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Whispered Words, Vol. 1

May 13, 2014 by Sean Gaffney

By Takashi Ikeda. Released in Japan in three separate volumes as “Sasameki Koto” by Media Factory, serialized in the magazine Comic Alive. Released in North America by One Peace Books.

This was one of those licenses I’d been waiting for for quite some time. Along with Aoi Hana, Sasameki Koto (released here as Whispered Words) was one of the big yuri manga of the last few years or so. It will seem quite familiar to those who read the genre. The tall, strong, dark-haired girl who does karate and her smaller, more feminine and gorgeous friend. Unrequited love out the wazoo. A cast of eccentric side characters there to help the main couple grow and change. And piles and piles of angst. Does it read well as an omnibus?

whispered1

Actually, I’d argue that the omnibus format was the best way for this series to succeed, as there are a lot of issues with it as it starts off. It’s clearly meant to be more comedic, with Sumika’s crush being portrayed as genuine but subordinate to getting her into awkward situations. More to the point, Ushio can be very hard to like in the first part of this series. And then there’s Akemiya, who’s nice enough, but whose plotline feels like it belongs in another manga, and whose sister is easily the most aggravating character in the series. Were this not an omnibus, I can see a lot of folks giving up after Vol. 2 (which is also where the anime ended, as it didn’t want to overtake the manga).

About halfway through the third section, though, you sense the manga starting to take a more serious and character driven turn. I suspect the writer might have ended things with the folk dance, but was told the series was popular enough to continue, and so started to think about how to take things in a deeper, more fulfilling direction. This starts off oddly, with the addition of Lotte, a tiny German foreign exchange student who idolizes Sumika. But it really points out Sumika’s issues with who she is, and how Ushio has been unthinkingly making those issues harder and harder to overcome. The emotional high point to this volume is really high – Ushio getting upset at Sumika for allowing Lotte to push herself too hard in karate training, and Sumika just losing it and screaming how Lotte likes her for being big and strong – unlike Ushio, the subtext says.

And Ushio gets this, to be fair. A lot of the setup of Whispered Words is of a somewhat shallow, ditzy girl who gloms onto anything cute. A flashback at the end shows that this is pretty much a mask, and Ushio, caring for Sumika after running outside in the rain makes her get a cold (never let it be said this manga doesn’t use manga cliches 100%), starts to wonder what her feelings for her best friend are really like. Is this going to be the moment when the two of them finally get together?

Highly unlikely, we’ve got 6 more volumes (2 more omnibuses) to go. In the meantime, this is a decently translated volume with good reproduction. Sadly, the publisher is tiny, and apparently their budget could not stretch to a copy editor, as there are some bad, BAD typos. They will make you cringe. But I hope that doesn’t stop you from getting this series. The tone is changing to a more serious work by the end of this first omnibus, and I hope that it continues along those lines and we continue to see Sumika and Ushio suffer for their love (in a good way, of course.)

Also, this manga has Kyori, who is perfect. That is all.

Filed Under: REVIEWS

Bookshelf Briefs

May 12, 2014 by Sean Gaffney and Michelle Smith Leave a Comment

This week, Sean and Michelle look at recent releases from Yen Press, Viz Media, Kodansha Comics, and One Peace Books.

arcana12Dawn of the Arcana, Vol. 12 | By Rei Toma | Viz Media – Things are happening quickly in this penultimate volume of Dawn of the Arcana, and when I say “quickly” I mean I was often left going, “Wait, what?” Last volume, Nakaba suddenly became quene of Senan, and here, without much preamble, she intercepts Caesar’s invading force (he was sent by his father) and, again without much preamble, they begin a revolution that swiftly ends with Caesar killing his father and becoming king of Belquat, just in time for a rather perplexing cliffhanger moment to ensue. I’m not saying that this isn’t good or interesting, because it is, but I can’t help but think how much better it would be if we were seeing some serious effort involved in these momentous undertakings. It could really have been something wonderfully epic, but in its current state it’s like Basara Lite. Still recommended, though. – Michelle Smith

inu3Inu x Boku SS, Vol. 3 | By Cocoa Fujiwara | Yen Press – There’s a lot of emphasis in this volume on both the wacky antics of the main cast and the heartwarming relationships between them. Ririchiyo is opening up more than ever, and starting to admit her feelings, though dealing with them is tough. And Carta is just adorable. And yet the entire volume feels ominous, as there are also several hints that this isn’t going to last, and in fact that we may lose some of the cast soon. The discussion about reincarnation in particular reads as a ‘let me tell you about this now as it will be important later.’ Complete with the ominous text at the end of the book, it would seem that all of the wacky and heartwarming moments in this volume may taste very bitter soon.-Sean Gaffney

