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BL Bookrack: October 2011

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Welcome to the October installment of BL Bookrack! This month, MJand Michelle take a look at three offerings from Digital Manga Publishing’s Juné imprint, Yakuza Café, Sky Link, and volume three of A Strange and Mystifying Story.

Sky Link | By Shiro Yamada | Digital Manga Publishing/Juné | Rated YA (16+) – Ritsuki Ban is a troubled young man just starting university. On his first day, he collides with a man who praises him for being his type, and who (of course) turns out to be one of his professors. The professor, Takagi, pursues Ritsuki vigilantly, despite his surface apathy. How does Ritsuki really feel?

Truthfully, there’s a lot more going on in this story than what I’ve just described, but I sort of wish there wasn’t. This story, more than any other I’ve read recently, really suffers from the limitations of being a one-shot, which means that all of its best character development amounts to nothing more than false promises in the end.

Things start out pretty well. Ritsuki is a sullen guy with a mysterious past, written just subtly enough to be more intriguing than cliché. Takagi is aggressive and over-confident, but with enough sensitivity to dodge that cliché as well. Their relationship develops slowly (and reluctantly) in the beginning, with just enough real sexual tension to allow us to root for it. Then, perhaps pressed for time, the mangaka suddenly rushes them to being “in love,” eliminating all their troubles and sending them off on a world adventure. None of the volume’s early tension is meaningful by the end, and even the characters’ title-inspiring bond over their love for the sky deteriorates into sentimentality of the most cloying kind.

Believable romance is incredibly difficult to write in a single volume, and many BL mangaka don’t even try. But while I might criticize those stories as being simply “not for me,” Sky Link actually would be, if only it succeeded, and that’s what I find so heartbreaking about it. I love a happy ending as much as the next romance-addict, but I prefer ambiguity (or even sadness) over unearned happiness any day. Ultimately, Sky Link is attractive but disappointing. – Review by MJ

A Strange and Mystifying Story, Vol. 3 | By Tsuta Suzuki | Digital Manga Publishing/Juné | Rated Mature (18+) – The first two volumes of this series are the story of a sickly fellow named Akio who is cured of his illness thanks to the sexual healing provided by his family’s guardian beast, Setsu. These volumes are pretty good, but volume three beats them by a mile.

That’s because mangaka Tsuta Suzuki is wise enough to know when a story is played out and brave enough to risk angering her fans by taking things in an entirely new direction. Akio and Setsu appear but briefly, therefore, as Suzuki devotes the first half of this volume to the absolutely adorable love story between two of Akio’s coworkers and the second half to a teenager named Tsumugi who has just encountered a guardian beast of his own.

We’ve met Akio’s coworkers—cheerful middle-aged boss Keiichiro Minamiura and stoic twenty-something Tetsushi Hatoki—before, and there have been hints that something might be going on between them. The first chapter devoted to the pair reveals their history before Akio was hired, with Tetsushi being drawn in by Keiichiro’s personality (“Surely it’s a gift, such hearty, carefree laughter”) but unable to make a move because he is convinced he will be rejected, since others have pursued Keiichiro with no success. The second chapter seems to take place in the present. I loved both unstintingly and without restraint. Tetsushi may seem impassive, but he’s really straightforward with his emotions, and Suzuki adeptly captures the qualities that make Keiichiro simultaneously warm and enigmatic. I could seriously read about these guys forever.

The second half of the book pales in comparison somewhat, but is better than expected. Tsumugi Shirota—who, as it turns out, is Keiichiro’s former step-son—is one of those manga guys who excel at all manner of domestic tasks, especially cooking. On his 16th birthday, he finds out that he’s been assigned these chores as a means of training to become the “bride” for the family’s guardian fox-beast, Kurayori. Kurayori is displeased to find that his bride-to-be is male, but Tsumugi’s diligence wins him over and he decides to continue protecting the family until such time as Tsumugi is grown and can provide for them. It’s a little weird how accepting Tsumugi is of this arrangement (though I suppose that’s better than inflicting a lot of spastic flailing on readers), but I am overall intrigued and glad that this setup did not immediately lead to sexytimes.

As a final note, the volume’s mature rating is likely due to content in earlier volumes, because this one is markedly chaste. Suzuki writes in her afterward, “On a personal note, I am quite disappointed that I was not able to portray for you the panting of a middle-aged man.” Hee! – Review by Michelle Smith

Yakuza Café | By Shinano Oumi | Digital Manga Publishing/Juné | Rated M (18+) – When Shinri Irie receives an invitation from his father, absent from his life for many years, to come live with him, he decides to accept. As it turns out, his dad (Daigo) is the former head of the Fujisaki clan, a yakuza group he disbanded in order to devote himself to being a better father. Many of his former devotees have been cast out, but a select crew remains to help the boss in his new venture: running a café.

The café’s décor is rather abysmal and their tea is even worse, so Shinri works together with the business manager, Zaouji, to whip the place into shape. Everything’s going smoothly on opening night until the disgruntled former clan members return with mayhem on their minds until they are quelled by the sight of Daigo’s phoenix tattoo. Really.

