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A Zoo in Winter

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As gifted and versatile as Jiro Taniguchi is, I do find myself ambivalent about some of his work. I can sometimes find it too cerebral (The Times of Botchan), too burly and stoic (The Ice Wanderer), or even too sentimental (A Distant Neighborhood). I always appreciate his comics, particularly for their flawless draftsmanship, but there can be those nagging reactions to tone that keep me from admiring it without reservation.

A Zoo in Winter, Taniguchi’s latest translated offering from Fanfare/Ponent Mon, ends up being one of his titles that ends up working for me without qualification. It starts out a bit on the stoic side, but it ends up being thoughtfully sentimental in just the right way, at least by my standards.

Taniguchi reveals his early days in the manga industry, working as an assistant to a popular shônen artist. When we first meet him, or at least his avatar, Hamaguchi, he’s working in an unsatisfying job at a textile concern, making deliveries and wondering if he’ll ever get a promised chance at design work. An awkward series of events involving the owner’s daughter leads him from Kyoto to Tokyo, where a high-school friend sets him up with a job in a manga-ka’s studio.

Hamaguchi learns the assistant’s trade on the job, finding the workplace dynamics somewhat trickier than he expected. He’s jealous when a co-worker seems to be on the verge of his professional debut, and he’s quietly alarmed by the news that his superior had his shot at a solo career and went back to supporting someone else’s work. Hamaguchi also hits that wall any cartoonist faces: what kinds of stories does he want to tell?

He also gradually starts taking advantage of life in Tokyo. The studio is sort of a wheel-spoke for the kind of weird, low-grade arty types that congregate in cities. Between Kikuchi, the ne’er-do-well friend of Hamaguchi’s manga-ka boss, and his high-school buddy, Hamaguchi begins to develop something resembling a social life. Those two threads intersect when Kikuchi asks Hamaguchi to hang out with his girlfriend’s sickly sister.

The waif ends up inspiring Hamaguchi merely by expressing an interest in what happens next in one of Hamaguchi’s half-formed stories. His fondness for the girl (and probably the ego boost her admiration provides) prompts Hamaguchi to take his own work more seriously. After a rather clinical starting point, the narrative goes to some shamelessly romantic places, and I’m surprised at how well it works. There are few things quite as clichéd as the sickly inspiring the hale to make the most of their lives, but Taniguchi pulls it off by acknowledging that this is what’s happening but keeping his protagonist sweetly in the dark about what a stereotype he’s executing. It ends up being lovely rather than gooey, though the gooey mien gives it all an extra something. Taniguchi gets to frost his cake and eat it, too.

As a tale of a young artist, A Zoo in Winter is generally understated, which is a blessing. Taniguchi is in his best kind of thoughtful, restrained mode with this material, which results in some very astute observations about the hothouse quality of artists in collaboration. I think that restraint and understatement also give Taniguchi license to tug at the heartstrings a bit more than otherwise might be palatable. It strikes a very nice balance overall, and it’s certainly among my favorites of Taniguchi’s licensed works.

 

Negima! Magister Negi Magi, Vol. 31

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By Ken Akamatsu. Released in Japan as “Mahou Sensei Negima!” by Kodansha, serialization ongoing in the magazine Weekly Shonen Magazine. Released in North America by Kodansha Comics.

When I reviewed the previous volume of Negima, I noted that our heroes would start kicking ass in this next one. Which is true, but we do have about 50 pages before that happens. And in that 50 pages, a whole lot more sympathetic characters get killed off by our suddenly body-count happy author.

Of course, this is a shonen romantic comedy manga, despite occasional drama, and the people killed off are being turned into magical feathers and dissipated, not having huge bloody chunks cut out of them. Thus, it is not particularly a surprise when, just a few chapters later, it’s revealed we may be able to get all of them back. Still, for the chapters where it’s happening, it’s horrible to see. Yue’s rival Emily, Jerk with a Heart of Gold Tosaka, and even the giant Teddy Bear woman all get taken out. Least surprising but most devastating of all, Fate takes out Jack Rakan, who manages to briefly resurrect himself from the dead (because he’s just that awesome – no, really, that’s the canon explanation) and give our heroes a brief pep talk. Even Chisame ends up in tears.

