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Manga the Week of 8/20

August 14, 2014 by Sean Gaffney, Ash Brown, Anna N, MJ and Michelle Smith 1 Comment

SEAN: There’s a little something for everyone in the third week of August, so let’s see what demographics we can scrounge up.

First off, it’s not out in bookstores yet, but Fantagraphics has shipped its 7th volume of Wandering Son to its Kickstarter backers. It’s still a must-read for anyone who likes good manga about real characters, as well as being a top-notch coming of age story.

ASH: I love this series so much. I can’t wait to read my copy.

ANNA: I need to get caught up on this! I really liked the first couple volumes.

MJ: I love this series with the fire of a thousand suns. I honestly can’t wait.

SEAN: Kodansha brings us the second volume of Attack on Titan: Before the Fall, the adaptation of the light novel about times way back when there was still quite a bit of defense separating humanity from its Titan opponents. Not that humanity really comes off well here, at least in Vol. 1.

ASH: Before the Fall has its own brand of Attack on Titan darkness. I’m looking forward to reading the original novel later this year, too.

SEAN: Kodansha is also debuting The Heroic Legend of Arslan, a manga adaptation by Hiromu Arakawa of the novel series by Yoshiki Tanaka. From what I understand, it’s not so much high fantasy as low to medium fantasy, but it’s being drawn by Arakawa, so I’m totally on board.

MICHELLE: Me, too!

ASH: As am I!

ANNA: This sounds intriguing! More Arakawa can only be a good thing!

MJ: Count me in!

SEAN: There’s also the first omnibus release of Tsubasa: Reservoir Chronicle. I’ve made my opinion of the last half of this series quite clear in the past, so I will simply note that the FIRST half of this series is quite good indeed, and that fans who don’t mind manga that end in car crashes should absolutely check it out, if only for Kurogane and Fai.

MJ: I’m happy to see this getting a re-release!

SEAN: Seven Seas has a trio of releases geared towards the fanboy end of the spectrum. The one I’m interested in is the eighth volume of Haganai. If you were to ask me if there was a reason to get it, I would have to say: nun. (whack) Ow.

There’s also the 4th volume of monster hit Monster Musume, showing why I do not run manga companies.

ASH: Seven Seas recently announced the licensing of another manga by the creator of Monster Musume, so the series has apparently been doing quite well.

SEAN: And Strike Witches debuts a new miniseries with Vol. 1 of the 1937 Fuso Sea Incident. This incident appears, as far as I can tell, to be fictional, and should have more combat sequences than we’ve seen in prior volumes.

Vertical has the 11th volume of Chi’s Sweet Home, star of manga, anime, and TV commercials. I hope Chi isn’t letting it go to her head.

MICHELLE: Yay, Chi! I have my coworker’s young daughter addicted to this one.

ASH: A new volume of Chi is always a good reason to celebrate.

MJ: You really can’t have too much Chi.

SEAN: Ikki may have stopped publication, but SigIkki lives on (I think – it may get rebranded) with the 13th volume of Dorohedoro. Dorohedoro easily wins the longest running Ikki series published over here, and I am infinitely grateful to Viz for its release.

ASH: I would like to join you in expressing my gratitude. Dorohedoro is such a marvelously weird manga and I love it.

SEAN: There’s also the 3rd volume of Gangsta, which still makes me think of Black Lagoon too much but is starting to carve out its own niche in the ‘cool people attack each other by leaping into the air’ genre.

ASH: I’ve really been enjoying this series and am looking forward to the next installment.

ANNA: I enjoy this series very much too. Artsy seinen fighting and angst is fun.

SEAN: Lastly, the Kaze Hikaru of seinen, it’s Vol. 10 of Ikigami: The Ultimate Limit! This is the final volume, so we won’t be seeing its once a year likes again. With this and Bokurano: Ours ending next month, the genre of ‘incredibly depressing manga about optimism in humanity’ needs a new standard bearer. Who’ll take it up?

MICHELLE: I’ve been wondering when Ikigami would end, and whether, with that obligation finishing up, VIZ might give that yearly slot to another volume of Kaze Hikaru. That would rock so much. I do intend to finish Bokurano: Ours sometime, but I have to muster the mental fortitude.

SEAN: Does something here appeal to you? If not, why not?

My Week in Manga: August 4-August 10, 2014

August 11, 2014 by Ash Brown

My News and Reviews

There were two reviews at Experiments in Manga last week in addition to the announcement of the Mecha Manga Giveaway Winner, which also includes a list of some of the mecha manga that has been licensed in English at one point or another. (Considering how many have been released in English, it’s not a comprehensive list. Instead it focuses on some favorites.) As for the reviews, I recently read Fuyumi Ono’s The Twelve Kingdoms, Volume 4: Skies of Dawn. Sadly, this was the last volume in the series to be translated into English. The Twelve Kingdoms is a great series of fantasy novels, all of which are worth tracking down. Keeping with last week’s unintentional theme of reviewing fourth volumes of epic series, I also took a look at Vinland Saga, Omnibus 4 by Makoto Yukimura. Vinland Saga is one of my favorite manga series currently being released and this volume hasn’t changed that.

The phenomenal Sparkler Monthly is currently running a membership drive for its second year, and there are some fantastic incentives. I highly recommend checking the project out and contributing if you’re able. Lori at Manga Xanadu has a nice post looking back at the first year of Sparkler Monthly and looking forward to Sparkler Monthly Year Two. For some of my own reviews and random musings on the excellent content being released by Sparkler Monthly, check out the Chromatic Press tag. (Actually, I’ll be posting a review of Denise Schroeder’s Before You Go later this week, too.)

Elsewhere online, ICv2 has a two-part interview with Viz Media’s Leyla Aker and Kevin Hamric looking at What’s Selling, Where, and Why as well as focusing On Specific Products and Programs. Justin at Organization Anti-Social Geniuses has a fun post about The Curious Case of Last Pages For US Manga Editions. Also, Mangabrog has translated some of Takehiko Inoue’s interviews from back when Vagabond was on hiatus.

Quick Takes

Black Rose Alice, Volume 1 by Setona Mizushiro. I’ll admit, even though I have enjoyed the other manga by Mizushiro that I have read and despite the very good things that I’ve heard about Black Rose Alice, I was still a little hesitant to read the series. Mostly because I’ve become a little weary, and therefore wary, of vampire stories. But the vampires in Black Rose Alice are so different that I’m actually hesitant to even call them vampires. Either way, the first volume was phenomenal. It’s creepy and disconcerting, tragic and chilling. Dimitri is a rising star, an operatic tenor with a beautiful voice and a handsome face who is astounded when a stranger tells him he is to blame for a sudden wave of suicides. The deaths in the story have tremendous emotional impact, which is particularly impressive since the characters have just been introduced. The characterization in Black Rose Alice is excellent, especially that of Dimitri, and the artwork is lovely and atmospheric. I am a little sad to see early 20th-century Vienna already left behind as a setting in exchange for modern-day Tokyo, but I’m very curious to see where the story goes from here. I’ll definitely be picking up more of Black Rose Alice.

Blank Slate, Volumes 1-2 by Aya Kanno. I first read Blank Slate several years ago and recall really liking it. Upon rereading, it’s honestly not as good as I remember it being, though the art is pretty great. Even considering the flaws in its execution, I actually still really like the series. Apparently the story that Kanno originally planned was much longer and more complicated. Quite a few things changed plot-wise as well as character-wise when she shortened the series; the transition isn’t as smooth as it could have been. Blank Slate would have benefited from at least another volume or two so that all of the backstory that’s crammed into the second volume could have been more fully developed. Though in its way it is thrilling, there are so many plot twists and major reveals towards the series’ end that it’s almost absurd. Some of the characters are shown to be so different from who they were when they were first introduced that it’s almost difficult to believe the changes, but that does make their betrayals rather effective. And I do like that the completely amoral and nearly emotionless Zen, the series lead, remains a villain throughout despite a tragic past that is supposed to make him more sympathetic.