The romance angle comes in the form of Shinri’s relationship with Mikado, the leader of the henchman. He has reportedly loved Shinri for years and is dedicated to protecting him, but he has a weird quirk: whenever anyone touches the dragon tattoo on his back, he goes into savage mode—seriously, he has a line of dialogue translated as “rawr”—and, on one occasion, this leads to a nonconsensual encounter with Shinri. Not only is Shinri forgiving about this, he actually gets kind of wistful about it. “Even though it hurt and I was scared…. I didn’t hate it, either.”

The comedic element of a group of yakuza attempting to run a café is kind of fun, and I did like the scene where Shinri and Zaouji are dazzling some coeds with their looks and tea-making skills. But the business with the tattoos is just ridiculous, and Shinri’s acceptance of Mikado’s violent assault grates on my nerves. Worst of all, though, is the characters themselves. Mikado has almost zero personality. And if I told you to think of the most generic uke in the history of ukes, you’d probably come up with someone just like Shinri. I don’t believe in their relationship at all, but it’s not just them: a side story about Zaouji and his lover’s death has no impact at all because the characters are so flat.

If you want to read about yakuza and tea, I recommend Crimson Snow or I Give to You. There’s no need to read something this tepid. – Review by Michelle Smith

Review copies provided by the publisher.

Disclosure: MJ is currently under contract with Digital Manga Publishing’s Digital Manga Guild, as necessitated for her ongoing report Inside the DMG. Any compensation earned by MJin her role as an editor with the DMG will be donated to the Comic Book Legal Defense Fund.

Manga Bestsellers: 2011, Week Ending 16 October

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Comparative Rankings Based on Consolidated Online Sales

last week’s charts
about the charts

##

Manga Bestsellers

1. ↔0 (1) : Sailor Moon 1 – Kodansha Comics, Sep 2011 [472.7] ::
2. ↑2 (4) : Sailor Moon Codename: Sailor V 1 – Kodansha Comics, Sep 2011 [454.5] ::
3. ↓-1 (2) : Sailor Moon 2 – Kodansha Comics, Nov 2011 [440.3] ::
4. ↑1 (5) : Vampire Knight 13 – Viz Shojo Beat, Oct 2011 [435.0] ::
5. ↓-2 (3) : Naruto 52 – Viz Shonen Jump, Jul 2011 [412.0] ::
6. ↑3 (9) : Rosario+Vampire Season II 6 – Viz Shonen Jump Advanced, Oct 2011 [394.8] ::
7. ↑1 (8) : Blue Exorcist 4 – Viz Shonen Jump Advanced, Oct 2011 [375.1] ::
8. ↓-1 (7) : Skip Beat! 25 – Viz Shojo Beat, Oct 2011 [363.9] ::
9. ↑4 (13) : Maximum Ride 1 – Yen Press, Jan 2009 [325.8] ::
10. ↑1 (11) : xxxHolic 17 – Kodansha Comics, Sep 2011 [314.1] ::

[more]

Top Imprints
Number of volumes ranking in the Top 500:

Viz Shonen Jump 83
Viz Shojo Beat 70
Yen Press 68
Viz Shonen Jump Advanced 38
Kodansha Comics 35
Vizkids 31
Tokyopop 25
HC/Tokyopop 20
Del Rey 18
DMP Juné 15

[more]

Series/Property

1. ↔0 (1) : Sailor Moon – Kodansha Comics [1,081.5] ::
2. ↑1 (3) : Vampire Knight – Viz Shojo Beat [786.3] ::
3. ↑1 (4) : Maximum Ride – Yen Press [703.0] ::
4. ↓-2 (2) : Naruto – Viz Shonen Jump [677.4] ::
5. ↑1 (6) : Black Butler – Yen Press [632.3] ::
6. ↓-1 (5) : Negima! – Del Rey/Kodansha Comics [585.2] ::
7. ↔0 (7) : Blue Exorcist – Viz Shonen Jump Advanced [553.1] ::
8. ↔0 (8) : Pokemon – Vizkids [525.5] ::
9. ↑5 (14) : Skip Beat! – Viz Shojo Beat [485.1] ::
10. ↑6 (16) : Rosario+Vampire – Viz Shonen Jump Advanced [465.6] ::

[more]

New Releases
(Titles releasing/released This Month & Last)

1. ↔0 (1) : Sailor Moon 1 – Kodansha Comics, Sep 2011 [472.7] ::
2. ↑2 (4) : Sailor Moon Codename: Sailor V 1 – Kodansha Comics, Sep 2011 [454.5] ::
4. ↑1 (5) : Vampire Knight 13 – Viz Shojo Beat, Oct 2011 [435.0] ::
6. ↑3 (9) : Rosario+Vampire Season II 6 – Viz Shonen Jump Advanced, Oct 2011 [394.8] ::
7. ↑1 (8) : Blue Exorcist 4 – Viz Shonen Jump Advanced, Oct 2011 [375.1] ::
8. ↓-1 (7) : Skip Beat! 25 – Viz Shojo Beat, Oct 2011 [363.9] ::
10. ↑1 (11) : xxxHolic 17 – Kodansha Comics, Sep 2011 [314.1] ::
12. ↓-6 (6) : Negima! 31 – Kodansha Comics, Sep 2011 [303.8] ::
15. ↓-1 (14) : Black Bird 10 – Viz Shojo Beat, Sep 2011 [272.8] ::
16. ↑1 (17) : Bakuman 7 – Viz Shonen Jump, Oct 2011 [272.4] ::