Of course, not everyone takes this lying down. Yue’s reaction to Emily’s death is to turn into MAGICAL PSYCHO BERSERKER, and it works for about 10 seconds till Mana talks her down. Then there’s Nodoka. Remember a few months ago, when I posted my top 10 Negima moments, and hinted more would be in future books? This is the one I was thinking of. Nodoka, having seen two of her companions killed in front of her, snaps out of her funk and proceeds to kick the bad guy’s ass with her pactio powers, cleverness, and a few magical dodging skills she picked up in case stuff like this happened. Afterwards, the entire cast’s jaw drops when they hear about it. Normally when an author has the characters lampshade how awesome something was, it seems self-serving, but here, it’s more acknowledgement.

And so, after Chachamaru takes care of the giant Chtulhu monster with her new pactio weapon, we pause to briefly run away and regroup. Which is good, as Rakan noted something else that our heroes are finally clued in on (even if the reader has known for some time): the Asuna they’re with is a fake, and the reason the villains are able to do all this damage is they’re using the real Asuna’s power. So it’s time to interrogate the false Asuna… which is a bit of a problem, as the fake doesn’t know she’s a fake. Luckily, Negi has his secret weapon. (cough) Hey, when all you have is a hammer…

As the volume ends, Luna is no longer Asuna, and tells them what she knows (which isn’t a lot), without even needing enhanced interrogation (kudos to the Nibleys for that phrase, by the way). So Negi needs to power up again, and must call on imaginary Evangeline once more to draw out his inner beast… which may not be able to be put down after all this is over. This is the trouble with siding with dark magic.

Much as I enjoyed the volume as a story, I would be remiss if I did not point out that it was even more riddled with typos than usual. In previous Kodansha/Del Rey reviews, I asked who was editing the books and if they knew what continuity was; in this one, I wonder if they even use editors at all anymore, or just have the translators edit their own work. “Nodoka56…” was particularly egregious. It also seems to be missing the character commentary on Asuna. I realize that there was a rush to get out Negima every 2 months to catch up after the hiatus, but come on, shoddy product does not help you at all, Kodansha.

That said, another great volume of Negima, and I do look forward to seeing how this battle continues to play out. Surely Akamatsu can’t introduce anything more surprising than what we’ve already had…

Detroit Metal City Volume 10

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The final volume! I’ve missed a couple volumes leading up to the grand conclusion of Detroit Metal City, but since most volumes of DMC are fairly similar it was easy to get into the story. DMC is broken up, and there’s a new metal king in town, “Lord God.” Lord God is a wannabe male model who has taken to death metal instead, turning his catwalk posing into a stage move called the “God Walk.” Negishi has run off to Paris to indulge his dream of producing syrupy sweet romantic music, but it seems like the French hate his true self. He is resolutely ignored whenever he plays his music on the streets of Paris to the point where when he gets hit in the face with a raw egg, he responds with thanks for getting some sort of reaction from someone. The remaining members of DMC want to put on one final show, but will Negishi come back from Paris in time?

Of course, there is never any doubt that Lord Krauser will make a final appearance in the last volume of DMC and he makes his entrance in grand style, after sending along video of him systematically violating every single symbol of Paris he can find. Krauser and Lord God have an epic showdown, and Negishi’s attempt to show his other side to his love Aikawa goes just as well as one might expect. My main problem with Detroit Metal City is that it was never as funny and shocking as the first volume. Once the reader knows the set-up, the subsequent volumes were all very similar. Still, I’m glad that a series this gleefully profane was brought over here. I will certainly never be able to think the same way about the national monuments of many countries, after seeing what Lord Krauser did to them.

Review copy provided by the publisher.

Thanks, but no thanks

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For this weekend’s random question, what have you read recently that just wasn’t for you, for whatever reason?

For me, I’d have to pick Jiro Matsumoto’s Velveteen & Mandala, though it feels like blasphemy to say that I didn’t enjoy a book from Vertical. Matsumoto is clearly very talented, but this particular brand of comic is just… not for me.