How to Be Happy by Eleanor Davis. I wasn’t previously familiar with Davis’ work, but after experiencing How to Be Happy I certainly want to read more of it. How to Be Happy is a collection of her short comics, some no longer than a page. Though her black and white illustrations are effective, Davis’ color work is especially striking. She exhibits a wide variety of styles in How to Be Happy, evoking a number of different moods. However, all of the comics come across as being at least a little surreal. Many, perhaps most, of the stories tend towards the melancholy and somber, but others have an underlying and almost hidden sense of humor and joy. As Davis points out in her author’s note, the book actually isn’t about how to be happy. And yet, I found reading the volume to be a wonderfully cathartic and thought-provoking experience. I would even go as far as to call it inspiring. Though she often employees fantastical elements, what Davis really seems to be doing in How to Be Happy is exploring the nature of life and reality through her short narratives. How to Be Happy is a beautiful, strange, and wondrous collection and one that I can definitely see myself returning to again.

Midaresomenishi: A Tale of Samurai Love by Kazuma Kodaka. Although Midaresomenishi is self-described as a romantic epic, there’s not very much at all that is romantic about this boys’ love manga. Instead it’s an extremely dark tale with a focus on violence, sexual and otherwise. Truly terrible things happen in it. Blood, death, and sadism take precedence over affection and love. There is very little happiness to be found in Midaresomenishi, and what little there is is fleeting. Shirou is a young samurai who takes great pleasure in killing, but that is nothing in comparison to the joy that Sougetsu, a powerful and decadent master of bandits, takes in sexually dominating others. In order to protect the life of his younger brother Fujimura, Shirou allows himself to be subjugated by Sougetsu. What he doesn’t realize is that while Fujimura is alive, he has become a sexual plaything for Sougetsu’s underlings. There actually is some doomed love and strong familial bonds in Midaresomenishi, but for the most part the manga’s focus is on the more unpleasant relationships. Midaresomenishi doesn’t work for me as a love story, there’s simply too much force and coercion, but as a violent tragedy it is fairly successful.

Manga the Week of 8/13

August 7, 2014 by Sean Gaffney, Ash Brown, Michelle Smith, Anna N and MJ Leave a Comment

SEAN: If there was a quiet week in August, next week would be it, with a mere nine titles.

Dark Horse has the 2nd of its Samurai Executioner omnibii, for those who can’t get enough of samurai, manliness, and manly samurai.

ASH: Surprisingly enough, I haven’t actually read any of Samurai Executioner. This would probably be a good time to change that.

SEAN: Kodansha gives us a double shot of Hiro Mashima, with the 41st volume of Fairy Tail (which starts a new arc) and the 2nd volume of Monster Soul (which wraps up).

SubLime has an entry, as the 5th volume of Crimson Spell is out. Listen to them. Crimson. Pff. It’s f**king Red. (Sorry, got caught up in the meme there.)

ASH: Speaking of getting caught up, I believe the fifth volume means we’ve caught up with Japan, too.

SEAN: Vertical has the 5th volume of Wolfsmund, whose cover may not be red but whose contents I expect will at least have a bit of blood.

ASH: I suspect that you’re right.

SEAN: Viz has recently said that Deadman Wonderland is its breakout hit of the last year, so it will please people no end that Vol. 4 is out. Also, clearly this means we need more license rescues. (Kidding, kidding…)

MICHELLE: I never kid about license rescues! Of course, whatever momentum the TOKYOPOP series that I most love(d) had is probably long-dissipated by now, but I can continue to hope that one day, I’ll get to read Silver Diamond in English in its entirety.

ANNA: I am pausing a moment to contemplate the lack of an ending in English for Shinobi Life, Demon Sacred, and Sky Blue Shore.

SEAN: We also have the 12th volume of Itsuwaribito, which I still haven’t really read. Anyone?

The 12th volume of Loveless will no doubt generate a bit more excitement from my other Manga Bookshelf colleagues.

ASH: I’m looking forward to it!

MICHELLE: I am positively asquee!

MJ: Okay, yeah, I’m in the middle of production week, but I have to take at least a moment here to say: LOVELESS!!! <3 Oh, happy day.

SEAN: Lastly, we get a 7th volume of the Arabian Nights series Magi, which I enjoy quite a bit.

MICHELLE: I vow that I will finally get caught back up with Magi!

SEAN: Getting something here? Or catching up with the week before?

My Week in Manga: July 28-August 3, 2014

August 4, 2014 by Ash Brown

My News and Reviews

Another week, another few posts at Experiments in Manga. First up was my most recent manga giveaway. Tell me about your favorite mecha manga (if you have one) for a chance to win the first volume of Mohiro Kito’s Bokurano: Ours. (The winner will be announced on Wednesday, so there’s still time to send in comments!) The first in-depth manga review of August went to In Clothes Called Fat, the most recent manga by Moyoco Anno to have been released in English. I honestly believe it to be one of the best comics of the year. (Well, at least out of those that I’ve read so far.) I also posted July’s Bookshelf Overload over the weekend for those of you who are interested in the manga that I purchase or otherwise receive over the course of a month.

Elsewhere online, Sparkler Monthly is celebrating its first year of publication by offering a free sampler download that includes the first chapter of all of its series–prose, comics, and audio dramas. Deb Aoki has a nice overview of some of the manga happenings at this years San Diego Comic Con over at Publishers Weekly. Jamie Coville has also posted audio for some of the SDCC panels, including a few focusing on manga. (Actually, there are a ton of manga related files on that page from past comic events, too.)

August 1 was 801 Day (aka Yaoi or Boys’ Love Day), and though probably not technically related the most recent Manga Studies column at Comics Forum focused boys’ love research in Japan. (Did you know that Guin Saga‘s Kurimoto Kaoru was also a BL author, editor, and scholar? Now you do!) There have been a few new Fujojocast episodes posted recently, including one specifically for 801 Day. I found episode seven, Give what’s due to Saezuru, which talks about translation, adaptation, and frustrations over publishers’ quality and quality control to be especially interesting. SuBLime made a “new” license announcement–it has gained the digital rights to couple of series that were previously print-only. The announcement is particularly noteworthy because it seems to indicate that SuBLime was able to do this because the Japanese publishers are beginning to trust that fans won’t abuse digital downloads.

Quick Takes

Cowboy Bebop, Volumes 1-3 written by Hajime Yatate and illustrated by Yutaka Nanten. Of the two Cowboy Bebop manga that were released (Cowboy Bebop: Shooting Star being the other), Nanten’s series is the one that is most similar to the anime. This makes a fair amount of sense considering that both the anime and the Cowboy Bebop manga were written by the same group of creators, whereas Shooting Star was really its own thing. The Cowboy Bebop manga is closer in tone to the anime’s more humorous episodes, though there is some seriousness as well. The overarching plot dealing with Spike’s feud with Vicious is largely missing, however the other character’s backstories are all filled in a little bit more. The manga, like the much of the anime, is generally episodic. Most of the stories wouldn’t have been too out-of-place with the anime itself, though for the most part I didn’t find them to be as strong as their televised counterparts. The manga will likely appeal most to those who have seen the anime and would like a chance to spend some additional time with the characters; the manga feels like bonus material and deleted scenes rather than anything substantial.

Deadlock, Volume 1 written by Saki Aida and illustrated by Yuh Takashina. Though technically a boys’ love series, not much has happened in the way of romance after the first volume of Deadlock. However, there is a good deal of plot to be found, and I think that it’s a more interesting manga because of that. Yuto Lennix is a drug investigator who was framed for the murder of his best friend and partner. Incarcerated in the Californian state prison system, he has been given the chance to reduce his sentence by helping the FBI to determine the identity of terrorist leader who is believed to be a fellow inmate. That of course is assuming he doesn’t get himself killed first. It’s a somewhat idealized version of prison–everyone is very good-looking for one–but the portrayal of the racial tensions within the system is surprisingly realistic and generally avoids using stereotypes. So far, Deadlock has a fairly large cast. The social dynamics between the prisoners are a very important part of the manga as Yuto learns his place in the hierarchy while he carries out his investigation. Deadlock is currently an ongoing series; I sincerely hope that future volumes will be licensed when they’re released as well.

