Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Features & Reviews

Urusei Yatsura, Omnibus 6

by

By Rumiko Takahashi. Released in Japan in two separate volumes by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz Media. Translated by Camellia Nieh.

Every fan has their obsessive favorite minor character. Usually more than one. I have two when it comes to Takahashi’s work. I’ve already discussed Akari Unryuu, Ryouga’s girlfriend in the later parts of the manga in my reviews of that. As you might have guessed, my favorite Urusei Yatsura character makes their debut in this volume. No, not Kotatsu-neko, though he sort of amusingly stoic. No, not the school principal either, though it is funny that both he and Kotatsu-neko debuted around the same time. No, it’s Shutaro Mendo’s younger sister Ryoko, introduced here as essentially an agent of chaos in a series entirely composed of agents of chaos. Ryoko is fickle, bored, and also a sociopath, happy to trigger her brother’s fears of the dark, annoy him by flirting with Ataru, or simply toss a hundred grenades out her window because it’s fun. Most North American fans experiences her Ranma knockoff, Kodachi Kuno, first. Accept no substitutes, though, Ryoko is best unfiltered.

Having established most of the regulars by now, Takahashi is starting to experiment with her work, dialing up some things and ramping back some others. Ran, who’d vanished for a while, is back on a semi-regular basis. So is Rei, and we start to get the start of the eventual Ran/Rei pairing when we see the one thing that’s sure to win Rei over: food. (Lum’s cooking, usually lethal to Ataru, is implied at times to also be lethal to actual aliens – she fills the ‘can’t cook’ stereotype box.) Oyuki is starting to be the soft-spoken yamato nadesico, but is still wearing her battle bikini rather than her kimono. And she’s dipping back into Japanese history again – this is the first book to feature new, never before officially translated manga material, and I can imagine 1990s Viz translators wanting to cut the chapters where Ataru is Zenigata (no, not the Lupin one). Nowadays, there are actual endnotes to explain things like Ryoko’s kuroko attendants (being a drama major, they are another reason I love Ryoko).

Also, while it’s always been around, we’re really starting to see a lot more fourth-wall breaking here. Tezuka started this, of course, and Takahashi’s friend and colleague Mitsuru Adachi also does it. But Takahashi is as broad and blatant about it as with the rest of UY’s humor, with Lum appearing on the title page to complain that she’s barely in this chapter, and other characters complaining about Ataru not being in it at the start because he’s still in bed. UY is a performative manga that its characters know they’re in, but they aren’t actors. For the most part the stories are still one-shot chaotic messes, though sometimes chapters run into each other, such as the first part of the book detailing the students trying to leave school to get lunch outside campus, which ends up being the students simply ditching school entirely.

As these chapters were being written, the anime was also being created – it debuted in the Fall of 1981, right around the time the Ryoko chapters would have been in the magazine. As the manga goes on, there will be a little influence from one on the other – though less than you’d expect. Fans of the anime might be startled, though, by one chapter here early in the manga being the basis for the final episode of the anime. That said, even if you’re not an experienced UY fan, these volumes are still chaotic, funny fun.

Love Me, Love Me Not, Vol. 2

by

Love Me, Love Me Not, Volume 2 by Io Sakisaka

At two volumes in, I’m not feeling quite as connected to the characters in Love Me, Love Me Not as compared to Strobe Edge, but Sakisaka is still doing a great job setting up a complicated and thoughtful teen romance drama. Yuna is still processing her feelings about the complex relationship between step-siblings Akari and Rio as she also deals with her own attraction to Rio. Yuna’s hesitation and introspection is prompted by the fact that she’s never experienced love outside of books. Rio also seems more attuned to Yuna than he is for girls who he has a more superficial relationship. He notices her being less shy around him, and figures out a way to set up their study group so she doesn’t feel hesitation about asking him questions. All along, Rio has encouraged Yuna to pursue a relationship with the boy she has a crush on, not knowing that she’s talking about him. Yuna’s love confession is unconventional, as she tells Rio about her feelings and says “Now, reject me.”

Rio reacts with a lot more compassion than he usually does with the girls who are attracted to him only for his looks, and Yuna deals with the aftermath. Both Akari and Kazu are impressed with Yuna’s emotional growth and general levelheadedness. While it is fairly easy for the reader to understand Rio, Akari, and Yuna, Kazu remains a perpetually cool enigma. Akari is fascinated by him, but he’s still a bit of a blank slate, defined only by his occasional blunt and insightful statements. I’m hoping that in the next few volumes his character becomes as well defined as the other series leads. This was a strong second volume, and I’m looking forward to seeing how the series develops. Sakisaka is great at capturing all the subtleties of emotion in her drawings, and even though much of this manga is people simply talking to each other in a variety of settings, her paneling and the emotional stakes involve keeps everything dynamic.

Sword Art Online, Vol. 19: Moon Cradle

by

By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

Well, having wrapped up the 10-volume Alicization arc, here we are back in the Underworld anyway. This book takes place in the subjective 200 years of time that Kirito and Asuna spent there before returning to the real world – in fact, it takes place in the first few months of those 200 years. There’s still a lot to be sorted out, mostly as the darklanders live in a barren wasteland (because it’s meant to be a game and they were meant to be evil) and the humans live in nice plentiful farmlands. Worse still, there’s a murder, something thought to be impossible. It quickly becomes clear that the murderer is trying to set things up so that there will be another war between the two groups. Can Kirito and Ronie find out who is behind all this? And can Ronie actually manage to confess to Kirito, something that seems to elude all the other heroines not named Asuna. Fortunately, she has a big advantage here: she’s the 3rd-person narrator, and the book is better for it.

