Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Features & Reviews

Captain Harlock: The Classic Collection, Vol. 2

by

By Leiji Matsumoto. Released in Japan as “Uchuu Kaizoku Captain Harlock” by Akita Shoten, serialized in the magazine Play Comic. Released in North America by Seven Seas. Translated by Zack Davisson. Adapted by Snati Whitesides.

This second omnibus of Captain Harlock settles down a bit, with a lot less goofy comedy but also without the tragedy that I was expecting. What we end up getting are a series of scenes/arcs of the Arcadia and its crew going after the Mazon in deep space, and having adventures. It reminds you that manga titles back in the day were far more concerned about any casual reader being able to pick up and follow along even after missing the previous seven months. There’s not a lot of intercontinuity here. That said, it’s certainly not dull; once you get your head around the Harlock pacing and remind yourself that these characters don’t speak, they declaim, you can see why Captain Harlock is still a beloved character today, even as he spends the entire book talking with his computer or getting upset about (seemingly) being saved by his hated enemies.

The cover art has the Mazon Queen, who spends most of this volume standing in her place of power and trying to get more inside information on Harlock and company. At one point a Mazon pilot, who seems to be not quite as fanatical as the others, boards the ship and speaks briefly to the crew, finding them “united in body and heart”, much to the horror of the seemingly heartless Mazon Queen, who in reality is about as cold and ruthless as the Cybermen in Doctor Who’s 80s period, which is to say not at all. A lot of the conflict in Harlock tends to be glossed as “men” (Harlock and his crew) vs. “women” (the all-female Mazon), and we get to see the men be the ones who are stronger because of their emotions and bonds, while the cool, heartless women are doomed to never understand. Harlock’s crew does have two women in it, of course, and possibly my favorite sequence of the book was seeing Kei pretending to be in trouble and letting herself get rescued by Daiba to satisfy his grumpy male ego. This is laid out explicitly so that the reader gets it. That said, I’d feel better about Matsumoto’s handling of women if he didn’t draw most of them looking the same.

At one point the Arcadia is almost destroyed by a gravity planet, and is rescued at the last second. Harlock thinks it was the Mazon who did it, and is suitably angry and humiliated – it’s not just Daiba, Harlock too has an ego that is easily bruised. The Mazon Queen, though, is also wondering who it was that saved Harlock, because it didn’t seem to be them either. As a result, there is a tiny bit of forward plot motion in this volume that is otherwise a series of static paintings. I think there’s one more omnibus of this series, and I’m interested to see if it wraps up nicely and neatly, or if its ending is open. In the meantime, if you like classic manga, you should give this a read.

Added bonus for Doctor Who fans: the Sontaran fighter who makes an appearance. (OK, he’s not meant to be Sontaran, but come on, look at him.)

Clockwork Planet, Vol. 4

by

By Yuu Kamiya, Tsubaki Himana, and Sino. Released in Japan by Kodansha. Released in North America by J-Novel Club. Translated by fofi.

This volume gives a lot of attention to Halter, who has tended to serve as the realist and voice of reason for our little band of terrorists. To be fair, this role seems to be his by default; Naoto and Marie are such shiny idealists it’s a wonder you can look straight at them without going blind, RyuZU would destroy the world if Naoto asked her to, and as for Vermouth… yeah, let’s not. So it’s fallen to Halter to explain that, in fact, the world does not end up being sweet and caring just because you wish really hard. Especially when they’re in the steampunk Thailand, where anything and anyone can be bought and sold. So it’s not a big surprise when he turns out to “betray” Naoto and Marie in order to make sure that they aren’t, well, killed in eighteen different ways. That said, while Halter may be the sensible one of the goup, that’s only by a matter of degrees. Because this group is, to a man, utterly broken. In a gaming sense.

The cover girl is TemP, the newest of RyuZU’s siblings to show up, but she’s arguably the weak point of the book, being something of an airhead and lacking a purpose in life beyond “get revenge on her sister” and “be silly”. No, as ever, it’s the main group that commands the most attention, particularly the way that they react to each other. We’ve seen this before, but it’s spelled out explicitly here: Naoto, Marie, AND Halter all think of themselves as being “normal” people surrounded by insane geniuses who do the impossible every day. Since Naoto thinks of his hearing as something that’s typical, he can’t appreciate that he does what no one else can do. Marie’s own self-deprecation frequently gets in her way whenever she runs into a fresh new obstacle. And, as we really see in this volume, Halter is not merely a bodyguard and mercenary, he is possibly THE bodyguard and mercenary, able to take out whole divisions by himself with ease. Each of the three help each other in this book (indeed, Marie helping Halter is almost framed religiously), and are reminded that they can’t stop chasing in Y’s footsteps, but have to create something new. Be artists, not artisans.

At the end of the book we’re headed further west, and it’s definitely open ended. The afterword talks about the anime that was being made, and does mention the 5th book being written in among its goofiness. That said, it’s now nearly three years on, and there’s still no 5th book in Japan. One of the two authors has been dealing with health issues, and also writing the (more popular) No Game No Life books, which have also had lots of delays. The other author (who you get the sense wrote most of this book, if only as it’s slightly less lewd than the other three) started another series for Kodansha in 2017, but that also seems to have stalled out. And so we may be left with this as the final volume, and it’s not too bad a way to go out. You get the sense that Naoto and Marie will eventually achieve the heights they dream of, and manage to have the whole of RyuZU’s siblings around them. As to how that happens… well, the reader is invited to spin their own tale.

