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Manga Bookshelf

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My Week in Manga: December 15-December 21, 2014

December 22, 2014 by Ash Brown

My News and Reviews

Last week was another week with two reviews here at Experiments in Manga. My monthly horror manga review project is now underway, so I took a look at Setona Mizushiro’s After School Nightmare, Volume 1, which is a very intriguing start to the series. Next month I’ll start in on the in-depth reviews for Yuki Urushibara Mushishi and continue to alternate between the two series until the review project is completed. Last week I also reviewed The Early Cases of Akechi Kogorō by Edogawa Rampo, which I was very excited to read. The volume collects four of the earliest stories featuring Rampo’s great detective. And over at Manga Bookshelf proper, I and the rest of the Manga Bookshelf bloggers talked a little about the Manga the Year of 2014, noting some of our favorite things from the past year. Like I did last year, later this week I’ll also be posting my own list of notable releases from 2014.

I’m still extraordinarily busy at work as I settle into being the temporary boss of my unit for the next seven months or so, so I’ve been a bit preoccupied and haven’t had a chance to closely follow what’s going on in the mangasphere these days. However, I did still manage to catch a few interesting things to read online. Jason Thompson’s most recent House of 1000 Manga column focuses on Learn English with JoJo’s Bizarre Adventure, which I am now determined to track down. J. R. Brown has an introductory post to Boys in Skirts, her series of article and reviews focusing on otokonoko at Mode: Verbose. I also came across a fascinating post about the popularity of the Year 24 Group. I’m not familiar with the author or the blog, but it looks like it should have other promising manga articles as well.

Quick Takes

Angel Sanctuary, Volume 16Angel Sanctuary, Volumes 16-20 by Kaori Yuki. Here it is, the tumultuous conclusion to the epic Angel Sanctuary. By the end of the series, Yuki actually does manage to pull everything together in a way that mostly makes sense and proves that she actually can kill off a main character, something that I had my doubts about. I know a fair number of people who adore Angel Sanctuary, but while there were some things I really liked about the series, overall I found it pretty frustrating. Maybe I just wasn’t paying close enough attention, but more often than not I found Angel Sanctuary to be confusing and difficult to follow with a huge cast of characters, none of whom are exactly who they initially appear to be, and plot twist after plot twist. Granted, that did mean the series was consistently drama-filled. But with a little more editorial guidance, Angel Sanctuary could have been something phenomenal instead of just good. I did appreciate the manga’s core, however. Love is the driving force behind Angel Sanctuary. All of the characters are dealing with love in one way or another; it is the source of tremendous good as well as tremendous evil, but in the end it is shown to be a redemptive force.

Master Keaton, Volume 1Master Keaton, Volume 1 written by Hokusei Katsushika and Takashi Nagasaki and illustrated by Naoki Urasawa. One of the many reasons that I became so enamored with manga was thanks to Urasawa’s series Pluto, so I’m always curious and excited when a new work of his is licensed in English. Admittedly, Master Keaton, while newly translated, is one of Urasawa’s older collaborations that began in the late 1980s. The titular Keaton (technically Hiraga-Keaton) is a half-Japanese, half-English archaeology professor who works as an insurance investigator on the side. He also used to be a member of the British Army’s Special Air Service, which adds survival skills and combat experience to his already impressive and eclectic set of talents. I enjoyed the first volume of Master Keaton. The manga has a nice mix of action and adventure, mystery and detective work, and even a bit of family drama. Occasionally it can be a little heavy on politics and history which interrupts the series’ pacing, but generally the slower parts are interesting, too. It’s also worth mentioning that the book design and production quality of Viz’s release of Master Keaton is particularly nice.

Open Spaces and Closed Places, Parts 1-2Open Spaces and Closed Places, Volumes 1-6 by Saicoink. I don’t remember exactly when or how I first heard about the mini-comic series Open Spaces and Closed Places, but it was recently brought to my attention again when Saicoink released the sixth and final volume. I finally got around to reading the series, and I absolutely loved it. Jirou is the boss of the delinquents at his school. When he isn’t busy getting into fights, he’s pining for Oscar, the president of the student council. Oscar likes Jirou, too, but for various reasons doesn’t feel he can accept his love, and so spends much of his time teasing the other boy instead. It’s a delightful relationship, both adorable and sad at the same time. Soon after Open Spaces and Closed Places begins, fantastical elements are introduced and the series becomes more and more surreal as it goes, culminating in a spectacular dream sequence. Saicoink specifically mentions drawing inspiration from Suehiro Maruo and Usamaru Furuya. While their influence can be seen in Open Spaces and Closed Places, the series isn’t as grotesque or as graphic as some of their works, though its humor is still accompanied by some amount darkness and tragedy. It’s a sinister, strange, and wonderful series.

