. (Hint: it involves hating Weasleys.) I like books to be fiction. I am less happy when they are thought experiments.

That said, when the book concentrates on its harem cliches, such as the relationship between Souma and Liscia, it may be less original, but it makes it more human. I hope we get a bit more of this going forward. I also hope the demon realm invades soon, as I really need Book 5 to not involve puttering around making new roads and discussing the Helsinki Accords. Mildly recommended to isekai fans.

Until Your Bones Rot, Vol. 1

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When Lois Duncan passed away in 2016, fans and critics alike fondly remembered her as the author of I Know What You Did Last Summer, the first great psychological thriller for teens. Duncan’s story took a tried-and-true plot and retooled it for younger readers, focusing on a quartet of teens who commit and conceal a crime, only to be stalked by an anonymous avenger. While the plot was pure potboiler, Duncan’s characterizations were remarkably realistic, convincingly depicting the confusion, uncertainty, and rashness of the teenage mind under extreme duress.

Until Your Bones Rot explores similar terrain as I Know What You Did Last Summer. Bones’ teen protagonists — Shintaro, Akira, Haruko, Ryu, and Tsubaki — are bound by a gruesome crime they committed when they were eleven years old. Artist Yae Utsumi doesn’t immediately reveal what, exactly, they did, though he plants tantalizing clues throughout volume one: a fleeting glimpse of a nighttime ritual, a nightmarish vision of a bloodied face. The plot is set in motion by an anonymous phone call threatening to expose the group unless they meet the caller’s demands. Though the five initially work together to protect their secret, fault lines soon develop within the group, particularly between Akira — the group’s alpha male — and Shintaro, the odd man out.

Utsumi handles the set-up with finesse, but his tone is less assured. Some passages feel like they’ve been ripped from Love Hina, with bikini-clad girls fawning over the nebbishy Shintaro; other passages read more like MPD Psycho, with characters doing disgusting things to dead bodies; and still other passages play out like a Very Special Episode of The OC in which one character silently copes with an abusive boyfriend. None of these scenes feel like they belong to the same story; about the only common thread that binds them is Utsumi’s fanservice, which gratuitously eroticizes a scene of sexual assault.

It’s a pity that the first volume is so uneven, as Utsumi makes a game attempt to create believable characters. Tsubaki and Shintaro, in particular, behave like real teenagers whose emotional and sexual attraction to one another is so overwhelming that they don’t know how to have a normal conversation or behave like friends; their one-on-one interactions suggest that both were deeply scarred by their participation in the murder, but lack the words — or the maturity — to say how it effected them, instead turning to each other for physical comfort. That’s a level of psychological nuance that Lois Duncan herself might have appreciated, even if Utsumi takes a few narrative shortcuts to establish the dynamic between Tsubaki and Shintaro.

And that, in a nutshell, is what makes Until Your Bones Rot so frustrating: Utsumi clearly understands the teenage mind, but can’t decide if he’s writing a finely observed psychological thriller or a junior-league Saw. The push-pull of these two different storytelling modes robs the most gory scenes of their horror and the most dramatic scenes of their poignancy, yielding a muddled stew of blood, boobs, and tears. Someone should make him read I Know What You Did Last Summer for a few pointers on how to walk the line between Grand Guignol and Afterschool Special more convincingly.

UNTIL YOUR BONES ROT, VOL. 1 • STORY AND ART BY YAE UTSUMI • TRANSLATION BY URSULA KU • KODANSHA COMICS • RATED 16+ (SEX, PARTIAL NUDITY, GRAPHIC VIOLENCE)

Manga the Week of 10/25/17

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SEAN: Honestly, thanks to Kodansha’s digital push, there are not even any medium weeks anymore. Every week is huge. Forever! Good news for manga fans, bad news for budgets.

ASH: So true!

SEAN: Dark Horse has the 3rd Hatsune Miku:Rin-chan Now!, theoretically: the title’s been bumped 3 weeks in a row.

ASH: That’s not nearly as timely as the title might suggest.

SEAN: J-Novel Club has a great deal out next week. We get the third volume of If It’s For My Daughter, I’d Even Defeat a Demon Lord, which remains heartwarming and family-oriented… FOR NOW. (ominous thunder)

The polarizing light novel In Another World With My Smartphone just finished a polarizing anime just in time for Vol. 5. I’m hoping it stays laid-back and ridiculous.

And we’re almost done with My Big Sister Lives in a Fantasy World with the penultimate book, Vol. 6.

As you can guess, there’s a lot of Kodansha. Princess Resurrection has its 19th volume, on the Del Rey rescue front.

On the print front, we see a 3rd Aho-Girl, a 7th Heroic Legend of Arslan, a 3rd Land of the Lustrous (now with an anime), a 2nd Love & Lies, and a 2nd Toppu GP, for all your motocross needs.

MICHELLE: In real life, I’ve no interest in motocross, but Kate’s review convinced me I would probably enjoy Toppu GP. I’ll check it out soon, hopefully.

ANNA: It does sound interesting!

ASH: I need to catch up on so many of these!

SEAN: The print “debut” is Fairy Tail S, which collects some of the special “omake” chapters that have been released over the course of the series. Expect a lot of fanservice, meaning both nudity *and* ‘shout outs to fans”.

On the digital front, first off, Cosplay Animal 2 apparently came out already, though is not at all major online places. Next week, we have the 5th Altair: A Record of Battles, the 2nd Grand Blue Dreaming, the 4th Kounodori: Dr. Stork, the 5th Real Girl,, the 2nd Shojo Fight!, and the 4th Tsuredure Children.

MICHELLE: Yay for more Shojo Fight! Not that I’ve been able to read the first one yet…

ANNA: So behind, I bought the first couple volumes of Altair but haven’t read it yet. Maybe too much digital????

SEAN: There will also be a horror manga being debuted by Kodansha, but we don’t know what it is yet. Be prepared!

ASH: Always prepared for more horror manga.

SEAN: One Peace has everyone’s favorite girl and bear manga, Kuma Miko. This is the 6th volume.

Seven Seas has a plethora of titles as well. There’s a 2nd Alice & Zoroku, the third volume of Hatsune Miku spinoff Bad End Night, the 6th Mushoku Tensei: Jobless Reincarnation (always #1 on lists of “where is the light novel this was adapted from?), and a 4th Please Tell Me, Galko-chan!. That’s… quite a variety of genres there.

