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Bookshelf Briefs, 10/31/11

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With several important limbs of the battle robot immobilized by snow, David and Michelle bravely forge on with a look at recent releases with a Halloween or costume party sort of vibe!

Animal Land, Vol. 1 | By Makoto Raiku | Kodansha Comics – The most striking thing about Animal Land is that it actually manages to convey the physical sensation of shrillness without actually creating any sounds. I swear my ears were ringing by the time I was done with this comic, and if it had been an animated cartoon, I would have clicked away from its high-pitched shrieking within seconds. It’s too bad, because Raiku has created a clever plot featuring a human baby winding up in a functioning society of tanuki. The baby, who can understand and communicate with all species, shakes up the inter-animal dynamic by helping them understand what everyone else is saying. That’s a really interesting starting point, but the hyperactive characters always seem to have their volume set at shônen 10, which is about 4 levels higher than I can tolerate. Some of Raiku’s anthropomorphic character designs for the tanuki end up being unintentionally creepy rather than cute, too. – David Welsh

Blue Exorcist, Vol. 4 | By Kazue Kato | Viz – There’s a pretty big reveal in this volume and, as is sometimes the case in stories by relatively inexperienced creators from weeklies, it seems a bit rushed. Kato does a great job in a lot of departments. Her art is attractive and stylized, but it keeps the action clear. The character types are certainly familiar, but they’re likeable and distinct in spite of the recognizable functions they fulfill. (I find myself surprisingly fond of hard-ass mentor Shura in spite of her fan-service-friendly wardrobe.) And Kato thinks about the small things in terms of the ways her characters interact and react to events, which is always welcome. As far as the long-term storytelling goes, though, Blue Exorcist seems a little lumpy. While Kato gets good follow-up mileage out of big events, the overall structure doesn’t seem as tight as it could or should be. There’s tons to like here, but it lacks the seamlessness of something like Fullmetal Alchemist. – David Welsh

Gate 7, Vol. 1 | By CLAMP | Dark Horse – Gate 7 is so extraordinarily pretty. From the handsomely detailed settings to the finely carved faces and gorgeous costumes, it’s a feast for the eyes. The glamour of it all almost – almost – excuses the fact that it has very little else working in its favor at this point. The plot reads like a CLAMP Mad Lib. A dorky but good-natured guy falls in with a pack of weird but incredibly attractive people with magical powers and lots of secrets, and he learns that he has some semblance of supernatural ability. In spite of the reams of exposition CLAMP has provided, I still feel like I know very little about most of the cast or what their function is in the grand scheme of things. But I really, really like looking at them, and I think I will be content to do so for at least a few more volumes. – David Welsh

Raiders, Vol. 7 | By JinJun Park | Yen Press – Raiders is such an odd series. It’s somewhat incoherent—the super-swift cuts between scenes don’t help one make sense of what is going on—but there’s enough intriguing about it that I keep reading. And now that I’ve read seven of the nine volumes, might as well keep going to the end! This volume features a pair of guys breaking into Area 51 in order to obtain data on the military’s research into weaponizing the undead. I’ve no idea how they learned about this, or who one of these guys even is, but with Raiders I’ve learned to set aside such concerns and just focus on the action, which is usually pretty cool. Also, the fanservice is not gratuitous—okay, yes, there’s one inexplicably nude moment for Lamia (the sexy zombie!) and copious bra flashes in a fight between two blade-wielding women, but these moments never subtract from the characters’ overall badassery, which I appreciate. – Michelle Smith

Vampire Knight, Vol. 13 | By Matsuri Hino | VIZ Media –So much of Vampire Knight is comprised of angst-ridden scenes and moody grey screentones that important revelations kind of sneak up on the reader. You’re reading along, lulled by the pretty art as you watch Zero mope about his plight as a vampire again (“Inside me… is there anything human left?”) and Kaname wrestle with conflicting impulses concerning Yuki, and then suddenly Kaname’s revealing the truth about his origins to Yuki, which explains how he could be both the progenitor of the Kuran clan and her sibling and also tangentially covers the formation of the vampire hunter society. I wouldn’t say it’s riveting stuff—it’s all a bit too languid to qualify—but it ought to have some interesting consequences. One thing I will say for Vampire Knight—it’s compulsively readable, and even though I’m not a fervent fan, I see myself sticking around for the long haul to see how things turn out. – Michelle Smith