popular3No Matter How I Look At It, It’s You Guys’ Fault I’m Not Popular!, Vol. 3 | By Nico Tanigawa | Yen Press – There’s both hope and despair in this volume of WatMote, which I enjoyed more than Volume 2. We meet a girl (seems to be a class president type) who actually seems to be looking out for Tomoko’s well-being, and we also see her genuinely enjoying the school festival with Yuu-chan. The despair comes from things like Tomoko’s teacher forcing attention onto her (which makes her cry she’s so upset) and the tragic fantasy of starting a ‘do nothing club’ with fellow loners, only to realize that even that isn’t real. There’s lots of funny stuff in this manga, but I think most people reading it are doing so with a bit of wincing sympathy and no small amount of worry.-Sean Gaffney

sankarea6Sankarea: Undying Love, Vol. 6 | By Mitsuru Hattori | Kodansha Comics – Sankarea continues to be a balancing act between wacky harem comedy, heartwarming family romance, and pure undiluted horror. We get all three of those in this volume, as Chihiro deals with his zombified cat, Bub, causing havoc in a way he’s determined to fix (partly as he loves his cat, but partly as he worries it could happen to Rea). Meanwhile, Rea is determined to get Darin to act more like a normal 14-year-old girl. The big thing in this volume, though, is that Rea is different from the other zombies, as she did things out of order. How much of a difference this will make in the end I’m not sure, but given Rea and Darin are going to EvilCorp, I suspect next volume will be more serious.-Sean Gaffney

strobe10Strobe Edge, Vol. 10 | By Io Sakisaka | Viz Media – There never really was any uncertainty about how Strobe Edge would end, so in that respect it feels like it’s taken a long time to get here, especially with Ninako’s recent hesitancy to go for it with Ren because of how it might damage his friendship with Ando. And yet, because the series officially concludes halfway through this volume, it somehow manages to feel a little too quick, too. Weird how that happens. Happily, a bonus chapter at the end of the volume reinforces the ending, and gives us another glimpse of how well suited Ren and Ninako are for each other. There’s also a bonus chapter focusing on Ren’s small, enthusiastic friend Manabu, which would’ve been nice to see earlier in the series. All in all, not a surprising conclusion, but a satisfying one all the same. – Michelle Smith

whispered1Whispered Words, Vol. 1 | By Takashi Ikeda | One Peace Books – Kazama Ushio loves girly girls and is initially oblivious to the fact that her tall, athletic, and uncute best friend, Sumika Murasame, is in love with her. The moments focusing on the incremental progression of the central romance are the highlight of this 3-in-1 omnibus, but there’s also a lot of episodic randomness and unsuccessful attempts at comedy. I would’ve been disappointed had not Sean mentioned that the series is due to take a more serious turn; I predict that will suit me better. I’m also hoping for improved editing in volume two, because it was truly awful here. I lost count of how many times the wrong word was used (“through” instead of “throw,” “choose” instead of “choice”) or text was strangely formatted, but what really bothered me most were the numerous instances of untranslated dialogue. Get it together, One Peace! – Michelle Smith

Filed Under: Bookshelf Briefs

My Week in Manga: May 5-May 11, 2014

May 12, 2014 by Ash Brown

My News and Reviews

Last week was a busy week for me, especially as I was travelling to and from Canada for the Toronto Comic Arts Festival, but I still managed to post a few things. The Fullmetal Alchemist Giveaway Winner was announced, for one. The post also includes a select list of some shounen and seinen manga written and/or illustrated by women mangaka. I reviewed Hinoki Kino’s No. 6, Volume 6 which is a particularly important volume in the series as it starts to approach its climax. And I also reviewed The Battle Royale Slam Book: Essays on the Cult Classic Novel by Koushun Takami, the first nonfiction book to be released by Haikasoru. I thought it was pretty great.

No links this week as I have been completely preoccupied with TCAF and all its goings-on. I’ll have a lengthy write-up about it later this week, but I’ll just say now that I absolutely adore TCAF. Since est em was one of the featured guests, I spent quite a bit of time with her manga last week. The quick takes below feature most of her manga that are currently available or have been licensed in English. (Granted, some are out of print now.) I hope that there will someday be even more est em manga translated; I really love her work. Plus, having now met her, I can say that she’s a very cool and interesting person, too!

