Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Features & Reviews

Arifureta: From Commonplace to World’s Strongest, Vol. 4

by

By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou” by Overlap. Released in North America digitally by J-Novel Club. Translated by Ningen.

We’ve been waiting for some time for Hajime’s path to intersect with the rest of his high school class, and it finally arrives in this volume, which appropriately has Kaori on the cover. It also provides us with a nice comparison between the two lives the groups are currently leading. Hajime, at the start of the volume, is trying to date his rabbit girl (with Yue’s permission, of course), but cannot help but accidentally get caught up in a string of ludicrous situations that end up with him semi-adopting a small mermaid-ish girl and also casually destroying an underground slave ring and mob over the course of, oh, an hour or so. Meanwhile, his class has gotten down to the 90th floor, and suddenly run into a demon with a bunch of monster minions, many of whom are invisible, and get their clocks absolutely cleaned. It’s serious and dramatic and… you’re counting the pages waiting for Hajime to show up again.

There are a few interesting characters among the class herd, of course. Kaori is still just as obsessed as she ever was – in fact, we get a hilarious extra story showing off how obsessed with Hajime she was from the moment she first saw him – and it’s no surprise that the volume ends with her joining Hajime’s party, though not without difficulty – it’s hard to topple Yue from the top, and she doesn’t, but like all the other girls, Yue’s absolute strength of love for Hajime gives her the courage to confess her own. Shizuku rises from “snarky best friend” to top-tier in this volume, proving smart, capable, and wielding an amazingly sharp tongue. The way she gets Hajime to promise not to mistreat Kaori is the funniest part of the book, and I won’t spoil it. She also gives excellent advice to Kouki, the actual cliched “hero called to save the world”, though I’m not sure it will stick. Kouki sounds like the author will always want him to be teeth-grindingly wrong in a Dudley Do-Right way, so I suspect the next time he meets Hajime things won’t go well – particularly after that cliffhanger.

But yeah, I had a lot of trouble remembering who was who in the rest of the class, and those I did remember didn’t appeal to me (sorry, Suzu, you need more in your quiver than “comedy lesbian”). And to a degree that’s the point. Interesting as it was to see the class struggle and mostly fail against a string of monsters far beyond their abilities, and deal with the idea that they’ll actually have to kill enemies, that’s not what we’re reading Arifureta for. The reader wants Hajime impaling monsters with one blow, Yue burning everything in sight, and Shea swinging her hammer around (and also riding Hajime’s faux motorcycle, the other contender for “funniest moment” in the book). Like other ridiculous isekai series (hi, Smartphone), it works best when it’s ridiculous. That said, the contrast between ridiculous and desperately serious here made this an excellent volume.

Manga the Week of 1/17/18

by , , and 1 Comment

SEAN: January continues apace, and so do releases, though as I noted last week, it’s still a bit muted compared to the last few months.

If you’re tired of Joss Whedon projects but still love vampire slayers, Drawn and Quarterly can help you with Kitaro the Vampire Slayer, the latest release in their series.

ASH: I still love Kitaro, which is why I’ll be picking it up!

Another J-Novel Club series comes to an end with the 6th and final volume of Paying to Win in a VRMMO, starring the smuggest hero ever.

Kodansha has another pile of digital releases, as we get Chihayafuru 8, DEATHTOPIA 8 (which I believe is the final volume), Elegant Yokai Apartment Life 5, Fuuka 15, Kasane 9, The Prince’s Black Poison 2, and Real Girl 11.

MICHELLE: Hooray for Chihayafuru!

ANNA: YAY!!!!!

SEAN: Lest Ash despair, they also have some print volumes. We get Waiting for Spring 4 and Wake Up, Sleeping Beauty 2.

MICHELLE: I am working on getting caught up on these.

ASH: My despair has been tempered as I am enjoying both of these series so far. (In print!)

One Peace continues to deliver on volumes of Maria Holic, this time giving us lucky Vol. 13.

Seven Seas has three ongoing titles. A Certain Scientific Accelerator 7 is pretty much caught up with Japan. My Monster Secret 9 has a ways to go before it catches up to Japan, as it recently ended with Vol. 22. And Pandora in the Crimson Shell: Ghost Urn is still two creators reinforcing each other’s worst habits, but we’re at Vol. 9 anyway.

Their debut is Juana and the Dragonewt’s Seven Kingdoms (Ryuu no Nanakuni to Minashigo no Juana), a Mag Garden title that, given it stars dragonewts, I’m going to guess is a fantasy.

ASH: I am very curious about this debut!

ANNA: Hmm, sounds interesting.

SEAN: Vertical has a 4th volume of Mobile Suit Gundam Wing.

Viz’s ongoing series give us the 2nd Children of the Whales (I wasn’t as impressed as I expected to be) and the 20th Terra Formars.

MICHELLE: Children of the Whales is literally on top of my to-read pile.

ASH: I think you’ll like the series, Michelle! Overall, I really enjoyed the first volume and look forward to seeing how the manga continues to develop with the second.

ANNA: I wish it had less world building and more character development, but maybe things will settle down a bit in the second volume.

SEAN: Debut #1 is Fire Punch, a shonen series from the Shonen Jump + line, and oh my god it looks super, super dark. Not sure how I’ll do with this one.

ASH: Oh, super dark, you say? I don’t know much about the series, but that’s enough to at least pique my interest.

ANNA: I enjoy both fire and punching.

SEAN: The other debut is actually done in one – RWBY, a manga that ran in Japan’s Ultra Jump based on the anime-style American series created by Rooster Teeth. I’m hoping for “cool” here.

ANNA: It does look super stylish.

SEAN: Are you excited? And you just can’t hide it?

Unmagical Girl, Vol. 1

by

By Ryouichi Yokoyama and Manmaru Uetsuki. Released in Japan as “”Hihou” Mahou Shoujo no Sonogo no Nichijou” by Ichijinsha, serialized in the magazine PoniMaga (Pony Canyon). Released in North America by Seven Seas. Translated by Beni Axia Conrad. Adapted by Gretchen Schrafft.

