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Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Blog

How to Draw Shojo Manga

February 14, 2012 by Katherine Dacey 1 Comment

This slim how-to manual caters to the manga fan who wants to become an artist, but finds the technical aspects of comic creation daunting. “If you’ve ever flipped through a How to Draw Manga book in a bookstore, looked at the pages that explain character design and perspective and thought, ‘I have to learn all this hard stuff to be a manga artist?’ then you are exactly the person who we want to read this book,” the authors cheerfully assert.

The introduction is a little disingenuous, however, as the book assumes a level of artistic fluency on the part of the reader that isn’t reflected in that warmly inviting statement. No novice could use the passages on anatomy or perspective to learn either of these essential drafting skills; the authors don’t break down the process of sketching a body or a three-dimensional space into enough discrete steps for a newcomer to recreate the examples in the book. The same is true for their advice on tools; though the authors provide a detailed catalog of pens, nibs, erasers, templates, blades, and brushes favored by professional artists, the information about how to use these tools presumes that the reader has worked with similar implements.

What How to Draw Shojo Manga does well, however, is introduce novices to the concepts associated with creating sequential art. The authors review the basics, explaining the various types of camera angles and shots, and when they’re most effective; discussing the underlying philosophy behind character designs; and showing how an artist takes a script from words to storyboards to finished product. The book also includes an appendix with practical information about submitting work to contests — obviously less applicable to American readers — as well as strategies for handling criticism; in a thoughtful touch, the authors critique a short story (included in full in the book) so that readers can better appreciate the substance of the editorial comments. Whenever possible, the authors use examples from actual manga to underscore points about character design and layouts; sharp-eyed fans will recognize works from such Hakusensha magazines as Lala, Melody, and Hana to Yume.

The bottom line: How to Draw Shojo Manga won’t turn a greenhorn into Arina Tanemura, but it will help her identify areas of weakness (e.g. poor drafting skills) and provide her with the vocabulary to discuss — and learn more about — the creative process.

Editor’s note: This review was originally included in a Short Takes column from November 2010. When I reorganized my site in January 2012, I created a category for instruction manuals (How to Draw Manga) and decided that this review would be better suited as a stand-alone piece. Look for more how-to reviews in the coming months!

HOW TO DRAW SHOJO MANGA • WRITTEN BY THE EDITORIAL STAFF OF HANA TO YUME, BESSATSU HANE TO YUME, LALA, AND MELODY MAGAZINES • TOKYOPOP • 176 pp. • RATING: TEEN (13+)

Filed Under: Manga Critic Tagged With: How-To, shojo, Tokyopop

13th Boy Winners Announced!

February 14, 2012 by MJ Leave a Comment

Thanks everyone who participated in this week’s 13th Boy Valentine’s Day Giveaway! And the winners are…

Ash and Myrah!

Winners, please provide your mailing addresses via the Contact Us form. You’ll receive your copies of volume one sometime over the next couple of weeks.

Everyone, thanks for entering, and have a Happy Valentine’s Day!

Filed Under: UNSHELVED Tagged With: 13th boy, giveaways

Manga Radar: 29 January 2012

February 14, 2012 by Matt Blind Leave a Comment

Database Additions for 29 January

Border Control: Fate (ebook) – DMP Digital Manga Guild, Jan 2012 ::
Career Gate (ebook) – DMP Digital Manga Guild, Jan 2012 ::
Gentlemen’s Agreement Between A Rabbit & A Wolf (ebook) – DMP Juné, Jan 2012 ::
I’m the Big Brother (ebook) – DMP Digital Manga Guild, Jan 2012 ::
Silly Gossip (ebook) – DMP Digital Manga Guild, Jan 2012 ::
Welcome to the SMC (ebook) – DMP Digital Manga Guild, Jan 2012 ::
You’re Mine (ebook) 1 – Publingual Inc., Jan 2012 ::

Dirty Pair A Plague of Angels – Dark Horse, Jul 1994 ::
Dirty Pair Biohazards – Dark Horse, Sep 1998 ::
Dirty Pair Dangerous Acquaintances – Dark Horse, Jun 1997 ::
Dirty Pair Fatal but not Serious – Dark Horse, Aug 1996 ::
Dirty Pair Run from the Future – Dark Horse, Mar 2002 ::
Dirty Pair Sim Hell – Dark Horse, Dec 1994 ::
Dirty Pair Sim Hell: Remastered – Dark Horse, Oct 2002 ::
Dirty Pair The Dirty Pair Strike Again (novel) – Dark Horse, Mar 2008 ::
Dirty Pair The Great Adventure of the Dirty Pair (novel) – Dark Horse, Sep 2007 ::
Lullabies from Hell – Dark Horse, May 2006 ::
Onegai Teacher 1 – ComicsOne, Apr 2005 ::
Onegai Teacher 2 – ComicsOne, Apr 2005 ::
Onegai Teacher (novel) – ComicsOne, Apr 2005 ::
Onegai Teacher Official Fanbook – ComicsOne, Apr 2005 ::
Secret Comics Japan – Viz, Jun 2000 ::
Sin (ebook) chapters 1-10 – MangaMagazine, Sep 2011 ::
The Girl Who Leapt Through Time (novel) – Bandai, Jul 2009 ::

##

I’ll start with two reminders: First, the ‘radar’ picks up new titles as soon as they show up in sources – for physical books, that’s a few months out; for e- it’s often just the week of release. And that’s what we see above: a short slate of ebooks coming out for Kindle. The DMP Juné book, A Gentlemen’s Agreement Between A Rabbit & A Wolf should also be out in paperback soon, if not by the time you read this.

