• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Home
  • About Us
    • Privacy Policy
    • Comment Policy
    • Disclosures & Disclaimers
  • Resources
    • Links, Essays & Articles
    • Fandomology!
    • CLAMP Directory
    • BlogRoll
  • Features & Columns
    • 3 Things Thursday
    • Adventures in the Key of Shoujo
    • Bit & Blips (game reviews)
    • BL BOOKRACK
    • Bookshelf Briefs
    • Bringing the Drama
    • Comic Conversion
    • Fanservice Friday
    • Going Digital
    • It Came From the Sinosphere
    • License This!
    • Magazine no Mori
    • My Week in Manga
    • OFF THE SHELF
    • Not By Manga Alone
    • PICK OF THE WEEK
    • Subtitles & Sensibility
    • Weekly Shonen Jump Recaps
  • Manga Moveable Feast
    • MMF Full Archive
    • Yun Kouga
    • CLAMP
    • Shojo Beat
    • Osamu Tezuka
    • Sailor Moon
    • Fruits Basket
    • Takehiko Inoue
    • Wild Adapter
    • One Piece
    • After School Nightmare
    • Karakuri Odette
    • Paradise Kiss
    • The Color Trilogy
    • To Terra…
    • Sexy Voice & Robo
  • Browse by Author
    • Sean Gaffney
    • Anna Neatrour
    • Michelle Smith
    • Katherine Dacey
    • MJ
    • Brigid Alverson
    • Travis Anderson
    • Phillip Anthony
    • Derek Bown
    • Jaci Dahlvang
    • Angela Eastman
    • Erica Friedman
    • Sara K.
    • Megan Purdy
    • Emily Snodgrass
    • Nancy Thistlethwaite
    • Eva Volin
    • David Welsh
  • MB Blogs
    • A Case Suitable For Treatment
    • Experiments in Manga
    • MangaBlog
    • The Manga Critic
    • Manga Report
    • Soliloquy in Blue
    • Manga Curmudgeon (archive)

Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Blog

Bookshelf Overload: September 2013

October 4, 2013 by Ash Brown

Recently, I’ve mostly been able to limit myself to preorders and review copies when it comes to the manga that makes its way into my domicile. However in September I took advantage of some nice sales at Right Stuf to pick up some out-of-print or otherwise hard to find boys’ love titles. Other out-of print goodies that I acquired in September included the two volumes of Sin-ichi Hiromoto’s Stone and Mari Okazaki’s Sweat and Honey. I was recently re-reading Okazaki’s Suppli and wanted to read more of her work–Sweat and Honey is the only other manga of hers currently available in English.

As for some of the preorders that made me particularly happy in September–well, technically, the first Vinland Saga omnibus won’t be released until next week, but I got my copy early! I’m very excited that the series is finally making its debut in English. Expect a review soon! You can also expect reviews of Satoshi Kon’s Tropic of the Sea and the most recent volume of Takako Shimura’s Wandering Son in the very near future, too. Most people probably won’t be seeing Wandering Son, Volume 5 until later in October, but I ordered mine directly through Fantagraphics and so got it a bit sooner.

In addition to being a good month for manga, September was also a good month for me for comics in general. Archaia’s Cyborg 009, based on Shotaro Ishinomor’s manga, was an interesting project and physically a very handsome release. Gene Luen Yang’s Boxers & Saints was also published in September. It is one of the best comics that I’ve read this year; I highly recommend it. I also picked up some comics directly from artists that I follow online: E. K. Weaver, HamletMachine, and Kori Michele Handwerker.

Manga!
Arisa, Volume 11 by Natsumi Ando
Attack on Titan, Volume 7 by Hajime Isayama
Battle Angel Alita: Last Order, Volume 18 by Yukito Kishiro
Blade of the Immortal, Volume 27 by Hiroaki Samura
A Bride’s Story by Kaoru Mori
Chi’s Sweet Home, Volume 10 by Konami Kanata
The Day of Revolution, Volumes 1-2 by Mikiyo Tsuda
Fairy Tail, Volume 30 by Hiro Mashima
Genshiken: Second Season, Volume 3 by Shimoku Kio
GoGo Monster by Taiyo Matsumoto
Junk! by Shushushu Sakura
Lies & Kisses by Masara Minase
The Man of Tango by Tetuzoh Okadaya
Missing Road by Shushushu Sakurai
Mobile Suit Gundam: The Origin, Volume 3 by Yoshikazu Yasuhiko
Not Enough Time by Shoko Hidaka
Ōoku: The Inner Chambers, Volume 8 by Fumi Yoshinaga
Pretty Guardian Sailor Moon: Short Stories, Volume 1 by Naoko Takeuchi
Restart by Shoko Hidaka
Secrecy of the Shivering Night by Muku Ogura
Sherlock Bones, Volume 1 written by Yuma Ando, illustrated by Yuki Sato
Sky Link by Shiro Yamada
Sleeping Moon, Volume 2 by Kano Miyamoto
Stone, Volumes 1-2 by Sin-ichi Hiromoto
Sweat and Honey by Mari Okazaki
Tropic of the Sea by Satoshi Kon
Vinland Saga, Omnibus 1 by Makoto Yukimura
Virtuoso di Amore by Uki Ogasawara
Wandering Son, Volume 5 by Takako Shimura
Your Honest Deceit, Volumes 1-2 by Sakufu Aijimine