Urameshiya Volume 1

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Urameshiya Volume 1 by Makiko

Available online at Jmanga.com

I was hoping to cover more scary manga for the month of October and the horror themed Manga Moveable feast, but life got in the way and the only new spooky title I’ve managed to read recently is Urameshiya from jmanga.com. This is a historical variation on what I tend to call “spooky shop” manga, where a person with spiritual powers has to intervene in the lives of people who are affected by ghosts. It is a snowy night in Edo era Japan, and an attractive woman named Oyou has used up her welcome and the sake supply at a local tavern. The owner apologies and says that he has to ask her not to come anymore because she’s scaring the other guests. She leaves with the advice that he should throw some salt at the ghost that is standing in a corner and heads out into the night. A handsome man who turns out to be a not overly bright pickpocket stumbles against her. She catches him in the act and tells him that he has to buy her sake to make it up to her. Saji decides that he’ll put a different spin on things by taking her to his house and getting her drunk.

As they travel they cross a bridge with a lonely female ghost. Oyou prevents Saji from getting trapped and they end up spending the night together, but one of Saji’s neighbors turns up frozen to death after listening to the spirit. Saji asks Oyou for help getting back at the ghost that killed his friend. What follows are three long episodes where Oyou and Saji form an incongruous ghost-busting team. Oyou is mysterious and a bit snarky, never confirming her feelings for Saji. In contrast, he’s quietly smitten. He decides to move in with her into the spooky tenement that seems to be inhabited only by freaks of nature. They deal with a case of wronged love, a rapacious rich girl cursed with vagina dentata, and have an unfortunate run-in with a young fox spirit. I really enjoyed the art style in Urameshiya, which is old fashioned and stylized in a way that highlights the historical setting. Oyou and Saji both have glossy black hair, long flowing robes, and angular faces with gigantic eyes. Saji provides Oyou with a bit of a grounding influence, tying her to the real world. For all that Oyou protests that she cares nothing for the young thief, she’s actually incredibly protective of him if he’s threatened. Having only three chapters in a single volume seemed to give the author the room to more thoroughly set the scene for each episode. I enjoyed the relationship between Oyou and Saji, the space given to each monster of the week, and the historical setting of Urameshiya. I’ll definitely be on the lookout for the next volume in this series.

Random weekend question: costume drama

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Okay, here’s the obligatory Halloween-themed random weekend question: if resources and logistics were no object, what manga character would you emulate for your costume? While it seems fairly easy, I’d probably go with Osamu Tezuka’s Black Jack. Now, I know you’re probably thinking that’s fairly simple — a trench coat, a wig, a few scars drawn on with an eyebrow pencil, and you’re finished. But that coat would take some wicked tailoring, and I’d want the whole armory of surgical tools in the lining, just for the effect.

 

License request day: Franken Fran

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I swear I’ve seen Erica Friedman describe Akita Shoten’s Champion Red as a shônen magazine where dignity and hope for a better world go to die, perhaps even suggesting that its readership should be monitored for their potentially detrimental influence on the gene pool. I trust Erica implicitly, but there is a horror series that’s run in Champion Red that was recently… well… championed in comments, and – as sometimes happens with horrific scenarios – curiosity has overcome good sense. (Don’t go in the Champion Red basement, you fool! It’s filled with the creepiest kind of otaku!)