My second reminder is that the radar sweeps in both directions, and also scoops up titles from the dim and dusty past of licenced manga – you know, like 7 & 8 years ago. [ancient texts.]

Fixing an obvious oversight on my part: Dirty Pair! Oh wow. Now, some might object to the inclusion of these books in a ‘manga’ chart, as only the characters were licensed: Dirty Pair was an anime based on a novel, *not* originally a manga series, and the Dark Horse books are by western writers & artists. Whatevs. I like it. (Dark Horse helpfully published two of the original novels as well, in 2007-8)

Also on the based-on-an-anime track, ComicsOne published 4 books to tie-in to the Please Teacher series, but translated the title as Onegai Teacher, just to be sure at least some fans would never find them.

Finally, two worthy of note: Hideshi Hino’s Lullabies from Hell for you horror manga fans (Dark Horse also licensed Living Corpse from the same author) and Secret Comics Japan from Viz, which promises at least a few grotesqueries among its selections of ‘underground’ manga.

##

Top Preorders

6. ↓-1 (5) : Naruto 54 – Viz Shonen Jump, Mar 2012 [385.3] ::
12. ↑2 (14) : Sailor Moon 4 – Kodansha Comics, Mar 2012 [353.5] ::
16. ↓-1 (15) : Sailor Moon 5 – Kodansha Comics, Apr 2012 [298.7] ::
24. ↓-1 (23) : Sailor Moon 6 – Kodansha Comics, Jun 2012 [245.1] ::
59. ↓-3 (56) : xxxHolic 19 – Kodansha Comics, Feb 2012 [148.3] ::
65. ↑26 (91) : Naruto 55 – Viz Shonen Jump, Mar 2012 [135.5] ::
70. ↑26 (96) : Sailor Moon 7 – Kodansha Comics, Sep 2012 [132.5] ::
84. ↑9 (93) : Negima! 34 – Kodansha Comics, Apr 2012 [114.5] ::
102. ↓-19 (83) : Dance in the Vampire Bund 12 – Seven Seas, Jun 2012 [95.8] ::
123. ↑13 (136) : Ambiguous Relationship – DMP Juné, Mar 2012 [86.3] ::

[more]

Filed Under: Manga Radar, UNSHELVED

Manga Bestsellers: 2012, Week Ending 29 January

February 14, 2012 by Matt Blind Leave a Comment

Comparative Rankings Based on Consolidated Online Sales

last week’s charts
about the charts

##

Manga Bestsellers

1. ↔0 (1) : Sailor Moon 3 – Kodansha Comics, Jan 2012 [477.0] ::
2. ↑1 (3) : Sailor Moon 1 – Kodansha Comics, Sep 2011 [434.5] ::
3. ↓-1 (2) : Sailor Moon 2 – Kodansha Comics, Nov 2011 [423.5] ::
4. ↑6 (10) : Black Butler 8 – Yen Press, Jan 2012 [409.3] ::
5. ↓-1 (4) : Maximum Ride 5 – Yen Press, Dec 2011 [392.3] ::
6. ↓-1 (5) : Naruto 54 – Viz Shonen Jump, Mar 2012 [385.3] ::
7. ↑5 (12) : Sailor Moon Codename: Sailor V 1 – Kodansha Comics, Sep 2011 [377.3] ::
8. ↑1 (9) : Naruto 53 – Viz Shonen Jump, Dec 2011 [366.8] ::
9. ↓-1 (8) : Fullmetal Alchemist 27 – Viz, Dec 2011 [364.7] ::
10. ↓-4 (6) : Black Bird 12 – Viz Shojo Beat, Jan 2012 [361.4] ::

[more]

Top Imprints
Number of volumes ranking in the Top 500:

Viz Shonen Jump 80
Yen Press 79
Viz Shojo Beat 68
Kodansha Comics 41
Viz Shonen Jump Advanced 33
Seven Seas 23
Vizkids 18
DMP Juné 16
Dark Horse 14
HC/Tokyopop 13

[more]

Series/Property

1. ↔0 (1) : Sailor Moon – Kodansha Comics [1,124.3] ::
2. ↔0 (2) : Naruto – Viz Shonen Jump [957.4] ::
3. ↑1 (4) : Black Butler – Yen Press [794.1] ::
4. ↓-1 (3) : Maximum Ride – Yen Press [793.4] ::
5. ↑5 (10) : Highschool of the Dead – Yen Press [582.3] ::
6. ↓-1 (5) : Fullmetal Alchemist – Viz [571.7] ::
7. ↓-1 (6) : Black Bird – Viz Shojo Beat [562.9] ::
8. ↓-1 (7) : Pokemon – Vizkids [560.6] ::
9. ↓-1 (8) : Rosario+Vampire – Viz Shonen Jump Advanced [538.8] ::
10. ↑1 (11) : Negima! – Del Rey/Kodansha Comics [504.6] ::

[more]

New Releases
(Titles releasing/released This Month & Last)

