Features

Manga the Week of 9/3

August 28, 2014 by Sean Gaffney, Ash Brown, Anna N, MJ and Michelle Smith 6 Comments

SEAN: Remember when I whined about so many titles coming out in August? Yeah, September is just as bad if not worse. Didn’t the manga boom end? Here’s what’s out the first week:

Dark Horse gives us the 2nd volume of the New, Modern-day Lone Wolf… no, wait, it’s the New Lone Wolf & Cub, but it’s still an old samurai manga. The lone wolf himself is new, though.

Gen Manga has the first volume of a series called Kamen, a word with much history in Japanese manga.

ASH: This is actually a new edition of a volume that was originally released in 2012 in preparation for the release of the rest of the series.

SEAN: If I say ‘ordinary middle school girl meets a god’ are you excited? No? Well, Noragami has that premise, but it’s apparently quite a coveted title, from the artists who brought you Alive, if you recall that old abandoned Del Rey series. Kodansha has Vol. 1 next week.

ASH: I got my hands on an early copy of Noragami and rather enjoyed it. I’m looking forward to reading more of the series.

ANNA: Hmm, I am a little curious about this.

MJ: Same.

MICHELLE: I recall hearing good things about Alive while it was ongoing, so consider me intrigued.

SEAN: The 2nd volume of Knight’s Knowledge, an Ace entry in the Country of Hearts series, is out. I thought vol. 1 was pretty good in showing that everyone just doesn’t gave in to the love interest of the arc. Hopefully it continues to interest.

ANNA: I need to pick up the first volume! Ace is my favorite. I also have no sense of direction and murderous urges.

SEAN: A Centaur’s Life has its fourth volume, and I think introduces us to a new cast member. My suspicion is this volume may deal with racism in a fantasy sort of way.

ASH: That it may.

SEAN: Mayo Chiki has its seventh and final volume, and further deponent sayeth not.

There’s also another volume of the 2nd part of the Zero’s Familiar series, Chevalier.

What Did You Eat Yesterday? has another volume of food and Shiro driving me crazy.

ANNA: I’m so happy this is being released in English! I am happy with every volume that comes out!

ASH: It makes me happy, too!

MJ: Hurray! Just when I thought this abundant week might not really have much for me… this is enough!

MICHELLE: Commence happy dance!

SEAN: Viz has a pile of releases, and a goodly number of them are omnibuses. Bleach, Naruto, and Dragon Ball all have 3-in-1 omnibuses for you to play catch up with.

Library Wars: Love & War had a fantastic action-packed 11th volume. Can this 12th volume keep things going? And will there be actual romantic progress?

ASH: I’m pretty sure I enjoy this series more than I should, but I can’t help it!

ANNA: I have read this volume and it features librarians kissing!!!!!

ASH: Oh, most excellent!

MICHELLE: Library Wars really has grown on me. I’m looking forward to this!

SEAN: Midnight Secretary comes to an end with the 7th volume. If you enjoyed it, no worries; Spell of Desire by the same author is out from Viz now. No vampires (yet), but it does have witches!

ANNA: This was a good conclusion to the series, and the bonus story included in this volume titled “Midnight Butler,” with a gender swapped couple consisting of a female vampire and human man is quite amusing.

MICHELLE: Spell of Desire also has kitties!

SEAN: Nisekoi has introduced a new antagonist to its harem, so I’m sure this 5th volume will be devoted to softening her antagonism a bit.

One Piece reaches its 72nd volume. 72! Will Luffy continue to advance in the tournament, or get distracted by shiny objects?

Phantom Thief Jeanne had quite a cliffhanger at the end of its third volume, and I suspect that a good chunk of the 4th will involve picking up the pieces.

ANNA: I don’t always greet reissues with glee, but this series more than deserves to be in print.

MJ: Clearly, I need to give this some attention.

MICHELLE: MJ, if there were ever an Arina Tanemura series you would love, I think this is the one. But seriously also read One Piece! :)

SEAN: A word of warning to those of weak constitutions: the 4th Ranma 1/2 omnibus introduces us to Happosai. Yes, I’m sad as well, but sometimes life just hands you lemons that you can’t even make lemonade from.

Seraph of the End has its second volume, and it’s probably not a good sign that I’m having trouble remembering what happened in the first already.

ANNA: I thought the first volume was intriguing and am looking forward to the second volume.

SEAN: Skip Beat! has reached Vol. 33, and it’s starting to creep up on the ‘longest running shojo manga in North America’ title.

ANNA: Skip Beat! is another favorite of mine. I’m also currently obsessed with the live action drama series based on the title.

MICHELLE: *happy sigh* Does Boys Over Flowers hold the title currently? That had 37 volumes, if you count Jewelry Box. Also, HOW DID I NOT KNOW THERE WAS A LIVE ACTION DRAMA SERIES?!

SEAN: For fans of Blue Exorcist, Viz has a short story collection from its author called Time Killers, collecting various one-shots done before she became a household word.

ASH: I’m looking forward to checking this one out.

ANNA: Me too!

MJ: I’m interested, I’m interested.

SEAN: Lastly, and I still don’t have anything to say about it, there’s the 6th volume of Yu-Gi-Oh 5Ds.

What kind of September are you trying to remember?

Manga Giveaway: Nana Giveaway

August 27, 2014 by Ash Brown

It’s that time again! Time for Experiments in Manga’s monthly manga giveaway! This month everyone will have a chance to win the first volume of Ai Yazawa’s fantastic series Nana as published by Viz Media. The series may not be finished, and it might never be, but it’s still well worth reading. The first volume actually stands very well on its own, too. As always, this giveaway is open worldwide!

Many, many years ago, before Experiments in Manga even existed, I read the first volume of Ai Yazawa’s Nana. I enjoyed it well enough, but didn’t initially get around to reading much beyond that. However, I kept seeing other people write about the series, expressing their love for the manga. And so a couple of years ago I decided to try reading the series again. And it floored me. (In a good way.) Who knows why at first Nana didn’t grab me? Maybe it was just bad timing, or maybe I was in a bad mood the day I read it. But I’m so glad that I gave the series a second look–it’s a tremendous work deserving all of the praise that has been bestowed upon it. Nana isn’t the only series that I’ve had a similar experience with. Take CLAMP’s X, for another example. I didn’t like the first volume at all, but gave the series a second chance when Viz began to release the beautiful omnibus edition. For whatever reason, the second time around X hooked me. Granted, in the case of X, it’s one of those manga that’s so bad it’s good as opposed to something like Nana which is just damn good.

So, you may be wondering, how can you win a copy of Nana, Volume 1?

1) Have you ever given a particular manga or series a second chance? If so, tell me about your experience in the comments below. If not, simply mention that and tell me why.
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

There you have it! Each person can earn up to two entries for this giveaway and has one week to submit comments. If you prefer or have trouble with the comment form, entries may also be sent via e-mail to phoenixterran(at)gmail(dot)com. (The entry will then be posted in your name.) The giveaway winner will be randomly selected and announced on September 3, 2014. Best of luck!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Nana Giveaway Winner

My Week in Manga: August 18-August 24, 2014

August 25, 2014 by Ash Brown

My News and Reviews

Last week–last Monday, to be exact–Experiments in Manga celebrated its fourth anniversary. I’ve taken to writing what usually ends up being a rather lengthy anniversary post every year in which I reflect on the past three-hundred-sixty-five days, and this year was no different. I also posted a review last week of The World of the Shining Prince: Court Life in Ancient Japan, Ivan Morris’ classic study of Heian-era Japan and The Tale of Genji. The work was originally published in 1964 and it’s still a great read. Finally, for something a little different, I posted a Spotlight on Masaichi Mukaide who, in the late 1970s, became one of the first Japanese comics artists to be released in English. I rather enjoyed investigating this bit of comics history; I hope other people find it interesting as well.

While working on my random musings about Masaichi Mukaide, I discovered that the three short manga currently believed to be the earliest manga to have been translated into English (Akasegawa Genpei’s “Sakura Illustrated,” Shirato Sampei’s “Red Eyes,” and Tsuge Yoshiharu’s “The Stopcock”) are available online to read digitally. Another interesting piece of reading that I came across last week was Ryan Holmberg’s article on manga, art history, and Seiichi Hayashi at The Comics Journal. Elsewhere online, Sean at A Case Suitable for Treatment looks at some of the latest offerings from Crunchyroll Manga and Justin at Organization Anti-Social Geniuses was able to get some of the manga publishers to weigh in on their approaches to the last pages of manga volumes.