Comics!
Anything That Loves edited by Charles “Zan” Christensen
Boxers & Saints by Gene Luen Yang
Cyborg 009 written by F. J. DeSanto and Bradley Cramp, illustrated by Marcus To and Ian Herring
Devil’s Dance by HamletMachine
Freelancers, Volume 1 written by Eric Esquivel, illustrated by Joshua Covey
Mail Order Bride by Mark Kalesniko
Nothing Is Forgotten by Ryan Andrews
Pervert Club, Volume 1 by Will Allison
Prince of Cats, Numbers 1-4 by Kori Michele Handwerker
Whisper Grass by E. K. Weaver

Novels!
Lonely Hearts Killer by Tomoyuki Hoshino
The Shogun’s Daughter by Laura Joh Rowland

Collections!
Monkey Brain Sushi: New Tastes in Japanese Fiction edited by Alfred Birnbaum

Nonfiction!
The World of the Shining Prince: Court Life in Ancient Japan by Ivan I. Morris

Anime!
Kick-Heart directed by Masaaki Yuasa
Michiko & Hatchin directed by Sayo Yamamoto

Filed Under: UNSHELVED

Manga the Week of 10/9

October 3, 2013 by Sean Gaffney, Ash Brown, Michelle Smith, Anna N and MJ 2 Comments

SEAN: The 2nd week of the month still has mostly Viz (and Viz-owned imprints), but other companies get to make an appearance as well!

Dark Horse has the Trigun Omnibus, collecting the start of the series before it shifted from shonen to seinen and the author effectively rebooted it. To be honest, I think I prefer these early stories to the Maximum years.

vinland1

The big release this week comes from Kodansha, with the long-awaited first omnibus of the epic history Vinland Saga. It’s an omnibus, with 2-in-1 hardcovers, and has some extras as well. People have been clamoring for this to be licensed for years, so they’d better buy it, or I’ll be very mad indeed.

ASH: I am one of those who have been clamoring for years. I’m thrilled that Vinland Saga is finally being released!

MICHELLE: While I haven’t exactly been clamoring, I am nonetheless grateful.

ANNA: Planetes was so wonderful, I am really looking forward to reading this. This is one of those titles that has been on my radar for a long time, and I’m happy Kodansha is bringing it out in English.

MJ: I’m extremely interested in this, and all your excitement here is amplifying that considerably!

SEAN: So much for non-Viz. Meanwhile, back with our manga overlords, there’s Vol. 2 of Sleeping Moon. Supernatural BL with a cover that not only doesn’t look like it was made using Photoshop but I would actually say is quite good? Sign me up! (Well, not me *personally*, but the rest of the MB team…)

ASH: I haven’t read the first volume yet, since I wanted to wait to read both volumes of Sleeping Moon at once, but I’ve enjoyed Miyamoto Kano’s work in the past.

MICHELLE: So have I.

ANNA: I have a feeling that I’d find supernatural BL more enjoyable to read than non-supernatural BL, I’m eager to hear what everybody thinks of this.

MJ: I absolutely loved the first volume of this little series, so this is a major draw for me this week.

tableau

SEAN: In addition, we have the 20th volume of Tableau Numero from SubLime… wait, no, scratch that, it’s the only volume of Tableau Numero 20, which is by Est Em, and is about painting and stuff, but admit it, you stopped to preorder it when I said ‘by Est Em’, didn’t you? Also, the cover is very nipple-ey.

ASH: I would totally buy twenty volumes of manga by Est Em! I was very happy when SuBLime picked Tableau numéro 20 up. I’m greedy and want even more of her work to be licensed in print, though.

MICHELLE: I actually had no idea there was more est em in the pipeline! Huzzah!

ANNA: I had NO IDEA this was coming out but I say Huzzah too! I’m assuming that this features deeply psychologically nuanced slice of life stories about bullfighting centaurs who are also fans of soccer and not wearing shirts.

MJ: I was completely surprised by this, too! Where have I been?? Also: YAY.

SEAN: Case Closed has hit Vol. 48. In Japan, it’s up to Vol. 80, and I’ve got a spoiler for you: Conan is still trapped in the body of a kid. (Or Jimmy, whatever, phooey to localized names.) Indeed, this volume came out 8 years ago in Japan. Which, to be fair, means they’re catching up – when it debuted, it was 10 years behind. In any case, expect some cool mysteries.

I hope I didn’t overhype Magi, which starts slow, as all Shonen Sunday series do. But I really love this type of Arabian Nights fantasy to bits, and it has some entertaining young kids as its leads. Vol. 2 is coming out. I hope it takes off here.

MICHELLE: I definitely enjoyed the first volume more than I expected to and am looking forward to seeing if that trend continues with volume two.

SEAN: Lastly, there’s not one, but *three* Tiger & Bunny books coming out. Tiger & Bunny 3 continues the manga adaptation of the hit anime, and Tiger & Bunny: The Beginning seems to be a 2-volume adaptation of the movie… I’m not even sure it’s a manga or some sort of anime screencap thing. I’m just about Tiger & Bunnied out, to be honest. Do they ever fight Panty & Stocking?

