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Discussion, Resources, Roundtables, & Reviews

Features & Reviews

An Archdemon’s Dilemma: How to Love Your Elf Bride, Vol. 4

March 7, 2019 by Sean Gaffney

By Fuminori Teshima and COMTA. Released in Japan by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Hikoki.

De-aging characters is an old and honored narrative tradition, usually used to show how characters who are currently emotionally broken/closed off were adorable little sweeties when they were kids. And that’s exactly what happens here, as during a visit to her abandoned hometown, Nephy runs afoul of a mystery villain and is turned back into a five-year-old girl. Much of this is played for comedy, as you might expect – Nephy as a child is “adowable”, and when you combine the effect with Foll as a “big sister” and Gremory, who has shown that she can not only turn into a young woman but also a little kid, the “cuteness” factor is overwhelming, especially to Zagan. That said, there’s a serious point being made here: Nephy was once a sweet and optimistic child, and years of abuse at the hands of everyone she knew made her emotionally dead. It’s why Zagan ends up wanting to burn the entire town to the ground as a sort of belated revenge.

The main cast continues to increase. Nephteros returning is not really a surprise, but we also see Gremory and Kimaris, the two most visible sorcerers from the previous book, stick around. Nephteros is mostly there to be a grumpy tsundere, which she excels at. It does make you wonder about Chastille, whose role that was originally supposed to be but it quickly went off the rails when the author realized that he just liked her freaking out and crying all the time. That said, the author has realized this and actively points it out in this book, where Zagan sees Chastille “on the job”, so to speak, and she’s revealed to be quite competent and analytical. This is mostly used for comedy, with Zagan repeatedly asking why she can’t just be like that all the time, but is a semi-serious attempt to do something with her. There’s also one or two hints of ship tease with her and Barbatos, which might end up going somewhere, because lord knows she’s not getting anywhere with Zagan.

Elf Bride is not meant to be a harem book, I think, despite the increasing number of women in the cast. Age4 regression or no (and thankfully Nephy is treated purely as a little girl when she is a little girl), Zagan and Nephy are both over the moon for each other, and the only thing holding them back has been their awkward personalities. Seeing what Nephy had to go through as a child has galvanized Zagan, though, and the two finally confess to each other in a scene that would be the most heartwarming in the book if it weren’t for the rest of the cast watching and undercutting it. As to whether this will lead to them going any further romance-wise in future books… I doubt it, somehow. This kind of series runs on adorable.

The cliffhanger implies that next volume will focus once more on Nephy’s dark twin, who’s rapidly coming to be a second protagonist, possibly as she has a more varied emotional response than our favorite repressed elf. I look forward to seeing what happens.

Filed Under: archdemon's dilemma, REVIEWS

Today’s Menu for the Emiya Family, Vol. 1

March 6, 2019 by Sean Gaffney

By TAa, based on Fate/Stay Night by TYPE-MOON. Released in Japan as “Emiya-san Chi no Kyou no Gohan” by Kadokawa Shoten, serialization ongoing in the magazine Young Ace Up. Released in North America by Denpa Books. Translated by Ko Ransom.

In the beginning there was Fate/Stay Night, a visual novel with three routes, a whole lot of dead cast members, and infinite anime and manga spinoffs. Then there was Fate/Hollow Ataraxia, a sequel to the visual novel which asked the question “what if everyone in the cast was still alive?”. That too has a manga. This… is not that manga. Sorry, Bazett. Instead we have Today’s Menu for the Emiya Family, which asks the pertinent question “what if we adapted FHA but removed everything that wasn’t making food and sweet, heartwarming scenes?”. This also had an anime, which was just as heartwarming. Now we have the original manga, which is kind enough to not only give us the recipes, but also still has Shirou talking himself/the reader through each meal. The result is the perfect Fate adaptation for those who want to see everyone stop dying and just being really nice to each other. It’s as sweet as pie.

The “Emiya Family”, at its core, are the five who tend to eat dinner at Shirou’s house almost every evening: Shirou, Saber, Sakura, Rider, and Taiga. That said, worry not if you’re a Rin fan, she’s all over this volume and a frequent visitor, as are Illya, Lancer and Caster. Heck, even Assassin gets a chapter devoted to him and delicious sandwiches. Archer is around as well, though for most of the volume the joke is that we never see his face. Each chapter follows a similar trajectory: we set up a situation, find the perfect food for the situation, and the food is made over the course of the next few days. This could be salmon Lancer recommended, sweets celebrating Hinamatsuri nd Illya growing strong and healthy, Chinese food to celebrate Rin and Sakura’s new bond, etc. Even when there’s a brief hint there may be conflict, such as when Saber sees Shirou teaching Caster how to cook, it’s quickly defused.

The manga does, I will let you know, assume that you are familiar with the original Fate visual novel and what happens in it. (Though my guess is that, in regards to the chapter with Shinji, they’d rather we forget about it. It’s the only chapter that left an unpleasant taste in my mouth, though at least it’s less “Sakura is trying to please her abusive brother” and more “Shinji is the pickiest eater around.) In particular, if you don’t know the relationship between Rin and Sakura, you might wonder why they’re flirting with each other. They’re embarrassed for a different reason. That said, apart from that, the manga can be read by anyone who enjoys Fate and doesn’t mind a complete lack of conflict. Even Caster is on her best behavior here.

Most importantly, as every good foodie manga should, this volume made me hungry, and wanting to try some of the recipes. If you are like Shirou, Rin and Sakura and love to cook, or are just like Saber and love to eat, this is a terrific pickup. And for anime fans, there are one or two things here that weren’t animated, though future volumes should have even more of that.

Filed Under: REVIEWS, today's menu for the emiya family

Invaders of the Rokujouma!?, Vol. 19

March 5, 2019 by Sean Gaffney

By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

This wraps up, for now, the dark magical girl arc of the series, though I’m sure they’ll be back in some capacity. They’re not likely to be the Big Bads of the entire series, though – Maya and Elexis are clearly filling that position. We can also tell by the fact that Darkness Rainbow is slowly losing its cohesion – not that it had much to begin with. Maki defected to the side of the heroes, Crimson is happy to do whatever as long as she gets a fight, Green is, frankly, in denial about a crush on Crimson and also wishes the group could be better friends, and as for Purple, well, she’s the Big Bad of this book specifically. The moment we saw her backstory in the prologue we knew it wouldn’t be pretty. Maki’s defection means we need a new Dark Magical Girl to contrast with Yurika, who has friends, a guy she likes, and magical powers and the smarts to use them. Given all that, why WOULDN’T Purple try to open a hell portal?