[more]

Preorders

3. ↓-1 (2) : Sailor Moon 2 – Kodansha Comics, Nov 2011 [440.3] ::
13. ↓-1 (12) : Sailor Moon Codename: Sailor V 2 – Kodansha Comics, Nov 2011 [288.3] ::
17. ↑10 (27) : Sailor Moon 5 – Kodansha Comics, Apr 2012 [269.2] ::
19. ↑1 (20) : Sailor Moon 3 – Kodansha Comics, Jan 2012 [265.5] ::
25. ↑3 (28) : Sailor Moon 4 – Kodansha Comics, Mar 2012 [240.3] ::
65. ↑19 (84) : xxxHolic 18 – Kodansha Comics, Dec 2011 [137.7] ::
67. ↓-8 (59) : Negima! 32 – Kodansha Comics, Nov 2011 [136.0] ::
71. ↑92 (163) : Maximum Ride 5 – Yen Press, Dec 2011 [127.4] ::
75. ↑69 (144) : Naruto 53 – Viz Shonen Jump, Dec 2011 [123.8] ::
102. ↑78 (180) : Fullmetal Alchemist 27 – Viz, Dec 2011 [98.8] ::

[more]

Manhwa

104. ↑676 (780) : March Story 3 – Viz Signature, Oct 2011 [97.3] ::
405. ↑new (0) : Black God 14 – Yen Press, Oct 2011 [26.9] ::
521. ↓-235 (286) : Pig Bride 5 – Yen Press, Jul 2010 [19.3] ::
555. ↓-107 (448) : Goong 12 – Yen Press, Sep 2011 [17.3] ::
706. ↔0 (706) : Priest vols 1-3 collection – Tokyopop, Jun 2011 [11.2] ::
744. ↑919 (1663) : JTF-3 Counter Ops (ebook) – RealinterfaceStudios.com, Mar 2011 [10.0] ::
745. ↑58 (803) : March Story 1 – Viz Signature, Oct 2010 [10.0] ::
773. ↓-444 (329) : Evyione: Ocean Fantasy 2 – Udon, Sep 2008 [9.4] ::
838. ↑120 (958) : March Story 2 – Viz Signature, Apr 2011 [7.9] ::
920. ↑261 (1181) : Bride of the Water God 9 – Dark Horse, Oct 2011 [6.3] ::

[more]

BL/Yaoi

44. ↓-15 (29) : Finder Series 4 Prisoner in the View Finder – DMP Juné, Aug 2011 [185.9] ::
70. ↑7 (77) : Maelstrom (Kindle ebook) 1 – Yaoi Press, Jun 2011 [127.5] ::
123. ↓-4 (119) : An Even More Beautiful Lie – DMP Juné, Jan 2012 [85.2] ::
134. ↓-11 (123) : About Love – DMP Juné, Nov 2011 [79.1] ::
142. ↑171 (313) : Border 2 – DMP Juné, Oct 2011 [72.8] ::
145. ↓-40 (105) : Finder Series 5 Truth in the View Finder – DMP Juné, Dec 2011 [71.1] ::
148. ↑1 (149) : Secrecy of the Shivering Night – DMP Juné, Dec 2011 [69.8] ::
152. ↓-2 (150) : Mr. Convenience – DMP Juné, Nov 2011 [68.3] ::
165. ↑73 (238) : Private Teacher 2 – DMP Juné, Jan 2012 [63.9] ::
225. ↓-14 (211) : Maelstrom (Kindle ebook) 4 – Yaoi Press, Jul 2011 [47.8] ::

[more]

The Favorites Alphabet: H

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Welcome to the Favorites Alphabet, where the Manga Bookshelf battle robot gaze upon our respective manga collections to pick a favorite title from each letter of the alphabet. We’re trying to stick with books that have been licensed and published in English, but we recognize that the alphabet is long, so we’re keeping a little wiggle room in reserve.

“H” is for…

Here Is Greenwood | Yukie Nasu | Viz Media – Again, I could pick any number of ‘H’ titles – Hayate the Combat Butler, High School Girls, Higurashi – but I have a soft spot in my heart for Greenwood, which was first seen in North America in the mid-1990s as an anime. Viz brought over the 9 volume manga in 2004, and to be honest it did not sell well. This is a shame, as it’s part of that classic genre of shôjo manga – BL tease. There are many people (including myself) who may read Greenwood for Hasukawa, and seeing him struggle with his temper and with the hijinks that surround him at the Greenwood dorms. Seeing him eventually win the heart of the girl he’s trying to win is a highlight of the entire run. But if I were honest, I’d admit that 98% of all Greenwood fans read it to see Mitsuru and Shinobu not be lovers at each other. The two best friends complement each other perfectly, and even the Japanese audience demanded, at the end, that Nasu show the two of them kissing. (She did not comply.) This may not have sold well here, but those female fans who had the anime be one of their gateways into BL fandom should try the manga – it’s better, and gives them even more ammo. – Sean Gaffney

