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Bookshelf Briefs 6/4/19

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Black Clover, Vol. 15 | By Yuki Tabata | Viz Media – The tournament arc wraps up, and the winning team is not really a surprise—Asta may be the hero, but he’s not ready to be a winner just yet. That said, he does get to be a Royal Knight because he showed off his skills—along with Noelle and Luck. This means they get to fight against the Eye of the Midnight Sun. Meanwhile, back at the Black Bulls HQ, a new enemy appears, and almost everyone is away except for the most socially awkward of the group. Fortunately, we meet a new member of the group who’s a … ghost? House? Whatever he is, the fight that follows is visually very, very clever. Black Clover is still Jump‘s answer to Fairy Tail, but it’s almost standing on its own by now. – Sean Gaffney

Kino’s Journey, Vol. 2 | By Iruka Shiomiya, based on the novels by Keiishi Sigsawa | Vertical Comics – A word of warning as we get into Kino proper: it’s not the subtlest series in the world. It has a message, and you are going to get that message. This is not to say that I did not very much enjoy this dark little volume, but this is very much a case of “well, it can’t get more horrifying than it already is—oh wait, yes, it can.” At first we see a city with one survivor in it, and learn how majority rule led to its extinction. Then we see a city which is filled with peace—provided you don’t live in the village outside its borders. Kino and Hermes travel through this, making occasional pointed comments but mostly acting as observers who want to get the hell away. Very good. – Sean Gaffney

Love in Focus, Vol. 2 | By Yoko Nogiri | Kodansha Comics – The most interesting thing to me about this volume is seeing Kei instantly regret telling Mitsuru to back off at the cliffhanger to last volume, as it pretty much wasn’t needed at the time, and eventually has the opposite effect. The group goes off to a vacation home for a good portion of the volume, and we see Mitsuru and Mako get closer, as well as some flashbacks that show off how Mako is not merely dense when it comes to romance, but danger in general—seeing her hanging off a ledge to get a good shot was mind-boggling. I was a bit disappointed with the Saionji subplot, which cried out for “they’re a guy” as the answer, but no, it was “they’re married to my brother.” This is still pretty good. – Sean Gaffney

Love in Focus, Vol. 2 | By Yoko Nogiri | Kodansha Comics – I was annoyed with Kei for his possessiveness in the first volume, which renders me even more impressed that Nogiri-sensei manages to flesh him out into a sympathetic character in this one. By having him experience another spate of panic over how close Mako and Amemura seem to be getting, followed by another impulsive declaration (this time telling Mako that he likes her), his warning Amemura away in the previous volume is revealed to be another instance of this same behavior rather than any kind of entitled assholery. Indeed, this volume establishes how very important Mako is to Kei and how he has loved her for a really long time. I thought her ending up with Amemura was a foregone conclusion, but now I’m not so sure. Once again, I end up liking one of Nogiri’s works more than I initially thought I would. – Michelle Smith

Popocomi, Vol. 1 | Published by Eriko Obayashi | Popotame – Between Mejiro and Ikebukuro in Tokyo is an art gallery and bookshop called Popotame, described as “a place full of unique things hard to find anywhere else” by its manager Eriko Obayashi. One of Popotame’s projects is Popocomi, an anthology series featuring artists, illustrators, and designers who also release independent manga. For the 2019 Toronto Comic Arts Festival, fourteen manga published in the original Popocomi collections were selected to be released in English. I found the resulting anthology to be consistently delightful as well as occasionally surreal. And since it’s titled Popocomi 1, I’m hopeful that more will be translated in the future. The volume doesn’t really have an overarching theme or subject, although space and/or aliens happen to be present in a fair number of the stories. The style and tone of the short manga vary as well, but that range is one of the reasons the collection is so satisfying. – Ash Brown

The Quintessential Quintuplets, Vol. 3 | By Negi Haruba | Kodansha Comics – This series isn’t We Never Learn, where you can at least rely on each of the girls being geniuses at something. These five are genuinely not very good at studying or test-taking—which is a problem given that their father sets mid-terms as a drop-dead date—if they don’t pass, Futaro stops being their tutor. This despite the fact that he’s making serious inroads—not in their grades, but getting to know each of them better. There may also be some mysterious past going on here, as Nino briefly wonders why she recognizes a blond guy from a photo—my money’s on our hero, frankly. Will they bond further on a camping trip? Now that they can actually go… This is cute. – Sean Gaffney

Ran and the Gray World, Vol. 3 | By Aki Irie | Viz Media – This is so gorgeous and well-drawn that I am almost tempted to continue to read it despite the fact that I spent the entire time screaming at the pages in rage and anger. But not quite. From the dream-sequence first chapter, where Ran tries to rescue Otaro from his bugs and he rewards her by trying to sexually assault her, to a chapter where Ran’s brother, who seems to be in heat, cannot keep it in his pants (and does not seem to get how much Sango likes him), to the final chapters, where Ran (upset at Sango being “taken away” by Jin), runs off to live with Otaro, who still doesn’t know how young she really is and thus this turns into a cavalcade of NOPE. This series, in the end, really makes me wish the author was drawing something else. (Which they are!) – Sean Gaffney

Requiem of the Rose King, Vol. 10 | By Aya Kanno | VIZ Media – Rumors have been spreading about Richard’s body and Buckingham is determined to learn the truth. Before he can do so, Edward suddenly dies, setting off a whole lot of Woodville scheming for the throne. Richard is determined to defend the Plantagenet line, but when Buckingham literally lays bare his secret, Richard finally admits that he wants the crown for himself. By the end of the volume, Richard and Buckingham have embarked on a twisted sexual relationship and Richard is installed as regent, with only the princes standing between him and the throne. We’re heading into the most infamous part of Richard III’s history and I eagerly anticipate seeing what Kanno does with it. Coldly ambitious Richard is a sight to see, too. Such a great series! – Michelle Smith

Tales of Wedding Rings, Vol. 6 | By Maybe | Yen Press – Is this book about saving the kingdom and getting stronger, or is it about which girl gets to have her virginity taken by Satou? Honestly, it can’t quite make up its mind, and I sort of which it would lean one way or the other. The girl on the cover is NOT a new Ring Princess, but instead Hime’s little sister, who stayed behind to learn magic while Hime was off in another world, and is here to teach it to her big sister like it or not. There’s definitely need for it, sa the evil Abyss King also has a bunch of rings that make him stronger, and now I wonder if there will be EVIL ring princesses. Meanwhile, Satou and Hime… still aren’t getting any. But they’re close. For a harem manga, this is decent. – Sean Gaffney

After the Rain, Vol. 3

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By Jun Mayuzuki. Released in Japan as “Koi wa Ameagari no You ni” in two separate volumes by Shogakukan, serialized in the magazine Big Comic Spirits. Released in North America by Vertical Comics. Translated by Jocelyne Allen.