Sankarea: Undying Love, Volume 9Sankarea: Undying Love, Volume 9 by Mitsuru Hattori. Sometimes Sankarea is all about its horror, sometimes it’s all about its peculiar romantic comedy, and sometimes it manages to be about both. The ninth volume is generally successful in balancing the series’ two opposing aspects, though the comedy has definitely taken a turn for the serious. Hattori does still find plenty of opportunities to add a bit of fanservice to the manga, this time mostly in the form of dressing Rea up in a variety of revealing costumes and outfits, often for no better reason than she looks cute in them. But even with those largely unnecessary diversions, the plot does continue to move along nicely in the ninth volume. Chihiro and most of the rest of his group have made their escape from ZoMA and return to Japan. Rea is suffering from amnesia though and doesn’t remember Chihiro or their relationship. Often I’m annoyed by the memory loss trope in manga—frequently it’s the result of bad or lazy writing—but for the most part it actually works pretty well in Sankarea. I still like the quirkiness of the characters in Sankarea, but Bub the undead cat remains my favorite by far.

Filed Under: FEATURES, My Week in Manga Tagged With: angel sanctuary, comics, Hokusei Katsushika, Kaori Yuki, manga, Master Keaton, Mitsuru Hattori, Naoki Urasawa, Open Spaces and Closed Places, Saicoink, Sankarea, Takashi Nagasaki

Honey Blood Volumes 1 and 2

December 21, 2014 by Anna N

Honey Blood Volumes 1 and 2 by Miko Mitsuki

Two volume manga series are a bit tricky sometimes. They tend to be series that are canceled because they were not entirely successful, and sometimes have unfinished or rushed endings as a result. Sometimes there are two volume series that do end up telling a story satisfactorily, but most of the time when I read them, I either end up acknowledging that I just read a manga that was never going to work or I find myself wishing for just one more volume.

Hinata is a normal high school girl going about her daily life, slightly mystified about the vampire novels that are taking her school by storm. At the same time there have been cases of young girls who are the victims of mysterious attacks in her city. When she comes home one day after school, she bumps into a strange young man in traditional Japanese clothing. He’s accompanied by a clinging female editor. It turns out that he’s Junya Tokinaga, the writer of the novels that Hinata thinks of as ludicrous. Hinata has a tendency to burst out with whatever is on her mind and her first encounter with the famous author has her musing how the central plot point of a vampire giving up immortality to die with the person he loves is difficult to understand. Junya ends up acting bizarrely flirtatious around Hinata while she keeps making comments like “I can’t stand guys like you!”

The neighborhood attacks continue, and Junya saves Hinata from a man who almost assaults her when she is walking alone at night. She begins to be more fascinated with her next door neighbor, and he continues to demonstrate his interest in her. Hinata begins to suspect that Junya is a vampire, and it turns out that Junya’s novels describing a situation where a vampire who kisses a mortal is bound only to her until they both die is based on the conditions of his own vampirism. I thought the art in this series was attractive, but the storyline ended up shoving Hinata and Junya together a little too quickly to be believable. By the end of the first volume, they are almost a couple with Hinata pursuing Junya while he attempts to hold back details of his life from her. The continued vampire attacks make the reader a bit uneasy, as it is unclear if Junya is feeding on other women, or if in fact there are other vampires around.

I think the second volume shows the author throwing a bunch of ideas out to see if anything would stick. Hinata and Junya embark on their unconventional romance. The reader gets a bit of back story when it is revealed that Junya’s long lost love was one of Hinata’s ancestors. Hinata and Junya’s overly solicitous editor get into a conflict of personalities. A rival vampire named Setsuna shows up to complicate the situation further. I liked the romance better in the second volume when Hinata and Junya were an established couple. I also enjoyed the blend of vampire angst and little moments of humor, like when Hinata picks out modern clothes for Junya only for him to promptly become a target for aggressive modeling scouts. As the second volume wrapped up, I found myself wishing that the author had a bit more time to develop the series before launching it in the first place. It seemed like it was starting to get a bit more interesting only to be cut short. If a longer series by Mitsuki gets licensed, I would be interested in reading it, because I’d be curious to see what she could do with more space to develop a series. As it is, I’d recommend Honey Blood for vampire manga collections, or for people who don’t mind reading short manga with abrupt endings.