Those who don’t like Kirito… well, first of all, why are you reading Vol. 19 of this series? But secondly, you won’t like this one, as he’s overpowered and also cheeky most of the time. It’s easy to see why Ronie loves him, and also easy to see why she feels inferior compared to Asuna, who is very much in the wise all-knowing mode here. She and Tiese have the same problem, but framed differently: Tiese is still in love with Eugeo, but he’s dead, and she can’t move on. Meanwhile, Ronie is in love with Kirito, who is in her face every day, but is also taken. In other words, Ronie falls into the same category as every other SAO heroine who isn’t Asuna (or, arguably, Alice). Ronie also has some doubts about her ability as a Knight, though those start to be resolved by the end of the book when she’s able to channel her inner Kirito and do seemingly impossible stunts.

We get not one but two babies in this book – Fanatio’s child at the start, who gets to be thrown hundreds of feet into the air and then caught, every baby’s dream, as well as the child of Iskahn and Sheyta, who shown off the two sides coming together and also sadly proves to be our baby in distress towards the end, though I suppose I should count myself lucky that there are no rape threats in this book. Indeed, with the lack of that and also the lack of a super evil sneering villain, this book shows off a maturity that the SAO series has lacked at times. This was, I believe, the last of the webnovel material to be adapted for light novels – which is important, because it means we’re moving past the sometimes amateurish writing from 15 years ago. And, as I said before, the book also reads better when not in first-person perspective. I wish he did that more often.

This is the first of a two-parter, and the next volume promises a bit more Asuna. Still likely filtered through Ronie, through, which is fine. I like her. SAO fans should find a lot to enjoy here, and SAO haters should find a lot of ammo.

Manga the Week of 5/27/20

by 1 Comment

SEAN: It’s the end of May, and the schedule is still not back to normal, but we soldier on regardless.

ASH: Bring on the manga!

SEAN: Ghost Ship has Parallel Paradise 2 (digitally) and Yokai Girls 10 (in print).

I’m starting to give up on predicting when Kodansha’s “digital early” releases of their print books will come out. Theoretically we’ll see Cells At Work: Code BLACK 5 and Yuzu the Pet Vet 2.

That said, actually coming out in print are the first two volumes of Wave, Listen to Me!. Now with a polarizing anime!

MICHELLE: Yay!

ANNA: I want to check this out.

ASH: I’m thrilled this is being released in print!

MJ: Definitely ready to give this a look!

SEAN: Digital-only volumes are out for Altair: A Record of Battles 18, DAYS 18, I Fell in Love After School 4, and Watari-kun’s ****** Is about to Collapse 6.

MICHELLE: I’ve enjoyed I Fell in Love After School thus far. And of course I am here for DAYS.

SEAN: One Peace has the 2nd volume of The New Gate.

Seven Seas have three debuts, all digital-first. Makeup is Not (Just) Magic: A Manga Guide to Cosmetics and Skin Care (Make wa Tada no Mahou Janai no Beginners) is actually a josei title from Kiss, and sounds like one of those “The Manga Guide To Quantum Mechanics” style books. A young woman learns about makeup through her glamorous friend. It’s done in one, though there is an (unlicensed) sequel that came out this year in Japan.

ANNA: I am intrigued by skin care manga.

ASH: I’ll admit, I am, too.

SEAN: My Senpai Is Annoying (Senpai ga Urusai Kouhai no Hanashi) is a comedic romance that runs on Ichijinsha’s Comic Pool site. It’s the same magazine that has Wotakoi. Let’s hope it is as good as Wotakoi: the premise of “huge guy with his tiny office coworker who looks like a child” starts with a strike against it. (He’s the annoying one.)

ASH: Hmmm…

SEAN: And the first PENGUINDRUM light novel is out digitally. Yes, I know I said it was back in March. It got bumped.

ASH: Will be waiting for this one to be released in print, personally.

SEAN: Also out (digitally) are Adachi and Shimamura’s 2nd light novel, A Certain Scientific Railgun 15, and Miss Kobayashi’s Dragon Maid 9.

Vertical has a 4th Bakemonogatari manga out digitally, which should start the Suruga Monkey arc.

And now Yen Press, who nostalgically are releasing everything on the same week. This month is smaller than usual for them, though. And these ARE print (and mostly digital too).

ASH: Ah, remember the days?

SEAN: Yen On debuts – finally, it was originally scheduled for August 2019 – A Mysterious Job Called Oda Nobunaga. From the creator of I’ve Been Killing Slimes for 300 Years and You Call That Service?, this light novel seeks to answer the question “do casuals know enough about the Sengoku Period to know what this is talking about?”. It helps that the fantasy world this kid lives in doesn’t know either – when he gets “Oda Nobunaga” as his chosen calling, no one has any clue what it is. This could be a disaster, but it’s only 3 volumes long, so…

Also out from Yen On is The Alchemist Who Survived Now Dreams of a Quiet City Life 3, The Asterisk War 13, Death March to the Parallel World Rhapsody 11, Strike the Blood 15, and Suppose a Kid From the Last Dungeon Boonies Moved to a Starter Town 2.

Yen Press has no new debuts, but they are putting out the first Collector’s Edition of Nightschool, the OEL series from Svetlana Chmakova.

MICHELLE: I had this idea that Chmakova was going to continue Nightschool at some point, but that doesn’t seem to have happened. Perhaps this rerelease is to remind people about the series and gauge interest? I certainly would read more!

ASH: It’s been a while, but I do recall liking Nightschook.

MJ: I would read more Nightschool!

SEAN: Hey, remember when I said that The Melancholy of Suzumiya Haruhi-chan 11 was the final volume? Back in 2017? Possibly as it had the word ‘FINAL’ on its cover? Guess what, folks, the real final volume is out next week. You can tell it’s really finally final as they’re running away while waving to the reader on the cover.

ASH: Ha!

MJ: Huh.

SEAN: We also get Death March to the Parallel World Rhapsody 9 (manga version), Happy Sugar Life 5, IM: Great Priest Imhotep 3, I’ve Been Killing Slimes for 300 Years 2 (manga version), Kakugurui Twin 6, Karneval 10, the 6th and final volume of Nyankees, Overlord’s 12th manga volume, Trinity Seven 20, and the 2nd Woof Woof Story manga volume.