Yona of the Dawn, Vol. 14

by

Yona of the Dawn Volume 14 by Mizuho Kusanagi

I always put down each volume of Yona of the Dawn feeling like Kusanagi has just served up a master class in plot and character development, but I felt that way even more in this volume, which shows Yona traveling to visit the Water Tribe and confronting some very serious issues along the way. As soon as they arrive on Water Tribe land, Jaeha takes the opportunity to invite Hak along to visit the Red Light District, because the women of the Water Tribe are legendary for their beauty. Yona’s cloaked reactions as this conversation unfolds underscores how much she cares. Hak turns Jaeha down, and Jaeha heads out to explore the city solo, sensing that something is very wrong with the town. He meets up with a couple ladies, who burn some suspicious incense and offer him some of the special local rice wine. Jaeha goes along with everything, as he suspects that someone is watching both him and the girls.

Yona of the Dawn 14

Yona and her crew rescue Jaeha and go out to investigate, learning that the Kai empire is flooding the town with a drug called Nadai. Yona is determined to stay and fight the drug traffickers, even though Jaeha urges her to leave. The leadership and confidence Yona has developed over the course of 14 volumes has me confident that she’ll leave the Water Tribe lands in a better state than when she arrived. Yona’s group also attracts the attention of some local dignitaries, Ladi Riri and her two companions Ayura and Tetra. Riri first thinks that Yona is suspicious, but eventually realizes that the groups have similar goals. Seeing Riri’s assessment of Yona shifting as she learns more about her just serves to underscore Yona’s strength. There’s time for a little bit of situational comedy as Riri is horrified that Yona routinely sleeps outside, surrounded by men.

After some army battles in the last volume, there’s a return to close action sequences featuring Yona’s determination as well as the unique abilities of her protectors. This volume ends on a cliffhanger, but I’m very curious to see how Yona and her companions change and grow after being challenged by the situation in the Water Tribe kingdom. I’m also happy to see Yona getting some more female friends as she continues her travels.

MachiMaho: I Messed Up and Made the Wrong Person into a Magical Girl!, Vol. 1

by

By Souryu. Released in Japan as “Machigatta ko wo Mahou Shoujo ni Shite Shimatta” by Shinchosha, serialization ongoing in the online magazine Kurage Bunch. Released in North America by Seven Seas. Translated by David Musto and Wesley Bridges. Adapted by Jennifer Geisbrecht.

Longtime readers may be rather surprised I’m reviewing this at all, as I’ve made no secret of my distaste for the current genre of “Magical Girl Splatter”. Technically starting with Madoka Magica (which I have far less of a problem with), the more recent Magical Girl titles – all meant to be read by teen or adult men – seem to have an audience that wants to see cute girls get mentally broken and then killed off in gory ways. It’s not so much a deconstruction of the genre as a carpet bombing of it – “see, girls? THIS is what happens to magical girls! Dream of something else!” So I was not all that thrilled when I saw that Seven Seas had picked up another take on “magical girls for men”. And indeed, for the most part that’s exactly what this is. Still, there’s at least something here that made me finish the title and be curious for more.

Myu, one of those classical magical girl mascots who speaks cutely and acts as a catalyst for the plot, is being chased by a killer demon. Myu needs to find a magical girl fast, and spots a seemingly cute young girl with princess girls. Quickly it makes her the chosen one… whereupon she pulls out a cigarette and starts smoking, complaining about her teacher and acting like a stereotypical delinquent. Whoops! The demon shows up, and honestly she’s able to give it a good pounding just using her own power and lust for violence. She’s not really all that happy with the transformation either, given it strips her in the classic magical girl tradition. Now Myu has to deal with a grumpy, video-game obsessed heroine and continue to fight the bad guys… whose attacks now center entirely on Earth, allowing other mascots to take a vacation and leave it all to Myu. Even worse, the class president of another school has been turned into a dark magical girl… maybe? Who’s the dark one here?

First things first: after reading only about 15 pages of this title, you will have more panty shots than most other series put in an entire volume. If you thought “this is one of those authors where everything else he’s ever done has been porn”, you’d be absolutely correct. There’s also a relatively high body count, as (typically for the “male” magical girl genre) there are lots of victims gorily killed by the demons… or indeed by the magical girls… who don’t magically come back to life later. All of that said… it is nice to see that Kayo, the titular magical girl, is not here to be anyone’s tragic victim, and the delinquent guy who’s in love with her is essentially her lackey and whipping boy. (As a sign that this is not meant to be taken entirely seriously, the “pointy delinquent hairstyle” he sports is a wig, and he’s actually a bishonen underneath it.)

I don’t recommend this to anyone but the intended audience, let’s get that straight. That said, if you’d like a somewhat lighter, or at least more amusing, tone of nihilism in your magical girl splatter manga, MachiMaho is entirely up your alley.

Invaders of the Rokujouma!?, Vol. 16

by

By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

We’re now in the 2nd half of this long series of light novels, and the author is taking the time to wrap up the plots. Sanae was first, mostly as her plot tied into others and was fairly easily resolved. Yurika and Maki’s has honestly barely been touched beyond introducing various strata of evil magical girls, and there’s a sense there’s much more to it. Theia’s is, most like, the main plotline, and thus is not wrapping up anytime soon. And that leaves Kiriha’s, and unfortunately, it’s really not as good a climax as I’d like. I mentioned last time that Kiriha’s antagonist was a classic laughing villain type, and thus he’s pretty dull. He’s so dull that the more interesting villains assisting him just wander off when it becomes clear he’s going down. We’re also introduced to “surprise villain”, but he barely ties into the cast and no one really cares. The battle scenes are cool, though.