Filed Under: REVIEWS Tagged With: honey blood, shojo beat, shoujo, viz media

Is It Wrong To Try To Pick Up Girls In A Dungeon?, Vol. 1

December 21, 2014 by Sean Gaffney

By Fujino Omori and Suzuhito Yasuda. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?” by Softbank Creative. Released in North America by Yen On.

For those who see that title and roll their eyes, the commonly agreed on abbreviation, from the Japanese title, is ‘DanMachi’. We’ve seen a few of the cliched light novels with titles as long as their content in manga and anime format before, but this is really the first time we’ve seen one as a light novel. As you’d expect, the longer the title the more likely that this is a romantic harem comedy, and that’s true here. It’s also a fantasy, though, one closely connected to the world of role-playing games (though it’s not players trapped in a game, for once). I think that the fantasy gamers will likely find it easier to appreciate this title than the harem comedy fans, though both will find things to like and dislike. One thing I think everyone will agree on is that the cover blurb is pretty misleading: Bell stops being a ‘damsel in distress’ almost immediately.

dungeon1

That is where we start, however. Bell is our narrator for most of the book, though it does switch off when the author wants to tell scenes without his presence to a third person style. He’s young and naive, wanting to become an adventurer in order to meet girls and get a harem, but he mostly wants that because this is what his grandfather (now deceased) taught him was the way of all things. In reality, he can’t catch a clue when it’s thrust in his face, really. The other protagonist is his sponsoring god, in this world where gods have come down to the real world and form gangs of adventurers to entertain themselves. Hestia has only one adventurer – Bell – but it’s clear that she just needs to mature. It’s also clear that she’s head over heels for Bell, and is somewhat frustrated at his lack of interest. As the book goes on we see more women – the big sister trying to convince Bell not to be stupid, the young waitress with an immediate crush on him, another goddess who wants him mostly to amuse herself – but it’s apparent from the start who the ‘lead girl’ is.

The fantasy aspect fares better, though I don’t really game so it’s possible I’m missing stuff. Bell fights increasingly tough monsters, and when he defeats them gets gems to exchange for money, or ‘drop items’ that might be useful. It honestly takes a little while to get used to the fact that this is meant to be a real world – adventurers have their ‘stats’ printed on their back in runes, for goodness’ sake. But the fights are well-written and go fast, and there’s a nice feeling of suspense to them. The book read very quickly and smoothly, which was nice, and lacks a lot of the self-important narrating we’ve seen in other books this year. There’s also a surprising lack of fanservice – surprising as the color artwork inside the front cover is filled with it. Hestia gets the nickname ‘loli big boobs’, which is unfortunate, but other than that the emphasis here is on the story for the most part.

I may have made this sound more interesting than it is – there’s nothing here that really gets me fired up for another volume. But it’s pleasant enough, and a nice quick read. Harem fans will be annoyed at the obliviousness of the hero and the possessiveness of the heroine, because they always are. Fantasy fans might be entertained by the ‘RPG in real life’ aspect, though, and may want to give it a shot. And fans of the Durarara!! light novels or the Yozakura Quartet manga will recognize the artist. It’s also available digitally, and an anime is due out soon.

Filed Under: REVIEWS

Manga the Year of 2014

December 19, 2014 by Sean Gaffney, Michelle Smith, Ash Brown, MJ and Anna N Leave a Comment

SEAN: Technically this should be Manga the Week of 12/24, but that’s merely one title: Vampire Hunter D 22. And tempted as I was to make a “Give her the D for Christmas” joke, that can’t really sustain an entire column. So I’d like to ask the team what they think the important titles of the year were for them this year. New series you fell for? Old series that have ended? Emerging trends?

mtyo3I’ll start off by picking the third one, and talk about something that isn’t technically manga. Yen Press has been quietly putting out a few light novel series for years, with mild successes such as Book Girl, Kieli, and Spice & Wolf. But 2014 saw the explosion of the Yen On brand, which began with the first Sword Art Online novel and looks in 2015 to be expanding far, far more than anyone had expected. With the promise of approximately 25 volumes for the year 2015, I likely should have waited a year for this. But 2014 was a great start: not only Sword Art Online and its sister series Accel World, but the amazingly popular (and previously thought too big to license) A Certain Magical Index series, and the fantasy romantic comedy Is It Wrong To Try To Pick Up Girls In A Dungeon?. Yen On is determined to put down the myth that “light novels can’t succeed in North America”, and they’re what I was most excited about in 2014.

