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Skip Beat! Vol. 39

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Skip Beat! Volume 39 by Yoshiki Nakamura

This shortish storyline dealing with Kyoko’s mother is one of my least favorite Skip Beat! episodes, perhaps because Nakamura is so good at portraying Saena as cold and distant in a way that would damage anyone’s psyche, that the efforts to humanize her by detailing the events that led up to her abandonment of her daughter still fall short of making her a character that I feel any sympathy for. But part of what makes Skip Beat! so entertaining for so long is the way many of the characters have been emotionally damaged in different ways, and there’s no easy fix for getting over trauma.

As Kyoko progresses through the series it is fascinating to see how her reactions to setbacks both change and stay the same, but the end result is that she becomes a stronger person. Kyoko’s control and composure when confronting her mother demonstrates how much more resilient she’s become, and her response to the encounter is to dedicate herself to becoming successful with her own goals.

One of the reasons why I like Skip Beat! so much is that Ren Tsuruga often is placed in what is sometimes a more feminine position for shoujo manga tropes. In this volume in particular, he’s left waiting and worrying about a terse text from Kyoko, and he ends up pretending to casually drop by to check on her. Patient waiting is the best way to deal with Kyoko when she’s still so emotionally fragile, but it’ll be interesting to see what happens when they are both ready for a relationship.

While Kyoko has come pretty far, it is clear that maintaining her rage at Sho is her safe space. I don’t think that it is a coincidence that after the confrontation with her mother, she ends up in a confrontation with Sho. Seeing how gently Kyoko and Ren interact with each other is certainly a big contrast to all the yelling and shin kicks that occurs when Kyoko and Sho are in the same room. As the volume seems to be setting up another acting challenge for Kyoko, I’m looking forward to seeing what she is able to accomplish next with all the emotional turmoil behind her.

Manga the Week of 8/30/17

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SEAN: STUFF!

ASH: Lots of stuff!!

SEAN: J-Novel Club starts us off, with a second volume of color-coded heroine series Demon King Daimaou.

And also a second volume of Infinite Dendrogram, which seems to be… just about a gamer in a VR world. What, he’s not trapped or anything? Pff.

Another Del Rey rescue bites the dust with the 21st and final volume of Alive.

ASH: It’s been a long time since I’ve read the beginning of Alive. Now that the series has been completed, maybe it’s time I revisit it.

SEAN: Aho Girl was amazingly stupid but amusing, so I look forward to Volume 2.

On the digital front, Altair: A Record of Battles has a 3rd volume.

And on the Michelle front, there’s a 4th DAYS.

MICHELLE: Heh, you know it! Also, I really do need to read Altair.

ASH: Same!

ANNA: I haven’t read the first volume of Altair yet, but I will!

SEAN: The title that nobody remembers (even Amazon, who hasn’t listed it), we get a 3rd DEATHTOPIA from the creator of Cage of Eden.

More Michelle volumes with a 5th Giant Killing.

MICHELLE: Seinen sports manga is such fun!

ASH: I want this series in print so, so much! The anime adaptation was great, too.

SEAN: House of the Sun got of to a fast start but slowed down after that. Here’s a 6th book.

MICHELLE: I’ve started this series but struggled to connect with the characters. I haven’t given up, though.

SEAN: Briefly back to print for a debut. Kigurumi Guardians is a shoujo title from Nakayoshi, but its creator, Lily Hoshino, is better known for her BL titles. No surprise then that this manga has a lot of pretty boys.

MICHELLE: I’m hoping this is fun.

ASH: Hoshino’s manga can be a little hit-or-miss for me, but I’m definitely curious.

ANNA: Hmm, I am curious too!

SEAN: Another forgotten by Amazon digital title, B&N lists a 29th Space Brothers volume. Apologies for forgetting to mention the first 28 or so. It’s a great series.

ASH: Yes!

SEAN: Seven Seas has a sea of titles next week, including three debuts. The first is Absolute Duo. It’s based on a light novel. It’s from Comic Alive. It takes place at an academy filled with fighting. My lineface can possibly be seen from space, but I’ll add it just in case. :|

MICHELLE: Heehee.

SEAN: Akashic Records of Bastard Magical Instructor is another debut this week. It’s based on a light novel. It’s from Shonen Ace. It takes place at an academy filled with fighting. :|

MICHELLE: *snerk*

SEAN: A Certain Scientific Accelerator has hit its 6th volume, and despite ALSO being a spinoff of a light novel title that runs in an otaku-oriented magazine and taking place at an academy filled with fighting, I quite enjoy it.

Theoretically, Don’t Meddle with My Daughter should get points for at least NOT being based off a light novel or taking place at an academy of fighting students. However, it runs in Young King and apparently has two doujinshi sequels by the author that are actual porn, so let’s just say my hopes are not high. It’s about a retired superhero mom who returns to action to protect her daughter, who is now taking over the family business, so to speak. Oh yes, it’s also by the creator of Dance in the Vampire Bund. It’s almost the perfect anti-Manga Bookshelf title.

MICHELLE: Sounds like it.

ANNA: It could be the Manga Bookshelf Kryptonite.

SEAN: And along the same lines, we have a 12th Monster Musume, which can be very ecchi. And not only that, but…

Yes, we’ve hit the trifecta of vaguely H titles, an 8th Pandora in the Crimson Shell! BINGO!

On the Vertical front, there is a 9th Cardfight!! Vanguard, which has fights… with cards! (Yeah, yeah, shut up.)

Vertical also has the 2nd Nisemonogatari novel, Tsukihi Phoenix, which features the youngest of the Araragi siblings, though honestly Karen’s toothbrushing scene will likely get all the attention. Also, are fans still going to be dagnabbit mad? Probably.

Yen has some digital titles, with new Corpse Princess (12), Gesellschaft Blume (2), IM: Great Priest Imhotep (2), and Saki (12). Something for everybody.

ASH: Saki!

SEAN: And of course there’s always a Yen straggler, and next week it’s Dimension W’s 7th volume. Why they always delay one or two books to the next week, I dunno. It’s one of those manga mysteries.

As you can see, there is much to choose from, though my colleagues may be staring at this and saying “Yeah, um…” So what are you getting?

Cosplay Animal, Vol. 1

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By Watari Sakou. Released in Japan by Kodansha, serialized in the magazine Dessert. Released in North America digitally by Kodansha Comics. Translated by Rose Padgett.

Of of the more encyclopedia manga reference sites out there, Baka-Updates, has its listings of manga divided into tags, and I’ve frequently found myself looking at the work of a specific author or genre and wondering which tags were commonly used. In addition to the obvious ‘shonen’, ‘shoujo’, etc, there are things like ‘love triangle’, ‘strong female lead’, etc. And a lot of the shoujo titles tend to have the word ‘smut’ attached to them. These are the shoujo titles that run in order-skewing magazines like Sho-Comi or Dessert where the relationship expands to include sex fairly rapidly, and includes it often. A few years back you’d never have seen these sorts of titles over here, but now we have a certain number of them, mostly from Viz; Ai Ore, Butterflies Flowers, and the like. That said, while I have seen young women surrendering to passion, driven by their desires, and having a grand old time in these books, I’m not sure I’ve ever seen a heroine quite as horny as Rika in Cosplay Animal.