Madara, Volumes 1-5 written by Eiji Otsuka and illustrated by Shou Tajima. Apparently, Madara was one of CMX’s debut manga. I’ve been discovering some fantastic series from CMX. Sadly, Madara is not one of them. I initially became interested in the series because the creators are also responsible for the extraordinarily dark and graphic MPD-Psycho. The premise of Madara also appealed to me–a young man prophesied to be king fighting demons to restore the body that his father tried to destroy–but that’s probably because it’s so similar to Osamu Tezuka’s Dororo. Except that Dororo is actually good. Madara comes across as a fairly generic sword-and-sorcery RPG more than anything else. (The series actually did go on to inspire several video games, and even an anime.) It also seems as though Otsuka and Tajima are just making things up as they go. There’s not much of an ending, either. Small glimmers of Tajima’s stunning art style (which I love) can be seen, especially towards the end of the series, but the illustrations in Madara are tragically lacking in comparison. Granted, it is a much earlier series. Here’s a fun fact about Madara, though: the series was created in a left-to-right format.

Sonny Leads, Volume 1 written by Richard Mosdell and illustrated by Genshi Kamobayashi. Sonny Leads holds a black belt in karate but he’s unsatisfied with his progress and so has come to Japan to further his training. Unfortunately, he doesn’t know as much as he thinks he does, and he’s in for a bit of a culture shock, too. Both Mosdell and Kamobayashi are karateka and instructors. Their knowledge of and passion for karate definitely comes through in Sonny Leads. I especially like Kamobayashi’s artwork. Particular attention is given to the proper and realistic presentation of karate forms and stances as well as to more subtle details like the appearance of the knuckles developed and used for punches and strikes. As with most of Manga University’s publications, there’s also a strong educational element present in Sonny Leads–it’s possible to learn a bit of Japanese language and culture while reading it. A very interesting essay about high school karate clubs as well as a directory to the various karate organizations in Japan are also included in the volume. I’m not sure that Sonny Leads will have much general appeal, but as a karateka myself I’d be curious to see more of the series.

Manga the Week of 8/6

July 31, 2014 by Sean Gaffney, Anna N, Ash Brown, Michelle Smith and MJ 5 Comments

SEAN: There is so much manga out in August it beggars belief. Over 50 different titles in the month. And the first week is the biggest. So buckle up.

ANNA: I can see myself undergoing some major psychological trauma trying to choose between titles for Pick of the Week.

SEAN: Dark Horse has nearly wrapped up Oh My Goddess, but it’s not there yet, so here’s Vol. 46.

There’s also the 4th Trigun Maximum omnibus, for those who want to be confused by the artwork over longer periods of time.

Seven Seas has the July title I discussed earlier, D-Frag! On the August end, so far so good, as we have a couple titles there as well. Alice in the Country of Joker: Nightmare Trilogy intrigues me, mostly as I wonder if we’ll see Joker, who hasn’t ventured much outside his one book.

There’s the third Dragonar Academy, which is a thing that exists.

There’s also a new series debuting, Kokoro Connect. As with D-Frag!, I’ve heard this is better than it sounds, and look forward to seeing how it stretches its basic high school comedy with the twist that is at the heart of its plot.

ASH: I’m actually rather curious about this one.

SEAN: And there’s another Witch Buster omnibus, for the manwha inclined.

Speaking of Manga-ish things, Udon Entertainment have out the first of their “Manga Classics” adaptations, in this case Pride & Prejudice and Les Miserables. The artists seem to be Chinese (I think?), but the style is certainly pure shoujo. I’ll be interested to see how compressed these adaptations are.

Vertical hits double digits with the 10th volume of Knights of Sidonia, which hopefully will not end with a third straight cliffhanger putting Izana in danger.

MICHELLE: I really will catch up with Knights of Sidonia, I swear!

ASH: Poor, poor Izana. Hang in there, you’re my favorite!

ANNA: I need to catch up too, it is a great series!

MJ: Yay! That’s all I have to say.

SEAN: Hope you like Viz! Let’s start with the first of three debuts this week, the shoujo horror title Black Rose Alice. I understand it has vampires!

MICHELLE: I’m looking forward to this one! It’s by the creator of After School Nightmare.

ASH: Me, too! I’m a little burned out on vampires, but I’m making an exception for Black Rose Alice.

ANNA: I have read this and the vampires in Black Rose Alice are very different from the vampires people may be used to. As much as I love goofy vampire romance manga, I really enjoyed the surreal and odd elements of this title.

MJ: I’m very much looking forward to this, mainly on the strength of After School Nightmare, which is a long-time favorite of mine.

SEAN: Bleach hits Vol. 61, and I don’t think has had real vampires yet, though I’m sure we’ve seen the equivalent somewhere in its Rogue’s Gallery.

It was 2012 when we saw the last D.Gray-Man that wasn’t an omnibus. Rejoice! Vol. 24 is here!

I reviewed the first volume of Food Wars! when it came out digitally, noting the fanservice was appalling but the basic plot as quite fun. The print volume releases this week.

ASH: I’ve been waiting for the print release to give this one a try.

SEAN: The 7th Happy Marriage?! continues to test the validity of that title.

ANNA: Yay, more josei!

SEAN: And the third High School Debut 3-in-1 omnibus is more pure shoujo fun in a bargain package.

MICHELLE: Read it, y’all!

ANNA: I love this series, especially the fact that the hero Yoh always looks chronically sleep deprived.

SEAN: The Excel Saga of shoujo, Kaze Hikaru, has its annual volume release! This is an awesome series that deserves more love, so I hope everyone goes out and buys it, if only so we can see it more than once a year.

MICHELLE: I concur 3,000%.

ASH: Kaze Hikaru is a great series.

ANNA: In a perfect world it would come out quarterly and dominate the manga best sellers list. It is wonderful.

SEAN: Nura: Rise of the Yokai Clan gets ready for its final arc as Vol. 22 arrives.

Yet another series that’s been a long while since a volume, Rosario x Vampire II gets lucky Vol. 13.

The last of our debuts this week is Spell of Desire. Midnight Secretary ends next month, so I suppose it’s a perfect time to bring in a new josei series by the same author (heavily disguised as shoujo).

MICHELLE: I liked the first volume of Spell of Desire more than I expected to. Maybe because the hunky guy is kind to kittens.

ANNA: I am delighted by this series, and the hilarious contrivance that results in the male lead having to make out with an innocent witch in order to control her magic.

SEAN: Toriko’s Vol. 23 continues to see our four young heroes pitted against deadly, world-destroying monsters. Also, there’s food.

Lastly, the 6th Voice Over: Seiyu Academy makes us wonder if we’ll ever get back to the supposed hero of the series.

Is this too much manga? Or not enough?

ASH: Never enough! (Also, never enough money…)

Manga Giveaway: Mecha Manga Giveaway (Bokurano)

July 30, 2014 by Ash Brown

It’s the end of the month and therefore the start of another manga giveaway here at Experiments in Manga! For July’s giveaway you all have a chance to win the first volume in Mohiro Kito’s manga series Bokurano: Ours as published by Viz Media. As always, the giveaway is open worldwide!

I don’t know what it is about mecha manga and anime. For some bizarre reason, I never think that I’m going to like it, but I almost always end up enjoying what I pick up. Maybe my reluctance comes from the feeling that there’s just so much of it, giving the impression that the genre has been overdone and is lacking in originality. That’s a somewhat unfair train of thought on my part. Most well-established genres have the problem where a great deal of the media just isn’t very good or particularly notable, but they all have their gems.

Anyway. I recently started reading Mohiro Kito’s Bokurano: Ours, Volume 1, which is one of the more unusual mecha stories that I’ve come across. Granted, I haven’t gotten very far into the series yet, but I am liking its dark atmosphere and prominent psychological elements. Plus, it ran in IKKI, a magazine that publishes some manga that I really love. (And which sadly recently announced that it will be suspending publication in September.)

So, you may be wondering, how can you win a copy of Bokurano: Ours, Volume 1?

1) In the comments below, tell me a little about your favorite mecha manga, if you have one. (Never read mecha? Simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And there it is! Each person can earn up to two entries for this giveaway. As usual, everyone has one week to submit comments. If you prefer or have trouble with the comment form, entries may also be submitted via e-mail to phoenixterran(at)gmail(dot)com. (I will then post the entry in your name.) The giveaway winner will be randomly selected and announced on August 6, 2014. Good luck to you all!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Mecha Manga Giveaway Winner

My Week in Manga: July 21-July 27, 2014

July 28, 2014 by Ash Brown

My News and Reviews

It wasn’t entirely intentional, but last week Experiments in Manga ended up being full of Vertical reviews. (And by full, I mean that two reviews were posted.) The first was of Fumi Yoshinaga’s gay slice-of-life and food manga What Did You Eat Yesterday?, Volume 3. With each volume that is released, I fall in love with the series a little more. I also reviewed Yoshikazu Yasuhiko’s Mobile Suit Gundam: The Origin, Volume 6: To War which continues to delve into the pasts of the characters and the war between the Earth Federation and the Principality of Zeon. The volume also features Char quite a bit. (I’ll admit, that made me happy.)