The plot is divided into two parts, as Kiriha and Koutarou head underground to deal with the villains trying to use a giant earthquake machine to destroy the world (the fact that I had to type that sentence out in a review that is not about MST3K says a lot about this arc), while Theia and her group head to the machine itself to try to destroy it. Everyone gets to use their powers to do something cool, and we get to see that the reason our heroes are always able to succeed so easily is their empathy and compassion. There’s a lost of discussion of justice in this book (actually, there’s a lot of lecturing about justice in this book), and the idea that justice means you are doing the right thing only works if you’re not, say, a cackling madman convinced that the right thing is to RULE THE WORLD!

Honestly, when all is said and done this feels like the ending to a sentai series or something like that. Even Kiriha is not immune to the tropes, giving Koutarou her trading card back in a blatant “I am going to sacrifice myself and die so that you can all be happy” ploy, which the reader will be unsurprised to hear gets her yelled at by EVERYONE afterwards. The addition of the sentai rangers also helps to sell this as being along the lines of a pastiche, which is fine in and of itself, but if we’re genuinely resolving the issues that make up Kiriha’s arc in the series (as we seem to here), it feels rather undercooked. There is a very nice scene at the end, despite some Yurika abuse for comedic affect again (could be a concussion… eeeeh, she’ll be fine) where Kiriha essentially proposes while admitting the status quo has to stay the way it does. The romance in this series is still well handled.

The next volume appears to be a “let’s do a lighter book” type, as it’s summer and we’re all going on a vacation. I look forward to that, but I also look forw3ard to getting back to the alien and magical girl plots, both of which seems to have more dramatic heft than the underground dwellers did.

Plus-Sized Elf, Vol. 1

by

By Synecdoche. Released in Japan as “Elf-san wa Yaserarenai” by Wani Books, serialization ongoing in the magazine Comic Gum. Released in North America by Seven Seas. Translated by Jennifer O’Donnell. Adapted by David Lumsdon.

As those who follow me on Twitter know, I frequently make comments about manga as I’m reading them, before I do a review. This are usually glib, off-the-cuff, and not meant to be taken seriously. Case in point: while reading Plus-Sized Elf, I noted that it was an odd combination of a fetish manga and an exercise manual, and several people actually sounded more interested in it than they were. So I want to clarify here: we’re talking about 85% fetish manga and 15% exercise here. You have to really, really like seeing large breasts, large butts, and the women who possess them, as they’re on pretty much every page. That said, when I heard that this was a title that ran in Comic Gum, I was actually expecting much worse than I actually got. Plus-Sized Elf is, in the end, goofy fun, and far more interested in gazing at plump girls than in doing anything sexual with them.

That’s our heroine on the cover, clutching her McDonald’s fries and glaring at us. She’s Elfuda, an elf (the names are not exactly world-beaters in this title) who has come to the human world to eat, because additives and preservatives are unheard of in fantasy land, and things TASTE SO GOOD with them. Unfortunately, this means she’s gained more weight than she’d really like. She ends up at an osteopath clinic and meets Naoe, a young man who does a combination of massage therapy and diet/exercise advice. After taking care of her horribly out-of-alignment bones, he recommends a diet that works… at first, but Elfuda quickly backslides. As the title goes on, we meet more fantasy creatures that are hanging out in Naoe’s town, all of whom have various reasons for being on the hefty side: a dark elf who’s standing at her job all day, a mandragora girl whose large flower on her head (and possibly other large things) leads to poor posture, an ogre who loves booze, etc.

As I said above, there’s something that so far is very obviously missing from this title, and that’s any sense that it’s a “harem” series. Naoe clearly appreciates full-figured women, and he can be seen blushing a number of times. But none of the girls who he helps and meets up with really seem to be that into him. This is not about a guy amassing a bunch of women, it’s about a bunch of women and the guy who hangs around them. The manga also manages to walk that fine line between finding amusement in Elfuda’s inability to resist junk food and keep weight off without actively mocking her for it. And a lot of Naoe’s advice is pretty good, too – there is a BIT of exercise manual in here, as I said. Again, this is still a title you should only get if you don’t mind fanservice – there’s several shots of the women eating food and getting massages that are basically orgasm face art. But if you don’t, Plus-sized Elf proved to be more fun than I expected.

Manga the Week of 10/24/18

by , , , and Leave a Comment

SEAN: October continues to push out new titles to break our banks.

First, I missed another release in last week’s list. Out tomorrow is the 6th Combat Baker and Automaton Waitress from Bookwalker.

Dark Horse has a debut I’m excited about. Mob Psycho 100 is by the author of One-Punch Man, and this time he’s also the artist. It runs in Shogakukan’s Ura Sunday, is based off the webcomic, and is about a psychic boy.

MICHELLE: Ooh, interesting!

MJ: This also sounds interesting to me!

ANNA: Me too!

ASH: Yup, count me in!

SEAN: J-Novel Club has some ongoing series, with a 4th Infinite Stratos, a 2nd Kokoro Connect, and a 3rd volume of The Unwanted Undead Adventurer.

Kodansha print debuts another Fairy Tail spinoff, Lightning Gods.