Rika is a college girl with a fetish for costumes, particularly school uniforms – and I mean fetish, we hear over and over again about how much it turns her on. One day she posts to a hookup site and starts talking with a high school boy who’s having relationship issues, and as they talk she texts a picture of her in her old school uniform. She decides to go see him, and finds that not only is he super hot, he also works as a waiter – another uniform! Of course, at first he thinks she’s a high school girl. Then, when he finds out the truth, he finds her fetish a bit lame. But eventually they work things out, and now Rika is dating a guy who will not only agree to have sex with her in a uniform, but can give her multiple orgasms. The end! Only, of course, not the end.

This volume has only Cosplay Animal’s first-chapter, which is clearly a one-shot, and its one-chapter sequel, also clearly meant to be a one-shot. Something about the series made the editors reward it with a longer run, and I’m pretty sure it’s Rika, who is simply straight up ridiculous. The series verges on being completely horrible but it isn’t quite, and what makes it compulsively readable is that Rika really is that over the top – if she were a more realistic, emotionally fragile young shoujo heroine this would be tasteless. As it is you can’t even get offended because of the silliness. That said, the manga cannot sustain this pace forever, and I can’t help but notice that it ran for 14 volumes. Something is going to have to give to fill up that space. I hope the character development is just as whacked out as the start was.

There are also three unrelated short stories at the end of this, which in fact take up more room in the volume than the main series. Cockblocked! is memorable mostly for the title, and features a girl trying to have sex with her older tutor but having difficulties due to a past family trauma. Servants of the Flesh deals with two young people in different schools, one male, one female, who have the same reaction to being called ignorant virgins a while back – to learn EVERYTHING IT IS POSSIBLE TO KNOW ABOUT SEX. Of course, they are still virgins. Sparks fly when they meet each other trying to help a friend at each of their respective schools, and end up being super hot once they both take their giant nerd glasses off. Again, it’s the sheer ludicrousness that makes the short work, though it gets buried in sex info because of the leads. The Touch of an Angel, the Kiss of a Devil is the most ‘normal’ story in the book, and therefore the dullest. I wonder if it was the author’s first, it seems so generic.

Cosplay Animal is a fun manga to read, but be warned: do not have any expectations of it being anything other than pervy shoujo froth. If that’s what you’re looking for, Rika is here for you.

My Big Sister Lives in a Fantasy World: The Strongest Little Brother’s Commonplace Encounters with the Bizarre?!

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By Tsuyoshi Fujitaka and An2A. Released in Japan as “Neechan wa Chuunibyou” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Elizabeth Ellis.

Well, we’ve reached the 5th volume, which is usually around when a lot of light novel series decide to give us a series of interconnected short stories, and that’s the case here, as our heroes’ club advisor (who is the villain from the prior book, returned to be a counselor for Yuichi for reasons I won’t bother to get into as they’re stupid) explains that the other villains will probably have a rest period before they try to attack again and restart the main plot. Of course, Yuichi is who he is, so this doesn’t mean that his life becomes a normal romantic school comedy. Every week brings a fresh new series of supernatural things for him to punch, rivals to take down, and girls to rescue. Why? Well, because he is who he is, trained by his older sister.

As I’ve discovered with a lot of these short story books, the rule of thumb is that the longer the story, the better it is. This means the book gets better as it goes along, as the final two stories are definitely the longest and best. But it also means you start by wading through a lot of drek. The first story (and connected prologue) attempts to show us that Kanako and her writing career is still relevant to the plot, but I’m fairly sure that’s not the case – mostly it’s there to make fun of light novels. We then get a story of a yokai who tries to seduce men, but looks like a little girl, which at least keeps the lolicon jokes down to a mere 2-3 per page, but is otherwise meh. The third story introduces a friend/lackey of Mutsuko, who has new powers she wants to test on Yuichi. The main thrust of the story is that the girl is very fat, which Yuichi seeks to remind us of constantly. I was more amused by her constantly slipping into different types of over the top speech patterns – it reminded me of the otaku from Oregairu, and distracted me from the endless fat comments. The other yokai stories are so dull I’ve already forgotten them.

The last two stories, though, are decent, and help to make the book at least get a low passing grade. The story with Yoriko attracting the attention of a delinquent, and then a yakuza with a thousand men at his command, is merely an excuse to see how ridiculous things can get, which honestly is why I read this series in the first place, so I was quite pleased – they got very ridiculous. Also, their mother is Kasumi Tendo – I was very disappointed she didn’t say “Ara, ara”. The final story deals with spirits, and whether Yuichi can punch them with his manly fists of justice (answer: of course he can). It’s more of a hodgepodge than the previous story, seeming content to throw plot ingredients into a nabe pot and see what comes out, but it was also fun, even if the ending was slightly predictable (I say slightly only because I guessed the wrong ghost).

The cliffhanger may be the most interesting part of the book (which doesn’t speak well of it), seeming to introduce Yuichi’s next major foe, a protagonist from a different world who honestly reminds me of the hero from Little Apocalypse. (Boy, wouldn’t that be a crossover?) Also, don’t think I didn’t notice Natsuki simply vanishing midway through the book. We’ve only got two more to go in this series, so keep reading if you’re a fan. Otherwise, skip it.

Bookshelf Briefs 8/21/17

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Behind the Scenes!!, Vol. 4 | By Bisco Hatori | Viz Media – I’m still vaguely enjoying this series, but I must admit I’m far more into it for the special effects department and studies about film-making and acting than I am regarding the main characters. Izumi’s amnesia really doesn’t seem like anything other than a necessary plot twist to drag things out a bit… and even then, he still gets the cookies in the end. More amusing is the brief cameo by Ranmaru’s parents, who are the opposite of what everyone was expecting, including the reader. But perhaps most importantly for the female readers of this manga, Goda cuts his hair! I enjoy this while reading it, but it feels like a “victory lap” series, the sort of thing an author writes after finishing a big hit. – Sean Gaffney

Descending Stories, Vol. 2 | By Haruko Kumota | Kodansha Comics – I knew that somewhere along the way we were going to get an extended flashback showing us the youth of Yakumo, but I wasn’t expecting to see it so soon, or for it to take up the majority of this volume. It’s told very well, making both Bon and Shin very sympathetic and likeable, and also introducing another woman who will no doubt become even more important in the third volume. More to the point, though, the series still at its heart continues to be about rakugo, and we see several examples of the art throughout the book, showing what’s good about it and what its flaws are—and also showing us how far Yotaro has to go to remotely get near competent. Not falling asleep would be a good start. – Sean Gaffney