Expectations can be tricky. It’s almost impossible to go into reading something without an idea of what you’ll think of it. When I first saw that Seven Seas had licensed Unmagical Girl, my first thought was to dismiss it as another one of the endless series of “let’s kill of magical girls in a grimdark way” series that the companies have been licensing in an effort to have the next Madoka Magica. I was therefore pleased to see that that isn’t the case for this title. This is the sotry of what happens when a magical girl ends up in the real world, and the fallout from such. The cover depicts the titular magical girl walking through a shopping district, looking pensive. I was thus expecting some sweet yet melancholic soul searching. Wrong again. Now I’ve actually read the title, and it’s clear that we’re going after broad comedy. If you liked Aho Girl, you’ll like this.

Our heroine – or, more accurately, our straight man – is Mayuri, a plain glasses-wearing girl who “doesn’t have any friends” in the best protagonist of a manga tradition. Her father used to direct anime that was known for being “niche”, which is to say not very popular. He did have a title called “Pretty Angel Nirvana” which is now very popular… about five spinoffs later, and now no one really remembers or cares about the original. Oh, and he’s dead. Her mother sends Mayuri an old computer with some of his stuff on it, though, and after accidentally crying tears on the computer while wishing for a friend, Mayuri is startled to find the computer exploding, and out stepping NirBrave, the ditzy yet powerful heroine from the original series. She’s now in the real world, which poses endless problems, as she reacts to problems in a magical girl way, eats like a magical girl heroine (i.e. a ton), and is, in general, somewhat obnoxious.

How much you enjoy this very much depends on your love of loud, brash comedy. I compared it to Aho Girl earlier, and it’s pretty accurate – I had a lot of fun reading the manga, but it quickly began to pall as I realized that it seemed to be hitting a lot of the same notes. There are some amusing things here – NirBrave’s horror at reading a porn doujinshi of her series made me chuckle, and the landlady is an excellent caricature of the type of landlady you see in a lot of series like these, who has the ability to get money out of a stone. Later in the series we also get some more magical girls and magical villains, as apparently NirBrave’s arrival in the real world started a trend, and we see NirBrave facing off against her fellow magical girl NirWind. Unfortunately, its occasional attempts at depth and pathos fall pretty flat. It’s not for kids – there are a few blatant panty shots here and there, and a nude transformation sequence that seems to inflate NirBrave’s bust by a factor of three – and it’s not really for magical girl fans either. If you like broad, slap-on-the-black style humor, though, you may have fun with Unmagical Girl.

Drifting Dragons, Vols. 1-2

by

The nineteenth century whaler was a tough character. He’d board a ship in Nantucket or New Bedford, sail around the tip of South America and then into the Pacific hunting grounds in quest of sperm whales. Every aspect of his job was dangerous and unpleasant; as author Eric Jay Dolin notes in Leviathan: The History of Whaling in America, crewmen endured “backbreaking work, tempestuous seas, floggings, pirates, putrid food, and unimaginable cold” during their long stints at sea. At the end of a two- or three-year tour, a whaler might still be in debt from all the equipment he’d purchased at the outset of his journey, especially if the ship’s yield was low. Yet the gruesome work he performed was vital to the Victorian economy: whales’ bodies yielded the fat, bones, and oils that illuminated homes, corseted ladies, and gave shine and staying power to paint (Dolin 12).

The characters in Taku Kuwabara’s Drifting Dragons are engaged in a similar enterprise: they trawl the skies in a flying ship looking for dragons. The opening pages of the story make the connection between whaling and “draking” explicit, as we join the crew of the Quin Zaza on an aerial Nantucket sleigh ride. We glimpse a dragon through a parting in the clouds: first its back, then its tail, and finally the entire animal, as enormous and majestic as a blue whale. As the wounded dragon begins to tire, a crew member rappels down the tow line to plunge a harpoon into the animal’s back, delivering the final blow:

This image is a perfect introduction to draking, simultaneously conveying the peril and thrill of hunting such a powerful, swift animal at high altitude. Kuwabata’s thin, graceful lines and sparing use of screen tone capture the speed of the wind, the texture of the dragon’s skin, and the delicate feathering on the dragon’s ears, but also the vast emptiness of the sky. These details allow us to imagine for ourselves what it would be like to stand astride the dragon’s back, gazing at a mountain peak that’s poking above the clouds, or looking back at the ship and realizing the impossibility of rescue if something goes wrong.

As exciting as the dragon hunting sequences are, Drifting Dragons is as much an exercise in careful world-building as action-oriented storytelling. Kuwabara devotes page after page to the crew’s routines, capturing the heat, smell, and physical labor of stripping meat from bones and rendering fat. He also renders the physical environment of the Quin Zaza in precise detail, from the main deck and crow’s nest to the sleeping quarters and the hold, where most of the butchering, smoking, and boiling takes place. Last but not least, Kuwabara shows us how each member of the crew contributes to the functioning of the ship, and explains what first drew them to the skies.

Though the crew is drawn in broader strokes than the ship itself, the characters are distinctive enough to register as people with feelings, desires, motivations, and frustrations. Kuwabara is generous with his supporting cast, giving each a scene or subplot that reveals an unexpected facet of their personalities. Kuwabara lavishes the most attention, however, on the Mutt-and-Jeff duo of Mika and Takita: he’s a bold risk-taker with little regard for his own safety, while she’s a cautious newbie, eager to learn the ropes and prove her worth.

In trying to make Mika a more fully rounded character, however, Kuwabara depicts him as a swaggering gourmet, an Anthony Bourdain of the air. Mika is always dreaming up new strategies for preparing dragon meat, regaling his shipmates with lengthy monologues about a new technique he tried or goading the Quin Zaza’s cook into making his favorite dishes. This culinary concept carries over to the end of each chapter, which concludes with detailed recipes for Dragon Tail Meat Sandwich, Dragonet alla Diavola, and Pressed Dragon Liver Confit. These interludes aren’t very funny or appetizing; if anything, they feel more like a naked attempt to jump on the weird-cooking-manga bandwagon than an organic part of the story Kuwabara’s trying to tell.