How about you?

 

Let’s Get Visual: Celebrating the Pretty

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MICHELLE: The long-awaited return of Sailor Moon has inspired us to devote this month’s column to classic shoujo art, focusing on a celebration of its sheer prettiness. Normally, we try to be astute in these columns—their whole purpose is to provide experience in seriously considering the artistic merits of manga—but it’s possible that this time we’ll be reduced to just sighing happily.

MJ: Yes, it’s quite possible indeed. But honestly, I think that’s valuable in its own way, and maybe we’ll end up learning a little something about why these things make us sigh happily.

MICHELLE: Perhaps so!

So, for my contribution I’ve chosen two memorable moments from the first volume of Naoko Takeuchi’s Pretty Guardian Sailor Moon. The first one comes from a chapter in which the protagonist, Usagi Tsukino, has infiltrated a masquerade ball in an effort to determine whether the Legendary Silver Crystal might be found there. Possible foe/possible ally Tuxedo Mask is also on the crystal’s trail, but pauses to give Usagi a twirl on the dance floor.

Pretty Guardian Sailor Moon, Volume 1, Chapter 4, Pages 142-143 (Kodansha Comics)

Takeuchi’s art perfectly captures the sheer dreaminess of this encounter for Usagi. In the top panel, the lacy screentone mimics the flare of her skirts, and the way that the smaller panels are framed focuses attention on facial expressions and reinforces the feeling that no one and nothing is capable of intruding upon this perfect moment for them.

And, of course, her dress is purty.

MJ: This sequence truly is dreamy. What particularly pulls me in here is the screentone. Its texture brings a 3D quality into this 2D world, as though the moment was preserved and wrapped up in an elaborate scrapbook that I could reach out and touch—as though it was someone’s real memories of the moment. Even just looking at something that has such a familiar texture stimulates my sense of touch, bringing me more fully into the scene. I think this kind of tangible decoration not only lends a fairy-tale dreaminess to the scene, but also makes it feel more personal for the reader.

MICHELLE: Ooh, you’re right, it does feel like a page from a scrapbook! In that sense, the screentone almost seems like it represents a snippet of the actual material of Usagi’s dress.

In addition, Usagi has used her transformation gadget for this chapter and is supposed to appear a little older than usual. I think her expression on the lower left page captures that subtle distinction nicely.

MJ: I’ll note too, that while this particular brand of big-eyed shoujo tends to get a lot of flack outside shoujo fandom, that it’s Usagi’s big, shining eyes that really let us know how she feels here, and just how dreamy this moment really is for her (and subsequently for us).

MICHELLE: You know, I think I’ve become inured to the big-eyed thing, except with extreme cases, because I don’t even notice it anymore. It just seems like such an obvious way to convey youth and wonder.

My second “memorable moment” is an example of a Sailor Moon action sequence.

Pretty Guardian Sailor Moon, Volume 1, Chapter 5, Pages 188-189 (Kodansha Comics)

In its way, this selection is just as pretty as the other one. Luna tosses Makoto her transformation pen, which glows in an appealingly magical girl fashion, transforming the girl—who is somewhat insecure about her physique—into Sailor Jupiter, someone both beautiful and powerful. Meanwhile, the enemy lurks on a nearby rooftop, and I’m impressed how this single panel so effectively establishes setting and atmosphere when one doesn’t have the preceding pages to furnish that information. Makoto’s first attack is simultaneously feminine and effective, giving her the opportunity to vanquish the enemy with her thunder bolt on the next page.

Looking back at some of the adjectives used in the paragraph above, I find that they aptly convey what it is I like about this moment: beauty and power, femininity and effectiveness. Sailor Moon shows that these things need not be mutually exclusive.

MJ: Those are great adjectives, Michelle, and actually this brings up a point I’ve been wanting to make since I listened to the podcast you participated in about Sailor Moon.