Speaking of which, time to gush about my favorite character again. She’s still in “awesome” mode here, and the author says in the afterword that he intentionally made her super weak and whiny because her magic had the potential to be a deus ex machina. Now she’s matured (though I’m sure when they get back to Room 106 and she’s studying she’ll backslide), and we also find out an interesting tidbit from Nana, her predecessor – Yurika became an archwizard in about half the time anyone else did. Including Nana. I also really loved the dialogue about love between her and Koutarou, as both of them hate to see the other looking like a “soldier” rather than a happy-go-lucky teenager. This is what the others want to see from Yurika – not necessarily the lazy whining, but Yurika at peace and not worrying about the next threat.

This wraps up an arc, but there’s plenty of setup for the next few books, which promise to take the action back into space. We learn that the People of the Earth and Yurika and Nana’s magical kingdom (I’ve given up on figuring out if Yurika is from Earth or Folsaria, frankly) are the descendants of the evil alchemists and mages that Koutarou and Clan helped defeat in the past. And, of course, everyone got away – again. So while Folsaria has settled down, I’ve no doubt that after a volume or two of fluff (gotta have contrast), we’ll be headed back to Forthorthe for a while. (We’re right about at two/thirds through this series, though given the short word count of each book it doesn’t seem that long.) In any case, Yurika and company saved the day, and even got a kiss out of it. Well, she and Maki initiated the kiss. And it’s on Koutarou’s cheek. But it’s a start! Please fix this emotionally broken boy.

So a good Rokujouma, with lots of fighting and desperate measures and the like. Also, Yurika, Maki, Clan and Kiriha fuse, which made me imagine this as a Steven Universe crossover.

Filed Under: invaders of the rokujouma!?, REVIEWS

Bookshelf Briefs 3/4/19

March 4, 2019 by Ash Brown, Sean Gaffney and Michelle Smith 1 Comment

ACCA 13-Territory Inspection Department, Vol. 6 | By Natsume Ono | Yen Press – And so, ACCA ends as it began, with endless discussions between relatively stoic middle-aged people. This is pretty much the definition of Natsume Ono’s career, so no complaints here. Things work out. Being the leader of a revolution is the last thing that Jean wants, and it’s amusing to see how he’s theoretically promised something to every single territory without actually promising anything. Moreover, ACCA manages to threaten the new ruler without actually removing him, and there are hints that he’ll be nicer—to Jean’s sister if no one else. Six volumes seems like the exact length for this series, and I’m happy to have read it, even when it was intensely talky. – Sean Gaffney

The Ancient Magus’ Bride, Vol. 10 | By Kore Yamazaki | Seven Seas – It’s a new direction for The Ancient Magus’ Bride, as Chise is off to attend the alchemist college. The alchemists want to study Chise in hopes of creating an artificial sleigh beggy substitute and in return she gets to audit classes for free. I liked that her primary goal is learning how to help people without sacrificing herself (with the side goal of thus keeping Elias from undertaking any more the-ends-justify-the-means efforts to save her) and also potentially find cures for the two curses now afflicting her arm. Many new characters are introduced, Chise is reminded that she’s “really bad at dealing with people and school,” and the church realizes that Elias’ observer has been lax and prepares to send out someone different. I’m enjoying this arc so far and remain very glad I got caught up on this series when I did! – Michelle Smith

Anonymous Noise, Vol. 13 | By Ryoko Fukuyama | VIZ Media – Yuzu’s back and just in time for In No Hurry to participate in the Tokyo Sailing concert series. The only problem is that Nino is “catastrophically terrible” in rehearsals, which she attributes to having nothing left to yearn for now that she and Momo have finally gotten together. A lot of angst ensues, culminating in a performance where Nino seems unconcerned that she’s damaging her voice, convincing the two main guys in her life that she’s planning on giving up singing. Yuzu seems poised to try to reign her in by joining her on vocals—this would be a huge development—buuuuut then we end the main story to make way for a bonus story that is fine, I guess (it does have a cute cat), but not what I wanted to be reading. This series is still occasionally infuriating, but I guess I’m hooked now. – Michelle Smith

Barakamon, Vol. 17 | By Satsuki Yoshino | Yen Press – Hiroshi’s absence is felt here, mostly as he does NOT call home all the time or immediately return. Hilariously, Handa tries to fix things by dying his hair blond and doing incredibly bad Hiroshi impressions. The bulk of the humor in this book, though, comes from the arrival of a two-person documentary team, here to videotape the countryside but not really prepared for the sheer presence of most of the cast, (and also having tremendous trouble not flirting shamelessly with each other, something everyone picks up on). Barakamon is wrapping up next volume, and that seems about right—this volume seems to be dragging things out a bit, and most of the main plot points have been wrapped up. – Sean Gaffney

Gabriel Dropout, Vol. 6 | By Ukami |Yen Press – The last half of this volume of Gabriel Dropout deals with the school trip, and has some good laughs, including two times where I literally laughed out loud (both involve Gabriel). Which is good, because that’s the main reason anyone is reading this series. The characters are not really here to develop, even as we introduce more of them. Another human girl gets a spotlight here, trying to make friends with Mei despite her being a devil and also really shy. Raphiel gets to snark, Vignette gets to overplan, Satanichia gets to do her “evil ojou” impersonation… everything is present and correct. Should you still read this series? Yes. It’s funny. It’s not deep, but I always smile at the end of it. – Sean Gaffney

Hatsu*Haru, Vol. 5 | By Shizuki Fujisawa | Yen Press – If a direct confession doesn’t work, well, try the forceful kiss again, I guess? Really, a lot of Hatsu*Haru revolves around how bad Kai is at being a cool shoujo lead, and I don’t expect this to end well for him. Meanwhile, Riko’s crush is finally married, so she can theoretically move on—though most of this volume is about how moving on is hard. And in a blow to my shipper heart, Ayumi and Takaya are faking a relationship in order to try to get Kai and Riko together… but don’t actually seem to have any sublimated feelings for each other. Darn. Ah well, the manga is still young. Till then, please enjoy teens being really emotional and awkward about romance. – Sean Gaffney

In/Spectre, Vol. 9 | By Kyo Shirodaira and Chashiba Katase | Kodansha Comics – Again we get two stories in this volume, one shorter and one long. The short one shows us Kotoko in high school, being asked to join a mystery club that’s about to be dissolved and in her spare time figuring out that the club is more about a forbidden romance than any actual mystery, though I was amused at “spoiling” a mystery that isn’t a spoiler in the first place. The longer story is more serious, about a young woman with a deadly past that… is not being brought up by the media, and about Kotoko and Kuro solving the mystery and also revealing a lot to us about lucky cat statues. There’s less of Kotoko being silly and horny in this one, but the stories are fun. – Sean Gaffney