Kodansha digital is a different story. We begin with Forest of Piano, a series I never thought would make it over here. A long-running award-winning story about a piano prodigy, it ran in Morning magazine (actually, it debuted in Uppers, which tells you how old it is) and has its first seven omnibuses all debut digital-only next week. Will this be the title that forces Ash to buy digitally?

MICHELLE: Woot!

MJ: I don’t often buy digital either, but I kind of want this. Like, a lot.

ANNA: Wow, that sounds like something I should pick up.

ASH: Aaaaah, I really am going to start buying digital titles one of these days, aren’t I?

SEAN: On a more shoujo note, Mikami-sensei’s Way of Love is a Betsufure title about a girl who hasn’t had a love affair yet and her persistently annoying teacher who is likely the reason why. For those who like amusing jerk heroes.

And we have Ace of the Diamond 16, Defying Kurosaki-kun 5, Is Kichijoji the Only Place to Live? 4, Liar x Liar 7, and The Quintessential Quintuplets 5.

MICHELLE: I love Ace of the Diamond and one of these days I’ll read Kichijoji.

SEAN: Seven Seas has two debuts. Machimaho: I Missed Up and Made the Wrong Person into a Magical Girl! is not based on a light novel, despite the lengthy title. It runs in Shinchosha’s Kurage Bunch, and does not seem to be quite as dark as Seven Seas’ other Magical Girl titles. Violent delinquent turned magical girl is the premise.

Plus-Sized Elf is the other debut, from Wani Books’ Comic Gum. Given that it’s from Comic Gum, I would expect the fanservice to also be plus-sized. Also, despite the titular elf, I have a suspicion this is a monster girl title in general. It’s seemingly about an elf hooked on junk food.

ASH: I’ll admit I’m curious. Also, I will be very disappointed if there aren’t French fries.

Seven Seas also has Harukana Receive 2, Made in Abyss 4, Magical Girl Apocalypse 16, Nameless Asterism 3, and There’s a Demon Lord on the Floor 6.

Vertical Comics has a 4th omnibus of The Flowers of Evil.

Lastly, Viz has a 7th digital-only volume of élDLIVE.

I suspect Manga Bookshelf is thinking of pianos next week. How about you?

How a Realist Hero Rebuilt the Kingdom, Vol. 7

by

By Dojyomaru and Fuyuyuki. Released in Japan by Overlap, Inc. Released in North America digitally by J-Novel Club. Translated by Sean McCann.

This is a strong volume of Realist Hero, getting back to what most people reading the series are here for. No, not harems, though there’s a lot of that going around. No, not sex, there’s none of that here. But diplomacy gets to be front and center again, as Souma and his entourage end up traveling to not-Turkey to see what that nation is all about. There they find themselves designing syringes and scalpels, dealing with a boisterous yet forward-thinking young prince, heading off the discovery of quite a nasty dungeon (and seeing what it does to the poor villagers who lived next to it), and negotiating a three-way trade agreement involving doctors, drugs, medical tools, and the power of HOVERCRAFTS! And all this is only in the first two-thirds of the book, so there’s plenty of time for short stories involving things like dragon meteorologists and Juno (from the group of adventurers) finally learning the truth about her mysterious adventuring companion.

Sadly, our main heroine, Liscia, is totally absent from the story. She’s pregnant, you see, and so has gone off to live away from all society in case something should happen to the child. In reality, I do sort of wonder if she’s been exiled due to her Saberface. Probably not, though, given that this volume sees the introduction of Yuki and Mikuru from the Haruhi Suzumiya series. Well, OK, not really, but close enough. They’re childhood friend and bodyguard, respectively, of the Turgis prince, who is filled with fresh new ideas and also a head full of teenage stupid, which is what leads him to doing things like proposing to 12-year-old fox girls. You’re meant to get the sense that when he matures he’ll be an excellent leader, and there’s hints of that here, though you can also see why not-Yuki calls him dumb all the time. You also get the sense his polyamorous relationships are shaping up nicely. Speaking of which, Hal has recovered nicely from accidentally getting a dragon bride last book, only for us to find that he’s adding an elf soon as well. the book does not have to pair off Souma with EVERYONE.

The worldbuilding is the highlight of the book, once more. There’s a real feel that the author remembers what he wrote before and is building on and adding to it constantly, which is not only the case in books adapted from webnovels, where often you get the sense the author is just thinking “what is the next cool thing?”. Admittedly, sometimes I could do without the worldbuilding – Komain’s refugees are meant to echo the plight of Native Americans, but having her literally look like a Native American stereotype, complete with war paint and feathers, is a bit much. Still, for the most part I am happy and content to see where the book leads me next. Will we finally deal with the demons? Will Souma be reaching out to yet another country? Will he ever work up the nerve to go to bed with another one of his fiancees? This is apparently a big seller for J-Novel Club, and it’s easy to see why. Go get it.

Yona of the Dawn, Vol. 14

by

By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

As I’ve mentioned before, Jaeha is my favorite of the Dragons, and I suspect I’m not alone there. He fits into a lot of characterization buckets that appeal to me. Indeed, he frequently puts himself in those buckets, behaving a specific way either because he wants to be seen that way, or in order to distract from how he’s really feeling. And traveling with Yona and company is troubling him, as he’s falling for Yona hard, which would be fine except that a) he totally sees the writing on the wall with Yona and Hak, and b) he worries that it’s his dragon blood MAKING him feel this way for her. As a result, in this volume we see Jaeha at his most reckless, sneaking off to a brothel partly to piss off Hal but mostly as he senses there’s something wrong about the new town they’re in. And unfortunately, Jaeha’s “always save the girl” mode also kicks in, leading him to be drugged with something quite potent.