The third omnibus of this series shows off a few of the characters beginning to realize that Akira’s love for Kondo is not just some easily swayed crush, and that they may need to take it seriously. This includes the smarmy chef who’s been hitting on her, who it turns out is a lot less smarmy when he’s around his sister. They run into our lead “couple” and Kondo’s kid and go on a sort of double date from hell, featuring the dorkiest sweatshirt ever, a lot of phallic plants with no symbolism intended at all no sirree, and Tamako, the sister, who is a LOT in a series that’s driven by introverts most of the time. It also has an odd moment where Kase tells Akira that she is the sort to “bend towards the light”, like plants, implying a depth that she hadn’t seen before but which we don’t really get deeper into because, well, sister.

That said, the most interesting part of this book is that Akira’s tortured feelings about Kondo take a back seat to Akira’s tortured feelings about track. I had assumed, and the text implied up until now, that Akira’s injury was very much the “career ending” sort of injury. But no, with physical therapy, she could easily regain her powerful running ways. She just ISN’T. And this is annoying not just Haruka but also a lot of her fans, including one very angry underclassman who I’m pretty sure we’ll see again. Akira loves working at the restaurant so she can be around Kondo, but is that really all a girl like her wants to do? And how can she run after her perpetually forgetful boss with a bum leg? Akira’s issues are not just related to love, there’s more going on here.

As usual with this series, there are a number of gorgeous scenes with people simply staring at each other, and I admit that as much as I like the story of After the Rain, I wonder sometimes how it would read without any dialogue at all. I’m not sure it could tell everything in silence, but I think the majority of it could be implied. And honestly, when you finish the book and then go back to look at your favorite facial expressions, that’s a good book. We’re over halfway through the series now, and I’m still not entirely sure where it’s going, but it’s become clear that the story is not just about Akira and Kondo but about Akira maturing… or not maturing, as there are several points in this book where, as with previous volumes, she throws a bit of a tantrum when reality gets in her way.

I had fallen behind on this series, so the 4th volume is out very soon. It will be interesting to see where it goes. We saw Haruka meeting Kondo towards the end of the book, and I wonder how close the ‘love story’ and ‘track injury’ subplots are going to come. In any case, keep reading this very pretty series.

Kakuriyo: Bed & Breakfast for Spirits, Vol. 3

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Kakuriyo: Bed & Breakfast for Spirits, Volume 3 by Waco Ioka and Laruha

This is one of those series that ends up getting stronger with each volume. I thought the first volume was okish, liked the way the second volume showed more character development, and appreciated the balance between backstory and new plot elements in the third volume. One thing I tend to look for in series about ayakashi is some interesting character design or art that captures my attention. While the art for this series is fine, I wasn’t getting that same sense of wonder about the spirit world that other ayakashi-centric manga titles have delivered. In this volume, I did find the portrayal of wall demons blocking Aoi’s path to be delightful, as they looked like pieces of wallboard dressed in formal kimonos.

Kakuriyo Bed and Breakfast for Spirits 3

Aoi is slowly finding more of a rhythm to her life in the spirit world with the discovery that her food is unique in bolstering the spiritual energy of the demons that surround her. She becomes more involved in the lives of the spider demon siblings, Suzuran and Akatsuki. They tie in to her own story with her grandfather, as she learns that he took them in and temporarily made them his servants when they were fleeing for their lives. Suzuran wants to go back to the human world to exist near Shiro’s grave, and Akatsuki is absolutely opposed to her dream. Aoi mediates this sibling relationship with nourishing food, and the steps in cooking her dishes are more clearly portrayed in this volume. It didn’t quite deliver the level of obsessive detail that I like to see in a food manga, but I appreciated food preparation getting more attention, since it is so central to Aoi’s identity.

One thing I really enjoy about this series now is how each volume tells a satisfying story while inspiring more questions for the reader to ponder. Shiro’s actions and motivations seem more mysterious the more Aoi learns about him. I’m also curious to find out more about Ginji after seeing him report back to the Odanna. I’m enjoying the measured pace at which this story is developing.

Another World’s Zombie Apocalypse Is NOT My Problem!

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By Haru Yayari and Fuyuki. Released in Japan as “Zombie Darake no Kusatta Sekai wo Seijo no Chikara de Jōka Shimasu!” by the author on a webnovel site. Released in North America digitally by Cross Infinite World. Translated by Charis Messier.

As the title might suggest, this novel combines zombies and “transported to another world”, two of the hottest current trends, or at least hot in 2016, when this was originally published. Unlike some of CIW’s other titles, I think this one could be marketed to both male and female readers, but the star is definitely a young girl. The first half of the book leans heavily on the zombie end of things, while the second, after the crisis is slowly being averted, feels more like an isekai proper, as Mizuha wanders around the kingdom, meets eccentric characters, etc. It’s just that the adventuring she does is zombie-purifying, that’s all. It’s also definitely a book that’s just about the right length – this is done in one, and I don’t think would make a good series. As a single volume, it’s pretty decent, with its main flaw being that ‘pretty decent’ is as far as it goes.

Given her appearance, as seen on the cover, and the fact that she uses her right hand to purify zombies, it’s hard not to think of Mizuha as the daughter of Touma and Mikoto from A Certain Magical Index. She wakes up on a deserted island surrounded by toxic, foul-smelling sludge. Even worse, a zombie emerges from said sludge and goes after her. But when she smacks its chest, the zombie turns into a handsome blond knight! It turns out that by hitting the zombies she can return them to their living selves. On a more humiliating note, her saliva can also be used to magically purify the sludge, making it water again. (This leads to the book’s running gag, with her being referred to as the “Holy Priestess of Spit”, and her despair at this title.) Escaping the island, she finds herself in a kingdom that’s overrun with zombies, and has to slowly heal each one, not get converted herself, and try to figure out how to get back home.

