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The Manga Revue: Love at Fourteen

May 29, 2015 by Katherine Dacey

Thanks to everyone who responded positively to last week’s inaugural Manga Revue! This week’s column focuses on Love at Fourteen, a romance manga that’s garnered good reviews around the web. I’ve also rounded up the week’s most notable manga criticism below. If you’d like to see your reviews here, leave a note in the comments.

Love-at-Fourteen-Volume-1Love at Fourteen, Vol. 1
By Fuka Mizutani
Rated T, for Teens
Yen Press, $15.00

Love at Fourteen is an earnest, uneventful chronicle of first love. The teenagers in question are Tanaka and Yoshikawa, the tallest, smartest, and most responsible students at their middle school. Although they earn high marks and dutifully erase boards after class, they share a secret: they long to be as goofy and carefree as their peers. Their desire to cast off the yoke of maturity in favor of spontaneity becomes the catalyst for a chaste romance.

So far, so good: the premise has legs, and if Fuka Mizutani had better storytelling chops, Love at Fourteen might have offered young readers a meaningful alternative to the romantic histrionics of Kare First Love or Kare Kanno. Unfortunately, Mizutani relies heavily on interior monologues and pointed conversations to reveal what Tanaka and Yoshikawa are feeling, draining most of their scenes of tension, excitement, or ambiguity–the very qualities that make first love so memorable. Mizutani’s few attempts at generating drama fall painfully flat; moving Tanaka to a different row in the classroom hardly constitutes a meaningful impediment to her relationship with Yoshikawa, yet Mizutani dedicates two chapters to exploring the consequences of this new seating arrangement.

There’s nothing wrong with Mizutani’s commitment to charting the normal ups and downs of a teenage romance, of course; too many manga lean on false suitors, jealous rivals, or monstrous parents to prolong the inevitable union of the principle characters. Without a lively supporting cast, however, Love at Fourteen sinks under the weight of its principle characters’ personalities: doesn’t one of them play the bassoon or harbor a secret desire to break into voice acting? Generic artwork and stock scenes contribute to the impression of blandness, making this a tough sell for readers who demand more than from a story than sincerity.

The verdict: Tweens and young teens feel like the right audience for this book; older readers may find it too pat to hold their interest.

Reviews: Over at The Manga Test Drive, Megan R. takes two older titles for a spin: Cafe Kichijouji De and V.B. Rose. Shaenon Garrity devotes the latest House of 1000 Manga column to Taiyo Matsumoto’s Sunny.

Matthew Warner on vol. 3 of Ajin: Demi-Human (The Fandom Post)
Leroy Douresseaux on vol. 4 of Assassination Classroom (Comic Book Bin)
Rebecca Silverman on vol. 10 of Black Lagoon (ANN)
John Rose on vol. 2 of Bloody Brat (The Fandom Post)
Leroy Douresseaux on vol. 13 of Blue Exorcist (Comic Book Bin)
Erica Friedman on Chou Chou Nan Nan (Okazu)
Kate O’Neil on vol. 2 of Demon From Afar (The Fandom Post)
Sakura Eries on vol. 16 of Dengeki Daisy (The Fandom Post)
Sean Gaffney on vol. 1 of Emma (A Case Suitable for Treatment)
A Library Girl on vol. 1 of Inu x Boku SS (A Library Girl’s Familiar Diversions)
A Library Girl on vol. 2 of Inu x Boku SS (A Library Girl’s Familiar Diversions)
Sheena McNeil on vol. 17 of Kamisama Kiss (Sequential Tart)
Ian Wolf on vol. 1 of Let’s Dance a Waltz (Anime UK News)
Helen on Lucifer and the Biscuit Hammer (Organization Anti-Social Geniuses)
Nick Creamer on vols. 3-4 of Lucifer and the Biscuit Hammer (ANN)
Ken H. on vol. 2 of My Neighbor Seki (Sequential Ink)
Matthew Warner on vol. 74 of One Piece (The Fandom Post)
Ian Wolf on vol. 1 of Oreimo: Kuroneko (Anime UK News)
G.B. Smith on vol. 7 of Seven Deadly Sins (The Fandom Post)
G.B. Smith on vol. 8 of Seven Deadly Sins (The Fandom Post)
Matthew Warner on vol. 5 of Terra Formars (The Fandom Post)
Sheena McNeil on vol. 1 of Tokyo Ghoul (Sequential Tart)
manjiorin on Tony Takezaki’s Neon Genesis Evangelion (Organization Anti-Social Geniuses)
Sarah on vol. 1 of The World’s Greatest First Love (Anime UK News)