Quick Takes

Food Wars!: Shokugeki no Soma, Volume 1 written by Yuto Tsukuda and illustrated by Shun Saeki. Soma Yukihira wants nothing more than to surpass his father in the kitchen, but his goal of becoming the ultimate chef becomes a little more difficult when his father closes up the family restaurant for three years. In the meantime, Soma is expected to transfer into the most elite and competitive culinary school in Japan. The other students aren’t very welcoming of the son of a low-end family restaurant, so it’s entirely up to the arrogant and uncouth Soma to prove that his cooking is just as impressive as their high-class cuisine. Overall, the artwork in Food Wars is great. The illustrations of the food in particular are incredibly sumptuous. And then there are the reaction shots–those who taste Soma’s cooking often fall into nearly orgasmic ecstasy which is accompanied by highly sexualized imagery. This does include such things as young women being molested by tentacles, which will certainly not appeal to every reader. Personally, I was for the most part rather amused by the ridiculous levels and absurdity of the occasional fanservice.

The Prince of Tennis, Volumes 1-7 by Takeshi Konomi. While recently reading The Princess of Tennis, a memoir written by one of Konomi’s assistants, I came to the realization that I had never actually read any of The Prince of Tennis. The series is one of the most successful and popular sports manga in Japan, growing into a fairly substantial franchise. The Prince of Tennis is an oddly addictive series–I tore through the first seven volumes very quickly–but to some extent it’s also a bit frustrating. There is virtually no story or character development, simply game after game of tennis and middle school trash talk. Some of the most important games, the ones that actually impact the characters’ growth (what little there is) happen almost entirely off-page. All of the players are very strong to begin with, so there hasn’t been much evolution in their performance or skill levels, either. But the various games are interesting and entertaining, if a little over-the-top. There are a lot of good-looking characters of various types, too, which is probably a large part of the series’ appeal. I’m not in a rush to read more, but I did enjoy the first seven volumes.

Random Musings: Spotlight on Masaichi Mukaide

August 22, 2014 by Ash Brown

Star Reach #7

While reading Comics: A Global History, 1968 to the Present, I encountered a single sentence that particularly caught my attention: “Star Reach was also notable for printing the first Japanese comics to be translated into English, two short pieces by Masaichi Mukaide; the style displayed was not characteristically Japanese, however, and failed to ignite any further interest in importing manga for the time being.”

Masaichi Mukaide. Though at that point I was unfamiliar with Star Reach, I was pretty sure that I had come across Mukaide’s name somewhere before. And so I decided to investigate.

Star Reach was an influential independent American comics anthology that focused on science fiction and fantasy stories. Mike Friedrich, who was once an editor and writer at both DC Comics and Marvel, established his own press in order publish Star Reach, which began in 1974. In 1978, he also started to release Star Reach‘s sister publication Imagine. At one point or another, both of those magazines included short works by Mukaide. Some of the comics were entirely his own creation while others were collaborations with different writers, both Japanese and American–notably Lee Marrs and Steven Grant. The first of Mukaide’s comics to appear in English, “The Bushi,” was written by Satoshi Hirota and was published in the seventh issue of Star Reach January 1977.

In an interview with Friedrich included in the Star Reach Companion, Richard Arndt asked how it came about that Star Reach published the first manga to appear in America. Friedrich replied:

I’ve never met the Japanese artist I published, although we did present a fair amount of his work. Oddly enough, he’s not a comic book artist in Japan. He was basically a fan artist over there. He could not make his living as an artist in Japan because his work was considered too American! If you look at it now, it was probably the first combination of manga and American comics. His work didn’t quite fit anywhere. But, yeah, there’s a book, Manga! Manga!, which certifies that the first appearance of manga in the United States was in Star Reach. I had no idea that was true.

Well, it turns out that technically isn’t true–Ryan Sands has noted that a 1971 issue of Concerned Theatre Japan included three short manga in translation–but for all intents and purposes, Mukaide’s work was the first exposure that the average comics reader in the United States had to manga.

Try as I might, I’ve been unable to find very much information about Mukaide himself. The best clue that I’ve discovered comes from Friedrich’s editor’s note accompanying Star Reach #18, the magazine’s final issue:

A friend of Masaichi Mukaide dropped by the other day and I found out a bit more about our distant Japanese contributor. He’s a law school graduate who opted out of a legal career to enter the publishing world and keep up his art. His wife is also an artist, working on the local comics (I believe I was told).

However, that’s not the last that was seen of Mukaide in English. Sometime between 1980 and 1982 a volume simply called Manga was released. (ISBN 4946427015 for those who are interested in trying to track down a copy.) This collection is the reason that Mukaide’s name seemed familiar to me–his comic, “The Promise,” concludes the volume. He was also the editor of the collection. Looking more closely at Manga‘s credits, there are also some other names that I now recognize: Friedrich served as the consulting editor, Hirota was the associate editor, and Marrs was a contributing writer.

Manga was one of the first collections deliberately crafted in order to introduce Japanese comics to Western audiences: “Our purpose in publishing Manga is to give the non-Japanese reading public a visual taste of Japan and the creative talents that exist there. Nothing would give us greater pleasure, however, if in doing so we are able to boost the cultural understanding in the west about Japan.”

“The Bushi”

As already mentioned, the first work by Mukaide to appear in English was “The Bushi,” which was written by Satoshi Hirota. Were it not for the historical Japanese setting, there is very little to indicate that the creators themselves were also Japanese. Mukaide’s artwork is not all that different from many of the other comics found in Star Reach. The story is set during the tumultuous time between the age of myth and legends and the age of humans. A young warrior confronts and battles with a demon, seeking revenge for the slaughter of his family, only to become a demon himself.

“The Spider Thread” is based on the well-known short story “The Spider’s Thread” written by Ryūnosuke Akutagawa in 1918. In it, a sinner is given the chance to escape hell because he once saved the life of a spider–the only good deed that he ever committed. However, Mukaide gives his own little twist to the tale at the end of the comic. Considering the seriousness and drama of the story–it almost entirely takes place among the tortured souls in hell–the final panel is surprisingly humorous, turning the comic into a joke. “The Spider Thread” also contains what is probably my favorite single page composed by Mukaide.

Mukaide’s first collaboration with writer Lee Marrs, “The Awakening of Tamaki,” was apparently intended to be the start of a series which would follow the trials of a young woman named Tamaki. After her family is killed, Tamaki is raised in seclusion by her sole-surviving uncle. When he dies as well she must make her own way in the world, disguised as a boy for the sake of her safety. Thanks to her uncle’s training, Tamaki is an excellent swordswoman with exceptional moral strength. As far as I know, there were never any more installments in the series, which is a shame; I really liked the comic.

“The Spider Thread”

“The Mission” was Mukaide’s second collaboration with Marrs. Whereas I was very fond of “The Awakening of Tamaki,” “The Mission” is probably my least favorite of Mukaide’s comics in English. It seems like it should be a something that I would enjoy, but it just didn’t grab me. Despite the numerous twists and turns the story takes within its few pages, despite the lies and betrayals, despite the quick pace and all of the action and fighting, for some reason “The Mission” simply strikes me as somewhat generic ninja adventure. Ninja doesn’t even have a name; he’s just Ninja.

When compared to the rest of Mukaide’s English-language comics, the two-paged “Salvation” stands out because the artwork and story is so simple. Backgrounds are almost nonexistent and the shading and detail of the illustrations are limited as well. The story follows a drunkard who keeps getting kicked out of drinking establishments. He causes a panic by claiming that a doomsday flood is coming in order to sneak back into the bars after everyone else has fled. It’s an amusing and silly short comic that, like most of Mukaide’s other comics, has a bit of a twist at the end.

“The Soldier Who Guards the Gate of the City Freedom” is another two-paged comic by Mukaide, although it is more of a historical allegory instead of a humorous gag like “Salvation.” A young soldier, a man of honor, has the lonely duty of guarding the city gates. He does so willingly, though the eventual enemy attack is a long time in coming. Mukaide’s emphasis on the soldier’s loneliness is the key to the impact of the brief comic. The steady passage of time, too, is important. Mukaide captures this through the use of a very regular progression of narrow panels which are all of the exact same size.