Elsewhere online, The Lobster Dance posted the seventh and final part of “Revealing and Concealing Identities: Cross-Dressing in Anime and Manga.” Kathryn Hemmann, the co-author, has a nice roundup and summary of the multi-part essay, and Leah has some final comments of her own as well. San Diego Comic Con was last week, which means the winners of the 2014 Eisner Awards were named (spoilers: Osamu Tezuka and Hayao Miyazaki were honored) and new manga licenses from Drawn & Quarterly, Kodansha Comics, and Udon Entertainment were announced. Also, the list from the Best & Worst Manga panel has been posted, with more commentary on the choices planned to be posted at a later date.

Quick Takes

9 Faces of Love by Wann. As can probably be gathered from its title, 9 Faces of Love is a collection of nine short manhwa dealing with themes of love and the meaning of love. 9 Faces of Love is the second volume in Netcomics’ Manhwa Novella Collection series which is meant to feature short works by prominent Korean creators. I hadn’t previously read any of Wann’s works, but I’d definitely be interested in reading more; I really enjoyed 9 Faces of Love. It’s an excellent collection of short manhwa selected from Wann’s work between 1998 and 2005. Most of the stories deal with romantic love, but a few of them also deal with friendship and familial love. I initially picked up the volume for the android story “Automaton,” which happily ended up being quite good. While they deal with similar themes, there is a nice variety to the stories in 9 Faces of Love. Many incorporate science fiction, fantasy, or horror elements while others are more firmly grounded in reality. Some are sweet, some are sad, and some are actually somewhat disconcerting.

All You Need is Kill adapted by Nick Mamatas, illustrated by Lee Ferguson and Fajar Buana. A few years ago I read Hiroshi Sakurazaka’s All You Need Is Kill light novel and greatly enjoyed it. So I was rather curious when Haikasoru announced a graphic novel adaptation, the release conveniently timed to coincide with the Hollywood film adaptation Edge of Tomorrow. (Granted, I was much more interested in Takeshi Obata’s All You Need Is Kill manga which has now also been licensed.) Sadly, I was rather disappointed with the graphic novel. I’m not sure that anyone who hasn’t read the original would be able to follow the comic very easily or make sense of the importance of some of the scenes that were included. For example, I loved the umeboshi eating contest in the novel, but in the comic it’s difficult to realize that that’s what’s going on or why it matters. Romantic elements are introduced at the end more as an afterthought in an effort to neatly tie things together, but it’s a little too late by that point. For the most part the artwork was decent, but the battle suit design left something to be desired. I did like the color palette used, though. My copy of the graphic novel also had a printing error. At least I’m assuming it was an error—one of the signatures was repeated. Though, I suppose that does emphasize the plot’s time loop.

Crimson Wind by Duo Brand. A follow-up to White Guardian, Crimson Wind starts out as a sequel but really ends up being more of a prequel. The majority of the manga explores the backstories of General Sei and Baron Touri and their relationship with each other. Except for his attractive character design, I didn’t like Touri much at all in White Guardian and I like him even less in Crimson Wind. He’s a rapist and possessive, resorting to drugging the object of his desire when coercion and force isn’t enough to get what he wants. It’s not at all romantic even though Sei ends up falling for him. Most of the court intrigue and politics that made White Guardian interesting have been dropped in Crimson Spell; only the dubious love story remains. I would have much rather have seen the tale of how Sei became disillusioned and unhappy with the kingdom he pledged his life to protect. I may not have enjoyed the main story of Crimson Wind, however I really liked the short side story “Never Ever” which concludes the volume and features two completely different character who actually care for and respect each other.

Showa: A History of Japan, 1939-1944 by Shigeru Mizuki. With this volume of Showa: A History of Japan the manga begins to cover history that I’m a little more familiar with—the Pacific War. While the factual recounting of the events that led up to the war and the war itself is well told, what makes the series particularly engaging is the incorporation of Mizuki’s own experiences as a student and eventually as a drafted soldier during the time period. The artwork in Showa: A History of Japan easily slips between photorealism and more stylized drawings to very good effect. Mizuki’s illustrations of naval and sea battles are particularly impressive and he uses some very interesting two-page layouts for many of them. He conveys the reality of war but doesn’t glorify it or the numerous deaths, treating the combatants of both sides of the conflict with respect. Mizuki’s Eisner-winning, semi-autobiographical Onward Towards Our Noble Deaths (also available from Drawn & Quarterly), which deals with a similar time period and story, makes an excellent companion to this volume of Showa: A History of Japan.

Terra Formars, Volume 1 written by Yu Sasuga and illustrated by Ken-ichi Tachibana. I have a peculiar love for Mars, and so when a manga has anything to do with the planet, however slight, it immediately catches my attention. I was looking forward to Terra Formars and really liked its basic premise. Efforts to terraform Mars using moss and cockroaches over hundreds of years has largely been successful, but now humans have a bit of a bug problem to deal with seeing as the cockroaches have evolved into a sentient race. Genetic experimentation has also allowed human and insect DNA to be combined, creating humans with bug-inspired superpowers. (Admittedly ridiculous, but kind of cool.) Terra Formars is an extremely violent and action-heavy manga requiring a tremendous amount of suspension of disbelief from it readers. There were parts of the manga that I loved, like the fight sequence paired with biblical verses about locusts. However, I really dislike the design of the cockroaches (inspired by Homo erectus), and not just because they’re unintentionally reminiscent of racist caricatures. They seem more mammalian than insectoid and feel out-of-place art-wise. At this point I’m torn over the series, but I’ll probably give it another volume or two to see what direction it takes.

Gin Tama, Episodes 50-74 directed by Shinji Takamatsu. It’s been a while since I’ve watched any of the Gin Tama anime, but I do like the series. I was in the mood for some absurd humor and antics, and so ended up binging on the first half of the second season. Like the manga which it more-or-less follows, the anime is mostly episodic. Occasionally there will be a set of episodes that form a larger story arc, but generally once someone is familiar with the characters and recurring jokes it doesn’t much matter in which order the anime is watched. Gin Tama is a series rife with parodies of and references to other pop culture media. (Mostly but not exclusively Japanese pop culture.) I’ve always been highly amused by Gin Tama, but the more manga that I read and the more anime that I watch the more of references I catch and appreciate. My interest in Japanese history has come in handy, too, since there are plenty of nods to historical figures and events in Gin Tama as well. For a comedy series, at times Gin Tama can also be surprisingly touching.

Manga the Week of 7/30

July 24, 2014 by Sean Gaffney, Ash Brown, Michelle Smith, MJ and Anna N Leave a Comment

SEAN: A 5th week of the month is usually sparse, but we do have a few interesting things due out at the tail end of July.

Gen Manga offers you a choice of Indie Manga. Either you will think that One Is Enough, or perhaps you’d rather be with an Anomal. Choose wisely. (They do both look intriguing.)

ASH: You’re making me choose between boys’ love and yokai?! Sean, now that’s just mean.

MICHELLE: Wow, it occurs to me I haven’t read any boys’ love in ages.

MJ: Same here, and this needs to be rectified.

SEAN: If you prefer your manga a little more insane soap opera-ish, Kodansha gives you the 8th Missions of Love volume.

ASH: I’ll admit to actually enjoying Missions of Love. So much drama!

SEAN: They also have the third My Little Monster manga, where the heroine will no doubt stick to her promise to herself not to get involved with love. Aheh.

MICHELLE: This is the one thing from this week that I’ll definitely be picking up.

SEAN: And there’s also the 4th volume of Vinland Saga, which I suspect may get a lot of people excited, because Vikings make everything better.

ASH: I’m excited!! Vinland Saga is easily my favorite series being released by Kodansha at the moment.

ANNA: Vinland Saga is great. This reminds me that I need to read the copy of volume 3 that I’ve been saving for a day when I need to read about violence and Vikings.

SEAN: Seven Seas has been having a bad July in terms of ship dates. I mentioned Devils and Realist 2 earlier this month, it’s actually been moved back to next week.