NE NE NE | By Shizuku Totono and Daisuke Hagiwara | Yen Press – The opening scene of NE NE NE shows the wedding between Koyuki and Shin, an arranged marriage in which the groom is twenty years older than his teenaged wife. While this premise certainly had the potential to enter into somewhat questionable territory, the manga is actually quite charming and sweet. I’m not sure that I was ever entirely convinced by the difference in Koyuki and Shin’s ages based on how they were portrayed as individuals, but I did enjoy seeing their relationship naturally deepen over the course of the volume. Of the two leads Shin is the more fully-developed character—he at least gets a backstory while almost nothing is known about Koyuki beyond the fact that she desperately wants to be a good wife. But even so, they’re adorable, both together and on their own. With an additional dash of humor and magic, NE NE NE is a delight. – Ash Brown

Ran and the Gray World, Vol. 2 | By Aki Irie | VIZ Media – The opening chapter of this volume pissed me off righteously, as it involves teen-version Ran hanging out with Otaro the creeper and telling him, “You’d better not touch me” only for him to immediately glomp her. Actual quote from my notes: “THIS FUCKER DOES NOT LISTEN AT ALL. I WANT TO KICK HIM INTO THE SUN.” He promises he’s got “lots more” in store for her, but thankfully her new magic teacher arrives and the story moves on to deadly magical insects (one comes thiiiiiis close to killing Otaro but, sadly, he survives), magical training, and classmates who have crushes on Jin and Ran. I vastly prefer Ran’s age-appropriate love interest, Hibi, and sincerely hope having a friend her own age inspires her to stay away from Otaro. At least Jin is on to his womanizing ways. – Michelle Smith

Ran and the Gray World, Vol. 2 | By Aki Irie | Viz Media – The good news is that all the reasons that I enjoyed the first volume are here again. Ran is a delight, I also like her brother (and his maybe relationship with a new girl whose looks and personality remind me of Hinata Hyuuga), the bug subplot is creepy but also drives the story forward well, and the art is absolutely gorgeous. The bad news is that the main thing I didn’t like about the fist volume is also here: Otaro, the sleazy older guy from the first volume, is back and still trying to get into Ran’s pants. Even if she weren’t really a young girl using magical shoes, he’d still be the absolute worst, something the manga artist knows—they show him being reprehensible. Maybe he’ll die in the next book? Nah, I’m not that lucky. – Sean Gaffney

Tales of Wedding Rings, Vol. 5 | By Maybe | Yen Press – I was prepared to meet the fifth Ring Princess in this book, which we do (she’s on the cover, in case you hadn’t guessed). It’s the rest of the book that took me by surprise. Things go very bad very fast, and all of our main harem end up being shunted back to Earth in order to save them from the encroaching doom. This is… annoying given that Satou and the Ring Princesses’ sole purpose is to save the world from encroaching doom. It does mean we get to see cute things like shopping for clothes and going to libraries. It’s also fortuitous, as the fifth princess was on Earth all along. Will we be headed back next volume? And will Satou ever manage to go all the way with Hime? Honestly, I suspect no, but this is still fun to read. – Sean Gaffney

Filed Under: Bookshelf Briefs

Re: ZERO ~Starting Life in Another World~, Vol. 9

March 3, 2019 by Sean Gaffney

By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by Media Factory. Released in North America by Yen On. Translated by Jeremiah Borque.

This review is, by necessity, going to be divided into two parts. The first part, above the cover art, covers the first three quarters of the book, which goes up to the end of the anime. The second part, after the cover art, spoils the last quarter of the book, which the anime did NOT adapt. If you want to be surprised, stop reading early.

This was a very solid ending to Re: ZERO’s third arc, which ended up being six books long. Subaru comes up with a different plan after the last one went a bit pear-shaped: take out the Fingers and do the evacuations first, THEN go after Petelgeuse. It also relies on Subaru putting his trust fully in Julius, who he still dislikes on principle, but you can tell that it’s the dislike that “rivals” have for each other, and I would be very unsurprised to hear there’s slash of them on AO3. The fights are strong, Subaru actually gets to be cool and intelligent for once, and he even gets to have a dramatic confession. Plus, Emilia lap pillow! You can absolutely see why the anime wrapped it up here – it’s a great, heartwarming ending that resolves most of the plotlines of this arc.

And then we see why, when asked why Season 2 of re: ZERO has not been greenlit, fans who follow the webnovel tried to avert their eyes and hem and haw. So yeah, not QUITE the happy ending we envisioned. Two more Witch Cult members attack Crusch, Rem, and the others heading back to the city, and the outcome is dreadful. Half the force is killed, Crusch loses an arm and also all her memories, and Rem’s body remains sleeping, but everyone else has forgotten HER – including Ram. This was foreshadowed a few times in the book earlier, where Ram looks puzzled at Subaru implying she has another sister, but it does lead to the beautifully dramatic (it gets a full page all to itself) “Who’s Rem?” from Emilia. Even worse, the author really drives in the knife by giving Rem fans a short story that shows off what would have happened if she and Subaru HAD run away together – they’re both happy, have two kids, joke about his libido – it’s the sweetest thing you can imagine. And also not what actually happened.

I was very impressed with the final chapter, which skipped Subaru finding out about all this and went to the aftermath, where he looks over Rem’s comatose body and tries to figure out what to do next. We hear about his despair – he kills himself to try to “return” to save Rem, but finds his savepoint is him looking at her body, so that’s out. Worse, after what’s happened to Crusch, Ferris is ready to break their alliance, and has to be talked down by Wilhelm and Crusch herself, who is a lot meeker and milder than the woman we love, but is just as determined. More importantly, Emilia has her groove back, and is ready to move forward with Subaru at her side. The next arc is implied to give her the character development that Rem got in earlier books.

The trouble is, of course, that we’re not sure how long the books will have Rem in a coma. Rumor has it there will be a long wait – the next arc is supposed to also be six books long. Good news for the EMT fans, but given how for 95% of all anime fans Rem is the only thing to care about in Re: ZERO, you can see why producers have been vacillating. That said, here it is, and it’s well written, and… sorry, Rem fans? Enjoy the Rem Natsuki story, if nothing else.

Filed Under: re: zero, REVIEWS

Shortcake Cake, vol. 3 and Ao Haru Ride, vol. 3

March 2, 2019 by Anna N

Third volumes are when I feel longer running series start to settle in a bit. The reader knows all the main characters and the ongoing story lines have been established. In the case of most shoujo manga, it also means it is love triangle time!

Shortcake Cake Volume 3 by suu Morishita

Shortcake Cake 3 opens with a rainstorm, and the unsettling weather continues to mirror the turbulent emotions associated with teen romance throughout the volume. Ten continues to be fascinated with Chiaki, while Chiaki and Ten are pretending to date to throw off the odd obsessive impulses of Riku’s brother Sei. At the same time Chiaki is feeling guilty because he thinks that Ten should be with Riku, even though Ten already previously rejected him. This all sounds like teen-age soap opera insanity when I type out a summary, but Shortcake Cake delivers this all to the reader with a level tone, interspersed with the slice of life aspects of the characters being thrown together in the same boardinghouse and having to deal with issues like fending for themselves when their House Mom gets sick. Riku and Ten have a few moments together where it is clear that he’s not yet gotten over her, as he casually asks what she thinks of Chiaki. This encounter happens when they are crouched under a table cleaning up after a kitchen mishap, showcasing Morishita’s ability to make every day incidents seem oddly intimate.