Runners up: The end of Excel Saga, the Ranma 1/2 re-release, Sailor Moon Crystal (so much excitement, so much disappointment…), Showa, Whispered Words.

MICHELLE: I’ve been thinking about this a lot, and I have to say… the manga that I loved most this year is What Did You Eat Yesterday?, by Fumi Yoshinaga. I had wished for this license for years, putting it forth whenever companies (mostly Vertical) would solicit suggestions, and it’s such a tremendous delight to be able to say that now that it’s here, I haven’t been disappointed by it one bit. And, even better, it’s been coming out every two months like clockwork! (I am trying not to think how sad I’m going to be after volume nine comes out in July, at which point we’ll likely be caught up with Japan.) Thank you, Vertical!

Runners up: The end of Dawn of the Arcana, instantly endearing/fascinating new series like My Love Story!! and Black Rose Alice, the influx of really interesting new shoujo from Kodansha, and my continued heart-felt love for Skip Beat! and Natsume’s Book of Friends.

ASH: It’s so hard to choose just one manga, so I’m just going to choose one publisher instead. Fantagraphics has a very small manga line, but I’m always impressed by what it releases. In fact, I count all four volumes of Fantagraphics’ manga published in 2014 among my favorites for the year. I will always be eternally grateful for Takako Shimura’s Wandering Son being translated into English (happily, the editing and quality control for that series seems to be back on track now), I still haven’t been able to get Inio Asano’s Nijigahara Holograph out of my head, and Massive: Gay Erotic Manga and the Men Who Make It is an incredible collection and groundbreaking work. Rumor has it Fantagraphics is looking to publish even more manga in the future; I can’t wait to see what’s in store.

Runners up: In Clothes Called Fat is one of the best comics I’ve read, My Love Story!! makes me incredibly happy, and Chromatic Press/Sparkler Monthly continues to do some wonderful and marvelous stuff.

MJ: Truth be told, my favorite series this year is the same as Michelle’s. Like her, I’d been waiting anxiously to read What Did You Eat Yesterday? since I first heard of its existence, and (like her) I will be eternally grateful to Vertical for bringing it to me so much sooner than I imagined was possible. I’ve enjoyed every volume of this series so far, and I don’t expect that to change. But in the interest of spreading the love around as far as possible, I’ll use my space here to give a final thank you to Chromatic Press for resurrecting and providing (IN PRINT) the final volume of of Jen Lee Quick’s Off*Beat. When new chapters began serialization in Sparkler Monthly in 2013, I know that there were still some skeptics who feared we’d never get to see its conclusion. But with the final print volume’s release this year, I hope that even they have come to terms with the value of what Chromatic Press/Sparkler Monthly can (and continues to) offer us—including a new series from Quick, already in serialization now!

Runners up: Continuing to prove the awesomeness of Vertical, Knights of Sidonia is a series I can’t seem to get enough of. And speaking of resurrections, many thanks to Dark Horse for rescuing CLAMP’s Legal Drug from the OOP graveyard. I’m so looking forward to new volumes of that series’ reboot in 2015! And of course, everything my colleagues have mentioned here has a place on my list, too.

ANNA: This has been a good year for paranormal shoujo, with Midnight Secretary winding down, Spell of Desire starting up, the continuation of Millennium Snow, and even more vampire romance available in the two volume series Honey Blood. However I have to highlight what is one of the oddest paranormal titles that I’ve read recently, Black Rose Alice. There’s a dramatic shift in tone between the first two volumes that I found really intriguing, and the vampires that appear in the series are genuinely unusual even though there are plenty other vampire shoujo series to read! Setona Mizushiro’s art is an interesting mix of the pretty and the surreal. I find myself more impatient for the next volume of this series than any other manga I’ve read this year, so it gets my vote for pick of the year.

Filed Under: FEATURES & REVIEWS, manga the week of, PICK OF THE WEEK

The Great King of Manga, Dengeki Daioh

December 19, 2014 by Erica Friedman Leave a Comment

ddaiohWay back when I started reading manga, the very first magazine I ever subscribed to was Dengeki Daioh. It had two, maybe three series running at any given time that I was following, a bunch more I could take or leave and a few that made me want to shower in acid. And so it remains, all these years later, long after I have stopped subscribing. ^_^

Like many magazines of its kind, Dengeki Daioh rides a line between targeting teens and adult men. Stories frequently star young women in various states of undress rather more often than not, who will sometimes throw themselves at the male protagonists, and kisses that are common, but not commonly mutual. The magazine also has a fairly evident lolicon readership, as indicated by many of their most popular series – some of which have made over to western shores, Masayuki Takano’s Blood Alone, Barasui’s Ichigo Mashimaro (Strawberry Marshmallow) and Kiyohito Azuma’s Yotsubato! (Yotsuba&!).