Haikyu!!, Vol. 14 | By Haruichi Furudate | Viz Media – Answering my question from last time, Daichi is not THAT injured, but injured enough so that he has to sit out the rest of the match—he’s lost a tooth. And so we get to see Ennoshita come in to take his place, which means that most of this book is about Karasuno struggling to regain its rhythm with a new person where their captain should be, and said new person trying to find a way to help them and not completely panic. (We also see the complete panic—Yamaguchi gets a point, but chickens out rather than do the serve he’s been training on. I expect more of this later.) And of course we get to see Karasuno move on to the next game, and I expect the next book will start by showing us who their opponent will be. – Sean Gaffney

Maid-sama!, Vols. 17-18 | By Hiro Fujiwara | VIZ Media – Maid-sama! ends at last. Much of what happens here is fairly predictable. Misaki rescues Takumi from England, but not before he realizes that his Walker relations aren’t actually that bad. There’s a proposal, and intense studying for exams, and Misaki realizing that she no longer needs to hide the fact that she works in a maid café. The bits that aren’t predictable are sometimes ridiculous, like the fact that Takumi supposedly befriended some pigeons who helpfully obstruct the paparazzi, but also sometimes nice, like a small moment (a single panel, really) in which a study-fatigued Misaki lets herself lean on Usui and tells him a few of the things that’re distracting her, trusting him to get them done. Also, Suzuna and Hinata make progress! This definitely wasn’t my favorite series, but it had its moments. – Michelle Smith

Nirvana, Vol. 1 | By Jin & Sayuki (Zowls) | Seven Seas – This new series feels like a cross between a standard reincarnation manga—a girl dies in a plane crash and is resurrected as the reincarnation of a goddess—and Magi, featuring a lot of the same Middle Eastern feel of that series. As you can tell by its presence in a Bookshelf Brief, I don’t have as much to say about it as I normally would, but that doesn’t mean it’s bad—it’s a decent series, with some nice fights and interesting backstory. The plot is clearly going to be “let’s gather together all the scattered heroes,” the sort of thing that could run for three volumes or twelve depending on how well it sells. And Yachiyo is likeable enough, though I suspect her “must help others at all costs” will get into major trouble down the road. – Sean Gaffney

Yona of the Dawn, Vol. 7 | By Mizuho Kusanagi | VIZ Media – With the expanding cast, working together with pirates, and Yona genuinely being badass and intimidating, Yona of the Dawn continues to evoke the Basara feels, and that is very much a compliment. As the volume opens, she and Yun have infiltrated a human trafficking operation by posing as merchandise, and though her dragons are on hand to rescue her, it’s Yona who terrifies and then neatly kills the head bad guy. It’s super satisfying! I also loved that when she later has a surprise run-in with Su-won, she’s terrified, yes, but also thinking of seizing the moment to get revenge for her father. She’s come such a long way, and now I’m even more excited to see where the story goes from here! – Michelle Smith

My Week in Manga: August 14-August 20, 2017

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My News and Reviews

It’s been a while since there have been two features posted at Experiments in Manga within the same week in addition to the usual My Week in Manga, but that’s exactly what happened last week. First there was July’s Bookshelf Overload which, minus the replacement copies for some of my recently water-damaged books, provides a list of the manga and other media that I picked up last month. (Normally I post the Bookshelf Overload feature in the second week of the month, but I switched things up a little in order to post my review of Kazuki Sakuraba’s A Small Charred Face sooner rather than later.) Last week was also Experiments in Manga’s seven-year anniversary! I wrote a little about the past year and, with some amount of sadness, also announced my upcoming (semi)-retirement from manga blogging. I’ll continue to post here at Experiments in Manga for the rest of 2017, but once 2018 arrives most of my short ramblings on manga will be found over at Manga Bookshelf (and probably at my Twitter account, too).

Quick Takes

H. P. Lovecraft’s The Hound and Other StoriesH. P. Lovecraft’s The Hound and Other Stories by Gou Tanabe. While I am very aware of Lovecraft’s work and influence (the Cthulhu Mythos in particular was tremendously popular among a certain segment of my friends for quite some time), I’ve actually only ever read a single collection of his short horror stories. I largely enjoy their bizarre creepiness, and so I immediately took note when I learned that Dark Horse would be releasing a volume of some of Tanabe’s manga adaptations of Lovecraft stories. Plus, I was simply happy to see more mature horror manga being licensed. The Hound and Other Stories collects the adaptations of three of Lovecraft’s stories from the early 1920s: “The Temple,” “The Hound” (the only one of which I had read the original), and “The Nameless City.” Of the three, “The Temple” was the most successful for me, Tanbe’s deliberately disconcerting artwork perfectly conveying the narrative’s dark and increasingly claustrophobic sense of dread. The Hound and Other Stories is actually the first volume in a series. Nothing official has been announced regarding the translation of future volumes, but Dark Horse has indicated that the possibility is there. I know I’d certainly be interested in reading more of Tanabe’s work, Lovecraftian or otherwise.

Hana & Hina After School, Volume 2Hana & Hina After School, Volume 2 by Milk Morinaga. I’m not as interested in schoolgirl yuri manga as I am in those that feature adult women–which seem to be very few and far between in translation–but I will still happily read them. Which is probably a good thing seeing as most of the yuri manga that has been published in English tend to be set in either middle or high school. (To be fair, that can be said of numerous other genres as well.) Hana & Hina After School definitely falls into that category, and I certainly have been enjoying the manga. While it’s clear that Hina and Hana care for each other a great deal, the romance in the series is actually a little slow to develop, though it does feel more natural that way. Hina recognizes that she has a crush on Hana, and has known for some time, but Hana tends to be a little more oblivious. Hana & Hina After School concludes with the next volume; I would be incredibly surprised if the ending isn’t a happy one, but both Hina and Hana will need to fully come to terms with their feelings before that happens. In general, Hana & Hina After School is a cute and sweet series, but I do appreciate that Morinaga also incorporates some of the real-world concerns faced by people in non-heterosexual relationships.

Samurai Crusader: The Kumomaru Chronicles, Volume 1Samurai Crusader: The Kumomaru Chronicles, Volumes 1-3 written by Oji Hiroi and illustrated by Ryoichi Ikegami. At this point I’ve read most of the manga available in English with which Ikegami has been involved, Samurai Crusader being one of the few exceptions up until now. Hiroi is probably best known as the creator of Sakura Wars, which I’m not particularly familiar with. (I believe Samurai Crusader is the only other manga of Hiroi’s to have been released in English.) Samurai Crusader is currently out-of-print and can be a little tricky to find, but the series can usually be found for a fairly reasonable price. (Note that the individual volumes aren’t numbered and after the first are given unique subtitles instead; Samurai Crusader is followed by Way of the Dragon and Sunrise Over Shanghai.) Taking place in the 1930s with the Second World War looming on the horizon, Samurai Crusader is an tale of action and adventure spanning the globe and featuring Ernest Hemingway as the a sidekick to the series’ protagonist Kumomaru, a noble young man who finds himself fighting against those intent on world domination. Samurai Crusader is admittedly outrageous and over-the-top, but that’s also a large part of why the series is so highly entertaining.

Queen Emeraldas, Vol. 2

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By Leiji Matsumoto. Released in Japan by Kodansha, serialized in the magazine Weekly Shonen Magazine. Released in North America by Kodansha Comics. Translated by Zack Davisson.