1. ↔0 (1) : Sailor Moon 3 – Kodansha Comics, Jan 2012 [477.0] ::
4. ↑6 (10) : Black Butler 8 – Yen Press, Jan 2012 [409.3] ::
5. ↓-1 (4) : Maximum Ride 5 – Yen Press, Dec 2011 [392.3] ::
8. ↑1 (9) : Naruto 53 – Viz Shonen Jump, Dec 2011 [366.8] ::
9. ↓-1 (8) : Fullmetal Alchemist 27 – Viz, Dec 2011 [364.7] ::
10. ↓-4 (6) : Black Bird 12 – Viz Shojo Beat, Jan 2012 [361.4] ::
11. ↓-4 (7) : Rosario+Vampire Season II 7 – Viz Shonen Jump Advanced, Jan 2012 [357.0] ::
13. ↑14 (27) : Pandora Hearts 8 – Yen Press, Jan 2012 [351.5] ::
15. ↑17 (32) : Highschool of the Dead 5 – Yen Press, Jan 2012 [305.6] ::
17. ↓-6 (11) : Skip Beat! 26 – Viz Shojo Beat, Jan 2012 [298.6] ::

[more]

Preorders

6. ↓-1 (5) : Naruto 54 – Viz Shonen Jump, Mar 2012 [385.3] ::
12. ↑2 (14) : Sailor Moon 4 – Kodansha Comics, Mar 2012 [353.5] ::
16. ↓-1 (15) : Sailor Moon 5 – Kodansha Comics, Apr 2012 [298.7] ::
24. ↓-1 (23) : Sailor Moon 6 – Kodansha Comics, Jun 2012 [245.1] ::
59. ↓-3 (56) : xxxHolic 19 – Kodansha Comics, Feb 2012 [148.3] ::
65. ↑26 (91) : Naruto 55 – Viz Shonen Jump, Mar 2012 [135.5] ::
70. ↑26 (96) : Sailor Moon 7 – Kodansha Comics, Sep 2012 [132.5] ::
84. ↑9 (93) : Negima! 34 – Kodansha Comics, Apr 2012 [114.5] ::
102. ↓-19 (83) : Dance in the Vampire Bund 12 – Seven Seas, Jun 2012 [95.8] ::
123. ↑13 (136) : Ambiguous Relationship – DMP Juné, Mar 2012 [86.3] ::

[more]

Manhwa

192. ↑ (last ranked 20 Nov 11) : Laon 6 – Yen Press, Jul 2011 [60.8] ::
257. ↑820 (1077) : Totally Captivated 3 – Netcomics, Jun 2008 [43.4] ::
263. ↑121 (384) : JTF-3 Counter Ops (ebook) – RealinterfaceStudios.com, Mar 2011 [42.6] ::
302. ↑1024 (1326) : Totally Captivated 4 – Netcomics, Sep 2008 [37.3] ::
377. ↑454 (831) : Bride of the Water God 9 – Dark Horse, Oct 2011 [29.3] ::
486. ↑259 (745) : Angel Diary 11 – Yen Press, Mar 2010 [20.1] ::
493. ↑192 (685) : Black God 15 – Yen Press, Jan 2012 [19.8] ::
519. ↑1272 (1791) : Totally Captivated 6 – Netcomics, Feb 2009 [18.3] ::
614. ↑353 (967) : March Story 3 – Viz Signature, Oct 2011 [14.4] ::
632. ↑9 (641) : March Story 2 – Viz Signature, Apr 2011 [13.5] ::

[more]

BL/Yaoi

62. ↑3 (65) : Maelstrom (ebook) 1 – Yaoi Press, Jun 2011 [140.3] ::
91. ↑7 (98) : Private Teacher 2 – DMP Juné, Jan 2012 [103.6] ::
101. ↓-30 (71) : Mr. Tiger & Mr. Wolf – DMP Juné, Sep 2011 [95.9] ::
106. ↓-12 (94) : Seven Days Friday-Sunday – DMP Juné, Sep 2011 [94.5] ::
112. ↓-30 (82) : A Fallen Saint’s Kiss – 801 Media, Jan 2012 [90.9] ::
113. ↑38 (151) : Finder Series 5 Truth in the View Finder – DMP Juné, Dec 2011 [90.3] ::
123. ↑13 (136) : Ambiguous Relationship – DMP Juné, Mar 2012 [86.3] ::
183. ↑37 (220) : Maelstrom (ebook) 6 – Yaoi Press, Aug 2011 [62.2] ::
188. ↑21 (209) : Finder Series 4 Prisoner in the View Finder – DMP Juné, Aug 2011 [61.1] ::
221. ↓-96 (125) : Storm Flower – DMP Juné, Dec 2011 [52.3] ::

[more]

Ebooks

55. ↓-16 (39) : Amazing Agent Luna 1 – Seven Seas, Mar 2005 [159.0] ::
62. ↑3 (65) : Maelstrom (ebook) 1 – Yaoi Press, Jun 2011 [140.3] ::
71. ↓-13 (58) : How to Draw Manga (ebook) Lesson 1 Eyes – Japanime’s Manga University, May 2011 [132.0] ::
74. ↓-20 (54) : Vampire Cheerleaders 1 – Seven Seas, Mar 2011 [127.8] ::
95. ↓-21 (74) : Amazing Agent Luna 2 – Seven Seas, Jul 2005 [100.5] ::
96. ↓-30 (66) : The Outcast 1 – Seven Seas, Sep 2007 [100.0] ::
103. ↑53 (156) : Dragon Ball Z Legend: The Quest Continues – Cocoro Books, May 2004 [95.1] ::
111. ↑22 (133) : Manga Moods – Japanime’s Manga University, Mar 2006 [91.0] ::
126. ↑63 (189) : Kanji de Manga 1 – Japanime’s Manga University, Jan 2005 [81.5] ::
131. ↓-34 (97) : Manga Cookbook – Japanime’s Manga University, Aug 2007 [79.2] ::