Their debut is Yokai Rental Shop (Yokai Nii-san), whose description makes it sound like xxxHOLIC with a gender-reversed Yuko. It runs in Square Enix’s GFantasy, and I think is that rare Seven Seas title that Michelle and MJwill want to check out.

MICHELLE: Interesting! I had been curious about the creator’s other licensed series, Nightmare Inspector, but never read any of it.

ASH: I’m very excited for this one; I really liked Nightmare Inspector!

MJ: Oooooooh, honestly I’ll check out anything from GFantasy. Okay, Seven Seas, you have intrigued me!

SEAN: The title that interests me the most this week is from Vertical Comics, who are debuting a manga series written by NISIOISIN. Imperfect Girl (Shoujo Fujuubun). Like a lot of Nisio titles, it has a supernatural bent, a twisted female lead, and lots of talking. The artist will also be familiar to North American readers for the series Sankarea. This series ran for 3 volumes in Young Magazine, so should be nice and compact.

ANNA: I’m cautiously intrigued.

ASH: I’m also rather curious about this one.

SEAN: Lastly, Viz has some digital-only titles as well, with the 3rd élDLIVE and the 2nd The Emperor and I.

Any of this interest you? Or are you saving up for MANGAGEDDON the week after next?

Chihayafuru, Vol. 4

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By Yuki Suetsugu. Released in Japan by Kodansha, serialization ongoing in the magazine Be Love. Released in North America digitally by Kodansha Comics. Translated by Ko Ransom.

The sign of a good series is that you care about the characters as if they were real people, and take joy in their triumphs and grieve at their setbacks. This can sometimes backfire, however, when you see the setbacks coming and think to yourself “Oh noooooo!”. The moment I saw Chihaya’s head throb, I knew immediately what was going to happen by the end of the volume, and it hurt. This is why this review is running somewhat late, because I really did not want to read what I knew was going to happen. It comes after a half volume of small triumphs and achievements, as they quality for the National Tournament, win over their faculty adviser, and slowly come together as a team, each character getting a little bit more to do and more for us to identify with. Then I saw that throbbing head. And I said “…she’s sick.” And yep. SO FRUSTRATING.

Arata gets the cover this time around, and fortunately also gets a chunk of the narrative, as we get to see the strong relationship he had with his grandfather from his POV, helping to explain why he was so devastated he abandoned Karuta. It’s portrayed very realistically: his grandfather is a vibrant, active guy who loves Karuta, but then he has a stroke, which brings memory loss and rehabilitation. And of course, this being a manga and thus obliged to observe the occasional cliche, he goes to the tournament and leaves his grandfather alone for a few hours. We all know how that’s going to turn out. It really helps bring Arata into focus and remind us that he is eventually going to be a major player in this series again, and I imagine seeing Chihaya and company here will act as a catalyst.

As for Chihaya, she does her best, and tries hard to hide her illness form everyone, but in the end they have to forfeit after she collapses. Naturally, after waking back up, she’s completely devastated, and I suspect Vol. 5 is going to have a lot of depression and self-hatred. We’ve been seeing a lot of sports titles over here lately, and usually when there’s something like this it’s a physical injury, such as a sprained ankle or somesuch. Of course, they usually deal with physical sports such as basketball or volleyball. When you have something like Karuta, which is a lot more physical than I expected but still played seated and relying primarily on memorization and strategy, a fever or nasty cold can be just as bad as that sprained ankle. It’s to the credit of the team that they kept playing after she had to forfeit, but I have a sneaking suspicion that we’ll pick up after the tournament and deal with the fallout.

Chihayafuru remains one of the best digital titles Kodansha is releasing at the moment, and I hope my review of Vol. 5 (already out) will come sooner rather than later.

The Faraway Paladin: The Lord of the Rust Mountains

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By Kanata Yanagino and Kususaga Rin. Released in Japan as “Saihate no Paladin” by Overlap. Released in North America digitally by J-Novel Club. Translated by James Rushton.

I’m reviewing this as one giant book, but it actually came out as two books here, called ‘Primus’ and ‘Secundus’ – in fact, Amazon thinks that those are the titles, and forgot about the whole Rust Mountains thing. It works better to see them as one big book, though, which is what the author intended. The first volume simply stops, and the second picks up right where it left off – there’s no real attempt to separate them. As for the plot, our square-jawed hero and his elf friend are here to take down an ancient dragon, helped out by some old friends and some new dwarves, including one who becomes Williams’s squire, despite being of royal blood. He is told repeatedly that if he fights the dragon now he will die, and he should gain more power and influence by letting a few people be killed so he can take it down more easily. As you might imagine, that is not how William rolls.

William is the star of this series, and the narrative fits itself around him, meaning it too tends to be like he is – straightforward, a bit humorless, and painfully, PAINFULLY earnest. This is actually the main selling point of The Faraway Paladin, which is miles away from any other fantasy light novel we have out there – there’s not an ounce of cynicism or irony in it. William is Good and True, and he can do impossible things thanks to the help of his friends, the training of his parents, and MUSCLES, which he points out are awesome several times throughout the book. The closest we get to cynicism is the villain, who is a very well-done ancient dragon, and would very much like to tempt William into allying with him to that he can sow chaos. He should know better.

The book reads quickly, and the action sequences are very well done, with no confusion about what is happening at any time. I was a little annoyed with the introduction of a tsundere elf girl, whose sole purpose seems to be to get rid of the ho yay that existed between William and Menel (there’s a lot of teasing of William for not having found a girlfriend yet, further driving the point home). Al is a good addition to the cast – it fits that someone like William gets a squire that’s almost as serious-minded as he is, and the two work well together. The translation is also good, though the Kindle version I have has both the dragon and the Gods speaking in bold text, which can get very confusing when three of them are all speaking at once – perhaps one should have been italicized instead.

Again, if you want to read a light novel but are thoroughly sick of the cliches of the genre, this is an absolute must-read. It’s the Lord of the Rings starring Superman, basically. I look forward to seeing where it goes next.

My Week in Manga: October 9-October 15, 2017

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My News and Reviews

Last week at Experiments in Manga I posted the Bookshelf Overload for September which includes lists of some of the manga and other books that I picked up last month (along with some brief commentary). Looking forward to future manga releases, Vertical Comics recently announced two new titles: Pop Team Epic by Bkub Okawa and The Delinquent Housewife! by Yoko Nemu. Seven Seas also had an interesting announcement to make. In addition to two licenses–Yuuna and the Haunted Hot Springs by Tadahiro Miura and World’s End Harem by Link and Kotaro Shono–Seven Seas is launching Ghost Ship, a new imprint for the publishers’ more mature titles.