ANNA: The first volume was pretty good. I’m curious to see if the main joke in the book gets a bit repetitive in the second volume.

SEAN: Lastly, Vertical has the 5th volume of sci-fi thriller From the New World.

What manga goes best with hot dogs and sauerkraut?

My Week in Manga: July 14-July 20, 2014

July 21, 2014 by Ash Brown

My News and Reviews

Two reviews were posted at Experiments in Manga last week, one of a manga and one not. The first review was part of my Year of Yuri monthly review project. I took a look at Milk Morinaga’s Gakuen Polizi, Volume 1, which is quite different from her other work currently available in English. The first volume at least is less of a romance and more of a buddy cop story, but it’s still fairly entertaining. (She does promise that more of the drama in the second volume will be romance-related and less crime-related, though.)

My second review last week was of Tokyo Demons, Book 2: Add a little Chaos, a novel written by Lianne Sentar with illustrations by Rem. In case it isn’t clear from the review, I absolutely adore Tokyo Demons. It can get pretty dark and heavy, but it’s a fantastic series. The second volume should be available as an ebook later this month and the print edition is currently scheduled for release in October. (Tokyo Demons is one of Chromatic Press and flagship series, so in the meantime it can also be read online at Sparkler Monthly.)

Once again I wasn’t actually online much last week, but I did catch a few things that other people may be interested in: Over at Comics Forum, Martin de la Iglesia writes about Early manga translations in the West. Kate at Reverse Thieves explains How the Library Became My Go-to Place for Manga and Comics. (I posted a bit about finding manga at the library a little while back, too.) And on Twitter, manga scholar and translator Matt Thorn hints that a project with Moto Hagio is in the works. Let’s hope so!

Quick Takes

Honey Darling by Norikazu Akira. After reading and enjoying Beast & Feast I decided to track down more manga by Akira available in English. This led me to picking up Honey Darling. The manga isn’t the most realistic or believable, but it is cute, delightful, funny, and very sweet. Chihiro is a young man without any real goals in his life until he takes in a stray kitten. When Shiro falls ill, Chihiro ends up working as the live-in housekeeper for Kumazawa, the vet who treats her, and helping out in the animal clinic. Honey Darling has a lot going for it: nice art, a sense of humor, adorable cats and dogs, amusing and ttractive leads, likeable side characters (including women!), and so on. Ultimately Honey Darling is a boys’ love manga, though. As might be expected, Chihiro and Kumazawa become more than just roommates by the time the manga ends, but the development feels more like Akira fulfilling a requirement of the genre rather than being something that was necessarily called for by story itself. Still, I did enjoy Honey Darling a great deal, the two of them made me happy as a couple, and the manga frequently made me smile.

Lone Wolf and Cub, Omnibuses 1-2 (equivalent to Volumes 1-5) written by Kazuo Koike and illustrated by Goseki Kojima. One of the first manga to be translated into English, Lone Wolf and Cub wasn’t released in its entirety until Dark Horse picked up the license. Sadly, the first Dark Horse edition was tiny and, while extremely portable, was difficult to read because the text was so small and crowded. Additionally, those original twenty-eight volumes have steadily been going out of print. Thankfully, Dark Horse recently started releasing Lone Wolf and Cub in an omnibus format with a larger trim size. Though quite hefty (each omnibus is around 700 pages and collects about two and a half volumes or so), the reading experience is much improved overall. Lone Wolf and Cub is an excellent series, so I’m very glad that the manga will remain in print for a bit longer. The series is fairly episodic, following the titular Lone Wolf and Cub: Ogami Ittō, who once served as the Shogun’s executioner but who has become an assassin-for-hire out of revenge over the destruction of his family, and his young son Diagorō.

Mail, Volumes 1-3 by Housui Yamazaki. Summer is the time for ghost stories in Japan, so I felt it was appropriate to finally get around to reading Mail. I came across this short series thanks to The Kurosagi Corpse Delivery Service which shares the same illustrator. Reiji Akiba–detective, exorcist, and the protagonist of Mail–actually briefly appears in the fourth volume of The Kurosagi Corpse Delivery Service as well. One of the things that particularly struck me about Mail is how often the stories incorporated modern technology such as cell phones and computers. It’s as though traditional ghost stories and urban legends have been updated for a contemporary audience. Occasionally Akiba will present a sort of prologue to the individual chapters, giving the stories an almost Twilight Zone feel to them. Mail can be legitimately creepy and at times a bit bloody, but gore is not at all the focus of the series. In general Mail is episodic, although the final volume adds a recurring character who becomes Akiba’s assistant as a sort of homage to Osamu Tezuka’s Black Jack.

Stone Collector, Book 2 written by Kevin Han and illustrated by Zom-J. I want to like Stone Collector more than I actually do, but at this point I can’t really say that I’ve been enjoying the manhwa much at all. It’s not all bad. The artwork in particular has moments when it can be impressively dynamic. The character’s facial expressions are great. Even the basic premise of the story isn’t terrible. As a whole though, Stone Collector just isn’t working for me. Though it moves along quickly, the plot is thin and the characters are underdeveloped, almost as if it’s an outline or draft than a finished product. The second half of the second volume of Stone Collector of is devoted to a side story, “Land of Ice.” I was more interested in “Land of Ice” than the main story more because of its tundra setting than anything else, but it still frustrated me and had many of the same problems that Stone Collector proper has. November 2013 was the last time there was a Stone Collector update. I’m not sure if there are plans to release more (it may simply be that “more” doesn’t exist yet), but the story clearly hasn’t reached its conclusion yet.

Sengoku Basara: Samurai Kings, Season 2 directed by Kazuya Nomura. While I was entertained by the first season of Sengoku Basara: Samurai Kings, I really enjoyed the second season. While there are still fantastically outrageous fights and action sequences, there’s also more focus on the characters and their characterization and on battle strategies and tactics. Personally, I appreciate the added context this gives the series. The characters, who continue to be magnificently and ridiculously overpowered, come across as a bit more human since their pasts and motivations are clearer. Their confrontations carry more emotional weight because of this as well. Miyamoto Musashi makes an appearance in this season, too. I was greatly amused by the fact that he fights with a giant oar. (Legend has it that Musashi once forgot to bring a sword with him to a duel and so carved a bokken out of the oar he used to get there; this why his weapon choice in Samurai Kings is simply perfect.) Samurai Kings is a tremendous amount of fun. Based on a video game that’s nominally based on actual events and historic figures, it’s wonderfully absurd and irreverent.

Manga the Week of 7/23

July 17, 2014 by Sean Gaffney, Ash Brown, Michelle Smith, Anna N and MJ 2 Comments

SEAN: There’s so much stuff coming out next week you’d think it was a first week of the month. Remember when Yen Press was just three or so titles a month?

We’ll start off with Dark Horse, who are still releasing Gantz, even as it’s up to Vol. 32 and surely running out of rubber bodysuits by now.

And look, it’s an old friend, MPD-Psycho, who have Vol. 11 out next week as well. This doesn’t quite have the cult following of Kurosagi Corpse Delivery Service (it lacks a lot of the humor), but is still very good for horror thrills.

ASH: It’s been what… almost three years now since the last volume was released? Glad to see that Dark Horse didn’t completely drop it.

MICHELLE: I have a couple of volumes of MPD-Psycho, but I haven’t been able to muster the courage to actually read them. Still, I’m also glad it’s still coming out!

SEAN: And Battle Angel Alita has its fourth omnibus. I will assume they’re still in the tournament arc, which I think went over 10 volumes eventually, right?

Vertical gives us another Moyoco Anno title with the one-shot In Clothes Called Fat. From what I gather, it’s a sharp look at body image pressure, low self-esteem and eating disorders. I expect it will be amazing.

ASH: I’m a huge fan of Moyoco Anno’s work, so I’m really looking forward to this release.

ANNA: This is really the only thing I’m wanting to pick up this week. Thanks again to Vertical for translating more Moyoco Anno!!!!!

MJ: This is a huge draw for me as well!

SEAN: Yen’s new light novel imprint, Yen On, gives us the first volume of Accel World. Apparently this takes place in the same world as Sword Art Online, just 20 years later, but it’s not really a sequel as such. It’s also famous for having a chubby male hero.

MJ: I’m interested in this, for sure.