What manga are you reading instead of going to a parade?

Baccano!: 2002 [Side B]: Blood Sabbath

by

By Ryohgo Narita and Katsumi Enami. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Taylor Engel.

I’ve talked before about the Japanese tendency to write the blackest of black villains, so evil and horrible that it ends up being absolutely fine when our heroes kill them off in morally questionable ways. In general, I’m not a fan of these, and tend to prefer more nuanced or morally grey types. That said, I have to admit, Narita writes these sorts of people better than most light novel authors. We get two classic examples here, but one’s a spoiler, so I’ll talk about the other. Bride is the leader of SAMPLE, a thoroughly disturbing religious cult descended from the same cult that tortured Elmer when he was a kid. Bride is abusing children, mentally breaking and drugging a woman (investigating them undercover) into submission, killing large numbers of people, and being gleeful about it the entire time. But he’s sort of horrifyingly fun. Possibly as the book avoids the rape threats so many other authors would throw in (Bride makes a comedic play at his drugged wife, but this seems staged.) He also contrasts with the other villain of the book, who is… less fun.

The first half of this book takes place on Exit, the ship going from Japan to New York, and the sister ship to the one Firo and company are on. Elmer, Sylvie, Nile and Denkurou (who gets his first significant role here, though to be honest he doesn’t do much except moon over Sylvie) are invited, supposedly by Huey, to the ship, and they all go because if they don’t, Huey would arrange it so they do anyway. There they don’t find Huey, but they do find the Mask Makers, who are also on the other ship, who have a plan to get revenge for a killing that happened 300 years earlier by capturing Elmer. And the passengers also include SAMPLE, Bride’s religious cult, who are there for Sylvie. As for Isaac and Miria… well, they still aren’t here, they’re back in New York. Which is probably why everything starts to go wrong for everyone on both ships. Even Firo, who tries to look cool in front of his family, does not really succeed.

Speaking of spoilers, there is a question about how much constitutes one. This series, after all, is mostly read by fans who have already spoiled themselves on this book and future ones. And indeed we get a big spoiler for (one assumes) future books given to us as part of the plot early on here: the Mask makers are supposedly getting revenge on Huey for killing Monica 300 years prior, which might come as a surprise to those who read the 1705 book. That said, it’s possible that the reader will be more distracted by the end of the book, which reveals who the real Big Bad of the entire Baccano! series is… and it’s someone that we thought had already been dealt with. Interlocking and interconnecting plots and characters are how Narita writes, but this particular book works very well at making you want to go back and read some passages in older books while also making you anxious for the next ones.

So a much better book than the first part, as is typical with Narita two-parters. Bobby is still annoying, though. So, next do we go back to 1710 to see the tragic fates revealed in this book? Or do we continue in the 21st century to see how Czes and his family deal with this new and horrifying threat? Of course not, that would be too easy. No, next time it’s 1931, as we go back to the Flying Pussyfoot and the immediate aftermath, in a plot that might seem very familiar to those who saw Baccano’s 3 OAV episodes…

Bookshelf Briefs 5/19/20

by , , and Leave a Comment

After-School Bitchcraft, Vol. 1 | By Yu Shimizu and Kazuma Ichihara | Yen Press – Afterschool Boobcraft would be a better title for this supernatural romance about Ririki, a ditzy high school student who accidentally discovers that her chemistry teacher is a sorcerer. Though Ririki quickly realizes that she, too, has hidden powers, nothing about her giggly, helpless behavior suggests that she’s competent enough to tie her own shoes, let alone cast a spell. Renji, her teacher, is even less of a character, defined primarily by his brusque demeanor and perma-scowl. Anyone reading for plot will find the the crude, obvious fanservice irritating, while anyone reading for fanservice will find the series’ pedestrian efforts at world-building an unwelcome distraction from the parade of costume failures and panty shots, all of which are drawn in salacious detail. Not recommended. – Katherine Dacey

Animeta!, Vol. 3 | By Yaso Hanamura | J-Novel Club – Miyuki Sanada is making gradual improvement as an inbetweener, though she’s been told that if she doesn’t pass the key animation exam within a year, she’s fired. Meanwhile, her fellow new hire, Maria Date, seems to be leaving her in the dust, is actively campaigning to take her place with the prestigious Studio 7, and gets invited to enter a character design contest by the big boss. I appreciate the sports manga feel this rivalry evokes, but the most compelling part of Animeta! for me is the plight of Yuiko Fuji, the inbetween checker who once tried to become a key animator but had no flair. She’s amazing at her current job, but seeing new talent getting promoted over her is tough. This series has really grown on me, now that its been fleshing out its characters more, and I reckon I’ll stick with it for the long haul! – Michelle Smith

A Certain Scientific Accelerator, Vol. 10 | By Kazuma Kamachi and Arata Yamaji | Seven Seas – Last time I said the cliffhanger was chilling, this time that extends to much of the book. The Index series has usually been too concerned with action and harems to get into pure horror, but its spinoffs have no issues with it, particularly this one. Cannibalism of a scientific sort continues to be the norm here, with our tragic villain continuing to be sympathetic. As is Yomikawa, possibly the nicest character in the whole Indexverse. For those who aren’t reading this for nice, the good news is that Accelerator is back in action by the end of this and ready to beat villains up while continuing to state what a villain he is. Index fans will enjoy this, though may also be creeped out. – Sean Gaffney

Cocoon Entwined, Vol. 2 | By Yuriko Hara | Yen Press – Yes, it is still tempting to review these volumes by just saying “hair” and being done with it. I mean, the start of the second volume seems to be narrated from the POV of a former schoolgirl’s hair, which is now made up of the uniform of our heroine. But there is a bit more to it than that, as we cycle back a bit and get more insight into the mysterious Hoshimiya, whose hair drifting down in single hairlets (hairlets?) continues to be an emotional gut punch for most of the school. There’s also discussion of traditions, why they’re kept and when they might have to be broken for the sake of moving on and fixing things. It’s quite an emotional drama. And rest assured, it’s filled with hair. So much hair. – Sean Gaffney