These Emeraldas stories we see in this second omnibus tend to be fairly stand-alone and separate from one another, connected only by the interlocking narration of our titular heroine – indeed, sometimes the narration gets so interlocking it’s hard to tell when the chapter breaks are, which I’ve no doubt is somewhat on purpose. This is a long, endless journey through space. There’s no real destination, there’s no particular character development – Emeraldas is who she was at the start, and Hiroshi Umino may be hiding his identity behind a fake name, but is still essentially the same as well. So what you get in this volume is the delight of the scenery along the way, with Matsumoto’s sparse yet compelling art portraying a vision of space that its readers long to visit, even though they know that, since they aren’t Emeraldas, it’s likely they’ll end up as dead as most of the people in this book.

If you’re wondering where this takes place in the Harlock/Emeraldas/GE999 canon, the answer is “slightly early”, as we get a few shots here of Emeraldas observing (and really, that’s pretty much all she does) a short, teeth-filled man who faithful readers know is Tochiro, who will eventually be the love of her life. For the moment, though, the reader merely observes him dealing with life in a very Wild West-influenced outer space – much as Emeraldas is a grand Wagnerian opera, there’s also a large chunk of Hollywood Western to it as well. Of course, we’re not actually telling the story of Tochiro and Emeraldas yet, so which they interact, they eventually move on, just as everyone else does. Emeraldas is an anthology, and as such rarely stops to take on backstory. Still, it’s great to see him.

The series ends with a few short stories. The second one feels very much like the rest of the book, and is quite poignant. The first one… does not. I’m sure that in a collector’s sense the Matsumoto fan is delighted with its presence in this book, if only for the sake of completeness. As someone who’s read the rest of the series, however, the story of Emeraldas and her goofy female pirate crew running into Harlock and his male crew in an effort to find a treasure map feels like finishing off dinner at a 5-star restaurant with a bag of Doritos. I’m not sure if this story came out well before the rest of the book – I’ve been burned saying things like that before. But it FEELS like an earlier work, and while it’s quite funny in places, and it’s nice to see Harlock, I found its presence in the end simply jarring.

But that does not take away from the grandeur of the main work, and it’s been a treat reading Queen Emeraldas in English. It’s even more of a treat knowing that more is coming, as we have Harlocks both new and classic in the near future. Can a Galaxy Express 999 re-release be far away? (OK, probably, yes, it can.) In any event, classic manga lovers, fans of space opera, or even pirate kids will greatly enjoy this series. Long may she sail through the stars, narrating gravely as she goes.

Paying to Win in a VRMMO, Vol. 4

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By Blitz Kiva and Kuwashima Rein. Released in Japan as “VRMMO wo Kane no Chikara de Musou suru” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Elizabeth Ellis.

Despite the fact that everything I either wanted or predicted would happen in my previous reviews turned out to be wrong, this ended up being probably the strongest volume in this series to date. Once again Ichiro is somewhat sidelined, this time by design – both parties have asked him to stay out of their design battle, which he does. In addition, I had predicted doom if Nem ever met Iris in real life – and lo and behold, that happens right at the beginning of the book. It’s OK, though, because this book ends up being a bit of a character piece, looking deeply at the life of a rich woman with tremendous talent but few friends or social skills, and a bipolar teenager (she says so herself, I might add) with a lot of drive and slightly more friends and social skills, but far less talent and likely headed for burnout.

The parts devoted to Nem are quite good, if a tad predictable, and I appreciate that she has the self-restraint to crush Iris in the game rather than Airi Kakitsubata in real life. As for Iris, I’m starting to see why the author mentions fans after the first volume wondering where she was. She’s such a car wreck in action, with astounding highs and devastating lows, that everyone around her defines her mood swings as her most well-known trait. I also appreciated the narrative acknowledging that as she is, she likely doesn’t have what it takes to make it as a designer – that may change now that she’s friends with Megumi, but even Ichiro admits that she falls short on the talent side. (Speaking of design, I appreciate the detail that these books go into showing off the careers of Iris and Megumi and what goes into creating custom fashion – there’s a lot of little anecdotes that help the whole thing feel more realistic.) And best of all, Iris still isn’t remotely showing signs of falling for Ichiro. I love that she still regards him as really annoying more than anything else.

The battle itself is closer than you’d expect, but Nem is a newbie to the world of NaroFan, while Iris is more familiar with “how would a gamer react” rather than “how would a normal human react”, so she comes very close, though in order to do so she does end up humiliating Sakurako, whose new character ends up being exposed a bit too much for her comfort. (There are also a few lines where Iris mocks the “old” Megumi, and Megumi and Sakurako’s reactions make me wonder if the author was poking at his editors for saying that the light novel reader hates women over 25.) Even Felicia is getting development, showing that she’s ready to break away from her cousin and achieve great things on her own in the game, something which ironically finally garners praise from him that she’d long coveted.

As I said, the only one who seemed to stay exactly the same is Ichiro, though you might argue that for once he appreciated his tactlessness a bit more than usual. Still, the cliffhanger leading to the next book seems to indicate that we’ll see more of him in it. The series is only six volumes long, so I’m quite happy to see what happens next. I wasn’t even as irritated by Ichiro this time around as I normally am, although that could also be a flaw in the work, given who he is.

She and Her Cat

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By Makoto Shinkai and Tsubasa Yamaguchi. Released in Japan as “Kanojo to Kanojo no Neko” by Kodansha, serialized in the magazine Afternoon. Released in North America by Vertical Comics. Translated by Kumar Sivasubramanian.

The first thing that occurred to me after I finished She and Her Cat was that I felt that it would have been a much better book without the cat. I later changed my mind, but it has to be said that those who pick this up thinking it’s another cute animal book like Chi’s Sweet Home will be brutally disappointed. The cat exhibits some signs of cleverness in it, but is pretty much just a cat in the end, and the relationship with a kitten is the weakest part of the volume. That said, the volume is still absolutely worth getting because of the titular She, an office lady named Miyu who lives in her apartment with her cat and her regrets, possibly not in that order. Her life is laid out for us by Makoto Shinkai, who apparently created this in 1999 as a 5-minute animation and then expanded on it with both this manga and another anime series.

The reason I came to appreciate the cat is the way that the cat is also serving as the eyes of the reader… but because it’s a cat, doesn’t really understand much from Miyu other than surface emotions such as depression, exhaustion, or happiness. We understand more as a reader, having lived through similar moments in our lives, but the empathy comes from seeing Miyu’s life in miniature, rather than through any monologue that she has. There are a few scenes we see without the cat, and they are conveyed normally through dialogue – the only way we see into Miyu’s head is via either the words she says or the cat’s thoughts. She starts off cheery if harried, then suffers through a deep depression as things at work go sour and she’s reminded that her other friends have married by now.