MICHELLE: I keep trying to really like the manga, but the most I can achieve so far is not hating it. Maybe the third volume will be the charm?

MJ: Let’s hope?

SEAN: What floats your Knarr this week? (Google it.)

Filed Under: FEATURES, manga the week of

Kodansha Comics is hiring; Nakayoshi is awesome

October 3, 2013 by Brigid Alverson

Scott Green speculates about what series will replace Akira Toriyama’s Jaco the Galactic Patrolman in Viz’s Shonen Jump magazine.

When my mom was getting a room painted or papered, she used to let my kids come in and draw on the walls first. Shogakukan did that on a larger scale in August, letting their manga artists come in and draw on the walls of their building, which was demolished a few days later. Now ANN has a photo set of the drawings, which include work by Naoki Urasawa and Fujiko Fujio A.

Tony Yao compares the anime adaptation of Attack on Titan with the original manga.

Job hunting? Kodansha Comics is looking for a manga editor. Ability to read Japanese is a must!

Erica Friedman writes about that shoujo-est of shoujo manga magazines, Nakayoshi, home of Sailor Moon and Cardcaptor Sakura.

News from Japan: Suzuhito Yasuda is the artist of Durarara!! and the writer of Yozakura Quartet, so it’s little wonder the two are crossing over—again—this time in a 100-page manga that will come with a limited edition of the Yozakura Quartet: Hana no Uta home video. The spinoff manga K -Days of Blue- will launch next month in Kodansha’s Aria magazine. Speaking of Aria, here’s a sneak peek at Kuinaki Sentaku (A Choice With No Regrets), the Attack on Titan prequel (it’s about Levi) that will launch in the January issue. And ANN has the latest Japanese comics rankings.

Reviews

Ken H. on vols. 17 and 18 of Eremetar Gerade (Comics Should Be Good)
Erica Friedman on vol. 17 of Hayate x Blade (Okazu)
Lesley Aeschliman on vol. 11 of Naruto (Lesley’s Musings on Manga)
Sakura Eries on vol. 16 of Otomen (The Fandom Post)
Sean Gaffney on vol. 1 of Sickness Unto Death (A Case Suitable for Treatment)
John Rose on vol. 1 of Umineko: When They Cry 3 – Turn of the Golden Witch (The Fandom Post)
Leroy Douresseaux on vol. 1 of Voice Over: Seiyuu Academy (I Reads You)

Filed Under: MANGABLOG

Manga Giveaway: Arisa Giveaway Winner

October 2, 2013 by Ash Brown

Arisa, Volume 1Arisa, Volume 11And the winner of the Arisa manga giveaway is…Ana Death Duarte!

As the winner, Ana will be receiving copies of the first and most recent volumes of Natsumi Ando’s manga series Arisa to be released in English. (Namely, the first and eleventh volumes.) Because Arisa features a set of twins, for this giveaway I asked that entrants tell me a little about the twins that they’ve encountered while reading manga. Do check out the giveaway comments for all of the responses. And thank you to everyone who shared and participated!

Now, because I use giveaways as an excuse to compile lists, here are some of the manga licensed in English that feature twins:

Another written by Yukito Ayatsuji, illustrated by Hiro Kiyohara
Arisa by Natsumi Ando
Ax: Alternative Manga by Various
Basara by Yumi Tamura
Black Lagoon by Rei Hiroe
Blue Exorcist by Kazue Kato
Bond of Dreams, Bond of Love by Yaya Sakuragi
A Bride’s Story by Kaoru Mori
Cage of Eden by Yoshinobu Yamada
Deadman Wonderland written by Jinsei Kataoka, illustrated by Kazuma Kondou
Chobits by CLAMP
Clover by CLAMP
D.N. Angel by Yukiru Sugisaki
A Drunken Dream and Other Stories by Moto Hagio
Fushigi Yûgi: Genbu Kaiden by Yuu Watase
Ghost Hunt by Shiho Inada
Goth written by Otsuichi, illustrated by Kendi Oiwa
Grand Guignol Orchestra by Kaori Yuki
GTO: 14 Days in Shonan by Tohru Fujisawa
Hayate X Blade by Shizuru Hayashiya
Higurashi: When They Cry written by Ryukishi07
Jiu Jiu by Touya Tobina
Jyu-Oh-Sei by Natsumi Itsuki
King of Thorn by Yuji Iwahara
Knights of the Zodiac by Masami Kurumada
Mars by Fuyumi Soryo
Miracle Girls by Nami Akimoto
Monster by Naoki Urasawa
MW by Osamu Tezuka
No. 5 by Taiyo Matsumoto
Ouran High School Host Club by Bisco Hatori
Pandora Hearts by Jun Mochizuki
Papillon by Miwa Ueda
Pretty Face by Yasuhiro Kano
Revolutionary Girl Utena by Chiho Saito
Tokyo Babylon by CLAMP
Tsubasa: Reservoir Chronicle by CLAMP
The Twin Knights by Osamu Tezuka
Utahime by Aki
Utsubora by Asumiko Nakamura
Vampire Knight by Matsuri Hino
Vassalord by Nanae Chrono
xxxHolic by CLAMP
Zatch Bell by Makoto Raiku
Ze by Yuki Shimizu

The above list is mostly made up of manga that I have either read or that were mentioned by those participating in the giveaway. Although lengthy, it is by no means comprehensive; there are many, many more manga with twins (licensed and unlicensed) that could have been named. Thank you again to everyone who entered the giveaway! I hope you’ll stop by again when it’s time for the next one.