When male manga fans are trying to explain why something written for girls might be appealing to them as well, they will often attribute this to what they perceive as male or “shounen” elements in the story, like team-building or action sequences. And while I appreciate their enthusiasm for the work, I’m a bit perplexed as to why these would be considered exclusively “shounen” to begin with. Sure, certain genres of shoujo manga might share these things in common with certain genres of shounen manga, but I honestly don’t see what’s not inherently shoujo about them. Girls enjoy things like action, adventure, teamwork, and battling evil just as much as anyone, and there’s nothing odd or incongruous about these elements standing alongside things like beauty and femininity. These things naturally coexist in the minds of many girls, and when they’re all put together, they are not only exciting and inspiring, but really freaking pretty.

MICHELLE: You’re right, and though I agreed with them that there were some “shounen” elements to Sailor Moon, I didn’t mean to imply that they’re not just as easily shoujo elements, but simply story aspects that are more common to shounen manga. If that makes sense.

MJ: I guess what I’m saying is, though maybe there are more shounen action series than there are shoujo action series, it’s not as if it’s uncommon in shoujo. The entire magical girl genre pretty much exists in that realm, and those series share as much or more in common with fantasy, adventure, or sci-fi shoujo like Basara, X/1999, or They Were Eleven as they do with shounen manga—all of it very shoujo and very pretty.

I don’t mean to derail this discussion with my shoujo manifesto, though, so please forgive me. I’m just happily overwhelmed by the sparkly loveliness of this action sequence.

MICHELLE: No worries; I agree with you. But perhaps we should move on. What pretty shoujo have you chosen?

MJ: Well, it may seem like an odd choice, given the vast pool of classic pretty to choose from, but I’ve chosen an 8-page scene from volume three of Reiko Shimizu’s Moon Child, and there are a number of reasons why.

Moon Child, Volume 3, Pages 146-153 (CMX)

First, of course, there is quite a bit of objectively lovely imagery in the later panels of the scene, including rippling water, a flowing seascape, and a billowy-haired mermaid, all rendered with a perfect balance of simplicity and detail. I’m particularly fond of Shimizu’s style of character design as well, which is very much in step with most of the ’80s and early ’90s manga I’ve read. For whatever reason, this is probably my very favorite period for shoujo character design.

Most of all, though, there is an eerie, vaguely melancholy tone throughout the entire scene, particularly the first two pages, which I will admit are my favorite. I even consider them the prettiest of the whole sequence, though they have none of the flowing seascape that decorates the rest of the scene. They are, however, beautifully strange, and a perfect example of what I personally find prettiest in shoujo manga. This may seem like an odd thing to say, but I find the strangeness—this particular brand of strangeness—to be really, really beautiful. When I look at the first two pages of this sequence, I can feel the smooth surface of the water as the character brings his face near, touching the ends of his hair and the tips of his nose and chin. That smooth pool of water and the way he just falls slowly into it—it’s difficult for me to articulate exactly why I find it beautiful, but I really do.

Yes, I love these character designs, and the pretty page layouts, but sometimes what I find most beautiful about older shoujo manga is its strangeness. It brings to mind a dreamworld, I guess—one that looks like our world but somehow just isn’t in a way that engages the most obscure, most beloved corners of my imagination. These stories make themselves part of my private world, and I find them beautiful for it. If that makes any sense at all.

MICHELLE: It absolutely makes sense. And for what it’s worth, I studied the pages before I read your commentary and also felt that the exquisitely slow descent into the fountain was the loveliest part. I like, too, how Teruto slips into the fountain with such grace and barely a ripple and how this is contrasted off-panel by the little girl who has observed what happened. The inability of an everyday person to access the same magic only reinforces its strangeness.

MJ: Yes, exactly! It seems so clear that he exists in a different state of being from the regular people around him, which is part of what makes it feel so dreamlike, I think. There is a lot of that kind of thing in this series, which is really, exquisitely strange. I think the dreamlike tone makes it easier to suspend disbelief as well.

MICHELLE: From the examples we’ve both chosen, it seems that, to some extent, it’s the dreaminess of pretty scenes that is at least partly responsible for the happy sighing. Of course, we realize that real life is seldom so lovely, but it’s nice to abandon oneself for a while in a reality where that sort of thing really can happen.