In fact, many of the series that run in the pages of Dengeki Daioh are popular, often as a result of a unique marketing tactic – manga series running in Daioh are very likely to get at least one season of an anime. The anime will end, but the manga series continues, now with a larger readership. It’s pretty rare for a Daioh series to get more than one season, in fact, which makes the exceptions that much more notable. Between  Mediaworks open licensing and Kadokawa’s relentless marketing of  popular series, it is not atypical to page through an issue of Daioh and have heard of more than a third of the series currently running. The addition of Kadokawa as a publisher means that readers are also seeing more manga adaptations of Light Novels in the magazine’s pages.

Originally started by Mediaworks in 1994, now published by ASCII Mediaworks and Kadokawa Publishing in partnership as a monthly, Daioh is the lead title in the Dengeki imprint, with a monthly circulation of 130,000, (the imprint also includes Dengeki’s G’s, Moeoh and Teioh magazines). The website is fully featured with sample chapters, highlights of the most popular series, news of upcoming anime, recruitment campaigns, contests, editor’s blog and upcoming manga releases.  At 800 yen ($6.58 at time of writing) for over 1000 pages, Dengeki Daioh is a pretty cheap way  to buy a lot of cheap entertainment.

Dengeki Daioh, from ASCII Mediaworks and Kadokawa: http://daioh.dengeki.com/

Filed Under: Magazine no Mori

The Early Cases of Akechi Kogorō

December 19, 2014 by Ash Brown

The Early Cases of Akechi KogorōAuthor: Edogawa Rampo
Translator: William Varteresian
U.S. publisher: Kurodahan Press
ISBN: 9784902075625
Released: November 2014
Original release: 1925-1926

Edogawa Rampo, the pen name of Hirai Tarō, was an extraordinarily influential author in Japan, especially when it came to the genre of detective and crime fiction. His influence can still be seen to this day and his work continues to inspire other creators. One of his most famous characters is the detective Akechi Kogorō. Previously, only a handful of stories featuring Akechi had been translated into English: “The Psychological Test,” found in Japanese Tales of Mystery and Imagination; The Black Lizard, which was collected in a single volume along with Beast in the Shadows; “The Stalker in the Attic,” published in The Edogawa Rampo Reader; and The Fiend with Twenty Faces. I have always wished for a volume entirely devoted to Akechi mysteries and so I was very happy when Kurodahan Press announced The Early Cases of Akechi Kogorō. Published in 2014 with translations by William Varteresian, the anthology collects four of the earliest Akechi stories written between 1925 and 1926.

After an excellent and informative introductory essay about Edogawa Rampo and Akechi Kogorō, The Early Cases of Akechi Kogorō opens with Rampo’s very first mystery featuring Akechi, “The Case of the Murder on D. Hill,” a short story about the death of Akechi’s childhood friend, the wife of an owner of a secondhand bookshop he frequents. Rampo hadn’t initially intended for Akechi to become a recurring character in his fiction but readers liked him. The second story in the volume, “The Black Hand Gang,” is narrated by the same protagonist as the first, a relatively new acquaintance of Akechi, and the two of them become involved with an investigation into the disappearance of a young relative. In “The Ghost,” Akechi doesn’t appear until rather late in the story to deal with a peculiar case of a wealthy man suffering from a rival’s deep-seated grudge. The volume concludes with The Dwarf, a short novel well-received by the public but apparently disliked by Rampo himself in which Akechi is faced with an increasingly complicated murder mystery with numerous twist and turns.

All four stories in The Early Cases of Akechi Kogorō were written towards the beginning of Rampo’s career. As is noted in the introduction, Rampo largely wasn’t very happy with them. Although The Dwarf became fairly well-known in part thanks to its film adaptations, the cases collected in the volume are generally not examples of Rampo’s best or strongest work, lacking the polish of later stories. An important component of “The Black Hand Gang” doesn’t even translate very well into English since it relies on a cryptographic method based on the Japanese writing systems. Overall, the included mysteries are still enjoyable but somehow not quite as compelling as many of Rampo’s other tales. He would, however, reuse, rework, and refine many of their elements in subsequent writings. One of the things that makes these four stories particularly notable, and the reason that they have been collected together in the first place, is that they reveal Akechi very early on in his development before has become Rampo’s iconic detective and even before his character has been firmly established.

