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Mushishi Moveable Feast This Week!

April 25, 2010 by MJ 4 Comments

Manga Bookshelf has been on hiatus this week, thanks to an unexpected hospital stay for a key member of the household. We’ll be back on track starting tomorrow, but in the meantime, check out Ed Sizemore’s introductory post for this month’s Manga Moveable Feast, featuring one of my favorite series, Mushishi.

I have a lot to say about this series, and I admit I’ve already said quite a bit of it. I’ve reviewed two volumes of this series so far, volume six at Comics Should Be Good, and volume seven here at Manga Bookshelf. With my household’s recent turmoil, this may well be my entire contribution to the Feast, but be sure to keep an eye out for what I expect to be an exciting batch of discussion and reviews from around the manga blogosphere this week.

Enjoy!

Filed Under: NEWS Tagged With: manga, mushishi

Your & My Secret, Vols. 1-5

April 25, 2010 by Katherine Dacey

If you ever wondered what Freaky Friday might have been like if Jodie Foster had switched bodies with Leif Garrett instead of Barbara Harris, well, Ai Morinaga’s Your & My Secret provides a pretty good idea of the gender-bending weirdness that would have ensued. The story focuses on Nanako, a swaggering tomboy who lives with her mad scientist grandfather, and Akira, an effeminate boy who adores her. Though Akira’s classmates find him “cute and delicate,” they declare him a timid bore — “a waste of a man,” one girl snipes — while Nanako’s peers call her “the beast” for her aggressive personality and uncouth behavior, even as the boys concede that Nanako is “hotter than anyone.” Akira becomes the unwitting test subject for the grandfather’s latest invention, a gizmo designed to transfer personalities from one body to another. With the flick of a switch, Akira finds himself trapped in Nanako’s body (and vice versa).

The joke, of course, is that Nanako and Akira have found the ideal vessels for their gender-atypical personalities. Nanako revels in her new-found freedom as a boy, enjoying sudden popularity among classmates, earning the respect of Akira’s contemptuous little sister, and discovering the physical strength to dunk a basketball. Akira, on the other hand, finds his situation a mixed bag: for the first time in his life, his sensitive personality endears him to both male and female peers, but many of the things his maleness had previously exempted him from — housework and cooking, menstrual cycles, unwanted advances from boys — turn out to be much worse than he’d imagined. He struggles to feel comfortable in Nanako’s skin, insulted by the grandfather’s refusal to do chores and bewildered by his old buddy Senbongi’s growing attraction to him.

Much of the humor in Your & My Secret stems from the war between head and hormones. Akira still identifies as a boy, lusting after Nanako’s sweetly feminine friend Shiina and suffering volcanic nosebleeds in the girls’ locker room, yet his body is drawn to Senbongi; after Senbongi makes a pass at him, the flustered Akira wonders how Senbongi “got to be such a good kisser.” Nanako, who is quick to embrace her new male identity, struggles as well; though she asks Shiina out, she’s reluctant to consummate their relationship, and shows an all-too-prurient interest in Senbongi’s, um, equipment. Making things even more complicated for Akira is that he’s trapped in the body of the girl he adores. He’s both disgusted and aroused by the sight of himself, and filled with conflicting emotions about the growing relationship between Nanako and Shiina.

Perhaps the most interesting wrinkle in Your & My Secret is that Nanako’s experiences transform her into a sexist pig. She rebuffs Akira’s pleas to reverse the experiment, belittling his gentle, conciliatory personality and asserting her right to have fun in his body. At the same time, she insists that Akira refrain from dating, having sex, or exploring her body; she repeatedly describes her body as a sacred temple that must remain “unpolluted” before her wedding day, and threatens Akira with humiliation if he acts on his conflicted feelings for Senbongi — or Shiina. (Apparently, Nanako is a bit of a homophobe, too.)

While the gender-swapping hijinks provide most of the comedic fodder for Your & My Secret, Morinaga also has a ball poking fun at manga tropes from incestuous infatuation to cultural festivals. The best of these gags revolves around the school’s manga club: in a sly nod to Tezuka, the group is helmed by a beret-wearing artist who transforms Akira and Senbongi’s friendship into a steamy boys’ love comic in which Akira is the seme and Senbongi is the uke. (“It’s not that I like guys,” Akira’s avatar tells Senbongi’s. “The person I fell in love with just happened to be a guy.”) Morinaga also wrings laughs from her characters’ desperate behavior; the grandfather, for example, thinks nothing of blackmailing Akira to get closer to Shiina (he dreams of having a pretty teenage girl sit in his lap and clean his ears), while Senbongi hatches up a love-hotel scheme to drive a wedge between Akira and Nanako.