The Golden Sheep, Vol. 3 | By Kaori Ozaki | Vertical Comics – The third volume of The Golden Sheep is its last, and while it was nice that the four friends at the center of the story ultimately resolved their differences, it all felt rather too easy and anticlimactic. I did like that Yuushin finds purpose in striving to achieve enough independence to live with the stray kitty he rescued, though. (It is an extremely cute kitty.) The volume is rounded out by a twisted short story called “Love Letter” in which an unborn soul chooses to be born to a teen runaway and ends up dying from neglect, but loves its mother so much that it opts to return to earth in any guise that allows it to see her, including another cute kitty who soon meets a tragic end. It left a weird taste in my brain. – Michelle Smith

How Heavy Are the Dumbbells You Lift?, Vol. 3 | By Yabako Sandrovich and MAAM | Seven Seas – The first volume it was the fanservice that got my attention. The second volume it was the advice on keeping fit. And in this one it’s the comedy that’s really reaching out to grab you, taking the series in places I was not expecting it to go, like turning the main girls (including their teacher!) into a muscle-bound idol group, something that is impressively different but goes over like a lead balloon. Zina has fit in well with the others, and moreover she knows Satomi cosplays, so can cheerfully use that for blackmail. There are also hints that romance may come into this series—Hibiki has always been attracted to Machio when he’s not bulking out, but there’s a suggestion that her feelings may run a bit deeper than that. That said, I expect comedy to prevail. This is fun. – Sean Gaffney

Kaguya-sama: Love Is War, Vol. 14 | By Aka Akasaka | Viz Media – The first half of this book is almost all dedicated to Kaguya and Shirogane finally, finally, confessing—not through words, but through actions. It’s the payoff everyone has been waiting for, and it’s handled perfectly. The second half of this book then drags it all back to hilarious comedy, with the chapter about Kaguya french-kissing Shirogane being the highlight of the volume and possibly the series. Of course, there’s the question of where do we go from here—Kaguya ends up breaking her brain so much over this that she reverts to her old icy persona, and there may be a new love triangle developing around Ishigami. So don’t stop reading just because Kaguya got confessed to—there’s still plenty more fun. – Sean Gaffney

My Hero Academia: Smash!!, Vol. 4 | By Hirofumi Neda and Kohei Horikoshi | Viz Media – The gag series has caught up to the main storyline, or at least wants to avoid the Overhaul Arc, so for the most part this volume is original material. Sometimes that’s good—the author shows a surprising taste for very dark character-based jokes when they want to, including one with Todoroki talking about his mother that made me gasp. There’s also a parents’ day again (it goes a bit better than the one in School Briefs), which allows us to see parents we forgot existed, like Uraraka’s mother. That said, there’s also a sense that the series is starting to get a bit tired. The next volume is signposted to be the last, and that’s a good thing. Go out while you’re still flying high. – Sean Gaffney

Nori | By Rumi Hara | Drawn & Quarterly – Born in Kyoto and currently based in New York, Hara has been creating comics for about a decade, but Nori is Hara’s graphic novel debut. The volume has its origins in a series of self-published mini-comics which earned Hara multiple award nominations. Nori collects six short tales of varying lengths which feature the adventures of the titular Noriko, an imaginative three-year-old, and Hana, her grandmother and caregiver. Except for a surprise trip that takes Nori and Hana to Hawaii, the stories are largely set in Osaka in the 1980s. All of them are incredibly charming. Hara effortlessly blends mythology and legends with the characters’ day-to-day lives and Nori’s fantastical imaginings. Some of my favorite moments are Nori’s interactions with older kids—some of whom really aren’t sure what to do at first with a precocious toddler hanging about as they explore the natural world together. Nori is an undeniable delight. – Ash Brown

That Blue Summer, Vol. 4 | By Atsuko Namba | Kodansha Comics (digital only) – Rio Funami is a Tokyo girl who’s been sent, along with her bookish little brother, to stay with her grandmother in the countryside for the duration of her 40-day summer vacation. She’s fallen in love with a local boy named Ginzo Izumi, who initially rejected her, believing they belonged in different worlds and valued different things. However, as time has gone on, Ginzo has come to see that’s not true. In fact, Rio seems enraptured by the village he calls home and understands the calling he feels towards graphic design while simultaneously feeling obligated to stay and take over the family liquor store. This is more than just a generic romance—it’s about passions versus practicality and finding reasons for joy in any situation. I’m enjoying it a lot and isn’t that cover a beauty? – Michelle Smith

Yowamushi Pedal, Vol. 14 | By Wataru Watanabe | Yen Press – The race that would never end has ended! And yes, our hero manages to capture first place, The first half of the book is really fantastic, showing off how good the author is at wringing drama and emotion from every last meter. The second half pales in comparison mostly as it’s setting up the next chunk of book, though seeing Onoda suddenly fail so hard simply as his mentor has left (transferred to another country) is poignant, and I suspect he needs another race or two before he can get back into form, so I expect more failure. Oh, and Kanzaki shows up briefly to remind us she exists and also help the core team get new bikes that work to their strengths. Still excellent shonen sports. – Sean Gaffney

Not Your Idol, Vol. 1

by

By Aoi Makino. Released in Japan as “Sayonara Miniskirt” by Shueisha, serialization ongoing in the magazine Ribon. Released in North America by Viz Media. Translated by Tetsuichiro Miyaki. Adapted by Nancy Thistlethwaite.

This is one of Viz Media’s strongest debuts in some time, and it’s taken me a while to find a way to put down some words and review it. There’s a number of reasons for that. It’s a strong debut but it’s not a fun book – this book wants to deliberately make you uncomfortable and challenge traditional views on things. It looks at idol culture and the obsessiveness of their fans, about reaching out to accept help and how that can be both a good thing and also a bad thing; about fighting back against the everyday sexism in the lives of women and why some choose not to. There’s a lot going on here, including some things that (possibly) spoil the entire book that I am going to do my best to dance around. In the end, though, this is a book that grabs you by the collar and rips your face towards the pages. I’m not sure I enjoyed it, but I really liked it.