I’ll admit, I like this early Akechi in all of his eccentricities. In “The Case of the Murder on D. Hill” he begins as a well-read and intelligent young man with a particular interest in and fascination with detective and mystery fiction. The small apartment that he rents is so full of books that there’s barely any room to stand, let alone sit or entertain guests. He’s a flashy dresser and an eloquent speaker with a fondness and flair for the dramatic. By the time of The Dwarf, Akechi has begun to transform into the master detective that he will later be remembered as. He is no longer just an amateur sleuth seeking out strange cases in his spare time as some sort of hobby; Akechi has become a skilled and famous investigator with contacts in the judicial and police forces and a cohort of men working under him. I enjoyed The Early Cases of Akechi Kogorō a great deal specifically because it provides a glimpse of the earliest incarnations of Rampo’s great detective. I do hope to have the opportunity to read even more of Akechi’s stories in translation in the future.

Filed Under: REVIEWS Tagged With: Edogawa Rampo, Kurodahan Press, Novels

Review: Assassination Classroom, Vol. 1

December 18, 2014 by Katherine Dacey

1421576074Assassination Classroom, Vol. 1
By Yusei Matsui
Rated T+, for Older Teens
VIZ Media, $9.99

Americans steadfastly believe that all students need to succeed are a few good teachers—think of how many movies you’ve seen about an unorthodox educator who helps a group of misfits, losers, or underachievers realize their full potential against all odds. Perhaps that’s why American publishers hesitated before licensing Assassination Classroom, a comedy that outwardly conforms to the tenets of the genre while poking fun at its hoariest cliches.

Assassination Classroom‘s star teacher is Koro-sensei, a super-powered alien who can wipe out an army with a swish of a tentacle. His students are class 3-E, the troublemakers and flunkies of Kunugigaoka Junior High School. Instead of studying calculus or Shakespeare, however, Koro-sensei’s charges are learning how to kill him and save Earth in the process—in other words, it’s To Sir With Lethal Force.

If the script isn’t quite as edgy as my summary suggests, Assassination Classroom scores points for the sheer ridiculousness of the premise. Koro-sensei’s relentless enthusiasm and high standards match those of other fictional educators—Michelle Pfeiffer in Dangerous Minds, Robin Williams in Dead Poets Society—but are applied to such activities as shooting and stabbing. He gives the same kind of inspirational speeches that you’d find in those movies, too, reminding his charges that he specifically requested the job because he knows the students’ true potential.

In one scene, for example, timid student Okuda presents Koro-sensei with three deadly potions, imploring him to sample them. “I’m not good at surprise attacks!” she tells him. “But I love chemistry! And I really put my heart and soul into this!” Koro-sensei cheerfully obliges, offering to help Okuda “research a poison that can kill me.” When Okuda proves more skillful at mixing chemicals than persuading her target to drink them, Koro-sensei reminds her that “in order to kill someone, you need to understand how they feel,” skills that she can cultivate through—what else?—reading and writing.

The exchange between Okuda and Koro-sensei is complemented by some of the best visual gags in volume one. One of the poisons, for example, neutralizes Koro-sensei’s Cheshire grin into a flat line, prompting a student to exclaim, “You look like an emoticon!” Although Koro-sensei’s face is the essence of simplicity—a circle with pin-dot eyes and a toothy smile—this subtle tweak of his appearance yields a big pay-off laugh-wise.

At the same time, however, the poison episode illustrates Assassination Classroom‘s biggest flaw: Yusei Matsui wants to have his cake and eat it, too, soft-pedaling the humor with an uplifting, awwww-worthy moment in almost every chapter. Students unironically vow to do their best after Koro-sensei points out the flaws in their technique, saves them from harm, or gives them a pep talk. None of the students harbor a grudge against him—at least not for very long—or question the value of Koro-sensei’s lessons. (Makes you wonder: is Koro-sensei guilty of grade inflation?)

Still, I enjoyed volume one enough to continue with the series, even if Matsui’s efforts to express the Shonen Jump dictum of “friendship, effort, victory” sometimes blunt the edge of his satire.

Filed Under: MANGABLOG, REVIEWS Tagged With: Shonen Jump, viz media

Love at Fourteen, Vol. 1

December 18, 2014 by Sean Gaffney

By Fuka Mizutani. Released in Japan by Hakusensha, serialization ongoing in the magazine Rakuen Le Paradis. Released in North America by Yen Press.