MJ: I think where I often find solace in shoujo manga, is that it offers exactly what you describe—a reality that contains the stuff of dreams—but held together by real human feeling, such that even the wildest tale can often shine much-needed light on our real-life emotional turmoil. At the heart of all this strange, sparkly fantasy, there is a solid base of real emotional truth, which is sometimes easier to face when it’s presented in a pretty, dreamlike package.

MICHELLE: Well put! I think that’s one of the major strengths of genre fiction in general, actually, no matter the media.

MJ: Agreed! Of course, nothing does “pretty” quite like classic shoujo.

MICHELLE: Indeed not. That’s just icing on the cake!

New Vertical License

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Vertical had a panel at Anime Weekend Atlanta, and Ed Chavez was quick to note that he was saving most of the new license announcements for NYCC/NYAF, but he did have one new book they’ll be releasing in the Spring of 2012.

Aku no Hana, which will be released over here as Flowers of Evil, is a Kodansha shonen title, currently being released in the monthly Bessatsu Shonen Magazine, and was one of the series that debuted with the magazine itself in 2009. The author, Oshimi Shuzou, isn’t very well known over here, but does have another series that has begun to appear in English: his seinen adventure Hyouryuu Net Cafe has the first volume up at JManga. Aku no Hana will be at least 5 volumes, and is still running in the magazine today.

As for the plot, it apparently involves the girl on the cover blackmailing the somewhat weak male lead. Not an entirely uncommon plot in Japanese manga, and I imagine it will live and die on how weak the male lead actually is. The cover design looks very striking as well – though, as with many or most Vertical releases, we may get entirely new covers for the North American market.

This is another ‘mainstream’ release after they announced GTO Shonan 14 Days earlier in the year. Although it does seem somewhat eccentric for a shonen title, and I suspect may be more along the lines of what Genkaku Picasso was for Jump Square. Let’s see what it does to try and grab us!

License request day: Papa Told Me

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Much as I’m enjoying The Favorites Alphabet, I do find myself missing the weekly immersion of The Josei Alphabet, so I’ve turned to that category for this week’s bit of begging. Specifically, I’ve turned to Shueisha’s Young You, and I’ve found slice of life.

Nanae Haruno’s Papa Told Me ran for 27 volumes, meaning it was a fixture in Young You for virtually the entire publication history of the magazine. It falls in a sub-category of manga (a single father raising a daughter) that has yielded some books I really enjoy (Bunny Drop and Yotsuba&! from Yen Press come to mind).

Chise, a little girl in elementary school, has lost her mother. She’s being raised by her father, a novelist, who works at home, which allows him to be an attentive parent to his bright and curious daughter. From what I can discern, Haruno focuses on everyday stuff in Chise’s life, events and activities which can be exciting for a kid and sweetly nostalgic for an adult. (The mono  no aware is strong in this one, unless I miss my guess.)

This kind of stuff is basically crack for me, and while the length is daunting, there is precedent for publishers offering a sampler. French house Kana put out three double-sized books that seem to pick highlights from the series, so an English-language house (say, oh, Viz) would just have to acquire the rights to those books. Then, of course, demand would be so high that Viz would have to publish the entire series. And I would get that battle unicorn I’ve always wanted.

The samples on Shueisha’s page look really sweet.

Kitty Hawker

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By Takao Saito. Released in Japan by LEED Publishing, serialized via Shogakukan in the magazine Big Comic Special. Released in the United States by LEED Publishing on the JManga website.

(Note: Despite saying Vol. 1 on the JManga site, I believe the series is complete in one volume.)

The main player involved so far in JManga’s site has been Futabasha, but there are several other companies who also have made previously unseen content available. LEED Publishing was created by Takao Saito in the early 1970s to market his manga empire, which was already monumentally successful due to his action thriller Golgo 13. I’m not certain how many of his titles are done by Saito himself and how many are his huge team of artists – he’s sort of the Jim Davis of Japan, if Garfield was a stone-faced assassin, of course. (Yes, I’ve read that fanfic.)