Nina Kamiyama is a brooding, quiet high school student who dresses in the male uniform, and is immediately contrasted with the rest of her classmates discussing things like how good their legs look in skirts. We also meet Hikaru, a young man in the judo club who seems to be the only guy in their class who’s not turned off by Nina. Things come to a head when the teacher announces that someone is assaulting girls around their school area, so everyone should go home in groups. Of course, Nina is a loner, and also does not want to show any weakness, so she goes home by herself, despite clearly dealing with some past trauma. She is then confronted by Hikaru, who knows her secret: she’s Karen Amamiya, former member of a top idol group who retired after being knifed by a stalker at an event. He admits that his younger sister was sexually assaulted by a teacher, and that she became a fan of Karen’s idol group because they said it was “OK to be a girl”. Slowly Nina and Hikaru grow closer… but is that what’s really going on?

I don’t usually post pictures of panels in my reviews, which is a shame, as there’s lots of terrific ones here. Nina leaping on a desk to grab some jerk’s school tie, saying “girls don’t dress to please guys like you”. Nina and Hikaru helping a shy classmate when she’s groped by a stalker on a train. The entire last few pages of this volume. It’s not shying away from problematic behavior, from both boys and girls, and contrasts Nina heavily with the cute, bubbly Miku, who is everything stereotypically feminine. Nina is also in touch with her former idol group, and we learn how they’re struggling to keep popularity now that Karen has retired… and we also hear from her friend Sara that Karen was too good at suppressing her emotions and being “inhuman”. All this culminates in the climax to the book, which again I won’t spoil, but shows us everything we’ve learned about a character to date and makes us question it.

After finishing the book, I was on the fence about whether I really wanted to read more. I’ve since come around. I want to find out what happens next. I hope you do as well.

Konosuba: God’s Blessing on This Wonderful World!: The Arch-Wizard’s Little Sister

by

By Natsume Akatsuki and Kurone Mishima. Released in Japan as “Kono Subarashii Sekai ni Shukufuku o!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kevin Steinbach.

I recently reviewed the third volume of Combatants Will Be Dispatched!, by the same author, and noted the difference between that series and KonoSuba is that KonoSuba has heart. Which is true, as the latter half of this book shows. But to get there we have to get through the first half of this book. And it’s a good reminder that, while the cast of KonoSuba are nice and sweet compared to the sociopaths of Combatants Will Be Dispatched!, they are still quite horrible people overall. No one exemplifies this more than Kazuma, who after the last volume is spending his days lazing around the castle being waited on by servants and corrupting the princess (no, not like that, fortunately – she’s just talking casually now). After finally being thrown out, he then has to get back into his own mansion, as he’s been locked out by a thoroughly pissed-off Aqua. It’s only when Megumin’s sister Komekko shows up that the cast remember that they’re badass and also not terrible.

In a nod to the overall plot, Komekko is brought to Axel because Megumin’s village is under attack by the Demon Lord’s forces, which has led to their home being destroyed. so “those two girls” (in a nod to the trope, Megumin can’t remember their names, and to be honest neither can I) drop Komekko off to be looked after by Megumin while the Crimson Magic Clan strikes back and also cleans up. Komekko’s quite happy with this, as everyone and their brother is feeding her. She’s also happy because Megumin has been writing her letters about how AWESOME she and everyone else in Axel is, and she wants to find out about this first-hand. Given that, for once, Kazuma and company are reasonably well-liked by the town, the other adventurers are willing to go along with Megumin’s exaggerated letters. In fact, the guild decides to take advantage of this. A lot.

Everyone here gets their moments to shine and also their moments to be humiliated, in the best KonoSuba way. The exception is Komekko, who plays everyone like a fiddle and will likely be far more powerful than Megumin when she grows up. Darkness comes off worst, as she’s still hamstrung by having to be the sensible one, with her perverse moments kept to a minimum. As for Megumin, much to the surprise of Kazuma (and the reader), she is not going to let him forget her confession from the end of the 9th book – she repeats it, and then says she’d like to be “more than friends but less than lovers”. It’s a great scene, and Kazuma responds to it (for him) relatively seriously. Of course, it’s then undercut immediately, because no one does that better than KonoSuba – Komekko heard this confession and tells everybody, leading to a hilarious final scene.

As this point Kazuma/Megumin seems to be set in stone… though the cliffhanger may bring fresh chaos. Darkness has a kid? Is she a child from the future? (Probably not). In any case, this was an enjoyable book, once I got past the obligatory “sixty or so pages of Kazuma being a scumbag” parts.

By the Grace of the Gods, Vol. 2

by

By Roy and Ririnra. Released in Japan as “Kami-tachi ni Hirowareta Otoko” by HJ Novels. Released in North America by J-Novel Club. Translated by Mana Z.

It’s probably not a coincidence that while the genre of ‘Slow Life’ novels is very popular in Japan, we haven’t really seen that many straight examples of it here in the West. There have been a few that come close, but they tend to have a lot of things happening, or else they’re standard isekai only lackadaisical. By the Grace of the Gods really comes closest to the pure type (Ryoma does do some adventuring and goblin slaying, so it’s not 100% “no I will not be a isekai protagonist I am going to farm!” like the best of them), as Ryoma, over the course of the book, realizes that rather than hanging out with the rich family who “rescued” him and getting closer to their daughter who clearly has a crush on him, and rather than going on guild quests and monster hunting, he’s going o be… opening a laundry. Of course, given his slimes, this is not as big a jump as you might expect. The result is that the book is… pretty good but dull.