I refer, of course, to Katsuhisa Kigitsu’s Franken Fran. Those covers make me wish for the swift oblivion of death to end my shame, but the host of Sunday Comics Debt sent me on the road to no return with the following remark:

I like to think of Franken Fran as Pinoko all grown up, and being raised with the Doctor’s medical skill would make her a prime candidate for doing outlandish operations that would be banned in any country. Admit it – all the elements are there – she’s a childish tumor with no qualms of ethics or humanity, and enjoys operating madcap experiments that would make Desty Nova proud, just for the fun of it.

Now, you all know of my completely misguided adoration for Pinoko. I’m not going to bore you by repeating it, but she’s so creepy and disturbing and precious and… ahem. Sorry about that.

It’s being published in German by Panini, and you can see some preview pages at the Amazon listing for the volume. The insides look a little more restrained than the “purchase by mail and try not to think of the shipping clerk judging you” covers would suggest.

We’re almost done with Black Jack (Vertical), and while it seems like a series with great snowy-Sunday reread value, I’d feel better if I knew there was something similarly ridiculous and entertaining on the way. Franken Fran’s potential tackiness may overwhelm its giddiness, but I’m willing to take that risk.

 

The Witch Family by Eleanor Estes

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From the back cover:
Banished!

Old Witch likes nothing better than to fly about on her broomstick crying “Heh-heh!” and casting abracadabras, but now she has been sent away… by two young girls.

Amy and Clarissa love to tell stories about Old Witch… until one day they decide she is just too mean and wicked. Drawing a rickety old house upon a barren glass hill, the girls exile Old Witch there with the warning that she’d better be good—or else no Halloween! For company they draw her a Little Witch Girl and a Weeny Witch Baby.

Old Witch tries to be good, but anyone would get up to no good in a place as lonely as the glass hill… as Amy and Clarissa find out when Old Witch magics them into her world, a world of make-believe made real.

Review:
If you’ve got a clever and charming child and are looking for a clever and charming Halloween book that they might enjoy, The Witch Family just might fit the bill.

Amy and her best friend Clarissa, both “ordinary real girls,” are almost seven. Amy’s vivid imagination has been captured by the tales her mother tells about the wicked Old Witch, and she enlists Clarissa—who, with her faulty memory but pleasant disposition, is content with the sidekick role—in drawing a series of pictures that continue Old Witch’s adventures.

The story is presented in a really neat way. For example, it’s immediately clear through vocabulary that Amy is concocting Old Witch’s story herself. (She’s fond of big words, but doesn’t always know how to spell or pronounce them, so when she sentences Old Witch to live alone on a glass hill as punishment for her evil ways, she declares, “I banquished her!”) But a lot of the book is told from Old Witch’s point of view, so kids would probably enjoy the “is she really real?” mystery.

It’s certainly a fun Halloween tale, but I think Amy is the most fascinating character of all. What a bright little girl! Seriously, I found myself wishing for an epilogue that read, “And then Amy became a super-famous novelist” or something. There’s a real whimsy in the language used, and I love that she does typical little girl things like write the bumblebee who’d been in her yard into the story and give him a noble and heroic part to play. She’s also inserting herself into the story in a way, by giving Old Witch a little witch girl named Hannah to keep her company who looks so much like Amy that no one can tell them apart when Hannah comes to visit Amy on Halloween and goes trick-or-treating with her friends.

I find I haven’t a lot more to say about the book than this. It’s very cute. There are kitties and weeny witch babies and things to make adults giggle and the most adorable bee on the planet. Thanks for the recommendation, K!

Re-flipped: Tokyo Zombie

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It doesn’t seem right to go through all of the current Manga Moveable Feast without addressing zombies, and it doesn’t seem right to address zombies without considering ironic zombies, so here’s an old Flipped column on a title that checks both off of the list.

I think Yusaku Hanakuma’s Tokyo Zombie (Last Gasp) has helped me crystallize my objections to zombie fiction in general.  Given the limitations of the genre, it very often seems like too much effort has gone into its various renderings.  Tokyo Zombie looks like it was dashed off during study hall, and that works in its favor.