This particular title, Kitty Hawker, dates from the mid-1990s. It ran sporadically from 1995-1998 in the magazine Big Comic Special, and is the story of Oki, a Japanese hotshot pilot who gets stranded in the United States after he accidentally breaks an incredibly expensive flight simulator due to his hotshot antics. Forced to take on jobs so he can pay off his debt and return home to his wife and child, he signs on with a tiny airport in Texas, and takes on dangerous political jobs that no sane pilot would ever take on. All the while, of course, while enduring the casual racism and looks of hatred from his immediate superiors (though he does also gain some friends as well).

Oki looks a lot like Golgo 13 (not a huge surprise – Saito’s heroes tend to have similar features), but certainly doesn’t act like him, and it took me a while to get used to him actually talking and having conversations, not to mention showing emotion. Oki is likeable enough to be a hero, but lacks Golgo 13’s super-perfection – Oki’s cockiness and tendency to mouth off to people get him in trouble quite a bit. As for the other characters, everyone in the manga is painted with rather broad strokes – there’s enough depth to keep you reading, but this is in no way a manga that lives and dies by its characters.

What it is is another action thriller, with added political content. Oki gets a job that needs to be done hush-hush, has massive political implications, and will require superhuman flying skills. And he manages to pull it off, usually with the help of his copilot and mechanic Bud. Again, we get stock characters from Action Thriller 101 here: the sexy and mysterious government agent, the nervous CIA guy who hinders more than he helps, and of course the sexy Latin American native who has an affair with the aforementioned Bud. (Oki is married, and though occasionally remarking on the attractiveness of his clients, does not stray.)

So, what you see is what you get here: a political thriller with lots of wordy dialogue followed by lots of awesome scenes of planes doing difficult to impossible stuff, all to save the world. By the end of this volume, Oki has come to terms with his exile, and tells his wife that he’ll be staying a little longer. Kitty Hawker may appeal to those who like old Westerns – it has much the same feel. Very little pretension or attempts to be anything more than a good yarn.

Harlequin Manga: Acting on Impulse and Vengeful Seduction

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Acting on Impulse by Natsue Ogoshi and Vicki Lewis Thompson
Available on emanga.com

I always enjoy Harlequin manga when they exhibit a strong sense of humor. Acting on Impulse is plenty funny as it details the adventures of a naive farmgirl who moves to New York City, determined to live a “metropolitan” lifestyle. Unfortunately Trudy’s expectations of New York are entirely drawn from popular entertainment, which results in occasional hilarity. Trudy’s landed a job as a lowly office worker at a PR firm. She’s friends with a couple in the city who decide that her arrival is a perfect opportunity to fix her up with confirmed bachelor Linc. They ask Linc to be Trudy’s tour guide and look out for her as she gets adjusted to life in the big city. When Trudy meets Linc she pronounces him almost as handsome as her favorite actor and asks him to intone the lines “Admit you want me. I’ll give you ecstasy like you’ve never had before.” They promptly enter into a relationship where they are dating but proclaiming that they aren’t dating, because she wants to experience the freedom of the city and he is afraid of commitment. Trudy’s excess of enthusiasm and bizarre expectations of city life give her more personality than I’ve come to expect from a Harlequin heroine. The art is a little rushed at times, but the characters are attractive and the funny dialog goes a long way to make Acting on Impulse fun to read.

Vengeful Seduction by Cathy Williams and Yukako Midori
Available on emanga.com

Vengeful Seduction is the story of a woman forced to betray her true love when an evil man blackmails her into marriage, only to be dramatically confronted by her past when her drunk husband kills himself and her father in a car accident. Shortly after dealing with her father and horrible husband’s deaths, Isobel is confronted with her ex-boyfriend Lorenzo. Now a successful businessman, he appears again in her life to buy and turn around her family’s failing business. He intends to get Isobel back too, but she’s determined not to be treated like a possession again. As Isobel and Lorenzo are forced to spend more time together, details about her evil husband and her father’s potentially shady business dealings emerge. This harlequin manga had a general feeling of doom and sadness, without the touches of humor that I tend to enjoy. If I’m reading something silly I’d rather have something to laugh about, as opposed to a story that while somewhat goofy takes itself too seriously. So, I am not a fan of Vengeful Seduction, but Acting on Impulse was fun enough to make up for it.