Quick Takes

Captain Harlock: Dimensional Voyage, Volume 1Captain Harlock: Dimensional Voyage, Volume 1 written by Leiji Matsumoto, illustrated by Kouiti Shimaboshi. Although I immediately recognize the name of Captain Harlock, Dimensional Voyage is actually the first incarnation of his story that I’ve read or watched except for the short crossover manga  included in Kodansha Comics’ recent release of Queen Emeraldas. (Emeraldas actually makes a brief appearance in the first volume of Dimensional Voyage, too.) My understanding is that Dimensional Voyage is either a reboot or retelling of Matsumoto’s original Captain Harlock manga, written by Matsumoto himself but illustrated by a different artist. The series is completely accessible to readers who are unfamiliar with Harlock though I suspect that established fans will find the manga to be appealing as well. Shimaboshi’s designs are obviously based on Matsumoto’s though many of the main characters are much more conventionally attractive in this version. Both the dialogue and the artwork of Dimensional Voyage tends to be very dramatic and at times even melodramatic, but I don’t at all consider that to be a bad thing. As for the story itself, the manga is just getting started. The first volume establishes the basic setting and premise, but much of it is spent introducing the legends surrounding Harlock, the series’ titular space pirate.

Jackass!Jackass! by Scarlet Beriko. I forget exactly how Beriko’s work as a whole was first brought to my attention, but my curiosity was immediately piqued by Jackass! when SuBLime announced that it would be publishing the manga. It’s not a terribly uncommon trope in boys’ love for two friends to ultimately fall deeply in love with each other, so Jackass! isn’t particularly surprising in that way. However, it is the first manga that I’ve read in the genre in which women’s stockings provide the initial impetus for a relationship to take that particular turn. Keisuke’s best friend Masayuki has a leg fetish. In a rather awkward turn of events, and much to Keisuke’s embarrassment, Masayuki catches a glimpse of him wearing his sister’s pantyhose. Masayuki is instantly smitten with Keisuke’s perfect legs, which understandably complicates their relationship somewhat. At times Jackass! can be unexpectedly sweet and even touches on more sobering subject matter like homophobia, but for the most part it reads as a comedy not to be taken too seriously. Jackass! includes a strong supporting cast, including Keisuke’s older sister and his confidently gay cousin, which add a great deal to the manga; the entertaining and occasionally ridiculous character interactions are the highlight of the story. I enjoyed Jackass! and would certainly be interested in reading more of Beriko’s work.

Kiss Me at the Stroke of Midnight, Volume 1Kiss Me at the Stroke of Midnight, Volume 1 by Rin Mikimoto. Hinana is known for her seriousness so most of her friends and classmates are unaware that she’s also a romantic hoping to find a fairy tale-like love. Kaede is a celebrity and rising star, admired for both his talent and incredibly good looks. The two of them meet, somewhat by chance, when Kaede is shooting on location at Hinana’s high school for an upcoming film and they end up hitting it off. Mikimoto’s artwork in Kiss Me at the Stroke of Midnight comes across as attractive but a little generic overall except for the hilariously exaggerated reaction shots drawn for comedic effect. And there is plenty of humor in the series. Kaede, idolized by his fans, does not at all have the personality that they would expect. He can be kind but, despite how he generally presents himself professionally, Kaede’s not exactly a refined gentleman. He’s also really into butts, and isn’t ashamed of that fact. Most people would probably be slightly taken aback by this, but Hinana finds his candidness refreshing. (I appreciated that aspect of his personality as well.) I was a little surprised by how much I enjoyed the first volume of Kiss Me at the Stroke of Midnight. I’m not overly interested in manga about celebrities, but Kaede is such a weirdo and Hinana is likeable, so I’m curious to see what turns their relationship might take from here.

Bookshelf Briefs 10/16/17

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Ace of the Diamond, Vol. 5 | By Yuji Terajima | Kodansha Comics (digital only) – It’s been a while since the last volume of Ace of the Diamond and I’d forgotten how much I enjoy it! Eijun, who began the series as a hothead, has matured without losing the emotional side that makes him sympathetic. Seeing him not only grow from Chris’ tutelage and execute one truly amazing pitch during their last inning of play together but then bawl his eyes out when he makes varsity and Chris doesn’t is, honestly, pretty darn sweet. He may be brash, but he’s a good kid. Even better, we get more insight into Furuya, who is currently stronger in pitching but lacks in people skills. I love that he doesn’t see himself as better than Eijun at all and is, in fact, motivated by him to try harder. This is such a good series and I delight in the knowledge that there are 40+ volumes still to come. – Michelle Smith

Chihayafuru, Vol. 5 | By Yuki Suetsugu | Kodansha Comics (digital only) – Well, this volume is lacking on miracles, as the Mizusawa High team makes it only a couple more rounds without Chihaya (who has fallen ill) before they are defeated. Still, there’s another day for the individual tournament, and it’s here that Chihaya meets the reigning queen, Shinobu Wakamiya, a high-school first year who trounces Chihaya by a twenty-card margin. This is completely what Chihaya needs, though, since now her dreams have achieved a solid shape: do what it takes to beat Shinobu. Taichi, meanwhile, is determined to attain his class A ranking so that he can face Arata. I absolutely love that he’s decided to devote his entire self to karuta now and look forward to all of the intense rivalty to come! – Michelle Smith

Descending Stories, Vol. 3 | By Haruko Kumota | Kodansha Comics – OK, there are extended flashbacks, and then there are flashbacks that make you think “why didn’t you just tell this story instead?,” and I think that’s what we have here. Don’t get me wrong; I’m greatly enjoying Kikuhiko and Sukeroku’s story, and the love triangle that seems to be bubbling beneath them both. I also liked the extended rakugo performance we saw here, a reminder that that’s really what the series is about. But I admit I sort of agreed with Yotaro in the afterword—isn’t this his story? I wouldn’t blame the reader for having forgotten all about him by the time we get back to the present in what I assume will be the next book. Good, just oddly paced. – Sean Gaffney