SEAN: Black Butler must be feeling very jealous. Time was when it was the series with all the volumes in the NYT bestseller list. Now Attack on Titan has stolen all its thunder. Still, it’s up to Vol. 17. Can’t be bad.

MICHELLE: It’s pleasant. :)

SEAN: I’m surprised the Blood Lad omnibuses have been coming out so fast, given it’s a fairly recent series in Japan. I suspect this may be the ‘we’re caught up now’ volume, though. Always a treat in any format, though.

MICHELLE: Wow, this came sooner than I thought it would! Still, it does mean that the wait for the next one will probably be quite long, indeed.

MJ: This is always a favorite for me!

SEAN: Inu x Boku SS has been surprisingly serious, and I understand this volume will not change that one iota.

Is This A Zombie? Ends with its 8th volume. I presume we can say “yes” at last and move on.

We also have the 4th No Matter How I Look At It, It’s You Guys’ Fault I’m Not Popular! (aka WataMote). It’s hard to read, but even harder to type out the full title.

ASH: It can be rather painful to read. The series has some incredibly dark humor.

SEAN: Speaking of titles that have caught up with Japan, here’s Vol. 12 of Omamori Himari, which has every single plotline a male otaku could possibly want in one handy series.

And Vol. 21 of Pandora Hearts, which has also caught up with Japan, and has every single plotline a female otaku could possibly want in one handy series.

MICHELLE: And *cuffs*. Right, MJ? :)

MJ: YES, CUFFS. Also, everything else. And I’m sure I don’t need to tell anyone I’ll be gobbling this up as soon as it hits my doorstep.

SEAN: Soul Eater begins its final arc in Vol. 21, and I am here to tell you that it will be AMAZING.

And for those who want a kinder, gentler Soul Eater, here is the 3rd Soul Eater NOT!, compiling chapters that have been available digitally for a few months now.

Lastly, Umineko: When They Cry starts its 4th arc, Alliance of the Golden Witch. While Battler will still be around, his younger sister Ange is the focus here, now all grown up and trying to figure out what happened 12 years earlier. As you can see, she’s also a source of fanservice for manga artists. Maria’s tragic upbringing also gets a lot of attention here.

Is this enough? Or do you want even more manga next week?

My Week in Manga: July 7-July 13, 2014

July 14, 2014 by Ash Brown

My News and Reviews

Two reviews were posted at Experiments in Manga last week, though neither of them were actually for manga. First up was Yasutaka Tsutsui’s The Girl Who Leapt Through Time, which collects two of his stories: The Girl Who Leapt Through Time and The Stuff That Nightmares Are Made Of. The Girl Who Leapt Through Time is one of Tsutsui’s most well-known and beloved novels and was the inspiration for Mamoru Hosoda’s 2006 anime by the same name, which happens to be one of my favorite animated films. I also reviewed Dan Mazur and Alexander Danner’s Comics: A Global History, 1968 to the Present. It’s an extremely informative volume and highly recommended for people who are interested in the history of comics, including manga. I wasn’t online much last week, but I did notice that Revealing and Concealing Identities: Cross-Dressing in Anime and Manga, Part 6 was posted at The Lobster Dance, focusing on Fumi Yoshinaga’s marvelous series Ōoku: The Inner Chambers. If there were any big announcements or other noteworthy news items that I missed, please do let me know!

Quick Takes

Andre the Giant: Life and Legend by Box Brown. Growing up, I knew of Andre the Giant from his role as Fezzik in the film The Princess Bride, only later learning about his professional wrestling career. Andre Roussimoff was a literal giant of a man–at one point over seven feet tall and over six hundred pounds–who also suffered from acromegaly, though he wasn’t diagnosed with the condition until he reached his twenties. Brown’s thoroughly researched biographical comic captures Andre’s life and legacy, revealing just how human the legend really was. Like anyone else, he had his strengths and his flaws. Because of his size the life he led was an unusual one and he was treated differently, and not always kindly, by other people. Surprisingly, Andre the Giant: Life and Legend is actually one of the very few works devoted to Andre. It’s a collection of stories and anecdotes about the man beginning with his childhood in France and then following him through his globe-spanning career as a professional wrestler as well as his time on the set of The Princess Bride. The comic is very well done and includes a bibliography in addition to notes on the sources used.

Bokurano: Ours, Volume 1 by Mohiro Kito. One summer, fourteen seventh graders and a fourth grader participating in a nature school program wander into a seaside cave where they discover a strange man holed away who invites them to play a game. They will be placed in charge of piloting a giant robot in order to fight massive alien invaders. Except that the game they’ve agreed to play turns out to be much more real than any of them counted on. This early in the series it’s a little difficult to get a good feel for all of the characters since there are so many of them, but it seems that as they each have their own opportunity to pilot the robot more will be revealed about them as individuals. It also looks like the series will have a fairly high death count, too, even when it comes to main, named characters. Bokurano: Ours has a dark ambiance as well strong psychological elements. Though there are grand battles, the real drama of the series revolves around how the children respond to being granted such enormous power. Some delight in the chance to wreak havoc while others are more hesitant, understandably concerned about the strange situation they’ve gotten themselves into.

Monster Musume: Everyday Life with Monster Girls, Volumes 2-3 by Okayado. At its heart, Monster Musume is an unapologetic, ecchi harem series. Readers looking for nuanced characters or plot from the manga will be sorely disappointed. And considering the amount of uninhibited fanservice, highly suggestive scenarios, partial nudity, and nipples on display, I continue to be surprised that Seven Seas is able to get away with calling Monster Musume a series for older teens. Initially, I wondered if monster boys existed in the manga since the series focuses almost entirely on monster girls. They actually do, but that fact isn’t confirmed until a bunch of otaku orcs appear in the third volume. In addition to the orcs, plenty of other liminal races have been introduced as well: slimes, mermaids, zombies, ogres, cyclops, shape-shifters, and so on. Not all of the liminal ladies become love interests for Kimihito, the series’ protagonist and host family for many of the visiting monster girls, which is a good thing. Monster Musume is an extraordinarily silly and trashy manga that can actually be a lot of fun for those who don’t mind its blatantly sexualized content. Its monster girl gimmick sets it apart from other harem manga, but probably won’t win anyone over who doesn’t already read the genre.

Soul Rescue, Volumes 1-2 by Aya Kanno. I’ve really enjoyed Kanno’s other manga currently available in English (Blank Slate and Otomen), so when I discovered that Tokyopop had also published one of her series I made a point to track it down. I believe Soul Rescue was actually Kanno’s debut manga, too, which made me even more interested in reading it. Honestly, it’s a bit of a mess. The artwork is nice, even though the pages are very full, and I liked the characters and basic premise of the story, but it doesn’t quite pull together as a whole. Renji is an angel with a propensity towards being overly violent, and so he has been temporarily banished to Earth in order to mend his ways. Another angel, Kaito, has been sent along with Renji as his supervisor to keep him in check and prevent him from doing too much damage. Renji will be allowed to return to Heaven after rescuing the souls of 10,000 humans. (Kissing is somehow involved in all of this.) By the end of Soul Rescue, he’s only saved two, maybe three souls. Though there are recurring characters, the series is largely episodic with almost no overarching plot arc or real conclusion. Kanno doesn’t seem to be concerned with consistent time periods or settings in the manga, either. Modern cities, Medieval kingdoms, and fuedal Japan, all with their own anachronisms, exist simultaneously.

White Guardian by Duo Brand. I’m fairly certain that White Guardian was Duo Brand’s first professional boys’ love manga; it was also their first manga to be released in English. White Guardian includes many elements found in the pair’s other manga that I’ve read, namely swords, sex, and fantasy. Granted, in the case of White Guardian, it seems to be more of a historical setting than it is strictly fantasy; there are no supernatural aspects or magic involved in the plot. The kingdom of Landa is suffering from internal conflict and corruption which the Crown Prince is determined to address with the aid of the famed General Sei. Prince Linth is a bit of an oddball, lighthearted and earnest if a bit naive. He’s also strangely accepting and forgiving of his own rape, which happens multiple times over the course of the short manga. Happily, there’s some consensual sex to be found in White Guardian, too. The manga has some actual plot to go along with its smut as well. I’ll admit to being fond of court intrigue, espionage, and battles, which are all present and play their own roles in the story. White Guardian is followed by its sequel Crimson Wind which was also released in English, though it’s a little more difficult to find at this point.