The official tag for the style is heta uma, or “bad, but good.”  I might modify it to “bad, but appropriate,” to be honest.  That Hanakuma’s style of illustration suits the material doesn’t mean it’s aesthetically pleasing in any meaningful way or that a practiced knowledge of the fundaments of drawing seems to be peeking out through a conscious effort at crudeness.  Proportions are odd and shifting, and body language and composition are stiff.  To be honest, the living and the undead aren’t always immediately distinguishable from one another.

But really, the best a zombie story can be is crude, quick, and maybe a little subversive, and Tokyo Zombie is all of those.  The action begins on “Dark Fuji,” a mountain of garbage, studded with illegally dumped toxic waste and human remains.  Whatever the opposite of a primordial soup is reaches boiling point, and the undead begin shambling down from Dark Fuji to do what zombies do – very slowly overtake the living.

A small subculture of survivors build an enclosed area where the rich live on the labor of an oppressed class of slaves, and the balance is maintained by brutal enforcers.  Stripped of most of their comforts and diversions, the rich become extremely bored, and a brutal arena featuring slaves versus zombies springs up.  There isn’t much in the way of subtlety in the way Hanakuma portrays the class conflicts of post-zombie society, but there doesn’t need to be.  It’s just a backdrop for gross-out violence and a source of jokes about brutal things happening to generally terrible people.

Hanakuma’s greatest strength is probably pacing.  He rarely lets a sequence drag on longer than necessary, and he keeps the inventively gross gags coming.  If they’re imperfectly rendered, how much artistry does flesh-eating really require?  There’s plenty of gory event if not detail, and what would lovingly drawn innards really add to what seems intended to be a brisk, coarse outing?

(P.S. Tokyo Zombie was originally serialized in the alternative manga anthology, Ax.  In August of 2009, Top Shelf will publish a 400-page collection of stories from the decade-old magazine.  Kai-Ming Cha has an interview with the translated collection’s co-editor, Sean Michael Wilson, at Publishers Weekly.)

(P.P.S.  Last Gasp is also the publisher of one of the finest comics I’ve ever read, Fumiyo Kouno’s Town of Evening Calm, Country of Cherry Blossoms.  Aside from its publisher and creator’s nation of origin, it has absolutely nothing to do with Tokyo Zombie, but I like to mention it whenever I can, no matter how feeble the pretext.)

 

Haunted House

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By Mitsukazu Mihara | Published by TOKYOPOP

I blame my “meh” reaction to Mitsukazu Miharu’s Haunted House—which I honestly wanted to like!—on the back cover, which promises that readers will be “kept guessing—and giggling” by the behavior of Sabato Obiga’s flamboyantly goth parents. I might’ve smiled a time or two, but that’s about it.

The basic premise here is simple and reiterated several times throughout the volume: Sabato would like a steady girlfriend, but they inevitably ask to see his house, which means they will have to meet his bizarre, “death-flavored” family and be scared off by their creepy antics. Sabato’s mother strongly resembles Morticia Addams, his father (despite being a banker) often sports a sort of Victorian dandy look, and his twin sisters have a gothic lolita vibe and spend their free time making voodoo dolls. The Obiga family also likes to decorate their home with skeletons and shrines and threatens to serve the family cat for dinner. Sabato always obtains their promise to behave before inviting a girl over, but this is invariably broken.

Haunted House is pretty repetitive, but I think I wouldn’t have been dissastified with it if the powers that be at TOKYOPOP hadn’t strongly hinted that Sabato’s family has some reason for treating him like they do. Okay, yes, they abruptly promise to support him when it seems that he, after fancying a long string of random ladies, seems to have fallen in love at last, but it’s not like they actually follow through with this in any meaningful way.

Looking kooky is one thing, but they’re frequently just down-right mean. At one point, Sabato is hospitalized with a broken leg and his family comes to visit. Most of what they do is innocuous—bringing him only hospital-themed horror novels to read, for example—but his mother actually feeds him dog food. I just don’t get it. Is that supposed to be funny? Is that supposed to be someone who is merely tormenting their kid, as the back cover implies, in an effort to encourage him to grow up, become an independent person, and stop pursuing meaningless relationships with random girls?

