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Bookshelf Overload: December 2013

January 3, 2014 by Ash Brown

I’m pretty pleased with my manga haul in December. I finally gave in and bought a complete set of Yumi Tamura’s series Basara on ebay. I ended up paying a little more than I really wanted (some of the volumes are very out of print), but the fact I had a couple of gift cards to use made me feel a little better about the whole transaction. Plus, the seller threw in copies of the two Basara artbooks as a bonus. As for preorders this month, my copy of Gengoroh Tagame’s Endless Game arrived which made me pretty happy. The English translation is actually the manga’s debut; it hasn’t even been collected in Japan yet. The next volume of Q Hayashida’s Dorohedoro was also released in December. We only get three Dorohedoro volumes a year, so I’m always excited when a new volume comes out. I got a great batch of queer comics in December which I’m looking forward to reading, too.

Manga!
Attack on Titan, Volume 10 by Hajime Isayama
Basara, Volumes 1-27 by Yumi Tamura
Between the Sheets by Erica Sakurazawa
Dorohedoro, Volume 11 by Q Hayashida
Endless Game by Gengoroh Tagame
Fairy Tail, Volume 33 by Hiro Mashima
Hetalia: Axis Powers, Volumes 4-5 by Himaruya Hidekaz
Knights of Sidonia, Volume 6 by Tsutomu Nihei
Lies Are a Gentleman’s Manners by Marta Matsuo
Mobile Suit Gundam: The Origin, Volume 4: Jaburo by Yoshikazu Yasuhiko
No. 6, Volume 4 by Hinoki Kino
Otomen, Volume 17 by Aya Kanno
Pink by Kyoko Okazaki
Red Colored Elegy by Seiichi Hayashi
Sankarea: Undying Love, Volume 4 by Mitsuru Hattori
Sekine-kun no Koi, Volumes 1-3 by Haruka Kawachi
Smuggler by Shohei Manabe
Soul Rescue, Volumes 1-2 by Aya Kanno
Wild Com. by Yumi Tamura

Manhwa!
Evyione: Ocean Fantasy, Volume 1 by Young-Hee Kim

Comics!
Flutter written by Jennie Wood, illustrated by Jeff McComsey
QU33R edited by Rob Kirby
Queerotica edited by Allie Kleber
What’s Normal Anyway? by Morgan Boecher

Artbooks!
Basara: Earth by Yumi Tamura
Basara: Flame by Yumi Tamura
The Sky: The Art of Final Fantasy by Yoshitaka Amano

Anime!
Sword of the Stranger directed by Masahiro Andō

Film!
Zoo directed by Various

Manga the Week of 1/8

January 2, 2014 by Sean Gaffney, Ash Brown, MJ, Anna N and Michelle Smith 3 Comments

SEAN: Well, the holidays are over. HOPE YOU LIKE MANGA. We have, between Amazon and Comic Shop sources, 26 titles coming out this week (some of which have already shipped from certain distributors, yes). Buckle up, folks, we’ll be here a while.

ASH: Excellent. I happen to love manga.

MJ: Yes, yes, yesssssss.

SEAN: Dark Horse has the 2nd Trigun Maximum omnibus. I’m hoping that in larger form the art will somehow make more sense.

Digital Manga Publishing has had a slow return from Print Hiatus, but they seem to be back with a vengeance this week. First we have A Century of Temptation, a vampire/barista romance. The author is best known here for Brave 10 (from DMG) and Sengoku Basara (from Udon).

ANNA: Wow, vampire/barista romance? I am somewhat intrigued.

ASH: Indeed! I had somehow missed that particular detail.

MJ: Well, huh.

SEAN: Volume 2 of Depression of the Anti-Romanticist wraps things up, hopefully with less depression and less anti-romance. Given its BL demographic.

Mr. Mini-Mart certainly wins the cute cover of the week award. A NEET shut-in tries to hold down a job at a convenience store, but must deal with his loud, outgoing coworker. Will romance develop? (Spoiler: yes.)

MICHELLE: Heehee. I approve of the presence of a kitty. I wonder if it figures into the story?

MJ: I’m completely on board with this. I almost don’t care what’s inside.

SEAN: Also with a cute cover, President Momoi-kun is, I inform my fellow Manga Bookshelf writers, an Opera manga. It also looks to be very silly indeed, with lots of funny gags in among the BL. Intriguing.

MICHELLE: I like that the lead dude is crushing on an older, married coworker!

MJ: Anything from Opera deserves a look, so count me in!

SEAN: And in DMP’s one non-BL title, we have – finally – Volume 1 of Takasugi-san’s Obento, which feels like it was pushed back about eight times. A grad student has to take in his cousin after her mother dies, and they learn to bond through cooking. The cousin is twelve, so I think this is meant to be more of a family bonding. It’s 7+ volumes in Japan, and runs in one of my favorite magazines, Comic Flapper, so I definitely want to try this out.

MICHELLE: Me too!