Yet for all the black comedy, Morinaga still allows her characters moments of vulnerability and decency, preventing the humor from curdling into pure meanness. She wisely avoids the trap of making her characters too dumb to notice the transformations in Akira and Nanako, allowing her to sustain the body-swapping premise without straining credulity or testing the reader’s patience. Morinaga avoids another trap as well: that of making her leads so repellent the reader wishes for their comeuppance. (Even Nanako — she of the karate chops and withering put-downs — demonstrates a capacity for kindness and selflessness when wooing Shiina.) The artwork supports Morinaga’s characterizations, showing us both their nastier and nicer sides. When Akira assumes ownership of Nanako’s body, for example, there’s a visible softening of Nanako’s features, her lips becoming moistly inviting, her chin turning ever-so-slightly upward, and her eyes shining like a proper shojo heroine’s. If provoked, however, Akira’s body language and gestures revert back to Nanako’s coarse, tomboy persona, right down to the maniacal gleam in his eye; the gap between the two personalities proves smaller than either would like the admit.

No, it isn’t Taming of the Shrew, but Your & My Secret manages to make some worthwhile points about gender roles (and gender norms) while serving up plenty of dopey slapstick and risque jokes. Frankly, I’d take a big helping of Morinaga’s un-PC humor over an earnest, socially responsible “girls’ comic” any day of the week. Highly recommended.

This is an expanded version of a review that originally appeared at PopCultureShock on 3/12/08. The original review can be read by clicking here.

Filed Under: Manga, Manga Critic, REVIEWS Tagged With: Ai Morinaga, Comedy, Tokyopop

Your & My Secret, Vols. 1-5

April 25, 2010 by Katherine Dacey

secret5If you ever wondered what Freaky Friday might have been like if Jodie Foster had switched bodies with Leif Garrett instead of Barbara Harris, well, Ai Morinaga’s Your & My Secret provides a pretty good idea of the gender-bending weirdness that would have ensued. The story focuses on Nanako, a swaggering tomboy who lives with her mad scientist grandfather, and Akira, an effeminate boy who adores her. Though Akira’s classmates find him “cute and delicate,” they declare him a timid bore — “a waste of a man,” one girl snipes — while Nanako’s peers call her “the beast” for her aggressive personality and uncouth behavior, even as the boys concede that Nanako is “hotter than anyone.” Akira becomes the unwitting test subject for the grandfather’s latest invention, a gizmo designed to transfer personalities from one body to another. With the flick of a switch, Akira finds himself trapped in Nanako’s body (and vice versa).

The joke, of course, is that Nanako and Akira have found the ideal vessels for their gender-atypical personalities. Nanako revels in her new-found freedom as a boy, enjoying sudden popularity among classmates, earning the respect of Akira’s contemptuous little sister, and discovering the physical strength to dunk a basketball. Akira, on the other hand, finds his situation a mixed bag: for the first time in his life, his sensitive personality endears him to both male and female peers, but many of the things his maleness had previously exempted him from — housework and cooking, menstrual cycles, unwanted advances from boys — turn out to be much worse than he’d imagined. He struggles to feel comfortable in Nanako’s skin, insulted by the grandfather’s refusal to do chores and bewildered by his old buddy Senbongi’s growing attraction to him.

…

Read More

Filed Under: Manga Critic Tagged With: Ai Morinaga, Gender-Bending, shojo, Tokyopop

There’s Something About Sunyool 1 by Youngran Lee: B

April 21, 2010 by Michelle Smith

Sunyool Lee first met her father, a powerful politician, six months after her mother’s death. He’d been unable to have children with his wife, and so acknowledged Sunyool as his daughter. The arrangement gave Sunyool access to the finer things in life, but also required a number of sacrifices, including giving up the freedom to choose her own spouse. For her part, though, Sunyool is practical about the necessities of an arranged marriage, and is more than willing to check out the candidates her father has chosen. In the end, she chooses a gentlemanly young man named Sihyun Park and the two are married.