Shortcake Cake 3

Rain shows up as a background image to the panels where Ran contemplates this moment, thinking “It was as if he was saying all over again that he likes me.” Chiaki keeps his feelings to himself, and keeps pushing Ten towards Riku. One of the reasons why I like Shortcake Cake so much, is that this point I’m genuinely unsure of who Ten might end up with, and she’s not portrayed as fickle or uncaring, just a girl who is uncertain of her feelings. This volume was much more somber in tone than the previous volumes of Shortcake Cake, but it explored new emotional territory for the characters. I’m continuing to be fascinated by the way they influence each other, and that makes for an intriguing series.

Ao Haru Ride Volume 3 by Io Sakisaka

In contrast with Shortcake Cake, I am firmly convinced that Futaba and Kou are going to end up together, but seeing how this unfolds with the pressures of teenage friendship and Kou’s newly acerbic personality is what makes Ao Haru Ride interesting. The volume opens with Futuba dealing with the fact that her new friend Yuri also has a crush on Kou. Futuba cycles through a variety of feelings, as she wants to be supportive to one of her first real friends, but she can’t escape her attachment to Kou. First, Futuba vows to like other boys, but this resolution does not last long. I’ve mentioned before that one of the things I enjoy about Ao Haru Ride is the characters’ tendency to get things out into the open fairly rapidly, so it doesn’t seem like there will be multi volume story lines revolving around people not talking to each other.

Ao Haru Ride 3

Futaba isn’t really able to deal with her feelings honestly, and attempts to come up with arbitrary tests like “if Kou follows me off the train, I’ll keep loving him.” Sakisaka’s excellent paneling makes a conversation near a subway platform look filled with dramatic emotion. Futuba and Kou keep getting thrown together, which doesn’t do much for Futuba’s impulse to bury her feelings to maintain her friendship with Yuri. One of the things I liked most about this volume was seeing Futuba, Yuri, and Murao bond over their romantic tribulations. Futuba is starting to piece together what type of person she wants to be and pondering how to be a good friend. This volume finishes on a bit of an emotional cliffhanger, so I’m curious to see what happens next.

Filed Under: Manga Reviews, REVIEWS Tagged With: Ao Haru Ride, shojo beat, shortcake cake, shoujo

Silver Spoon, Vol. 7

March 2, 2019 by Sean Gaffney

By Hiromu Arakawa. Released in Japan as “Gin no Saji” by Shogakukan, serialization ongoing in the magazine Weekly Shonen Sunday. Released in North America by Yen Press. Translated by Amanda Haley.

The middle of this volume has some cute, funny, and heartwarming moments, and thank God. I’m not sure how intentional it was, but if you enjoy having misery as the bread for your sandwich, then Silver Spoon 7 is absolutely for you. Now, to be fair, we knew the start was going to happen. Hachiken’s in the hospital, so of course his parents come to see him. Everything we’ve seen about his dad says this is not going to go well, and it doesn’t. Even the bacon, the one thing that Hachiken thought he’d made inroads on, was just his mother trying to be considerate of his feelings. Now, don’t get me wrong, I know what his dad means. He feels that Hachiken is wasting his intellect here, and is especially frustrated given the nature of his other son. But man, he’s such a bitter pill to swallow that I can’t feel any sympathy for him at all. And, unfortunately, the visit causes Hachiken to have a brief hissy fit at his mom as well.

This is important because, probably because he’s still upset about that, he donates his change to charity when he buys new glasses, and as a result has to walk back to the school… meaning he misses everything. Fortunately, he is blessed with classmates who a) really care about him, and b) will not take his shit, because he was all set to be a miserable “I don’t deserve to have any fun” type. Luckily, Mikage is there to remind him that the festival was a huge success because of his planning. And they wrote a book of memories he can read and then sob over. It’s really sweet. As for his date with Mikage… well, they try to have it. But it’s more going to a shrine. And of course it ends up being most everyone else as well. You can tell the cast is rooting for these two dorks (every other woman in Mikage’s class shows up to ensure she doesn’t get blocked at the last minute), but they’re still nowhere near a confession. That said, at least he can make fun of her accent, which he does. Repeatedly.

And then there are the baseball games. To an extent, this was also foreshadowed as well. We’ve seen that Mikage is a LOT more invested in Komaba’s team winning and going to the Nationals than the rest of the school, and Hachiken’s attempts to find out about it have gone badly for him. We’re still not quite sure why, but we can hazard a guess, because after they lose in the finals, he never returns to school. I have a sneaking suspicion this will be another lesson in how farming is hard and not everyone can succeed, but it’s a blow as Komaba, despite being so stoic, has been one of the more prominent characters to date, and you feel horrible for him. I suspect most of the next book will go into the aftermath and explain why he left school.

You probably don’t need me to tell you how good this series is by now, but I will anyway. Really good. I want more immediately.

Filed Under: REVIEWS, silver spoon

Welcome to Japan, Ms. Elf!, Vol. 1

March 1, 2019 by Sean Gaffney

By Makishima Suzuki and Yappen. Released in Japan as “Nihon e Youkoso Elf-san” by Hobby Japan. Released in North America by J-Novel Club. Translated by Hiroya Watanabe.

When you have so many isekais coming out in Japan all the time, it’s inevitable that someone’s going to want to try the reverse. Take a stock fantasy character and have them experience the wonders of Japan. We’ve seen this in manga a few times, mostly for comedy (Plus-Sized Elf comes to mind), but, though there are funny moments, this new series doesn’t really have comedy in mind. Arguably you could say it’s romance – the two leads are clearly sweet on each other, but she’s too shy and he’s too dense, as always. I don’t expect a relationship upgrade anytime soon. No, the Japanese parts of this book seem to have two goals in mind: first, to show off the cuteness of its female lead and show her having adorable slice-of-life situations. And second, so show off how wonderful Japan is and how swell the people in it are. Honestly, at times when I was reading this I wondered if it was a government mandated product (J-Novel’s licensing hint didn’t help).

That said, there was far less Japan in this first volume than I expected. Our hero is Kazuhiro (“Kazuhito” in the fantasy world), a 25-year-old salaryman who’s always had the ability to travel to a fantasy world in his dreams. He’s been doing this for some time, and is now a Level 72 adventurer. He’s also good friends with Mariabelle (Marie), an elf mage who has assisted him in the past. One day they’re investigating a ruined city and accidentally get killed by a dragon that happens to live there. As always when he’s killed, Kazuhiro wakes up in his bed in Japan. But this time he was holding onto Marie when he died… and now she’s in Japan with him! Now she, like he, can go back and forth between both worlds when they sleep. What’s more, she gets to experience the food, clothing, books, and so much more that Japan has to offer.