If Drifting Dragons’ efforts at comedy fall flat, the manga is nonetheless engrossing. Kurabawa clearly knows the history of whaling, and has found a clever way to integrate those details into his fantasy world. At the same time, however, the vividness of the world he’s created has its own integrity; one could read Drifting Dragons in blissful ignorance of Moby Dick or The Wreck of the Whaleship Essex and still be swept up in the activity of the Quin Zaza’s crew and the thrill of flying alongside dragons in the clouds. Highly recommended.

WORKS CITED

Dolin, Eric Jay. Leviathan: The History of American Whaling. W.W. Norton & Co., 2007.

Kuwabata, Taku. Drifting Dragons, vols. 1-2. Translated by Adam Hirsch. Kodansha Advanced Media, LLC, 2018.

Queen’s Quality Vol 2

by

Queen’s Quality Volume 2 by Kyousuke Motomi

Kyousuke Motomi shoujo series are entertaining and refreshing for me to read, because while romance certainly is a feature, it often takes a backseat to subversive humor and action oriented plots involving hackers or the demons that lurk inside the souls of humans. This volume of Queen’s Quality continues the exploration into the twisted soul of a teacher who was bullying students, and Fumi and Kyutaro have to combine their abilities yet again in order to root out the bugs that cause a sort of soul malaise to spread to people like an infectious disease.

Motomi’s humor is on full display in a scene where Fumi is going to pick her sacred psychic weapon and instead of summoning a spear of light or magic sword she conjures a long-handled scrub brush. Kyutaro suggests that she try for another weapon but Fumi is delighted with her weapon because it is perfectly balanced and the best possible implement for cleaning toilets. Fumi’s cartoonish enthusiasm as she waves her brush around in the air is one of the few light-hearted moments in this volume, because once the Sweepers head into the brain of Ms Hayashi, things get both scary and surreal.

Kyutaro’s role as a steady emotional support to Fumi becomes even more important as she reveals another aspect to her hidden power as they battle their most challenging bugs yet. The layers of protection that exist in Fumi’s mind that hide her memories as well as her ability to consciously manifest her role as a “Queen” make Queen’s Quality an intriguing character study. The violent psychic landscape that the couple has to navigate contrasts with the more mundane chores of cleaning and making rice porridge back in the real world. Motomi is great at portraying slightly broken characters with great nuance, and it’ll be interesting to see if Fumi and Kyutaro manage to heal each other and achieve some sort of peace by the end of the series.

Kieli: The Dead Sleep in the Wilderness

by

By Yukako Kabei and Shunsuke Taue. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Alethea and Athena Nibley.

This is a digital re-release of a novel series that Yen originally published back in 2009, before the light novel boom. Which is good, as this really doesn’t feel like a light novel. Honestly, if it weren’t for the interstitial illustrations, which make Kieli look sort of cute and manga-ish, I wouldn’t even guess the author was Japanese. Instead, it feels like an odd fusion of children’s fantasy and Western, as if C.S. Lewis and Louis L’Amour had decided to collaborate. The main thrust of the story (clearly written as a one-shot, though there are eight other volumes after this) is to show the growth of its title character, a young girl living in a typical repressive pseudo-English boarding school that just happens to be in a post-apocalyptic world run by the Church. Fortunately, she’s got a perky roommate for company. Unfortunately, she also ahs a secret: she can see and interact with ghosts.

And yes, it has a new cover for the Western edition, which is meant to attract casual non-anime fan readers. If I recall correctly, Yen also did this with Spice & Wolf and Haruhi Suzumiya. At first I thought the cover image was a camera – it’s not till we get further into the book that you realize that it’s a radio, possessed by a ghost of an old soldier. The book gets started when Kieli and her roommate Becca meet a seemingly dead young man in the train station right before holidays. This is Herbie… pardon me, Harvey, who is an Undying, a former supersoldier used to end the war that was the cause of the apocalypse mentioned earlier. Like most inhuman yet sentient weapons created to fight a war, the Church has a very different view on him now. The thrust of the book involves Kieli accompanying him on a train journey, supposedly so she can get some history to write an essay for school, but in reality because these two are simply drawn to each other, and also because Kieli draws trouble to her wherever she walks.

The book is well-written and the characters are enjoyable, particularly Kieli, as she’s just the right combination of “intelligent and precocious girl” while still occasionally being a child. The first two-thirds of the book function as interlocking short stories, as we see Kieli and Harvey go to a new place and Kieli run into what she first thinks is a person but turns out to be a ghost – indeed, by the end of the book I was starting to wonder if anyone Kieli was going to run into was actually alive. Even the villain is an Undying like Harvey. It’s not clear how special her power to see ghosts is – Harvey doesn’t seem impressed, but that’s more a function of his personality, and the villain seems to want to torture her more than use her abi8lities. It’s a nice way to be able to show that the series can go on if enough people read it – and indeed, it did continue, with Vols. 2 and 3 due out later this month on Kindle, Nook, etc.

After a December filled with a more modern strand of light novel plots, I enjoyed reading the more subdued and thoughtful Kieli. Recommended for those who like teen fantasy but avoid the traditional Japanese light novel cliches.