“Crashing,” which was written by Steven Grant, is the only example of Mukaide’s work in the genre of science fiction. All of his other comics published in English are historical in nature, generally with touches of the fantastic. Mukaide’s artwork in “Crashing” is not at all dissimilar to American science fiction comics of the era. It’s a somewhat confusing story, but this is exceedingly appropriate as the comic’s protagonist has gone insane. Mukaide’s artwork supports this as well–the illustrations can be somewhat hallucinogenic and the page layouts are often fragmented.

“The Awakening of Tamaki”

“The Promise,” the last of Mukaide’s comics to be translated, is his rendition of the legend of the Yuki-onna, or the Snow Woman. Lafcadio Hearn’s telling of the story in Kwaidan is probably the version with which English-language audiences are most familiar. Mukaide’s tale incorporates many of the same elements as Hearn’s, but he adds his own touches as well. “The Promise” also shares some similarities with “The Bushi,” especially in style, although “The Promise” tends to be stronger overall. However, the two comics bookend Mukaide’s excursion into English particularly nicely because of their parallels.

After that, Mukaide seems to disappear. I have no idea what happened to him or if he’s even still creating comics. Perhaps he went back to working in law. Either way, a small corpus of Mukaide’s comics released in English in the late 1970s and early 1980s does exist. What particularly strikes me about these works are the changes and adjustments that he makes to his art style and page layouts to better suit each story being told. Although each comic is definitely its own work, there are some common elements as well. For example, his narratives and artwork frequently draw inspiration from traditional stories, tales, and legends. Interestingly, although many of his comics take place within a vaguely historical Japanese setting, he does not exclusively limit himself to Japanese sources. Instead, Mukaide’s work blends together both Eastern and Western influences, which seems oddly fitting for one of the first Japanese comics creators to be released in English.

Masaichi Mukaide Bibliography

“The Awakening of Tamaki” written by Lee Marrs and illustrated by Masaichi Mukaide (Imagine #4, October 1978)
“The Bushi” written by Satoshi Hirota and illustrated by Masaichi Mukaide (Star Reach #7, January 1977)
“Crashing” written by Steven Grant and illustrated by Masaichi Mukaide (Star Reach #18, October 1979)
“The Mission” written by Lee Marrs and illustrated by Masaichi Mukaide (Star Reach #15, December 1978)
“The Promise” written and illustrated by Masaichi Mukaide (Manga, 1980/1982?)
“Salvation” written and illustrated by Masaichi Mukaide (Imagine #6, June 1979)
“The Soldier Who Guards the Gate of the City Freedom” written and illustrated by Masaichi Mukaide (Star Reach #18, October 1979)
“The Spider Thread” written and illustrated by Masaichi Mukaide (Imagine #3, July 1978)

“Salvation”

Further Reading
Comics: A Global History, 1968 to the Present by Dan Mazur and Alexander Danner
Early Manga: A Chronology by Ryan Sands
Incredible First-Ever Manga Translated in 1971 by Ryan Sands
Manga and Mega Comics by Jason Thompson
Manga in the USA by Michael Toole
My Life is Choked with Comics #19a: Manga by Joe McCulloch
My Life is Choked with Comics #19b: Manga by Joe McCulloch
Star Reach Companion by Richard Arndt

Manga the Week of 8/27

August 21, 2014 by Sean Gaffney, Michelle Smith, Ash Brown and Anna N Leave a Comment

SEAN: The final week of this brutal August, at least before we arrive at a brutal September with just as many books. Yen for once is being fairly quiet, but that’s all right, Kodansha’s here to pitch in.

Dark Horse brings us the 6th Blood Blockade Battlefront, blocked out by the brigand who brought us Brigun!… OK, Trigun. That sort of fell apart at the end there.

MICHELLE: *snerk*

SEAN: There is also the Hatsune Miku Unofficial Hatsune Mix, a manga compilation about the Vocaloid personality.

Kodansha gives us the 13th Attack on Titan volume, which delves further into Historia’s background, and brings the action back to the Town – for better and worse.

Cage of Eden 15 will no doubt continue its descent into the pyramid of EVIL.

No. 8 is up to Vol. 6… um, I mean No. 6 is up to Vol. 8… guh. Ash, take over.

ASH: Indeed! No. 6 has reached its eighth, and penultimate volume. Also, as a bonus, Kodansha has included a 16-page color illustration gallery in this volume as a thanks to readers for supporting the series.

SEAN: Sankarea is also up to Vol. 8, and continues to try to answer the question “will this romantic harem comedy end with everyone brutally slaughtered?” Actually, that could apply to Cage of Eden as well.

No murders in Say “I Love You” yet, but plenty of teenage trauma and dealing with budding sexualities. Will things get lighter in Vol. 3?

MICHELLE: I look forward to finding out!

ANNA: Me too! this is the only manga I have my eye on this week, which should theoretically give me a chance to catch up with the many piles of unread manga I have stashed around my house.

SEAN: And The Wallflower 33, whose volume arrives a lot faster than 32, and yes, is still coming out in Japan with no signs of ending soon.

Vertical has the 3rd Cardfight!! Vanguard, in which I assume there will be fighting. With cards. And excessive punctuation.

Yen On brings us the second volume of the Sword Art Online novels. This does not pick up after the end of the first novel, but doubles back to introduce a few more regulars and tell some Aincrad short stories.

Fanservice Overload #1: the 7th volume of BTOOOM!, which still has people to blow up and cleavage to show off.

Fanservice Overload #2: The 2nd High School DxD, where a harem continues to form. Which, given this is a harem manga, is as it should be.

A brief interlude with the penultimate volume of the Melancholy of Haruhi Suzumiya manga. The novel is awaiting a new volume from its writer-blocked author, so the manga ends with Vol. 20 while we see if there will be any more. This, however, is merely Vol. 19, so expect a lot of Sasaki.

Fanservice Overload #3: Triage X Volume 7, which… what the hell is even HAPPENING on that cover?

MICHELLE: Yeah, these fanservice titles are so not for me.

SEAN: Will you be getting fanservice next week? (And honestly, Cage of Eden should be in there as well.) If not, what will you be checking out?

My Week in Manga: August 11-August 17, 2014

August 18, 2014 by Ash Brown

My News and Reviews

So, as I briefly mentioned in my anniversary post this morning, my partners and I very recently became parents. We all ended up spending most of last week at the hospital; needless to say I was a bit preoccupied. But everyone is happy, healthy, and at home now, so everything’s good. Thankfully, I already had a couple of posts typed up and ready to go. Otherwise, it would have been a very quiet week here at Experiments in Manga since I didn’t get much reading or writing done at all. (For some reason.)

Anyway, I did somehow manage to post two reviews last week! First up was Denise Schroeder’s wonderful, delightful, and charming short comic Before You Go. The review is the latest installment in my Year of Yuri monthly manga review project, which focuses on manga and other comics with lesbian and yuri elements. Also reviewed last week was Jamie Lynn Lano’s memoir The Princess of Tennis: My Year Working in Japan As an Assistant Manga Artist. It’s a very interesting and informative book about the manga industry and Japan. The book can currently be purchased through Sparkler Monthly’s Distro program.

Despite being rather busy last week, I did come across a few things online that made for interesting reading. At Manga Connection, Manjiorin wraps up her Swan review project. The fourth Manga Studies column at Comics forum has been posted, focusing on Ishiko Junzō and gekiga. Joe McCulloch has a piece on the early work of Ryōichi Ikegami at The Comics Journal. Mangabrog has a translation of a conversation between Usamaru Furuya and Inio Asano. Also highly recommended is Comics Alliance’s interview with Vertical’s Ed Chavez.

Quick Takes

Gangsta, Volume 3 by Kohske. As can probably be inferred from the cover, much of the third volume of Gangsta delves into the pasts of Nic and Worick, how they met, and their somewhat complicated relationship with each other. In the process more is revealed about the history of Ergastulum and the Twilights, too. Gangsta is a very violent series. Even when Nic and Worick were young they found themselves surrounded by death in a harsh environment of political turmoil. In the case of Nic, he was being kept by a mercenary group hired to act as bodyguards to Worick’s family; he’s done plenty of killing of his own. He apparently has always been somewhat terrifying. The beginnings of Nic and Worick’s exceptionally close connection are seen in this volume. Neither of them come from a good family situation, both of them are seen as socially unacceptable (Nic because he’s a Twilight, Worick because he’s a bastard son), and both of them are physically abused by those who should care about them. Though they get off to a rough start, the two broken young men are able to find some solace in each other’s company. Nic and Worick fascinate me; I’m glad to have gotten more of their backstory in the third volume. I’ve enjoyed Gangsta from the very beginning and continue to do so.