Flying Witch, Vol. 3 | By Chihiro Ishizuka | Vertical Comics – I have to admire a series that is always peaceful and soothing, yet not boring. In this volume Makoto and her cousins visit a cafe recommended by Akane, where the waitress is a shy ghost and where Makoto meets a witch her age named Anzu. She receives a hideous souvenir t-shirt from Akane, shows Nao cute edamame blossoms, and picks a plethora of radishes. A witchy newspaper delivers news about a flying whale, which the girls go see. Then they leave when they get hungry and go home to have hotcakes. And that’s it. Makoto can’t even summon any worries to ask about during a fortune-telling session. But, y’know, I’m okay with that. Plus, there are cute cats, one of which turns out to be an anthropology buff. There are times I’m definitely in the mood for manga like this. – Michelle Smith

Food Wars!: Shokugeki no Soma, Vol. 20 | By Yuto Tsukuda and Shun Saeki | Viz Media – Erina gets the cover here, and the bulk of the story as well. We’re finally starting to dig deep into her psyche, after so many volumes casting her as cold, grumpy, annoying, and unlikable. It stems from abuse, naturally, and also being exposed to Soma’s father, who showed her there was a different way to view food. That said, I suspect most Food Wars! fans have said “too little too late,” but that will just lead them to heartache. Meanwhile, to no one’s surprise, Soma did not win against the top chef of the school, but it’s alright as he gets out of his punishment on a technicality. Now we head to the next set of exams, and if you don’t do things the Azami way, you’ll be expelled. So now what? Can’t wait to find out. – Sean Gaffney

Giant Killing, Vol. 6 | By Masaya Tsunamoto and Tsujitomo | Kodansha Comics (digital only) – ETU has managed their first win of the season, and the fans are fired up. They manage to extend the streak to two games, but Sera is growing frustrated with his inability to score and his journey from self-doubt to determination progresses throughout the volume. Meanwhile, the old faithful trope “the previously unmentioned injured teammate returns” comes into play, with oddball Natsumi making his debut. It’s interesting to see a tried-and-true sports manga staple alongside the elements that make Giant Killing stand out from others in its genre, namely that a pro soccer season is way different from elimination-style tournaments, allowing the narrative to swiftly hop from match to match, sometimes skipping a few, as Tatsumi assesses the team’s mood after a series of draws. As a result, this series continues to feel fresh. – Michelle Smith

Haikyu!!, Vol. 16 | By Haruichi Furudate | VIZ Media – Karasuno has reached the semifinal round of the Miyagi Prefecture qualifier and it’s a rematch with Aoba Johsai, which turns out to be an immensely entertaining nail-biter that goes to three sets. Hinata and Kageyama potentially discover a new move they can work on in the future, each member of the team gets a triumphant moment, and Yamaguchi overcomes his nerves to achieve his first success with the jump floater serve. I always love it when characters who’d been somewhat in the background get their turn to shine, and I also loved that we actually got to see some interaction and evolution amongst the Aoba Johsai team, making one even root for them a little bit. Be forewarned, though: there’s an excruciating cliffhanger at the end of this volume! – Michelle Smith

Haikyu!!, Vol. 16 | By Haruichi Furudate | Viz Media – After seeing Yamaguchi choke under pressure last game, the highlight of this book is undoubtedly the start of it, where he manages to push past that failure and show off the serving that he’s learned—and it’s terrific. As for the rest, it’s back and forth and down to the wire, as we knew it would be. Aoba Johsai are really good, and we get a few flashbacks to show us that they’ve had their own ups and downs just like our heroes—including a player who tends to get FILLED WITH RAGE who desperately needs discipline, and manages to do it himself here. And of course loving shots of volleyball, which you can tell the author really loves. Looks like well see the end next time—who will pull it off? -Sean Gaffney

Juni Taisen: Zodiac War

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By NISIOISIN and Hikaru Nakamura. Released in Japan by Shueisha. Released in North America by Viz Media. Translated by Nathan A. Collins.

I wasn’t sure what to make of this when I first heard of it, and now that I’ve finished it, I’m still not quite sure. It was written two years ago, and the anime is just coming out now, so it seems like it wasn’t written solely to be a TV tie-in (Nisio has done those before, writing books in the Death Note and xxxHOLIC franchises). But honestly, it doesn’t have the same strong authorial voice that I’ve grown used to from the Monogatari and Zaregoto series – if nothing else, it has far fewer puns. If I’m going to be honest it feels like it’s a book that was written because a bit of cash was needed, and someone said “can you write us a battle royale-style book that we could potentially use later?”. Even Nakamura’s illustrations are a bit disappointing, as they’re basically just character design – if you’ve seen the cover, you’ve seen the illustrations.

That said, this isn’t that bad a book, and it gets better as it goes along. As I mentioned, the plot is essentially a Battle Royale, as 12 fighters of various types and backgrounds, all seemingly connected with the Chinese Zodiac, have been brought together to fight each other to the death, with the last one standing getting anything they wish. At first it seems like the morality discussions we get, both via internal monologue and external dialogue, are merely padding while we wait for the battles, but as the book goes on it becomes clearer that the battles are padding for the morality discussion. This should not be a surprise, given this author – even in this book, which does not feature too many incredibly talkative people, there’s still a lot of discussion about the nature of good and evil, and what it means to be a good person.

The nature of the series means that even talking about what a character says towards the end of the book can be spoiling, given it’s a ‘kill someone off every chapter’ sort of book. I will say that it’s exactly as advertised – the start of the book said 11 of the 12 would end up dead, and sure enough, that’s what happens. This includes the worst of the bad guys and the most sympathetic of the good guys. It does seem to indicate that, while wars are bad, pacifism is not necessarily the best ideal you can strive for – one of the characters, Monkey, reminds me an awful lot of Tsubasa Hanekawa, and that may be intentional. My favorite chapters were towards the end, as two of the better fleshed-out fighters discuss doing the right thing, and it’s the only time in the book you actually want to see more than one person survive – for the most part, these aren’t nice people.

Watchers of the anime will likely get even more out of this series – Nisio gave each fighter a one-page “biography” in the book, but the anime is expanding said biography to give a lot more backstory to everyone. Likewise, there’s a sequel manga running at the moment in Jump, which I believe Viz has also licensed. And they just announced a sequel novel to this book, with (presumably) a new cast. So in the end maybe this was meant to be work-for-hire to create a franchise. Still, it’s not without interest.

Manga the Week of 10/18/17

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SEAN: There’s a little something for everyone next week, though let’s start with something announced too late to be on last week’s list.

Kodansha continues to defy me, so their new digital release is already out: Kokkoku: Moment by Moment, an award-nominated thriller that ran in Morning Two. Seems to feature time stopping?