High School Debut | Kazune Kawahara | VIZ Media – On the surface, this is just another shôjo high school romance. There’s the earnest heroine, Haruna, who’s got a tremendous heart and athletic ability, and the more stoic boy, Yoh, whom she taps to be her dating coach. What’s different is that they fall in love within the first few volumes and spend the rest of the time working out what it means to be a couple. I love that Yoh admires Haruna for all of her terrific qualities, and I love that Haruna trusts Yoh and truly wants what’s best for him. Although the story itself may not be new, I adore the characters so much that when the final volume came around, I was tempted to write a review consisting entirely of hearts and sniffles. I’ve loaned this series out a couple of times already and know that I will be rereading it often. – Michelle Smith

Hikaru no Go | By Yumi Hotta and Takeshi Obata | Viz Media – Oh, what to say about Hikaru no Go that I haven’t already said? Hikaru no Go was my first exposure to manga, and managed in one two-day whirlwind read to win me over to a medium (comics) I had previously sworn I could never, ever love. In a very real way, Manga Bookshelf exists because of Hikaru no Go. It is an epic, deeply compelling, emotionally resonant sort-of-sports manga, with some of my favorite artwork in in the medium overall. And though I later realized that the sense of non-ironic optimism that (in part) drew me to the series originally is a trait common to the genre, there is something unique about this quality as it inhabits Hikaru no Go.  It is elegant in its innocence, and in its sadness too. And though I’ve read many more moving and complex manga since, nothing can ever replace Hikago in my heart. It is that special. – MJ

Hotel Harbour View | By Jiro Taniguchi | Viz Media – This slim volume explores terrain familiar to anyone who’s watched Double Indemnity, The Big Sleep, or Stray Dog: it’s a world of gangsters, molls, and taciturn killers. Though the stories unfold in present-day Shanghai and Paris (or what was the present day when Taniguchi wrote it), the mood is decidedly retro: the characters speak in a highly self-conscious, stylized language borrowed from the silver screen; they wear hats, waist-cinching dresses, and formidable shoulder pads; and they die dramatic deaths. If the prevailing sensibility is mid-century noir, the artwork owes a debt to John Woo and the Hong Kong action films of the late 1980s and early 1990s, with balletic gun fights and artfully composed kill shots. Much as I love titles like Zoo in Winter and A Distant Neighborhood, Hotel Harbour View may be my favorite Taniguchi title. – Katherine Dacey

House of Five Leaves | By Natsume Ono | Viz Media – It frankly seems wrong that we’ve gone this far in The Favorites Alphabet without me having a chance to mention Ono’s work, but it’s nice that I can start with what I think is her very best licensed series. This tale of an out-of-work samurai who falls in with a motley gang of generally benevolent kidnappers falls right in my tonal sweet spot – casual, character driven, but packed with surprising and potent emotional highlights that seem to creep up on the reader. The look of the series is essential to its success, and it’s easily Ono’s most stylish, gorgeous work. There’s a wonderfully concise quality to her illustrations here. She manages to convey a great deal with the tiniest modulations in facial expression, framed as they are by her languid, graceful staging. House of Five Leaves represents everything I like about Ono’s work, and it features those qualities at their very best. – David Welsh

What starts with “H” in your favorites alphabet?

NYCC: What’s new in manga?

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Digital distribution was the primary thread running through announcements from manga publishers at this year’s New York Comic Con, but it wasn’t the only thing to get excited about. For detailed coverage of each day’s panels, be sure to spend some time with Sean’s write-ups of Friday, Saturday, and Sunday. Below is a list of highlights from attending manga publishers (Note: neither Dark Horse nor Bandai Entertainment offered any new manga announcements).

Kodansha Comics

With visiting mangaka Hiro Mashima in attendance, much of Kodansha’s panel time was spent letting him woo the crowd with his charming personality and artistic skill. Happily, they offered a wealth of new manga announcements as well. Here’s the rundown:

Attack on Titan – “Humanity has been devastated by the bizarre, giant humanoids known as the Titans. Little is known about where they came from or why they are bent on consuming humanity. Seemingly unintelligent, they have roamed the world killing off humankind for years. For the past century, what’s left of mankind has hidden in a giant, three-walled city. People believe their 100-meter-high walls will protect them from the Titans, which are 10 to 20 meters tall. But the sudden appearance of an immense Titan is about to change everything.” (June, 2012)

Genshiken Omnibus – “Welcome to the world of the Genshiken, home of the true otaku – the Japanese term for ubergeek. This is the story of a group of friends who are all members of the most hardcore anime and manga fan club in all of Tokyo – and the girls who love them.” (May, 2012)

Kitchen Princess Omnibus – “Najika has always known how to cook. She understands food, and how it touches people’s hearts. But she herself has always been looking for more. When she was a child, she met a boy who touched her heart, and now Najika has set out to find this boy. The only clue she has is a silver spoon that leads to the prestigious Seika Academy. Fitting in at Seika will be a challenge. Every kid in Najika’s class has a special talent, and the girls at the school think Najika’s not worthy. But Sora and Daichi, two popular brothers who barely speak to each other, recognize Najika’s cooking for what it is — magical. Is either boy Najika’s mysterious prince? ” (June, 2012)

Kodansha Comics iPad App – Kodansha Comics joins the digital revolution with their own iPad app, which launched officially during the convention. We’ll have a full review in our next edition of Going Digital, but in the meantime, here’s the pitch: “Kodansha USA Publishing is proud to announce the debut of the Kodansha Comics app, appearing at midnight tonight in the iTunes store. The app was created by Random House, Inc.’s digital content team on behalf of Kodansha, a Random House Publisher Services division client. It will be free to download, with most volumes priced for sale at $4.99. The Kodansha Comics iPad app will launch with 34 books covering four series: Arisa by Natsumi Ando; Fairy Tail by Hiro Mashima; Sayonara, Zetsubou-Sensei by Koji Kumeta; and Until the Full Moon by Sanami Matoh. Additional series will be added to the app in the near future.”