We don’t get the laundry till the end of the book, so for the most part this book involves Ryoma finding odd things to do with his ever increasing pile of slimes. He’s learning new magic, so that he can store them better and also teleport. He’s clearing abandoned mines of minor monster hordes, along with the occasional worse than expected monster horde. And he is getting involved in fights between a bunch of bully adventurers and the kids they’re taking advantage of… which not only leads Ryoma to kick their ass and make sure they’re punished, but also makes him realize that this sort of thing is exactly NOT what he wants to do. And that he’s not happy with this side of himself. So a laundry, given how hard it is to get monster guts off of clothing in this world, sounds fantastic.

This last part is the most interesting part of the book. Ryoma gets really pissed off when he sees the bullying adventurers, enough that it gets a color page. Given Ryoma’s default mood has been ‘stoic’, this merely involves escalating to ‘glower’, but it’s a start. That said, I really liked his attempts at self-analysis after the event – they make sense to him, but also feel a bit wrong to the reader and to everyone else around him. He decides to be “more independent” by breaking off with the duke’s family, convinced that being with them would “spoil” him. Honestly, I agree more with everyone that he tells this to: I think he needs more exposure to others, not less. He’s easily pegged as someone who will never ask for help. Even the Gods, when he prays to them and goes for a visit (remember the title), inform him that he’s not just a 40-old guy in an 11-year-old body – his emotional state is matching up with his age in THIS world. It’s a great conceit that’s the best part of the book.

That said, the REST of the book is a lot of monster hunts, slimes, and everyone praising Ryoma for being awesome… in other words, standard light novel. That said, I’m very interested to see where this goes nest.

In Another World with My Smartphone, Vol. 19

by

By Patora Fuyuhara and Eiji Usatsuka. Released in Japan as “Isekai wa Smartphone to Tomo ni” by HJ Novels. Released in North America by J-Novel Club. Translated by Andrew Hodgson.

It’s never a good sign when people keep asking why you’re still reading that series as you tweet about it, but that’s what’s been happening for me with this Smartphone, which seems to have worn out its welcome for everyone but the most hardcore of fans. It’s not a bad question, why do I read it? Especially given the beginning of the book, a reprehensible pile of crap that involves getting a unicorn horn, slutshaming the entire female cast while ALSO having them insist they’re all virgins, and finally ending with a “ha ha, he was gangraped by men and now he’s gay” joke. I recommend just skipping the whole chapter. After this, thankfully, it does improve, and indeed it feels like the author may have been told to wrap this up soon, as we’re resolving one of the remaining storylines, as everyone in the world, including Touya and his fiancees, battle the wicked god and the wicked Phrase that has allied with it.

The fiancees are getting a bit impatient, wanting to actually get married, but Touya has decided not to do that till the whole “evil from another world coming and killing people and destroying their souls” thing is dealt with. The first half of the book involves preparations for this, including the aforementioned horrible scene. They slowly purify the world with the help of a “puretree” (no worries, fans, this tree is a virgin too) and, unexpectedly, help from Luna Trieste, the Himiko Toga of Smartphone, who thankfully gets locked away for the rest of the book. The second half of the book is the battle against the Mutant Phrases, evil normal Phrases, the evil NEET god, and Yula, the Phrase who set this ball rolling in the first place. Even more unfortunately, Touya gets sealed off in a pocket dimension away from the battle. Can our heroes win without their OP husband-to-be?

Credit where credit is due, the plan that Touya has to counteract this sort of attack is very clever indeed, and I was impressed. It also helps that he tells Yula about the plan with a line that is so cheesy you cannot help but laugh out loud. I like this series when it’s being big dumb. That said, surrounding it is a lot of the same old same old. There are mecha battles, there are guns being fired, there are near misses… and, in the end, Touya does actually save the day. I mean, it’s his series. Aside from the battles, which do take up a good 2/3 of the book, we get Touya becoming more comfortable with being a god (which is why his initial attacks didn’t work well – he was too attached to humanity) and getting more comfortable with actual love and affection (he’s snuggling his fiancees without even turning red!).

So in the end, this is another volume of In Another World with My Smartphone. It has crappy and offensive rape jokes, but on the bright side, Touya doesn’t commit genocide here. If you’re reading it, keep going, you know what you’re getting. If you haven’t read the series but you’re thinking of reading it, Christ, no.

Manga the Week of 5/20/20

by , , , and 1 Comment

SEAN: STILL no sign of land. How long is it?

Cross Infinite World has seen which way the trends are blowing and is here for you with The Weakest Manga Villainess Wants Her Freedom!. A light novel about a girl who discovers she’s been reincarnated into her favorite game as the weakest boss villain who dies early and everyone mocks after her death. Yeah, she’s not sticking around for that. She’s outta here! If you can’t wait for more Bakarina or I Refuse to Be Your Enemy, this should tide you over.

ASH: Definitely on trend there, but it sounds like it could be fun.

SEAN: Ghost Ship has Saki the Succubus Hungers Tonight 2 in print.

J-Novel Club has three novels: Banner of the Stars 3, Bibliophile Princess 2, and Campfire Cooking in Another World 6.

Kodansha’s website says we’re getting digital-first versions of Fairy Tail: 100 Years Quest 4, Knight of the Ice 2 (postponed from this week), Saiyuki 2, The Seven Deadly Sins 38, and Something’s Wrong With Us 2. I’m assuming they will hit other retail sites soon.

MICHELLE: Hm. I’m looking forward to more of Something’s Wrong with Us!

SEAN: Digital-only titles do seem to be up on other retail sites. There’s Cosplay Animal 12, Dolly Kill Kill 2, GE: Good Ending 5, I’ll Win You Over, Senpai! 4, Kakushigoto: My Dad’s Secret Ambition 3, Space Brothers 36, That Blue Summer 5, and Yozakura Quartet 26.

MICHELLE: I am really enjoying I’ll Win You Over, Senpai!, somewhat to my surprise.

SEAN: One Peace says that it has The Reprise of the Spear Hero’s 2nd manga volume out next week. As with other small publishers in these COVID times, actual shipment dates may vary.