MICHELLE: This one looks pretty interesting!

MJ: This is the one thing on this week’s list that possibly interests me.

ANNA: I agree, I am intrigued by this title.

ASH: It does seem to have great potential!

SEAN: In titles actually out next week, J-Novel Club has the 4th volume of the runaway hit (at least comparatively) How a Realist Hero Rebuilt the Kingdom.

Back to Kodansha, which has a whole pile of ongoing digital: new volumes of Hotaru’s Way (4), House of the Sun (8), Kasane (6), and Peach Heaven (7).

MICHELLE: I am slowly working through House of the Sun and it’s growing on me.

SEAN: They’ve also got some ongoing print, with a new Inuyashiki (9) and Nekogahara: Stray Cat Samurai (3).

ASH: I’ve fallen behind on both of these series, but I did get a kick out of the first volume of Nekogahara.

SEAN: Their new digital release next week is Until Your Bones Rot (Hone ga Kusaru Made), a disturbing series that was originally run on MangaBox. Seems to be horror?

ASH: I’m always ready for more good horror manga.

SEAN: One Peace has a 9th volume of The Rise of the Shield Hero. Will his fall come soon?

Seven Seas gives us a 2nd Beasts of Abigaile, whose first volume I seem to recall I found intriguing, and a 3rd Ghost Diary, which I found slightly less intriguing.

ANNA: I liked the first volume of Beasts of Abigaile and will check out the second. It is fluffy paranormal reverse harem fun!

SEAN: Their debut is another in the Hatsune Miku franchise, called Hachune Miku’s Everyday Vocaloid Paradise. As astute readers might guess by the ‘chu’, it’s a superdeformed comedy title.

Titan has the 2nd, and I believe final, volume of Assassin’s Creed: Awakening.

ASH: It is the conclusion, which surprises me a little; there’s a lot to tie up from the first volume!

Vertical gives us a semi-spinoff of Nichijou, Helvetica Standard, which comes in two volumes. The first, Bold, debuts next week. It seems to be part artbook, part spinoff, part other?

Viz has a 19th Terra Formars, as well as a 9th Ultraman.

And they also debut Tokyo Ghoul: re, which as far as I can tell is more of a continuation of Tokyo Ghoul than a sequel.

So wassamotta for you this week?

H.P. Lovecraft’s The Hound and Other Stories

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If you admire the fecundity of H.P. Lovecraft’s imagination but not the turgidity of his prose, you might find Gou Tanabe’s manga adaptations of The Hound and Other Stories an agreeable alternative to the originals. Tanabe sticks close to the source material while pruning away the florid language characteristic of Lovecraft’s writing, offering more polished — and, frankly, unnerving — versions of three early works: “The Temple,” first published in 1925, “The Hound,” from 1922, and “The Nameless City,” from 1921.

Tanabe is no stranger to literary adaptations; he’s also tackled works by Maxim Gorky (“Twenty-Six Men and a Girl”), Franz Kafka (“A Hunger Artist”), and folklorist Lafcadio Hearn (“The Story of O-Tei”). Lovecraft’s writing, however, occupies a unique place in Tanabe’s oeuvre, as he’s published adaptations of other Lovecraft stories — “The Color Out of Space” (1927) and “The Haunter of the Dark” (1935)” — and expanded Lovecraft’s novella “At the Mountains of Madness” into an ongoing, multi-volume series. Reflecting on his fascination with Lovecraft, Tanabe reverentially describes him as a “priest of his own Mythos,” capable of summoning “unknowable darkness” on the page. “By illustrating his stories,” Tanabe declares, “I intend to become an apostle of the gods he made” (172).

And while Tanabe’s sentiments are a little purple, his affinities with Lovecraft are evident in his artful translation of words into images. Consider “The Temple,” a tense drama set aboard a German U-boat in the waning days of World War II. While Lovecraft’s narrator baldly ascribes the crew’s irrational behavior to “peasant ignorance” and “soft, womanish” dispositions, Tanabe focuses instead on the extraordinary claustrophobia of their environment, cramming every panel with ducts, pipes, valves, levers, and gauges; the walls of the ship seem to press in on the characters as their disabled submarine plunges to its doom. That sense of entombment is heightened by Tanabe’s stark use of tone in the story’s final act, when the light emanating from the ship barely pierces the jet-black depths of the ocean. A fleeting glimpse of a dolphin — normally a symbol of innocent playfulness — becomes a sinister omen when lit from below, its smiling visage transformed into a sneer.

Tanabe also demonstrates a flair for drawing lost cities, evoking the grandeur and mystery of ancient civilizations through sheer scale: his temples and monuments are so large that they spill off the page, while their interiors are cramped and dark, more cave than castle. In “The Nameless City,” for example, we follow the narrator through a labyrinth of dark tunnels, his torch briefly illuminating objects and surfaces that hint at the true nature of the city’s inhabitants. These panels culminate in an extraordinary two-page spread revealing a Romanesque fresco that, on closer inspection, is populated not with demons, angels, and men, but reptilian monsters arranged in concentric circles around a Christ-like figure.

The revelation of who lived there — and how they treated their human subjects — provides a moment of thematic continuity with the other two stories in the anthology. As writer Robert M. Price explains in his forward to The New Lovecraft Circle, Lovecraft’s heroes seek forbidden knowledge, “gradual[ly] piecing together… clues whose eventual destination one does not know.” Price elaborates:

The knowledge, once gained, is too great for the mind of man. It is Promethean, Faustian knowledge. Knowledge that destroys in the moment of enlightenment, a Gnosis of damnation, not of salvation. One would never have contracted with Mephistopheles to gain it. One rather wishes it were not too late to forget it. (xviii–xix)

At the same time, however, the narrator’s terrible discovery exemplifies another important strand in Lovecraft’s writing: a sense of cosmic indifferentism, the idea that the universe is, in Lovecraft’s words, “only a furtive arrangement of elementary particles” that “presage of transition to chaos.” As Lovecraft observed,

The human race will disappear. Other races will appear and disappear in turn. The sky will become icy and void, pierced by the feeble light of half-dead stars. Which will also disappear. Everything will disappear. And what human beings do is just as free of sense as the free motion of elementary particles. (Riemer)

Viewed in this light, the rendering of the fresco seems less like a simple artistic choice by Tanabe than an expression of Lovecraft’s own cosmic indifferentism. By parodying the Christian iconography enshrined on Medieval cathedral walls, ceilings, and portals, Tanabe points both the futility of belief — it didn’t save the monsters, after all — and the inevitability that mankind will repeat the cycle of birth, life, and death that the monstrous fresco depicts.