Quick Takes

Age Called BlueAge Called Blue by est em. Originally released online in English and then in print by NetComics, Age Called Blue is also now available digitally from Digital Manga. Most of the volume focuses on Billy and Nick who are bandmates, roomates, friends, as well as something a bit more. Age Called Blue further develops the story and characters introduced in the manga “Rockin’ In My Head” which is included in est em’s earlier collection Seduce Me After the Show. I love the music connection in Age Called Blue. Their band, The Idiots, is something that is incredibly important to Billy, but Nick is incredibly important to him as well. Unfortunately, Nick isn’t the most responsible person and is constantly disappearing or getting into some sort of trouble, which threatens to tear the band apart just as they have the opportunity to make something of themselves. With all of the chaos caused by Nick, Billy struggles with his feelings for the other young man which can be at odds with his passion for his music. Also included in Age Called Blue is the story of how the two of them first met, which is incredibly charming. Two unrelated stories are also collected in the volume, both exhibiting their own sorts of passion.

Kine InKine In! by est em. The first est em release by Digital Manga Guild, the main story in Kine In! is about Ken and Mari, who are twins, and their neighbor and close friend Joe. The three of them share an interest in films and film-making and so frequently go to the movies together. However, things become a little awkward for them after a couple of love confessions are made–Mari admits to her brother that she likes Joe, Joe tells Ken that he likes him, and Ken isn’t sure how to respond to either of them. And so he chooses to figure out his feelings and express himself by making his own film with Joe and Mari’s help. Three shorter one-shot manga are also included in Kine In! One of the themes that is prominent throughout the volume has to do with familial love and the importance of those family bonds. Many of the families shown in Kine In! are unusual in some way. “The Salvia and the Barber” features another trio of friends whose relationship goe beyond friendship while “The Scenery of that Summer” follows a young man meeting his step-brother for the first time after his father dies. “Mixed Juice,” which focuses on the relationship between a college student and his professor, is the only story that breaks from this thematic pattern.

Red Blinds the FoolishRed Blinds the Foolish by est em. Although I have always enjoyed est em’s manga tremendously, it’s Red Blinds the Foolish that made me absolutely fall in love with her work. The main story in this volume is about Rafita, a brilliant young bullfighter, and Mauro, a butcher who processes the bulls killed in the arena. The two of them become intimately and passionately involved which has dramatic repercussions. Bullfighting is a crucial part of the manga and of their relationship; it is used to explore the paradoxes, complexities, and nuances of the connection between the two men. est em’s artwork is exquisite and the details she puts into the matador’s costumes are especially gorgeous. Even when dealing with heavier subjects like death and violence, Red Blinds the Foolish is beautiful and sensual. The afterword of Red Blinds the Foolish is a short travelogue of est em’s research trip to Spain to see the bullfights. Two of the other stories collected in the volume, “Baby, Stamp Your Foot” (about a novelist and his lover who makes shoes by hand) and “Tiempos extra” (about a violent soccer fan and a security guard), were actually first released in a gay men’s manga magazine as opposed to a boys’ love magazine. I particularly appreciate est em’s manga because of this crossover appeal.

Seduce Me After the ShowSeduce Me After the Show by est em. Seduce Me After the Show was est em’s professional debut in Japan and was likewise the first of her manga to be licensed in English. The volume was my introduction to her work, and I’ve been collecting her manga ever since. Even so early in her career est em’s storytelling was already very sophisticated and mature. Her artwork is beautifully expressive, elegant, and sensuous. It suits the main story, which features a dancer, particularly well. Backgrounds are either simple or nonexistent which makes the characters and their relationships the focus of the short manga collected in the volume. There’s no overarching plot connecting the stories found in Seduce Me After the Show but atmosphere-wise many of the manga share a sense of melancholy and loss. However, this doesn’t necessarily mean that they are sad or depressing, though they are thoughtful and contemplative. Another similarity is that most of the characters in Seduce Me After the Show are artists of one sort or another–dancers, actors, painters, musicians, and so on. Also of note: “I Saw the Blue”, the prequel to the story “Café et Cigarette” in Seduce Me After the Show, is collected in Age Called Blue.

Tableau Numéro 20Tableau Numéro 20 by est em. The most recent est em manga to be released in English is her collection Tableau Numéro 20, which includes five unrelated boys’ love, or boys’ love-esque, stories. Like many of her other manga, the stories in Tableau Numéro 20 frequently feature music, art, and dance. The titular manga and its related story “Le Visiteur” include a beautiful man who literally emerges from a painting, making them the most fantastical manga by est em that I’ve read. So much of her work and all of the other stories in Tableau Numéro 20 are based in reality, so it was interesting to see another side of est em’s creativity. Perhaps because both est em and I share an interest in Spanish culture, my favorite manga in Tableau Numéro 20 was “Rasgueado” which is about a flamenco dancer and guitarist. I’m always impressed by est em’s artwork and how expressive it is. The passion and energy on the page is almost palpable. Even when there is no dialogue there is a narrative being told through the characters’ body language and facial expressions. In “Rasgueado” in particular there are sequences of music and dance that are completely wordless that are brilliantly effective.