Be sure to check out their special launch promotion, featuring all fifteen volumes of Hiro Mashima’s Fairy Tail for $2.99 each.

Vertical, Inc.

Vertical may still be lagging digitally, but they announced several exciting new licenses for 2012.

5 Centimeters Per Second – Adapted from Makoto Shinkai’s anime feature, this stands out as my favorite surprise license of the convention. When I first watched this film, all I wanted to do when it ended was to start it all over again. This story of separation and loneliness may be a bit messier than Shinkai’s earlier, similarly-themed Voices of a Distant Star, but it affected me more personally.

The first of the movie’s three sections hit me the hardest, and I wrote of it at the time, “The second and third chapters resonate deeply with me too… but it is the first I keep coming back to. It is Takaki’s journey on the train that stays with me constantly. I feel that I could watch this film over and over and it would never become tired to me.” Whether the manga adaptation is as strong remains to be seen, but it ran in Kodansha’s Afternoon, which speaks well for it indeed. (June 2012)

Sakuran – There has been twitter speculation about this license for a while, and it’s exciting to see the speculation become real! I’ll let David speak for me here. “Now, how did I go through all those license requests without ever hitting upon Moyoco (Hataraki Man) Anno’s Sakuran? Looking back, the one-volume title from Kodansha’s Evening received only a scant mention in The Seinen Alphabet. Let’s pretend that I’ve been begging for it all along, because it certainly feels like a request fulfilled.” (July, 2012)

Message to Adolph – Having come into the world of manga so late, it’s a pleasure to see publishers recently re-issuing manga I missed the first time around, especially when that manga was written by the likes of Osamu Tezuka. Originally published here by Viz (as Adolph), it has been long out of print. Now, Vertical adds this tale of three Adolphs to their impressive Tezuka library. (August, 2012)

Viz Media

Viz made the trek from the west coast this year for the first time in a while, bringing with them a number of announcements, including these licenses:

Loveless – Though I’ve never read Loveless, a popular series from Yun Kouga—already a favorite of mine—it’s apparently time to start. Viz has picked up the license where TOKYOPOP left off, starting with volume nine. As Sean says in his Day Three post, “This title runs in Ichijinsha’s Comic Zero-Sum, and is another of those ‘not quite BL but has many BL elements’ series. It’s still running in Japan, and I think fans will be excited about this.” No word at this time about whether Viz might re-release the earlier volumes at any point. (June, 2012)

Jiu Jiu – From the pages of Hana to Yume, Jiu Jiu is the story of a girl who comes from a family of demon hunters and the two werewolves who protect her. This looks to be set in high school, which wasn’t what I expected when reading the initial setup. Sounds like fun! (July, 2012)

For details on all of Viz’s NYCC announcements, manga or otherwise, check out Brigid Alverson’s coverage at MTV Geek.

Now for the really big news…

Weekly Shonen Jump Alpha – Certainly one of the biggest manga revelations at the con, Weekly Shonen Jump Alpha is “a weekly serial anthology of some of the most popular manga series in the world: Bakuman｡, Bleach, Naruto, Nura: Rise of the Yokai Clan, One Piece, and Toriko. The first issue of Weekly SJ Alpha goes on sale January 30, 2012, and will be available through VIZManga.com and the VIZ Manga apps for iPhone™, iPod™ touch and iPad™.” These chapters will be coming out just two weeks after publication in Japan. To catch fans up, Viz will be launching what they’re referring to as the “digital warp,” “a limited collection of digital graphic novel speed-ups that will bring North American readers up-to-date with Japanese releases.”

For more, read Deb Aoki’s in-depth interviews with VIZ Media Senior Vice President and General Manager Alvin Lu, Deputy Director of Shueisha’s Shonen Manga Group, Hisashi Sasaki, and VIZ Media’s Vice President of Digital Publishing, Brian Piech, at About.com.

Yen Press

In addition to a couple of new manga-style adaptations (Cassandra Clare’s Infernal Devices and Sherrilyn Kenyon’s Dark-Hunters: Infinity), Yen Press made a splash with these license announcements.

Alice in the Country of Hearts – In another valiant license rescue, Yen Press picks up this popular series, to be released in quick succession. From Yen’s official announcement: “Take heart, Alice fans! Yen Press will be releasing the COMPLETE Alice in the Country of Hearts series in June 2012 as three omnibus editions each collecting two volumes of the original series!”

Puella Magi Madoka Magica – “Madoka had always thought magic was the stuff of her dreams…until she encounters an unreal cat-being at her totally normal school! The cat offers her a choice — Will Madoka become a Puella Magi in exchange for her dearest desire?”

Until Death Do Us Part – “Haruka is a young girl with precognitive abilities that allow her to predict the future with incredible accuracy. Unfortunately, these powers have made her a target for greedy corporations. Haruka uses her power to seek the one who can offer her protection, singling out Mamoru Hijikata, a blind man whose inability to see belies his skill with a sword!”