Love Full of Scars by Psyche Delico. Okay. So, Love Full of Scars is a collection of utterly ridiculous and absurd boys’ love stories. The over-the-top humor certainly won’t be to every reader’s taste, but I loved the volume. Though I largely enjoyed all of the short manga included in Love Full of Scars, my favorite was probably the titular story. (It also happens to be the longest, with several chapters devoted to it and side stories of its own.) Kanda is a high school punk who has a crush on Uesaka, the school’s biggest badass. The problem is that every time Kanda tries to confess his feelings, he ends up picking a fight instead. Fortunately, Uesaka is able to see through all of Kanda’s posing. They’re both delinquents so more often than not communicating with their fists and punching each other in the face helps them to solve their differences. The sex in Love Full of Scars, when and if it actually happens, usually ends up being rather awkward and incredibly earnest at the same time. The stories in the collection generally avoid the stereotypical seme/uke dynamics of the boys’ love genre. There is also a bit of a fixation on facial and body hair. And, well, pubic hair, too, for that matter. (Granted, that’s mostly for the sake of gag.) The manga is rough, rude, and raunchy, but I found it to be highly amusing and entertaining.

Tonari no Seki-kun: The Master of Killing Time directed by Yūji Mutoh. The anime adaptation of Takuma Morishige’s manga series My Neighbor Seki had completely slipped under my radar until Vertical announced that it had licensed the manga. My curiosity was piqued, so I decided to watch the anime while waiting for the manga to be released. The anime was an absolute delight; I wish there was more! I’m definitely looking forward to reading the manga next year. The premise of the series is disarmingly simple. Yokoi and Seki sit next to each other in the back of their high school classroom. But instead of studying, Seki occupies himself at his desk in all sorts of ways, messing around with erasers, shogi pieces, knitting, and so on. The scenarios are actually all very imaginative, creative, and elaborate. Try as she might, Yokoi can’t help but be caught up whatever it is Seki is doing, so she doesn’t get much studying done, either. The anime is much more entertaining than I’ve probably made it sound. Each episode is under eight minutes and they are all very funny. There is very little dialogue in the series. Instead, the narrative relies very heavily on Yokoi’s internal monologue. Yokoi’s voice actress, Kana Hanazawa, does a fantastic job with the role–she is exceptionally dynamic and expressive.

Manga the Week of 8/20

August 14, 2014 by Sean Gaffney, Ash Brown, Anna N, MJ and Michelle Smith 1 Comment

SEAN: There’s a little something for everyone in the third week of August, so let’s see what demographics we can scrounge up.

First off, it’s not out in bookstores yet, but Fantagraphics has shipped its 7th volume of Wandering Son to its Kickstarter backers. It’s still a must-read for anyone who likes good manga about real characters, as well as being a top-notch coming of age story.

ASH: I love this series so much. I can’t wait to read my copy.

ANNA: I need to get caught up on this! I really liked the first couple volumes.

MJ: I love this series with the fire of a thousand suns. I honestly can’t wait.

SEAN: Kodansha brings us the second volume of Attack on Titan: Before the Fall, the adaptation of the light novel about times way back when there was still quite a bit of defense separating humanity from its Titan opponents. Not that humanity really comes off well here, at least in Vol. 1.

ASH: Before the Fall has its own brand of Attack on Titan darkness. I’m looking forward to reading the original novel later this year, too.

SEAN: Kodansha is also debuting The Heroic Legend of Arslan, a manga adaptation by Hiromu Arakawa of the novel series by Yoshiki Tanaka. From what I understand, it’s not so much high fantasy as low to medium fantasy, but it’s being drawn by Arakawa, so I’m totally on board.

MICHELLE: Me, too!

ASH: As am I!

ANNA: This sounds intriguing! More Arakawa can only be a good thing!

MJ: Count me in!

SEAN: There’s also the first omnibus release of Tsubasa: Reservoir Chronicle. I’ve made my opinion of the last half of this series quite clear in the past, so I will simply note that the FIRST half of this series is quite good indeed, and that fans who don’t mind manga that end in car crashes should absolutely check it out, if only for Kurogane and Fai.

MJ: I’m happy to see this getting a re-release!

SEAN: Seven Seas has a trio of releases geared towards the fanboy end of the spectrum. The one I’m interested in is the eighth volume of Haganai. If you were to ask me if there was a reason to get it, I would have to say: nun. (whack) Ow.

There’s also the 4th volume of monster hit Monster Musume, showing why I do not run manga companies.

ASH: Seven Seas recently announced the licensing of another manga by the creator of Monster Musume, so the series has apparently been doing quite well.

SEAN: And Strike Witches debuts a new miniseries with Vol. 1 of the 1937 Fuso Sea Incident. This incident appears, as far as I can tell, to be fictional, and should have more combat sequences than we’ve seen in prior volumes.

Vertical has the 11th volume of Chi’s Sweet Home, star of manga, anime, and TV commercials. I hope Chi isn’t letting it go to her head.

MICHELLE: Yay, Chi! I have my coworker’s young daughter addicted to this one.

ASH: A new volume of Chi is always a good reason to celebrate.

MJ: You really can’t have too much Chi.

SEAN: Ikki may have stopped publication, but SigIkki lives on (I think – it may get rebranded) with the 13th volume of Dorohedoro. Dorohedoro easily wins the longest running Ikki series published over here, and I am infinitely grateful to Viz for its release.

ASH: I would like to join you in expressing my gratitude. Dorohedoro is such a marvelously weird manga and I love it.

SEAN: There’s also the 3rd volume of Gangsta, which still makes me think of Black Lagoon too much but is starting to carve out its own niche in the ‘cool people attack each other by leaping into the air’ genre.

ASH: I’ve really been enjoying this series and am looking forward to the next installment.

ANNA: I enjoy this series very much too. Artsy seinen fighting and angst is fun.

SEAN: Lastly, the Kaze Hikaru of seinen, it’s Vol. 10 of Ikigami: The Ultimate Limit! This is the final volume, so we won’t be seeing its once a year likes again. With this and Bokurano: Ours ending next month, the genre of ‘incredibly depressing manga about optimism in humanity’ needs a new standard bearer. Who’ll take it up?

MICHELLE: I’ve been wondering when Ikigami would end, and whether, with that obligation finishing up, VIZ might give that yearly slot to another volume of Kaze Hikaru. That would rock so much. I do intend to finish Bokurano: Ours sometime, but I have to muster the mental fortitude.

SEAN: Does something here appeal to you? If not, why not?

My Week in Manga: August 4-August 10, 2014

August 11, 2014 by Ash Brown

My News and Reviews

There were two reviews at Experiments in Manga last week in addition to the announcement of the Mecha Manga Giveaway Winner, which also includes a list of some of the mecha manga that has been licensed in English at one point or another. (Considering how many have been released in English, it’s not a comprehensive list. Instead it focuses on some favorites.) As for the reviews, I recently read Fuyumi Ono’s The Twelve Kingdoms, Volume 4: Skies of Dawn. Sadly, this was the last volume in the series to be translated into English. The Twelve Kingdoms is a great series of fantasy novels, all of which are worth tracking down. Keeping with last week’s unintentional theme of reviewing fourth volumes of epic series, I also took a look at Vinland Saga, Omnibus 4 by Makoto Yukimura. Vinland Saga is one of my favorite manga series currently being released and this volume hasn’t changed that.

The phenomenal Sparkler Monthly is currently running a membership drive for its second year, and there are some fantastic incentives. I highly recommend checking the project out and contributing if you’re able. Lori at Manga Xanadu has a nice post looking back at the first year of Sparkler Monthly and looking forward to Sparkler Monthly Year Two. For some of my own reviews and random musings on the excellent content being released by Sparkler Monthly, check out the Chromatic Press tag. (Actually, I’ll be posting a review of Denise Schroeder’s Before You Go later this week, too.)

Elsewhere online, ICv2 has a two-part interview with Viz Media’s Leyla Aker and Kevin Hamric looking at What’s Selling, Where, and Why as well as focusing On Specific Products and Programs. Justin at Organization Anti-Social Geniuses has a fun post about The Curious Case of Last Pages For US Manga Editions. Also, Mangabrog has translated some of Takehiko Inoue’s interviews from back when Vagabond was on hiatus.