Filed Under: UNSHELVED Tagged With: arisa, manga, Natsumi Ando

Dropping Our Gaze Before the Glory of Nakayoshi

October 2, 2013 by Erica Friedman Leave a Comment

Nakayoshi-Oct13In a world of stories about and for Princesses, Nakayoshi is Queen.

Nakayoshi Magazine, published by Kodansha Publishing, is the oldest continuously-published manga magazine for girls. Begun in 1954, Nakayoshi sells 170,834 copies a month, according the the Japanese Magazine Publishers’ Association. Nakayoshi has disctictively colorful covers wrapped around 500 pages of stories that range from the most light-hearted magical girl to far more serious travails of love, life and even adventure.

In the 1990s, Nakyoshi branched out into anime. Sailor Moon, a popular series running in Nakayoshi at the time, is widely considered to be the catalyst that broke shoujo out of being a small, self-contained niche, into mainstream anime and manga awareness, both in Japan and the West. Now that Sailor Moon is on the verge of a revival for it’s 20th anniversary, the pages of Nakayoshi are once again filled with teasers, and themed goods for the series.

If you’ve been reading manga for more than a few years, I’d bet dollars to donuts that you’ve heard of, if not read, a Nakayoshi series. Sailor Moon, Card Captor Sakura, Magic Knight Rayearth and Saint Tail are all “gateway” series for folks who came to anime and manga in the 1990s. Recent popular series are Ghost Hunt by Inada Shiho,  Shugo Chara! by Peach Pit and Jigoku Shoujo and Jigoku Shoujo R (Published in English as Hell Girll) illustrated by Etou Miyuki.

Nakayoshi, like its competition in the girls’ manga market, comes packaged with “furoku;” small gifts, jewelry, accessories, stickers, etc., branded with series from the magazine, or with the Nakayoshi brand itself. The current issue, for instance, contains a paper stationary set. Nakayoshi has a website on which each series is given a page with character introductions, links to published volumes, available downloads and other typical website features. Trial chapters of current  manga is available on the website as are video trailers and promotions. Nakayoshi also has ongoing recruitment for new artists, a change from even a few years ago.

At 500 pages for 580¥ per volume, ($5.90 at time of writing,) Nakayoshi can surprise you with nearly every page. Following “DokiDoki Precure,” which as an extremely popular anime franchise in Japan, is a pretty straightforward magical girl story. “Watashi ni XXX Shinasai” is a comedy-romance, Andou Narumi returns with “Waltz no Jikan,” a love story built around that favorite of young girls everywhere…ballroom dancing. “Sabagebu~!” follows a transfer student who finds herself embroiled with the heavily armed Survival Game Club at her new school and has just been slated for 2014 anime. And even wildly popular music idols such as Vocaloids and AKB48  have a niche in Nakayoshi, as their manga runs in the pages. You really just never know what you’ll find in the pages of this Grand Old Dame of girls’ manga.

Nakayoshi Magazine from Kodansha Publishing: http://kc.kodansha.co.jp/magazine/index.php/01033

Filed Under: Magazine no Mori Tagged With: Erica Friedman, Kodansha Comics, Manga Magazine, Nakayoshi

Sickness Unto Death, Vol. 1

October 2, 2013 by Sean Gaffney

By Hikaru Asada and Takahiro Seguchi. Released in Japan as “Shi ni Itaru Yamai” by Hakusensha, serialized in the magazine Young Animal. Released in North America by Vertical.

This manga starts in right away telling you that it’s going to be a tragedy. The very first scene shows us our hero, as an adult, visiting the grave of the heroine. It’s very stark, especially considering how much emphasis the rest of the text puts on trying to save her from her inner demons and her despair. But given how the efforts to save her are, much of the time, exactly the wrong thing to do (or being handled by the wrong person), it shouldn’t come as too much of a surprise. This isn’t a romantic comedy, it’s ‘watching a car crash in slow motion’ manga. Still, that can be riveting, and it in here.

sickness1

We get most of the story, as I said, in flashback. Kazuma, a young man going to college so he can study psychology, answers an ad providing lodging for him if he could care for a sick person. Said person is Emiru, an emaciated young woman whose hair has turned white and who seems to exist in a perpetual state of “almost dying” without actually doing so. Kazuma is immediately attracted to her, and decides that he’s going to try his best to get her out of this gloom that her life has become. As I noted above, this is a giant mistake. Emiru’s butler, who should step in as a mature adult and say this, doesn’t say anything as he’s beholden to the family, and also gets conveniently written out. Kazuma’s teacher helps him understand the psychological aspects of Emiru’s mindset, but thinks he’s speaking in the abstract. And then things get more intimate…