The Disappearance of Nagato Yuki-chan – “This spin-off takes place in the world of the “Disappearance” arc of the Haruhi Suzumiya novels, focusing on the high school life (and romance!) of a tentative and bashful Yuki Nagato quite unlike the one you’ve come to know and love through the usual exploits of the SOS Brigade…but no less charming!”

Soul Eater Not – Though this Soul Eater side-story might seem like a no-brainer for Yen, the real meat of this announcement is in its distribution. Following in the footsteps of its predecessor, Soul Eater Not will be serialized digitally in Yen Plus, but released simultaneously with chapters in Japan. Serialization begins in this month’s edition, and access is available worldwide.

Manga the Week of 10/26

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As is traditional with the last week of the month, we have a nice, reasonable, quiet week. Oh, if only they were all like this.

It is rather scary that Blade of the Immortal 1 came out in 1997, and here we are 14 years later getting Volume 24. But hey, that’s what happens when you are the very last manga series in the West to cease coming out in monthly floppies. This particular volume is entitled Massacre, and I’ve no doubt it will deliver on that. Speaking of old-school Dark Horse titles, they are almost caught up with their Oh My Goddess re-release unflipped. Volume 19 is out next week, and wraps up the Phantom Racer story, as well as giving us another plot with Skuld’s ‘robot girl’.

Kodansha put out 3 books this week, and this is Diamond Comics, so that must mean we have three books coming out next week. Hey, they’re getting closer! The second volume of Animal Land is out, which Dallas Middaugh praised highly at NYCC. There’s also a second volume of cyberpunk mystery Mardock Scramble. And for those who have been despairing, fear not! Sayonara Zetsubou-sensei has hit Volume 11. Now with 100% more body doubles.

So does anything please you? Or will you spend the week getting everything you put aside as it all came out the first week in October?

Princess Knight, Vol. 1

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By Osamu Tezuka. Released in Japan as “Ribon no Kishi” by Kodansha, serialized in the magazine Nakayoshi. Released in North America by Vertical.

We’ve been waiting for this one a while. Gripping, depressing Tezuka seinen is all very well and good, but sometimes you have to bring out the big guns. And there are few guns bigger than Princess Knight, which most argue is one of the most influential titles ever, inspiring a generation of shoujo artists. There are actually several versions of the title; the original, in 1954; a sequel with the heroine’s children, in 1958; a rewrite and expansion in 1963; and a science-fiction tie-in to an anime in 1967. Vertical is releasing the 3rd and most well-known version.

Though enjoyable to children and adults alike, this work is definitely aimed at the younger reader, with its premise being couched in fairy tale language. In heaven, they give out girl hearts and boy hearts to babies about to be born, determining their gender. A mischievous angel, Tink, feeds a baby a boy heart right before God gives the same baby a girl heart. As a result, the girl is both with hearts for both genders. And what’s worse, the girl is a princess of the kingdom of Silverland! Now the girl is raised as a boy, to avoid rousing the suspicious of the evil Duke Duralumin, who wants his own son on the throne.

The inherent sexism of the kingdom (which must have a male ruler) is offset by Sapphire herself, who manages to be incredibly badass. Yes, there are those moments where the series undercuts itself – at one point, Sapphire’s boy heart is temporarily removed and she grows weak and loses her fencing skills – but for the most part she is a bright and active heroine, one who longs to be a young woman but who also does not want to give up the freedoms of being a young man. Things aren’t subtle here – her love for Prince Charming (yes, really) verges on the histrionic at times – but Sapphire remains a great heroine throughout, who you want to see emerge victorious.

That may be difficult, though. As with many stories in this vein, there are any number of traumas and disasters that befall her. Her father is killed, her mother imprisoned. She is forced to work menial tasks a la Cinderella, turned into a swan, and kidnapped by pirates. Sexy pirates. Once it gets started, the action never really lets up, just like the best children’s stories. Not that it’s all grim tidings. The basic plot trimmings may sound like Disney, but a lot of the gags are also right out of animated cartoons, with circus horses mocking the King, plucky mice helping the heroine escape, and the villain double-act of Duralumin and Nylon hamming it up for all they’re worth.

Vertical is releasing the three original Japanese volumes here as two slightly larger ones, and so naturally we end with a cliffhanger. Their presentation is excellent, with a lovely original cover (whose color is slightly more purple than the picture above, the only one I can find online), and the translation captures the broad, declamatory language. As Sapphire swashbuckles her way through various deathtraps and tries to gain her love and her femininity while remaining strong and speaking her mind, you’ll find that you absolutely can’t put the book down. The second volume cannot come soon enough.

Twin Spica Volumes 4-6

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Twin Spica is one of those series that is so uniformly excellent I sometimes have a hard time writing about it because I really just want to say “Go read this!” But that wouldn’t make for a very long blog post, would it?