Mizuha is the best part of the book. She’s fun, and her narration feels, with a few exceptions, like she’s in a YA novel rather than a standard isekai light novel. She comes to terms with everything pretty quickly, bonds with the young princess who is the second zombie she saves, and theoretically falls for Lex, the young blond knight. I say theoretically as the romance feels kind of last-minute and minimal, at least on Mizuha’s end. Lex is strong and powerful but also sort of a weirdo and a dimbulb, and he would not look out of place if you handed him a Sword of Light and sent him off with Lina Inverse. The zombie sections of the book are reasonably action-packed, and there are several good laughs in here. Sometimes the book feels like a webnovel that needed more editing (Cia’s parents needed one or two more “where on earth are they?” mentions, as an example), but it holds together well.

As I said, the book’s main flaw is that there was no one scene or moment that elevated it to “OK, this just got terrific.” It’s a decent zombie novel with a fun heroine, worth your time, but it may not stick in the memory afterwards.

I Married My Best Friend to Shut My Parents Up

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By Kodama Naoko. Released in Japan as “Oya ga Urusai Node Kohai to Gisou Kekkon Shitemita” by Ichijinsha, serialized in the magazine Comic Yuri Hime. Released in North America by Seven Seas. Translated by Amber Tamosaitis. Adapted by Lora Gray.

I admit, when this was first announced, I said NOPE really hard. But that was mostly due to the author of the series, whose previous series I had sort of hated. But a few people reassured me that this was not along the lines of Netsuzou Trap, and indeed in the afterword the author jokes about their ‘light’ and ‘dark’ modes, and this is definitely on the light side. Indeed, very light – it’s complete in one volume, and also has an unrelated one-shot short story at the end. The main story is also pretty much described in the title, though I think the relationship between the two leads is more like the original Japanese – Agaya is a friend, but she’s definitely framed more as a kohai, with Morimoto as the sempai. They’re out of school now, but end up together as, well, read the title. What follows is cute, and both leads had more depth than I was expecting.

Morimoto is dealing with problems on several fronts. Her parents want her to get married. Her workplace is fairly sexist, resisting giving her any big projects as it’s assumed that women are there until they find husbands and that’s it. And she’s also a somewhat repressed, introverted sort to begin with. Agaya, on the other hand, is bright, bubbly, extroverted, and can be a bit much at times. She’s also gay, and in fact asked Morimoto out when they were in school, though she was rejected. So when she points out that gay marriage is legal in their prefecture, and that it would be a great way to stop her parents nagging her, Morimoto goes along with it. Then Agaya moves in, as she’s saving to get a new apartment and this helps. As the volume goes on, Morimoto gains confidence and realizes just how much she’s enjoying the married life. But can she hold on to Agaya, who is pretty convinced that her senpai is “super-straight”?

This is not the most complicated story in the world, but there were little touches I liked a lot. One early scene shows Morimoto flashing back to her childhood, an endless string of being nagged to excel in everything or else she’s a failure. The interesting part was seeing it start with her father accusing her mother of being a “bad mother” for a poor grade that Morimoto got – which of course is bound to show off why she does NOT want to get married. Agaya is also mostly well handled. She’s very “out”, personality-wise, and is not above sneaking in to bathe together with her new “wife”, or leering her her boobs. But she does not, for the most part, make any advances on Morimoto that she’s not comfortable with, and at the end she’s the one who has to be convinced that they could actually make this into something real. She also has her own career as well – this is not a “breadwinner and housewife” sort of relationship.

The short story afterwards, about a girl in an athletic school who got injured, so has to get great grades to maintain her scholarship, and her rude track girl friend, is a bit too slight to really go anywhere. The meat of the title is in the main story, and at three chapters it’s just about the right length. Worth a look for yuri fans.

I Shall Survive Using Potions!, Vol. 2

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By FUNA and Sukima. Released in Japan by Kodansha. Released in North America by J-Novel Club. Translated by Garrison Denim.

There are currently three different series by FUNA coming out here, and having read some of each of them, I’m inclined to categorize them as Beginning, Intermediate and Advanced. Beginning is Saving 80,000 Gold in Another World, which even has an easy mode for its protagonist, who can still interact with the past world. She’s having fun, but there isn’t really all THAT much monstrous ridiculousness (though I admit this is the series I’ve read the least of). Intermediate would be Make My Abilities Average!, where Mile is absolutely stupidly overpowered and shows it, and helps her friend to get that way as well, but those seriously hurt of killed by her and her friends tend to be evil bandits, kidnappers and the like. The tone is very much happy, jolly adventures. Finally, there is I Shall Survive Using Potions!, the Advanced Course. You really, really need to not care about overpowered heroes at ALL, or you will hate this. What’s more, Kaoru is A LOT, and sometimes her emotions get the best of her in ways that veer beyond ridiculous and into horrifying.

Roughly the first half of this book takes place right after the previous one. Kaoru’s hitting this world like a tac nuke has had repercussions, and the kingdom she’s currently staying in is now under attack by two different nations. Fortunately, she has the knight that she was able to de-age in the last book at her side, the brother of the king, and her cadre of Baker Street Irregulars at her side, as well as her usual item boxes/potions/literally anything. Unfortunately, this is a war, which means things turn serious fast, and Kaoru quickly finds she really hates it when people are injured or killed in front of her. It’s pretty horrifying being reminded that when she loses it emotionally, she could decimate anyone around her. The second half of the book takes place after a time skip, and shows Kaoru and her hangers on heading to a new kingdom so that she can try to find herself a man to marry and have kids with. This is as much of a flaming disaster as you can imagine, because of Kaoru’s basic personality, but is far more amusing.