I don’t know, but I am certain that I am thinking too hard about this. And I partly blame the back cover that encouraged me to expect more from a story that is really just a diverting bit of goofiness.

Manga Bestsellers: 2011, Week Ending 23 October

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Comparative Rankings Based on Consolidated Online Sales

last week’s charts
about the charts

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Manga Bestsellers

1. ↔0 (1) : Sailor Moon 1 – Kodansha Comics, Sep 2011 [461.1] ::
2. ↔0 (2) : Sailor Moon Codename: Sailor V 1 – Kodansha Comics, Sep 2011 [442.8] ::
3. ↑1 (4) : Vampire Knight 13 – Viz Shojo Beat, Oct 2011 [434.3] ::
4. ↓-1 (3) : Sailor Moon 2 – Kodansha Comics, Nov 2011 [434.2] ::
5. ↔0 (5) : Naruto 52 – Viz Shonen Jump, Jul 2011 [416.5] ::
6. ↔0 (6) : Rosario+Vampire Season II 6 – Viz Shonen Jump Advanced, Oct 2011 [400.0] ::
7. ↑19 (26) : Yotsuba&! 10 – Yen Press, Oct 2011 [373.5] ::
8. ↑19 (27) : Black Butler 7 – Yen Press, Oct 2011 [354.8] ::
9. ↓-2 (7) : Blue Exorcist 4 – Viz Shonen Jump Advanced, Oct 2011 [339.9] ::
10. ↓-2 (8) : Skip Beat! 25 – Viz Shojo Beat, Oct 2011 [331.9] ::

[more]

Top Imprints
Number of volumes ranking in the Top 500:

Viz Shonen Jump 83
Viz Shojo Beat 80
Yen Press 72
Kodansha Comics 37
Viz Shonen Jump Advanced 34
Vizkids 28
Tokyopop 21
Viz 18
Del Rey 15
DMP Juné 15

[more]

Series/Property

1. ↔0 (1) : Sailor Moon – Kodansha Comics [1,064.4] ::
2. ↔0 (2) : Vampire Knight – Viz Shojo Beat [784.3] ::
3. ↑2 (5) : Black Butler – Yen Press [724.2] ::
4. ↔0 (4) : Naruto – Viz Shonen Jump [723.2] ::
5. ↓-2 (3) : Maximum Ride – Yen Press [702.7] ::
6. ↔0 (6) : Negima! – Del Rey/Kodansha Comics [577.4] ::
7. ↔0 (7) : Blue Exorcist – Viz Shonen Jump Advanced [512.4] ::
8. ↑6 (14) : Highschool of the Dead – Yen Press [508.1] ::
9. ↔0 (9) : Skip Beat! – Viz Shojo Beat [505.7] ::
10. ↔0 (10) : Rosario+Vampire – Viz Shonen Jump Advanced [472.7] ::

[more]

New Releases
(Titles releasing/released This Month & Last)

1. ↔0 (1) : Sailor Moon 1 – Kodansha Comics, Sep 2011 [461.1] ::
2. ↔0 (2) : Sailor Moon Codename: Sailor V 1 – Kodansha Comics, Sep 2011 [442.8] ::
3. ↑1 (4) : Vampire Knight 13 – Viz Shojo Beat, Oct 2011 [434.3] ::
6. ↔0 (6) : Rosario+Vampire Season II 6 – Viz Shonen Jump Advanced, Oct 2011 [400.0] ::
7. ↑19 (26) : Yotsuba&! 10 – Yen Press, Oct 2011 [373.5] ::
8. ↑19 (27) : Black Butler 7 – Yen Press, Oct 2011 [354.8] ::
9. ↓-2 (7) : Blue Exorcist 4 – Viz Shonen Jump Advanced, Oct 2011 [339.9] ::
10. ↓-2 (8) : Skip Beat! 25 – Viz Shojo Beat, Oct 2011 [331.9] ::
11. ↑22 (33) : Pandora Hearts 7 – Yen Press, Oct 2011 [327.3] ::
14. ↓-2 (12) : Negima! 31 – Kodansha Comics, Sep 2011 [309.0] ::