UltrasUltras by est em. Along with Red Blinds the Foolish, as a whole Ultras is one of my favorite manga collections by est em. Currently it’s only available digitally, but I really do hope that it gets a print release sometime in the future. (As unlikely as that may be.) The titular “Ultras” is a story about Alfonso and Leon, two soccer fans who, after a drunken night of celebration when Spain wins the European Championship, end up in bed together. This wouldn’t necessarily be an issue except that it turns out that they are hardcore supporters of rival local teams. It’s refreshing to have a story where the plot’s anxiety isn’t about the characters being gay;  in this case it’s the problem is that they’re fans of the “wrong” team. I also appreciate that the characters are well-developed and have lives outside of their relationship and soccer (though those are indeed both very important things in the manga). Al, for example, is actually an elementary school teacher and it’s adorable. And when Leon’s grandfather finds out about the two of them it’s simply one of the best scenes ever. “Ultras” and the related “Tiempos Extra” are my favorite manga in Ultras, but I enjoyed the other four stories as well. They all have a contemporary, modern sort of feel to them.

Filed Under: FEATURES, My Week in Manga Tagged With: est em, manga

Pick of the Week: Short & Sweet

May 12, 2014 by Anna N, Michelle Smith, Ash Brown, Sean Gaffney and MJ Leave a Comment

potw-5-12ANNA: Did you get your mother manga for Mother’s Day? Is it time to go shopping for yourself? There are a lot of mid-series volumes coming out this week, does one of them end up in your shopping bag? In the absence of any new series to pounce on, I’m probably going to have to highlight 07-Ghost which I’ve fallen shamefully behind on.

MICHELLE: Same here. I wish I could extoll its virtues more enthusiastically, but at least I haven’t given up on reading it someday!

ASH: There may be fewer manga to choose from this week, but one of those choices is Blade of the Immortal, so I’m happy!

SEAN: I’ll go with the debut of Monster Soul, which looks very shoneney.

MJ: I am also going to go with Monster Soul! As I mentioned in this week’s column, I so enjoyed Hiro Mashima as a person during his last appearance at New York Comic Con, I’ve regretted never really getting into his work. It seems to me that this is my chance!

What looks good to you this week?

Filed Under: PICK OF THE WEEK

Devils and Realist, Vol 1

May 11, 2014 by Anna N

Devils and Realist Vol 1 by Madoka Takadono and Utako Yukihiro

Devils and Realist is an amusing fish out of water supernatural tale about a young scientific aristocrat and the devils who torment him. The realist of the title is William Twining, an elite member of the English aristocracy who prides himself on his elite status and his logical mind. He makes an uncomfortable discovery when he goes home for a school holiday. His uncle, who was in charge of his fortune has rendered him penniless. William discovers that his house is almost entirely empty and he only has one lone servant left in Kevin Cecil, who is staying on without being paid and learning how to garden for vegetables in the absence of any other food.

William is determined to come up with the money to pay for his tuition, because it would never do for someone of his standing to apply for a scholarship. As he and Kevin scour the house trying to find something valuable, they happen across a hidden room, with a door that is unlocked by William’s blood when he suffers an accident trying to break it down. A mystical spell is invoked and the demon Dantalion appears in grand fashion, only to tell William that he’s now a central figure in the electoral politics of Hell, because William possesses “the Blood of Solomon”. William isn’t ready to believe that he has a mystical connection with a bunch of demons, and invents a series of comically rational explanations for all the supernatural phenomena he’s starting to encounter. Dantalion is joined by other demons, all of who want to win William to their side. William remains stubbornly focused on finishing up his schooling in the human world, leading to additional wacky complications.

There are some parallel themes here with Black Butler, but I found that series to be a bit mean spirited and creepy.
Devils and Realist is more of a gently comedic take on the genre, with William’s stubbornness manifesting in various ways. There are hints that William’s ancestors might not be all that innocent and Dantalion has some hidden motivations that might serve to illuminate his character in later volumes. The art for Devils and Realist is attractive, with particular attention paid to the character designs of the parade of demons which makes it much easier to distinguish them. I enjoyed this volume, and I’ll try volume 2 before deciding to go all in on following this series. I could see William’s realism being used for jokes getting a bit tiring after multiple volumes when he’s surrounded by an army of demons, so I’m interested to see if the author comes up with some other plot devices to keep things fresh.