Moral ambiguities aside, and I’m not entirely certain how much of this is intentional, this is still a lot of fun. There are in-jokes that are based on the publisher (a cameo from a certain goddess whose adventures also ran in a Kodansha magazine), and some where you wonder if it was the original or the J-Novel Club adaptation (the use of a certain popular anime meme). Kaoru’s personality is so straightforward that it tends towards snark, and she IS ridiculously overpowered, but there are a number of moments here where she’s allowed to slip up – indeed, the gag right at the end of the main story may be the best in the book. She’s still doing whatever the hell she wants, even if that means adopting a daughter (she’s an orphan), creating vibroblades for her knight (see, it’s really a potion that happens to look AND act like a vibroblade), etc. Disbelief is hung by the neck until it’s dead here. What’s more, Kaoru’s two friends from her original world have lived their full lives and died, and now they’re in this world as well… and also apparently have ridiculous powers.

Like most of FUNA’s series, I want to read more of this. Unlike the other two, though, I do wonder if Kaoru will actually turn down a darker path one day. I mean, she’s already pretty morally grey. Definitely worth picking up, though. Also, don’t insult the goddess or you’ll get a wooden washtub to the head.

Manga the Week of 6/5/19

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SEAN: June is bustin’ out all over, with lots and lots of manga.

Dark Horse has the third and final volume of their Dangan Ronpa 2 manga.

Ghost Ship, Seven Seas’ mature line, debuts Creature Girls: A Field Journal in Another World (Kagaku-teki ni Sonzai Shiuru Creature Musume no Kansatsu Nisshi), which certainly fits. It’s an isekai AND a monster girl series, devoted to deep analysis of their naked bodies, followed by… well, deeper analysis, ifyouknowwhatImean. It runs in Akita Shoten’s Champion Cross.

J-Novel Club has several new print volumes. How NOT to Summon a Demon Lord and In Another World with My Smartphone get 4s, and Daughter Demon Lord and Too Far Behind (look, the titles are too damn long) get 3s.

Digitally, they have a 9th Arifureta and a 14th Grimgar of Fantasy and Ash.

ASH: I do a double-take every time I read that last title.

SEAN: Kodansha has some print and digital as well next week. In print we have Eden’s Zero 3, Missions of Love 17, and Sweetness and Lightning 12, which is the final volume.

ASH: I’ve got a couple of volumes of Sweetness and Lightning stacked up to read; I’ve really been enjoying the series.

MICHELLE: Me, too. I’ll miss it when it’s over.

SEAN: Digitally we see Alicia’s Diet Quest 3, Chihayafuru 17, My Sweet Girl 3, The Quintessential Quintuplets 8, The Tale of Genji: Dreams at Dawn 4, and World’s End and Apricot Jam 5. Several titles that the MB folks enjoy there.

MICHELLE: Forsooth. I wish I liked The Tale of Genji more. I was all happy about retro manga and forgot how awful Genji is.

MJ: I echo Michelle’s regret.

SEAN: Seven Seas has another debut that folks have wanted for years… though technically we did see it digitally several years ago from JManga. Classmates: Dou Kyu Sei is a BL title that’s one volume long, but they also have the sequel, which is likely why this says Vol. 1. It ran in Akaneshinsha’s Opera.

ASH: Digital Manga also published it digitally. I’m thrilled Seven Seas rescued the title and am so happy that the manga is getting a print release!

MICHELLE: I’m looking forward to this one!

MJ: I reviewed Classmates: Dou Kyu Sei when JManga offered it (then just called “Doukyusei” and loved it, so I’m pretty thrilled to see that it’s been rescued, along with a sequel!

SEAN: Seven Seas also has the first Division Maneuver light novel in print, as well as Made in Abyss 6.

Vertical gives us After the Rain 4, reminding me that I need to read After the Rain 3.

MICHELLE: I need to read After the Rain 1-3!

And now it’s Viz time, because first week means SO MUCH SHUEISHA. No debuts this week, but we do get complete box sets for both Dragon Ball and Dragon Ball Z. Buy it again for the 7th time.

Want some shonen? There’s Boruto 6, Food Wars! 30, My Hero Academia 19 (which has the start of the Culture Festival arc, one of my favorites – especially get it if you like Kyouka Jirou), One Piece’s 28th 3-in-1, The Promised Neverland 10, Seraph of the End 17, and We Never Learn 4.

MICHELLE: The cover of My Hero Academia 19 is my very favorite. I would buy it in poster size, for sure.

SEAN: And on the shoujo end we see Ao Haru Ride 5, Queen’s Quality 7, Takane & Hana 9, and Yona of the Dawn 18.

ASH: Lots of good stuff from Viz this week!

MICHELLE: Indeed!

ANNA: This is my happy week!

SEAN: I once again have to choose between three of the most amazing manga currently running for Pick of the Week, and that’s not even counting Dou Kyu Sei. Which ones are you getting?

An Archdemon’s Dilemma: How to Love Your Elf Bride, Vol. 5

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By Fuminori Teshima and COMTA. Released in Japan by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Hikoki.

Given that An Archdemon’s Dilemma rarely has threats to its titular Archdemon that actually go anywhere (once again he’s the strongest one in the entire area, and is only greviously wounded once by his own choice), it makes sense that the series runs on putting loved ones in peril. Though it can take a lot to make Zagan actually admit to caring about people, he absolutely does, and therefore when Nephteros is once again sought after by the series’ major villain, he’s there to help her. Thankfully, he’s not really there to save her, as he generally rescues people based on power level. Innocents, such as the young fox girl who is possessed by black sludge, he is perfectly content to save entirely. Nephteros, who can get out of her own troubles once she gets over her identity issues, just needs a helping hand. And Chastille, who Zagan very much frames as “not a love interest”, has to fend for herself. Luckily, the author seems to finally let her do this.

I’ve talked before about how Chastille seemed like she was going to be the tsundere secondary love interest but then the author realized how much he loved seeing her flailing around and crying. Last time we saw that her ‘work’ and ‘rest’ phases are almost two different people. And here the two seem to combine, as she seems to have finally accepted in her heart that she loves Zagan but he doesn’t love her back… and moreover, she doesn’t want him to, as this would ruin things with Nephy. This actually allows her a stronger bond with Nephteros, who also is drawn to Zagan and Nephy but can’t really be with them. Zagan may say that she’s a sister to Nephy, but for once we get someone deciding NOT to live at Zagan’s castle of increasing population. Nephteros needs to cultivate her own story, as does Chastille.