Knights of Sidonia directed by Kobun Shizuno. I have been enjoying Tsutomu Nihei’s Knights of Sidonia manga a great deal, and so when the anime adaptation was announced I was immediately interested in watching it. Of all places, the series was exclusively made available for streaming in English through Netflix with both a dubbed version and a subbed version. Overall, the anime was a fantastic adaptation. It hits all the major plot points and highlights of the manga, and in some cases it was actually easier to follow what was going on. The anime is very faithful to the original without slavishly adapting the source material to a new medium. As should be expected, the pacing of the story is slightly changed and the visual impact of the anime is different from that of the manga. However, I was never completely sold on the 3D CG animation style. Though the backgrounds, environments, and many of the special effects looked great with it and were sometimes even stunning, the movements of the characters occasionally would feel just a little off. It did seem to improve as the series went along, but maybe it was just that I was finally getting used to it. I do look forward to seeing the second season.

Manga the Week of 7/16

July 10, 2014 by Sean Gaffney, Anna N, Ash Brown, Michelle Smith and MJ 6 Comments

SEAN: Mid-month always tends to bring the oddest stuff. Anything unusual here?

First off, Seven Seas apparently delayed the release of Alice in the Country of Clover: Knight’s Knowledge 1 at the last minute, after we went to press. It’s actually out next week.

ANNA: I hope it features Ace murdering people and getting lost in the woods.

SEAN: Fairy Tail hits its mid-life crisis, as the Big 4-0 hits. Will Erza needs to buy a really big car and drive around with the wind blowing through her hair?

Seven Seas debuts a new series, with the first volume of D-Frag!. This apparently is a high school club comedy, starring one guy and a bunch of weird girls. Despite that, I’ve heard good things about it, as the emphasis is firmly on weird.

There’s also the 2nd Devils and Realist, where I suspect my ongoing enjoyment will hinge on the ridiculous denial our hero continues to exude. Do not disappoint me, manga.

ANNA: I found the ridiculous denial much more amusing than I was expecting with the first volume.

ASH: The first volume was rather amusing.

SEAN: And we have the 6th volume of fantasy/video game encyclopedia pastiche World War Blue.

Vertical gives us a 3rd volume of seinen manga What Did You Eat Yesterday?, which I’m hoping might have a bit more characterization and a bit less cooking this time, but I suspect that’s not in the cards.

MICHELLE: Phew! Finally something on this list that I will be buying for sure!

ANNA: YAY! TAKE MY MONEY, VERTICAL!!!!!!

ASH: Mine, too!

MJ: What they said, plus extra exclamation points! !!!!!!

SEAN: If you didn’t catch the suspense, tragedy, and all around terror from Urasawa’s cult classic Monster, now is the time to pick up the new Perfect Edition omnibuses.

MICHELLE: I’m glad to see this series getting a re-release. I liked it quite a bit!

ANNA: I’m looking over at my stack of unread 20th Century Boys and feeling vaguely guilty.

MICHELLE: I have a stack just like it, I’m afraid.

ASH: Personally, I like Monster just a bit more than 20th Century Boys. I’m really happy to see it back in print.

MJ: I’m thrilled about this release, since I am one of those who missed it the first time around.

SEAN: And speaking of tragedy, Viz’s new seinen debut is Terra Formars (spelling intentional), a sci-fi story of colonizing Mars which goes horribly, horribly wrong. I’m greatly looking forward to this title, even though I know it will likely gut me a lot of the time.

MICHELLE: I tend to like grim, seinen sci-fi, so I am definitely looking forward to this.

ANNA: This sounds intriguing.

ASH: Terra Formars is a series that I’ve been looking forward to, too. (Plus, I happen to have a thing for Mars…)

MJ: I’m definitely on board with this!

SEAN: What excellent yet depressing manga are you reading this week?

My Week in Manga: June 30-July 6, 2014

July 6, 2014 by Ash Brown

My News and Reviews

The first week of the month tends to be a little slow at Experiments in Manga (at least it feels slow to me). Granted, there were still three posts last week. The Juné Manga Giveaway Winner was announced, which also includes a list of some favorite Juné manga. June’s Bookshelf Overload was posted. (My wallet thanks me that June was a little less ridiculous than the last few month have been.) And finally, the first in-depth manga review of July goes to Battle Royale: Angels’ Border. Written by the author of the original Battle Royale novel, the volume collects two side stories about the girls who try to survive the death match by banding together at a lighthouse. Angels’ Border is surprisingly romantic, but if you know anything about Battle Royale, you know that things don’t end very well for almost anyone involved.

There were plenty of things that I found to read online last week. Here’s a quick list of a few of the posts that I thought were particularly interesting: Ryan Holmberg takes a look at Hayashi Seiichi’s pop music manga, specifically focusing on “Flowering Harbour” (which is now available in English!) Moyoco Anno was interviewed by Publishers Weekly. The Beautiful World has created a Transgender Manga Masterpost. J. R. Brown has a fascinating article about what can be gleaned by paying attention to the details of ukiyo-e prints. And Justin has a rant about the state of manga in translation that is worth reading. Also, Anime Expo was last week and there were a ton of announcements. Sean has a good roundup of the licenses at A Case Suitable for Treatment.

Quick Takes

Cowboy Bebop: Shooting Star by Cain Kuga. Of the two Cowboy Bebop manga, Shooting Star was actually the first to be released in Japan although it was the second series to be published in English. Technically, it also preceded the Cowboy Bebop anime series, which I hadn’t previously realized. However, it’s still based on the anime. Kuga was given free rein with the characters and story, which makes Shooting Star not exactly a retelling but more like an alternate version or universe. The manga isn’t as dark as the anime (though there’s humor to be found there as well), and the story is somewhat different, but the basic premise of near-future bounty hunters in space remains. Frankly, though vaguely entertaining in places, Shooting Star just isn’t as good as the anime, the action can be difficult to follow, and the slapstick is a little too silly for my taste. Shooting Star will most likely be of interest to established fans of the Cowboy Bebop anime as a curiosity more than anything else. Even though Shooting Star mostly stands on its own, people who haven’t seen the anime probably won’t get much out of it.

I Shall Never Return, Volumes 1-5 by Kazuna Uchida. Although the first volume of I Shall Never Return is a little shaky at the start (and parts of Ken’s stepfather’s backstory seem to be unnecessary and superfluous), overall I was actually rather impressed with this short boys’ love series. Ken comes from a broken home and is a high school dropout. His best friend Ritsuro was the only stable thing in his life but now they’re having problems, too. I Shall Never Return is filled with drama and deals with some very mature themes, such as abuse, drug use, prostitution, and rape. Terrible things happen and I was constantly waiting for something even worse. But there are also some wonderful moments of support, love, and acceptance. One of the things that I found particularly interesting about I Shall Never Return is that while it’s definitely a romance, the two leads actually spend much of the series apart from each other. Ritsuro remains in Japan while Ken travels to Singapore and then to India, trying to find a new start and become a better person. They have to deal with a long-distance relationship at the same time they’re coming to terms with their feelings for each another. It’s a believable and difficult process.

Knights of Sidonia, Volumes 8-9 by Tsutomu Nihei. Maybe it’s because the manga’s such a bizarrely quirky series–a strange mix of science fiction, horror, and romantic comedy–but I can’t help but love Knights of Sidonia a little more with each passing volume. Nagate, Tsumugi, and Izana make a marvelous and frequently awkward family unit. And even considering that Tsumugi is a monstrous human-Gauna hybrid, she manages to be endearingly charming, sweet, and adorable. Nagate continues to be socially inept, though certainly less so, and Izana has fallen more in love with him, which has triggered physical changes. The three of them together are simply delightful, forming a not quite love triangle. In direct contrast to the humor and cheerfulness surrounding the trio, humanity’s fight for survival against the Gauna remains terrifyingly intense and death tolls continue to rise. Sometimes the battles can be a little difficult to follow, but they’re always exhilarating. There are some definite sexual overtones to Knights of Sidonia in these two volumes, which are especially apparent in the artwork, but this appropriately adds to the series’ more disconcerting atmosphere.