ANNA: I read this when it was available digitally, and liked it! We get food manga so seldom, titles like these are a treat.

ASH: More food manga is always a good thing.

MJ: I’m so glad to see this in print!

SEAN: Fantagraphics shipped the 6th volume of Wandering Son when I wasn’t looking, so most of you may have it already. We’ve talked before about why this should be a must-buy title for all of you.

MICHELLE: I am so dreadfully behind on Wandering Son. Catching up will be one of my resolutions, methinks.

ANNA: Ugh, me too! Too much manga!

ASH: I am still eagerly waiting for my copy to arrive. I can’t wait!

MJ: Same here!

SEAN: Kodansha has Fairy Tail 34, still in the Grand Magic Games arc. I’m falling behind on my Fairy Tail, need to catch up.

Seven Seas expanded greatly in 2013, and this shows no sign of stopping now that it’s 2014. We start with the 2nd and final volume of Alice in the Country of Hearts: The Mad Hatter’s Late-Night Tea Party, which continues the romance between Alice and Blood Dupre.

Dictatorial Grimoire has the 2nd in the Snow White arc, featuring its Alice in the Country of Hearts genderswap-esque plot. I was more interested in Vol. 1 than I expected, so will check the 2nd out.

ASH: I haven’t read the first volume yet, but I am tempted.

SEAN: Monster Musume was a giant hit, and everyone except me seemed to love it. Proving, if nothing else, that I do not drive the taste of most manga readers. Vol. 2 should make even more people happy.

ASH: Monster Musume was a huge success for Seven Seas! I had no idea it was such a popular series.

SEAN: Zero’s Familiar wraps up with the 3rd omnibus, containing Vols. 6-7. Fear not, though, the sequel has been licensed and is coming in the spring.

Flowers of Evil has gotten to Volume 8. Is it still just as twisted? I’m curious.

ASH: The cover art for this story arc is absolutely beautiful.

MJ: I’m still pretty well engaged with this series, so bring it on!

SEAN: And there is the traditional Pile Of Viz. Bleach has a 7th 3-in-1 omnibus, getting towards the end of the Soul Society arc, which many people feel it has never bettered.

Hana-Kimi also gets its 7th 3-in-1. If I recall, it should wrap up with the 8th. Bleach, not so much.

ANNA: I love Hana-Kimi!

SEAN: I adore every single volume of Kimi ni Todoke that comes out, even now that it’s at Volume 18. The cast start to think about their futures around this point, as graduation is near.

MICHELLE: I’m looking forward to this one, too. It’s a definite favorite.

ANNA: Viz does great shoujo.

SEAN: Midnight Secretary 3 continues to combine office lady romance with vampire romance, and is doing a damn fine job of it. I expect more intrigue to happen here.

ANNA: I do enjoy this series.

MJ: As do I.

SEAN: Oh look, another 3-in-1 Volume 7. This is Naruto.

Natsume’s Book of Friends 15! Another series I always love to read. I wish it had more Taki in it, but I’m happy to accept whatever gentle, melancholy yokai antics it will give me.

MICHELLE: Another definite favorite!

SEAN: I reviewed Nisekoi Volume 1 when the digital volume hit, and it’s now coming to print. It’s a fairly typical Shonen Jump romantic comedy, which will appeal to those who like tsunderes, yakuza, and lots of shouting.

MICHELLE: Which is not me, I’m afraid. I found the premise and characters tiresome.

MJ: I’ll be checking this one out for sure, despite Michelle’s reservations.

MICHELLE: I look forward to seeing what you think of it!

SEAN: Otomen 17, completing a trilogy of addicting shoujo I always read first whenever the new volumes come out. Last time we had a nasty cliffhanger, are things going to get worse?

MICHELLE: Someday I will catch up on Otomen.

ASH: I’ve been saving the last few volumes to read in one go; I really enjoy this series.

SEAN: Psyren 14 barrels on to its finale, and will presumably be bringing all the major players together back in the Psyren World for a big battle royale.

Rurouni Kenshin: Restoration has now fulfilled its purpose of advertising the recent movie, so it can end with Vol. 2, which indeed it does.

MICHELLE: Ha! Really? I wonder if it was always intended to be so short! Does this mean it doesn’t attempt to rewrite the Kyoko Arc, which needed no rewriting? I am relieved!

ANNA: I didn’t realize that it was going to be so short either, but it makes sense. The original manga was so good, it didn’t really need a reboot.

SEAN: Strobe Edge is nearing the end of its run with Vol. 8, and so surely the two leads will finally start to work out their angst and get closer… no, huh? Oh well.

MICHELLE: Soon!

ANNA: I hope so! I do enjoy this series, but am ready for it to wrap up.

MJ: This series continuously surprises me with its ability to keep me engaged… but I do hope we’ll see some movement here, finally.