[more]

Preorders

4. ↓-1 (3) : Sailor Moon 2 – Kodansha Comics, Nov 2011 [434.2] ::
18. ↓-5 (13) : Sailor Moon Codename: Sailor V 2 – Kodansha Comics, Nov 2011 [275.0] ::
19. ↓-2 (17) : Sailor Moon 5 – Kodansha Comics, Apr 2012 [274.9] ::
21. ↓-2 (19) : Sailor Moon 3 – Kodansha Comics, Jan 2012 [257.1] ::
24. ↑1 (25) : Sailor Moon 4 – Kodansha Comics, Mar 2012 [246.0] ::
53. ↑49 (102) : Fullmetal Alchemist 27 – Viz, Dec 2011 [157.1] ::
60. ↑7 (67) : Negima! 32 – Kodansha Comics, Nov 2011 [141.1] ::
71. ↔0 (71) : Maximum Ride 5 – Yen Press, Dec 2011 [131.0] ::
77. ↓-12 (65) : xxxHolic 18 – Kodansha Comics, Dec 2011 [122.5] ::
85. ↑264 (349) : Sailor Moon 6 – Kodansha Comics, Jun 2012 [115.9] ::

[more]

Manhwa

121. ↓-17 (104) : March Story 3 – Viz Signature, Oct 2011 [88.6] ::
342. ↑63 (405) : Black God 14 – Yen Press, Oct 2011 [32.6] ::
514. ↑406 (920) : Bride of the Water God 9 – Dark Horse, Oct 2011 [19.4] ::
531. ↑307 (838) : March Story 2 – Viz Signature, Apr 2011 [18.5] ::
545. ↑new (0) : Antique Gift Shop 9 – Yen Press, Nov 2009 [17.9] ::
646. ↓-91 (555) : Goong 12 – Yen Press, Sep 2011 [13.4] ::
948. ↑135 (1083) : Jack Frost 4 – Yen Press, Dec 2010 [5.4] ::
966. ↑ (last ranked 2 Oct 11) : Totally Captivated 3 – Netcomics, Jun 2008 [5.2] ::
981. ↓-237 (744) : JTF-3 Counter Ops (ebook) – RealinterfaceStudios.com, Mar 2011 [4.9] ::
1005. ↑955 (1960) : Black God 8 – Yen Press, Feb 2010 [4.5] ::

[more]

BL/Yaoi

34. ↑10 (44) : Finder Series 4 Prisoner in the View Finder – DMP Juné, Aug 2011 [209.5] ::
90. ↓-20 (70) : Maelstrom (Kindle ebook) 1 – Yaoi Press, Jun 2011 [113.0] ::
110. ↑35 (145) : Finder Series 5 Truth in the View Finder – DMP Juné, Dec 2011 [93.9] ::
132. ↑2 (134) : About Love – DMP Juné, Nov 2011 [82.5] ::
149. ↑16 (165) : Private Teacher 2 – DMP Juné, Jan 2012 [74.3] ::
156. ↓-8 (148) : Secrecy of the Shivering Night – DMP Juné, Dec 2011 [69.5] ::
164. ↓-41 (123) : An Even More Beautiful Lie – DMP Juné, Jan 2012 [67.1] ::
165. ↓-13 (152) : Mr. Convenience – DMP Juné, Nov 2011 [67.0] ::
187. ↑new (0) : Attacked on a Tiger’s Whim (ebook) – DMP Digital Manga Guild, Oct 2011 [57.3] ::
245. ↓-15 (230) : Only Serious about You 2 – DMP Juné, Dec 2011 [45.9] ::

[more]

The Favorites Alphabet: spooky supplement

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We interrupt your regularly scheduled, letter-by-letter installment of The Favorites Alphabet in honor of the horror-tinged Manga Moveable Feast! This week, the Manga Bookshelf Battle Robot retreated to the dank catacombs of our secret base to conjure the spirits of our favorite spooky manga! Read on… if you dare!