So yes, the elf is in Japan, but there’s also a good half of the book that’s in the fantasy world, with all the usual accoutrements. There’s trying to defeat the dragon, dealing with evil bandits, etc. This just wasn’t as exciting, to be honest – it wasn’t bad, but it’s not really why I wanted to read the book. The Japan segments were much better, summed up, as I noted before, by the word “cute”. The author is good at showing the friendly, unconscious flirting between the two leads, and it’s fun without getting too frustrating – you are content to let them awkwardly fumble it out. The cast so far is small, with the only other possibly relevant members being the dragon who killed them (who turns out to be nicer than you’d expect) and a local librarian who knows Kazuhiro (and who is married, the book clearly states – there’s no love rivalries here yet).

This won’t win awards for depth, but it put a smile on my face. It’s nice to see a lead guy who works as a regular Japanese corporate officer worker, though his “fantasy” appearance is still middle school (as is his narrative obsession with breasts). It’s a relatively new series in Japan, so Vol. 2 may be a bit, but I’m looking forward to it.

Filed Under: REVIEWS, welcome to japan ms. elf!

Manga the Week of 3/6/19

February 28, 2019 by Sean Gaffney, Michelle Smith, Anna N and Ash Brown Leave a Comment

SEAN: March is here (though the East Coast has the wind already). What does manga have in store for us?

Dark Horse (assuming it does not schedule slide, like DH do ALL THE TIME) has the 3rd Gantz G and the 2nd Mob Psycho 100.

MICHELLE: The first volume of Mob Psycho 100 intrigued me enough to try a second volume, so I’ll be snagging that one.

ASH: Likewise! I’m looking forward to reading more of the series.

SEAN: J-Novel Club gives us Invaders of the Rokujouma!? 19 (yes, for real this time).

Kodansha, print-wise, has the 2nd 10 Dance, the 6th and final Golosseum, The Quintessential Quintuplets 2, and The Seven Deadly Sins 31.

MICHELLE: 10 Dance all the way.

ASH: Yes, absolutely.

SEAN: Digitally… it seems light. TOO light. Bet there’s an unannounced debut. Till then, there’s just Chihayafuru 15.

MICHELLE: I’ll never complain about more Chihayafuru!

SEAN: Speaking of digital, Seven Seas has another ‘early digital release’ light novel with Division Maneuver. The plot… erm… well, the illustrations… erm. Boy, that sure is a light novel for teenage boys, isn’t it?

They’ve also got I Don’t Like You At All, Big Brother! 11-12 (mercifully, a final volume), Little Devils 2, and Magical Girl Site 8, making this the most cliched old-school Seven Seas week we’ve seen in some time. I suppose Little Devils is cute.

Tokyopop has a 2nd volume of Yuri Bear Storm.

Vertical gives us Mobile Suit Gundam Wing 11, which is nearing its conclusion but not there yet.

And boy oh boy, what a lot of Viz. No debuts, but we do see the final Bleach omnibus (a 2-in-1), which gives me the chance to go WOO ICHIHIME WINS! one last time, and the 9th and final Everyone’s Getting Married.

ANNA: I enjoyed Everyone’s Getting Married. I hope we get more josei from Viz.

ASH: I would love to see more josei!

SEAN: Shonen! Boruto 5, Demon Slayer: Kimetsu no Taiba 5, Dr. STONE 4, Haikyu!! 31, Hunter x Hunter 35 (it exists!), Kaguya-sama: Love Is War 7 (technically seinen), One Piece 3-in-1 27, Seraph of the End 16, and Yu-Gi-Oh! Arc V 5 (technically Yu-Gi-Oh, which is its own genre).

ASH: I’ve fallen a little behind with Haikyu!! but am hoping to catch up soon.

Shoujo! Anonymous Noise 13, Behind the Scenes 6, Kakuriya: Bed & Breakfast for Spirits 2, and Skip Beat! 42. I am so ready for more Skip Beat!.

MICHELLE: ME TOO.

ANNA: ME THREE!

SEAN: Lastly, a Yen Press straggler with the 2nd volume of Final Fantasy: Lost Stranger.

That SEEMS like a light week, but that’s just because Kodansha took it off digitally and Viz is all bunched together. What’re you getting?

Filed Under: FEATURES, manga the week of

A Certain Scientific Railgun: Astral Buddy, Vol. 1

February 28, 2019 by Sean Gaffney

By Kazuma Kamachi and Yasuhito Nogi. Released in Japan as “Toaru Kagaku no Railgun: Astral Buddy” by ASCII Media Works, serialization ongoing in the magazine Dengeki Daioh. Released in North America by Seven Seas. Translated by Nan Rymer. Adapted by Maggie Danger.

Let’s face it, spinoffs from A Certain Magical Index are obvious. Leaving aside the fact that both Mikoto and Accelerator, owners of the two other manga spinoffs, are far more popular than either Touma OR Index, the series is simply littered with people you want to have their own series. Even if you put that aside and regard this as purely in the “Railgunverse”, which it is, there’s still an awful lot that you could focus on besides the adventures of the main four girls in the cast. The most obvious, of course, being Misaki, but she’s already gotten a sizeable role in the Railgun franchise already. So who do you turn to? Who’s the next breakout star? If you answered “that princess curl girl with no name that Misaki mentally abuses”, then you’ve cheated and read ahead. Let’s face it, no one expected this girl to lead a series.

See, even the cover artist agrees with me. Front and center are Kuroko and Misaki, posing as if they know why readers are REALLY buying this book. Way in the background is princess curl girl, who finally gets a name, Junko, and the “astral buddy” (awful pun there, btw) who is haunting/stalking her and drives the main plot. Someone is theoretically assaulting people around Misaki… only it turns out they’re assaulting people around Junko, who is a bright and shiny pile of naivete (as we’ve seen in the main Railgun series when she’s made brief appearances). Once that plot point is resolved, and Junko is assured that girls can in fact like other girls (a constant thread in this volume, no surprise given Kuroko’s all over it), we move on to Junko’s new ghost friend, who may or may not be a ghost. And Misaki’s still around, of course, but for once she’s the damsel in distress.

This takes place right around the Indian Poker arc in Railgun, for timeline fanatics. Mikoto is not in it, probably as she’d match up too well with Junko – Junko is bright and shiny where Mikoto runs on frustration and grumpiness, but they’re essentially very similar people. The rest of the Railgun core all have significant appearances, though. As for Junko herself, the narrative is a bit kinder to her now that she’s the focus of a series. We see she’s a Level 4, and her powers do indeed look pretty damn handy – it’s almost like a “quirk” from My Hero Academia. (Arguably, all of Academy City is.) Even the annoying mind control gag from Railgun, where Junko is always dieting but Misaki, when annoyed, makes her overeat to offset it, gets an “amusing” spin – Junko is gaining weight, but it’s all in her chest. The actual plotline has barely started, but that’s certainly an impressive cliffhanger.