Seven Seas has early digital releases for A Certain Scientific Railgun: Astral Buddy 3, New Game! 9, and Species Domain 8.

Vertical’s digital releases are now part of Kodansha’s, so I missed that CITY 8 came out digitally this week. By that logic, we should see Please Don’t Bully Me, Miss Nagotoro 3 next week.

Viz has the debut of the week, and it’s a big one. Ping Pong is an old series from Taiyo Matsumoto that ran in Big Comic Spirits back in the 1990s, and Viz is releasing it in two 500-page tomes. If you liked Sunny, or Tekkon Kinkreet, or what little we got of Number Five, you have to check this out. And yes, it really is about ping pong, it’s not a metaphor or something.

MICHELLE: I am so here for this.

ANNA: Me too, that sounds amazing.

ASH: Yes! I have been pining for a release of this series ever since Matsumoto was at TCAF back in 2013. I am so happy to finally get my hands on this.

MJ: I love that you had to explain that, though. “It really is about ping pong.”

SEAN: The other debut is The Kingdom of the Gods, which inspired a Netflix series called Kingdom. It’s a manwha, seems to be complete in one volume, and has a cover that looks terrifying.

ASH: I’ll be checking this one out! I’ve heard great things about the adaptation, so I’m curious about the original.

MJ: I’m always interested in manwha.

SEAN: Also from Viz: Beastars 6, Hell’s Paradise: Jigokuraku 2, Levius/est 4, No Guns Life 5, Ran and the Gray World 7 (the final volume), Urusei Yatsura omnibus 6, and The Way of the Househusband 3.

MICHELLE: Some good stuff here! I really need to catch up on BEASTARS.

ASH: It’s gone in some directions that I really didn’t expect, but I’ve certainly been enjoying the series. I liked the first volume of Hell’s Paradise, too, and I’m looking forward to more of The Way of the Househusband, as well!

SEAN: Are you planning to eat your manga? Or just read it?

The Hero Is Overpowered But Overly Cautious, Vol. 3

by

By Light Tuchihi and Saori Toyota. Released in Japan as “Kono Yuusha Ga Ore TUEEE Kuse Ni Shinchou Sugiru” by Kadokawa Books. Released in North America by Yen On. Translated by Matt Rutsohn.

Though they share few similarities except for being comedies, I was reminded quite a bit of My Next Life As a Villainess while reading this 3rd volume of a series that was clearly designed to be two volumes long. Bakarina struggled for several volumes to try to find a way forward, and this volume of Cautious Hero does the same. That said, Cautious Hero has a lot more to walk back; at the end of the second volume Rista has been told who she is, and who Seiya is, and their destiny. Even better, when Seiya is called forth as a hero once more at the start of this book, he remembers what happened, and seems to actually return Rista’s feelings! Sure, they have to save the world, but he’s powerful, she’s a goddess, they’re in love, it’s great, right? Wrong. No one is reading the series for that. And so, sure enough, by the middle of the book, love has been trodden on and Seiya is using Rista as a comedic punching bag again. Know what your audience wants.

Those who read the first two books, or saw the anime (popular enough to get the two leads a cameo in Isekai Quartet’s second season) will be surprised at the cover art, showing a grinning, not-at-all-cautious Seiya charging forward. It’s the start of a long line of bad things happening to Rista. An enemy hits Seiya with an amnesia stat, meaning he’s back to his old reckless personality… and his love for Rista has gone down. Then, after more plot stuff happens, he loses the amnesia and is back to being Seiya… but thinks of Rista as an annoying weed. Yes, we’re back to baseline there. Honestly, it’s probably for the best, as this world is, as promised, much worse than the previous one. Humanity is not only enslaved but eaten, and the beastmen rule supreme. Seiya has to rescue the slaves in the old town they used to be fron, then he has to infiltrate the palace guard and take on the lion-headed big bad, Grandleon.

Does the book succeed at walking everything back? Partly, I’d say. Some of Seiya’s treatment of Rista, while horrible, does cross the line into funny, particularly his use of her as a periscope. The reader is, I think, meant to infer that his feelings for her are not rock bottom but that he’s faking that stat… but if so, he’s really good at it – even the old Queen at the end takes back her “he loves you deep down” speech after he’s appalling once more. Where the book does succeed, as always, is with Rista, who does not remember her life as Tiana, but that doesn’t stop it emotionally affecting her, particularly when she finds Tiana’s mother held prisoner and being tortured. Rista’s frustration and resolve waver constantly throughout the book, but at the end, her honest exhortation to Seiya actually gets through to him and makes him do the right thing. It was nice to see.

Of course the world’s not saved yet, and even stronger bad guys are on the way. Fans of this series had better be prepared for more of what the anime did best – comedy slapstick violence. That said, there’s enough character development in Rista to make this a series still well worth reading.

Daytime Shooting Star, Vol 6

by

Daytime Shooting Star Volume 6 by Mika Yamamori

As this series continues, I grow more and more conflicted because heroine Suzume is such a sweet girl, I want her to get everything she wants. Unfortunately the main thing she wants is her teacher Shishio, and as he progresses in dropping some boundaries he was not even all that great at maintaining before, I find him more and more unappealing as a romantic prospect for Suzume. As I tend to do in k-dramas, I’m now firmly rooting for the second lead guy, Suzume’s classmate Mamura. I’m still drawn in by Daytime Shooting Star’s combination of stylish art and teen soap opera plot. As a bonus, Mamura is on the cover of this volume.

In this volume, Suzume and Shishio continue to capture some stolen moments here and there, but she’s often frustrated that she can’t deepen her relationship with him, and she’s continually reminded of the need for distance. She gives him a birthday present that she earned the money for with her part-time job. She attempts to make him a lunch, but sees him turning down food from another student. Throughout all of these interactions Mamura hovers in the background either quietly observing or forcing himself to eat some of Suzume’s first attempts at rice balls. Mamura continues to be a good friend, even when Suzume finds herself stood up by Shishio when he’s tied up with work on Christmas. A little bit of awareness seems to be settling in with Suzume as she realizes that she can be herself around Mamura after spending more time with him. Shishio seems to be losing his grip on his professional ethics, so I’m growing concerned about that, and the fact that Suzume’s uncle is extremely clueless about this developing situation between one of his best friends and his niece.