I’ll be honest with you, it’s hard for me to read this work without thinking of another manga that revolves, supposedly, around despair. It doesn’t help that as an adult, Kazuma bears a distinct resemblance to Itoshiki-sensei, the lead teacher in Sayonara Zetsubou-sensei, and that manga too has him dealing with young women with psychological problems. This is an altogether darker work, though, and where it best succeeds is focusing on Emiru’s all-encompassing pain and despondency. It doesn’t help that we see flashbacks to her about two years ago, and she’s a cute, outgoing young high school student – the sort of girl who would be the love interest in some shonen harem manga. Now her hair has turned white, she’s so thin you can almost see through her, and she lives on the verge of despair. Of course, this is a two-volume series, so we don’t actually find out her tragic past till next volume, but I can hazard a few guesses…

I greatly enjoyed this volume, but I have to admit that a lot of the time I was screaming at Kazuma “No, no, don’t do that, argh, are you stupid?!” But hey, he’s a young smitten teenager who’s fallen for someone who seems to be drifting away from him even as he meets her. It’s no wonder he’s so desperate. And so here, in this volume, we have the Sickness. I can only presume Volume Two will bring the Death. It looks to be riveting.

Filed Under: REVIEWS

September Switch, new manga, and more

October 1, 2013 by Brigid Alverson

Digital Manga’s September Switch promotion is still going on for a bit longer; at Panel Patter, Rob McMonigal takes a closer look at what it entails—basically, sign up with eManga and show you have bought an e-book somewhere else, and they will give you a free volume of manga. As eManga now offers DRM-free downloads, this may be something for yaoi fans in particular to explore.

The Manga Bookshelf team discusses their Pick of the Week.

News from Japan: Writer Tow Ubukata (Fafner, Mardock Scramble, Le Chevalier d’Eon) is teaming up with artist Rururu Kondoh to launch a new series, Gargoyle, in the November issue of Young King Ours. The series is set at the end of the shogunate and Ubukata describes it as “Shinsengumi in the style of X-Men.”

Reviews: The Manga Bookshelf team look over some recent releases in their latest set of Bookshelf Briefs. Ash Brown looks at My Week in Manga at Experiments in Manga.

Leroy Douresseaux on vol. 23 of Claymore (The Comic Book Bin)
Erica Friedman on the September issue of Comic Yuri Hime (Okazu)
Johanna Draper Carlson on vol. 4 of Missions of Love (Comics Worth Reading)
Matthew Warner on vol. 11 of Sailor Moon (The Fandom Post)
Derek Bown on the September 23 issue of Shonen Jump (Manga Bookshelf)
Lesley Aeschliman on vol. 5 of Strobe Edge (Blogcritics)
Rebecca Silverman on vol. 1 of Voice Over: Seiyuu Academy (ANN)

Filed Under: MANGABLOG

Weekly Shonen Jump Recap: September 23, 2013

October 1, 2013 by Derek Bown 1 Comment

Cover PageHey kids! Do you like rants!? You do? Well lucky you because we’ve got another classic comedy moment this week, all thanks to Kishimoto-sensei!

Fortunately everything else was actually okay otherwise I might have lost it this week.

Jaco The Galactic Patrolman Ch. 010
I was right about the rocket going down, not so much about Pants (or whatever her name is) dying. But I guess I should have expected as much, this is, after all, Toriyama, the man that figured out a way to kill every single one of his characters and bring them back anyway. I guess I was just hoping it would go a darker route. Still, with this being the second to last chapter of the series I still find myself more or less at a loss of what to say. I guess I enjoyed that the detective turned out to be reasonable, so at least we don’t have to worry about an irritatingly stubborn kind of antagonist. And I do admit that Jaco’s line at the end of the chapter was the best thing in existence. But, am I the only one that remembers there was supposed to be an upcoming alien invasion?

Naruto Ch. 647
For everything that Kishimoto does to make me maybe like Naruto again he then ruins it all with his awful sense of comedy. I’m almost speechless at how horrible his humor has gotten. What exactly was supposed to be funny about Karin’s scene? Here we had a decently tense scene and what does Kishimoto do? He brings his second worst character back and has her think something perverted. The world is about to be destroyed, this is no time for misplaced comedy. He keeps doing this too. Kishimoto used to be moderately funny, but it’s like he lost his mind. It’s almost like he became a father or something and lost all sense of humor. As all fathers inevitably do.

Is his editor not doing his job? Or is his sense of humor just as bad? At what point does any professional with a working brain think, “Hey, this tense moment? Let’s screw it up with bad comedy.” It probably wouldn’t be so bad if it weren’t Karin, who has become a poster child for everything wrong with Kishimoto’s writing. She was the first girl to escape from the dreaded “Sasuke Crush Syndrome” and the first character who actually went from “Well this is a stereotypical waste of space” to a character I actually kind of admired for finally learning that Sasuke is a raving lunatic. So what does Kishimoto do with her? He goes on to show that apparently Sasuke is so irresistible that even his attempted murder victims can’t help but fall in love with him again.

Naruto

What is going through his mind that makes him think this is okay? Sasuke would be perfectly fine, if he were a completely different character, but how exactly are we supposed to take anything he does seriously when women are falling for him left and right and won’t leave him be even when he tries to murder them. This isn’t a well written character, it’s a stinking harem series protagonist.