And if all of this sounds like the ruminations of a freshman philosophy major, fear not; The Hound and Other Stories can still be enjoyed on its own merits. All three stories are well paced and vividly rendered, each embodying the Romantic definition of the sublime — “all that stuns the soul, all that imprints a feeling of terror”— while offering the kind of satisfying twists that pulp fiction readers craved in the 1920s. And for those more invested in the Lovecraft mythos, The Hound provides an opportunity to revisit these stories afresh, seeing them through the eyes of an artist who has dedicated his career to finding the poetry, the mystery, and the weirdness in Lovecraft’s words. Recommended. 

References

Price, Robert M. “Introduction.” The New Lovecraft Circle. Del Rey, 2004, xiii-xxvi.

Riemer, Andrew. “A Nihilist’s Hope Against Hope.” Sydney Morning Herald, 28 June 2003, http://www.smh.com.au/articles/2003/06/27/1056683892274.html. Accessed on 11 Oct. 2017.

Tanabe, Gou. H.P. Lovecraft’s The Hound and Other Stories. Translated by Zack Davisson, Dark Horse, 2017.

Spirit Circle, Vol. 1

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By Satoshi Mizukami. Released in Japan by Shonen Gahosha, serialized in the magazine Young King Ours. Released in North America by Seven Seas. Translated by Jocelyne Allen, Adapted by Ysabet Reinhardt MacFarlane.

I greatly enjoyed Mizukami’s last series to be published over here, Lucifer and the Biscuit Hammer, and so was definitely looking forward to this. The first volume is very much a manga of two halves. In the first half we set up the situation and meet out heroes and find out what grudges they may have against each other. That said, this is also a tale of reincarnation. And so the second half of the manga is seeing Fuuta’s past lives, which are various types of tragic so far, and seeing him grow as he slowly starts to remember things. Being a first volume, I’m unsure whether the bulk of the series will be the war between Fuuta and Kouko or the flashback lives – hopefully it will continue to be somewhat balanced – but it’s off to a pretty good start, and is only six volumes, so is unlikely to wear out its welcome.

Our hero, as seen on the cover, is Fuuta, a nebbish dude who can see spirits. Our heroine is the girl on the BACK cover, Kouko, a new mysterious transfer student ™ who initially seems rather cool and standoffish but once Fuuta gets to know her proves to be much worse. Because after she throws him headfirst down a flight of stairs (as you do), he suddenly finds himself flashing back to his previous lives, reincarnation style. No, they aren’t long-lost soulmates – in fact, long-lost enemies is a better term for it, and in the two lives that we see in this initial volume, Fuuta’s past selves make life miserable for Kouko’s past selves – or in some cases simply kill her outright. Helping the two of them are two ghostly familiars – hers is older and serene, his is the bubble pinkette on the cover.

The familiars are a weak part of the book so far – Juno, the pink girl, seems to fulfill no function Except to be bubbly and cute in a series with two rather dour leads. The strong part of the book are the previous lives – the second one in particular could almost be a different, separate manga, and shows Fuuta’s rather bitter and cynical past self, cursed by the witch he killed (Kouko, of course, who was literally making a medicine to save a village, but hey, witch) and living a rather desolate and depressing life, till he is redeemed to an extent by an abandoned child. I’m not actually sure if Kouko and Fuuta will get set up romantically, by the way – certainly she’s not fond of him right now, and the past lives both seem to hint of a connection to some other girl (who, if she’s in the present, we haven’t seen yet). Indeed, a romance may not be the point of this at all.

This first volume does its job quite well – it’s good, and I want to read the next one. That’s really all you can ask for in a new series.

Yona of the Dawn, Vol. 8

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Yona of the Dawn Volume 8 by Mizuho Kusanagi

If I had to come up with a brief phrase to describe this volume of Yona of the Dawn, it would be “clever subverted expectations”. Kusanagi explores this theme in a couple ways, first with a brief introductory story focusing on the Yellow Dragon, and then followed by a closer look at King Su-Won.

I was fully expecting another detailed quest storyline as Yona and her companions sit around debating how to search for the Yellow Dragon, but then a mysterious man shows up at their campsite, announcing himself due to his intense stomach gurgling. It is Zeno, the Yellow Dragon, and he is hungry! What follows is one of the comedic interludes that livens up the series as everyone attempts to adjust to the new stranger in their midst and try to figure out what to do next once all the guardian dragons are gathered together. While Zeno initially acts goofy and mysterious, as Yona is trying to figure out what to do next he switches over to serious mode and is incredibly insightful. As one naturally expects from this series Yona’s next direction is not to take back the throne in a grab for power, she wants to help her people who are currently repressed.

The first part of the manga played with the reader’s expectations by subverting the quest narrative that they have come to expect. The second half focuses on king Su-Won and his relationship with his greatest general, Yi Guen-Tae. The general isn’t sure what sort of king Su-Won is, and he’s initially not impressed, as Su-Won appears to be cheerful and ineffectual, without the emphasis on force as a means to an end that Yi Guen-Tae would expect. Reports keep arriving of little problems within the kingdom, and Su-Won appears to be unconcerned. Su-Won ends up proposing an elaborate war game to give the general the action he craves, and Yi Guen-Tae gradually realizes that he’s severely underestimated his king. In this story particularly Kusanagi’s ability to shift between different moods from panel to panel and her facility with facial expressions showcases the real Su-Won as opposed to the mask that usually hides his emotions.

I always put down each volume of Yona of the Dawn feeling a little in awe of Kusanagi’s storytelling abilities. She’s always able to pack so much character development into a single volume, while still giving the reader the feeling that the plot is unfolding in an unhurried, natural way. This is quite tricky to pull off successfully, and one of the reasons why Yona of the Dawn always ends up at the top of my to-read pile as soon as it comes out.