Speaking of love stories, the biggest new character introduced this time around is Kuroka, a blind priestess with a grudge against a) sorcerers and b) Chastille. With her we get to examine the ‘driven by revenge’ trope, though I admit it was a bit too on the nose to have Zagan literally spell it out for the reader. Fortunately, aside from the revenge she’s a perfectly nice person. Also fortunately, the revenge she was seeking turns out to be unnecessary to begin with. There are hints of the ongoing plot here, as there seems to be a thirteenth sacred sword, and the corruption in the Church is still a larger problem even without assassination attempts on Chastille every book or so. As for the titular couple, well, they’re still awkward – by the end of the novel, Zagan has finally asked Nephy on a date, but that’s as far as we get. Unless you count the muffler scene, which was adorable.

I’m not sure I can point to one thing and say “this is why I enjoy the series so much”, but enjoy it I do. I was particularly pleased with Chastille this volume, who did not have one extended nervous breakdown. And it’s always nice to remind myself sometimes that Zagan is NOT an isekai protagonist, but just a poverty-stricken fantasy lad who got really, really powerful. Fun stuff.

Emanon, Vol. 1: Memories of Emanon

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By Shinji Kajio and Kenji Tsuruta. Released in Japan as “Omoide Emanon” by Tokuma Shoten, serialized in the magazine Comic Ryu. Released in North America by Dark Horse Comics. Translated by Dana Lewis.

I must admit, I wasn’t even aware this was a famous Japanese SF story till after I’d finished this volume and was reading the afterwords. Japan’s market for such titles tends to wax and wane (as the afterword itself notes), and I had never read a translation of this story. That said, I’m definitely interested in seeking it out now, as I found this to be an excellent adaptation. A great combination of thoughtful dialogue and striking art, it’s also exactly the right length, though I say that knowing that there are more volumes coming in the future that apparently expand on the original story. This particular volume, though, works very well as a stand-alone, and also gets into some of the big questions of how memory works, what makes a human, and where are we headed in the future. All that plus a bittersweet not-quite romance.

Our protagonist is a young college-aged man who’s getting over a broken heart from a one-sided love, so takes the ferry back to his hometown. While on the ferry he meets a young woman, and though they initially don’t get on, they are drawn together in a mutual desire to avoid drunken creeps hitting on her. Eventually she gives a name to him – Emanon, aka “no name” backwards – and, since he’s a science fiction reader and thus has an open mind, tells him a bit about herself and her life, which seems to go back about three million years, Despite her being born in 1950. (The story is set in 1967.) She’s very guarded, at one point passing off her entire confession as a story, but the guy’s open curiosity and acceptance helps her open up more, and they grow closer. That said, this is not really a romance.

The manga seems to alternate between pages of quite, introspective panels and pages that are filled with dialogue as the two leads discuss Emanon’s situation, what it means for her, and what it means for humanity. The story’s origins as science fiction really come to the fore here, but it’s a tribute to the story itself that I was never bored. This volume has a postscript years later, where the (now married) protagonist sees the girl he met on the ferry again, only she doesn’t know who he is. That said, this does not mean Emanon has forgotten him. It’s a good, wistful yet hopeful end for this story, and I’m actually rather curious to see how the manga develops in future volumes, which appear to follow Emanon’s journey. The art is also fantastic, to the point where the end of the book is several pages, both color and black and white, of Emanon just wandering around Japan wordlessly.

I wasn’t sure what to expect with this book, and ended up pleasantly surprised. If you’re looking for something introspective and thought-provoking, this is a very good title to pick up.

Bookshelf Briefs 5/28/19

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Creature Girls: A Hands-On Field Journal in Another World, Vol. 1 | By Kakeru | Seven Seas – This was another “I’ll get the first volume, how bad could it be?” sort of book. The answer is pretty bad, at least for readers of my taste. That said, for those in the market this is aiming for, Creature Girls must be a dream come true. A monster girl story with actual coitus, as well as deep down analysis of the girls’ bodies, almost to the point of parody. The plot is the standard “guy transported to fantasy world” stuff, and there’s a few mentions made of battles against enemies that he helps them with. But the target reader is not here for that. He is here to see monster girls show off their boobs, swear they’re 18, and get screwed. This book gives that to you, in spades. I’ll pass on future volumes. – Sean Gaffney

Haikyu!!, Vol. 32 | By Haruichi Furudate | Viz Media – Oh boy, more full volumes of volleyball. They sure do (punches fist in air) PLAY that volleyball, huh? OK, OK, let me see… the twins’ backstory was quite good, and I enjoyed the end, where we see more of Hinata’s growth to the point where Tsukishima even praises him, as much as Tsukishima is ever going to praise anyone. And credit to the author, 32 volumes in, for continuing to find ways to not make volleyball boring. There are great poses and a fast pace which reminds you why this is such a popular series. The pace is not fast enough that the game is over, though, and I’m fairly sure that the next volume will have me groping for words once more. It’s a good series, though. – Sean Gaffney

JoJo’s Bizarre Adventure, Part 4: Diamond Is Unbreakable, Vol. 1 | By Hirohiko Araki| Viz Media – Ten years after the final battle between Dio and Jotaro in Cairo, the fourth part of JoJo’s Bizarre Adventure returns to Japan. In the first volume of Diamond Is Unbreakable, Jotaro has come to the town of Morioh to investigate a series of crimes and to search for Josuke Higashikata, his uncle and the illegitimate son of his grandfather Joseph Joestar. When Jotaro finds Josuke he discovers a high schooler with a very powerful Stand and a hair-trigger temper (both literally and figuratively) to go with it, a potentially dangerous combination. JoJo’s Bizarre Adventure continues to be a violent and grotesque series—the human and animal cruelty present will be too much for some readers—but I continue to love it for its strangeness, over-the-top action sequences, and ridiculous characters. Josuke in particular is one of those delinquents with a heart of gold that brings me tremendous delight. – Ash Brown