 “The Enigma of Amigara Fault” | By Junji Ito | VIZ Media – I haven’t read much horror manga. In fact, aside from the delightfully bizarre Tokyo Zombie and one volume (so far) of The Kurosagi Corpse Delivery Service, my experience is limited to the works of Junji Ito. While Gyo and Uzumaki certainly deliver weird and disturbing tales, it’s “The Enigma of Amigara Fault,” a short story that appeared in Gyo’s second volume, that I find most memorable.  In it, an earthquake has revealed a rock formation riddled with human-shaped holes that go farther back into the rock than researchers are able to measure. People flock to the site, drawn to holes that seem to be custom-made for them. Those who enter the holes are committed to moving forward with some profoundly jibbly-inducing results. Just thinking about it is kind of giving me a wiggins. Look for images from this one in this weekend’s Let’s Get Visual column! – Michelle Smith


The Kurosagi Corpse Delivery Service | By Eiji Ōtsuka and Housui Yamazaki | Dark Horse – Despite my ongoing reviews of Higurashi: When They Cry, I’m not really a big reader of horror manga, tending to find it too scary. Which says more about me than about the genre. However, I picked up Volume 1 of Kurosagi Corpse Delivery Service for its unusual cover, as well as the fact that it was translated and edited by Carl Horn. Imagine my surprise when I got one of the funniest, most satiric, and, yes, scariest manga coming out here. For our heroes, dealing with corpses isn’t like searching for mysteries a la Scooby Doo – it’s a job, and they are usually trying desperately to get paid. It just so happens that their various skills go really well with solving problems involving dead bodies. Nestled in among the sarcastic dialogue and long pointed looks at Japanese politics and society is some really creepy imagery – watch out for the chapter with the birds, or the one with the ears. – Sean Gaffney

Parasyte | By Hitoshi Iwaaki | Del Rey – There are just so many reasons this eight-volume series is awesome, not least of which is Iwaaki’s facility with really gruesome and surprising bits of violence. It’s an invasive-species nightmare scenario featuring bizarre space spores taking over indigenous creatures (mostly human) and turning them into ravenous, shape-shifting, and dangerously intelligent predators. Fortunately, one of the parasites doesn’t quite make it to its host’s brain, turning average teen Shinichi Izumi into humanity’s best protector, and his right hand into a formidable defensive weapon, not to mention an adorable and insightful pet! Iwaaki jumbles a lot of elements together – coming-of-age drama, violent suspense, evolutionary theory, family tragedy, and boy-and-his-dog sentiment. The beauty part is that Iwaaki jumbles it all well, making for one of the most beginning-to-end satisfying tales you’re likely to find on the manga shelves. Originally published by Tokyopop, Del Rey picked up this out-of-print gem and did a bang-up job repackaging it. – David Welsh


School Zone | By Kanako Inuki | Dark Horse – In this odd, hallucinatory, and sometimes very funny series, a group of students summon the ghosts of people who died on school grounds, unleashing the spirits’ wrath on their unsuspecting classmates. School Zone is as much a meditation on childhood fears of being ridiculed or ostracized as it is a traditional ghost story; time and again, the students’ own response to the ghosts is often more horrific than the ghosts’ behavior. Inuki’s artwork isn’t as gory or imaginative as some of her peers’, though she demonstrates a genuine flair for comically gruesome thrills: one girl is dragged into a toilet, for example, while another is attacked by a scaly, long-armed creature that lives in the infirmary. Where Inuki really shines, however, is in her ability to capture the primal terror that a dark, empty building can inspire in the most rational person. Even when the story takes one its many silly detours — and yes, there are many WTF?! moments in School Zone — Inuki makes us feel her characters’ vulnerability as they explore the school grounds after hours. – Katherine Dacey