At first, one is led to believe that There’s Something About Sunyool will be a romantic comedy in which the two leads marry as strangers but learn to love each other—akin to something like Goong: The Royal Palace—but in actuality, they quickly discover that they are highly compatible, and that a happy future is not only possible but likely. Of course, such perfect bliss cannot last for long and—through no fault or desire of the newlyweds—the marriage is ultimately short-lived. The story picks up four years later with Sunyool living in another town and poised to embark on entirely new adventures.

It’s not until one reaches the final chapter that one realizes that this change of direction is coming and that the first volume is really serving as a prologue to a story that has hardly begun. These events establish Sunyool’s character and will presumably set up an overarching plot for the series, but the story cuts off at such a random point in her new life that it’s difficult to see how the events have changed her, if at all, and without any substantive hints about the story’s direction from here, it’s a pretty abrupt and lackluster conclusion.

Gripes about plot structure aside, though, this is still an engaging read, largely because of the strong and quirky protagonist. Sunyool faces life honestly and without pretension, which enables her to accept the idea of an arranged marriage without difficulty, saying, “Well, it’s not like I have some lofty dreams for the future… It might be nice to marry whoever (sic) Assemblyman Lee says to and live a life of comfort. I’ve been at the bottom and it was not pretty.” Too, her father gives her some advice—“Be brave and confident in any circumstance”—that she takes to heart and uses to get her through the tough times resulting in the dissolution of her marriage. While some guys are intimidated (or simply turned off) by her lack of feminine mystique, her fearlessness is largely responsible for Sihyun growing to love her so swiftly, and suggests she’ll land on her feet no matter what happens.

Lee’s art is attractive, featuring the pointed chins and pouty lips that would enable those familiar with manhwa to recognize its origins pretty immediately. Her style here is a little more cute than in Click, an earlier series from this creator also published by NETCOMICS, but not as frantically sparkly as it could’ve been. Unfortunately, there are a couple of errors in the script—mostly in the form of the wrong word being chosen rather than typos or general awkwardness—that I hope will be corrected for the print edition. There aren’t so many as to ruin the reading experience, but they’re distracting nonetheless.

Ultimately, I am very intrigued by There’s Something About Sunyool and eager to see where the story goes from this point. Happily, the series updates regularly at the NETCOMICS site, with several chapters of volume two already available.

There’s Something About Sunyool is being simultaneously released in the US and Korea, with new chapters appearing regularly at the NETCOMICS site. Amazon also lists a print edition of the first volume, due in June.

Review copy provided by the publisher. Review originally published at Manga Recon.

Filed Under: Uncategorized Tagged With: netcomics, Youngran Lee

Kingyo Used Books, Vol. 1

April 19, 2010 by Katherine Dacey

Kingyo Used Books starts from a simple premise: an eccentric group of people run a second-hand bookstore in an out-of-the-way location. Various customers stumble upon the shop — usually by accident — and, in the process of browsing, find a manga that helps them reconnect with a part of themselves that’s been suppressed, whether it be a youthful capacity for romantic infatuation or a desire to paint expressively.

Is there such thing as agit-manga? Because Kingyo Used Books seems like the brainchild of an editor who’s desperately trying to convince adults that one never outgrows manga. In the first story, for example, a salaryman tries to unload his collection at the store, telling the owner, “I’m not a kid anymore. Besides, it’s kind of pathetic to keep reading manga forever.” He gets a gentle comeuppance at a class reunion, where his friends’ fond memories of Dr. Slump remind him what an important role manga played in their young lives. The story is pleasant and enjoyable, but suffers from a bad case of predictability; as soon as the salaryman sees his friends engaged in tearful, rhapsodic discussions of their childhood reading habits, he’s overcome with emotion and — natch — a strong desire to keep the manga he’d previously hoped to sell.

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Other stories in volume one follow the same basic template. In “Far Away,” for example, an archery champion discovers that laughter and downtime are as essential to winning as practice, thanks to a pair of Kingyo employees whose snot-rolling-down-the-face, tears-in-eyes response to Moretsu Ataru inspires the archer to pick up a manga instead of his bow and quiver. “Fujiomi-kun,” another chapter that adheres to this formula, focuses on a frustrated housewife who makes some small but important changes in her life after rediscovering Chizumi and Fujiomi-kun, a romance about a handsome athlete who falls in love with a clumsy but kind-hearted girl.