Kakuriyo: Bed & Breakfast for Spirits, Vol. 3 | By Waco Ioka and Midori Yuma | Viz Media – I’m wondering how much of this series is going to be Aoi healing people’s hearts through the power of delicious food. Oryo spends most of the volume sick (well, the impression is she’s also hiding), but even she will eat Aoi’s food. We also get backstory on Suzuran and Akatsuki, and take a trip back to Japan so that Suzuran can pay her respects to the late Shiro, and also stay behind. It’s a perfect opportunity for Aoi to stay behind as well, something her captor knows only too well, but she chooses to return anyway. This series looks pretty slow burn, so I think the food may outweigh the romance for a while yet. But I’m OK with that. – Sean Gaffney

Kiss & White Lily for My Dearest Girl, Vol. 9 | By Canno | Yen Press – Half this volume is Yukine and Ayaka, who are coming to realize that “winning” or “losing” is not the be-all and end-all of their relationship. Good thing too, as Ayaka finally wins. Elsewhere, we see a girl who’s a repeater (she was injured and couldn’t get attendance credits), so is something of a loner, but also a cosplayer. She ends up falling for a younger, puppy-dog sort of girl, but it’s hard to get over putting people at a distance, so they end up breaking up quickly. But is it really over? This volume frames the “main” pairing right in the middle, with the ‘volume’ pairing as a bookend, and it woks very well. Next volume is the last, so I suspect it will be all Ayaka and Yukine. – Sean Gaffney

Little Witch Academia, Vol. 3 | By Trigger, Yoh Yoshinari and Keisuke Sato | JY – The spinoff comes to an end here, and there’s no real climactic finale—they have to win a flying contest against another school, but Diana is ill, so Akko tries her hardest (and mostly fails) and succeeds in the end, because she’s just that plucky. In the end, I think this spinoff probably works best for the groups it’s marketed for—kids and those who watched the anime. I wasn’t as fond of it as I was the other ones, as it’s clear that any character development is going to be in the main series. But as an advertisement for the main series, it’s excellent—I certainly would like to see more of everyone. Something to get your niece for her birthday—at three volumes, it’s even affordable. – Sean Gaffney

My Monster Secret, Vol. 16 | By Eiji Masuda | Seven Seas – Every new volume of the series after its first “ending” seems to be designed to annoy me—something that also befell the very similar Yamada-kun and the Seven Witches, if I recall. As the cover might give away, this volume doubles down on the teacher-student romance between Akari (who has at least appeared a lot) and Sakurada, best known as the least developed one of Those Three Guys, who looks much older than he is, which I guess is supposed to take the curse off the creepiness but doesn’t. Elsewhere, there is still some good comedy—I particularly liked the chapter with the supermarket sale—but more and more it appears this should have ended with the mutual confession. – Sean Gaffney

One-Punch Man, Vol. 16 | By ONE and Yusuke Murata | Viz Media – Still far too serious, and now faced with Saitama barely being in it. Certainly if you like cool fights it’s a good read, but I can get that from a dozen other manga titles. I read this for silliness, and that’s in short supply here. I did like the idea of the superhero “Megane,” who is pretty much just a guy with glasses. There’s also some good development from Garo, whose analysis is top tier, but who sadly is a bit too focused on the wrong things. But then again so are the A-rank heroes—there’s a fair bit of hypocrisy here. At least Genos knows what’s what, and we also get the return of Bang, who has a grudge of his own. It looks like Saitama will show up soon, and thank goodness. Who needs a totally serious One-Punch Man? – Sean Gaffney

Ooku: The Inner Chambers, Vol. 15 | By Fumi Yoshinaga | VIZ Media – Revolution is approaching as the most senior of Iesada’s ministers signs a trade treaty with America without waiting for Imperial approval. This fellow silences his detractors with harsh punishments and winds up assassinated by the end of the volume for his trouble. Meanwhile, the pregnant Iesada has evidently been gotten out of the way by somebody, but it’s unclear who, leaving her bereaved consort Taneatsu in the dark about her demise for a full month. Now he’s doing his best to guide her clever successor, who has just been married to an Imperial prince. She was concerned about deceiving the emperor, since the shogunate’s part of the deal was to oust foreigners, but a big reveal in the final pages proves they’re the ones who’ve been deceived. Still great, if sad. Poor Taneatsu. – Michelle Smith

Sword Art Online: Hollow Realization, Vol. 3 | By Tomo Hirokawa, based on the story by Reki Kawahara | Yen Press – The danger is ramped up a lot more in this volume, which also comes with the return of a familiar face from the Progressive series. When it comes to “NPCs can surpass their programming,” no one’s done it more often than SAO, with the current Alicization arc being all about that. Kizmel was (storywise, at least) first, though, and it’s heartwarming to see Kirito and Asuna reunite with her, even if she doesn’t know who they are. That said, this side story is still all about Premiere, who has a role that she is clearly there to fulfill… and also there’s more than one of her? Not for casuals, but SAO fans should find this a lot of fun. – Sean Gaffney

Yowamushi Pedal, Vol. 11 | By Wataru Watanabe | Yen Press – The joy of our whole team of six catching up with one another is tempered by the reminder that there can be only one winner of this race… and that the others are going to drop back and fail. It’s a hard lesson for Onoda to absorb, and by the end of the book he’s still struggling to. The rest of the book is filled with the most manly cycling ever, fortunately, and I have to say pound-for-pound this series even manages to out-shonen the Jump titles. That said, holy hell, this is a long race, and we’re still not done. Sports manga go on forever, and nothing says that better than this omnibus, which equates to vols. 21-22 of the original. I hope Sohoku eventually wins. And by that I mean Onoda. – Sean Gaffney

Invaders of the Rokujouma!?, Vol. 21

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

We’re back to plot-heavy in this volume of Rokujouma, which sees the enemy making its move. No, not the actual Big Bads of the series, though they do sort of sit at the side, watch, and offer occasional “help”. Instead, the military wing of Forthorthe has been sabotaging things behind the scenes, and they decide to finally make their move to either capture or kill Elfaria once and for all. Naturally her daughter is not going to take that lying down, so everyone gets on their spaceship and rides. (I will assume for the sake of the plot that it’s still summer break or something, as missing school is not brought up at all.) Of course, just getting there is not going to be easy, as they’re trying to remain undetected, and are dealing with both actual bad guys and soldiers who’ve been fed ‘the Empress is a traitor’ fake news for a while. Fortunately for the Empress, she has the Blue Knight and company on her side.