So in the end, I was prepared for this to be the most cynical franchise cash-in yet, given it’s a spinoff starring “who?”, but it proved surprisingly entertaining, and I have new respect for Junko, who’s a bit of an airhead but sweet. Aside from the usual “Kuroko is a predatory lesbian” warnings, this should be an excellent pickup for Railgun fans.

Filed Under: a certain scientific railgun, REVIEWS

Sword Art Online Alternative: Gun Gale Online: Second Squad Jam: Finish

February 27, 2019 by Sean Gaffney

By Keiichi Sigsawa and Kouhaku Kuroboshi, based on the series created by Reki Kawahara. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Stephen Paul.

This volume picks up where the last one left off, showing us the bulk of the 2nd Squad Jam, featuring most of the teams we saw in the last one plus a few new ones. The bulk of the book is, of course, the audience waiting for the big fight between Llenn and Pitohui. I say “audience” rather than reader as a large part of this book takes place in a bar in the virtual GGO world, where non-participants and the newly killed can gather to watch what’s going on and cheer people on. It’s a fun conceit, and helps to break up long pages of descriptions of action/descriptions of guns. Moreover, while our heroes are still the stars, the other teams also get a lot of great things to do (provided you like action – I mean, this is never going to be anything but “OMG, GUN FIGHTS!”) and show off their cool sides. And we meet a couple of characters I expect will pop up again in the future.

I don’t think I’ve ever seen an author quite so gleeful about playing around in someone else’s sandbox as Keiichi Sigsawa is here. (He even writes himself in to have a pathetic “I get killed off” cameo – again.) Theoretically there should be an impending feeling of doom around the events in this game – after all, Pitohui is gaming it so that it may have real-life consequences – but honestly, you rarely get that sense because you’re too busy watching everyone have all the fun in the world. Miyu/Fukaziroh greatly helps here, and I love her addition to the cast so much – aside from being a classic “just cannot shut up” type, she’s a great foil for Llenn. Her crowning moment may be emulating the Black Knight in Monty Python when she gets her hands and feet shot off and still crawls along to try to do some damage.

The battle between Llenn and Pitohui is the climax of the book, with everything else as a mere epilogue (including the actual results of the game, which I found hilarious). Llenn’s desperation to think of something, anything in order to kill off Pitohui herself is admirable and also a bit laughable, especially when she gets stuck in a thinking mantra. She’s at her best when running on instinct, though, and when her gun finally breaks (again, and yes, it still speaks to her), she has her knife, and then a makeshift knife, and then… well, I was impressed, let’s leave it at that. After that sort of battle, the epilogue was a bit of a letdown, especially with the lamest attempt at a fakeout ever – and to be fair, Karen does not fall for it even one iota. Now that Llenn and Pitohui have resolved things, though, what’s next? A third jam? Can we combine the four leads and have the best team ever?

This is still the light novel equivalent of a sugar rush, and I recommend skipping the gun nerd prose unless you really care a lot more than I do. But otherwise the GGO spinoff offers the finest quality action you’ll see in some time. Certainly better than the main series, and I think Kawahara would likely agree.

Filed Under: REVIEWS, sword art online

Bookshelf Briefs 2/26/19

February 26, 2019 by Ash Brown, Sean Gaffney and Michelle Smith Leave a Comment

Beauty and the Beast Girl | By Neji | Seven Seas – This seems to be complete in one volume, and despite a lot of backstory angst edges on the side of sweet. A monster girl living in the woods meets a blind girl (literally, her last name is Blind, but she is also blind) and starts to tell her stories in an effort to hide why she’s living alone in the forest. Naturally, their backstories merge together. Also naturally, they fall for each other hard and must therefore deal with the other humans who are horrified that Lily would be with a monster. It all works out in the end, though, as true love can defeat all. This is one of a number of “cute but slight” yuri titles we’ve seen here recently, and while it’s not the most subtle manga in the world, I’d say it’s worth a read. – Sean Gaffney

Black Clover, Vol. 14 | By Yuki Tabata | Viz Media – More tournament arc. Asta’s fight is fairly typical, involving a large dose of “I want to fight TOGETHER with you” to get the loner to actually do something. The more interesting fight, though, is between Finral and Langris, as you might guess by the cover art. There’s a lot of bad blood between these two, and all sorts of fears and jealousies come rolling out during the fight, which rapidly starts to turn a lot more deadly than expected. (Without any actual death—at least not yet.) There’s also another character who believes in beautiful things getting completely wrecked, which may be a Jump thing, as we also saw it happen in Toriko. All this plus tragic backstory to show off that true magical knights care about people! – Sean Gaffney

DAYS, Vol. 12 | By Tsuyoshi Yasuda | Kodansha Comics (digital only) – Seiseki’s game against Toin continues and Tsukamoto is playing his heart out. It’s gratifying to see the coach of the opposite team notice a change in Seiseki since the previous year, and also gratifying to see Ubukata recognized for her strategic analysis that resulted in Kazama scoring the goal that ties the game at 1-1. There are a lot of missed shots and squandered opportunities and moments where you think that finally Tsukamoto will triumph but instead Toin gets a penalty kick, etc. We also finally learn the significance of the series title—Tsukamoto’s dad died when he was little, and he’s learned never to take the present for granted. “Because someday, this will all be over. But if I try, maybe I can make these days last just a second longer.” I’m a sucker for sentiment in my sports manga. Recommended. – Michelle Smith

Girls’ Last Tour, Vol. 6 | By Tsukumizu| Ywn Press – This is the final volume of the series. Last time I asked if it would end in death. Technically we don’t see the girls die, but the end of their journey certainly seems to be The End of Their Journey, if you know what I mean. That’s the trouble with post-apocalyptic After the End series; unless you pull a fast one to find civilization has simply moved elsewhere (for a moment I wondered if they were going to get on a rocket and go to space in this volume, but that’s probably also a bad idea) you’re left with the fact that humanity has died. There’s some good bits here. I loved Chiro finding the massive library, as well as Yuuri’s calming presence. It was a sad journey in the end, but I’m glad I took it with them. – Sean Gaffney

Laid-Back Camp, Vol. 5 | By Afro | Yen Press – I was very pleased to see that, after last volume’s “camping with friends is fun!,” which Rin agreed with, that nevertheless almost all the camping this time around is by Rin by herself, because she loves camping by herself. This despite the fact that you can get trapped somewhere due to impassable winter roads. Fortunately for Rin, this is the modern age where cell service is everywhere, so even when camping by herself, she’s in constant contact with the others. Nadeshiko also meets up with Rin and introduces her to the wonders of expensive eel, as well as showing off a childhood friend and the fact that she’s lost a ton of weight recently. (She seems very cute either way.) This is such a peaceful series. – Sean Gaffney