The rest of the chapter doesn’t even matter, because all I could think about was how terrible Kishimoto writes Karin and how he apparently has lost all understanding of what humor is. Reading this series is like reading something written by a space alien. They clearly are trying really hard, but they just don’t understand humans and can’t properly represent them in writing.

Toriko Ch. 250
Well then. I guess it doesn’t count as cannibalism if you feed your young to pigs and then eat the pigs, rather than just eating the young yourself. I…wow…yeah…

What is up with Toriko and randomly getting far darker than a series with such a goofy premise has any place being. Granted, I loved Midora’s back-story, it’s certainly unique, but I can’t focus on anything but this image of babies being fed to pigs. I…jeez…

I do like the explanation for how Midora’s power works. It’s not a, “I have this power because.” It actually ties in to the ability he’s already displayed. Which is solid writing. Now if only I could get that image out of my head.

Toriko

One-Punch Man Ch. 26
This is turning out to be the goriest week for shonen manga. First we’ve got pigs eating babies, and now Genos pretty much must have lost all his biological components to that acid.

I appreciate Mummen Rider’s scene. It may be mimicking previous scenes from this arc, but in this case I think it works better because we got rid of any illusion that “determination will win the day”. It’s very clear he’s not going to win this under any circumstances. And yet he fights, and this makes him even more sympathetic. I can only hope that he becomes the third member of Saitama’s group. He just seems like he’d be a lot of fun.

One-Punch Man

World Trigger Ch. 031
Aaaand I’m starting to hate this series again. Sure there were some good moments, such as Director Shinoda’s declaration, and the fact that he’s apparently the only sane person there. But anytime Kido does anything I keep thinking, “Why hasn’t the board removed him from power? The man is obviously imbalanced, somebody impeach the guy before he blows up a town!”

Pretty much most of the problems this series has can be symbolized with a picture of Kido’s face. The guy is obviously an antagonist, but he’s in a position of authority in what is clearly a militaristic/corporate setting. Do we not think that Bill Gates would have been kicked off the board at Microsoft if he’d decided to send a hit squad after the Genius Bar in the local apple store? There are just some things that don’t work in the real world, and the more a story relates its events to the real world the fewer leaps of logic and plot holes there can be.

Nisekoi Ch. 091
Yeah, uh, amnesia does not work that way. I’m pretty sure you don’t forget everything from the time you had amnesia when you remember everything before that. Well, I guess it works to further confuse the readers about what exactly happened in the past. As long as this series goes back to being funny I won’t complain. For someone that prefers a different girl with Raku this kind of chapter can be tedious or frustrating. Speaking as someone that prefers most of the girls over Chitoge I have to say this wasn’t my favorite chapter. And yet, it’s not like those Ryoga/Akari chapters from back in the day when I was reading Ranma 1/2, in that I can actually tolerate Chitoge’s presence and even enjoy her most of the time. So kudos, Naoshi, you’ve created my least favorite character and yet you’re able to keep me from hating her. Not sure how you did it, but you did.

Nisekoi

Bleach Ch. 549
Dammit manga artists, stop murdering/maiming children! First we got Toriko and now we’ve got this chapter. I may not have my own kids, but I’m certainly old enough for any violence against children to make me very uncomfortable. So please, knock it off!

And what exactly is up with Soi Fon mastering the Shunko because she doesn’t have her bankai? She specifically said, the first time she used it, that she doesn’t like her bankai because it’s the exact opposite of how she likes to fight. How exactly would having her bankai to rely on keep her from training her preferred method of fighting when she never wants to rely on it in the first place? It’s like a fist fighter not practicing his best punch because he has a knife to rely on. Sure a knife is more powerful, but if he’s better with his fists and prefers using his fists why would having a knife keep him from practicing his punches?

I understand what Kubo is doing, he wants his characters to find new power without relying on their trump cards. But Soi Fon is not the character to do that with, because she never relied on her bankai in the first place. In fact, why was she one of the ones to pull out her bankai during the Quincy invasion?

At least the Quincy aren’t going down so easily. Sure I’d like to just get to the conclusion of this series, but I’d prefer if we do it right rather than rushing through everything. So for now I’ll sit here, judging every move Kubo makes as if he were a beginner. Because there is a point where an experienced creator starts getting lazy and making rookie mistakes. If he can avoid those we might actually remember this series fondly after all.

Dragon Ball Z Ch. 032
Well, Nappa’s served his purpose and now it’s time for the main event. Nappa may not have been a very interesting character, but I always feel a bit of regret that he didn’t stick around for longer. Vegeta is fun and all, but I would have loved to have all the three Saiyan characters stick around together. It could have been a wacky sitcom.

Though, to be fair, most of my wish to keep Nappa around revolves entirely around the DBZ Abridged version of his character.


Not a good week to be a manga child. Not sure where the sudden violence against children is coming from, but let’s hope it doesn’t repeat next week. Besides that, the chapters were mostly okay to not so great. There was still enough to enjoy, but more than a few series chose this week to show off their weaknesses.

If you want to hear more, check out the Manga^3 Podcast Archives.