Fortunately for Jaeha, his attempts at acting like everything is TOTALLY FINE and he is just being a horndog are doomed to failure, so Yona ends up rescuing him. Unfortunately, rescuing the town will take some doing, as its residents are in various stages of addition. Once again, Yona decides to stick around to see if this is something that can be fixed, with relatively little argument for once. Indeed, for part of the volume Yona and company are seen as they might be from the outside – as the most obviously suspicious ones. This is because we’re introduced to the young and idealistic princess of the water tribe, Riri, who is there to remind us of what Yona used to be like back at the beginning of this series. Indeed, she’s even got her own female equivalents of Hak and Jaeha as her bodyguards, though one of them might not survive an end-of-volume stabbing.

I do find it amusing that no one seems to recognize Yona, but instead Hak is the one that they find familiar – he’s not exactly an unknown face either. This ia a fantasy world with little modern technology, which is probably why The Dark Dragon and the Happy Hungry Bunch can get away with as much as they do, but they’re getting famous too, and eventually Su-Won is not going to be able to run into Yona on the battlefield and just go “whoops”. This series is long-running, and we’re nowhere near finished, but I am wondering what the endgame for it is going to be. In the meantime, Yona is far more concerned with saving Tetra (the Jaeha-ish bodyguard who was stabbed) and showing off that, even if her sword skills are rough and unpolished, facing off against Hak is a lot harder than facing off against nameless goon #2.

I feel like I’m ending each review the same way, but it’s always true. Yona of the Dawn is one of the best series Viz is putting out. You should be reading it.

In Another World with My Smartphone, Vol. 10

by

By Patora Fuyuhara and Eiji Usatsuka. Released in Japan as “Isekai wa Smartphone to Tomo ni” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Andrew Hodgson.

Three-fourths of this volume is a fairly typical Smartphone volume, with the added bonus of actually resolving some long-standing plot developments and introducing a “new” character who, while I may not love her, certainly has the ability to put a lot of things in motion. Unfortunately, that leaves one-fourth of Smartphone which is absolute garbage, having all the worst tendencies of this series wrapped up in an awful bow. Touya’s sociopathy, villains who sneer and cackle but are also cowardly and ugly, barely disguised hatred of China. It’s all here, and it sucks. I’ve talked before about how I sometimes wonder if Touya is meant to occasionally be a deconstruction of some sort, but it just doesn’t hold up all that well. The author thinks that having the occasional character remind Touya that he’s in danger of becoming a monster, and Touya essentially going “Oh, OK”, will take the curse off of it. It does not.

The cover features Sakura, whose backstory is finally revealed as Touya, hilariously, realizes he could have cured her amnesia all along with a simple spell. The recovery of memories allows us to be introduced to yet another smothering father type, a running gag in this series (to the point where the girls all admit that Touya will certainly become one of those as well), and also allows Sakura to join the harem, which is now “complete” at nine wives, though some of them girls are a bit wary of accepting that it’s a closed circle now, given Touya is, well, Touya. They’re more concerned about succession than actually jealous, though. The cover also features a young girl who, I’m sad to say, is Professor Regina Babylon, now in the present day and also in the body of a child-sized gynoid because, I think, the author finds it amusing. She’s just as perverse as ever, and when she and Cesca team up it’s bad news for everyone. I could have easily done without the spanking, though.

Touya also finally admits to his wives that he’s not from this world, something which they accept fairly easily. He also starts to show them anime, which may be a mistake, especially with the Professor watching Gundam. We also get a short story developing Ende and the Phrase, and explaining what happened in the past and why the Phrase keep on attacking Touya’s world. It is, at heart, a love story, and I liked Touya admitting that, despite the hideous loss of life, if it were him he may have been the same. (This is not hard to imagine given how much Touya doesn’t care about Yulong or anyone in it, though admittedly he only seems to meet bad guys there due to the whims of the author.) I suspect the majority of the Phrase are still evil, though, which means expect to have more giant robot battles in the near future. Which now include Sue, who is getting into the swing of things very fast.

Despite wanting to punch Touya and the author in the face for the Daydream Believer chapter (which also ruins one of my favorite Monkees songs), I’m still somehow still reading Smartphone. It’s one of the rare series which is at its best when doing dumb harem slice-of-life, as Touya needs to be constantly belittled by near everyone or else he becomes a monstrosity. Oh yes, added points to the illustrator, as the first three black and white illustrations in the book each made me laugh out loud, combining the text and a picture perfectly.

Bookshelf Briefs 10/15/18

by , and Leave a Comment

Bleach, Vol. 74 | By Tite Kubo | Viz Media – I have never actually reviewed Bleach as a brief… or indeed at all. I followed its periphery, keeping track of what was going on and trying not to be too invested. The final volume shows off many of its strengths and weaknesses… I enjoyed seeing Ichigo and Orihime fighting together, and the finale was sweet, but far too often the volume was Yhwach screaming “can’t you see your powers are USELESS against me!” like an MST3K villain. Still, say what you will about Bleach, it was always itself. It may feel like it was cancelled for not getting on with it (it probably was), but changing anything seems churlish. It’s that middle son who’s always a hot mess, who always gets forgiven. – Sean Gaffney