SEAN: Lastly, Yu-Gi-Oh Zexal 4 does whatever it is Yu-Gi-Oh volumes do these days. It could have become a wacky 4-koma about high school girls for all I know. :)

How much of this pile appeals to you?

Massive goes to Fantagraphics

January 2, 2014 by Brigid Alverson

Fantagraphics has picked up the gay manga anthology Massive, which was originally slated to be published by PictureBox. I talked to the translators, Anne Ishii and Graham Kolbeins, about the book and its predecessor, The Passion of Gengoroh Tagame, as well as the genre of gay manga in Japan.

Shonen Jump will run Takeshi Obata’s adaptation of All You Need Is Kill on the same day it appears in Young Jump magazine in Japan.

David Brothers writes, in depth, about two manga he really enjoyed in 2013: Slam Dunk and Bleach.

The Manga Bookshelf bloggers take the long view and discuss their Pick of the Year, and they also take a look at this week’s new manga.

Freelance manga editor Daniella Orihuela-Gruber writes about her struggles with depression and how that has been interwoven with her work life.

Hirofumi Watanabe, the suspect in the Kuroko’s Basketball threat letters case, has given an interview to the magazine Tsukuru; the first item released is his message to users of the bulletin board 2chan, denying that he is a zainichi (foreigner).

News from Japan: Say Hello to Black Jack creator Shuho Sato is adapting Orson Scott Card’s Ender’s Game into manga form; it will be published on his website, Manga on Web. Dan Brown, author of The DaVinci Code, is the latest literary character to show up with superpowers in Bungō Stray Dogs. Suehiro Maruo is working on a new series, Tomino no Jigoku (Tomino’s Hell), which will debut in the March issue of Monthly Comic Beam. Toriko will go on hiatus for one month at the end of the current story arc. Keisuke Itagaki’s martial arts series Baki is returning to Weekly Shōnen Champion. Sora no Otoshimino/Heaven’s Lost Property will come to an end next month.

Reviews: Ash Brown looks back on a week’s worth of manga reading at Experiments in Manga. The Manga Bookshelf team finish out 2013 with the year’s last set of Bookshelf Briefs.

Rebecca Silverman on vol. 1 of Alice in the Country of Hearts: The Mad Hatter’s Tea Party (ANN)
Katherine Hanson on vol. 8 of Aoi Hana (Yuri no Boke)
Leroy Douresseaux on vol. 16 of Arata: The Legend (The Comic Book Bin)
Lesley Aeschliman on vol. 1 of Battle Angel Alita (Lesley’s Musings… on Manga)
Sean Gaffney on vol. 1 of Bloody Cross (A Case Suitable for Treatment)
Leroy Douresseaux on vol. 11 of Dorohedoro (The Comic Book Bin)
Sean Gaffney on vol. 11 of Dorohedoro (A Case Suitable for Treatment)
AstroNerdBoy on vol. 33 of Fairy Tail (AstroNerdBoy’s Anime and Manga Blog)
Leroy Douresseaux on vol. 3 of Happy Marriage?! (The Comic Book Bin)
Matt Cycyk on Helter Skelter: Fashion Unfriendly (Matt Talks About Manga)
Leroy Douresseaux on vol. 3 of Magi (The Comic Book Bin)
Johanna Draper Carlson on vol. 5 of Missions of Love (Comics Worth Reading)
Ash Brown on vol. 4 of No. 6 (Experiments in Manga)
Leroy Douresseaux on vol. 69 of One Piece (The Comic Book Bin)
Sakura Eries on vol. 15 of Oresama Teacher (The Fandom Post)
Johanna Draper Carlson on vol. 3 of Sankarea: Undying Love (Comics Worth Reading)
Sean Gaffney on vol. 2 of Summer Wars (A Case Suitable for Treatment)
Leroy Douresseaux on vol. 2 of Tiger & Bunny 2-in-1 Anthology (I Reads You)
Johanna Draper Carlson on vol. 1 of Vinland Saga (Comics Worth Reading)
Sean Gaffney on vol. 6 of Wandering Son (A Case Suitable for Treatment)

Wandering Son, Vol. 6

January 2, 2014 by Sean Gaffney

By Shimura Takako. Released in Japan by Enterbrain, serialized in the magazine Comic Beam. Released in North America by Fantagraphics.

Wandering Son has ended in Japan at 15 volumes, so we are now sure that we’re entering the middle third of this story. And things sort of simmer along here. There are no major crises this time around, as we slowly develop some of the things that started in the prior volume. Chiba and Mitori continue to rewrite Romeo and Juliet to suit their tastes and desires, though in the end neither one really get what they want. Nitori makes a confession to Takatsuki, but finds the answer far more ambiguous than he’d really like. And remember when I said Chiba was now stoic rather than emotional? Yeah, nevermind.

Chiba continues to be the character that most interest me, which meant this volume was particularly suited towards me, as she stomps through it like Godzilla (Ariga even notes at one point that she walks angrily), taking offense at everything and particularly the fact that people’s feelings may not match up with her own. She gets a boy who likes her here, but the feeling does not seem to be mutual, and she’s more determined than ever to get closer to Nitori, even as he tries to get closer to Takatsuki. Both succeed about the same amount, which is to say not at all.