The series’ episodic structure cuts both ways, see-sawing between a fun exercise in formula — which manga will feature prominently in this story? who will be drawn into the store? — and a frustratingly obvious collection of beats culminating in a character’s decision to make a change in her life. I’d be lying if I didn’t admit the appeal of a series that highlights some famous (and, sadly, untranslated) manga, or that validates my own experiences as an adult manga reader; like many of the characters in Kingyo Used Books, I, too, have found titles as different as Suppli, Phoenix, and Night of the Beasts an outlet for emotions that don’t always find expression in my daily life. In settling for such a tidy approach to dramatizing manga’s transformative power, however, author Seimu Yoshizaki misses an opportunity to really move readers, instead treating us to sentimental, sometimes mawkish, scenes in which adults recover childhood memories of favorite books. Yoshizaki never acknowledges the messiness or risk that her characters take when acting on their epiphanies or experiencing personal growth, choosing instead to end every story on a positive note.

The artwork is clean, conveying the characters’ interior lives with directness and simplicity. Though her style isn’t particularly distinctive, Yoshizaki does a fine job evoking other artists’ styles, recreating images from famous series and altering one of her own characters to look like the hero of his favorite manga. The most striking image in the book is just such a recreation: it’s Hokusai’s iconic wave print, drawn in the sand by two students who then watch the incoming tide erase it. In the story’s final panels, the two reflect on their emotions as they watch their work vanish. One is pensive and wishes the work was permanent; the other responds by noting that permanence can be its own trap. “I’ve seen the pictures Hokusai drew when he was our age,” he says. “They really sucked.” Here’s hoping that volume two has more of these frank, funny, and true-to-life moments and fewer scenes of tearful housewives and salarymen reliving their childhoods through manga.

KINGYO USED BOOKS, VOL. 1 • BY SEIMU YOSHIZAKI • VIZ • RATING: OLDER TEEN (16+) • 208 pp.

Filed Under: Manga, Manga Critic, REVIEWS Tagged With: Drama, SigIKKI, VIZ

Kingyo Used Books, Vol. 1

April 19, 2010 by Katherine Dacey

kingyo_coverKingyo Used Books starts from a simple premise: an eccentric group of people run a second-hand bookstore in an out-of-the-way location. Various customers stumble upon the shop — usually by accident — and, in the process of browsing, find a manga that helps them reconnect with a part of themselves that’s been suppressed, whether it be a youthful capacity for romantic infatuation or a desire to paint expressively.

Is there such thing as agit-manga? I ask this because Kingyo Used Books seems like the brainchild of an editor who’s desperately trying to convince adults that one never outgrows manga. In the first story, for example, a salaryman tries to unload his collection at the store, telling the owner, “I’m not a kid anymore. Besides, it’s kind of pathetic to keep reading manga forever.” He gets a gentle comeuppance at a class reunion, where his friends’ fond memories of Dr. Slump remind him what an important role manga played in their young lives. The story is pleasant and enjoyable, but suffers from a bad case of predictability; as soon as the salaryman sees his friends engaged in tearful, rhapsodic discussions of their childhood reading habits, he’s overcome with emotion and — natch — a strong desire to keep the manga he’d previously hoped to sell.

…

Read More

Filed Under: Manga Critic Tagged With: Seinen, SigIKKI, VIZ

Manhwa Monday: Spring Slump

April 19, 2010 by MJ Leave a Comment

Welcome to another Manhwa Monday! It’s been a quiet week for manhwa, with just a couple of series stealing most of the focus from reviewers.

I’ll lead off with a review of my own, featuring YoungHee Lee’s You’re So Cool, complete in six volumes from Yen Press. This review is also my first guest spot at Brigid Alverson’s MangaBlog, which is quite an honor for me.