Dragon Half, Omnibus 2 | By Ryusuke Mita | Seven Seas – This continues to be a giant nostalgia trip, feeling very much like the sort of anime and manga that North America was getting in the early 1990s. Which it essentially is. Even the translation and adaptation feels like it’s a “dub,” and a good one like Shinesman. It’s not easy to analyze—aside from one or two heartwarming moments that last about one panel, it’s balls to the wall comedy every single page. But the comedy is ridiculous fun, with Mink shedding her skin and becoming stronger (and bustier), the villains still being 100% useless, and Lufa being 100% DTF. I think there’s one more omnibus to go, and theoretically this is coming to an ending, but the plot is irrelevant compared to the laughs. – Sean Gaffney

Food Wars!: Shokugeki no Soma, Vol. 26 | By Yuto Tsukuda and Shun Saeki | Viz Media – Eventually, theoretically, this arc will end. But it’s not this volume, or indeed the one after that. That said, it is nice to see Soma punted to the side here so that we can focus on some of the other cast. Kuga has a grudge, and wants to make his name remembered—I suspect the name will be remembered but he’ll lose. As for Mimasaka, it’s quite interesting to see his stereotypical evil cheat powers used in the name of good. And then there’s Megishima, and though we find out why he’s helping Soma and company in this book, I have to admit I simply like Rindo more, and I hope that she pulls it off. So yes, a good volume, but pretty sure the bad guys are gonna win, which means… more tournament arc. – Sean Gaffney

Haikyu!!, Vol. 28 | By Haruichi Furudate | Viz Media – We are nearly caught up with Haikyu!!, which goes to “once every three months” starting with the new year. It’s been fun reading this volleyball title every week, and it helped me keep track of what’s going on better. The bout against Inarizaki takes up much of the second half, and is up to the usual high standards. I was also amused to see a hint of boy/girl romance in this book, as Ryunosuke’s childhood friend—there with her women’s volleyball team—clearly has a thing for him, but in the end, like a lot of shonen titles, she decides to emulate his SPORTS PASSION rather than confess. Besides, he’s still crushing on the manager (has she retired or not?). Haikyu!! is great fun. – Sean Gaffney

Himouto! Umaru-chan, Vol. 3 | By Sankakuhead | Seven Seas – We are reminded several times in this volume why the two siblings are the way they are—they’re very much on their own in the apartment. Here we learn their mother has passed away, and it seems there’s no father either. This explains a lot of Umaru’s immaturity, as well as Taihei’s tendency to let her do what she wants. I think I like the series best when it shows off the occasional sweet moment. Still, it’s because it’s occasional that it works so well—most of the time this series is content to rely on funny “Umaru is lazy” humor, such as accidentally screwing up the modem and having… NO INTERNET!… or forgetting about her New Year’s Resolution to be less slothful. Cute. – Sean Gaffney

How to Treat Magical Beasts: Mine and Master’s Medical Journal, Vol. 2 | By Kaziya | Seven Seas – There’s not much here beyond “heartwarming stories of a magical vet,” but sometimes that’s all you need, and if this is going to be manga’s equivalent of All Creatures Great and Small I’m content to be along for the ride. The chapters are named after either the magical beast or their ailment, and despite involving supernatural creatures manage to be rather educational—the discussion of rye bread was particularly fascinating. Ziska is cute, Niko is patient and caring, and you root for both of them, even as some of the situations prove to be a lot more difficult to solve than others. This is the sort of title that will run as long as the audience is there to enjoy its peaceful, relaxed mood, and I’m one of that audience. – Sean Gaffney

Natsume’s Book of Friends, Vol. 22 | By Yuki Midorikawa | VIZ Media – Twenty-two volumes in, and Natsume’s Book of Friends is just getting better and better. The first two stories involve Natsume’s classmates—first, the story of an inn beloved by good yokai where the staff forget to display the curtain to ward off bad yokai one night, and second, the story of a mysterious nightly visitor who uses Natsume’s face to befriend Nishimura—and seeing events from their perspective ramps up the creepy atmosphere tenfold. As if those weren’t enough, the final story involves Natsume meeting the first yokai whose name appears in the book and learning more about Reiko in the process. It’s a tale both melancholy and lovely and I loved it very much. The twenty-third volume only came out in Japan last month, so sadly we’ve probably got a long wait for our next installment. – Michelle Smith

New Game!, Vol. 3 | By Shotaro Tokuno | Seven Seas – There’s some workplace development here—with Kou’s promotion, Hifumi is also encouraged to take a step forward, which she does shyly and reluctantly. Kou and Aoba also manage to collaborate on a character design, after some brief but well done drama, and the game looks ridiculously cute. For the most part, though, this continues to be about a group of girls and their everyday life, the same as many of these 4-koma titles. I had honestly thought there would be more yuri, but it’s mostly invisible—Rin clearly as a thing for Kou, but there’s no forward movement there. If you enjoyed the anime, or just like this style of manga, it’s a good volume. Needs to have the cast holding hands and jumping in the air. – Sean Gaffney

To Your Eternity, Vol. 6 | By Yoshitoki Oima | Kodansha Comics – Every single volume of this series has managed to shatter my heart and the sixth is no exception. To Your Eternity remains a manga that is both astonishingly beautiful and incredibly devastating. Oima utilizes a fantastical narrative to explore deeply philosophical and existential themes. Even as an immortal, Fushi struggles to survive in a world full of death. Fushi continues to learn, grow, and evolve, but the process is an exceptionally painful one requiring difficult decisions to be made over and over. The sixth volume dramatically concludes the Jananda arc–on an island populated by exiled criminals, Fushi is forced yet again to confront the complexities of human morality and mortality. Yes, there are crushing losses, but along with the sadness comes some amount of hope. The strength of the relationships that Fushi develops with others is a shining, guiding light in a life frequently punctuated with darkness and tragedy. – Ash Brown

The Promised Neverland, Vol. 6

by

By Kaiu Shirai and Posuka Demizu. Released in Japan as “Yakusoku no Neverland” by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz Media. Translated by Satsuki Yamashita.