Because this was written by Makoto Shinkai, I was uncertain if it was going to have a happy ending or not. But he specializes more in bittersweet than anything else, so though Miyu may entertain suicidal thoughts while under the bridge towards the end, things mostly work out thanks to a Neko Ex Machina. I like the fact that we end with her life swinging back up again, doing a lot better at work, and rejecting the proposal of a co-worker because she doesn’t love him, rather than because getting married is what she has to do now. Miyu finds being an adult as hard as the rest of us do, but she’s muddling through with the help of her cat, and I think it’s very inspiring to those who deal with feelings of inadequacy and worthlessness. And of course there are also scenes of Miyu playing with her cat, rest assured.

For fans of Makoto Shinkai, this is an obvious buy. I’d also recommend it for those who find themselves muddling through the day somehow, and wondering if it’s OK to be living like this. Even if the reader doesn’t have a cat, they may find an answer here anyway. (Also, why don’t you have a cat? Cats are awesome!)

Manga the Week of 8/23/17

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SEAN: I can’t. I just can’t. How on earth is this much stuff coming out?

MICHELLE: And still none of it is 7SEEDS or Silver Diamond!

ANNA: Or Demon Sacred!

SEAN: Dark Horse gives us the 26th volume of the Vampire Hunter D novels.

ASH: I somehow managed to forget that the novel series was still ongoing.

SEAN: J-Novel Club has a 2nd volume of adorable family series If It’s For My Daughter, I’d Even Defeat a Demon Lord. Oh please stay an adorable family series…

Yes, there’s still more Del Rey rescues, with Princess Resurrection 17.

Somehow there is a new Animal Land out, Vol. 12. Only 9 months after 11! Is the series back on track?

ASH: Maybe?! The ending seems so close and yet so far away.

SEAN: Kodansha gives us a 4th volume of Chihayafura digitally. Will our ragtag bunch of karuta misfits get it together?

MICHELLE: Yay!!!!

ANNA: So excited!

SEAN: And there’s a 4th manga volume of Clockwork Planet, whose novel I enjoyed more than I did the adaptation.

Domestic Girlfriend hits Vol. 5 digitally as well.

As does Fire Force, which is print, and still not as good as Soul Eater, IMO.

Inuyashiki 8 comes out in print as well. It’s ended in Japan recently.

And Land of the Lustrous hopes to make slightly more sense with Vol. 2, but it will look gorgeous no matter what.

ASH: I’m looking forward to the beautiful mess.

ANNA: Maybe I’ll check it out from the library just for the pretty….

SEAN: The first debut next week is Love & Lies, which North American readers may find slightly familiar if they read it on the Mangabox app. It’s also got an anime coming out. The premise involves a Japan where everyone automatically gets an arranged marriage at 16.

Kodansha has a 2nd volume of Real Girl, meaning I should read the first, but TOO MUCH MANGA.

MICHELLE: I missed the first one, as well.

SEAN: The second debut next week is another of THOSE isekai adaptations. That Time I Got Reincarnated As a Slime is based on a novel Yen will be starting this December, and Kodansha’s adaptation runs in Shonen Sirius. The premise is… what the plot says.

ANNA: We live in interesting times.

SEAN: Lastly (for Kodansha), we get a 2nd digital volume of Tzuredure Children.

On to Seven Seas, who blissfully only have two releases next week. A Centaur’s Life has its own anime adaptation going on, which seems to be adapting a lot more than I expected, including scenes I was sure it would cut. This is the 12th volume.

There’s also a 6th volume of yuri potboiler Citrus.

Vertical has reached a dozen volumes of What Did You Eat Yesterday?. Will there be egg dishes? (Do eggs come in dozens in Japan?)

MICHELLE: !!!!!! I love when there are surprise things that weren’t on my radar.

ASH: I’m always read for more What Did You Eat Yesterday!

ANNA: Woo hoo!

SEAN: The rest of the list is Yen. They have a bunch of light novels. The 4th Asterisk War may not be the best of them, but my guess is that it’s the shortest.

A Certain Magical Index’s 12th volume is a ‘downtime’ book, with much of it taken up by wacky shenanigans. I suspect the cliffhanger will be less wacky, though.

The Devil Is a Part-Timer! has an 8th volume, and may finally be returning to Enta Isla for a bit.

Goblin Slayer’s 3rd volume features goblins being slayed.

The Irregular at Magic High School has a 5th volume that I would also classify as ‘downtime’, but we do get a Beach Episode out of it.

KonoSuba’s 3rd volume will, one hopes, be completely ridiculous.

Rokka: Braves of the Six Flowers has a 2nd volume, where we see how long they can extend the “one of us is a traitor” plotline.

And Sword Art Online’s 11th volume shows the ongoing adventures of Kirito and Eugeo training to become knights, this time complete with cute squire girls.

Yen manga also has one or two or twenty titles. Anne Happy has a 6th volume, and may be caught up with Japan by now.

Aoharu x Machinegun also gives us a 6th print volume.

ASH: The first volume was fun and I’ve been meaning to read more, I just haven’t gotten around to it yet.

SEAN: We have reached the final Blood Lad! You can tell it’s the final one as it’s not an omnibus, ending with a single-sized 9th volume. I will miss this underrated series.

BTOOOM! has an 18th volume, and I haven’t missed it at all, but it’s not going anywhere yet.

Delicious in Dungeon’s first volume was enjoyable enough, though I worry it will leave me with very little to review. Definitely getting its 2nd volume, though.

MICHELLE: I kept meaning to read the first, but now I’ll just have to review the first two together.

ASH: I loved the first volume and am looking forward to the next a great deal.

SEAN: There is also a 3rd Demonizer Zilch, which I keep forgetting Yen puts out.

More series whose premise I just couldn’t get past, we have a 7th First Love Monster.

Girls’ Last Tour will have an adorable post-apocalypse in Volume 2.

ASH: I didn’t find the characters overly compelling, but I did really like world and environment of the series.

SEAN: High School DxD is not dead, it merely seems like it after this recent hiatus. It returns with Vol. 9.

Kiss and White Lily for My Dearest Girl has a 3rd volume of what will no doubt be adorable yuri stories.

Log Horizon: The West Wind Brigade does not have yuri, but it does have Soujiro, so there’s a tradeoff. This is Volume 6.

Murcielago’s 3rd volume will no doubt have yuri, but if you see “If you liked Murcielago, you may also like Kiss And White Lily for My Dearest Girl”, something is screwy with Amazon’s algorithms.

ASH: HA! Someone may be in for a surprise.

SEAN: Re: Zero’s 2nd arc has its 2nd manga volume, and no doubt features Subaru dying.

Rokka also has a manga adaptation, and it’s up to Vol. 3.

Vol. 3s are popular these days! We also have a 3rd Spirits & Cat Ears.

And double digits for Trinity Ten… um, I mean Seven.

Ubel Blatt also hits double digits with its 9th omnibus. If that makes no sense, you don’t know Ubel Blatt.

Lastly (thank GOD), a 6th omnibus for Yowamushi Pedal.

MICHELLE: Yay! This is a good week!

ASH: Yay, indeed! Yowamushi Pedal isn’t released nearly as often as I wish it was.

SEAN: You must be getting SOMETHING from this morass. What is it?