The book starts off with Theia looking romantically at magazines showing happy wives and mothers, and also getting a big revelation from the more scientific princesses in the group: Forthortians and Earthlings have near-as-dammit the exact same genetic makeup, so having kids won’t be an issue. Leaving aside the sheer unlikeliness of this (which is mentioned in text), one thing I’ve noticed about Rokujouma is how pure it is, especially given that it’s about a guy and his nine-girl harem. Theia is seen to be dreaming of having kids, but there’s no real mention of how those kids will be made, and the girls never really think beyond “kisses on the cheek”. Part of this is due to Koutarou’s ongoing intimacy issues, but part of it, I think, is that it’s just that sort of series, and that trying to make things sexier would almost be like removing a magic spell or something. Besides, at heart this isn’t about the girls “getting” Koutarou, it’s about family.

This is Theia’s book, really, and she gets to show off a lot of sides here, even (towards the end) her self-sacrificing side, as she’s determined not to let an innocent fighter pilot die even if it costs her own life. Of course, that doesn’t happen, thank to both Koutarou and a screaming but competent Magical Girl Yurika. (Yurika is pretty whiny this book, but given the circumstances, and that she’s out of her element, it’s mostly fine.) I suspect we’re going to get an awful lot of “you guys go on, I will stay here and hold them off (and die”) going forward. Naturally, this will always be counteracted by everyone else in the cast, but I’m pretty sure that things are only going to get harder from here on out. Especially as the actual bad guys still haven’t stepped in yet.

We’re starting to get towards the endgame here (the books “end” with the 29th volume, though they are still ongoing with ‘after stories’). I expect the next volume will have more political machinations and big ol’ battles. Which is fine by me, as the author does those pretty well. Just as long as the emphasis is on the bond between these sweet, pure kids.

Re: ZERO -Starting Life in Another World – Ex, Vol. 3

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by Media Factory. Released in North America by Yen On. Translated by Kevin Steinbach.

When this arrived, I didn’t read it for a while as I was expecting it to be the “second half” of Wilhelm’s tragic backstory. But no, as this volume ends we’re still in lovey dovey land, though there are echoes of bad things on the horizon. Instead this volume picks up where the last one left off, with Wilhelm having defeated Theresia in battle and thus proving that he can replace her as the main defense of the realm… or so he thinks, but given that he starts the book in a prison cell, it’s likely that he has a lot more convincing to do. What this actually is are three short stories mushed together telling the story of Theresia and Wilhelm getting married and going on their honeymoon, and all of the things that get in the way of their happiness, which at this stage are mostly played for comedy. That said, the main villain towards the end has some familiar equipment, and I’m wondering exactly how Big Bad he’s meat to be.

I get the sense that the author wrote these stories while taking a break from their usual “Subaru has the worst day ever” fare. I was not expecting this to be as light-hearted as it was, and in many ways it doesn’t even feel like a Re: ZERO novel. Having determined to become Wilhelm’s bride and not a sword master (Wilhelm at least adds “unless she wants to” to this, but the narrative still pushes hard on “cute girls should not fight” mode), Theresia now goes into full-blown tsundere mode, with lots of embarrassment, mild jealousy, and no doubt pouting while pushing out one cheek in the grand anime faces tradition. Wilhelm has become more human since the last book, but that does make him a bit less interesting, as he’s now the standard snarky male light novel lead – something Subaru takes pains not to be. Theresia’s overprotective dad doesn’t help either, as he is made of cliches.

The final short story is the most interesting. (Well, there’s a short fourth short story about Carol and Grimm’s romance, but it’s clearly an afterword sort of thing.) Our couple are on their honeymoon, accompanied by Carol (who loves Theresia a bit too much) and tailed by Theresia’s father (ditto). Things turn serious, unfortunately, when they run into Lord Stride, who is the classic “arrogant noble” of many a light novel, and his bodyguard/champion, a big guy with eight arms. Naturally, he and Wilhelm have to fight, and it’s the best fight in the book, though unlike the last book this one really isn’t about the fights. Stride reminds me far too much of Petelgeuse only witho0ut the insanity, and I have a sneaking suspicion he or a relative may be in the main story sooner or later.

This is a great change of pace for those who’ve been reading Re: ZERO waiting for bad things to happen to good people. On the downside, that does mean it’s a little boring. There’s no deconstruction here, just the author writing a fun little light novel where the sword cutie marries the sword snarker. No doubt this will be continued in the 4th EX, but that’s not out in Japan yet.

Sword Art Online, Vol. 16: Alicization Exploding

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By Reki Kawahara and abec. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Stephen Paul.

Thankfully, this is a much stronger volume than the previous one. It helps that this time around we have very little POV of Gabriel Miller, though the little we get shows he’s as awful as ever, and has a new reason to be after Alice. There’s also no Kirito POV, as he spends the entire book still comatose. This allows a number of characters to get POV scenes, which Kawahara admits in the afterword he’s not really used to, but it plays out pretty well, as we’re introduced to a number of Integrity Knights, as well as some villains, and get a little more into what makes them human. Which is good, given that the entire premise of this arc is that the cast of the Underworld are meant to be just as important and sentient as our heroes, even if Alice is framed as the most special of all. And, coming down as a gift from heaven – literally – Asuna joins the fray, with God-tier powers and an immediate rivalry with Alice, because the author never met a cliche he didn’t like.

Unfortunately, sometimes that means cliches that shouldn’t really be used. I sighed when we got to the Integrity Knight with a massive crush on Fanatio, who was forced to become a knight because she fell in love with another woman, falls in love with Fanatio while a knight, and is promptly killed off protecting her. I should be grateful she wasn’t framed as evil or predatory, I suppose. The ‘bad guy’ cast also ranting about the “white iums’ (aka the good guys) also rankles, though I know that it comes from a fantasy base where white = good and black = bad, and was no doubt written into the Underworld by the developers. Better handled was the cowardly Knight who decides to hide from the final battle, and unfortunately for him ends up in the same tent as Ronie, Tiese and their unresponsive charge, and he is forced to learn the true meaning of Christmas. Or at least that some things are worth fighting for.