Filed Under: FEATURES & REVIEWS, WSJA Recaps Tagged With: bleach, blue exorcist, Dragon Ball Z, Jako The Galactic Patrolman, naruto, nisekoi, One Piece, one punch man, toriko, world trigger

Bookshelf Briefs 9/30/13

September 30, 2013 by MJ, Anna N, Michelle Smith and Sean Gaffney Leave a Comment

This week, MJ, Sean, Anna, and Michelle look at recent releases from Yen Press and Viz Media.


bride5A Bride’s Story, Vol. 5 | By Kaoru Mori | Yen Press – A Bride’s Story is a series that has been, over the course of its first four volumes, alternately educational, moving, funny, and just plain lovely to look at, and here in volume five it manages to be all those things at once. Despite some shaky early moments for this former vegetarian, involving the careful, detailed slaughter of a small herd of sheep, the twins’ wedding is even more delightful than I had ever imagined (and I imagined substantial delight). Even more charming are the subsequent chapters, in which we are reunited with the series’ original protagonist as she grows slowly closer to her young husband. I hadn’t realized how much I missed Amir until she was back in front of me, and this volume’s last few poignant, slice-of-life chapters were the perfect follow-up to the twins’ general wackiness. This is my favorite volume yet. Highly recommended. – MJ

devil11A Devil and Her Love Song, Vol. 11 | By Miyoshi Tomori | Viz Media – I thought there would be more emotional fallout from the events in the previous volume, but Shin and Maria move forward into the next phase of their relationship, somewhat distracted by the search for Maria’s real father. This series is always preoccupied with themes of forgiveness and redemption, and while part of me thought that Maria’s father was forgiven way to easily for past events, a single panel of Maria telling her father that he’s a terrible singer with a gentle expression on her face did a lot to sell this particular storyline. While Maria seems more settled, I’m now incredibly uneasy about what lies ahead for Shin. This series more than any other Shojo Beat series does a lot to instill disquiet in its readers, which is part of its unique appeal. – Anna N

happymarriage2Happy Marriage, Vol. 2 | By Maki Enjoji | Viz Media – I enjoyed the first volume of this series very much, and the second volume delivered up plenty of frothy fun. Newlyweds of convenience Chiwa and Hokuto are having difficulties navigating their new relationship due to their various communication issues, and things aren’t helped by the parade of handsome men that suddenly appear. First, there’s Chiwa’s new co-worker Yu Yagami, who uses his “nice-guy” whiles to become Chiwa’s confident. She’s so oblivious she is unaware of his feelings for her, and she ends up friend zoning him in an amusing way. More serious is the appearance of Chiwa’s old college senpei, who tries to woo her to his company. Hokuto begins to realize that he can’t be so complacent with his relationship with his new bride if plenty of other men are noticing her too. This continues to be a fun josei series. – Anna N

onepiece68One Piece, Vol. 68 | By Eiichiro Oda | Viz Media – It’s pretty much routine for things to get crazy in One Piece as an arc nears its presumed end, but this volume is crazier than most. A manaical villain, human/animal hybrids, a rampaging slime monster, body swaps, samurai, giant kids, a Naval presence, and a pirate alliance… It’s a bit much, but Oda keeps it together. This may also have been the first time when I really and truly didn’t see any way out of their peril for a significant chunk of the volume. It’s a testament to Oda’s skill that he can still create something this exciting on volume freakin’ 68 of his series. One Piece has been running since 1997, and to still feel this fresh is nothing short of a miracle. I’ll never get tired of extolling its virtues. – Michelle Smith

souleater16Soul Eater, Vol. 16 | By Atsushi Ohkubo | Yen Press – There are several cool moments for our heroes in this volume, particularly Maka and Soul, who get some good development over idealistic over practical, i.e. big fluffy angel wings vs. bat wings. They end up siding with practical, which is a good thing, as the enemy, i.e. Medusa, is ramping up her game. So much of this series has taken place right on the edge of madness – I mean, just look at the sun and moon, for goodness sake! – that it can take a while to realize just how far the madness has come since Vol. 1. Entire towns are now falling prey to Medusa’s influence, and Kid is still captured. And then of course there’s Crona, whose suffering Medusa seems to be deliberately pursuing for her own ends. I’m not sure how well that will end for her, but in the meantime Crona’s presence isn’t good for ANYONE. Another terrific volume. -Sean Gaffney

Filed Under: Bookshelf Briefs

My Week in Manga: September 23-September 29, 2013

September 30, 2013 by Ash Brown

My News and Reviews

There were a few different things going on at Experiments in Manga last week. First off is the Arisa manga giveaway. The winner will be announced on Wednesday, so you still have a little time to enter for a chance to win the first and eleventh volumes of Natsumi Ando’s Arisa. The most recent Library Love feature was posted last week, too, which is basically a collection of quick takes of manga that I’ve borrowed from my local library. My quest to read all of Edogawa Rampo’s material available in English also continued. This time I took a look at The Edogawa Rampo Reader, which is a nice introduction to his life and work. The volume collects eighteen of his short stories and essays from over a span of thirty years.

A few interesting things found online: Brigid Alverson interviewed Charles Brownstein of the Comic Book Legal Defense Fund about its new manga guide which will be released later this year. (I reviewed Manga: Introduction, Challenges, and Best Practices not too long ago and found it to be a great resource.) And speaking of the CBLDF, Keiji Nakazawa’s Barefoot Gen was recently highlighted as part of the Using Graphic Novels in Education feature. Finally, Vertical made some licensing announcements at Anime Weekend Atlanta: Tetsuya Tsutui’s manga Prophecy (interestingly enough, Tsutui approached Vertical directly about the license) and Shinobu Hashimoto’s biographical novel Compound Cinematics: Akira Kurosawa and I.