One Piece, Vol. 83

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By Eiichiro Oda. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz. Translated by Stephen Paul.

One of the most obvious things that a reader will pick up on when reading any given volume of One Piece is how much fun Oda must have while creating it. Jump manga in general is very good at showing off the author’s joie de vivre, but Oda in particular makes you think of the title as a giant rollercoaster of pure wow. In particular in this volume, the scenes in the Seducing Woods are amazing, being a combination of childhood dreams of everything being alive and talking to you (including all the sweets you eat), and the horror of everything being alive and talking to you, INCLUDING THE SWEETS YOU EAT. The revelation of how the woods, animals, and everything in Big Mom’s world speak is mind-numbingly horrific, but Oda breezes right by it, content to give us more running around and punching things as a distraction. It works, but in lesser hands this would have been tonally deaf.

Luffy and company are still trying to rescue Sanji, of course, but the woods keep them busy most of the volume, so we’re not there yet. Sanji is not having a good time, though. The rest of his family has arrived, including his father, who is a nasty guy whose skills are also equal to his son, it would seem. Once again, you get the feeling that Sanji could really do some damage if he’d only take the limiters off himself – usually it’s “I won’t fight women”, but here it’s “I’ll never fight using my hands” that’s his handicap, and it’s why he now is wearing exploding handcuffs. There is genuine sadness here as well, though, as we see Sanji’s abusive childhood, and realize why he would much rather think of Zeff as his father figure than this guy who’s willing to barter his “useless” son for political gain.

As for the fights, well, Luffy gets most of the action, as usual, though Nami fares better than she normally has in recent times, using her new Climatact with gusto. The big trump card, though, turns out to be the vivre card she got from Lola back in the Thriller Bark arc – Lola, it turns out, being one of Big Mom’s endless children. I always love it when One Piece manages to tie in a plot point that happened years and years ago, though it does require the reader to be well versed in the lore. She and Luffy also bounce off each other very well – there’s no romance in One Piece, of course, but I can’t imagine LuNa shippers being too upset with what they get here. Carrot and Chopper fare less well, though there are hints that they will be more proactive in the next arc.

Wilol Luffy and company get to Sanji? Will they even meet up with Brook and Pedro, who were the advance guard? And what of Charlotte Pudding, Sanji’s bride, who likes him well enough but seems perfectly willing to let Luffy rescue him. And of course, given Big Mom is one of the Four Emperors, it’s not going to be all that simple, especially given that she can destroy whole towns when she gets hungry. My guess is this arc has a long way to go before it ends. Luckily, it’s One Piece, so we will always be entertained.

Bookshelf Briefs 8/15/17

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The not-so-brief edition!

Akuma no Riddle, Vol. 5 | By Yun Kouga and Sunao Minakata | Seven Seas – How much you enjoy this final volume of Akuma no Riddle may depend on how much you enjoy stories having a happy ending even if they have to pull the logic out of their asses somewhat. The anime finished long before this, but the beats are essentially the same, as is the result. That said, the manga is definitely making things a bit more “yuri,” and since that is the main audience for this series, I imagine fans will appreciate that if nothing else. Also, we have some really hot women in suits on the cover, and that’s worth the price of the book in and of itself. In the end, this is the lesser of the two “assassination classroom” titles, but that doesn’t mean I didn’t enjoy it—I had a lot of fun. – Sean Gaffney

Assassination Classroom, Vol. 17 | By Yusei Matsui | Viz Media – The first two-thirds of this is fantastic, as we see the class square off against each other to decide whether they will try to continue to kill Koro-sensei, or work on saving him. While lots of people get to show off their previously unseen chops, we’re all here for Nagisa and Karma, and we are not disappointed. There’s some backstory that mostly amounts to “we were good friends but grew apart,” but they also represent two very different kinds of assassins. As you may have guessed, Nagisa wins the day. The last third of the manga is a bit ridiculous, or as ridiculous as you can get in this essentially ridiculous series, but I’m prepared to shrug my shoulders and hum “Pigs in Space” while we power through it. Top-flight shonen. – Sean Gaffney

Food Wars!: Shokugeki no Soma, Vol. 19 | By Yuto Tsukuda and Shun Saeki | VIZ Media – Central continues its “mop-up” campaign against Totsuki’s various research societies, and the volume begins with the last one of the day, during which Ryo Kurokiba manages to provide the only win out of 33 challenges for our heroes. That battle is interesting, as always, though there seems to be a bit more fanservice than usual, but what’s really fascinating is the cliffhanger ending. After unwittingly helping in a Central-style lesson by serving as sous chef for Eishi Tsukasa (current first seat of the Council of Ten), Soma ends up impressing him so much that Eishi invites him to join Central. Of course that doesn’t go well, and the volume concludes with the challenge: if Yukihira loses, he has to join Central as Eishi’s right-hand man, but if he wins, he gets first seat. Either way, it’s quite a big deal! – Michelle Smith

In/Spectre, Vol. 5 | By Kyo Shirodaira and Chashiba Katase | Kodansha Comics – This is based off of a novel, and I’d be very interested to see what it was originally like. The manga does a very good job of managing to keep things interesting given that this is nothing but talk, talk talk the entire way through. The way this is done is by dramatizing the events that Kotoko is theorizing about as if they are happening (which leads to one of the few moments of humor in the book when Kotoko sets up Saki as the prime suspect) interspersed with Kuro fighting Steel Lady Nanase in the background, which is a well-choreographed if somewhat tedious fight—by its very nature it’s going to last the whole book. The next volume is the final one—will our trio pull it off? – Sean Gaffney

Kaze Hikaru, Vol. 25 | By Taeko Watanabe | VIZ Media – Every year, I am so happy when a new volume of Kaze Hikaru comes out and every year I get so annoyed with its main character. It’s to the point now where the series would genuinely be improved by her sudden demise. But yet, I do so love the deep feelings of love and loyalty between Hijikata, Okita, and Kondo, and those are enough to overlook Sei’s foolishness. She’s once again getting all bent-out-of-shape over bushi discipline which, again, she should’ve known to expect when she joined the troop. But she just can’t help making an undignified scene trying to spare an accountant guy his fate when money goes missing. At least in the end, she sees that Hijikata is not actually cruel, the accountant shouldn’t have been a bushi either, and the real culprit was a creep. If only it’d stick and she’d mature some. Oh well. I’ll still be eager next year, I’m sure. – Michelle Smith

Maid-sama!, Vols. 17-18 | By Hiro Fujiwara | Viz Media – As is appropriate for a two-volume omnibus, this is definitely divided into two halves. The first one shows us Misaki coming to Usui’s rescue, and it’s as ridiculous as you might have expected, complete with her trying to jump off a great height because she knows he would easily do it. (She sustains light injuries herself.) The second half shows us that after all this time the true antagonist is still Misaki herself, and her need to be respected warring with the fact that she works in a maid cafe. Once she gets over this and is able to tell everyone how proud she is to do that, there’s nowhere else for the series to go, so it ends with a wedding, albeit ten years in the future. Far more variable than expected, but overall I enjoyed it. – Sean Gaffney