Speaking of Takatsuki, she’s still going through her own issues. The bra thing is really bothering her, and someone talking about wearing a chest wrapping may provide a solution. In the meantime, though, she clearly cherishes her relationship with Nitori, but gets uncomfortable when it’s made explicit that he likes her, something that I suspect will bounce back on her in a bad way in the future. They are really cute, though, going on picnics together and dates where they can each dress as they want to. It’s very cute, and very safe. Nitori is getting bolder as well, trying on his sister’s bra and panties despite his feelings of guilt – it reads as uncomfortably as it sounds, but that’s not necessarily a bad thing.

As for the rest of the cast, Ariga gets the most development here, as he ends up being cast as Juliet opposite Chiba’s Romeo. He seems to be the one who understands her the most, and tries occasionally to calm her raging emotions, though his success rate is low. It’s not helped by his own poor self-image, which drives Chiba nuts as she demands he have more confidence in himself. We only see bits and pieces of the play, but it’s good to see that after a bad start, he grows more confident in the role as he goes along.

Other things to note: I liked Sasa being asked about love, and noting that she hasn’t really loved anyone like that, both because I felt it realistic and also because it does sort of close her out of her immediate peer group, all of whom are dealing with crushes of one sort or another (I loved her reaction to Ariga noting he’d felt this way “a few times”). Sarashina hasn’t really advanced much beyond ‘being loud’ and ‘saying the wrong thing at the wrong time’, but I’m sure we’ll get more in the coming volumes. She does get the best gag, though, as Maho’s fellow models wear semi-obvious disguises and go to her culture festival, and Sarashina notes Anna is “the mean one”, to Maiko’s amusement.

Wandering Son continues to be a heartwarming series that is not afraid to focus on the awkward moments of teenage life and put them under a microscope. If you aren’t reading this series, you’re really missing out.

Bringing the Drama: Mischevious Kiss: Love in Tokyo

January 1, 2014 by Anna N, Nancy Thistlethwaite, Emily Snodgrass and Eva Volin 1 Comment

Mischievous Kiss: Love in Tokyo!

Mischevious Kiss: Love in Tokyo is available on Dramafever.

Anna: I tend to think of Itazura Na Kiss as one of those eternally fresh manga series just because it has inspired such a wide variety of adaptations in different countries, much like Hana Yori Dango (Boys Over Flowers). I was happy when the latest Japanese version was licensed since we don’t tend to get as many Japanese dramas as opposed to Korean dramas and I was also looking forward to experiencing the story of Itazura Na Kiss again. The basic plot about a dimwitted girl relentlessly pursuing a boy who is intellectually brilliant and emotionally distant is something that has been done over and over again in manga, but very few variations actually manage to pull the story off with as much humor and heart as Itazura Na Kiss. What were your initial thoughts about this series? Eva, I understand that you found this series stupefyingly boring! Had you also read the manga, or was this your first time encountering this story? I enjoyed the series quite a bit, but part of that might have been due to being able to see a live action version of a manga I’d read and enjoyed.

Kinnosuke focuses on Kotoko with laser-like precision.

Nancy: I’m already a fan of the manga Itazura na Kiss, and I do like the Naoki in this version. All the leads were charismatic. I was also impressed with the adaptation until the last few episodes. I thought the story arc of Naoki’s little brother falling ill was done very well. Kinnosuke, Naoki’s rivals, also pretty much steals the show. I would definitely recommend it to fans of the manga.

Anna: I thought that for existing fans of the manga, the casting for this version was just really well done. There wasn’t a single character who I thought was miscast. I thought Kinnosuke was great, as was the captain of the tennis team.

Kotoko and Sudou stalk the objects of their affection!

Emily: I’ve been a fan of the manga for years, and I also think they did a great job at adapting the story. They hit all the major milestones for the first half of the series. I really look forward to season 2. The casting was well done as well. I was a little bothered by the huge age gap between the leading actors – she is 16 and he’s about 25, but he convincingly fit in with the others and looked good with her. This is a very… shoujo manga… story that may not seem all that original to modern viewers, but I think it’s because this is the series that influenced so many other series after it. Yet at the same time, it does things other shoujo-manga series usually don’t do– it follows the characters into college. How refreshing to see the romance (or lack of) go beyond high school into the larger world of college life.

Eva: I am a fan of the manga, which may be why it was so tough for me to make the move to the live-action show.

I absolutely agree that the show was beautifully cast. Naoki is a perfectly dreadful person with floppy hair and an attitude. Kin-chan takes a healthy bite out of every scene he’s in. Kotoko is as silly and twitchy as she is in the manga. All of these are things I loved in the books and (except for the awesome Kin-chan) are things that made me tired while watching the TV show. Somehow Kotoko’s live-action lack of agency drove me crazy while the same lack of agency was endearing in the books.