[more]

Filed Under: Manga Bestsellers Tagged With: Manga Bestsellers

Drifters, Vol. 1

February 14, 2012 by Katherine Dacey

Back in the 1980s — the heyday of Dolph Lundgren, Arnold Schwarzenegger, and Sylvester Stallone — Hollywood cranked out a stream of mediocre but massively entertaining B-movies in which a man with a freakishly muscular physique and a granite jaw battled the Forces of Evil, dispatching villains with a catch-phrase and a lethal weapon. I don’t know if Kohta Hirano ever watched Predator or Red Scorpion, but Drifters reads like the first draft of a truly awesome eighties movie, complete with a trademark phrase — “Say farewell to your head!” — and a simple but effective premise that promises lots of silly, over-the-top fight scenes.

The Dolph Lundgren character — if I might be allowed to call him that — is Shimazu Toyohisa, a Satsuma warrior facing long odds at the Battle of Sekigahara (1600). Just as Shimazu’s death seems imminent, he finds himself transported to an alternate dimension, one in which mankind’s greatest warriors — Hannibal, Nobunaga Oda, Joan of Arc — have been assembled for an elaborate game. The purpose and rules of the game remain elusive, but the primary objective seems to be mass destruction: the game’s organizer unleashes hordes of ghouls and dragons on Shimazu and his allies, in the process laying waste to cities, forts, and crops.

Like all good Schwarzenegger or Stallone vehicles, Drifters makes a few token gestures towards subplot and world-building. Shimazu helps a group of elves resist their oppressors, for example, teaching them the manly art of standing up for themselves. Hirano provides so little explanation for the elves’ marginalized status, however, that the entire episode registers as a stalling tactic for the climatic battle at volume one’s end, a half-hearted effort to show us that however unhinged or deadly Shimazu may be, he knows injustice when he sees it.

Drifters’ other shortcoming is the artwork. Hirano’s clumsy character designs make the entire cast look like Picasso’s Les Demoiselles d’Avignon, with huge, sunken eyes, large, triangular noses, and blocky torsos. Though one might reasonably argue that Picasso’s bodily distortions were a deliberate aesthetic choice, it’s harder to make the same case for Hirano’s work; his characters’ mitt-like hands and poorly executed profiles suggest a poor command of perspective, rather than an artistic challenge to it.

Hirano’s action scenes suffer from an entirely different problem: they’re riotously busy, bursting at the seams with too many figures, monsters, and weapons, overwhelming the eye with visual information. One could be forgiven for thinking that Hirano was trying to out-do Peter Jackson; not since Sauron flattened the forces of Middle Earth have so many warriors and monsters been assembled in one scene to less effect. Looking at the opening chapter, however, it’s clear than Hirano can stage a credible battle scene when he wants to: he depicts the Battle of Sekigahara as a churning mass of horses, samurai, and swords, effectively capturing the confusion and claustrophobia of medieval combat. Once dragons and orcs enter the picture, however, the action scenes begin to lose their urgency and coherence, substituting the terrible immediacy of hand-to-hand fighting for larger, noisier air battles where the stakes are less clearly defined.

It’s a pity that Drifters is so relentless, as the story certainly has the potential to be a guilty pleasure; what’s not to like about a manga in which Japan’s greatest feudal warriors fight alongside Hannibal, Joan of Arc, and elves? What Hirano needs is a little restraint: when the story is cranked up to eleven from the very beginning, the cumulative effective is deafening, making it difficult for the reader to hear the endearingly cheesy dialogue above the clank of swords and explosions. And if there’s anything I learned from watching old chestnuts like Commando, it’s that even the most testosterone-fueled script needs to pause long enough for the hero to utter his catch phrase.

DRIFTERS, VOL. 1 • BY KOHTA HIRANO • DARK HORSE • 208 pp.  RATING: OLDER TEEN

Filed Under: Manga, Manga Critic, REVIEWS Tagged With: Dark Horse, Fantasy, Kohta Hirano, Seinen

Drifters, Vol. 1

February 14, 2012 by Katherine Dacey 12 Comments

Back in the 1980s — the heyday of Dolph Lundgren, Arnold Schwarzenegger, and Sylvester Stallone — Hollywood cranked out a stream of mediocre but massively entertaining B-movies in which a man with a freakishly muscular physique and a granite jaw battled the Forces of Evil, dispatching villains with a catch-phrase and a lethal weapon. I don’t know if Kohta Hirano ever watched Predator or Red Scorpion, but Drifters reads like the first draft of a truly awesome eighties movie, complete with a trademark phrase — “Say farewell to your head!” — and a simple but effective premise that promises lots of silly, over-the-top fight scenes.

The Dolph Lundgren character — if I might be allowed to call him that — is Shimazu Toyohisa, a Satsuma warrior facing long odds at the Battle of Sekigahara (1600). Just as Shimazu’s death seems imminent, he finds himself transported to an alternate dimension, one in which mankind’s greatest warriors — Hannibal, Nobunaga Oda, Joan of Arc — have been assembled for an elaborate game. The purpose and rules of the game remain elusive, but the primary objective seems to be mass destruction: the game’s organizer unleashes hordes of ghouls and dragons on Shimazu and his allies, in the process laying waste to cities, forts, and crops.