Sliec-of-life can be very difficult sometimes in the West, particularly if it also has romance in it. The genre tends to involve a laid-back quality, with lots of chapters devoted to normal kids doing normal things, and recalling the nostalgia of your teenage years. It’s the antithesis of a title like Naruto or Parasyte. But when done right, slice-of-life can bring a smile to your face, making you want to turn the pages faster so that you can bask in the warm glow of the cast’s feelings. Love at Fourteen is definitely slice-of-life done right; I lost track of the number of times I said “Oh my God, they’re adorable” about halfway through this first volume.

fourteen1

The premise of this volume will not seem unfamiliar to readers of another Hakusensha series, His & Hers Circumstances. Kanata and Kazuki are both the most admired kids in middle school, both having an air of ‘maturity’ about them that sets them above the pack. Of course, that maturity is also what keeps kids from getting too close to them. However, the pair have a secret – they’re childhood friends, and have been “acting” mature as it’s expected of them, when frequently they want to do nothing but relax and let their emotions hang out. The troubles start when the class points out, independently, how gorgeous Kanata’s hair is, and how deep Kazuki’s voice is, things which had never really occurred to two young teens who have hung out for years.

And so they start to realize they’re in love with each other, and are not quite clear how to deal with it. What follows are a series of chapters with lots of heavy blushing, frustrated desires, and sweet reunions. The drama is minimal, mostly as these two don’t make their own drama. “Acting” mature has been the norm for so long that they find they’ve actually *become* mature. What’s more, it’s never stated outright, but I suspect like most Japanese middle schools open relationships are heavily frowned on, so all this has to be kept a secret, which is a pain when you’re having trouble keeping your hands off each other.

I had thought that there was going to be a bit of drama towards the end of the volume, as one of their trysts is observed by Nagai, the class troublemaker. However, before he can start an obvious blackmail attempt he is quickly caught up in problems of his own, stemming from the class music teacher, who’s trying to get him to stop being truant and start singing. I’m a sucker for teachers who can wrap teens around their fingers, and so this was possibly my favorite chapter, and I really hope we see the two of them in the next volume.

In the end, though, this is really Kanata and Kazuki’s series, and there’s an abundance of them to enjoy here. It’s early on, and we haven’t even had a first fight chapter. Things are developing slowly and sweetly, as you’d expect from two kids who’ve known each other so long and now have to redefine each other… and themselves. The book has little definitions interspersed throughout on puberty and developing a sense of self, and you can see our leads develop accordingly. Most importantly, after reading this you will have the biggest goddamn smile on your face you’ve ever seen. Highly recommended.

Filed Under: REVIEWS

After School Nightmare, Vol. 1

December 17, 2014 by Ash Brown

After School Nightmare, Volume 1Creator: Setona Mizushiro
U.S. publisher: Go! Comi
ISBN: 9781933617169
Released: September 2006
Original release: 2004

After School Nightmare is a ten-volume manga series by Setona Mizushiro. I first came across the series while working my way through one of my local library’s manga collection which, at the time, was largely shelved alphabetically by title. So, it didn’t take me too long to encounter After School Nightmare. I borrowed and read the first few volumes and on the strength of those alone decided to track down and purchase the entire series which had sadly gone out of print. The manga’s dark, horror-tinged psychological drama and its themes exploring gender and sexuality immediately appealed to me; the series had the potential to be both disconcerting and compelling. After School Nightmare, Volume 1 was originally published in Japan in 2004. The English-language edition of the volume was released in 2006 by the now defunct Go! Comi. After School Nightmare has generally been critically well-received in English, even earning an Eisner Award nomination for Best U.S. Edition of International Material among other honors.

Mashiro Ichijo is an androgynously attractive and well-liked you man, but he’s hiding a secret from his classmates–his body is neither entirely male nor entirely female. This has brought Mashiro some challenges in his life and as a result of his physical condition he struggles with his personal identity and gender. Just how much he struggles is made abundantly clear when Mashiro is requested to join a special after-school class which must be completed in order for him to graduate. In it the students must literally live out their nightmares where they are forced to face their darkest fears and bear witness to one another’s deepest secrets. What’s more is that they aren’t there to offer comfort or support. Instead, circumstances encourage them to strike out against their fellow classmates. And even though what happens in the nightmares isn’t to carry over into the real world, sharing such an intimate experience can’t help but change the young people and how they see one another.