Kotoko with Irie’s enthusiastic and somewhat insane mother.

Anna: That’s really interesting! I didn’t have the same reaction, but I can see how something that is easier to take in manga format would become annoying in a live action format. Perhaps because the lack of agency in the manga can be resolved more quickly by moving on to the next chapter, but it might stick around for one or two episodes in the live action version.

Nancy: So that means it’s not just three to one, but four to zero, so people should give it a try. ;) Have we been keeping a record of our tallies?

Eva: Oh, I absolutely agree that people should give it a try. I wish more people would give the manga a try, too. I think it’s been tragically overlooked. But as we know from previous installments, my dumb-threshold is very, very low. Once around the dumb-bush was enough for me.

Anna: My overall reaction to the series was just that it was very adorable and heartwarming. The great casting, and the opportunity to see some signature scenes from the manga in live action format, like the tennis captain Sudou’s transformation into a demon on the court, or Kotoko’s horrible disguises as she stalks Naoki were very amusing. 4 out of 4 of us agree that you should give it a try!

Watch at Dramafever!

Manga Giveaway: 4-Koma for You Winner

January 1, 2014 by Ash Brown

And the winner of the 4-Koma for You manga giveaway is…Cassandra!

As the winner, Cassandra (who currently writes at The Huge Anime Fan) will be receiving the Yen Press omnibus of Kiyohiko Azuma’s yonkoma manga Azumanga Daioh. For this giveaway, I asked entrants to tell me a little about the four-panel manga that they had read. Check out the 4-Koma for You comments for all of the details. And if you’re looking for some yonkoma manga to read, I’ve taken this opportunity to pull together a list of some of the titles that have been licensed in English.

4-Koma Manga in English (in print)
.hack//4Koma by Koichi Sumimaru
Azumanga Daioh by Kiyohiko Azuma
Bloody Brat written by Yuuki Kodoma, illustrated by Kanata Yoshino
ChocoMimi by Konami Sonoda
Crayon Shinchan by Yoshito Usui
Dojin Work by Hiroyuki
GA: Geijutsuka Art Design Class by Satoko Kiyuduki
Great Place High School by Naduki Koujima
Hetalia: Axis Powers by Himaruya Hidekaz
Ichiroh! by Mikage
K-ON! by Kakifly
Lucky Star by Kagami Yoshimizu
Neko Ramen by Kenji Sonishi
Palepoli by Usamaru Furuya (excerpted in Secret Comics Japan)
Oh My Goddess!: Adventures of the Mini-Goddesses by Kosuke Fujishima
Shoulder-a-Coffin Kuro by Satoko Kiyuduki
Shugo Chara Chan! by Peach-Pit
S.S. ASTRO: Asashio Sogo Teachers’ Room by Negi Banno
Sunshine Sketch by Ume Aoki
Suzunari! by Shoko Iwami
Tori Koro by Hairan
Welcome to Wakaba-soh by Chaco Abeno

Summer Wars, Vol. 2

December 31, 2013 by Sean Gaffney

By Mamoru Hosoda, Iqura Sugimoto, and Yoshiyuki Sadamoto. Released in Japan by Kadokawa Shoten, serialized in the magazine Young Ace. Released in North America by Vertical.

The second volume of Summer Wars is, by virtue of its plot, a lot more action-oriented than the first one was. All our guns have been set up, and we see them fired off. But this volume continues to give us the best parts of the first volume as well, showing the importance of family, maturing and growing up, taking responsibility for your own actions, and even throwing in a bit of a love story to boot.

I was especially pleased to see the development of Natsuki, who not only grows as a character but almost takes on a messianic role in the final showdown with the AI. She’s been fairly indecisive and uncertain so far – using Kenji as an excuse to avoid questions and conflict – well, the wrong sort of conflict – and the death of her grandmother puts her at a mental standstill for the first half of this book. Luckily, finding her grandmother’s late words galvanizes her, and she is able to do what her young cousin could not. (I actually liked that fakeout – we assumed, since King Kazma had lost once, that he would come back and defeat the AI once and for all. But no, in the end, our heroine needs an action equivalent to our hero, so instead of punching the problem to death we get a giant game of hanafuda.

I absolutely loved seeing the hanafuda game – or its variant used here, Koi Koi – in the final battle. It’s been a favorite of mine for a few years (it was included on an early Nintendo DS cartridge, Clubhouse Games) and is a good choice here as it relies on both luck AND skill in equal measure. Skill can’t always save a bad hand – but knowledge of strategy and what your opponent has discarded are a must, and we see that here. The virtual reality environment helps to dramatize what is still a card game, and we also get to have that comeback from when all is lost, as Natsuki loses all her accounts and then gains even more thanks to the trust of everyone watching her.