Bookshelf Briefs 10/9/17

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Food Wars: Shokugeki no Soma, Vol. 20 | By Yuto Tsukuda and Shun Saeki | VIZ Media – There really was zero chance that Soma’s contest with Eishi Tsukasa would end with Soma becoming the new first seat, but still, I didn’t expect that to fizzle out as much as it did. Thankfully, the rest of the volume makes up for it. I really enjoyed the scene between Erina and Soma in which she a) eats the totally delicious-looking tempura egg rice bowl that he makes and b) comes to completely reject her father’s plans for the homogenization of Totsuki cuisine. It’s great to see her fired up and training other students how to pass Central’s exams. (Also, by the end of volume 20, the cast is only at the end of the second term of their first year. We’ve hopefully got a long run ahead of us!) – Michelle Smith

Flying Witch, Vol. 3 | By Chihiro Ishizuka | Vertical Comics – I was right, the idea that this series has a plot was laughable. Nothing much continues to happen in this third volume, though we do expand the cast a little more with the addition of a secret cafe for supernatural beings, run by a mother/daughter combo and their shy ghost waitress, who is probably the cutest thing in the volume. There’s no real romance to be seen—Kei barely exists in the manga, and when Akane briefly thinks he has a girlfriend, it’s shot down immediately. What people are reading the series for is the cute girls doing magic (sometimes) very peacefully and seeing impressive sights, such as flying whales that resemble ancient civilizations. Flying Witch is a calm oasis, though risks putting you to sleep. – Sean Gaffney

Golden Kamuy, Vol. 2 | By Satoru Noda | Viz Media – The joke I’d heard about this volume was that the manga decided to turn into a foodie series, and there is an awful lot of attention devoted to the preparations of the wild animals that our heroes kill and eat while in the jungle. It also shows off their chemistry, and when we visit Asirpa’s village we find that they are very much in favor of hooking the two of them up. That’s unlikely to happen right away (if at all), though, as Sugimoto decides that it’s unfair to take her away from her loving family and friends and immediately goes out and gets captured and tortured. He’s a self-proclaimed immortal, but that doesn’t mean we can’t graphically show what he goes through, so it’s a foodie manga with a gore warning. Very good, though. – Sean Gaffney

In/Spectre, Vol. 6 | By Kyo Shirodaira and Chashiba Katase | Kodansha Comics – I thought this was going to be the final volume, and it does wrap up the novel it’s adapting, but apparently more stories are coming, though I wouldn’t believe Kotoko as to the content. Things wrap up nicely here, with the artist finding new and entertaining ways to show off what is basically a giant internet forum argument and make it a compelling mystery, as well as showing the sordid creepiness that comes from strangers raking over the past of a broken family. Also, the romantic triangle is resolved with no surprises whatsoever—the most interesting girl wins easily. I had a lot of fun reading this series, and am delighted that there will be original stories coming after. – Sean Gaffney

Kamisama Kiss, Vol. 25 | By Julietta Suzuki | VIZ Media – Another shoujo manga comes to a close, this one with a more satisfying ending than some, though it be full of fast-forwards. Nanami has been allowed to remain at Mikage Shrine until she finishes high school, and before that time is up she and Tomoe decide to get married while they’re still ayakashi and kami. I’m grateful that one of her friends brought up that getting married as a teenager is not generally a good idea, but I find that I don’t mind it in this case, since they’ve been through so much together. The ending is satisfying and bittersweet, a combination I really appreciate. Too, if you get the limited edition of this volume, it comes with a snazzy hardcover extra including an illustration gallery and a bonus manga! I’ll miss this series, and look forward to reading Suzuki’s next work. – Michelle Smith

Plum Crazy!: Tales of a Tiger-Striped Cat, Vol. 2 | By Natsumi Hoshino | Vertical Comics – Much like Flying Witch, it’s hard to even fill up a Bookshelf Brief with what happens in this volume—cats are cute!—but I’m going to try anyway as it really is a fun series, and Plum is a very sympathetic heroine even as she’s getting bitten and scratched and otherwise pummeled by the tsundere kitten Snowball. You can tell the author is very good at observing cat behavior, both on their own and with groups of humans—the reaction of the kids at the ballet school to “NEW KITTY!” was hilarious. There are a few sweet moments as well, but for the most part this series is going to be a mild tickle to the funnybone, as you smile and nod your head at the wacky cat antics. – Sean Gaffney

Princess Jellyfish, Vol. 6 | By Akiko Higashimura | Kodansha Comics – Most manga is more or less predictable—readers pretty much know what to expect with a sports manga or shoujo romance. Princess Jellyfish is an exception. At the end of the last volume, at which point Kuranosuke was hit hard by the reality of the fashion business, I never would’ve guessed at the place where the characters find themselves at the end of this volume. It’s too good to spoil, really, but I’ll mention the standout moments are Shu delivering Kuranosuke’s dress to his mother in Italy, where we see how much she really does love her son, and a certain character saying to herself, “So this time, I’ll be the one. I have to save everyone.” Reader, I sniffled! I have no idea where this story is going, and that is truly delightful. – Michelle Smith

Welcome to the Ballroom, Vol. 7 | By Tomo Takeuchi | Kodansha Comics – Last time I said that Ballroom‘s fault was that it tended to hammer on the angsty drama a bit too much, and this volumes takes that drama and doubles it. Honestly, it was pretty hard for me to plow through, particularly the first half. I really enjoy watching the dancing and the art is terrific, but there needs to come a time when we see our leads genuinely enjoying themselves, and they’re both just wallowing in misery here. It’s even piled on with their major rivals going to Germany instead of coming to the competition they were going to meet up at. Sports titles always get like this, and I know we’re going to have to have a breakthrough next time, which will be amazing. But only read this to get to that. – Sean Gaffney

Arifureta: From Commonplace to World’s Strongest, Vol. 3

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By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou” by Overlap. Released in North America digitally by J-Novel Club. Translated by Ningen.

This was a relatively good volume of Arifureta provided you understand what genre you are reading – it’s a teenage power fantasy of the strongest kind – so let me get the weak point out of the way straight away. It’s not hard, she’s sitting on the cover. Judging by Arifureta fans’ reaction, I’d expected to dislike Shea, introduced last time, but instead I really found myself taken with her. Tio, introduced in this volume, is not nearly as fortunate, mostly as she’s a walking sex joke (it’s a sad state of affairs when the buxom bunny girl is NOT the walking sex joke). She’s a dragon person who is mind controlled to kill the party that Hajime and company are tasked to rescue, and is unsurprisingly very hard to kill. Hajime, who as we know prefers overkill anyway, ends things by shoving a giant spike up the dragon’s bottom… which apparently not only dispels the mind control, but triggers her masochistic side. She spends the rest of the book making the standard “your abuse turns me on” jokes. Also, if you’re going to develop a heroine, don’t do it at the end in an extra story. It just looks like you forgot to.