Filed Under: REVIEWS

The Battle Royale Slam Book: Essays on the Cult Classic by Koushun Takami

May 11, 2014 by Ash Brown

The Battle Royale Slam BookEditor: Nick Mamatas and Masumi Washington
Publisher: Viz Media
ISBN: 9781421565996
Released: April 2014

Battle Royale has recently seen something of a revival in North America in recent years. Koushun Takami’s controversial novel was originally published in Japan in 1999. Both the novel and its manga adaptation illustrated by Masayuki Taguchi first appeared in English in 2003. The novel was released again with a slightly revised translation and additional supplementary material in 2009 by Viz Media’s speculative fiction imprint Haikasoru. (This tenth anniversary release was my introduction to Battle Royale.) However, it wasn’t until 2012 that the film version of Battle Royale and its sequel Battle Royale II: Requiem received an official release in the United States. And now, in 2014, we’re seeing the releases of a new English translation of Takami’s novel by Haikasoru, the recent Battle Royale: Angels’ Border manga illustrated by Mioko Ohnishi and Youhei Oguma, and The Battle Royale Slam Book: Essays on the Cult Classic by Koushun Takami, which is also notable for being Haikasoru’s first foray into nonfiction. Takami’s original novel left a huge impression on me, so I was very excited to read all of these new Battle Royale releases.

The Battle Royale Slam Book, edited by Nick Mamatas and Masumi Washington, collects sixteen essays (seventeen including the introduction by Mamatas) which examine various aspects of the entire Battle Royale franchise. The core of that franchise is of course Takami’s original novel, but The Battle Royale Slam Book also explores many of its manga and film adaptations as well. The contributors to the volume include award-winning writers, academics, fans, and many others from around the world–the United States, Canada, United Kingdom, and even Japan itself are particularly well-represented. I was specifically excited to see an essay by Toh EnJoe included in the volume, but the rest of the lineup is great, too: Nadia Bulkin, Carrie Cuinn, Raechel Dumas, Isamu Fukui, Sam Hamm, Masao Higashi, Brian Keen, Gregory Lamberson, Kathleen Miller, Konstantine Paradias, Jason S. Ridler, Adam Roberts, John Skipp, Steven R. Stewart, and Douglas F. Warrick. All of their essays were written specifically for inclusion in The Battle Royale Slam Book.

The Battle Royale Slam Book includes several types of essays ranging from academic ruminations to literary and film criticisms to the authors’ more personal experiences with Battle Royale in all of its iterations. The topics of the individual contributions are also varied, though some recurring themes do emerge. Many of the essays focus on some of Battle Royale‘s most controversial aspects, such as extreme violence and the deaths of school-aged youth, gender portrayals and sexism, and so on. Other essays position Battle Royale within a greater context, exploring its place within and relationship to not only Japanese popular culture but Western popular culture as well. School literature, professional wrestling, teen films, and other similar subjects are all addressed. The volume also examines the historical context of Battle Royale and its themes. The Battle Royale Slam Book shows how the Battle Royale phenomena has been influenced by, uses, and challenges literary and genre conventions in addition to showing its impact and continuing influence on individual people.

Several assumptions are made with The Battle Royale Slam Book, primarily that the readers are adults already familiar with Battle Royale, have a basic understanding of the novel’s premise, or have been exposed to at least one of its adaptations. It’s also helpful but not absolutely necessary to have some grounding in literature and film, and especially with speculative fiction and horror. The Battle Royale Slam Book will probably appeal most to those who are already interested in or who have already experienced Battle Royale in some form. Though the contributors don’t hesitate to point out the flaws and challenges presented by the Battle Royale novel, manga, and films, it is very clear that they are all either fans or are fascinated by the material and the responses to it. There is criticism to be found, but in general the volume tends to take a positive approach. The Battle Royale Slam Book was written for people like me who want to learn more about Battle Royale, its influences, and impacts. I found The Battle Royale Slam Book to be utterly fascinating and would highly recommend the volume to similarly minded individuals.