The 20 Minutes Into The Future aspect of this world works quite well – we do have this huge virtual reality thing that can, if taken over by a rogue AI, destroy the world. But mostly we see, things haven’t changed much, which feels right. It helps that Natsuki’s family lives out in the sticks. The rest of the family doesn’t get quite as much attention, but like Natsuki they also have to deal with the death of the family head, and we see how badly it affects the group – which splinters off into different groups before coming together. Then at the end everyone is there for the final battle of Kenji vs. the AI, even if it may mean certain death (the computer has decided to drop a satellite on everyone’s head), and they all hug each other as it descends (it gets diverted, in case you were worried).

In the end, Summer Wars is a sweet and heartwarming manga about the ties of family, becoming confident in your own abilities, and math. Definitely recommended for romance fans – or even those who like techno-thrillers.

My Week in Manga: December 23-December 29, 2013

December 30, 2013 by Ash Brown

My News and Reviews

Last week I posted a review of Hinoki Kino’s manga No. 6, Volume 4. The series has been getting better with each installment and things are starting to get really good. I also wrote a little bit about some of the manga, comics, and fiction releases that for me were particularly Notable in 2013. It’s not exactly a “best of” list, and it isn’t exactly a list of my favorite manga of the year, either. Basically it’s a list of interesting releases from 2013. And speaking of 2013, there’s still time to enter the last manga giveaway of the year! Check out the 4-Koma for You manga giveaway for a chance to win the omnibus edition of Kiyohiko Azuma’s yonkoma manga Azumanga Daioh.

Quick Takes

Fairy Tail, Volume 33 by Hiro Mashima. It’s the second day of the Grand Magic Games and it’s still not looking good for the two Fairy Tail teams, although some of their members have surprising victories. Unfortunately, considering their prior string of defeats, it’s not enough to make much of a difference this early in the tournament. There are some great battles and moments of humor in this volume, but I still don’t find the tournament arc to be as compelling as the arcs that came before it. New characters continue to be introduced; I particularly enjoyed the addition of Bacchus, a powerful wizard from the Quatro Cerberus guild. Personality-wise, he can be a bit of a drunken jerk and isn’t always particularly likeable. What caught my interest is that his style of magic is based on Piguaquan, a legitimate Chinese martial art. Not too surprising considering his name, Bacchus combines this with Zui Quan, or “drunken fist.” Granted, it’s the fictionalized version of drunken fist that requires the practitioner to actually be intoxicated, but this is fitting and meshes well with the existing magic systems in Fairy Tail.

Smuggler by Shohei Manabe. Originally released in English by Tokyopop, Smuggler is now available in a new edition from One Peace Books. I missed the manga the first time around, and since it also received a live-action film adaptation, I was particularly curious to read it. Kinuta is a failed actor who has accumulated a fair amount of debt. In order to pay back what he owes he has been smuggling and illegally dumping cargo outside of Tokyo. What he didn’t initially realize was that he was helping to transport and dispose of dead bodies for the yakuza. And now that he does know, Kinuta owes the mob his life as well as his money. When a job goes terribly wrong and an extraordinarily dangerous assassin escapes on his watch, Kinuta suddenly finds himself pulled even deeper into Japan’s underworld. Smuggler is a dark and violent manga, quickly paced, and unrelenting. It’s definitely not for the faint of heart. Smuggler held my interest, and there were some marvelously gut-wrenching scenes, but in the end I can’t say that the manga left much of a lasting impression on me.

Swan, Volumes 4-9 by Kyoko Ariyoshi. I am still completely in love with Swan and am astounded that it has taken me this long to actually get around to reading it. The series is incredibly well done–it’s just so intense and passionate, not to mention beautifully drawn. I’m also learning a bit more about ballet and its history as I read, which I count as a bonus. There are quite a few themes being addressed in these particular volumes. One of the themes that is especially prominent deals with sacrifice and what people are willing to give up in order to pursue what the truly love. It’s not always an easy decision. As someone who was deeply involved in the performing arts (in my case music, not dance), it’s a conflict with which I can personally identify. The characters in Swan all have to struggle to find the balance between their lives as dancers and their relationships with other people. Matters of love and romance complicate things greatly, but they also serve as a source of inspiration for creative expression. Swan piles on the drama and it’s fantastic.

Wolfsmund, Volume 2 by Mitsuhisa Kuji. While the first volume of Wolfsmund was violent and intense, the second volume is arguably even more so. In response to the rebellion gaining strength and numbers, the questioning of those trying to cross through the Wolf’s Maw at Sankt Gotthard Pass has become even more invasive and thorough. The gate’s overseer Wolfram–who is almost always shown with a terrifyingly pleasant smile on his face–seems to take particular delight in this. In order to get the information he needs, he’s more than willing to order the death or torture of a person no matter who they are. Cruelty isn’t limited to Wolfram. Even the rebellion’s heroes are capable of terrible deeds. I am a fan of dark historical manga, so Wolfsmund is right up my alley. Wolfsmund is definitely for mature readers. Considering its brutal nature (women and girls in particular suffer greatly in this volume) it’s not a series that I would recommend to just anyone. That being said, I am looking forward to the next volume.