Tokyo Babylon | By CLAMP | TOKYOPOP – When David suggested that we all pick favorite horror manga for this week, at first I thought I didn’t have any. Though horror movies were a favorite genre once upon a time, that preference never really transferred to print for me, or at least I didn’t think it had. Then I realized that some of my most beloved occult-themed comics fall closer to the horror mark than I thought. My favorite of these (and indeed, one of my favorite comics of all time) is CLAMP’s 20-year-old series, Tokyo Babylon.  Complete in just seven volumes, it’s a decidedly immature work, featuring uneven storytelling, outrageous outfits, and one of the strangest, most over-the-top examples of BL-leaning shôjo I’ve seen to date. On the other hand, not only does it finally rip our hearts out with the precision of a serial killer, but it scares the bejeezus out of us all along the way. This is a dark, cruel little series, that takes real joy in its emotional shock value, and its occult setting provides ample opportunity for that quality. Not that I’m complaining. When I look at the images I chose for my review of the series , I can see that I picked out several of those that had creeped me out the most. For genuine scares and emotional brutality all wrapped up in one delicious “classic” shôjo package, you can’t beat Tokyo Babylon. – MJ

What are your favorite horror stories?

 

Psyren, Vol. 1

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By Toshiaki Iwashiro. Released in Japan by Shueisha, serialized in the magazine Weekly Shonen Jump. Released in North America by Viz.

When it comes to weekly manga publication, there are several things we have to face up to. First of all, the editor of Weekly Shonen Jump has to get 18 series out every week. And they can’t all be One Piece. Sometimes you get super blockbuster hits, and sometimes you get those ‘workhorse’ series. Secondly, when Viz is looking for Jump series to license, they may see a series that’s 19 volumes and still running and think “Will this be profitable enough to risk it never ending like One Piece or Naruto?” Much easier to take a chance on a medium-length series, 16 volumes or so, that’s already over.

And so enter Psyren, a perfectly serviceable Jump series that I suspect is not going to gain much of a following simply as its first volume, like many Jump series, is pretty damn average. Of course, One Piece 1 was pretty mediocre as well, but it was already a huge phenomenon by the time most folks here read it. No one is telling Psyren readers, “Just wait it gets so much better later.” Indeed, it may not, I’ve no idea. But if this series is like most other Jump series, I suspect that it is a slow builder.

So, Psyren! Let’s see, we have the guy on the cover, who is our hero, Ageha. (No, he doesn’t sew designer accessories, wrong series.) Ageha is fairly cocky, likes to hit things, helps out cute young girls… he’s a very likeable teenage hero. He happens across a rather beaten and stoic classmate, Sakurako, who flips out when he returns her wallet that had been stolen and notes a red phone card in it saying Psyren. Mysterious card… damsel in distress… time for Ageha to jump to the rescue! Especially once he gets a phone card of his own.

Psyren’s predictability is both its strength and its weakness. You know to a certain degree what to expect, so the book moves fast and the plot sets up nicely. Naturally Ageha will never turn his back on someone in need, even a stranger he barely knows, and his stubborn desires impress his new soon-to-be friends. On the downside, there’s nothing that leaps out and makes you want to read Volume 2. It’s a fun read, but if the series was cancelled after this volume, most readers would simply never notice.

The setting is a desolate wasteland, so naturally there’s lots of room for battling huge ugly monsters, another Jump staple. These battles also seem to involve psychic powers, or at least they do for everyone but our hero, who I’ve no doubt will be unlocking his true abilities soon. And yes, the heroine does get a nosebleed after using her powers. It’s not just Marvel Comics doing that cliche. If there is one surprise in the volume, it’s the cliffhanger, which makes a refreshing change from the ‘we’re on an alien planet’ or ‘we’re in another dimension’ that I was expecting.

So the question is, is it worth getting volume 2 in hopes the series takes it up a notch? Not sure. But I don’t think you’ll have wasted your money if you get Vol. 1. Psyren is a perfectly normal manga series, which unfortunately may not have enough hooks to make folks come back for more.