Filed Under: REVIEWS Tagged With: Battle Royale, Haikasoru, Koushun Takami, Masumi Washington, Nick Mamatas, Nonfiction, viz media

No. 6, Vol. 6

May 9, 2014 by Ash Brown

No. 6, Volume 6Creator: Hinoki Kino
Original story: Atsuko Asano

U.S. publisher: Kodansha
ISBN: 9781612623603
Released: April 2014
Original release: 2013

I was rather pleased when Kodansha Comics licensed Hinoki Kino’s manga adaptation of Atsuko Asano’s No. 6. The original No. 6 was a nine-volume series of science fiction novels written between by 2003 and 2011. (Sadly, they haven’t officially been translated into English.) Also in 2011, two adaptations of No. 6 began–Kino’s manga series, which also ended up being nine volumes long, and an eleven-episode anime series directed by Kenji Nagasaki. The anime was actually my introduction to No. 6. Parts of the anime’s original ending frustrated me a great deal, but I was so taken with the characters and setting that I wanted to explore another interpretation of the story. No. 6, Volume 6 was originally published in Japan in 2013 while the English-language edition of the volume was released in 2014. The series has now passed its halfway point and is approaching its climax. The fifth volume ended in the middle of a critical scene, so I was particularly anxious to read the sixth.

The Security Bureau of the city of No. 6 has arrested Shion’s close childhood friend Safu and is currently holding her within the Correctional Facility. Shion is willing to do almost anything he can to rescue her, but he won’t be able to do it on his own no matter how hard he tries. Instead, he must rely on those he has met in West Block, a large population of refugees living outside the city walls. Rat has devised a daring plan to infiltrate the Correctional Facility. Shion and Rat allow themselves to be rounded up during the Manhunt–an effort by No. 6 to forcibly control and instill fear into those living in West Block–and are thereby able to gain access to the least secured area of the facility. If they hope to proceed any further they will have to depend on outside help and bribery; nothing is free in West Block, especially when those who give their aid may very well lose their lives for doing so. Everyone involved in the rescue have their own motives and agendas against the holy city of No. 6 so, at least for the time being, they are comrades.

No. 6, Volume 6 is a particularly important volume in the series for several reason: more of No. 6’s dark secrets are uncovered, a part of Rat’s past and the reason behind his hatred for the city is revealed, and the characters, specifically Shion but also Rat, have reached a crucial turning point in their development. All three of these things are interrelated and tied closely together. Shion grew up living an extremely privileged life in the supposedly perfect and pristine No. 6. However, the Manhunt and his experiences in West Block have shown him the terrible things that the city is capable of. Shion’s innocence is shattered further when he discovers that even the foundation of No. 6 was based on the blood of others. This history and Rat’s connection to it is something that up until this point in the series Rat has kept hidden from Shion, partly because he tends to distrust and close himself off from other people, but also because he was trying to protect the other young man. However, these are terrible truths that Shion must now face and come to terms with.

Seeing Shion begin to really change in the previous volume was heartbreaking, but here in No. 6, Volume 6 the difference between who Shion is now and who he was before is terrifying. The violence he is willing to commit with such eerie calm is chilling. His mother, still inside the city, is understandably worried about her son and his survival. However Rat, who is with him, is less concerned with Shion’s physical safety and more concerned about the potential loss of Shion’s personality and his very self. It’s almost as if the two of them have changed roles. Never before has Rat appeared so vulnerable or exhibited such kindness. He fears for Shion and is afraid of who Shion is becoming. At one point in the sixth volume the question is asked “Who do you want so much that it kills you?” In many ways, that question is the crux of No. 6. Rat is changing. Shion is changing. For the better and for the worse. For themselves and for each other. As a result the dynamics of their relationship is also evolving. They may or may not survive their confrontation with No. 6; tragically, even if they do, it is likely that they will be so different that little of their past lives and selves will remain intact.

Filed Under: REVIEWS Tagged With: Atsuko Asano, Hinoki Kino, kodansha, Kodansha Comics, manga, no. 6

Manga the Week of 5/14

May 8, 2014 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ Leave a Comment

SEAN: Ah, blissful quiet 2nd week, when I can catch up on stuff from the first week. Not that there aren’t titles of interest here.

There’s a new Blade of The Immortal, Vol. 29. I’ll just let Ash chime in here.

ASH: Oh, Blade of the Immortal? That’s my cue! We’re now down to the final few volumes as the series approaches it’s ultimate climax. It’s been one heck of a ride and I don’t expect that Samura will let up on the intensity just because the series is coming to a close.

SEAN: And if you missed Dark Horse’s Samurai Executioner back when it came out around 10 years ago, well here’s a new omnibus release for you to see what you missed. It’s pretty much pure Koike, you know what you’ll see here.

DMP has the 4th volume of Dog x Cat, another of those series whose last volume came out so long ago that I don’t think even its biggest fans remember what was happening.

MICHELLE: I utterly forgot that series existed.

MJ: I had sort of… blissfully forgotten that it existed.

SEAN: I’ll be honest, I like Fairy Tail a lot, but I’ll be glad when the monthly releases are in the past. I’m all Fairy Tail‘d out right now. For those who aren’t, here’s Vol. 38.