Bookshelf Briefs 1/8/18

by and Leave a Comment

Anonymous Noise, Vol. 6 | By Ryoko Fukuyama | Viz Media – Theoretically, a bare minimum of screaming should mean a substandard volume, but I must admit the tortured soap opera plot of Anonymous Noise is growing on me a bit. I mean, there are still a few issues—Momo runs away from his love problems like many other manga love interests (though usually it’s the woman who’s running off), and the attempt to have him get to know his new classmates is awkward and fake—deliberately so, I suspect. And Nino and Yuzu are having a spat, but also have music coursing through them—well, Yuzu does, Nino is trying to learn how to sing in a non-screaming way and not doing well. Meanwhile, the secondary pairings are starting to happen. How much longer does this run if they’re pairing the spares? – Sean Gaffney

Blue Exorcist, Vol. 18 | By Kazue Kato | Viz Media – There is interesting stuff going on here, like the resolution of Shura’s mini-arc (complete with dramatic haircut) and Amaimon coming in as a transfer student and immediately beign a giant jackass. But I’m most impressed with Shiemi’s response to Rin’s confession, which is very honest, has a long look at why this is totally in character for her, and sinks the ship but perhaps not permanently—this isn’t an “I love someone else” rejection so much as a “I have no idea how to love” rejection. Rin also takes it in a very mature way, insisting that they’re still friends and he will help her achieve her goals of becoming an exorcist. As love confessions that don’t work out go, this is absolutely top tier. – Sean Gaffney

Haikyu!!, Vol. 19 | By Haruichi Furudate | Viz Media – Back and forth we go, and for a lot of this volume it’s part two of what we had the previous volume, showing that Tsukishima is growing and learning a whole lot, and what’s more, may actually be (hold on to your hats) ENJOYING volleyball. Now it’s Hinata’s turn, as being short means he has to work even harder and use even more energy, and “try to block properly” is mean, but also accurate. And so our heroes are up against a wall again, but I’m sure someone will have a revelation or use a cool move or… I’m so sorry, I enjoy Haikyu!! a lot, but there’s a limit to what I can talk about in a review. SPORTSBALL! Also, that extra comedy manga at the end reeks of “getting around untranslatable Japanese wordplay.” – Sean Gaffney

Kimi ni Todoke: From Me to You, Vol. 28 | By Karuho Shiina | VIZ Media – I have recently learned that this series is complete in 30 volumes and I am not ready for it to be over yet! That said, it definitely feels like things are moving in that direction. This volume covers Christmas and New Year’s (and Sawako’s blizzard-induced sleepover at Kazehaya’s house during which nothing more serious than kissing ensues), after which everyone will have a couple of weeks to study at home before their college admission tests. Sawako and Kazehaya seem poised to weather their upcoming separation just fine, Chizu tells Toru that she’s dating his brother, and Ayane… repeatedly gets flustered in Pin’s presence. Am I assigning too deep a meaning to the panel where he promises quite seriously to “think about it” regarding giving her a gift if she passes her exams? I can’t believe I’m rooting for a student-teacher romance! – Michelle Smith

Natsume’s Book of Friends, Vol. 21 | By Yuki Midorikawa | Viz Media – As the author herself notes in her copious afterword notes, we’ve rarely seen Natsume and Nyanko-sensei at odds, and I’m not sure that the author really pulls it off in this battle to see who earns the sleeping god’s favor and gets sake as a reward. (To be fair, the author admits this as well.) My favorite story in this volume involved Natsume’s friend Kitamoto, one of “those two guys” in his class, and a bookshop with a cute yokai acting as the clerk. Mostly as I like old bookshops. That said, I suspect most fans of this series will be most interested in the final chapter, which flashes back again to the wacky teenage misadventures of Natori, Matoba, and their amazing powers of bishonen. A good solid volume. – Sean Gaffney

The Night Beyond the Tricornered Window, Vol. 4 | By Tomoko Yamashita | SuBLime – We begin with Mikado taking a case to Mukae instead of Hiyakawa because he’s thrown by the latter’s suggestion that they could make money cursing people. Even after Mukae tells him that Hiyakawa has placed a “leash” on him binding them together, he’s still unable to forget how much Hiyakawa has helped him and can’t simply abandon him. In the end, and without Yamashita-sensei actually spelling it out, it seems that Mikado’s plan is to take a more active role in helping people, using the bond between them to pull Hiyakawa along onto a more righteous path. I do dearly love how Yamashita trusts her readers to understand things. This particularly comes into play in the chapter about Mikado’s parents and the poignant nonverbal panel in which Mikado’s father realizes that his son has inherited his abilities. All of this plus some ongoing plot threads make for a standout volume. – Michelle Smith

Species Domain, Vol. 4 | By Shunsuke Noro | Seven Seas – Again, I am impressed by how well the author is sticking to Dowa being a dwarf, which means not only does she have her big bushy beard, but when we get the obligatory beach arc, we see her swimsuit body and she is absolutely ripped, as you would expect from a dwarf. The beach arc itself is mostly a bunch of shenanigans, as the two rival clubs face off against each other in a series of amusing contests. More interesting is the ship tease between Ohki and Kazaori, both at the start (a forced date) and at the end, where Ohki’s “future vision” invention works a bit too well, and gives us a Kazamori who has literally lived the next ten years. And yes, she spoils everyone. A fantastic non-perverse monster series. – Sean Gaffney

The Water Dragon’s Bride, Vol. 4 | By Rei Toma | VIZ Media – In order to interact with and understand Asahi more, the Water Dragon God has taken on the guise of a human. When Asahi requests that he take her and Subaru somewhere fun, they end up attracting notice and, ultimately, Asahi is summoned by the child emperor, who refuses to believe she doesn’t have some kind of special powers, since she’s hanging out with a god. There’s an interesting balance here between slow-burn relationship stuff—Asahi attempts to shield her steadfast protector Subaru from the knowledge that she desperately wants to go home (though he knows already) and the Water Dragon God makes strides toward caring about Asahi’s feelings—and worldbuilding, what with the introduction of the emperor and some rumination on the possible loneliness of gods. I definitely plan to keep reading! – Michelle Smith

Is It Wrong to Try to Pick Up Girls in a Dungeon?, Vol. 10

by

By Fujino Omori and Suzuhito Yasuda. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?” by Softbank Creative. Released in North America by Yen On. Translated by Andrew Gaippe.