Like all good Schwarzenegger or Stallone vehicles, Drifters makes a few token gestures towards subplot and world-building. Shimazu helps a group of elves resist their oppressors, for example, teaching them the manly art of standing up for themselves. Hirano provides so little explanation for the elves’ marginalized status, however, that the entire episode registers as a stalling tactic for the climatic battle at volume one’s end, a half-hearted effort to show us that however unhinged or deadly Shimazu may be, he knows injustice when he sees it.

Drifters’ other shortcoming is the artwork. Hirano’s clumsy character designs make the entire cast look like Picasso’s Les Demoiselles d’Avignon, with huge, sunken eyes, large, triangular noses, and blocky torsos. Though one might reasonably argue that Picasso’s bodily distortions were a deliberate aesthetic choice, it’s harder to make the same case for Hirano’s work; his characters’ mitt-like hands and poorly executed profiles suggest a poor command of perspective, rather than an artistic challenge to it.

Hirano’s action scenes suffer from an entirely different problem: they’re riotously busy, bursting at the seams with too many figures, monsters, and weapons, overwhelming the eye with visual information. One could be forgiven for thinking that Hirano was trying to out-do Peter Jackson; not since Sauron flattened the forces of Middle Earth have so many warriors and monsters been assembled in one scene to less effect. Looking at the opening chapter, however, it’s clear than Hirano can stage a credible battle scene when he wants to: he depicts the Battle of Sekigahara as a churning mass of horses, samurai, and swords, effectively capturing the confusion and claustrophobia of medieval combat. Once dragons and orcs enter the picture, however, the action scenes begin to lose their urgency and coherence, substituting the terrible immediacy of hand-to-hand fighting for larger, noisier air battles where the stakes are less clearly defined.

It’s a pity that Drifters is so relentless, as the story certainly has the potential to be a guilty pleasure; what’s not to like about a manga in which Japan’s greatest feudal warriors fight alongside Hannibal, Joan of Arc, and elves? What Hirano needs is a little restraint: when the story is cranked up to eleven from the very beginning, the cumulative effective is deafening, making it difficult for the reader to hear the endearingly cheesy dialogue above the clank of swords and explosions. And if there’s anything I learned from watching old chestnuts like Commando, it’s that even the most testosterone-fueled script needs to pause long enough for the hero to utter his catch phrase.

DRIFTERS, VOL. 1 • BY KOHTA HIRANO • DARK HORSE • 208 pp.  RATING: OLDER TEEN

Filed Under: Manga Critic Tagged With: Dark Horse, Fantasy, Kohta Hirano, Seinen

Last day to enter JManga’s translation contest!

February 14, 2012 by Brigid Alverson

Whether you’re an expert or a beginner in Japanese, you should check out JManga’s translation contest. Translate the 4-koma manga at the link and you could win a copy of the (digital) book. Today is the last day, so if you’ve been planning to do it, don’t put it off! JManga is offering multiple prizes, so your chances may be better than you think.

And while you’re translating thought into action, drop in to Manga Bookshelf and enter their Valentines Day giveaway–you could be the lucky winner of vol. 1 of 13th Boy.

With Shonen Jump Alpha up and running, and most of the bugs shaken out, Viz is adding a stick to their carrots: Yesterday the scanlation group Mangastream announced it was dropping Viz titles under pressure from the publisher. AstroNerdBoy adds more commentary on the Mangastream affair, including his opinion on what they—and Viz—are doing wrong. Deb Aoki has a clear-eyed editorial at About.com, pointing out that as aggrieved as the Mangastream folks may be, in the end, they don’t own the content.

The Manga Bookshelf bloggers discuss their Pick of the Week.

Reviews: It’s a new week and time for a new set of Bookshelf Briefs at Manga Bookshelf. Ash Brown recounts a week’s worth of manga reading at Experiments in Manga.

Amy Grockl on An Arranged Marriage (Manga Village)
Johanna Draper Carlson on The Bed of My Dear King (Comics Worth Reading)
Lissa Pattillo on vol. 2 of Dawn of the Arcana (Kuriousity)
Sean Gaffney on vol. 1 of A Devil and Her Love Song (A Case Suitable for Treatment)
Jia Li on Fluffy, Fluffy Cinnamoroll (Manga Bookshelf)
Lesley Aeschliman on vol. 6 of Ranma 1/2 (Blogcritics)
Anna on vol. 3 of Sailor Moon (Manga Report)
Erica Friedman on Seasons (Okazu)

Filed Under: MANGABLOG

Bringing the Drama: You’re Beautiful

February 13, 2012 by Anna N, Emily Snodgrass, Eva Volin and Nancy Thistlethwaite 14 Comments

ANNA: To start out this new feature on Manga Bookshelf, I thought that You’re Beautiful would be the ideal show to discuss, because I think it would be a good first series for anyone to try who isn’t familiar with Korean dramas. There are plenty of plot points in You’re Beautiful that manga fans can appreciate, due to the cross-dressing reverse harem scenario that the heroine has to face.

You’re Beautiful is the story of a novice nun who has to impersonate her twin brother and join a boy band, cross dressing as an idol singer. It is available for streaming on Dramafever and Hulu.

What about You’re Beautiful do you find compelling?

EVA: Of the four of us, I think I’m the newest kdrama watcher. I’m still learning the conventions, quirks, and tropes of Korean television, so many of what you all take for granted I still find either hilarious or perplexing.

What brought me to You’re Beautiful was, if I remember correctly, you and Emily chortling about it on Twitter, then Emily and Nancy coveting the stuffed pig-rabbit that came with the deluxe edition of the DVD set. (I may have my time line a bit skewed. It was a while ago that all this took place.) I figured anything that had all three of you so excited must be worth giving a try.