Twin Spica Volume 4

Asumi and her classmates start their first real day of astronaut training. They are submerged in water wearing space suits and forced to complete a simulation of the type of movements they’d be expected to do in space. Asumi notices that her left hand is too weak, and this triggers a wave of memories of her childhood with her companion Mr. Lion. He showed her how difficult fine maneuvers are in space by having her wear a puffy glove and pick up marbles. Asumi’s father comes home to see his tiny daughter sitting against a wall working on grip exercises with a resolute expression on her face. Her dad comments “Life’s tough, eh?” Asumi washes out of the exercise but she’s determined to improve. These first few scenes really highlight what I like best about Twin Spica. Asumi’s childhood memories blend and inform her desire to get into space, and even though she’s not in the optimal physical shape to be an astronaut, she won’t back down from her goals.

On a class outing Asumi encounters a boy who comments that the uniforms of Tokyo Space school make him sick. Asumi’s classmate Marika is hiding her own health issues, and Asumi’s friend Mr. Lion appears to have a strange connection with Marika way back when he was alive. One of the things I like about Twin Spica is that while the story unfolds with some potentially weighty symbolism, the slice of life tone keeps it from being too precious. Instead an interlude with Mr. Lion and the spirit of his father seems appropriately mysterious, and Asumi’s adventures in Zero G plane training end up forging a bonding experience with her classmates through vomit.

Twin Spica Volume 5

Asumi’s encounter with the space hating boy Kiriu continues to effect them both. They’ve run into each other a couple more times, and he’s saving a rocket key chain that she dropped. He’s bullied at school, and it turns out that he was affected by the same space tragedy of “The Lion” that overshadows Asumi’s life. Despite his initial defensiveness, Kiriu and Asumi end up bonding a little bit. Asumi heads out to a more serious test of her skill as the trainees are placed in capsules and dropped of at random points in the wilderness. This is to simulate what might happen in the event of a crash landing, and Asumi is all alone without anyone to support her. An extended flashback sequence brings up more questions about Marika and Mr. Lion, as he’s shown as a young boy befriending a sick girl who seems to be trapped in her house most of the time. The boy builds a giant rocket model clubhouse out in the woods near her house, and the girl sneaks away to join him. Mr. Lion thinks “I never knew her name…their faces look similar but the age difference is too great.” When he visits his old clubhouse he sees the names Marika and Mr. Lion etched into a metal panel. Asumi’s struggles in the woods contrast with the young Mr. Lion’s attempts to befriend a lonely and sick girl.

Twin Spica Volume 6

Every few volumes Twin Spica will make me feel all weepy. Asumi manages to work her way through the wilderness challenge without a compass. When she meets up with her friends she’s surprised to see that they were all given compasses. I wonder if someone is deliberately trying to make Asumi wash out of the program. When Asumi sees that everyone is there except Marika, she decides to head back and search for her missing friend along with her other classmates. Marika has already been rescued and is resting safely, but when she sees what is happening on a monitor, she’s overcome with emotion. Shu quietly notices Asumi’s skills and concludes that she’s his biggest rival in the astronaut program. Kiriu and Asumi continue to spend some time together. Asumi has an encounter with a stoic astronaut who used to be a friend of Mr. Lion. He comes to lecture at the school and isn’t a particularly good storyteller, but Asumi runs into him after class and positions him on a bench with the ghost of Mr. Lion next to him. The ghostly Mr. Lion plays his harmonica and the astronaut is able to remember the days back when he was younger sitting with his lost friend on a roof. Mr. Lion quietly observes Marika. She’s affected when she hears a comment Asumi makes when her class completes an exercise of putting together a piece of equipment from spare parts, “Even though it’s the same thing with the same parts, it feels totally different.” Mr. Lion struggles with telling Asumi what he knows about Marika. There’s a constant tension between the past and the future in Twin Spica, as the different lives of the characters become more connected and intertwined. It makes for very rewarding reading, and Yaginuma’s simple and sometimes childlike character designs allow him to explore heavy emotional territory with a light and subtle touch.

Upcoming 10/19/2011

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Looking at the Manga Bookshelf Pick of the Week, you’d expect a bounty of new arrivals in your average comic shop. Looking at the Diamond-driven ComicList, it’s somewhat less exciting.

Never fear, though! Vertical leaps into the breach with the 16th volume of Osamu Tezuka’s Black Jack. It’s hard to believe that there will be only one more book in this series, isn’t it? As much as I enjoy Tezuka’s crazy, grown-up opuses, it’s always a treat to see him in mainstream entertainer mode, because even those comics are refreshingly weird. Here’s hoping that Vertical will find another example of Tezuka aiming for the mainstream and still packing his stories with insane, often disturbing grace notes. (Hi, Pinoko! I’ll miss you!)

What looks good to you?

 

The Drops of God, Vol. 1

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By Tadashi Agi and Shu Okimoto. Released in Japan as “Kami no Shizuku” by Kodansha, serialization ongoing in the magazine Weekly Morning. Released in North America by Vertical.

Everyone’s been waiting for this one for a long time – since before the announcement of its license, in fact. It’s rare that you can say that a manga actually has an effect on the real world, but that’s what we have with The Drops of God, which has drastically impacted the sales of wine in Japan and the Far East. It’s been featured in the New York Times over here, and there’s buzz about it in wine magazines as well. Does it live up to the hype?