Leaving Tio aside, the rest of the book is much better. The teacher of this sent to another world bunch, Aiko, gets the bulk of the development, and honestly probably should have gotten the cover, especially as I suspect she’s eventually going to be part of the inevitable harem, though I’m not happy about that. She still has a tendency to be a bit too much of a ripoff of Komoe-sensei from Index, but her desperate idealism and desire to help everyone she meets – as well as all her students, even when they’ve turned totally insane or (in Hajime’s case) become cynical and bitter. In fact, she’s far stronger than you’d expect, and when she goes up against Hajime to convince him to do the right thing and save the town, it’s him who blinks first. Yue also helps here, saying that the Hajime she fell in love with is not someone who will kill for no reason. Having taken the hero as dark as we can, it’s time to start bringing him back to the light.

That will take some time, and may never completely happen, though I particularly liked his reasoning for killing the villain at the end, even though he was dying anyway. Hajime, Yue and Shea continue to be the most broken trio ever, and Shea has now fully integrated herself into their little group (though he still won’t sleep with her.) If you read a series in order to see the hero overcome hardships and struggles, this is so not the book for you. If, on the other hand, you enjoy seeing a ridiculously overpowered twink waltz his way through a fantasy world and occasionally be reminded that he once had an actual soul, and don’t mind him abusing nearly the entire cast, you should enjoy this quite a bit. I would not go as far as Yue and say that Hajime is a tsundere, though. Maybe he’s a tundra.

My Week in Manga: October 2-October 8, 2017

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My News and Reviews

Last week at Experiments in Manga I announced the winner of the Assassin’s Creed manga giveaway. The post also includes a list of manga published in English that feature pirates of various types, including historical pirates, fantasy pirates, space pirates, and others. Then New York Comic Con (which is still going on) and Yaoi Con were held last week as well. I didn’t attend either event, but there were some announcements made by Kodansha Comics, Viz Media, and SuBLime Manga (which is technically Viz Media, too). Kodansha revealed plans to release Kenji Inoue and Kimitake Yoshioka’s Grand Blue Dreaming, Mitsurou Kubo’s Again!!, and Akiko Higashimura’s Tokyo Tarareba Girls in print. Among other things, Viz will be adding Hidenori Kusaka and Satoshi Yamamoto’s Pokémon Sun & Moon and Tenya Yabuno’s Pokémon Horizon: Sun & Moon and will be re-releasing Naoki Urasawa’s 20th Century Boys and 21st Century Boys in a hardcover edition in addition to speeding up the release of Kōhei Horikoshi’s My Hero Academia. SuBLime announced a few new digital titles, but Ranmaru Zariya’s Coyote and Ogeretsu Tanaka’s Escape Journey will receive print runs, too.

Quick Takes

Aho-Girl, Volume 1Aho-Girl, Volume 1 by Hiroyuki. I only realized it after I finished the first volume of Ah0-Girl, but I’ve actually read another of Hiroyuki’s four-panel manga, Dojin Work, which was never released in its entirety in English. It’s been a long while since I’ve read Dojin Work, but I get the sense that in general I prefer that earlier series over this more recent one. Aho-Girl, while it did legitimately make me laugh on multiple occasions, tends to rub me the wrong way and I personally could have done without all of the sexual harassment being used as the basis for comedy. The dirty jokes I don’t particularly mind, though. As defined by first volume’s cover, “aho-girl” is Japanese for a clueless girl. Yoshiko Hanabatake, the series’ titular character, is indeed an astonishingly dense airhead. Oh, and she really, really likes bananas. Other major characters in the first volume of the manga include Akuru Akutsu, her long-suffering next door neighbor and supposed childhood friend (who doesn’t seem to have many friends in part due to his own unfortunate personality), her mother Yoshie, who would like nothing more than to see the two of the together, and Sayaka Sumino, a genuinely kind girl, classmate, and friend. As may safely be assumed, most of the humor of Aho-Girl revolves around Yoshiko’s sheer stupidity, for better and for worse.

Appleseed AlphaAppleseed Alpha by Iou Kuroda. An adaptation of sorts of the Appleseed Alpha anime, which itself is a spinoff of sorts of Masamune Shirow’s Appleseed manga, Kuroda’s Appleseed Alpha manga forms a prequel to the original story. Although to be completely honest, I’m not entirely sure exactly how the Appleseed Alpha fits into the larger Appleseed franchise since I’m not familiar with any of the other manga or anime. What drew me to the Appleseed Alpha manga was Kuroda’s involvement. It’s been a few years since I’ve read it, but I remember enjoying Kuroda’s alternative manga Sexy Voice and Robo, so I was glad to see more of the creator’s work with its distinctive illustration style released. Kuroda’s Appleseed Alpha was longer than I originally thought it was–Kodansha Comics’ hardcover edition is in fact an omnibus collecting the entire two-volume series, but somehow manages to look much shorter than it actually is. Appleseed Alpha is not a quick read although the plot and action moves at a fairly steady pace. The story follows Deunan, a very competent ex-SWAT officer, and her combat cyborg boyfriend Briareos as the couple makes their way through a dystopic cyberpunk Western version of the United States. Previous knowledge of Appleseed is not needed to enjoy Kuroda’s somewhat quirky contribution.

QQ Sweeper, Volume 1QQ Sweeper, Volumes 1-3 by Kyousuke Motomi. I greatly enjoyed Motomi’s earlier manga series Dengeki Daisy, so I was looking forward to giving another of the creator’s series a try, which is what ultimately led me to QQ Sweeper. (A few of the characters from Dengeki Daisy actually happen to make quick cameo appearances in the series, too.) Fumi’s dream in life is to find a prince charming to sweep her off her feet. Instead, she finds Kyutaro who has a fixation on literally sweeping. He has a pretty good reason for it, though. Kyutaro and his family are responsible for ridding the local area of dangerous infestations of malicious thoughts and psychological torment which manifest as bugs and physical cleanliness can go far to help with spiritual cleanliness. Of course, sometimes the bugs really are just bugs. For as seemingly silly and charmingly goofy as QQ Sweeper can often be–it can essentially be summed up as a supernatural cleaning manga–the series quickly becomes surprisingly dark. QQ Sweeper ends somewhat suddenly with the third volume and doesn’t really provide much of a satisfying conclusion, but fortunately the sequel series Queen’s Quality has been licensed as well. The series’ humor and seriousness occasionally seems a little off-balance, but I really liked QQ Sweeper and certainly plan on continuing with the story.