Last time we asked what would change about monster hunting if we knew that not all monsters are evil and mindless. But if there are good and bad monsters, then there are also good and bad people. And the bad people who make up the Ikelos Familia are very bad indeed, so a good deal of this book is reversing any gains made by the last book. In fact, reversing may be a bit of an understatement – by the end of this book, Bell’s reputation is in shreds and everyone is furious with him. (Well, not his own Familia, thank God.) And while Ouranos’ experiment is still living on, it’s hanging by a thread. It’s hard not to sum up this volume of Danmachi as “Everything is terrible. The end.” That said, how we get there is important, and there are some excellent fights, good character moments, and… OK, yeah, no humor this time around. Not even any harem antics.

Much of this book continues to revolve around Wiene’s story, and unfortunately that’s a weak point in the novel, as she is absolutely a damsel in distress throughout it, whether it’s getting captured and sobbing in captivity, or being forced to mindlessly rampage aboveground. The trouble, of course, is that her plight is needed to advance Bell’s character, so she has to suffer as a result. The moral battle between Bell (pure, good, a bit headstrong) and Dix (twisted, evil, scheming) is a highlight, though I’m not sure Dix’s description of Bell as a hypocrite quite fits. Dix’s anger stems from a classic dilemma in stories like this – who do you choose to save if multiple sides are in peril? Do you save humans or monsters? Bell saves both, of course, and that’s why Dix rails on him for such impossible optimism. Dix himself is a thoroughly loathsome villain, though I wasn’t all that fond of the whole “descendants must carry on the insane plan” thing.

Aboveground, the rest of the cast gets relatively little to do – Lili and Hestia investigate a bit to try to find out where the middleman is in this conspiracy, but for the most part they’re sidelined. As for Team Loki, they get the bulk of the climax, trying to stop the rampaging monsters in the city and wondering why in God’s name Bell is chasing after one of them. (It is fairly notable that Bell’s “this is my kill!” excuse is rather lame, and while it is what kills his reputation I don’t think anyone who really knows him buys it for a minute – Eina certainly doesn’t.) I was wondering if Bell would have to fight anyone from Loki Familia, but we avoid that, mostly as he’d get the crap kicked out of him, I expect.

And so now we wonder where to go from here. Bell’s reputation is bad, but he’s not thrown out of the city or anything. And Hermes is already trying to find ways to fix things. I have a feeling that the next book will involve a lot of dungeon crawling. and I hope that it’s a bit more lighthearted. Still, if you’re looking for a dose of Danmachi at its most serious and grim, this is the volume for you.

Nisekoi, Vol. 25

by

By Naoshi Komi. Released in Japan by Shueisha, serialized in the magazine Weekly Shonen Jump. Released in North America by Viz Media. Translated by Camellia Nieh

Harems are a very popular genre, so popular they’re even called harems, rather than what they actually are – romantic comedy or romantic drama. You have a guy, or a girl, and their various love interests – when it’s more than two, that puts it in this genre. They are popular but also very dangerous to license long-term, especially for the West, where titles can come out in volume format over a year after fans have been shamelessly spoiled on the forums. Because let’s face it: 90% of readers are dissatisfied with the ending. Either the title leaves everything ambiguous (the so-called “no ending”), or the protagonist chooses the wrong one – i.e., the one the reader doesn’t prefer. This is true even if the correct choice has been signposted from the first chapter, so it must be even more frustrating for fans of Nisekoi, which theoretically did a much better job at keeping all its heroines as options till the end. That said, the series is still subtitled “False Love”. The False Love was the plot. And therefore the heroine… is the one we expected.

Therefore, this volume does its level best to shut down all the other pairings and show that, in fact, it’s Raku x Chitoge going forward. Chitoge is not the promise girl that we’ve been wondering about for the entire series – that’s Onodera – but she is the one that Raku decides he is in love with, despite the fact that, similar to Naru in Love Hina, she literally runs away from her feelings until there is nowhere left to run to. It’s very in character for Chitoge, and honestly everyone in this volume acts exactly as you’d expect them to. Tsumugi gets to have a cool fight, and finally show Claude that she is, in fact, a she (was anyone else reminded of that Night Court scene with Christine? No? Just me? OK…). Marika, who has always been the one whose feelings are RIGHT THERE, acts as an audience surrogate in telling Chitoge to man up and admit the truth. And Onodera… well, Onodera gets to cry, and also bake their wedding cake, something so mind-boggling that she has to textually tell the reader that she wanted to do this, and it wasn’t Raku or Chitoge’s idea. The nice girl to the end.

While we are starting to see a few series experiment with polyamory, it’s always in a “fantasy world” setting, and you’re not going to see it in modern-day Japan. And for those who want to ship the OT3 after the wedding… nope, we get a short epilogue showing Onodera’s daughter running into Raku and Chitoge’s son, and it’s obvious they haven’t met each other before. (Which is incredibly frustrating from anything other than a ‘dramatic irony’ perspective – must ALL harems never speak to each other again after the wedding, especially when they’re as close friends as Chitoge and Onodera were?) And so we’re left with a series that I enjoyed for 25 volumes… but is only going to be satisfying if you shipped Raku and Chitoge. This is the curse of all harem series, and it’s why they’re popular but hard to license, because hell hath no fury like a fanboy scorned. Still: Nisekoi was excellent. Good job.

The Irregular at Magic High School: Yokohama Disturbance Arc, Part 1

by

By Tsutomu Sato and Kana Ishida. Released in Japan as “Mahouka Koukou no Rettousei” by ASCII Mediaworks. Released in North America by Yen On. Translated by Andrew Prowse.

Having finished the athletic competition between the magic schools, we now get a chance to see the scholarly competition, which is not nearly as popular with the masses but carries just as much prestige for the winners. Naturally, since Tatsuya is a freshman and also in Course 2, he’s not in charge of this; that’s left to Suzune, the former Student Council Secretary and resident tall, dark and handsome girl of the group. Of course, Tatsuya being Tatsuya, he’s asked to join the team as a helper anyway, partly as the previous helper was the girl who got zapped in the athletic festival and therefore can’t use magic anymore, and partly as the alternate choice disagrees with Suzune’s objectives, so why not use Tatsuya, who does agree with them and is also perfect in nearly every way? That said, terrorists are all around them, both as students trying to stop the competition, and as Chinese mafia trying to do the same thing for different reasons.