Filed Under: MANGABLOG, REVIEWS

Mobile Suit Gundam: The Origin, Vol. 8: Operation Odessa

May 29, 2015 by Ash Brown

Mobile Suit Gundam: The Origin, Volume 8: Operation OdessaCreator: Yoshikazu Yasuhiko
Original story: Yoshiyuki Tomino and Hajime Yatate

U.S. publisher: Vertical
ISBN: 9781939130686
Released: December 2014
Original release: 2011

Although I was vaguely familiar with Gundam before reading Yoshikazu Yasuhiko’s Mobile Suit Gundam: The Origin, the manga series was my first real introduction to the ever-expanding franchise. I was actually more interested in The Origin because it was created by Yasuhiko than for its Gundam connection, but I’ve been enjoying the series so much that I’ve started to look for other manga, novels, and anime set in the universe. Operation Odessa is the eighth volume in Vertical’s English-language release of The Origin. Published in 2015, the volume is based on the Japanese collectors’ edition released in 2011 and includes an essay by Makoto Yukimura in addition to a gallery of some of Yasuhiko’s color artwork for the series. The Origin is a reimagining of the original Mobile Suit Gundam anime from 1979. The last several volumes of The Origin have been an extended flashback not found in the original anime series, but with Operation Odessa the manga returns to the story’s current timeline.

After successfully defending itself from Zeon forces at Jaburo—though not without significant casualties—the Earth Federation has set out to reclaim more of the planet and its aligned space colonies. The key to its plans is the newly developed and highly advanced Gundam mobile suit which the ragtag crew of the White Base was somehow able to deliver to the Federation’s headquarters mostly intact. The Gundam prototype will serve as the basis for a mass-produced mobile suit that will hopefully be able to rival those developed by Zeon. Up until this point in the devastating conflict between the two factions, Zeon’s impressive technological achievements have given it a distinct advantage over the Federation. But now the tide of war seems to be changing. However, neither side will remain unscathed. The battles are still incredibly destructive and the loss of life continues to be immense. Even so, the end of the war may still not be coming anytime soon.

Mobile Suit Gundam: The Origin, Volume 8: Operation Odessa, page 146The Origin began in space and has since moved Earthward, the space battles giving way to air and land battles. And now with Operation Odessa, sea battles have an important role to play in the conflict as well. With new arenas of warfare come new weapons, mobile suits, technology, equipment, and vehicles. It can actually be a little overwhelming at times, this sudden introduction of very specialized tools that don’t have much more explanation given beyond a name and a visual design. Inundated, readers are mostly left to glean the details of the differences in the capabilities and purposes of the individual units from their context within the manga. Much of Operation Odessa seems to be devoted to showing off these new toys of war in a way that is probably more meaningful to someone who is already well-versed in Gundam lore. Especially in the last half of the volume, the narrative tends to be jarring as it jumps from battle to battle, or from different points in the same battle, without much connecting material to smooth the transitions.