The circumstances surrounding the after-school classes are peculiar. Only the students invited to attend seem to be aware of it. The stairs leading down to the infirmary where the class is held in a basement that shouldn’t exist disappears and reappears depending on the day. The teacher in charge isn’t known by the school’s other faculty. Students who “graduate” quietly go missing and are forgotten. All of these things and more add to the foreboding atmosphere of After School Nightmare and the feeling that something just isn’t quite right about what is going on. The shared nightmares themselves are also ominously disconcerting. The imagery is frightening–a girl whose face and heart are gaping holes, disembodied hands and arms, a cruel knight in black armor–but in the end the students’ psychological torment and distress may be even more troubling and gut-wrenching. The nightmares simply reveal the darkness and confusion that they already carry within themselves.

In the dreams, the students take on their true forms, representative of the issues, abuse, and trauma that they are dealing with. Many of them appear so distorted in the nightmares that its difficult to know their identities in the waking world. That’s not the case for Mashiro who looks exactly the same except that, to his horror, he sometimes is wearing the girls’ skirted school uniform in the dreams. This makes him easily identifiable and a target in the real world. He catches the attention of Kureha Fujishima, a young woman who is afraid of men but feels comfortable around Mashiro after learning his secret. And then there’s Sou Mizuhashi who has a reputation for being a playboy and womanizer but who also seems to have taken an intense interest in Mashiro. Though somewhat conflicted over these developments in his relationships with his classmates, Mashiro largely welcomes the attention from Kureha and is understandably uncomfortable with Sou’s aggressive advances towards him. As the first volume of After School Nightmare shows, reality can be just as terrifying if not more so than any nightmare.

Filed Under: REVIEWS Tagged With: after school nightmare, Go! Comi, manga, Setona Mizushiro

Takeshi Obata Returns to Shonen Jump

December 15, 2014 by Brigid Alverson

Shonen Jump adds a new series to its lineup, and the artist is Takeshi Obata! The series is Gakkyu Hotei: School Judgment and the writer is Nobuaki Enoki. It’s about a school that has its own court; if that sounds familiar, it’s because the manga ran for a while as a smartphone-only series and just relaunched on December 1.

Kodansha has expanded into China with a local magazine, Jinmanhua, and homegrown manga by Chinese artists; the creative duo who go by Navar have seen their manhua Carrier: Xiedaizhe, go the other way—it is now running in Kodansha’s Bessatsu Shonen Magazine in Japan and has been published as collected editions there as well.

Got some last-minute shopping to do? Erica Friedman posts the Okazu Gift Guide, and she also has a fresh serving of Yuri Network News for us.

Laura reveals her favorite shoujo series at Heart of Manga, and she also looks at the series currently running in the magazine Be Love.

Reviews: The Manga Bookshelf team takes a quick look at recent releases in their newest Bookshelf Briefs post.

Rebecca Silverman on vol. 1 of Ajin (ANN)
Ash Brown on vol. 2 of Attack on Titan: No Regrets (Experiments in Manga)
Lesley Aeschliman on vol. 6 of Attack on Titan (Lesley’s Musings on Manga)
Lori Henderson on vols. 11-13 of Attack on Titan (Manga Xanadu)
Alice Vernon on Bloody Cross (Girls Like Comics)
Lesley Aeschliman on vol. 24 of Fullmetal Alchemist (Lesley’s Musings on Manga)
Kristin on The Garden of Words (Comic Attack)
Sarah on vol. 16 of Kamisama Kiss (nagareboshi reviews0
Lesley Aeschliman on vol. 25 of Naruto (Lesley’s Musings on Manga)
Johanna Draper Carlson on vol. 10 of Ooku: The Inner Chambers (Comics Worth Reading)
A Library Girl on vols. 1-3 of Pandora Hearts (A Library Girl’s Familiar Diversions)
Leroy Douresseaux on vol. 4 of Phantom Thief Jeanne (The Comic Book Bin)
Erica Friedman on Philosophia (Okazu)
Lesley Aeschliman on the December 15 issue of Shonen Jump (Lesley’s Musings on Manga)
Sean Gaffney on vol. 4 of Soul Eater Not! (A Case Suitable for Treatment)
Leroy Douresseaux on vol. 3 of Terra Formars (The Comic Book Bin)
AstroNerdBoy on vol. 2 of UQ Holder (AstroNerdBoy’s Anime and Manga Blog)

Filed Under: MANGABLOG

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