For all that Ray insists that he’s not going to sacrifice his life at the end of the last volume, he is a small child running at full speed against a number of demons who are essentially horses in this scene. Sure, he’s rescued, but it was an impetuous thing to do. And of course there’s also Emma, who is almost literally working herself to death to get this escape on the road. So I really enjoyed the scene in this volume where Dona, Gilda and the other kids tear into the two of them for taking everything on themselves. The Grace Field kids are ALL smart – sure, Ray, Norman and Emma were the tip of the top, but they’re all bright lads and lasses who can see what’s really going on here. If you’re going to escape with everyone, everyone has to work as a unit and decide things as a unit. Which is good, as when they get to the map coordinates it’s a big bunch of nothing.

We also get a lot of answers this volume as to how this world works, and while Emma tries to paint it in as optimistic terms as she can, it’s not good news. They’re on the wrong side of a great divide, this has been going o0n for a thousand years, and I suspect if they do make it back to humanity, they may have to watch out for being killed there as well. Despite that, Emma is right, there is some hope. And honestly, we learn that being at their own farm was possibly the best place to be, given that most demons seem to eat the equivalent of fast food – which is to ay humans kept in tanks and barely cognitive, there to be eaten and forgotten. It’s a chilling sight. There’s also the demons who rescued them at the start, who seem to be “religious converts” but may be a lot more sinister than that. I wonder about them…

In the meantime, there’s a new area to explore, and to no one’s surprise, it’s not quite as barren as expected. Now they’re in an underground shelter, and meeting an actual adult human who… seems to be one of those “I am a jerk on the outside, but wait till you see my soft core” types. Sadly, he’s the cliffhanger, so we’ll have to wait for next time to see what his deal is. Ray and Emma are pretty good about having a healthy level of suspicion about their “saviors”, but also being willing to trust people. When you don’t have much choice, that’s where you are. I suspect that the next volume of The Promised Neverland will begin a new “arc”, but I also suspect it will involve a lot of almost getting captured and escaping, because that’s why we read the series. Well, that and seeing the kids be cute.

JK Haru Is a Sex Worker in Another World

by

By Ko Hiratori. Released in Japan by Hayakawa Shoten. Released in North America by J-Novel Club. Translated by Emily Balistrieri.

Before I begin, let’s state the obvious: this book is for those over the age of eighteen. The review will not have strong language itself, but reader discretion is advised.

Wow. I didn’t know much about this going into it. When I first heard about the license, I thought it sounded absolutely dreadful, but I was assured that it was not actually meant to be a servicey title and that it would reward the patient and tolerant reader. The assurance was correct, as I am very grateful to have read this title, which I thought was excellent. That said, I know several people who started to read this and were unable to get past the first two sections or so, and I can understand why. The premise sounds like your standard isekai: two kids are run over by a truck and die, meet God, and the buy gets cheat powers because this is an adventuring isekai sort of world they’re going to be dropped in. Unfortunately, it’s also virulently misogynistic. The basic roles for adult women are slave, wife, or sex worker. Haru chooses the last.

What follows is Haru going about her daily life, which involves blunt descriptions of the sex work she does. Haru’s narration is one of the main reason to get the book, as she pulls no punches about the sort of life she has to lead. The boy she came from Japan with is an absolute creep, the sort of guy who thinks he would be doing Haru a favor by letting her become his maid. This is not, by the way, a book to read for those who want to be aroused by talk of sex. There IS a lot of talk of sex, but it’s not meant to arouse you in the slightest. There are several rape scenes throughout the book, and they are as horrible as you can imagine. Haru tends to “dull her emotions” a bit during them, but as a reader you’re still horrified. That said, you do also learn to enjoy the happier times in her life as well, such as tea with her colleagues and, in the most positive and fun chapter in the book, playing “Kick the Can” with a group of kids.

About 2/3 of the way through the book there is a spoiler, which I won’t disclose, but it does tie into the main plotline and also makes sense in terms of what’s come before. Aside from Haru and Chiba (the Japanese guy), the most interesting character to me was Kiyori, a pure Japanese priestess type who wants to go adventuring, but is not allowed to without a guy. Kiyori’s the only other one whose narrative perspective we get in the book (which is otherwise Haru’s), and you get the sense as you get to the end of the book that she’d much rather be in a relationship with Haru than with any of the horrible adventurer creeps who are trying to team up with her. Unfortunately, that is not a very likely option either because, as I said earlier, virulently misogynistic world.

There are a bunch of other things in the book I enjoyed, at times the writing is very subtle. (Discussion of a reincarnation made me smile a bit, especially given the plot that leads up to it.) It apparently was a polarizing book in Japan, though not so much for the explicit sex worker content as for being an isekai at all – this is a novel, not a light novel, and fans of the publisher were upset they sank to publishing one. It’s a novel that needs warnings before you read it, but I feel that overall it ends on a positive and forward-looking note. Indeed, it feels a bit open-ended, and the final short story implies the author has a lot more they’d like to write about. If you’re tired of the standard “hero goes to another world and gets superpowers and a harem of girls” stories, this is a grim yet well-told response to it.