Honoka and Shizuku are on the cover, but unfortunately have the least amount of face time devoted to them of our main cast. Or perhaps it is fortunate, as the other half of this novel is devoted to taking the various members of Tatsuya’s crew and trying to put them in wacky romantic comedy situations. This works best with Erika and Leo, mostly as the two don’t really have a shred of sexual tension or attraction to each other besides “oh look, attractiveness”, and thus they are allowed to behave fairly normally, leaving aside Erika’s tendency towards rage and Leo’s cluelessness. It works least well with Mikihiko and Mizuki, in a scene that is so blatantly a set up for wacky “whoops, I tried to stop you falling and groped you” antics that I actually winced. (The author implied in the afterword that he added some scenes from the webnovel to set up later stuff better, so I assume these two become an item – they DO seem to have some chemistry, when they aren’t being written badly.) And Mayumi and Miyuki, who I expect are two of the triangle of “Tatsuya partner candidates” in this book (Honoka being the third) get scenes as well. Given I’m not fond of the incest subtext in this series, it’s no surprise who I preferred.

The pats of the book that are a serious action movie with terrorists fare much better. This is what Sato writes best, and there are a lot of cool fight scenes with clever uses of magic – Mayumi and Mari come off particularly well. The Chinese Mafia are there to be goons, with the exception of Zhou, who seems like the sort of “always smiling Chinese villain” I remember from Patlabor. I suspect he’s the only one I have to remember for later books. In any case, as the title implies, this is the first of what the author says is a two-volume arc. I imagine we’ll see the academic competition sabotaged further later on, though whether we’ll get more romantic comedy hijinks is not in my power to guess. (Please no.) If you like thrillers with magic and cool characters, this is right up your alley. As always, if you hated Tatsuya before, you’ll hate him again.

Manga the Week of 1/10/18

by , , and 2 Comments

SEAN: There is not quite as much manga next week as previous weeks… at least not print manga. Kodansha is here to ensure that there are still many more titles released.

Before that, Dark Horse has a 5th omnibus of I Am A Hero.

ASH: This series has been quite an intense ride, so far!

SEAN: J-Novel Club has a 4th volume of the very long-titled If It’s For My Daughter, I’d Even Defeat a Demon Lord, as well as a 4th volume of Infinite Dendrogram.

They also debut a spinoff novel. Yume Nikki: I Am Not In Your Dream, which is based off of a freeware game, and seems to be scary? And is not related to Future Diary, it would seem.

Kodansha Digital has no new titles announced for next week (yet – there’s always a danger of last minute announcements), but we do get Domestic Girlfriend 14, Grand Blue Dreaming 5, I’m in Love and It’s the End of the World 3, Kokkaku: Moment by Moment 4, Lovesick Ellie 2, and the final volume of Peach Heaven, 13.

MICHELLE: I’m still meaning to check out Lovesick Ellie.

SEAN: Seven Seas has a quartet of titles due out. The High School Life of a Fudanshi 3, Nurse Hitomi’s Monster Infirmary 7 (we’re mostly caught up to Japan on both of those), Spirit Circle 2 and Yokai Rental Shop 2.

ASH: The first volume of Spirit Circle was so good! I went in expecting to like the series, but at this point I’m honestly loving it.

ANNA: Interesting…..

SEAN: There’s some new BL from SuBLime, as we get a 10th volume of His Favorite (has this really been running in Japan since 2008?) and a 9th volume of The World’s Greatest First Love (which has been running since 2006).

Vertical has a 2nd volume of psychological thriller Imperfect Girl.

And speaking of long-runners, Viz has a 65th volume of Case Closed. That’s been running since 1994, and the North American release is only 27 volumes behind right now!

Getting something? Or catching up from previous weeks?

MICHELLE: Catching up, mostly!

ASH: A little of both, for me!

ANNA: So much to catch up on!

Sword Art Online, Vol. 12: Alicization Rising

by

By Reki Kawahara and abec. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Stephen Paul.

Last time I mentioned that the regulars not named Kirito barely appeared in the book, and this time they don’t appear at all – even Asuna isn’t in it, as we spend our entire time in Underworld watching Kirito and Eugeo slowly make their way upward in order to stop our chief villain of this arc. It can be a bit frustrating, especially as Kawahara excels at introducing new characters who could conceivably be quite an interesting addition to the ensemble and then leaving them by the side of the road. Eugeo, at least, continues to play the second protagonist role admirably, and once again the narration of the book is divided, with first-person Kirito for the first half and third-person Eugeo for the second. The book, in fact, somewhat mirrors the last one – just as that ended with a pile of exposition after a series of cool fights, so this one begins with the exposition before we get to the fighting. Kirito even gives us a “for those of you just starting this series” intro.

My favorite part of the book was probably the two girls on the cover, Fizel and Linel. They’re introduced at a point where the ordinary reader would be very suspicious, which is why the cover fakeout is so clever – given that they flank Kirito, clearly they’re meant to be new allies that he picks up along the way. A heh. Perhaps not. That said, once their subplot is done they are tossed out of the way like everyone else, and I do wonder if we’ll ever see what becomes of them, particularly if Kirito wins the day, something that is still not entirely certain. The best fight scene in the book goes to an Integrity Knight named Fanatio, which has to be intentional as she certainly seems fanatical. She has a complex about being a feminine knight, both because she was treated as weak by other men before and also because Alice has just arrived and is pulling off being feminine and hella strong perfectly. Kirito, who points out that he’s had the crap kicked out of him by women in fights before, is all too happy to duel her and teach ehr the error of her ways. It’s not terrible, but I’m not sure it comes off the way he wants it to – there’s still a tinge of sexism here.

Of course, we knew that before we reached the top of the tower and the final villain we’d have to fight Alice again. And, as if proving Fanatio to be even more wrong, she proceeds to absolutely kick Kirito and Eugeo’s asses, at least until the obligatory cliffhanger. Given everything that we learn about the Integrity Knights in the early infodump, I am curious as to whether Kirito and Eugeo will be able to snap her out of it – I suspect that may take up a good deal of the next book. In the meantime, Sword Art Online continues to be exactly the sort of series you think it is. The highs still high, the frustrations still omnipresent. I’d still argue it’s well worth a read, unless you hate Kirito.