I have to admit I’m impatient to see how all the slowly building romance in Daytime Shooting Star will pan out. There’s a bit of a train wreck quality to this manga, seeing a young girl invest in the possibility of a romantic relationship that doesn’t seem like it will work, but I’m hoping that Mamura’s flashes of insight and his evolution from a boy who could barely talk to a girl to a young man who will gallantly bestow a scarf on a girl when she’s cold will pan out somehow. Go Mamura!

Combatants Will Be Dispatched!, Vol. 3

by

By Natsume Akimoto and Kakao Lanthanum. Released in Japan as “Sentouin, Hakenshimasu!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Noboru Akimoto.

It can be hard reviewing these books because, much as I’m still finding them funny, there’s not as much to say about them that I haven’t said in my previous two reviews. The characters were reused and combined into the characters we love from KonoSuba – Snow is the most obvious, but in this book it really becomes apparent that if Wiz was a lot more pathetic she’d be Grimm from this series. The author is making a slight effort to try to give the characters depth – mostly with Grimm here, but a bit with Six as well. But it can be hard when you also have to fulfill a certain quota of over the top humor. Combatants is slave to its joke plot and characters, in a way that the author hasn’t quite figured out how to escape. They will in KonoSuba, but this isn’t that. So we’re left with the jokes. Which are excellent… provided you have sympathy for no one and don’t mind things getting quite crass.

Our heroes… sorry, our villains are busy trying to build an enemy base from which they can fulfill their plans to take over this world. Sadly, the bases keep blowing up. Not only that, the very world itself seems out to get them, as they’re attacked by monsters, sandstorms, and can’t even burn down the forest without it coming back to take revenge. In amongst this chaos, the kingdom is having its annual Undead Festival, where the souls of those departed are… put into stuffed animals via Grimm, and wander around helping loved ones to move on. Trust me when I say this is played for laughs, not heartstrings. Unfortunately, some of the undead don’t seem to be peacefully mingling. And a former enemy, killed by Six, may be taking advantage of the Festival to stage a comeback. Can our heroes be horrible enough to win this time? Oh, no sweat.

Grimm is the heroine of this volume, though as with Alice before her, that doesn’t mean she gets all the focus. She does get an attempt at actual depth, though, as we see how dedicated she is to her archbishop job, and she truly does want to help the undead to move on (sadly, this usually also involves sending HERSELF to the next life as well). Six even notes if she were the nice helpful archbishop rather than the desperate man-hungry woman, she’d have a husband by now. As for Six, well, he’s terrible as always, but he manages to be topped by another agent here, Ten, whose own tendencies towards gross and petty evil are far worse than what Six has been doing, and lead to the biggest “oh my God” moment in the book, involving doing something in the Princess’ room. Snow is also entertaining, though as the series goes on she’s shifted from “mostly Darkness with a bit of Aqua” to “Mostly Aqua with a bit of Darkness”. And Rose deciding “Screw it, I’m gonna be a pet dog for this book” is fantastic.

So again, this book is not recommended to anyone who wants warm fuzzies. But if you like your humor along the Beavis and Butthead end of the spectrum, Six and friends are here to entertain you.

Isekai Rebuilding Project, Vol. 2

by

By Yukika Minamino and Kotokan. Released in Japan as “Isekai Saiken Keikaku” by Legend Novels. Released in North America by J-Novel Club. Translated by Adam Seacord.

I admit I was a bit worried about this one. The first book relied a heck of a lot on the really good twist near the end, and I also did not want to end up having a ‘loop’-style redo of the previous book. Fortunately, my worries proved to be mistaken. The ‘let’s fix the beriberi’ plot is still around, but rapidly takes a backseat to ‘let’s battle the monsters who are somehow far more well organized’ plot, which frankly is a lot more interesting. As for the twist no longer applying, much to my surprise it makes the book a lot better, because with context what was a somewhat annoying and frustrating relationship turns into something really fantastic. The book still suffers a bit from dry prose, and the new twist about 3/4 through this book is somewhat uncomfortable, but I suspect it’s designed to be that way. Put it all together, and you have a volume that manages to avoid a sophomore slump. Plus, that cover art!

Our hero Eiji, when we last saw him, had died. We briefly see how things went after he died in that world, and get the revelation that Tiamat is actually his fiancee from Japan, and he then asks to go back and try again. He ends up back at the “would you like to come to the castle and be poisoned?” part of the book, and this time says no. This works out well, and eventually the King comes to him begging for their help in fixing the beriberi. While it’s not fixed by any means, they get enough of a start to have our main group move on to another country – because it’s not just this one country that has issues. Noura is a seaport, but before they can settle in they have to deal with the huge monster horde attacking it. A very… organized monster horde. It’s almost as if the enemy has someone on their side who’s been transported from another world.

The new villain here is a high school girl, which is less surprising than the revelations from the first volume. What’s worse, she’s also come from an abused family, something that Tiamat reluctantly uses against her to stop her simply killing Eiji. I admit I’m not really sure where the book is going with the character of Rio Kodama, but it was refreshing to hear a discussion of abused children and the impact it has on their lives and emotions. It feels like something a third volume would expand on. More to the point, and much to my surprise, the banter between Eiji and Tiamat, which I honestly found a bit annoying in the first book, has transformed now that we – and Eiji – know who she is, and their banter is far more affectionate and fun. (There are still plenty of otaku references I just didn’t get, however). Their relationship is now the highlight of the book.

This looks like it’s going to wrap up in a third volume, judging by the webnovel contents, but that 3rd novel is not announced yet in Japan. Till then, though, this is a decent second volume which manages to improve on the first mostly through its main couple and their flirting. Even if one is a dragon.