Most of this book is a fight sequence, and there are some good ones, particularly a battle between a stoic and (mostly) silent Integrity Knight and a Pugilist (who are basically a bunch of Hercules guys) on the opposite side who find that each has an equal bloodlust for a good fight. That said, we can’t avoid the plot entirely. Asuna is in the game now, but she won’t be enough, as the villains have hacked it to allow a bunch of Americans to log on – not telling them these are anything other than NPCs – and let them kill everyone. Fortunately, Yui – who laments the fact that she’s not as good an AI as Alice and company while at the same time surpassing her own limits, a scene that’s very deftly handled – is bringing in a few more ringers. Yes, at last, we’re getting the rest of the band back together, as the other “main” cast members prepare to enter the Underworld as well.

We have two more books to go in this arc, and I will be very surprised if the next one does not end with Kirito ascendant. But there’s no denying that things are tough right now. Fortunately, with the power of More Deban on its way, we can likely find a way past it. That said, SAO is every five months now, so be prepared for a slightly longer wait.

One Piece, Vol. 90

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By Eiichiro Oda. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz. Translated by Stephen Paul.

One Piece is ninety volumes long over here, in case you missed the title of the review. And it’s been running in Japan for twenty-two years, meaning many parents who started reading it in East Blue are having their kids pick it up with Cake Island. And while Oda tries his best to make everything accessible to casual readers, he really has his work cut out for him with this book, which sees the country’s leaders from all over the land get together for a meeting. The Celestial Dragons will be there… wait, who were they again? And Wapol’s back! … wait, who was he again? Even Oda knows that we can’t really recall everyone in every single volume. As result, not only does each chapter have ‘recap’ panels reminding us who these people are, there’s also an inserted 7-page ‘guidebook’ style entry going into even greater detail. You can’t tell the players without a scorecard. Especially since Oda seems to be reintroducing EVERYONE.

Of course, some characters don’t really need reintroduction, either because they’re still relatively new (Rebecca), hard to miss (Princess Shirahoshi), or iconic (Vivi). There’s an amusing scene where they all talk about how much Luffy did for all of them, and more people fall over themselves to talk about what a debt they owe the Straw Hats. Of course, not everyone reintroduced is a good guy. I mentioned Wapol before, though honestly he doesn’t seem that bad anymore, and I think is merely there to face off against Dalton and Kureha. No, I’m talking about the Celestial Dragons, particularly Stelly, the bratty kid who ruined Sabo’s childhood, who is now an even brattier adult. And of course there are the five elderly guys who run everything, who we rarely see but whenever we do it isn’t good. Worst of all, though, is the Dragon who appears riding Bartholomew Kuma like a mount. Sabo won’t take that lying down, and neither will Bonney, who’s infiltrated the party.

That said, it may be a while till we get back to this meeting, as we also have the Straw Hats, who have finally escaped from Big Mom, at least for the moment. Sadly, they’re without Jimbei, who has to stay behind to hold off the enemy, but he does resolve to join them soon, and I think we can safely say he’s a new crew member. And then we go off to the country of Wano, which allows Oda to bring out every single Meiji period cliche that he can. It also allows us to catch up with the cast who’ve been missing for a long, long time. Some are doing what they’ve always done (Franky is a carpenter, Usppp is lying), some are taking on tough new roles (Robin is a geisha), and some are… being executed? Well, at least they try to convince Zoro to commit suicide for the “crimes” he’s committed. It goes about as well as you’d expect.

So we’re kicking off a new arc, and Luffy seems to be once more separated from everyone else after the ship runs aground on the shore of an uncharted desert isle… wait, no, runs aground in Wano Country. What happens next? And when will we get back to Vivi and company?

Torture Princess: Fremd Torturchen, Vol. 1

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By Keishi Ayasato and Saki Ukai. Released in Japan as “Isekai Goumon Hime” by Media Factory. Released in North America Yen Press. Translated by Nathaniel Hiroshi Thrasher.

I do try not to be glib in my reviews too often, but I will admit it was tempting to have my entire review of this volume be “Loved the princess, hated the torture”. Honestly, it was a surprise to many people that I started this at all, given my wariness of overly dark and bloody titles. But I was on one of my “read the first volume of everything” kicks, so I worked my way through it. It was difficult at times, I will admit. The torture is no lie, and this isn’t even the pointless “torture them to get information” that you see in other, more annoying works. This is torture for the sake of gore, torture porn. Fortunately, the book also has three very distinct, likeable leads with expressive character voices and interesting through processes. I liked the way they went, and I want to see more of them. That said, it’s hard not to read this and think “the author wanted to write pages of torture description, so wrote a book around it”.

Kaito is a young man who has suffered at the hands of his abusive father his entire life, and finally is killed by said father. However, he ends up being transported to the land of the Torture Princess, Elisabeth Le Fanu. She brought him there to be her servant, and help (or at least watch) as she defeats thirteen demons and the people who have sold their souls to said demons. The demons enjoy torture and despair, and (seemingly) so does Elisabeth, so there’s an awful lot of it going on, and for a while the somewhat stoic Kaito is simply going with the flow. After a while, they also gain a robot maid, Hina (OK, a ball-jointed doll who is sentient maid, but for all intends and purposes she functions as a robot maid) with a devotion to Kaito that borders on the obsessive… well, OK, has moved into the obsessive and set up a knickknack shop there. Can they stop those contracted with demons from torturing innocents? Well, no. But they can at least punish them after the fact.

I will admit, I found Elisabeth, Kaito and Hina a lot of fun. Despite her name, Elisabeth is not a vampire, but she shares some of the same character traits, and the relationship between her and Kaito reminded me at times of Shinobu and Araragi from the Monogatari series. Kaito is snarky but not too much so, and most of this first book is seeing him regain a desire to actually find happiness and a purpose in life. And cliched as Hina is, she’s also hilarious and fun… and also provides the heart of the book, right near the end. It’s a good solid basis for a series. That said, dear sweet merciful Christ, after a while you will start flipping pages as you read about people lying in various bits, or having limbs chopped off, or being staked by demon crows, or… it almost went beyond exhausting to boring. It fits the florid Elisabeth’s Grand Guignol style, but that does mean that this is a book I can recommend only to the strong of stomach.