Pick of the Year – 2013

December 30, 2013 by MJ, Sean Gaffney, Michelle Smith, Ash Brown and Anna N 2 Comments

MJ: 2013 was a pretty dramatic year for manga in many ways, both good and bad. I can’t help but feel pangs of sadness and regret when I look back at last year’s column, in which I named now-defunct digital publisher JManga as my Pick of the Year. Their titles dominated both my BL and digital “best of” lists as well.

Despite that tragedy, I gaze fondly back at 2013, as the year that brought me new favorites like Knights of Sidonia and Sunny. When thinking about my final Pick this year, however, I guess I’ve little choice but to sound like a broken record, because for me, there can be no other than Moto Hagio’s The Heart of Thomas. When Michelle and I discussed this book back in January, I wrote:

“In case it isn’t obvious to anyone reading this, I loved this manga with my whole heart. And I’ll admit that’s not exactly what I expected. I expected to find it visually beautiful and worthy as a classic, but I also expected it to be very dated and I thought the story might not appeal to my tastes as a modern fan. Instead, I found it to be both beautiful and emotionally resonant to an extent I’ve rarely experienced—especially in BL manga. This is a book I’d wholeheartedly recommend to any comics fan, without reservation. It’s an absolute treasure.”

We were working from digital review copies at the time, and though I’d clearly fallen in love, it wasn’t until my own print copy finally shipped later that month that I realized just how much of a treasure this book truly is. It is glorious to behold. As the year passed, nothing else has come close.

SEAN: There was a lot of great manga released in 2013, even if you just stick with titles that began this year. My mind keeps drifting over to one title in particular, and that’s the deluxe hardcover release of Mobile Suit Gundam: The Origin from Vertical. Leaving aside the fact that it looks expensive and fantastic with lovely paper and color and everything, it’s a terrific story. Gundam wouldn’t be what it is today without that original story, and reading about the slow maturation (very slow at times) of Amuro Ray, the increasing leadership abilities of Bright Noah, and the political backstabbing of everyone on the Zeon side (but particularly Char Aznable) is as addicting as anything.

With 4 hardcover volumes out so far this year and more on the way, this has to be the Pick of the Year for me.

MICHELLE: I am finding this profoundly difficult. I picked Taiyo Matsumoto’s Sunny for our gift-giving edition last week, so I obviously love it a great deal and think it’s something every manga fan should check out. But if we’re talking about the new-for-2013 manga that pushes my personal buttons the most, it would have to be Tsutomu Nihei’s Knights of Sidonia. Quite simply, I love everything about it, especially Nihei’s art and how the interior nooks and crannies of Sidonia are depicted. It’s also the most accessible of his works that I’ve read, with an endearing cast thrown into a desperate, seemingly impossible conflict.

I very much want to read more Sunny, but I’m kind of desperate to read more Knights of Sidonia, and so it gets the edge and becomes my official Pick of the Year.

ASH: Oh, this really is difficult! I always have a hard time choosing bests or favorites, but I did recently manage to write about some of the manga from the last year that were particularly notable for me. As for my selection for Pick of the Year, I’m actually going to cheat a little and choose the publisher PictureBox. Sadly, PictureBox will not be releasing any new titles, but I was greatly impressed and intrigued by all of the manga it published in 2013.

PictureBox was taking manga publishing in some very exciting directions. The releases were high-quality, too. I was especially interested in the two series helmed and edited by Ryan Holmberg: Ten-Cent Manga (which brought us The Last of the Mohicans by Shigeru Sugiura and The Mysterious Undergound Men by Osamu Tezuka) and Masters of Alternative Manga (which brought us Gold Pollen and Other Stories, an anthology of short manga by Seiichi Hayashi). Plus, PictureBox actually had the guts to release The Passion of Gengoroh Tagame: The Master of Gay Erotic Manga. So, while PictureBox may not be releasing any more manga, I’m very grateful for the risks it took in 2013.

ANNA: I’m relieved that Sean picked Gundam: The Origin because that gives me room to pick something else. And I’m happy that Ash decided to cheat a little, because I’m going to do that too!

My pick of the year isn’t a manga volume or series, but a genre. I want to highlight josei manga! Just when I was about to give up hope of seeing much more josei manga published in English, 2013 ended up being a great year for manga targeted at older female readers. Viz Media had the commercial but incredibly addictive Midnight Secretary and Happy Marriage, Vertical highlighted more challenging and edgy fare by translating works of Kyoko Okazaki, and Digital Manga Publishing released a ton of Harlequin manga on emanga.com. This makes me a very happy reader! I hope for more josei in 2014.

Readers, what manga made your year?

Bookshelf Briefs 12/30/13

December 30, 2013 by Michelle Smith, Sean Gaffney and Anna N Leave a Comment

This week, Michelle, Anna, & Sean look at recent releases from Yen Press and Viz Media.