Satoko and Nada, Vol. 1

by

By Yupechika and Marie Nishimori. Released in Japan by Seikaisha, serialization ongoing on the online site Twi 4. Released in North America by Seven Seas. Translated by Jenny McKeon. Adapted by Lianne Sentar.

The premise of Satoko and Nada feels a bit fresher because it has an extra twist to it. When you see the series takes place at an American university, and features two roommates learning more about each other, you’d expect that one of them would be a stereotypical American. In fact, Nada is Saudi Arabian, and her new roommate Satoko is Japanese. Thus they’re not only learning about their own culture and personal foibles, but also learning about life as a foreign woman in America. It’s the sort of premise that works well as a 4-koma, as I think in extended chapters the lessons of “no matter what nationality, religion, or culture you are, you can still be friends” might be a bit didactic. Here each new strip resets things, and the result is a manga that’s light and funny while also making its aims very clear. And, if you’re just here to be entertained, Satoko and Nada does that as well.

A large number of these pages are typical “college roommate life” filtered though the culture of both women. We see Satoko gradually opening up and becoming more confident. It helps that Nada is the extrovert of the two, which also helps to show that the woman under the Niqab is not going to be the stereotype you’d expect. Satoko’s food is too bland, Nada’s food is too spicy. Satoko also seems to lack a sense of self-awareness at some points, leading to the one serious scene in the book where she accepts a ride with a sketchy guy and is thankfully rescued by Nada. Even on campus, America is not Japan (and it doesn’t seem they live on-campus, but in housing somewhere else.) Thankfully, most of the time the “life lessons” are more humorous, such as when Nada lectures Satoko about the different kinds of Muslim women and the outfits they wear, then berates her for an unfashionable dress.

The cast is fairly minimal. Nada has a few other Muslim friends, who sometimes come over for a “girls’ night out” and prove to be just as extroverted as Nada. Of course, this is just in comparison with the introverted Satoko – I do wonder how much of this story is based on real life experiences, as it can sometimes feel like a biographical comic with added punchlines. We also meet an American girl called Miracle (she apologizes for her parents’ “phase” when she was named), who’s a Christian church-goer, to add to the religious balance. (Satoko, as a typical Japanese woman, is technically Buddhist but in reality not all that religious, which leads to some amazement among her other friends.) I was also amused and sympathetic to Kevin, an American who’s trying to get a job teaching in Japan… but he’s Asian-American, and they only want Americans who “look white” to teach.

Satoko and Nada is not revolutionary, but I spent my time reading it with a smile on my face, and I did learn a thing or two as well. (Praying towards Mecca now has an app to help with the direction.) It’s something I’d recommend to any fan of slice-of-life manga, or those who enjoy seeing manga starring and about women.

Accel World: The End and the Beginning

by

By Reki Kawahara and Hima. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Jocelyne Allen.

The past coming back to haunt people is a running theme in Accel World. In real life, past trauma is how you get Incarnate attacks to use in the game. And events that have happened in the game have also had traumatic repercussions, particularly for Kuroyukihime and Haruyuki. Still, as our heroes continue to attempt to try to defeat the ISS kits, I was not prepared for the past to literally come back. Everyone’s still feeling out why this is happening, but in a meta way, I think part of it is that Reki Kawahara knows when he has a good idea, but then proceeds to come back to that good idea over and over again like a favorite toy until everyone else involved just wants to move on. In Sword Art Online that idea is Laughing Coffin, the Guild filled with player killers who have proved to be behind almost everything in the series. And in Accel World its’… well, that’s the cliffhanger ending, isn’t it? Is it a real cliffhanger if the reader groans?

This is another volume that is essentially one big fight, staying inside the Accelerated World as Haruyuki and company take on the Accelerated Research Society, which is not only destroying Ash Roller with its ISS kits but has also kidnapped Nico, planning to use her for some nefarious scheme. (Nico stays unconscious for 95% of the book, though thankfully she does at least wake up and get angry for the last few pages.) Our heroes divide into two groups of four, as half go after Nico’s kidnappers while the other half stay to try to get to an exit point to unplug Nico in the real world. Unfortunately, the kidnappers are very good at what they do, and the battle is mostly fought to a standstill throughout. Also unfortunately, the exit to the real world turns out to be inside a monster… a monster that is capable of a lot of awful stuff. And, as I noted before, bringing back bad memories. Literally.

This leads to the most interesting part of the book. The killing of Red Rider was sort of the spark of everything that happened in the series, and we’ve seen it in flashbacks a few times. Now we get to see Red Rider “return” as sort of a memory copy, and you can see why everyone was upset – he’s a nice guy, and seems like the shoujo hero of a book starring a shy, insecure girl. His presence, though, allows Kuroyukihime to show how she’s grown past who she used to be and has reforged her bonds, and found new ones. It’s cool to see, and the emotional beats on her side of the book are more satisfying. As for Haru and company, they get a lot less sympathetic memory copy to deal with. The first really nasty villain of Accel World is here to chew bubblegum and be snide, and he’s all out of bubblegum. Unfortunately, he’s just a memory copy, and so unable to control combining with Nico’s stolen equipment very well, which leads to… well, the cliffhanger I was carping about.

This is still a good volume of Accel World, particularly if you like action sequences. We still have more to go, as once again the arc is not finished. Will Nico be permanently depowered? Will our heroes save Ash Roller? Will Kawahara keep playing his Greatest Hits? Only one of these is certain.