Quick Takes

Black Rose Alice, Volume 1 by Setona Mizushiro. I’ll admit, even though I have enjoyed the other manga by Mizushiro that I have read and despite the very good things that I’ve heard about Black Rose Alice, I was still a little hesitant to read the series. Mostly because I’ve become a little weary, and therefore wary, of vampire stories. But the vampires in Black Rose Alice are so different that I’m actually hesitant to even call them vampires. Either way, the first volume was phenomenal. It’s creepy and disconcerting, tragic and chilling. Dimitri is a rising star, an operatic tenor with a beautiful voice and a handsome face who is astounded when a stranger tells him he is to blame for a sudden wave of suicides. The deaths in the story have tremendous emotional impact, which is particularly impressive since the characters have just been introduced. The characterization in Black Rose Alice is excellent, especially that of Dimitri, and the artwork is lovely and atmospheric. I am a little sad to see early 20th-century Vienna already left behind as a setting in exchange for modern-day Tokyo, but I’m very curious to see where the story goes from here. I’ll definitely be picking up more of Black Rose Alice.

Blank Slate, Volumes 1-2 by Aya Kanno. I first read Blank Slate several years ago and recall really liking it. Upon rereading, it’s honestly not as good as I remember it being, though the art is pretty great. Even considering the flaws in its execution, I actually still really like the series. Apparently the story that Kanno originally planned was much longer and more complicated. Quite a few things changed plot-wise as well as character-wise when she shortened the series; the transition isn’t as smooth as it could have been. Blank Slate would have benefited from at least another volume or two so that all of the backstory that’s crammed into the second volume could have been more fully developed. Though in its way it is thrilling, there are so many plot twists and major reveals towards the series’ end that it’s almost absurd. Some of the characters are shown to be so different from who they were when they were first introduced that it’s almost difficult to believe the changes, but that does make their betrayals rather effective. And I do like that the completely amoral and nearly emotionless Zen, the series lead, remains a villain throughout despite a tragic past that is supposed to make him more sympathetic.

How to Be Happy by Eleanor Davis. I wasn’t previously familiar with Davis’ work, but after experiencing How to Be Happy I certainly want to read more of it. How to Be Happy is a collection of her short comics, some no longer than a page. Though her black and white illustrations are effective, Davis’ color work is especially striking. She exhibits a wide variety of styles in How to Be Happy, evoking a number of different moods. However, all of the comics come across as being at least a little surreal. Many, perhaps most, of the stories tend towards the melancholy and somber, but others have an underlying and almost hidden sense of humor and joy. As Davis points out in her author’s note, the book actually isn’t about how to be happy. And yet, I found reading the volume to be a wonderfully cathartic and thought-provoking experience. I would even go as far as to call it inspiring. Though she often employees fantastical elements, what Davis really seems to be doing in How to Be Happy is exploring the nature of life and reality through her short narratives. How to Be Happy is a beautiful, strange, and wondrous collection and one that I can definitely see myself returning to again.

Midaresomenishi: A Tale of Samurai Love by Kazuma Kodaka. Although Midaresomenishi is self-described as a romantic epic, there’s not very much at all that is romantic about this boys’ love manga. Instead it’s an extremely dark tale with a focus on violence, sexual and otherwise. Truly terrible things happen in it. Blood, death, and sadism take precedence over affection and love. There is very little happiness to be found in Midaresomenishi, and what little there is is fleeting. Shirou is a young samurai who takes great pleasure in killing, but that is nothing in comparison to the joy that Sougetsu, a powerful and decadent master of bandits, takes in sexually dominating others. In order to protect the life of his younger brother Fujimura, Shirou allows himself to be subjugated by Sougetsu. What he doesn’t realize is that while Fujimura is alive, he has become a sexual plaything for Sougetsu’s underlings. There actually is some doomed love and strong familial bonds in Midaresomenishi, but for the most part the manga’s focus is on the more unpleasant relationships. Midaresomenishi doesn’t work for me as a love story, there’s simply too much force and coercion, but as a violent tragedy it is fairly successful.

Manga the Week of 8/13

August 7, 2014 by Sean Gaffney, Ash Brown, Michelle Smith, Anna N and MJ Leave a Comment

SEAN: If there was a quiet week in August, next week would be it, with a mere nine titles.

Dark Horse has the 2nd of its Samurai Executioner omnibii, for those who can’t get enough of samurai, manliness, and manly samurai.

ASH: Surprisingly enough, I haven’t actually read any of Samurai Executioner. This would probably be a good time to change that.

SEAN: Kodansha gives us a double shot of Hiro Mashima, with the 41st volume of Fairy Tail (which starts a new arc) and the 2nd volume of Monster Soul (which wraps up).

SubLime has an entry, as the 5th volume of Crimson Spell is out. Listen to them. Crimson. Pff. It’s f**king Red. (Sorry, got caught up in the meme there.)

ASH: Speaking of getting caught up, I believe the fifth volume means we’ve caught up with Japan, too.

SEAN: Vertical has the 5th volume of Wolfsmund, whose cover may not be red but whose contents I expect will at least have a bit of blood.

ASH: I suspect that you’re right.

SEAN: Viz has recently said that Deadman Wonderland is its breakout hit of the last year, so it will please people no end that Vol. 4 is out. Also, clearly this means we need more license rescues. (Kidding, kidding…)

MICHELLE: I never kid about license rescues! Of course, whatever momentum the TOKYOPOP series that I most love(d) had is probably long-dissipated by now, but I can continue to hope that one day, I’ll get to read Silver Diamond in English in its entirety.

ANNA: I am pausing a moment to contemplate the lack of an ending in English for Shinobi Life, Demon Sacred, and Sky Blue Shore.

SEAN: We also have the 12th volume of Itsuwaribito, which I still haven’t really read. Anyone?

The 12th volume of Loveless will no doubt generate a bit more excitement from my other Manga Bookshelf colleagues.

ASH: I’m looking forward to it!

MICHELLE: I am positively asquee!

MJ: Okay, yeah, I’m in the middle of production week, but I have to take at least a moment here to say: LOVELESS!!! <3 Oh, happy day.

SEAN: Lastly, we get a 7th volume of the Arabian Nights series Magi, which I enjoy quite a bit.

MICHELLE: I vow that I will finally get caught back up with Magi!

SEAN: Getting something here? Or catching up with the week before?

My Week in Manga: July 28-August 3, 2014

August 4, 2014 by Ash Brown

My News and Reviews

Another week, another few posts at Experiments in Manga. First up was my most recent manga giveaway. Tell me about your favorite mecha manga (if you have one) for a chance to win the first volume of Mohiro Kito’s Bokurano: Ours. (The winner will be announced on Wednesday, so there’s still time to send in comments!) The first in-depth manga review of August went to In Clothes Called Fat, the most recent manga by Moyoco Anno to have been released in English. I honestly believe it to be one of the best comics of the year. (Well, at least out of those that I’ve read so far.) I also posted July’s Bookshelf Overload over the weekend for those of you who are interested in the manga that I purchase or otherwise receive over the course of a month.

Elsewhere online, Sparkler Monthly is celebrating its first year of publication by offering a free sampler download that includes the first chapter of all of its series–prose, comics, and audio dramas. Deb Aoki has a nice overview of some of the manga happenings at this years San Diego Comic Con over at Publishers Weekly. Jamie Coville has also posted audio for some of the SDCC panels, including a few focusing on manga. (Actually, there are a ton of manga related files on that page from past comic events, too.)

August 1 was 801 Day (aka Yaoi or Boys’ Love Day), and though probably not technically related the most recent Manga Studies column at Comics Forum focused boys’ love research in Japan. (Did you know that Guin Saga‘s Kurimoto Kaoru was also a BL author, editor, and scholar? Now you do!) There have been a few new Fujojocast episodes posted recently, including one specifically for 801 Day. I found episode seven, Give what’s due to Saezuru, which talks about translation, adaptation, and frustrations over publishers’ quality and quality control to be especially interesting. SuBLime made a “new” license announcement–it has gained the digital rights to couple of series that were previously print-only. The announcement is particularly noteworthy because it seems to indicate that SuBLime was able to do this because the Japanese publishers are beginning to trust that fans won’t abuse digital downloads.