Monster Soul1SEAN: Speaking of Hiro Mashima, we get the debut of one of his few remaining unlicensed series, Monster Soul. This is what he wrote in between Rave Master and Fairy Tail. Best of all, I think it’s only 2 volumes long.

MJ: Perhaps this is my chance to finally jump onto the Hiro Mashima wagon! I liked him so much as a person when he appeared at NYCC a couple of years back, but I’ve never really gotten into his work. I should try!

SEAN: In other shonen news, we get the 2nd volume of The Seven Deadly Sins, which will presumably feature a few more sins.

And Sherlock Bones hits Vol. 5, with more sleuthing and probably more dog jokes as well. I miss Kindaichi. Dogs just aren’t the same, even if they are reincarnations of Holmes.

SEAN: Vol. 4 of From the New World comes out from Vertical. Has the series gotten into the dark SF aspects even more?

ASH: Yes, it has! It’s fantastically creepy and ominous, although the fanservice can still be a little much at times.

SEAN: Lastly, double digits for Viz’s 07-GHOST, which we now know will be 17 total, as it ended a few months ago in Japan.

MICHELLE: Like I say every time a new volume of 07-Ghost comes out… I really will catch up on this someday!

ANNA: I feel like Michelle and I are 07-Ghost procrastination twins, because I do enjoy the series and do want to get caught up on it someday. I recently took the step of searching through my house for unread volumes and putting them in a pile, so I can see where I need to fill in to get a complete run. Progress!

SEAN: Is there a series here that speaks to your heart?

Filed Under: FEATURES & REVIEWS, manga the week of

Manga Giveaway: Fullmetal Alchemist Giveaway Winner

May 7, 2014 by Ash Brown

Fullmetal Alchemist, Omnibus 1And the winner of the Fullmetal Alchemist Giveaway is…Naomi!

As the winner, Naomi will be receiving a copy of the first Fullmetal Alchemist omnibus released by Viz Media which collects the first three volumes of Hiromu Arakawa’s excellent manga. Because Fullmetal Alchemist is such a great series, and because Arakawa is such a great mangaka, for this giveaway I asked participants to tell me about some of their other favorite women mangaka. The responses were fantastic and I highly recommend reading the Fullmetal Alchemist Giveaway comments for all of the details. As usual, I also took the giveaway as an opportunity to compile a list. In this particular case, a list of some great shounen and seinen manga which are written or illustrated by women and are available in English.

Some great shounen and seinen manga by women mangaka:
Angelic Layer by CLAMP
Afterschool Charisma by Kumiko Suekane
Black Butler by Yana Toboso
Blue Exorcist by Kazue Kato
Blood+ by Asuka Katsura
Bloody Cross by Shiwo Komeyama
A Bride’s Story by Kaoru Mori
Code: Breaker by Akimine Kamijyo
Chobits by CLAMP
Chi’s Sweet Home by Kanata Konami
D. Gray-Man by Katsura Hishino
Deadman Wonderland written by Jinsei Kataoka, illustrated by Kazuma Kondou
Dorohedoro by Q Hayashida
Drug & Drop by CLAMP
Emma by Kaoru Mori
ES: Eternal Sabbath by Fuyumi Soryo
Flowers & Bees by Moyoco Anno
Fullmetal Alchemist by Hiromu Arakawa
Gangsta by Kohske
Hikaru no Go written by Yumi Hotta, illustrated by Takeshi Obata
House of Five Leaves by Natsume Ono
Inu x Boku SS by Cocoa Fujiwara
InuYasha by Rumiko Takahashi
Kekkaishi by Yellow Tanabe
Lament of the Lamb by Kei Toume
Magi by Shinobu Ohtaka
Maison Ikkoku by Rumiko Takahashi
Mermaid Saga by Rumiko Takahashi
Mushishi by Yuki Urushibara
Nabari no Ou by Yuhki Kamatami
Noragami: Stray God by Toka Adachi
Pandora Hearts by Jun Mochizuki
Ranma 1/2 by Rumiko Takahashi
Reborn! by Akira Amano
Saiyuki by Kazuya Minekura
Sakuran by Moyoco Anno
Tactics by Sakura Kinoshita and Kazuko Higashiyama
To Terra… by Keiko Takemiya
Tsubasa by CLAMP
What Did You Eat Yesterday? by Fumi Yoshinaga
Wolfsmund by Mitsuhisa Kuji
xxxHolic by CLAMP
Zombie-Loan by Peach-Pit

This list is by no means exhaustive! Phenomenal women mangaka have created tons of great manga, far to many for me to list here. Also, thank you to everyone who shared their favorite women mangaka creators with me! I hope to see you again for the next manga giveaway, too.