Magi: The Labyrinth of Magic, Vol. 34 | By Shinobu Ohtaka | VIZ Media – Sean warned me that this volume had some creepy scenes, but I was not prepared. Sinbad has succeeded in becoming the god of the world and has rewritten the rukh so that everyone agrees with his methods for securing a peaceful future. This includes reverting the world to rukh, thereby killing everyone. Watching the populace cheer, and tearful kids looking excited to die, is seriously disturbing (in a good way). Alibaba and Aladdin are immune, and debate whether they have a right to try to change a fate everyone else seems to want, until a conversation with a brainwashed Morgiana convinces Alibaba that the present is worth fighting for. And so our heroes, accompanied by Judar and Hakuryu, must conquer, like, seven facets of Sinbad or something. It’s vague, but fine. I’m glad things are seemingly wrapping up. Three volumes left! – Michelle Smith

Sleepy Princess in the Demon Castle, Vol. 5 | By Kagiji Kumanomata | Viz Media – I was not expecting the hands-down funniest chapter of this volume to be our princess trying to find a toilet so that she could pee, but there we are. The chapter ends up being hysterical, particularly the facial expressions. Elsewhere, we see the princess has a poor memory for names… and faces. We also see (as if we hadn’t guessed) that she’s an incredibly poor communicator. Even when things AREN’T her fault it’s pretty easy to blame her—a chapter where she tries to be nice and do good things leads merely to fear and paranoia from the demons. There’s no real ongoing plot here, but as long as Princess Syalis remains who she is, there’s certainly ongoing laughs. – Sean Gaffney

A Strange & Mystifying Story, Vol. 6 | By Tsuta Suzuki | SuBLime – Man, A Strange & Mystifying Story has evolved sooooo much since its early volumes. Now it’s a gripping supernatural drama and it’s easy to forget it started out as something smutty with consent issues until Setsu shows up and gives Tsumugi terrible advice on how to make Kurayori his. Kurayori has been holed up in his shrine and just when he finally emerges to talk with Tsumugi, Magawa and Kai arrive to cause problems. I’m surprised Suzuki-sensei has made me like and sympathize with Kai so much so quickly, but she has. He may be a monster, but his desperate desire to be useful to mentally unstable Magawa so that he won’t disappear is genuine. Plus, we got a bonus chapter with my favorite couple! The next volume is the last and I’m really looking forward to seeing how everything plays out. – Michelle Smith

Sword Art Online: Hollow Realization, Vol. 2 | By Tomo Hirakawa, based on the story by Reki Kawahara | Yen Press – There is still a modicum of danger here—the threat to NPCs is still real, and Kirito by his very existence will attract trouble. That said, the fact that everyone is alive in this version of SAO (well, OK, not Sachi, but the cliffhanger included an appearance from someone I definitely was not expecting to see) and that we get chapters devoted to things like teaching Yuuki how to do school homework properly (which leads to helping dead school ghosts to pass on, much to Asuna’s horror) makes it feel sort of like the Today’s Menu for the Emiya Family of SAO. Instead of food, though, we get cool battles and cute interactions. Fun, though again confusing for non-gamers. – Sean Gaffney

Urusei Yatsura, Vol. 1 | By Rumiko Takahashi | Viz Media – While Urusei Yatsura became one of Rumiko Takahashi’s first major successes in Japan, the small portion of the series that was initially translated into English has been out-of-print for the better part of two decades. Happily, Viz is once again hastening “The Return of Lum” by releasing Takahashi’s highly influential manga in a new omnibus edition. For the most part the series is episodic in nature. Although there are recurring characters and jokes, overarching plotlines are virtually nonexistent. The basic premise remains consistent from chapter to chapter, though—Ataru Moroboshi, a lustful high schooler, is a magnet for the absurd and supernatural. Early on he manages to accidentally engage himself to Lum, an alien princess. Honestly, I wish Lum held more of the series’ focus than Ataru, but I still get a kick out of the manga. In particular I appreciate Urusei Yatsura‘s numerous references to Japanese mythology and literature. – Ash Brown

Filed Under: Bookshelf Briefs

A Certain Magical Index, Vol. 18

February 25, 2019 by Sean Gaffney

By Kazumi Kamachi and Kiyotaka Haimura. Released in Japan as “To Aru Majutsu no Index” by ASCII Mediaworks. Released in North America by Yen On. Translated by Andrew Prowse.

As with most two-volume arcs in Index, the second half of this is filled with a lot of action, though there is also some time taken for characterization, particularly of the Royal Family. But yes, fights, fights and more fights. Former allies fight each other, as the Knight Leader and Acqua of the Back face off. Many disparate groups team up, as Touma and Index ally with the English Puritans, Agnes Sanctis’ group, the Amakusa group, the third princess, and even the staff of Buckingham Palace to take down the Second Princess. In the end, she’s defeated by literally weaponizing all of England to fight her, as well as her mother pointing out that all of them are, essentially, trying to do what’s best for Britain, it’s just that Carissa is going about it the wrong way. And, unfortunately, we also get the “there’s always someone better than you” fight, as Fiamma of the Right manages to disable Index in some way, and also seems to have a third arm that is very reminiscent of Touma’s.

Introduced in this volume: Well, we do see Sasha’s other Russian Orthodox ally, Vasilisa, as well as her seeming hunter, Skogssnua. Sasha is no longer possessed by an Angel, and seems to have been picked up by Vento. We’ve seen Fiamma before, though this is the volume where he truly comes forward and shows he’s going to be the next Big Bad. Fans of the Index books will recognize that we see a few cameos of future characters in this book, so technically this is the first we see of Leivinia Birdway, Patricia Birdway, and Mark Space. Chronologically, of course, this takes place right after the events of Book 17. Book 19 takes place back in Academy City, and is taking place at the same time as 17-18. We’re very nearly at the big climax for Index (whether we’ll see New Testament, the sequel, is of course up to the readers buying the series and Yen Press), and everything is clearly heading towards a massive World War – but we aren’t quite there yet.

Possibly my favorite scene in the book is right in the middle (and it gets a big two-page color spread), as all the various factions allied against Carissa all unite in a field for a huge banquet before the final battle. As I said before, we see more cooperation in this book than ever before, and this scene is pure gold for seeing previous enemies just hanging out and eating. They’re being made fun of (Lucia and Angelina), they’re being given a pep talk of sorts (Sherry and Orsola), they’re making stupid maid outfit jokes that Kamachi just can’t let go (the Amakusas), or they’re just eating as much as possible (Index and Agnes). It’s a sweet scene that I suspect we won’t see much of coming up – the action seems to be shifting to Russia. There’s also more Brexit references… or they would be if this hadn’t been written nine years ago. And, since I just picked on Kamachi’s stupid humor, there is one terrific joke that involves Agnes hitting a knight in the groin and the definition of chivalry.