Quick Takes

Cowboy Bebop, Volumes 1-3 written by Hajime Yatate and illustrated by Yutaka Nanten. Of the two Cowboy Bebop manga that were released (Cowboy Bebop: Shooting Star being the other), Nanten’s series is the one that is most similar to the anime. This makes a fair amount of sense considering that both the anime and the Cowboy Bebop manga were written by the same group of creators, whereas Shooting Star was really its own thing. The Cowboy Bebop manga is closer in tone to the anime’s more humorous episodes, though there is some seriousness as well. The overarching plot dealing with Spike’s feud with Vicious is largely missing, however the other character’s backstories are all filled in a little bit more. The manga, like the much of the anime, is generally episodic. Most of the stories wouldn’t have been too out-of-place with the anime itself, though for the most part I didn’t find them to be as strong as their televised counterparts. The manga will likely appeal most to those who have seen the anime and would like a chance to spend some additional time with the characters; the manga feels like bonus material and deleted scenes rather than anything substantial.

Deadlock, Volume 1 written by Saki Aida and illustrated by Yuh Takashina. Though technically a boys’ love series, not much has happened in the way of romance after the first volume of Deadlock. However, there is a good deal of plot to be found, and I think that it’s a more interesting manga because of that. Yuto Lennix is a drug investigator who was framed for the murder of his best friend and partner. Incarcerated in the Californian state prison system, he has been given the chance to reduce his sentence by helping the FBI to determine the identity of terrorist leader who is believed to be a fellow inmate. That of course is assuming he doesn’t get himself killed first. It’s a somewhat idealized version of prison–everyone is very good-looking for one–but the portrayal of the racial tensions within the system is surprisingly realistic and generally avoids using stereotypes. So far, Deadlock has a fairly large cast. The social dynamics between the prisoners are a very important part of the manga as Yuto learns his place in the hierarchy while he carries out his investigation. Deadlock is currently an ongoing series; I sincerely hope that future volumes will be licensed when they’re released as well.

Madara, Volumes 1-5 written by Eiji Otsuka and illustrated by Shou Tajima. Apparently, Madara was one of CMX’s debut manga. I’ve been discovering some fantastic series from CMX. Sadly, Madara is not one of them. I initially became interested in the series because the creators are also responsible for the extraordinarily dark and graphic MPD-Psycho. The premise of Madara also appealed to me–a young man prophesied to be king fighting demons to restore the body that his father tried to destroy–but that’s probably because it’s so similar to Osamu Tezuka’s Dororo. Except that Dororo is actually good. Madara comes across as a fairly generic sword-and-sorcery RPG more than anything else. (The series actually did go on to inspire several video games, and even an anime.) It also seems as though Otsuka and Tajima are just making things up as they go. There’s not much of an ending, either. Small glimmers of Tajima’s stunning art style (which I love) can be seen, especially towards the end of the series, but the illustrations in Madara are tragically lacking in comparison. Granted, it is a much earlier series. Here’s a fun fact about Madara, though: the series was created in a left-to-right format.

Sonny Leads, Volume 1 written by Richard Mosdell and illustrated by Genshi Kamobayashi. Sonny Leads holds a black belt in karate but he’s unsatisfied with his progress and so has come to Japan to further his training. Unfortunately, he doesn’t know as much as he thinks he does, and he’s in for a bit of a culture shock, too. Both Mosdell and Kamobayashi are karateka and instructors. Their knowledge of and passion for karate definitely comes through in Sonny Leads. I especially like Kamobayashi’s artwork. Particular attention is given to the proper and realistic presentation of karate forms and stances as well as to more subtle details like the appearance of the knuckles developed and used for punches and strikes. As with most of Manga University’s publications, there’s also a strong educational element present in Sonny Leads–it’s possible to learn a bit of Japanese language and culture while reading it. A very interesting essay about high school karate clubs as well as a directory to the various karate organizations in Japan are also included in the volume. I’m not sure that Sonny Leads will have much general appeal, but as a karateka myself I’d be curious to see more of the series.

Manga the Week of 8/6

July 31, 2014 by Sean Gaffney, Anna N, Ash Brown, Michelle Smith and MJ 5 Comments

SEAN: There is so much manga out in August it beggars belief. Over 50 different titles in the month. And the first week is the biggest. So buckle up.

ANNA: I can see myself undergoing some major psychological trauma trying to choose between titles for Pick of the Week.

SEAN: Dark Horse has nearly wrapped up Oh My Goddess, but it’s not there yet, so here’s Vol. 46.

There’s also the 4th Trigun Maximum omnibus, for those who want to be confused by the artwork over longer periods of time.

Seven Seas has the July title I discussed earlier, D-Frag! On the August end, so far so good, as we have a couple titles there as well. Alice in the Country of Joker: Nightmare Trilogy intrigues me, mostly as I wonder if we’ll see Joker, who hasn’t ventured much outside his one book.

There’s the third Dragonar Academy, which is a thing that exists.

There’s also a new series debuting, Kokoro Connect. As with D-Frag!, I’ve heard this is better than it sounds, and look forward to seeing how it stretches its basic high school comedy with the twist that is at the heart of its plot.

ASH: I’m actually rather curious about this one.

SEAN: And there’s another Witch Buster omnibus, for the manwha inclined.

Speaking of Manga-ish things, Udon Entertainment have out the first of their “Manga Classics” adaptations, in this case Pride & Prejudice and Les Miserables. The artists seem to be Chinese (I think?), but the style is certainly pure shoujo. I’ll be interested to see how compressed these adaptations are.

Vertical hits double digits with the 10th volume of Knights of Sidonia, which hopefully will not end with a third straight cliffhanger putting Izana in danger.

MICHELLE: I really will catch up with Knights of Sidonia, I swear!

ASH: Poor, poor Izana. Hang in there, you’re my favorite!

ANNA: I need to catch up too, it is a great series!

MJ: Yay! That’s all I have to say.

SEAN: Hope you like Viz! Let’s start with the first of three debuts this week, the shoujo horror title Black Rose Alice. I understand it has vampires!

MICHELLE: I’m looking forward to this one! It’s by the creator of After School Nightmare.

ASH: Me, too! I’m a little burned out on vampires, but I’m making an exception for Black Rose Alice.

ANNA: I have read this and the vampires in Black Rose Alice are very different from the vampires people may be used to. As much as I love goofy vampire romance manga, I really enjoyed the surreal and odd elements of this title.

MJ: I’m very much looking forward to this, mainly on the strength of After School Nightmare, which is a long-time favorite of mine.

SEAN: Bleach hits Vol. 61, and I don’t think has had real vampires yet, though I’m sure we’ve seen the equivalent somewhere in its Rogue’s Gallery.

It was 2012 when we saw the last D.Gray-Man that wasn’t an omnibus. Rejoice! Vol. 24 is here!

I reviewed the first volume of Food Wars! when it came out digitally, noting the fanservice was appalling but the basic plot as quite fun. The print volume releases this week.

ASH: I’ve been waiting for the print release to give this one a try.

SEAN: The 7th Happy Marriage?! continues to test the validity of that title.

ANNA: Yay, more josei!

SEAN: And the third High School Debut 3-in-1 omnibus is more pure shoujo fun in a bargain package.

MICHELLE: Read it, y’all!

ANNA: I love this series, especially the fact that the hero Yoh always looks chronically sleep deprived.

SEAN: The Excel Saga of shoujo, Kaze Hikaru, has its annual volume release! This is an awesome series that deserves more love, so I hope everyone goes out and buys it, if only so we can see it more than once a year.

MICHELLE: I concur 3,000%.

ASH: Kaze Hikaru is a great series.

ANNA: In a perfect world it would come out quarterly and dominate the manga best sellers list. It is wonderful.

SEAN: Nura: Rise of the Yokai Clan gets ready for its final arc as Vol. 22 arrives.

Yet another series that’s been a long while since a volume, Rosario x Vampire II gets lucky Vol. 13.

The last of our debuts this week is Spell of Desire. Midnight Secretary ends next month, so I suppose it’s a perfect time to bring in a new josei series by the same author (heavily disguised as shoujo).

MICHELLE: I liked the first volume of Spell of Desire more than I expected to. Maybe because the hunky guy is kind to kittens.

ANNA: I am delighted by this series, and the hilarious contrivance that results in the male lead having to make out with an innocent witch in order to control her magic.

SEAN: Toriko’s Vol. 23 continues to see our four young heroes pitted against deadly, world-destroying monsters. Also, there’s food.

Lastly, the 6th Voice Over: Seiyu Academy makes us wonder if we’ll ever get back to the supposed hero of the series.

Is this too much manga? Or not enough?