Also, I found it hilarious that Kirito points out he has now failed to graduate THREE times – from middle school (trapped in SAO), high school (being trapped here), and sword academy (for breaking the taboo index). It’s OK, Kirito, there’s always McRonald’s.

Attack on Titan, Vol. 23

by

By Hajime Isayama. Released in Japan by Kodansha, serialization ongoing in the magazine Bessatsu Shonen Magazine. Released in North America by Kodansha Comics. Translated by Ko Ransom.

It is not uncommon, particularly in shonen manga, to see what is generally referred to as a “time skip”, where events jump ahead a few years and we see the cast has grown and changed (see One Piece) or, for some strange reason, is almost exactly the same (see Fairy Tail – twice). It allows the author to jump ahead to the next part of the story they want to tell. It’s also not unheard of for a series to debut a new cast, meant to carry on from the original – you see this in some school series where time actually passes and therefore the regulars cant’ help but graduate. The new cast are usually introduced gradually, interacting with the popular regular characters till they have enough popularity of their own to take over. (K-On! tried this, but it didn’t really work well.) And then there’s Attack on Titan, which thinks nothing of trying to do both at the same time.

Reiner is still around, to be fair – in fact, he and Zeke (the Beast Titan) are the only ones, bar flashbacks. Instead, we’re introduced to a new group of child soldiers, who are here to take out enemy supply lines, blow shit up, and sic titans on people. The kids run the gamut from tortured and brooding young man who may be our lead going forward to the confident (some may say overconfident) girl who screams out “I am going to be killed or horribly maimed to teach an important lesson”, but so far seems to be riding on pure awesome and adrenaline. They’re fighting their own battles, but things aren’t going to well, and it turns out that having a giant pile of titans is not nearly as awesome as it could be, even without the special equipment Eren and company had. Perhaps it’s time to go back to the island and get back the powers of the founding titan.

I’m going to be very honest here, but I’m debating dropping the manga if this keeps up. I don’t really read Attack on Titan for the plot, which manages to be both “war is hell” and very right-wing militaristic at the same time. Likewise, the titans themselves have never interested me except as conduits to help the human characters grow and change. It’s no surprise that the moments I enjoyed most in this volume were the smaller, quieter ones – such as Reiner’s reverse psychology when he threatens Falco for not respecting the Titans enough, or his memories of everyone back on the island (in which we realize that Sasha eating the potato is once again the only thing ANYONE remembers about her). But I really hope that Eren, Mikasa and the others show up soon, because I’m just not as into this new cast.

Attack on Titan is still worth reading if you like cool battle scenes (that are beginning to actually be drawn… OK? Not horribly?), political discussions, and tortured angst. Just be aware that there’s a sea change here, and most of the beloved characters you liked have been left behind.

The Asterisk War: Battle for the Crown

by

By Yuu Miyazaki and okiura. Released in Japan by Media Factory. Released in North America by Yen On. Translated by Melissa Tanaka.

I always enjoy each volume of Asterisk War I read, despite the fact that you can see every plot beat and character development coming from eight miles away. The good thing about it is, it’s the RIGHT kind of character development. This being a tournament arc, you would expect that the losers among our heroes get shuffled off to the side to watch from the stands, like… well, every other tournament arc in manga and anime. But no, Saya and Kirin (yes, it’s a spoiler that they lost, but not much of one if you have any idea about how narrative works) not only get to save the day in their B-plot, but Saya actually gets something of a resolution in the argument she had with Rimcy a couple books ago. And speaking of Ardy and Rimcy, their character arc is not winning the tournament, it’s showing that they are capable of growing and striving just as humans do, and it’s also carried off very well. The well-worn path this walks is comfortable, and has tea at the end.

The girl on the cover this time around is Sylvia, president of the all-girls institute that’s one of the six schools. She essentially shows up to give Ayato a hand in the kidnapping B-plot and to tease him – even the author admits he had planned to add her later. She’s cute, though, and I look forward to seeing how she differs from Claudia in the Ayato harem sweepstakes. As for the tournament part of it, there are two really good fights and one sort of mediocre one – we know that Ayato and Julis are going to reach the finals, and so the battle they face to get there feels perfunctory and short – which is better than perfunctory and long, I suppose. Saya and Kirin fare better – as I said above, they have to lose for plot reasons, but they do a damn good job, forcing Ardy and Rimcy to bring out their secret weapon earlier and generally showing that they are not just stoic/meek (delete where applicable) girls.

They also get to rescue the kidnapped girl, despite severe injuries from the tournament, injuries that are also handed to Ayato and Julis in the final. The final battle takes up the most space in the book, and is mostly worth it, though perhaps drags on a bit long – yes, even in books as short as The Asterisk War, scenes can go on too long. But Ardy is fun, and I liked the way that Ayato and Julis finally got together to take down the pair, which is clever, finds a way around Ayato’s big weakness, and is also quite shippy. That said, their pledge at the end of the book to keep allying in the other two competitions no matter what just seems to be inviting trouble, if you ask me.

So one tournament down, and apparently next time we get a slight break before jumping into Tournament Two. In the meantime, The Asterisk War continues to be, in my opinion, predictable cliches done right.