What kept me going past the first three episodes (I’ve learned that kdramas don’t often get started until at least episode four) was how deliberately silly the show is. Even as a novice viewer it was easy for me to spot many of the things the show parodies. From our heroine’s first appearance on screen as a ditsy nun (a trope that usually drives me crazy), to the boy band decked out in lace and guyliner, to the evil arch-rival plotting against them all, there is nothing about this show that takes itself seriously.

ANNA: I was also inspired to watch You’re Beautiful after seeing Emily post about it on twitter. For me, it was the first drama that I’d watched that wasn’t a manga adaptation, and it ended up being a bit of a gateway drug because I promptly immersed myself in watching many more dramas after finishing it.

Minam is tortured by cute idol singers. Tortured!

Minam is tortured by cute idol singers. Tortured!

I think that You’re Beautiful’s silly tone is one of its strengths. It isn’t cynical at all, which is quite refreshing in today’s world. Even though the characters do plenty of ridiculous things, their actions totally make sense when you consider their personalities. When sheltered Minam has to face entering a locker room filled with undressed men, the mental gymnastics she puts herself through in order to maintain her disguise result in one of the most hilariously surreal scenes I’ve viewed in a TV show.

A.N.JELL lead singer Tae Kyung might be an emotionally distant OCD case with an odd obsession with cowl neck sweaters, but compared to how he might have turned out considering his harpy of a mother he’s actually not so bad. Poor Jeremy wanders around like a lost puppy, wondering why he keeps having visions of his new band mate eating fruit in slow motion, and Shin Woo’s penchant for quiet observation and on-demand emotional support doesn’t further his goals of romance.

So even though there’s plenty of guyliner and ridiculous scenarios, the core cast is remarkably sympathetic in the midst of all the silliness. When the characters do goofy things like pondering the dangerous nature of bidets or getting trapped on a moving truck, they aren’t ever really the objects of ridicule for the audience.

Chibi A.N.Jell

NANCY: Kdrama is the new shoujo manga! At least for romantic comedies. This drama was written by the Hong sisters, who definitely brought the “shoujo manga” aesthetic to this series. There are even chibi versions of the members of A.N.JELL (the fictitious kpop band in the show) that can be seen on merchandise in the drama itself. And that pig-rabbit is merchandising gold–I still want one! Unfortunately it wasn’t included with the YA Entertainment release here.

At the time this came out, I think I was still a bit hesitant about many of the TV dramas because they can reach high levels of tragedy sustained over many episodes, which can be grueling to watch. Like Eva, I wasn’t keen on the “Sound of Music” beginning with the hapless nun, but by the end of the first episode–with its super-shoujo ending–I was hooked.

Tae Kyung, King of Guyliner


EMILY: I’m a huge fan of shoujo manga, something that is chock full of ridiculous situations, unrealistic characters, and romantic comedy. There are also quite a number of series featuring cross dressing idol singers. Therefore, when I heard about a kdrama that embraced these same themes I’m so fond of, I was all over it. As an added bonus, You’re Beautiful is by the Hong Sisters, a writing duo whose work I have previously enjoyed (Fantasy Couple, Delightful Girl Chung-hyang, My Girl) so I had high hopes it would be good. I was happy to find myself hooked rather quickly. You’re Beautiful is silly, and the characters are all so exaggerated, but it’s so much more fun that way.

The Hong Sisters have a way of taking cliched situations and putting just the right amount of spin on them to bring unexpected results, or a surprise laugh. They are masters of parody. And what can I say, I love seeing surly heroes like Tae Kyung (king of all guyliner) be taken down a peg or two, be it from falling for Minam, or being chased by a wild pig.

Shin Woo in a clever disguise!

ANNA: That’s funny that Emily and Nancy were commenting on the similarities of You’re Beautiful to shoujo manga, because for me it was my first time getting sucked in to the kdrama staple plot of the second lead guy’s hopeless romance with the main girl. I really wanted Minam and Shin Woo to end up together even though I knew that wasn’t likely to happen. The Hong sisters really packed this show full of interesting supporting characters and plot lines.

Other than the romance of the main couple, what were your favorite supporting characters or stories?

NANCY: I have to say I was always a fan of the leading man, Tae Kyung, snarls and pouts and all. Jang Keun Suk is captivating, even when his acting is deliberately overblown. I also have a soft spot for Lee Hong Ki, who plays Jeremy. Jeremy is the one who keeps finding his bandmates in suggestive situations with Minam, whom he believes to be a boy. This drama also includes one of the best tongue-in-cheek nods to female fandom. There’s a scene in which Jeremy reads slash fanfic about the band in an online forum, and he then goes on to imagine how it would play out. You then see the three male leads reenacting a love triangle.

Minam’s online test to become an official fan of A.N.JELL is another gem. I feel that I can’t talk about Jung Hong Hwa (Shin Woo) or Lee Hong Ki without mentioning that their bands (Hong Hwa’s C.N. Blue and Hong Ki’s F. T. Island) will be holding a joint concert in Los Angeles on March 9.

pig rabbit

Who wouldn't want a slightly toxic pig rabbit?

EVA: Hahaha! I love how Nancy’s unabashed love of Kpop sneaks its way into every conversation.