ASH: Never enough! (Also, never enough money…)

Manga Giveaway: Mecha Manga Giveaway (Bokurano)

July 30, 2014 by Ash Brown

It’s the end of the month and therefore the start of another manga giveaway here at Experiments in Manga! For July’s giveaway you all have a chance to win the first volume in Mohiro Kito’s manga series Bokurano: Ours as published by Viz Media. As always, the giveaway is open worldwide!

I don’t know what it is about mecha manga and anime. For some bizarre reason, I never think that I’m going to like it, but I almost always end up enjoying what I pick up. Maybe my reluctance comes from the feeling that there’s just so much of it, giving the impression that the genre has been overdone and is lacking in originality. That’s a somewhat unfair train of thought on my part. Most well-established genres have the problem where a great deal of the media just isn’t very good or particularly notable, but they all have their gems.

Anyway. I recently started reading Mohiro Kito’s Bokurano: Ours, Volume 1, which is one of the more unusual mecha stories that I’ve come across. Granted, I haven’t gotten very far into the series yet, but I am liking its dark atmosphere and prominent psychological elements. Plus, it ran in IKKI, a magazine that publishes some manga that I really love. (And which sadly recently announced that it will be suspending publication in September.)

So, you may be wondering, how can you win a copy of Bokurano: Ours, Volume 1?

1) In the comments below, tell me a little about your favorite mecha manga, if you have one. (Never read mecha? Simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And there it is! Each person can earn up to two entries for this giveaway. As usual, everyone has one week to submit comments. If you prefer or have trouble with the comment form, entries may also be submitted via e-mail to phoenixterran(at)gmail(dot)com. (I will then post the entry in your name.) The giveaway winner will be randomly selected and announced on August 6, 2014. Good luck to you all!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Mecha Manga Giveaway Winner

My Week in Manga: July 21-July 27, 2014

July 28, 2014 by Ash Brown

My News and Reviews

It wasn’t entirely intentional, but last week Experiments in Manga ended up being full of Vertical reviews. (And by full, I mean that two reviews were posted.) The first was of Fumi Yoshinaga’s gay slice-of-life and food manga What Did You Eat Yesterday?, Volume 3. With each volume that is released, I fall in love with the series a little more. I also reviewed Yoshikazu Yasuhiko’s Mobile Suit Gundam: The Origin, Volume 6: To War which continues to delve into the pasts of the characters and the war between the Earth Federation and the Principality of Zeon. The volume also features Char quite a bit. (I’ll admit, that made me happy.)

Elsewhere online, The Lobster Dance posted the seventh and final part of “Revealing and Concealing Identities: Cross-Dressing in Anime and Manga.” Kathryn Hemmann, the co-author, has a nice roundup and summary of the multi-part essay, and Leah has some final comments of her own as well. San Diego Comic Con was last week, which means the winners of the 2014 Eisner Awards were named (spoilers: Osamu Tezuka and Hayao Miyazaki were honored) and new manga licenses from Drawn & Quarterly, Kodansha Comics, and Udon Entertainment were announced. Also, the list from the Best & Worst Manga panel has been posted, with more commentary on the choices planned to be posted at a later date.

Quick Takes

9 Faces of Love by Wann. As can probably be gathered from its title, 9 Faces of Love is a collection of nine short manhwa dealing with themes of love and the meaning of love. 9 Faces of Love is the second volume in Netcomics’ Manhwa Novella Collection series which is meant to feature short works by prominent Korean creators. I hadn’t previously read any of Wann’s works, but I’d definitely be interested in reading more; I really enjoyed 9 Faces of Love. It’s an excellent collection of short manhwa selected from Wann’s work between 1998 and 2005. Most of the stories deal with romantic love, but a few of them also deal with friendship and familial love. I initially picked up the volume for the android story “Automaton,” which happily ended up being quite good. While they deal with similar themes, there is a nice variety to the stories in 9 Faces of Love. Many incorporate science fiction, fantasy, or horror elements while others are more firmly grounded in reality. Some are sweet, some are sad, and some are actually somewhat disconcerting.

All You Need is Kill adapted by Nick Mamatas, illustrated by Lee Ferguson and Fajar Buana. A few years ago I read Hiroshi Sakurazaka’s All You Need Is Kill light novel and greatly enjoyed it. So I was rather curious when Haikasoru announced a graphic novel adaptation, the release conveniently timed to coincide with the Hollywood film adaptation Edge of Tomorrow. (Granted, I was much more interested in Takeshi Obata’s All You Need Is Kill manga which has now also been licensed.) Sadly, I was rather disappointed with the graphic novel. I’m not sure that anyone who hasn’t read the original would be able to follow the comic very easily or make sense of the importance of some of the scenes that were included. For example, I loved the umeboshi eating contest in the novel, but in the comic it’s difficult to realize that that’s what’s going on or why it matters. Romantic elements are introduced at the end more as an afterthought in an effort to neatly tie things together, but it’s a little too late by that point. For the most part the artwork was decent, but the battle suit design left something to be desired. I did like the color palette used, though. My copy of the graphic novel also had a printing error. At least I’m assuming it was an error—one of the signatures was repeated. Though, I suppose that does emphasize the plot’s time loop.

Crimson Wind by Duo Brand. A follow-up to White Guardian, Crimson Wind starts out as a sequel but really ends up being more of a prequel. The majority of the manga explores the backstories of General Sei and Baron Touri and their relationship with each other. Except for his attractive character design, I didn’t like Touri much at all in White Guardian and I like him even less in Crimson Wind. He’s a rapist and possessive, resorting to drugging the object of his desire when coercion and force isn’t enough to get what he wants. It’s not at all romantic even though Sei ends up falling for him. Most of the court intrigue and politics that made White Guardian interesting have been dropped in Crimson Spell; only the dubious love story remains. I would have much rather have seen the tale of how Sei became disillusioned and unhappy with the kingdom he pledged his life to protect. I may not have enjoyed the main story of Crimson Wind, however I really liked the short side story “Never Ever” which concludes the volume and features two completely different character who actually care for and respect each other.

Showa: A History of Japan, 1939-1944 by Shigeru Mizuki. With this volume of Showa: A History of Japan the manga begins to cover history that I’m a little more familiar with—the Pacific War. While the factual recounting of the events that led up to the war and the war itself is well told, what makes the series particularly engaging is the incorporation of Mizuki’s own experiences as a student and eventually as a drafted soldier during the time period. The artwork in Showa: A History of Japan easily slips between photorealism and more stylized drawings to very good effect. Mizuki’s illustrations of naval and sea battles are particularly impressive and he uses some very interesting two-page layouts for many of them. He conveys the reality of war but doesn’t glorify it or the numerous deaths, treating the combatants of both sides of the conflict with respect. Mizuki’s Eisner-winning, semi-autobiographical Onward Towards Our Noble Deaths (also available from Drawn & Quarterly), which deals with a similar time period and story, makes an excellent companion to this volume of Showa: A History of Japan.

Terra Formars, Volume 1 written by Yu Sasuga and illustrated by Ken-ichi Tachibana. I have a peculiar love for Mars, and so when a manga has anything to do with the planet, however slight, it immediately catches my attention. I was looking forward to Terra Formars and really liked its basic premise. Efforts to terraform Mars using moss and cockroaches over hundreds of years has largely been successful, but now humans have a bit of a bug problem to deal with seeing as the cockroaches have evolved into a sentient race. Genetic experimentation has also allowed human and insect DNA to be combined, creating humans with bug-inspired superpowers. (Admittedly ridiculous, but kind of cool.) Terra Formars is an extremely violent and action-heavy manga requiring a tremendous amount of suspension of disbelief from it readers. There were parts of the manga that I loved, like the fight sequence paired with biblical verses about locusts. However, I really dislike the design of the cockroaches (inspired by Homo erectus), and not just because they’re unintentionally reminiscent of racist caricatures. They seem more mammalian than insectoid and feel out-of-place art-wise. At this point I’m torn over the series, but I’ll probably give it another volume or two to see what direction it takes.

Gin Tama, Episodes 50-74 directed by Shinji Takamatsu. It’s been a while since I’ve watched any of the Gin Tama anime, but I do like the series. I was in the mood for some absurd humor and antics, and so ended up binging on the first half of the second season. Like the manga which it more-or-less follows, the anime is mostly episodic. Occasionally there will be a set of episodes that form a larger story arc, but generally once someone is familiar with the characters and recurring jokes it doesn’t much matter in which order the anime is watched. Gin Tama is a series rife with parodies of and references to other pop culture media. (Mostly but not exclusively Japanese pop culture.) I’ve always been highly amused by Gin Tama, but the more manga that I read and the more anime that I watch the more of references I catch and appreciate. My interest in Japanese history has come in handy, too, since there are plenty of nods to historical figures and events in Gin Tama as well. For a comedy series, at times Gin Tama can also be surprisingly touching.