Online access provided by the publisher.

2011 Summer Manga Bestsellers

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Comparative Rankings Based on Consolidated Online Sales

last quarter’s charts
about the charts

The Quarterly chart is a bit different from the usual weekly post: There are five times as many volumes in the Manga Bestsellers (a full 2,500 volumes listed & ranked) and the Series/Property list is twice as long, with a top 100 listed & ranked. Secondary charts – New Releases, Preorders, Manhwa, and BL/Yaoi – are each a Top 50.

##

Manga Bestsellers

1. ↑1 (2) : Maximum Ride 4 – Yen Press, Apr 2011 [5,560.3] ::
2. ↑4 (6) : Black Butler 1 – Yen Press, Jan 2010 [5,142.8] ::
3. ↑75 (78) : Vampire Knight 12 – Viz Shojo Beat, Jun 2011 [5,089.7] ::
4. ↔0 (4) : Black Butler 5 – Yen Press, Apr 2011 [4,885.4] ::
5. ↓-4 (1) : Black Butler 4 – Yen Press, Jan 2011 [4,755.1] ::
6. ↑31 (37) : Naruto 51 – Viz Shonen Jump, Jun 2011 [4,748.4] ::
7. ↑113 (120) : Black Butler 6 – Yen Press, Jul 2011 [4,738.2] ::
8. ↑63 (71) : Sailor Moon 1 – Kodansha Comics, Sep 2011 [4,504.1] ::
9. ↓-1 (8) : Maximum Ride 1 – Yen Press, Jan 2009 [4,416.0] ::
10. ↓-3 (7) : Black Butler 3 – Yen Press, Oct 2010 [4,312.2] ::

[more]

Top Imprints
Number of volumes ranking in the Top 2500:

Viz Shonen Jump 360
Viz Shojo Beat 325
Yen Press 254
Tokyopop 197
Del Rey 195
Dark Horse 142
Viz Shonen Jump Advanced 127
Viz 110
DMP Juné 95
Viz Shonen Sunday 89

[more]

Series/Property

1. ↔0 (1) : Black Butler – Yen Press [11,875.2] ::
2. ↑1 (3) : Naruto – Viz Shonen Jump [11,744.2] ::
3. ↓-1 (2) : Maximum Ride – Yen Press [10,793.2] ::
4. ↑2 (6) : Vampire Knight – Viz Shojo Beat [9,405.1] ::
5. ↑27 (32) : Sailor Moon – Kodansha Comics [9,305.1] ::
6. ↑3 (9) : Ouran High School Host Club – Viz Shojo Beat [8,768.3] ::
7. ↑13 (20) : Negima! – Del Rey [8,263.6] ::
8. ↓-1 (7) : Black Bird – Viz Shojo Beat [8,102.7] ::
9. ↓-1 (8) : Bleach – Viz Shonen Jump [7,379.3] ::
10. ↑4 (14) : Pokemon – Vizkids [7,237.7] ::

[more]

New Releases
(Titles releasing/released This Month & Last)

7. ↑113 (120) : Black Butler 6 – Yen Press, Jul 2011 [4,738.2] ::
8. ↑63 (71) : Sailor Moon 1 – Kodansha Comics, Sep 2011 [4,504.1] ::
12. ↑201 (213) : Black Bird 9 – Viz Shojo Beat, Jul 2011 [3,957.7] ::
13. ↑288 (301) : Negima! 30 – Kodansha Comics, Jul 2011 [3,917.0] ::
14. ↑97 (111) : Sailor Moon Codename: Sailor V 1 – Kodansha Comics, Sep 2011 [3,916.5] ::
22. ↑108 (130) : Warriors SkyClan & The Stranger 1 – HC/Tokyopop, Jul 2011 [3,586.3] ::
23. ↑151 (174) : Highschool of the Dead 3 – Yen Press, Jul 2011 [3,245.9] ::
30. ↑182 (212) : Dance in the Vampire Bund 10 – Seven Seas, Jul 2011 [2,986.2] ::
32. ↑338 (370) : Pandora Hearts 6 – Yen Press, Jul 2011 [2,935.7] ::
33. ↑216 (249) : Pokemon Black & White 2 – Vizkids, Jul 2011 [2,931.3] ::