It’s hard not to love Jeremy. The adorableness of everything he does is almost cuddly. And the scene Nancy described is one of the standout scenes from the entire series. But my favorite side character is Minam’s archenemy Yoo He Yi, played by Uee. The Evil! It Burns! She’s so effective as the villain because she really, truly thinks she’s in the right, that Minam is the bad guy (girl), and that Tae Kyung just doesn’t understand. Her love is pure, by golly, it’s pure!

EMILY: I’m generally a first-lead fan, so I was Tae-Kyung/Minam all the way. Shin Woo was nice, but was waaaay too passive. It’s funny how he kept trying to be a shoujo manga-type prince, doing all these secretly sweet gestures, but he should have realized that with a heroine as dense, er, naive as Minam, he needed to be a bit more outgoing to make her notice. I felt bad for him, but it also sort of felt like he was stringing her along and getting more personal kicks out of being the secret helper. He put himself on the sidelines, so he shouldn’t be surprised if he ends up there. I think my favorite supporting character was Jeremy. He managed to be really sweet and considerate and likable in spite of the strangeness of his hair. (Seriously, what was up with his hair? Poor guy). And yes, the BL fanfiction scene and Jeremy’s support of it is one of the best moments in the series :)

Jeremy, confused by fruit.

NANCY: Caught by Eva!! I enjoyed Yoo He Yi as well (and Uee happens to be in the kpop group After School–ha ha ha!). I also agree with Emi that Shin Woo was too passive. In a way I feel Jeremy got robbed because most of his time was spent with Angelina Jolie, his golden retriever. He never got the chance to be a serious contender for the heroine, but his scenes are a joy to watch.

ANNA: I totally understand why you’d say Shin Woo was too passive – setting up elaborate scenarios and expecting Minam to guess his feelings was doomed to failure. One of the nice things about the way the Hong Sisters wrote You’re Beautiful is that it is possible to enjoy the supporting cast even when they are portraying characters that might be unsympathetic like Yoo He Yi.

But how do you feel about some of the other characters who are a little more villainous?

Even though Minam’s aunt was a focus of comic relief, she’s pretty much a hypocrite for seeking out her nephew only when she discovers that he’s in a boy band. What about Tae-Kyung’s mother? I pretty much wanted to drop her down a well for her selfishness, even though she is given plenty of back story to explain her motivations for being the Worst Mother In the World.

EMILY: In regards to the villains of the series- they are all so totally selfish!. Tae Kyung’s mother gets ranked high up there on the evil kdrama mom scale. She is even worse than the stereotypical evil kdrama mom type that always tries to bribe the poor girl to stay away from her rich son. In this case, she doesn’t even care enough about her son to go that far. As for the idol angel He Yi, she was a good obstacle in Minam and Tae Kyung’s road to true love, but I did get annoyed at how little she actually had to work to be that obstacle. All this great ammunition kept falling right into her lap without her having to do any snooping or conniving! I would have liked it if she had to work harder to be evil :)

ANNA: I agree that the villains could have used a bit more nuance. Maybe it is just the dramas that I’ve watched, but I’ve found that there isn’t a whole lot of subtlety to be found in the antagonists. I’m not sure what all the evil kdrama moms indicate, perhaps many of the drama writers have mommy issues.

NANCY: I think the evil mother was in there merely for Tae Kyung’s character development and to show why he was a cynical guy in the first place. I did worry a bit that You’re Beautiful would follow the lines of Winter Sonata with his mother’s obsession with Minam’s father, but thankfully that did not come to pass.

EVA: I guess my last question on this topic is: What, if any, kdramas have you watched as a result of watching this one?

I tend to follow actors and actresses I’ve come to enjoy (which is easy with kdramas, since there seems to only be 27 different actors/actresses in the whole country who just rotate around the various channels and genres). I think my viewing flow went something like this: I saw Kim Myung Min in Bad Family, so I followed him to Beethoven Virus. In Beethoven Virus I was introduced to Jang Geun Suk, so (after I heard you all talking about it) I followed him to You’re Beautiful. In You’re Beautiful I was introduced to Hyun Jyu Ni, so I followed her to IRIS where I was reunited with Jung Joon Ho who I had loved in Last Scandal.

Do you three do the same? Or do you have other ways of finding new shows to watch? Which show would you suggest as a follow-up to You’re Beautiful?

ANNA: I went on a major kdrama binge after watching You’re Beautiful, and I can’t trace my viewing flow as exactly as Eva does. But on what next to watch after You’re Beautiful, I think you have the options of following either the actors or finding something similar in tone. I haven’t watched many of the other Hong Sisters’ dramas, but I did enjoy Greatest Love quite a bit, which has the same satirical take on show business with the benefit of having adult as opposed to teen characters.

I did watch Heartstrings solely because of wanting to see Jung Yong Hwa and Park Shin Hye together again, but while it was fun to see them overall I thought it was a tad on the inert side dramatically. For a similarly funny drama, I’d actually go with Protect the Boss, which is a hilarious show about a juvenile delinquent who gets a job as a secretary for a spoiled young company heir.

You're Beautiful

You're Beautiful

EMILY: I don’t have an easily followed chain viewing pattern like Eva either, but I do mainly watch dramas for actors I like, and genres I like (romantic comedy), then creative staff. I enjoyed the dramas the Hong Sisters made after You’re Beautiful– My Girlfriend is a Gumiho and Greatest Love. Both were wonderful in different ways. Once again, the Hong sisters take common kdrama cliches and twist them around a bit to make something refreshing. In particular, Greatest Love takes another look at the show business world from a different perspective than You’re Beautiful and manages to have a lot of excitement even without a specific ‘bad guy’ character.