Manga the Week of 7/30

July 24, 2014 by Sean Gaffney, Ash Brown, Michelle Smith, MJ and Anna N Leave a Comment

SEAN: A 5th week of the month is usually sparse, but we do have a few interesting things due out at the tail end of July.

Gen Manga offers you a choice of Indie Manga. Either you will think that One Is Enough, or perhaps you’d rather be with an Anomal. Choose wisely. (They do both look intriguing.)

ASH: You’re making me choose between boys’ love and yokai?! Sean, now that’s just mean.

MICHELLE: Wow, it occurs to me I haven’t read any boys’ love in ages.

MJ: Same here, and this needs to be rectified.

SEAN: If you prefer your manga a little more insane soap opera-ish, Kodansha gives you the 8th Missions of Love volume.

ASH: I’ll admit to actually enjoying Missions of Love. So much drama!

SEAN: They also have the third My Little Monster manga, where the heroine will no doubt stick to her promise to herself not to get involved with love. Aheh.

MICHELLE: This is the one thing from this week that I’ll definitely be picking up.

SEAN: And there’s also the 4th volume of Vinland Saga, which I suspect may get a lot of people excited, because Vikings make everything better.

ASH: I’m excited!! Vinland Saga is easily my favorite series being released by Kodansha at the moment.

ANNA: Vinland Saga is great. This reminds me that I need to read the copy of volume 3 that I’ve been saving for a day when I need to read about violence and Vikings.

SEAN: Seven Seas has been having a bad July in terms of ship dates. I mentioned Devils and Realist 2 earlier this month, it’s actually been moved back to next week.

ANNA: The first volume was pretty good. I’m curious to see if the main joke in the book gets a bit repetitive in the second volume.

SEAN: Lastly, Vertical has the 5th volume of sci-fi thriller From the New World.

What manga goes best with hot dogs and sauerkraut?

My Week in Manga: July 14-July 20, 2014

July 21, 2014 by Ash Brown

My News and Reviews

Two reviews were posted at Experiments in Manga last week, one of a manga and one not. The first review was part of my Year of Yuri monthly review project. I took a look at Milk Morinaga’s Gakuen Polizi, Volume 1, which is quite different from her other work currently available in English. The first volume at least is less of a romance and more of a buddy cop story, but it’s still fairly entertaining. (She does promise that more of the drama in the second volume will be romance-related and less crime-related, though.)

My second review last week was of Tokyo Demons, Book 2: Add a little Chaos, a novel written by Lianne Sentar with illustrations by Rem. In case it isn’t clear from the review, I absolutely adore Tokyo Demons. It can get pretty dark and heavy, but it’s a fantastic series. The second volume should be available as an ebook later this month and the print edition is currently scheduled for release in October. (Tokyo Demons is one of Chromatic Press and flagship series, so in the meantime it can also be read online at Sparkler Monthly.)

Once again I wasn’t actually online much last week, but I did catch a few things that other people may be interested in: Over at Comics Forum, Martin de la Iglesia writes about Early manga translations in the West. Kate at Reverse Thieves explains How the Library Became My Go-to Place for Manga and Comics. (I posted a bit about finding manga at the library a little while back, too.) And on Twitter, manga scholar and translator Matt Thorn hints that a project with Moto Hagio is in the works. Let’s hope so!

Quick Takes

Honey Darling by Norikazu Akira. After reading and enjoying Beast & Feast I decided to track down more manga by Akira available in English. This led me to picking up Honey Darling. The manga isn’t the most realistic or believable, but it is cute, delightful, funny, and very sweet. Chihiro is a young man without any real goals in his life until he takes in a stray kitten. When Shiro falls ill, Chihiro ends up working as the live-in housekeeper for Kumazawa, the vet who treats her, and helping out in the animal clinic. Honey Darling has a lot going for it: nice art, a sense of humor, adorable cats and dogs, amusing and ttractive leads, likeable side characters (including women!), and so on. Ultimately Honey Darling is a boys’ love manga, though. As might be expected, Chihiro and Kumazawa become more than just roommates by the time the manga ends, but the development feels more like Akira fulfilling a requirement of the genre rather than being something that was necessarily called for by story itself. Still, I did enjoy Honey Darling a great deal, the two of them made me happy as a couple, and the manga frequently made me smile.

Lone Wolf and Cub, Omnibuses 1-2 (equivalent to Volumes 1-5) written by Kazuo Koike and illustrated by Goseki Kojima. One of the first manga to be translated into English, Lone Wolf and Cub wasn’t released in its entirety until Dark Horse picked up the license. Sadly, the first Dark Horse edition was tiny and, while extremely portable, was difficult to read because the text was so small and crowded. Additionally, those original twenty-eight volumes have steadily been going out of print. Thankfully, Dark Horse recently started releasing Lone Wolf and Cub in an omnibus format with a larger trim size. Though quite hefty (each omnibus is around 700 pages and collects about two and a half volumes or so), the reading experience is much improved overall. Lone Wolf and Cub is an excellent series, so I’m very glad that the manga will remain in print for a bit longer. The series is fairly episodic, following the titular Lone Wolf and Cub: Ogami Ittō, who once served as the Shogun’s executioner but who has become an assassin-for-hire out of revenge over the destruction of his family, and his young son Diagorō.

Mail, Volumes 1-3 by Housui Yamazaki. Summer is the time for ghost stories in Japan, so I felt it was appropriate to finally get around to reading Mail. I came across this short series thanks to The Kurosagi Corpse Delivery Service which shares the same illustrator. Reiji Akiba–detective, exorcist, and the protagonist of Mail–actually briefly appears in the fourth volume of The Kurosagi Corpse Delivery Service as well. One of the things that particularly struck me about Mail is how often the stories incorporated modern technology such as cell phones and computers. It’s as though traditional ghost stories and urban legends have been updated for a contemporary audience. Occasionally Akiba will present a sort of prologue to the individual chapters, giving the stories an almost Twilight Zone feel to them. Mail can be legitimately creepy and at times a bit bloody, but gore is not at all the focus of the series. In general Mail is episodic, although the final volume adds a recurring character who becomes Akiba’s assistant as a sort of homage to Osamu Tezuka’s Black Jack.

Stone Collector, Book 2 written by Kevin Han and illustrated by Zom-J. I want to like Stone Collector more than I actually do, but at this point I can’t really say that I’ve been enjoying the manhwa much at all. It’s not all bad. The artwork in particular has moments when it can be impressively dynamic. The character’s facial expressions are great. Even the basic premise of the story isn’t terrible. As a whole though, Stone Collector just isn’t working for me. Though it moves along quickly, the plot is thin and the characters are underdeveloped, almost as if it’s an outline or draft than a finished product. The second half of the second volume of Stone Collector of is devoted to a side story, “Land of Ice.” I was more interested in “Land of Ice” than the main story more because of its tundra setting than anything else, but it still frustrated me and had many of the same problems that Stone Collector proper has. November 2013 was the last time there was a Stone Collector update. I’m not sure if there are plans to release more (it may simply be that “more” doesn’t exist yet), but the story clearly hasn’t reached its conclusion yet.

Sengoku Basara: Samurai Kings, Season 2 directed by Kazuya Nomura. While I was entertained by the first season of Sengoku Basara: Samurai Kings, I really enjoyed the second season. While there are still fantastically outrageous fights and action sequences, there’s also more focus on the characters and their characterization and on battle strategies and tactics. Personally, I appreciate the added context this gives the series. The characters, who continue to be magnificently and ridiculously overpowered, come across as a bit more human since their pasts and motivations are clearer. Their confrontations carry more emotional weight because of this as well. Miyamoto Musashi makes an appearance in this season, too. I was greatly amused by the fact that he fights with a giant oar. (Legend has it that Musashi once forgot to bring a sword with him to a duel and so carved a bokken out of the oar he used to get there; this why his weapon choice in Samurai Kings is simply perfect.) Samurai Kings is a tremendous amount of fun. Based on a video game that’s nominally based on actual events and historic figures, it’s wonderfully absurd and irreverent.