While Operation Odessa could arguably be considered overly focused on equipment and technology, it is important to note that the manga still has a prominent human element to it, which is what makes The Origin such a compelling series. In particular, Kai, one of the young pilots connected to White Base, is heavily featured in Operation Odessa and develops significantly as a character. For the most part he has largely been a secondary character who provides a fair amount of comedic relief in the series. Except now he’s quite seriously fed up with all of the fighting and even tries to leave, only to find himself drawn back into battle and the tragedy of war. As Yasuhiko has shown repeatedly throughout The Origin, those who are directly involved in the conflict aren’t the only ones who are impacted by it. Civilians and non-combatants must also take action out of necessity, doing whatever they can to survive and protect those they love. It’s a lesson that Kai must learn the hard way in Operation Odessa if he is to understand his own role as a soldier.

Filed Under: REVIEWS Tagged With: Gundam, Hajime Yatate, manga, vertical, Yoshikazu Yasuhiko, Yoshiyuki Tomino

Spell of Desire Vol. 4

May 29, 2015 by Anna N

Spell of Desire Volume 4 by Tomu Ohmi

This volume does feel very much like the next to the last volume in a series, which it is. Kaoruko continues to struggle with lessons and integration into witch society, and while her relationship with Kaname continues to develop, they are still held back by his position as her mother’s knight.

The first story (and the reason why this volume is rated mature and shrink-wrapped) shows Kaoruko investigating the sensual based powers of the black witch, by helping out the black witch Isandra. One of the more hilarious aspects of this book is the fact that one has to wear revealing clothing to channel black witch powers. Kaname decides to foil anyone else’s plans for inappropriate attire for Kaoruko by ensuring that her skin has tiny marks in strategic places. Isandra the Black Witch is (no surprise!) evil, and she attempts to steal away the power of the Witch Queen from Kaoruko. Kaoruko and Kaname manage to fend off the attack, and the coven decides that it is better for Kaoruko to return home and train quietly, since it doesn’t seem to be safe for her to train among the other witches. Kaoruko and Kaname have a few days of almost normalcy back at home, and they grow more closer emotionally. Kaoruko makes Kaname a special charm to keep him safe, knowing that he’s often placed in danger due to all the issues with her powers.

As I was reading this series, I expected Kaoruko’s mother to show up as a complicating factor before the final volume, but I guess that’s being saved for the final volume. I have to say, I enjoyed the first couple volumes a little more than the middle ones, just because I was more amused by the premise of the series. After settling in to the middle volumes Spell of Desire started to remind me a bit too much of Midnight Secretary, in that both series tend to use supernatural societal issues as complicating factors in their heroine’s paranormal romance. Ohmi’s art makes up for any quibbles I have with the plot in a large way though, as her fluid and detailed style continues to deftly portray Kaoruko’s magical problems. I’m looking forward to the conclusion of the series, and it is still a fun josei title.

Filed Under: REVIEWS Tagged With: shojo beat, spell of desire, viz media

Manga the Week of 6/3

May 28, 2015 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ 1 Comment

SEAN: It has been hot here recently, so I am hoping that this Manga the Week of can serve as a rain dance. Doesn’t make much sense, but the heat has addled my brain.

ft48

Fairy Tail 48 seems like a lot, till you remember it’s nowhere near One Piece. Which honestly applies to Fairy Tail in general.

MICHELLE: *ba-dum ching*

SEAN: Also from Kodansha, My Little Monster 8 features actual plot progression, slow and incremental though it may be. Progress!

MICHELLE: I recently procured volumes 5-7, so I am ready to get current with this series again!

ASH: Enjoy! I think it’ll probably read better in a larger chunk.

SEAN: The rest is our standard Giant Pile O’ Viz (TM). Assassination Classroom gives us a 4th volume of heartwarming comedic antics about training young children to be trained killers.

ANNA: I still need to read volume 2! I do like heartwarming assassination.

MJ: Agreed.

SEAN: Now that we’re caught up with Blue Exorcist, waiting for the next volume can be frustrating, especially when there’s as much going on as there in in this series. However, here is Vol. 13, hooray!