For other crazy romantic comedies, I have to agree, Protect the Boss is fantastic. I love how everyone in it is just a bit insane, plus it has awesome bromance.

Another series that deals with teens trying to make it in show business is Dream High.

Two other series that have a ‘girl masquerading as a guy’ theme are Sungkyunkwan Scandal and Painter of the Wind. Both of them are historical dramas. Sunkyunkwan Scandal has a more fusion-historical-idol-pretty-boys-hijinks-ensue sort of feel to it, while Painter of the Wind is more dramatic. I keep hearing that they are planning to make a kdrama version of Hana Kimi, but I have no idea if it will ever happen.

On a random note, I’ll watch anything with Park Shi-hoo in it because he is the amazing second lead guy who can actually get the girl (he has stolen the girl from the first lead at least twice now).

NANCY: I did watch some of Marry Me, Mary as a result of this drama (also starring Jang Keun Suk), and I may finish it someday. Keun Suk is also in a new drama Love Rain, which I will check out. I usually find kdramas by what people are talking about on Twitter, though I do watch shows with kpop stars too. (Iris is on my list. T.O.P ;))

I think if you like You’re Beautiful, you’ll like the kdramas based on shoujo manga like Boys Over Flowers, etc.

Filed Under: Bringing the Drama Tagged With: Bringing the Drama, kdrama, you're beautiful

13th Boy Valentine’s Day Giveaway!

February 13, 2012 by MJ 13 Comments

There’s nothing like a good romance comic for Valentine’s Day, and as you may have gleaned, there are only a handful I love as well as SangEun Lee’s whimsical sunjeong manhwa 13th Boy. Michelle is also a fan, and we’ve decided we absolutely must do something share the love for our favorite sentient cactus (and friends) this Valentine’s Day. With that in mind, we’re pleased to announce…

Manga Bookshelf’s 13th Boy Valentine’s Day Giveaway, starting today on February 13th! As our Valentine’s Day gift to you, two readers will each receive a copy of volume one of 13th Boy. This is a whirlwind 24-hour giveaway, so be sure to enter now!

TO ENTER:

Please submit your entry by leaving a comment here in this post within the next 24 hours. You must be 16 or older to enter.

Two winners will be chosen at random tomorrow, February 14th, and announced here at Manga Bookshelf.

Good luck!

Filed Under: UNSHELVED Tagged With: 13th boy, giveaways

Pick of the Week: Longshots

February 13, 2012 by MJ, Katherine Dacey, Sean Gaffney and Michelle Smith 1 Comment

Shipping slows down a bit this week at Midtown Comics, but the Battle Robot finds ways to spend their money, as always.


KATE: Though two of my all-time favorite shonen series appear on this week’s shipping list — those would be InuYasha and Kekkaishi, by the way — I’ll let another Battle Robot blogger sing their praises. My vote goes to The Art of The Secret World of Arrietty, a lovely coffee-table book featuring concept sketches, movie stills, and interviews with the creative team behind the Studio Ghibli film. Though the text is not as informative as it could be, the images are flat-out gorgeous; anyone who read Mary Norton’s The Borrowers, the book that inspired Arrietty, will be pleased at the way Studio Ghibli has brought her tiny characters to life. You’ll never look at a button or a thimble the same way again!

SEAN: This week seems to contain a lot of series that I’ve either never read or am so far behind on that a recommendation would be ridiculous. However, my own comic shop is getting a title that Midtown isn’t, the 3rd volume of A Certain Scientific Railgun. The second volume took a turn for the serious, which was greatly to its benefit, and I’m hoping that it will continue to keep up the pace. I’m also hoping for fewer tedious groping gags with the “lesbian” in the cast, but I’m fairly certain that I’ll be out of luck there. Still, give this Seven Seas series a try.

MICHELLE: I’m in a similar position to Sean this week: while I’ve been collecting Kekkaishi and 20th Century Boys, I am dreadfully far behind, and there’s no power on this earth that could induce me to read Haruka: Beyond the Stream of Time. But there is one title on the list that I’ve read and loved, and that’s InuYasha. I can’t really comment on the VIZBIG editions themselves, having bought each volume of the series singly, but I love the warm, ensemble sitcom feeling of the series overall, and envy those who get to experience it through these editions for the first time, since the art is printed in its original orientation, which didn’t happen with the single-volume releases until some time in the late thirties. Notorious for meandering reptition, sure, but for me, InuYasha is manga comfort food at its finest.

MJ: I’m going to go off-list and into the digital only realm this week, to recommend volume one of Keiko Kinoshita’s You and Tonight, due out soon at eManga from the Digital Manga Guild. I was a big fan of Kiss Blue, a two-volume series from the same creator that was released on DMP’s Juné imprint, and I’m actually working on editing another of her short series for my reporter’s stint at the DMG. I’m consistently impressed by Kinoshita’s subtle humor and delicate touch (she’s even won me over to the dreaded BL Anthology), so when I saw that another group was working on You and Tonight, it immediately jumped to the top of my list of must-buy BL. I’ve always been a fan of the best-friends-turned-lovers trope, and given that this was also the premise for Kiss Blue, I’m gathering that it’s a favorite of Kinoshita’s as well. The first volume is already available for the Nook and Kindle, so I expect it’ll go live on eManga in just a day or two. Now the question is, will I be able to hold off until it appears for sale on the iPad? Only time will tell.


Readers, what looks good to you this week?

Filed Under: PICK OF THE WEEK

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