You’re So Cool is a series that benefits greatly from being read straight-through, particularly in its first half. Though its heroine is spunky and adorable from the start, the romantic premise is so problematic, it would be easy to abandon just two volumes in. “Fortunately, midway through the series’ third volume, Lee forgets that she’s writing a hopelessly clichéd, emotionally-backwards romance and gets caught up in the real heart of the story: how people (especially families) shape each other, for better or worse.” …

Read More

Filed Under: Manhwa Bookshelf Tagged With: manhwa, Manhwa Bookshelf

Wild Ones, Vol. 9

April 18, 2010 by MJ Leave a Comment

By Kiyo Fujiwara
Viz, 200 pp.
Rating: Teen

Having finally agreed to speak to the father who abandoned him so many years ago, Rakuto is confronted with the possibility that he may eventually have to leave Sachie’s side in order to make peace with his own past. Meanwhile, Azuma is determined to let Sachie know how he feels, whether Rakuto is ready to play his part or not. Who does Sachie truly love? Has this ever been in question? If so, this volume provides an answer at long last!

Finally the series’ romantic tension is resolved, exactly as it was certain to be from the beginning. Some formulaic romances are enjoyable to read simply because they are so predictable. With these stories, the charm is in the writing, and watching their familiar scenarios play out is, frankly, comforting and downright delightful. Unfortunately, this is not one of those series. Though the couple in question are undeniably sweet, their relationship is so labored and so painfully drawn out, one finds oneself wishing something truly shocking would happen (a deadly plague? an alien invasion? ) just to break up the monotony. With its unbelievable premise and its terminally clueless lovers, this series seems determined to remain lifeless until the end.

Well, almost, anyway. To be fair, this volume’s final pages are honestly sweet, and may even evoke tears from desperate readers grateful for a bit of romantic satisfaction. It may not be an alien invasion, but long-time readers are at least assured some payoff.

Review copy provided by the publisher. Review originally published at PopCultureShock.

Filed Under: MANGA REVIEWS Tagged With: manga, wild ones

Honey Hunt 4 by Miki Aihara: B

April 18, 2010 by Michelle Smith

Despite having no prior interest in acting, Yura Onozuka, the relatively normal daughter of celebrity parents, discovers a talent for it when she resolves to surpass her mother in the dramatic sphere. She has achieved some moderate success pretty quickly, including a spot in a commercial and a supporting role on a new TV drama.

Yura’s career is less the focus in this volume than are her romantic prospects, however. While volume three ended with one pop star (Haruka) confessing his feelings, here Yura is swept away by his twin brother (Q-ta, also a pop star), to the point where she’s distracted during an audition and later ditches a dinner planned by her housemates—to celebrate her drama’s debut—in favor of spending a night on the town with Q-ta.

Although one might wish for a heroine more doggedly dedicated to her career, it’s not hard to sympathize with Yura as she faces the choice between two dreams—the nurturing family-type environment offered by her housemates and the love of a prince-like suitor. Even though she makes some mistakes, she’s still likeable. Q-ta, however, comes off as quite the brat here, and one can’t help but wonder whether his protestations that he likes Yura for herself rather than for her famous father are truly genuine. If not, I suppose it’ll make for good drama.

In the end, while Honey Hunt doesn’t leave a particularly strong impression with the reader, it’s still something I enjoy reading.

Review copy provided by the publisher. Review originally published at Manga Recon.

Filed Under: REVIEWS Tagged With: Miki Aihara, shojo beat, VIZ

Bakuman finally makes US debut!

April 16, 2010 by MJ Leave a Comment

Everybody knows what a big Takeshi Obata fangirl I am (or at least they should), and it’s no secret that I’ve been anxious for the US debut of Bakuman, his latest collaboration with Tsugumi Ohba, author of Death Note.

Finally that day has come! Not the first volume (we’ve got a ways to go for that), but in the May issue of Shonen Jump, available now at an otaku-friendly newsstand near you. Check out the press release from Viz:

San Francisco, CA, April 14, 2010 – VIZ Media, LLC (VIZ Media), one of the entertainment industry’s most innovative and comprehensive publishing, animation and licensing companies, has announced the upcoming release of the manga series BAKUMAN。. The series, rated ‘T’ for Teens, will be released on August 3rd under VIZ Media’s popular Shonen Jump imprint and will carry a MSRP of $9.99 U.S. / $12.99 CAN. …

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Filed Under: NEWS Tagged With: bakuman, manga, press releases

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