If you aren’t caught up with Dragon Ball via its original releases or the three or four re-releases we’ve seen, here’s another one, with the 9th 3-in-1.

ASH: (I still haven’t actually read most of Dragon Ball.)

SEAN: I now feel kind of bad for my initial review of Food Wars!, given I’ve been enjoying it so much. Here’s a 6th volume, and I will try to ignore the orgasm faces.

MICHELLE: I unabashedly love this series now.

ASH: I’ve… actually always kind of liked it…

ANNA: I like it, although it took some time to win me over due to the orgasm faces.

MJ: I have avoided it, and now I feel like I’m missing out.

kk18

SEAN: Kamisama Kiss has finally come back to the present, but I suspect that new problems will arise in this 18th volume, as, well, otherwise the series would be over, and it isn’t.

ANNA: This series can go on as long as possible, as every volume is mega-charming.

SEAN: Kimi ni Todoke 21 will have, I suspect, four more chapters filled with adorable, though I do wonder if the drama quotient might be upped on the Ayano front.

MICHELLE: I’ll be reading both of these as well.

ANNA: I need to get caught up on this. It is such a well-executed shoujo series.

SEAN: Is Naruto done yet? (checks) No, not quite yet. But here’s Vol. 70.

I have resigned myself to very few Natsume’s Book of Friends volumes having my OT3 involved in the plot, but this does not reduce my love of this series at all.

MICHELLE: Somehow, I had not realized there was a new Natsume coming and I had just been wishing for one!

SEAN: One Piece’s 12th 3-in-1 is the Water Seven arc, I think. I love that arc.

As for Seraph of the End 5… um… vampires? (shrugs)

scih

It’s very rare to see a long-running Sho-Comi series over here that isn’t drama and questionable consent. But I have high hopes for So Cute It Hurts!! (Kobayashi ga Kawaisugite Tsurai!!), which debuts next week. The author’s been on my ‘keep an eye on them’ list for a while now.

MICHELLE: Yeah, this is intriguing! Seems like a while since we’ve had a new Shojo Beat series, but that’s probably not true.

ANNA: Looking forward to reading this.

MJ: Same!

SEAN: Toriko continues to feature more fighting and less weird food. I hope that changes, but I suspect it won’t be changing for Vol. 28.

Lastly, I was wrong about it being last. Voice Over! Seiyu Academy apparently has one more to go after this 11th volume. I should be used to this with Hakusensha series, to be honest, which tend to have 80 epilogues.

MICHELLE: I think I am going to hoard volume eleven ’til twelve comes out so I can read them back-to-back.

SEAN: Did it work? Is it raining yet? (checks) No! You must BUY MORE MANGA!

Filed Under: FEATURES, manga the week of

Emma, Vol. 1

May 28, 2015 by Sean Gaffney

By Kaoru Mori. Released in Japan in two separate volumes by Enterbrain, serialized in the magazine Comic Beam. Released in North America by Yen Press.

I wasn’t reviewing manga online when Emma first came out via CMX back in the day, and I’ll be honest: I never did finish the series. I think at the time I found it a bit too slow-moving and tedious. Which, to be fair, it is at times. But as the years have gone by, I’ve come to appreciate what Kaoru Mori does a bit more, and I now see the mood she was trying to evoke with this story of romance and class drama. Indeed, the heroine, Emma, reminds me very much of the heroine of A Bride’s Story, in that I find it very difficult to get a handle on what she’s thinking at all. Her love for William is so subtle that it creeps up on you.

emma1

William’s love does not creep up on anyone, being very much a love at first sight sort of thing. William is perhaps the most difficult thing to like about this series so far; he’s reserved when compared to the rest of Emma’s suitors, but still has a tendency to seem like a lovesick puppy compared to the rest of the Victorian era cast. This makes it a bit easier to understand his strict father, who is 100% against his son marrying a common maid, despite the fact that the Joneses are fairly new money themselves – they’re merchants, and have to keep up appearances far more than inherited money would. Indeed, the rest of William’s siblings look like they’ll make things more chaotic as the series goes on, particularly tomboy Vivian, who is quite happy to climb up roofs and run down halls to make her opinions knows.