It does, even though it’s not quiet as revolutionary as you may have been led to believe. This is another in a long line of foodie mangas, and this time around it happens to be about wine. The plot could almost be taken straight from Oishinbo: there is a truculent young man, at odds with his father, who joins forces with a cute young woman to try to capture the “perfect” wines. Indeed, the basic setup of “people bring out food/drink and the hero and heroine gasp and describe its taste” could be from any number of food mangas out in Japan, many with volumes numbering into the 50s and 60s.

That said, where Drops of God draws you in is its writing. The main duo are perhaps not as well-written as the rest, but I’m hopeful we will see character development for them as the book goes on. (Less hopeful for romance, I’m pretty sure that there isn’t an ongoing plot with them as there was in Oishinbo.) More interesting is the so-called villain of the series, Tomine, who manages to capture that ‘sneering bastard’ type very well. I also really liked his sister Sara, who comes across as a shallow and vain model but whose description of the wine she’s drinking is possibly the highlight of the entire volume. I hope we see more of her.

The wraparound story of finding Shizuku’s father’s wine collection is really a way to develop any story needed. Here we see a man and his lover torn apart by circumstance and by his misreading the taste of a wine 15 years earlier; and the cliffhanger deals with a co-worker who refuses to accept French wine, noting that Italian is the best there is. Naturally, most of these problems can be solved by just the right vintage.

The descriptions of the wine can be a bit over the top – everyone by now knows that Shizuku describes a wine as tasting like a Queen concert – but that’s apparently true to life, and it’s noted that the ability to speak poetically about wine is just as important as the identification. Oh yes, and for lovers of fanservice, we get to see Miyabi in bed with Shizuku and in her underwear (don’t worry, nothing happened), as well as Tomine pouring wine onto the back of his lover (yeah, something happened there, but not on screen.)

Vertical’s translation and presentation is as good as we’ve come to expect from them. I was startled to find that the series is unflipped – Vertical tends to go for the widest readership they can get, which usually means flipping the art – but apparently the wine labels used throughout the manga made this impossible. You’re also getting two volumes in one, as Vertical is publishing 4 omnibuses of the first 8 Japanese volumes. The series is 28+ volumes in Japan, and not ending anytime soon, so Vertical has just licensed the first ‘arc’. If sales do well, they may get more. I’d like to see more, this is a fun title, if very typical of its genre.

Pick of the Week: Post-NYCC

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In the aftermath of New York Comic Con, we have no Bookshelf Briefs to offer this week, but we did manage to pull together a quick Pick of the Week! Check out our picks from this week’s haul at Midtown Comics below.

MICHELLE: Faced with yet another tough choice this week, I ultimately decided to award my pick to the seventh volume of Jun Mochizuki’s Pandora Hearts. Volume one introduced so many story elements at once that it left me baffled, but I’m glad I gave the story another chance because it has coalesced into an affecting tale with genuinely intriguing characters. True, volume six, wherein the gang heads off to visit the little sister of protagonist Oz—who, thanks to her brother’s stint in another dimension, is now older than him—at school and meets some new characters was not my favorite, but I have faith that it will lead somewhere interesting. That’s why I will most assuredly be picking up volume seven!

SEAN: I’m at NYCC, so this will be short. New Higurashi. Start of the Rena arc. Good stuff, go get it.

DAVID: There’s so much great stuff this week, with lots of new releases from Yen Press, a few choice items from Viz’s Signature line, and an always-welcome new volume of Osamu Tezuka’s Black Jack from Vertical, but I have to go with the book that it feels like I’ve been waiting for the longest, and that would be the second volume of Kaoru Mori’s Bride’s Story from Yen. I thought the first volume was faultlessly beautiful, and I’m eager to learn more about its can-do heroine, Amir. As was the case with Mori’s Emma, the plot here is less interesting than the meticulously rendered trappings and the small but very lovely moments that reveal character. With Mori, it’s always more about the harmonic elements than a traditional, central melodic line, but the ultimate effect is always fascinating to me. I really enjoy spending time in the worlds she creates.

KATE: A Bride’s Story is at the top of my must-buy list, too, but since David has so eloquently described the series’ charms, I’ll recommend the first volume of CLAMP’s Gate 7 instead. This long-delayed project was first announced at San Diego Comic-Con in 2007, and has undergone several transformations along the way. (Remember when it was going to be simultaneously released in Japan, Korea, and North America in “mangette” form?) The story is pure CLAMP: a shy teen is transported from modern-day Tokyo to a fantasy realm that’s under siege from ferocious monsters. Naturally, he discovers that he has skillz he didn’t know he had — would it be a manga if he didn’t have a few hidden talents? — and must decide whether to save the Earth or go home for dinner. If the cover art is any indication, Gate 7 will be a feast for the eyes, even if the plot mechanics are a little creaky. Kathryn Hemann, who blogs at Contemporary Japanese Literature, has a thoughtful early review that’s worth reading if you’re on the fence about buying it.

MJ: I’m a bit of a post-con zombie this morning, but since I see that my cohorts have already covered several of my top choices (Pandora Hearts, A Bride’s Story, and Gate 7), I’ll take a moment to put the spotlight on the penultimate volume of Osamu Tezuka’s Black Jack. This series is always a winner with me, but I’m especially interested in this volume’s final chapter, which reportedly comes in at something like 70 pages. Though short, episodic storytelling served this series well, I admit I’m thrilled at the prospect of digging in to something so substantial. Definitely a must-buy!

Readers, what looks good to you?