This One Summer written by Mariko Tamaki and illustrated by Jillian Tamaki. The Tamakis are a pair of cousins who previously worked together on the award-winning graphic novel Skim. This One Summer is their second collaboration. The story follows Rose over the course of her family’s summer vacation at Awago Beach where they have always rented a cottage. Rose’s mother has become more distant over the last year and can’t seem to relax, creating a significant amount of tension. There are reasons for that, though, and Rose is more perceptive than her parents might realize. But because communication has broken down between them all, it may be a while before everything will be okay again. Meanwhile, Rose spends time with her friend Windy, enjoying the beach and bingeing on horror films that they probably shouldn’t be watching at their age. In the background another drama is unfolding among the local teenagers when one of the young women discovers that she might be pregnant. It’s heartbreaking to see how insidious sexism can be. In addition to the strong and effectively layered storytelling in This One Summer, the artwork is beautiful as well.

YowamushiPedal Yowamushi Pedal, Episodes 15-26 directed by Osamu Nabeshima. This set of episodes finishes up the Sohoku racing club’s grueling training camp and then launches almost directly into the Inter-High race, following the competition up through the first section of the first day and ending with one heck of a dramatic plot development. Yowamushi Pedal manages to be incredibly exciting, mostly due the intensity and passion of the characters and because it includes just a touch of the ridiculous. More characters and teams are introduced, and more backstories and rivalries are revealed in this part of the series, too. The animation is sadly a bit inconsistent, sometimes impressively good while at other times lacking in finesse. Although I enjoy cycling, I’ve never really followed road racing closely. I was surprised to learn just how much teamwork can go into it; I’d always assumed it was more of an individual event. I’ve also enjoyed learning more about some of the strategies involved in racing. (And I’ll admit, now that the weather is finally decent where I live I really want to get my bike out again and hit the road! Who says watching anime can’t be good for you?)

Manga the Week of 7/9

July 3, 2014 by Sean Gaffney, Michelle Smith, MJ, Anna N and Ash Brown 1 Comment

SEAN: It may not be hot where you are, but Connecticut? It’s hot. Too hot. Can manga save us from the doldrums of summer?

MICHELLE: I am in Florida. Such hot. Very yuck.

MJ: New England, also hot. And stormy. Which sounds sexier than it is.

ANNA: I will be in Central Illinois, which will be hot and humid!

SEAN: Digital Manga Publishing has another BL series trundle along, with Vol. 5 of multi-punctuated Hey Class President!!.

Kodansha unveils a slew of July titles. Seven Deadly Sins hits its third volume, and I have no doubt will give us a little more background on the newly-introduced Ban/Greed.

ASH: It took a few chapters to hook me, but at this point I’m looking forward to reading more of Seven Deadly Sins.

SEAN: Sherlock Bones has leapt forward in time to show our leads as adults (or adult dogs) right as the series hits its penultimate volume.

ASH: I was happy to see that the protagonists weren’t going to be stuck in high school forever.

SEAN: Fans of Akamatsu may have been keeping up with UQ Holder via Crunchyroll’s site, but for those who crave print, the 2nd volume also drops next week.

MICHELLE: I wish I had something to say about any of these, but I do not.

MJ: Same.

SEAN: And we have some more goodies from Viz. 07-GHOST has Vol. 11 come out, and I think the Manga Bookshelf team finds itself falling further and further behind?

MICHELLE: Yep. I look at the growing pile on my shelf periodically and remind myself that I need to read it.

ANNA: Me too! It is a really good series, I am looking forward to binging on back issues once I do start reading it.

SEAN: Speaking of impossible catchups, Case Closed is now at Vol. 51.

Fullmetal Alchemist is down to its last two omnibuses. If you get all nine, you’ll have the truly essential parts of this manga – which is to say, all of it.

ASH: Fullmetal Alchemist is great!

MJ: Yes, it is! And to Sean’s point, one of the things I love best about it is that, unlike a lot of long-running manga, it is a single, coherent story with a real beginning, middle, and end. Nothing is superfluous, so yes, every volume is essential.

ANNA: I need to finish this series one day! Actually, I think I’ll start by rereading from the beginning.

SEAN: The third Ranma 1/2 omnibus introduces a major antagonist (Cologne); a major antagonist/butt-monkey (Mousse); and a minor yet incredibly irritating thorn in Ranma’s side (Gosunkugi). All this plus the usual Takahashi comedy and non-romance.

And if that’s not enough Takahashi for you, the 15th volume of Rin-Ne drops the same week, forcing unfortunate comparisons between its sedate, mild couple and Ranma 1/2’s violent, boisterous one.

MICHELLE: Some Takahashi sounds awfully appealing right now, actually.

SEAN: What manga cools you down the most?

My Week in Manga: June 23-June 29, 2014

June 30, 2014 by Ash Brown

My News and Reviews

Another three posts last week! It’s the end of June, so I decided to have a Juné Manga Giveaway. The winner will be announced on Wednesday, so there’s still some time left to enter for a chance to win a copy of Momoko Tenzen’s boys’ love one-shot Flutter. Last week I also took a closer look at the two Gengoroh Tagame manga recently published by Bruno Gmünder, Endless Game and Gunji. (And speaking of Bruno Gmünder, more titles for its Gay Manga line have been announced! Look for Mentaiko Itto’s Priapus, Takeshi Matsu’s More and More of You, and Tagame’s Fisherman’s Lodge in English later this year.) Finally, I posted a review of Kaoru Ohno’s historical novel Cage on the Sea which is about the survival and eventual repatriation of the Japanese holdouts on Anatahan Island after World War II. It was a story that was sensationalized in the 1950s, but Ohno’s thoroughly researched novel is a much more nuanced portrayal of the events and people involved.

Quick Takes

Fairy Tail, Volume 38 by Hiro Mashima. While the battles and challenges could be entertaining, I’ll admit that I had started to grow a little weary of the Grand Magic Games arc of Fairy Tail. Thankfully, a secondary (which has now become primary) plot was introduced which has much higher stakes than who will be declared the winner of the tournament. The possibility of the world being destroyed by the return of the dragons is a pretty big deal, after all. The lengthy buildup of the Grand Magic Games pays off in this volume though as the tournament reaches its conclusion. Actually, I think it’s one of the better volumes of Fairy Tail to have recently been released. Most of it is devoted to the various battles which are taking place, the Guild members showing just how much they’ve grown and how strong they’ve become in a very dramatic fashion. Friendship, loyalty, and teamwork have always been vital to Fairy Tail, but it really shows in this volume. Even though there is a focus on the action and fighting, there are also some important plot twists and story developments in the thirty-eighth volume, too.

My Love Story!!, Volume 1 written by Kazune Kawahara and illustrated by Aruko. I absolutely adored the first volume of My Love Story!!–it’s funny and charming, and the characters are incredibly amusing and endearing. Although Takeo is heroic, enthusiastic, loyal, manly, and strong, he’s not traditionally good-looking, so people often overlook his better qualities. He falls in love easily, but all of the girls he likes fall for his attractive best friend Suna instead. (So far, Suna’s turned them all down, though.) But when Takeo saves a girl named Yamato from a groper on the train it seems as though his chance at love has finally arrived, if he isn’t too dense to realize it, that is. Takeo’s developing romance with Yamato is delightful, but his close friendship with Suna is marvelous, too. I’m not sure for how long the creators will be able spin the series’ basic premise without it feeling drawn out, but the manga is currently still ongoing at six volumes in Japan. Regardless, I’m looking forward to the next volume immensely; My Love Story!! is easily one of my favorite manga debuts of 2014.

Sankarea: Undying Love, Volume 7 by Mitsuru Hattori. Bub’s condition continues to decline, so Rea has decided to leave for the ZoMA research facility, hoping that her unusual form of zombism will provide a clue to save him. (Is it sad that an undead cat is actually my favorite character in Sankarea?) Chihiro isn’t about to let her go on her own though, in part because he still feels responsible for Rea and wants to protect her, but also because he’s very interested in visiting the “zombie holy land.” Sankarea is a quirky series which tries to balance horror and romantic comedy. This volume actually succeeds fairly well in that. Chihiro has always expressed interest in zombie girls, and he is very excited to meet more of them at ZoMA, which causes him to reevaluate his relationship with Rea. Does he like her simply because she’s a zombie? Would he still like Rea even if there was a way to revive her? Considering Chihiro’s reactions to the other zombies, I could actually see Hattori going either way with the story. The seventh volume is a solid addition to the series, and ends on a pretty intense cliffhanger.