Miss Kobayashi’s Dragon Maid, Vol. 4 | By coolkyousinnjya | Seven Seas – And this is where my enjoyment of the lead character and vague yuri is completely overshadowed by my dislike of stupid fanservice and annoying villains needing to be redeemed. Ilulu proved to be even more annoying than her introduction at the end of the last volume suggested, and I also groaned and slapped my head at the ‘let’s give Kobayashi a penis’ chapter. At times the series can still be intriguing, such as the chapter showing us how Kobayashi met Tohru on that drunken night, or the occasional depth Kobayashi receives. But it’s just not worth trawling through endless pages of ridiculous breasts and screaming lolis to get to it. Sorry, but this is the end for me. – Sean Gaffney

My Hero Academia, Vol. 9 | By Kohei Horikoshi | Viz Media – Over the past few months, it’s become clear that we have a new contender to take over the “Big Three” position now that both Naruto and Bleach have ended, and that contender is My Hero Academia, which has gotten staggeringly popular. And with good reason, as reading this volume shows us the author at the top of his game, with several villains infiltrating our heroes’ training camp and attempting to abscond with Bakugo. Things get very rough for a while, mostly as, being heroes, the kids need permission to fight back with all their strength. But once they do, great things happen, particularly with Midoriya, who remains the star of this ensemble. If you haven’t read this series yet, please start now. – Sean Gaffney

Nisekoi: False Love, Vol. 22 | By Naoshi Komi | Viz Media – As expected, Marika is written out, though in the end she’s not killed off OR married off—she’s sent to Pittsburgh, the only place that can cure the unnamed Love Story Disease she seems to have. But not before we get a thrilling rescue attempt with lots of wild fighting and far more helicopters than you’d really expect. Meanwhile, in terms of the only two girls who matter (sorry, Tsumugi), Onodera is still not QUITE ready to confess, but is trying to warm Raku up to it. I doubt that will go well. And Chitoge and Raku have another disaster of a date where she keeps completely misreading what he wants, which isn’t helped by his not really knowing. We’ve got three more volumes after this, so SOMEONE needs to get a clue soon. – Sean Gaffney

Scum’s Wish, Vol. 4 | By Mengo Yokoyari | Yen Press – We’re just about midway through this series, and I’m starting to wonder if it’s going to turn dark and tragic. Hanabi is travelling down a spiral that I’m not sure she’s able to control, and Minagawa is not helping there at all. Probably the most intriguing moment in the manga comes when Minagawa is bored out of her gourd on a date with Kanai… till he accidentally calls her Hana-chan, and it’s as if all of a sudden it matters to her. One thing that the author excels at is showing us the tempestuous fire of desire and sexual heat without ever, ever having it connect into anything resembling love. It’s so sordid, and again, I wonder how long things can go without someone snapping and a murder or suicide occurring. Addicting. – Sean Gaffney

UQ Holder, Vol. 11 | By Ken Akamatsu | Kodansha Comics – There’s a lot of stuff happening in this book. Yukihime rejects Touta as she still loves Negi, we find out Negi was possessed by the big bad from Negima! and has been suffering the last 20 years, Fate and Eva are trying to save and kill him respectively, both thinking they carry out his true wishes, and finally far more of the Negima! cast are still around than we’d previously thought—indeed, Zazie’s even turned into a shipper. But no, at the end of the day this is the volume that tells us that Karin was actually Judas Iscariot, her immortality a result of betraying Christ, who Touta, seeing Karin suffering because of that, offers to punch in the face the next time he sees Him. I… don’t know where to begin. What the what? – Sean Gaffney

In Another World with My Smartphone, Vol. 4

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By Patora Fuyuhara and Eiji Usatsuka. Released in Japan as “Isekai wa Smartphone to Tomo ni” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Andrew Hodgson.

Our little smartphone novel has grown up to a degree, and it’s something I view with very mixed feelings. Sure, we still have the occasional plotline that is just “Touya and friends lackadaisically do relaxing things’, but I can’t really call this a pure and innocent isekai anymore. It’s reached puberty and is trying to act up. Oh, rest assured, there’s no actual sex or anything. That would require losing an audience that the author is not prepared to lose. But Touya just seems a bit more cynical in his dealings with things, and he’s thinking about women a lot more than he did (though not quite to the extent of that short story in Vol. 2). On the bright side, the villains all still clearly delineate themselves into ‘evil’ and ‘SUPER evil’, so we don’t risk sympathizing with them at all then Touya destroys them. Rest assured, that will never change.

Yes, that’s right, there’s a new girl on the cover, and a new addition to the harem, though I’m amused that Touya describes his four fiancees as his “core team”. Lu is a princess of a neighboring kingdom, and personality-wise is very shy and blushy, similar to Shinobu from Love Hina. As we meet her, her kingdom is on the verge of a military takeover, with the general of the kingdom deposing the emperor and taking power with the help of a summoned demon adn some artifacts that make him almost invincible. That said, Touya barely reacts to this challenge, figuring out fairly quickly how to deal with him, though I’m not sure it’s a method he’ll ever use again. As a result the emperor is back on the throne, and Touya gets a very willing Lu as a reward, though he once again pleads for everyone to wait till he turns 18. (Yumina and Lu’s fathers plotting to use Touya politically is one of the best parts of the book, as Touya is always at his best when thrown off from his usual blandness.)

Elsewhere, Touya rescues a group of slaves and frees them up to become employees of the bookstore/cafe he creates, which ends up turning into a far-too-long joke about all the women in the entire kingdom being fujoshi (this was OK), and Touya thinking “no homo no homo!” about 865 times (this was not). We also resolve the ‘surely she’s a long lost noble’ plotline involving Renne, the runaway girl Touya took in as a maid in an earlier volume. Surprise! She’s a noble whose now-dead mother ran away from her family to marry an adventurer. This is also not as funny as the author would like, relying on a lot of jokes about Renne’s aunt Carol being a Christmas Cake. Oh yes, and the obnoxious nobles in Yumina’s own kingdom show up again, this time with a murder plot that will attempt to implicate Touya so that they can have their son marry and rape Yumina, possibly not in that order. When Touya hears about this, his response is… impressive, if a bit shocking. It seems out of character given he’s so mild-mannered, but given the circumstances I can’t blame him. Oh yes, and he’s awarded his own (tiny) kingdom, and builds a castle to go with it.

Overall this was a highly variable volume of Smartphone, which can’t simply rely on pure charm anymore and is therefore trying to decide what to do next. It works best when not crawling through the drudgery of anime cliches like “she’s angry people think she’s old” or “everything thinks he’s gay”. I’m still interested in the series, but honestly, I would not blame those who were having light, breezy fun with it for stopping here.

Also, he names his attack griffons John, Paul, George, and Ringo. Because of course he does.