This is the longest Index book to date, and it’s almost all battles. But it’s worth it. Next time we return to Accelerator and Hamazura, who have their own problems.

Filed Under: a certain magical index, REVIEWS

Urusei Yatsura, Omnibus 1

February 24, 2019 by Sean Gaffney

By Rumiko Takahashi. Released in Japan in two separate volumes by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz Media. Translated by Camellia Nieh.

I had reviewed the first five volumes of UY back in the days before my blog was part of Manga Bookshelf. At the time, it seemed like a pipe dream that we’d ever see more of it over here. It was started by Viz then cancelled, then put into Animerica Magazine and then cancelled there, then it was back to 32-page floppies, and finally it ground to a halt after 9 volumes (which covered up to about Book 11 in Japan owing to them skipping a bunch of chapters). It was the classic “how many times do you want us to beat our heads against this wall?” series. But now the manga market is stronger, Takahashi’s reputation is super high, and so not only do we get the return of UY, uncut and in omnibus format, we also get it released digitally, the first time this has happened for her series over a multi-platform format. It is truly a love song for Lum. Of course, new readers may be wondering: what’s the big deal?

The manga was originally supposed to be about an unlucky boy (whose very name loosely means “born under a bad sign”), his long-suffering and hot-tempered girlfriend, and the amusing situations that happen in their hometown of Tomobiki. Ataru Moroboshi attracts trouble. In the first chapter, that trouble is aliens, as he has to run a tag race against alien ogres so the Earth is not taken over. His opponent is Lum, who is a hot babe but also has a volatile temper. And can fly. After defeating and accidentally proposing to her, the next chapter is Lumless, and you might be deceived (if it were 1978, which it isn’t) into thinking that Lum would be a minor one-shot character… sort of like many of the other girls introduced in these two volumes. That said, the series is translated as “Those Obnoxious Aliens”, and it’s clear in the third chapter that Lum is back to stay. And also insanely popular.

As with a lot of long-running series, the characterization at the start is a bit off. Ataru is almost sympathetic at times, and occasionally makes the effort to be faithful to Shinobu and not be what he is famous for being, a giant horndog. By the end of this omnibus, that’s mostly worn off. Lum too is far nastier than we’re used to seeing, clearly an antagonist. As for Shinobu… well, no, she’s pretty much the same, though she too is unsympathetic much of the time. In fact, if you’re looking for anyone to root for, “look elsewhere” might be the best answer. This series runs on pure comedy, and Takahashi’s brand of comedy means watching people be terrible for fun. It works. These are terrible people. It’s fun. Ataru’s parents constantly wish he’d never been born. The town despises him (because he brings massive property damage). Cherry is possibly the most irritating character in the entire 34-volume series, which says a LOT. But the humor is there. This is a romp. You’ll find yourself laughing, but also slapping your forehead.

We do meet a large number of the main cast in this book, but they won’t last long… for now. Benten and Oyuki are oddly there to be Lum’s rivals for Ataru’s affection – that will change soon. Ataru’s friends aren’t even named (one is definable by his glasses… and not, thank god, his love of Nazi memorabilia), but they too won’t last long. Much as Viz attempted to reboot the series a couple of times here in North America, Takahashi will also reboot her own series starting in the next volume, with the introduction of the fourth and final “main” character. As for whether you should buy it again… yes. The quality of the reproduction is MUCH better than the original Viz volumes, especially the digital version. The translation is also less intrusive than the original, retaining puns when they’re obvious, but not feeling the need to make more jokes than Takahashi already is. It reads very smoothly.

Again, if you find yourself wishing “I wish everyone was a smidge less awful”, the second omnibus may help a bit. Only a bit, mind. These are characters to laugh AT, not with. I can’t wait for more.

Filed Under: REVIEWS, urusei yatsura

Is It Wrong To Try To Pick Up Girls In A Dungeon? On The Side: Sword Oratoria, Vol. 8

February 23, 2019 by Sean Gaffney

By Fujino Omori and Kiyotaka Haimura. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka? Gaiden – Sword Oratoria” by Softbank Creative. Released in North America by Yen On. Translated by Liv Sommerlot.

This volume of Sword Oratoria has a lot of the author’s strengths and weaknesses, minus Lefiya’s crush on Aiz, which gets a pass here. Instead, we get a mostly very serious book devoted to the backstory and current troubles of Bete, everyone’s least favorite grumpy asshole in Loki Familia. Picking up right where we left off in Book 7, i.e. with a lot of dead family members, we see Bete’s usual coping tactics at work – insulting and belittling his dead family members for being weak. Needless to say, this gets everyone so angry with him that he’s ordered to take a few days off away from the Family till things cool down. Right away, though, he runs into an Amazon who had a small appearance in the sixth book, and who Bete pounded in the abdomen back then. This has, in a typical Amazon way, led her to want to have his children. I’d say hijinx ensue, but this isn’t that kind of book. Instead, we get Valletta coming back and trying to cause Loki Familia even more pain.

Let’s get my major beef with this book out of the way: Bete’s backstory catches up with his current story at the end of Vol. 7, as it turns out that the one dead family member we actually knew anything about (Finn’s support mage) had a crush on Bete. If we combine this with a) his little sister (dead); b) his childhood friend (dead); and c) his first love (dead), we wind up with Stuffed Into The Fridge about five times over, as this is all to support Bete’s own emotional pain and his journey and explain why he’s so terrible. We’re also told that if you combine the looks of the three girls in Bete’s backstory you come close to Aiz, something that creeps me out more than a bit. Aiz, of course, can take care of herself, which is why Bete’s seemingly so fond of her. Oh yes, and the amazon girl, Lena, is also cut down in front of him halfway through the book. It’s hard not to groan at this point.

Other than that, I’ve said before that Omori specializes in writing fight scenes, and it’s still true, as they’re excellent as always, and keep the book moving briskly. Unfortunately, the author is less good when having to lay out exposition – learning why Bete is the way he is is laid out in several long interlocking scenes where Loki, Finn, Gareth and Riveria all tediously explain what we’ve long guessed to the rest of the family so they’re not mad at him any more. (That said, it does lead to the one great joke in an otherwise humorless book, as Loki convinces Aiz to cheer Bete up, which Aiz does as only a monotone deadpan character can.) This was probably a necessary book, as we needed Bete to get some backstory. I just don’t care for how it was handled. (And thank GOD for that editor, or else it would have been even worse.)

Filed Under: is it wrong to try to pick up girls in a dungeon?, REVIEWS

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