Demon Love Spell, Vol. 5 | By Mayu Shinjo | Viz Media – Miko’s father allows his daughter and Kagura, the lecherous incubus, to move out together, but not only will he be withholding financial support, he also places a curse on Kagura’s nether regions that prevents the advent of sexy times. Miko is determined to become more powerful than her dad so that she can break the curse, and it’s nice to see both her abilities improving and a teenage girl with a healthy interest in getting it on with her hot boyfriend. Briefly it seems that she and Kagura will be opening a demon consultation office, but this gets derailed when Kagura becomes a pop idol to earn money and various jealousies and complications ensue. Demon Love Spell may not be the best shoujo manga I’ve read, but it’s definitely the best Mayu Shinjo manga I’ve read, by a wide margin. I think I might even go so far as to recommend it! – Michelle Smith

Magi, Vol. 3 | By Shinobu Ohtaka | Viz Media – Morgiana graces the cover of Vol. 3, but she really only appears at the end (there’s also a surprise reappearance of Layla from Chapter One). That said, she makes good use of her minimal screen time, deciding to effectively become Batman/El Santo in order to stop some bandits. As for Aladdin, he’s still trying to figure out his purpose in life, which is given new direction by defining our title – well, semi-defining it. Magi are those who can choose a king. I have a sneaking suspicion that I know who will be chosen by the end of this series, but let’s leave that aside for now. The rest of the volume deals with noble Queens, evil Viziers, and the benefits and drawbacks to your village coming under protection. Not quite as awesome as the first two volumes, but still solid. – Sean Gaffney

Nisekoi: False Love, Vol. 1 | By Naoshi Komi | VIZ Media – The back cover blurb for this debut volume describes Nisekoi as a “laugh-out-loud feel-good manga series,” but I only mustered a smile once and halfway through wanted nothing more than to be able to stop reading it, already. Getting tired of a premise and characters 100 pages in is not a good sign! Raku Ichijo and Chitoge Kirisaki are the children of rival gangsters, but they don’t realize this until their fathers force them to pretend to be in love in order to prevent all-out gang war. But there’s nothing amusing about their pretense, because practically all they do is hurl insults at each other until finally one of them does something fractionally nice, causing the other to reevaluate them a tiny bit. I think my synopsis makes it sound less grating than it really is, actually. Suffice it to say that Nisekoi is definitely not my cup of tea. – Michelle Smith

Soulless: The Manga, Vol. 3 | By Gail Carriger and REM | Yen Press – After her werewolf husband reacts badly to her should-be-impossible pregnancy, Alexia and friends flee London to escape both the ruthless gossip and the vampire assassins intent on preventing the birth of her child. As someone who is not steeped in the mythology of the novels upon which Soulless: The Manga is based, I sometimes find the adaptation to be a bit confusing and disjointed. Such is the case in volume three, which has the added problem of an antagonist who is glimpsed only briefly. (Seriously, a scene-stealing yappy dog makes more of an impression.) Still, I thoroughly enjoyed the read! The dialogue is witty (a line about hedgehogs made me laugh out loud) and I like the characters. REM is also especially good at drawing amusing facial expressions and portraying werewolves’ personalities while they’re in their lupine forms. I may feel a bit lost sometimes, but I’m always entertained! – Michelle Smith

Strobe Edge, Vol 8 | By Io Sakisaka | Viz Media – I have to confess that this is the point where I started feeling a tiny bit impatient with Strobe Edge Ando’s ex shows up and as one might expect, immediately throws an obstacle in the progression of Ninako and Ren’s budding romance. She tells Ninako that Ren and Ando used to be best friends until she came between them, and now the love triangle with Ninako will make things even worse. Ninako is determined to suppress her feelings yet again, just when she was on the verge of confessing to Ren. The couple prevented from getting together because of good intentions and lack of communication is a shoujo staple, and I’m starting to wish that this series would start wrapping up even though I do like reading it. Sakisaka’s art gets better and better, and while the plot might be a little pedestrian, this is one of the prettiest and most visually well-executed shoujo titles out there. Still recommended! – Anna N.

Toriko, Vol. 19 | By Mitsutoshi Shimabukuro | Viz Media – Most of this volume is dedicated to two things: 1) Watching Toriko eat food no matter what the cost to his body (with a brief break to beat up a giant bear monster) and 2) Everyone loving Komatsu, and I do mean everyone. Here his devotion to food and food preparation help to turn a man who specializes in cheating, draining memories and generally being evil towards the light side simply by sheer virtue of Komatsu’s… well, virtue. (Mustn’t forget about Coco, who also does a terrific job here as the brains of the team.) The fact that this is a very popular manga with BL fans should surprise absolutely no one. All that said, we are basically watching a giant game of Memory for an entire volume, so be prepared for a bit less action and punching than previous volumes. But just as much food. -Sean Gaffney