My Week in Manga: August 7-August 13, 2017

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My News and Reviews

I shifted around my usual posting schedule at Experiments in Manga a little last week so, instead of posting July’s Bookshelf Overload, I ended up featuring my review of Kazuki Sakuraba’s most recent work to be released in English, A Small Charred Face. The book is scheduled to be released in September (I received an advanced copy from Haikasoru for review purposes), and is definitely worth checking out. I’m not especially interested in vampire fiction, but A Small Charred Face makes for a very interesting contribution to the genre and I loved the queerness present in the story. Sakuraba is probably best known as the creator of Gosick, which I’ve been meaning to read, but my introduction to her work was through Red Girls: The Legend of the Akakuchibas.

Elsewhere online last week: Justin of The OASG posted a transcript of Four Hundred Pages of Manga Every Single Week, a roundtable discussion held in July which was sponsored by Kodansha Comics and featured three of Weekly Shonen Magazine‘s editors, including the editor-in-chief; Anime News Network interviewed Akira Himekawa, the creative team behind most of The Legend of Zelda manga adaptations; Viz Media made a some licensing announcements while at Otakon including RWBY by Shirow Miwa, Takane & Hana by Yuki Shiwasu, and The Young Master’s Revenge by Meca Tanaka; Also at Otakon, Sekai Project, which is still relatively new to manga publishing, announced the acquisition of Keika Hanada and Kanemune’s manga adaptation of The House in Fata Morgana.

Quick Takes

Clockwork Apple by Osamu Tezuka. I’ll admit, I managed to burn myself out on Tezuka for a bit, so I’ve managed to amass quite a stockpile of his recently-translated manga which I haven’t actually gotten around to reading yet. Clockwork Apple is a collection of eight short manga originally published between 1968 to 1973. While they aren’t directly related to one another, they do share a similar tone, were generally intended for an adult audience (mostly seinen, I believe), and can all broadly be described as speculative fiction. The stories in Clockwork Apple tend to be fairly dark, dramatic, and serious. The visual humor, breaking of the forth wall, and self-awareness frequently present in Tezuka’s other non-comedic works are nearly nonexistent in the Clockwork Apple. (I don’t think the Tezuka’s Star System was applied, either.) Tezuka was personally having a difficult time in the late 1960s and early 1970s, so perhaps the tenor of these stories is partly a reflection of that. In general, I enjoyed the stories collected in Clockwork Apple even though the endings would sometimes be a little hit-or-miss or feel rushed. Each story would have at least one plot-altering twist, some had several, but occasionally those developments would come across as convenient rather than compelling.

Flesh-Colored HorrorFlesh-Colored Horror by Junji Ito. Most of Ito’s manga to have been translated into English are currently in print or have been recently reissued in a new edition and even more have been scheduled to be released in the near future. One of the few exceptions is Flesh-Colored Horror, the third and final volume in The Junji Ito Horror Comic Collection series released by ComicsOne. Currently, the volume can be a little difficult and expensive to find, but fortunately one of my local libraries had a copy. (I really hope to be able to find a reasonably-priced one of my own someday.) In addition to the titular story, Flesh-Colored Horror collects five of Ito’s other short horror manga. The six unrelated stories were originally published between 1988 and 1994 in Monthly Halloween, a shoujo manga magazine specializing in horror. Flesh-Colored Horror is a fantastic collection that is well-worth seeking out for either fans of Ito’s work or of weird horror in general. Ito has a way of starting with a simple and at times even mundane premise and twisting it into something truly strange and horrific. For whatever reason, while I greatly enjoy most of Ito’s work, I do find that I often prefer Ito’s older short manga over more recent collections; Flesh-Colored Horror continues that trend.

Giant Days, Volume 1Giant Days, Volume 1 written by John Allison and illustrated by Lissa Treiman and Whitney Cogar. I’ve been hearing good things about Giant Days for a while–the series has been nominated for multiple Eisner and Harvey Awards in the past, and several of my friends keep up with the comic–but I’m only getting around to reading it now. One thing that I didn’t realize about Giant Days, which initially started as a self-published webcomic before being picked up by Boom! Studios, is that it’s actually a spinoff of Allison’s earlier series Scary Go Round. I haven’t actually read Scary Go Round, but fortunately familiarity with that comic isn’t at all necessary to understand Giant Days. The comic largely follows three university students–Esther, Daisy, and Susan–who become close friends after living together in the same residence hall. The first volume seems to favor exploring the characters, their personalities, and relationships over having a strong overarching plotline. At times the comic feels somewhat disjointed and the scene changes can be rather abrupt, but the series has a good sense of humor and I do honestly like the characters. I think I would need to read a little more of Giant Days to really feel invested in their stories, but I greatly appreciate the inclusion of queer characters in the increasingly large cast.

Attack on Titan, Vol. 22

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By Hajime Isayama. Released in Japan by Kodansha, serialization ongoing in the magazine Bessatsu Shonen Magazine. Released in North America by Kodansha Comics. Translated by Ko Ransom.

“Tragic backstory intensifies” would be a good description of this volume, for the most part. Eren continues to have dreams that flash back to his father’s life before he was born, showing us the fate of Grisha’s first wife (she appeared in the story earlier than we think, it turns out!) and what our kingdom really is – an island kingdom, with most of the world very much not dead on the other side of the ocean. We also, as predicted, see Eren and Mikasa in jail for the orders they disobeyed in the previous couple of books, though that doesn’t last, mostly due to how important Eren really is. Oh yes, and much to Mikasa’s horror, we get a time limit on the Titans’ lives – they only live for 13 years after being titan-ized, meaning that we also get another major character death, though this one is offscreen.

Yes, in fine lesbian character tradition, Ymir writes a farewell note to Historia that confirms that a) she wanted to live the rest of her life married to her, but b) she can’t as she’s soon going to be dead. After Eren’s revelations, it’s pretty clear that this is meant to be due to simply living out that 13 year span rather than due to being executed. Reiner, at least, lets her write said farewell letter, though I wish we’d been able to see more of Historia’s reaction. I suppose it was unbecoming of a queen. So no happy ending for Ymir, though at least she doesn’t seem to have been killed off just for being gay. As for Mikasa, I’ve pretty much written off any hope of her character revolving around anything other than Eren, so her stunned disbelief through most of this is unsurprising. Not sure if they’ll find a way to stop Eren and Armin from dying. I could see it going either way.

There’s also more arguing over whether it was the right thing to save Armin or not – I suspect this may have been an argument that Isayama and some of his editors may have had as well. I wish that it had been one of the regulars allowed to take an opposing side, rather than generic military police guy, who is there to remind Hitch that Marlowe likely died terrified and to yell at everyone else, so immediately turns into one of my least favorite characters. I think it would have had more impact if it was a more familiar face on the Erwin side, though. In any case, however, we jump forward a bit and see the Survey Corps confirming what they’d found out from Grisha – that this is an island, and that there is ocean at the end of it. This leads to possibly the only really heartwarming scene in the book, with the members of Levi’s unit cheerfully splashing in the surf (though not in swimsuits – we can’t rewrite reality that much).

I didn’t see an “End of Part Two” at the finale of this volume, but it certainly felt like it. We’ve gotten a lot of our answers, but what comes next? In any case, Titan fans should enjoy this volume, though likely they will get frustrated with it as well. But we should all be used to that.