Bookshelf Briefs 1/1/18

by and Leave a Comment

Drifters, Vol. 5 | By Kohta Hirano | Dark Horse Comics – It is becoming harder to avoid mentioning the elephant in the room with the Drifters series, which is that the lead villain, the so-called “Black King,” is clearly meant to be Jesus Christ. If that weren’t plainly obvious yet, it’s definitely obvious when we hear the Black King can give his troops food by breaking loaves and fishes. The author will likely avoid showing his face or naming him for obvious reasons, but he’s certainly enjoying teasing us. In fact, that’s the main reason to read Drifters. It may be frustrating, confusing, sexist, and filled with more goofy superdeformed caricatures than actual serious poses, but you can tell on every page that the author is having an absolute ball drawing it. – Sean Gaffney

The Full-Time Wife Escapist, Vol. 8 | By Tsunami Umino | Kodansha Comics (digital only) – Mikuri and Hiramasa continue to live separately and, as he grows increasingly anxious about the situation, we see her discovering that she’s really good at coming up with ideas to help a local business association attract more customers. This is interesting, but waaaay more compelling is the dynamic between Mikuri’s aunt Yuri and Kazami, a man 25 years her junior who has confessed his romantic interest in her. I really love getting to see Kazami be embarrassed and vulnerable, and the insights into his past are valuable. Despite having many girlfriends, he has little experience with romance, and even though Yuri rejects him in the end, he’s still grateful to know that he was capable of genuinely falling for someone. Of course, I still hope they’ll get together in the ninth and final volume. Looking forward to it, even though I’ll miss this series! – Michelle Smith

Kimi ni Todoke: From Me to You, Vol. 28 | By Karuho Shiina | Viz Media – The manga keeps rolling along, and the only remaining unresolved plot, aside from “will everyone pass their exams?,” is Ayano and Pin. As a result, that shoulders the bulk of what’s going on here, and it’s still unclear if Shiina is actually going to pull the trigger or not. In fact, it’s unclear if Pin is being overly dense or if he is deliberately being overly dense—I suspect the latter. Certainly the rest of the cast have no trouble with Ayano going after her teacher, possibly as she’s ALMOST of age, as opposed to a lot of other teacher/student romance manga. Beyond that, we get warm and fuzzy by the bucketload, including Sawako spending the night at Kazehaya’s house (no, nothing happens.) – Sean Gaffney

Of the Red, the Light, and the Ayakashi, Vol. 9 | By nanao and HaccaWorks* | Yen Press – The main story of Of the Red… ends here, with many things explained, including the fates of Yoshiki and Akane as well as Yue’s origins. It’s bittersweet and more or less makes sense. That said, there have always been a few things about this series that I’ve never really understood, and though I’ve got a better sense of things now, I’m still not 100% clear on how things happened at the end. But I think I know, and I like the characters and the atmosphere, and that’s evidently good enough for me to enjoy a series. I’m looking forward to volume ten, which appears to be an epilogue of sorts, and wouldn’t grumble too much if the bittersweet ending became a happier one. – Michelle Smith

One Week Friends, Vol. 1 | By Matcha Hazuki | Yen Press – I’m quite fond of a lot of 4-koma-style slice-of-life series. I’m quite fond of cute-but-serious romances. Combining the two of them, though, I’m not sure if it works out. I suspect the author and publisher aren’t too sure either, as One Week Friends waffles back and forth between 4-koma style and longer, regular manga-style stories. The issue is there aren’t very good punchlines in the 4-koma, which defeats the purpose. The story itself, about a girl who for some reason or another forgets all her good memories after one week (and thus can never make friends) is decent enough, but I kept watching it slowly stop and start and try to rev its engine and the whole thing just needed to be better. – Sean Gaffney

Say I Love You., Vol. 18 | By Kanae Hazuki | Kodansha Comics – And so another shoujo manga comes to an end. Yamato and Mei’s post-high school life has sped along, and now Yamato is out of college and struggling to get his photography career off the ground. It’s nice to see he’s not instantly hailed as some superstar, and by the time he achieves sufficient success to propose to Mei (evidently when they’re both 25), it feels hard-won. Too, I appreciated Megumi’s struggles, and liked how her story played out, both career-wise and romantically. I suppose the fact that everyone ends up paired off and/or married is a shoujo trope, but it still makes for a satisfying resolution, and I admit I totally cried at Yamato’s proposal. I’ve really enjoyed this series and look forward to rereading it one day. Definitely a keeper. – Michelle Smith

A Terrified Teacher at Ghoul School!, Vol. 1 | By Mai Tanaka | Yen Press – Another day, another yokai series—I’m starting to miss vampires, let me tell you. This one is definitely on the comedic side, and features the titular terrified teacher, Haruki, as he starts at a new school only to discover that everyone in it is some sort of yokai. For the most part, the yokai we see are very traditional, and we get such classics as the girl with the long neck and the Zashiki-warashi. There are extensive endnotes, which are helpful, and the class is goofy and fun without being annoying. Unfortunately, the same can’t be said about the teacher—I simply didn’t like Haruki much, and given he’s the star that’s a problem. I hope he gets a bit less terrified as this goes on. – Sean Gaffney

The Water Dragon’s Bride, Vol. 4 | By Rei Toma | Viz Media – I enjoy each volume of this more than the last, always a good thing with an ongoing manga series. Here we get more of the Water Dragon God trying his best to see how humans work, and for the most part failing rather miserably. He’s still a jerk (and indeed Asahi tells him this), but he’s also the most interesting romantic interest, as Subaru has unfortunately become a bit faceless. And there’s also the problem that they’re starting to get noticed, which brings Asahi to the Emperor of Not-Japan, who is young and clearly wants a miracle worker, whereas all Asahi can offer him is human advice. (Also terrific impressions.) I’ve never gotten into Toma’s stuff before, but this is really good. – Sean Gaffney

Yowamushi Pedal, Vol. 7 | By Wataru Watanabe | Yen Press – We’ve finished Day One of the race, and the result is… well, let’s just say inconclusive. It does remind you why Midosouji is such a good antagonist, though, and it’s not just for his extremely creepy faces. (It is mostly for that.) Meanwhile, it was just about time for the unfortunate injury to occur, though here it’s not so much an injury as illness that does in Tadokoro, who seems to be suffering from heat exhaustion of some sort. Fortunately, Onoda is not about to leave anyone behind, even as everyone else is telling him to do so. That’s just not how he rolls. Singing Pretty Princess songs is how he rolls. Will Day Two finish by the end of the next omnibus? I wouldn’t bank on it. – Sean Gaffney