[more]

Preorders

29. ↑129 (158) : Sailor Moon 2 – Kodansha Comics, Nov 2011 [3,095.6] ::
71. ↑new (0) : Sailor Moon 4 – Kodansha Comics, Mar 2012 [1,905.1] ::
81. ↑495 (576) : Sailor Moon 3 – Kodansha Comics, Jan 2012 [1,818.3] ::
86. ↑151 (237) : Sailor Moon Codename: Sailor V 2 – Kodansha Comics, Nov 2011 [1,798.2] ::
138. ↑new (0) : Finder Series 5 Truth in the View Finder – DMP Juné, Dec 2011 [1,321.0] ::
245. ↑676 (921) : Negima! 32 – Kodansha Comics, Nov 2011 [798.7] ::
268. ↑634 (902) : Vampire Knight 13 – Viz Shojo Beat, Oct 2011 [729.9] ::
297. ↑955 (1252) : Berserk 35 – Dark Horse, Oct 2011 [672.5] ::
355. ↑676 (1031) : Black Butler 7 – Yen Press, Oct 2011 [555.1] ::
365. ↑1517 (1882) : xxxHolic 18 – Kodansha Comics, Dec 2011 [542.2] ::

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Manhwa

150. ↑43 (193) : Bride of the Water God 8 – Dark Horse, May 2011 [1,183.2] ::
339. ↓-249 (90) : Priest vols 1-3 collection – Tokyopop, Jun 2011 [598.7] ::
386. ↓-151 (235) : March Story 1 – Viz Signature, Oct 2010 [513.5] ::
479. ↑52 (531) : Jack Frost 4 – Yen Press, Dec 2010 [393.6] ::
498. ↓-187 (311) : Bride of the Water God 7 – Dark Horse, Feb 2011 [378.7] ::
658. ↓-343 (315) : March Story 2 – Viz Signature, Apr 2011 [259.2] ::
770. ↓-89 (681) : Jack Frost 3 – Yen Press, Jul 2010 [200.7] ::
788. ↑122 (910) : Bride of the Water God 6 – Dark Horse, Aug 2010 [191.9] ::
797. ↑162 (959) : Laon 3 – Yen Press, Sep 2010 [187.9] ::
804. ↑new (0) : Black God 13 – Yen Press, Jul 2011 [184.6] ::

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BL/Yaoi

85. ↑748 (833) : Maelstrom (Kindle ebook) 1 – Yaoi Press, Jun 2011 [1,806.4] ::
90. ↑26 (116) : Finder Series 4 Prisoner in the View Finder – DMP Juné, Aug 2011 [1,732.2] ::
105. ↓-62 (43) : Finder Series 3 One Wing in the View Finder – DMP Juné, Mar 2011 [1,598.5] ::
138. ↑new (0) : Finder Series 5 Truth in the View Finder – DMP Juné, Dec 2011 [1,321.0] ::
185. ↑new (0) : Maelstrom (Kindle ebook) 3 – Yaoi Press, Jul 2011 [984.3] ::
216. ↓-93 (123) : Caged Slave (novel) – DMP Juné, May 2008 [881.8] ::
226. ↑new (0) : Maelstrom (Kindle ebook) 4 – Yaoi Press, Jul 2011 [852.3] ::
242. ↑53 (295) : The Tyrant Falls in Love 3 – DMP Juné, May 2011 [814.3] ::
376. ↑189 (565) : First Stage of Love – DMP Juné, Apr 2008 [531.8] ::
418. ↑new (0) : About Love – DMP Juné, Nov 2011 [470.9] ::

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