Quick Takes

Arisa, Volume 8Arisa, Volumes 8-11 by Natsumi Ando. The true King has been revealed! As has that person’s motivations and back story, which are suitably dark and dramatic. Arisa and its characters are all pretty twisted–the King isn’t the only one with serious issues. The most stable character in Arisa is probably Tsubasa, but sometimes I wonder about her, too. It’s not just anyone who would pretend to be someone else, after all. At times Arisa can be extraordinarily over the top with its action and melodrama, but that’s probably one of the reasons I find the series so absorbing. Some of it comes across as unintentionally ridiculous, though. But for every development that’s laughable, there’s another that is effectively disturbing. Arisa is a series that’s really easy to tear through. Despite all of the twists and turns in its plot (or maybe because of them) the manga reads very quickly. With only one volume left to go in the series, I’m very curious to see how things will play out.

Black Jack, Volume 7Black Jack, Volumes 7-9 by Osamu Tezuka. Every once in a while I get the urge to read a bunch of Black Jack. Since the series is fairly episodic, it’s easy to pick up even if it’s been a while since I’ve read any of the manga. There were a couple of things that particularly struck me about these volumes. First of all, Black Jack should really stay away from cliffs as he seems to have a habit of falling off of them. Secondly, since Black Jack is an unlicensed doctor, it probably shouldn’t be too surprising that he would have a tendency to become involved with criminals. Often this works out quite well for him–he is able to demand his high prices and the other parties want to keep things quiet, too. However, on occasion Black Jack’s association with organized crime comes back to bite him and he ends up a little worse for wear. As always, I adore Black Jack as a character. I enjoy how much of a bastard he can be while still maintaining a strong sense of integrity.

Cyborg 009Cyborg 009 written by F. J. DeSanto and Bradley Cramp and illustrated by Marcus To and Ian Herring. Working closely with Ishimori Productions, Cyborg 009 is a single-volume, hardcover graphic novel adapting Shotaro Ishinomori’s Cyborg 009 manga with a Western audience in mind published by Archaia. The comic is in full-color with updated character designs closer to some of the more recent anime adaptations than the original manga. Actually, the artwork was one of my favorite things about the Cyborg 009 graphic novel. Story-wise it would have benefited from either being a little more focused or a little bit longer. As it is, the graphic novel is very compressed and not all of the plot lines introduced are adequately developed. But it is fun and quickly paced, not to mention beautifully presented; hopefully it will encourage readers to seek out the original material. Also of note: the back cover indicates that Cyborg 009 is “Ishimori Universe Book 1.” I know that I’d be very interested in seeing more collaborations between Archaia and Ishimori.

The Day I Become a ButterflyThe Day I Become a Butterfly by Sumomo Yumeka. Although The Day I Become a Butterfly was released under Digital Manga’s Juné imprint, two of the six collected stories aren’t at all boys’ love and a few of the others could be argued not to be as well. Yumeka describes the short manga in The Day I Become a Butterfly as inexplicable (she also admits to not liking them), but I think I would call them poetic. Instead of being straightforward narratives, the stories are quiet and almost impressionistic. They tend to be fairly introspective and melancholy; the desire for acceptance from others is a recurring theme throughout the volume. Yumeka’s artwork is lovely, although some of the character designs seem to be reused from one story to the next. Normally this might not be much of a problem, but because some of the stories in The Day I Become a Butterfly are interrelated it was sometimes confusing when the characters from an unrelated story looked like some of the recurring characters.

AkagiAkagi, Episodes 1-13 directed by Yuzo Sato. I love mahjong and Akagi is one of the mahjong series. I was thrilled when Crunchyroll picked up the anime for streaming. (I hold no illusions–mahjong manga and anime is very niche and unlikely to ever receive a physical release in North America.) Watching Akagi has actually improved my game a bit. It has also taught me how to cheat…not that I would. People who are at least vaguely familiar with mahjong will probably get more out of Akagi than those who aren’t, but it’s not necessary to understand the minutia of mahjong to enjoy the anime. The series can be surprisingly brutal at times and the games are intense–high stakes, crooked cops, yakuza, violence, manipulation. A huge emphasis is put on the psychological elements of the game. Akagi is a brilliant player and absolutely ruthless, both at the table and away from it. He seems to be afraid of nothing and is extremely ballsy. I’m really looking forward to watching the series’ second half.

Filed Under: FEATURES, My Week in Manga Tagged With: Akagi, anime, arisa, black jack, Bradley Cramp, comics, Cyborg 009, F. J. DeSanto, Ian Herring, manga, Marcus To, Natsumi Ando, Osamu Tezuka, Sumomo Yumeka

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 659
  • Page 660
  • Page 661
  • Page 662
  • Page 663
  • Interim pages omitted …
  • Page 1060
  • Go to Next Page »
 | Log in
Copyright © 2010 Manga Bookshelf | Powered by WordPress & the Genesis Framework