For the most part, though, the best moments of Emma are the quiet, slow ones, sometimes not even needing dialogue. Emma cleaning the house after her mistress has passed away is one of the more heartbreaking things I’ve seen in some time, as if the cliffhanger ending for this omnibus, showing Emma leaving London to move North, with William just missing her. There’s also a sad and bittersweet element to Eleanor, a young woman who is arranged to be married to William and is clearly smitten with him, but I suspect she’s going to be very unhappy down the road. Even the past is tinged with menancholy – Kelly Stowner’s marriage to her husband being tragically cut short, leaving her a widow at twenty. You can see why romance is so hard to pin down, and why it would take getting locked in the Crystal Palace overnight to even kiss.

It’s not all stiffness and decorum, though – Mori still loves the East, and that’s apparent with the introduction of Hakim, a childhood friend of William’s who comes visiting with his harem of dancing girls/servants and his elephants in the garden. Hakim is briefly shown as a rival to Emma’s affections, but in reality he’s here partly to add an air of lightness and exoticism to this series, and partly as the author really likes this sort of thing – which is also why she’s drawing Victorian England, for that matter. This sort of creative freedom on a debut series is something that surprised me, but then Comic Beam is sort of a ‘5th genre’ magazine, known for experimentation and freedom. It allows for well-crafted storytelling, which is the main reason why everyone should be happy to see this back in print, and want to see where it goes next.

Filed Under: REVIEWS

Manga Giveaway: Ema Toyama Twosome

May 26, 2015 by Ash Brown

June is almost here, and May is almost through, so it’s once again time to hold a manga giveaway at Experiments in Manga! This month you will all have the opportunity to win not one, but two manga created by Ema Toyama and released in English by Kodansha Comics: Manga Dogs, Volume 1 and Missions of Love, Volume 1. As always, the giveaway is open worldwide!

Manga Dogs, Volume 1Missions of Love, Volume 1

So far, mangaka Ema Toyama has had three of her original series released in English: I Am Here!, Manga Dogs, and Missions of Love. She was also one of several contributors involved with Shugo Chara Chan!. My introduction to Toyama’s work was through Missions of Love (which I find to be incredibly addictive with all of its over-the-top melodrama and twisted relationships). The only other manga of hers that I’ve read is the three-volume series Manga Dogs. The two series are very different from each other, but I find it interesting that they both feature young women as protagonists who are creative types. In the case of Missions of Love, Yukina Himuro is a cell phone novelist while in Manga Dogs, Kanna Tezuka is a shoujo mangaka. Though both Yukina and Kanna have other things to deal with in their lives, at least part of each manga series deals with their careers as professional storytellers.

So, you may be wondering, how can you win two volumes of Ema Toyama’s manga?

1) In the comments below, tell me a little about your favorite character in a manga who is an author, novelist, or some other type of writer. (If you’ve never come across one in your reading, simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

It’s as easy as that! Each person participating in the giveaway can earn up to two entries and has one week to submit comments. If you prefer, or have trouble leaving comments, entries can also be sent via email to phoenixterran(at)gmail(dot)com. I will then post the entry here in your name. The giveaway winner will be randomly selected and announced on June 3, 2015.