Filed Under: UNSHELVED Tagged With: fullmetal alchemist, Hiromu Arakawa, manga

Umineko: When They Cry, Vol. 6

May 6, 2014 by Sean Gaffney

Story by Ryukishi07; Art by Kei Natsumi. Released in Japan in two and 1/2 separate volumes as “Umineko no Naku Koro ni: Banquet of the Golden Witch” by Square Enix, serialized in the magazine Gangan Joker. Released in North America by Yen Press.

In general, I find that the Umineko manga does a bang-up job of adapting the original source. It can’t possibly have all the verbiage that the visual novels have, but it usually manages to include all the important points (something the anime adaptation was very good at avoiding), and it plays fair with the reader in regards to the mystery (something the anime didn’t even bother to try). Where the manga can truly stand up is when it dramatizes those moments in the VN where you really wish you could see more than just sprites on a screen, where you want some action and heartbreak.

umineko6

Say what you will about Kei Natsumi’s love of exaggerated faces twisted to the extreme (Beatrice and Virgilia in the Golden Land comes to mind), she’s very good at laying out a page. There are lots of two-page spreads here designed to rivet the reader and keep them on the edge of their seats, the best of which is the moment when the fourth wall shatters. The last few Umineko ‘worlds’ have involved a meta world where Battler and Beatrice debate how things are being carried out while, on the island, the murders actually occur. The same thing is going on here, only Eva-Beatrice has ‘hijacked’ Beatrice’s game and is going around merrily torturing everyone.

Beatrice, at a low ebb after being yelled at by Battler for being uncaring and cruel, has been doing her best to stop the worst of these excesses, and when that fails she just straight up helps George and Jessica get a final moment with their loved ones, even at the cost of her life. It’s quite a character building moment for the Endless Witch, and Battler knows it. (Most of the shipping that exists in fandom started with this arc.) So, in the meta world, Beatrice asks if she’s redeemed herself enough to be Battler’s opponent. He notes she has, but that he’s not her opponent in this case… then reaches out, smashes into the island world, and grabs Eva-Beatrice by the scruff of her neck and drags her to him. It is *the* most badass moment in this volume, and beautifully handled.

(By the way, for those who enjoy being spoiled, Page 516 makes it clear that Kei Natsumi knows what’s really going on.)

Meanwhile, it becomes clear through most of this volume that Eva-Beatrice = Eva Ushiromiya, using the ‘witch’ identity to help commit murder. Why? DID YOU SEE ALL THAT GOLD? Some fans have trouble with ‘all that money’ as a motivating factor, to them, I recommend Higurashi, which is a lot more idealistic than this series. That said, some of the murders clearly are NOT the work of Eva, as her witch self points out to Battler – Eva couldn’t have killed Nanjo. In fact, none of them could have. So who did? Beatrice? Well, if Eva-Beatrice was Eva, then who is our Beatrice?

In the end, Battler (though he has improved greatly in his analysis) can’t get past this, and Beatrice sacrifices herself in order to stop Eva-Beatrice from winning the game. Thus they both end up in the Golden Land, which is essentially heaven. And it really points out all the difficulties with an idealized heaven that many people have if they look at it closely. In particular, Natsuhi and Eva hugging each other while despairing over their offspring marrying the servants is so horribly WRONG in every way you almost recoil at the change in their personalities. And sure enough, the Golden Land *is* false, a trap designed to make Battler accept witches. (How much Beatrice actually wants to go through with this trap is perhaps apparent in her faces right before she starts to cackle, which show someone desperately sad.)

Luckily, we have Ange coming to the rescue. Ignored in other arcs because she stayed home with a cold, almost forgotten by readers, Ange is older now and ready to kick Battler’s ass. And Beatrice’s as well, but most of this seems driven by a sense of jealousy and being left behind, which makes perfect sense. We do see the Ange of 1998 interacting with a dying Eva (who survived!), and she is at a point where she is the perfect pawn for Bernkastel to bring in to stop Beatrice. Of course, one wonders how much Bern is on anyone’s side…

By the end of this volume, I think even the most unspoiled should have a pretty good idea about the concept of Beatrice, if not the actual identity. And, just as Higurashi abandoned Keiichi in its 4th arc to focus on a new protagonist, so Umineko does the same, with Ange driving much of the next arc. Of course, that arc brings us full circle. At the start of this review, I raved about what a great manga adaptation can add to the source. With Alliance of the Golden Witch, we’ll find out what happens when a manga adaptation adds things you REALLY don’t want added to the source.

Filed Under: REVIEWS

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