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Ema Toyama Twosome Winner

Filed Under: FEATURES, Giveaways Tagged With: Ema Toyama, manga, Manga Dogs, missions of love

Bookshelf Briefs 5/26/15

May 26, 2015 by Sean Gaffney, Michelle Smith and Anna N 1 Comment

This week, we play catch-up, as Sean, Anna, & Michelle look at a slew of recent titles from Seven Seas, One Peace Books, Kodansha Comics, Yen Press, Dark Horse Comics, Vertical Comics, and Viz Media.

marchharerevolutionAlice in the Country of Clover: The March Hare’s Revolution | By QuinRose and Ryo Kazuki | Seven Seas – As you’d expect for a franchise with this many side-manga, there is a certain sameness that’s starting to crop up here. We see Alice realizing she’s falling in love yet reluctant to accept it, trying to come to terms with the violent ways of the Hatter Family, and occasionally yearning to go home and having nightmares about her sister Lorina, yet in the end she chooses to stay and accepts her love. The only difference here is in the male lead, so if you like Elliot, this book might interest you. But even then, I think My Fanatic Rabbit is a better book. At least it’s complete in one volume, and not padded out with extra stories. For completists only. – Sean Gaffney

aquarionevol1Aquarion Evol Vol. 1 | By Aogiri and Shoji Kawamori | One Peace Books – I watched the first episode of the Aquarion anime a long time ago, and didn’t particularly care for it, although I suppose with all the ecstatic expressions the pilots of combining robots were displaying, the franchise should get credit for making subtext text. This manga opens with Amata Sora, a boy with air elemental powers meeting Mikono Suzushiro, a girl whose previous response to growing up in a world filled with robot battles, elemental powers, and random kidnappings was to become a shut-in. Sora and Mikono end up in being caught up in a battle, and Sora forces the male and female Aquaria to merge to find their ultimate Aquarion form. Sora and Mikono end up in a gender segregated pilot training academy. The art for this volume was solid and the character designs were attractive, and the production values for the manga were also good. I think fans of the Aquarion franchise will enjoy this book, but at only 150 pages, this is a fairly slim volume. – Anna N

attack-juniorhigh-3Attack on Titan: Junior High, Vol. 3 | By Saki Nakagawa | Kodansha Comics – As we reach the third omnibus of this gag comic, both Saki Nakagawa and Ben Applegate are beginning to relax and stretch out a little. The author not only uses some of the later characters such as Kenny for humor value, but also adds references to the spinoffs, as Isabel and Furlan have major roles here. Meanwhile, the adaptation gets even broader, with nothing really sacred (there are a few lines here that don’t just border on filthy, they scamper right over it) and lots of insults to the entire main cast, particularly Eren. If you like Attack on Titan and worry this title may not take it seriously enough, stay far away. If you like a good belly laugh, pick it up. – Sean Gaffney

barakamon4Barakamon, Vol. 4 | By Satsuki Yoshino | Yen Press – Despite the fact that over half of this volume is ‘let’s watch Handa deal with small town life and get intensely frustrated or screw up’, he really is getting a lot better at this. Going computerless might be a good thing for him, as it allows him to focus more on his calligraphy – a focus he’s going to need, as he’s already starting to overthink things for the next competition. As for the rest of the cast, Naru is actually growing a bit as well, and is slightly less Yotsuba-like. And Tama continues to be the most awkward fujoshi ever. This is a nice, leisurely, relaxing read. It’s never the next thing out in the months it comes out, but it’s always worth picking up. Also, Handa not knowing how to use a rotary phone made me feel so, so old. – Sean Gaffney

devil1The Devil Is a Part-Timer!, Vol. 1 | By Satoshi Wagahara, Akio Hiiragi, and 029 (Oniku) | Yen Press – Let it never be said that I’m unwilling to occasionally wander outside of my comfort zone! The Devil Is a Part-Timer! is a thoroughly shounen comedy (think scenes of the female lead in the shower, boobs with “sproing” sound effects, etc.) with a fun premise: while fleeing a losing battle, the devil king lands in modern-day Tokyo. Now he’s working part-time at MgRonald’s, aiming to conquer the world by becoming a full-time employee. (“Before long, I will wield enormous powers, forcing massive armies to grovel before me!”) It’s not a bad start, and there are some mysteries to be explained going forward, but it’s just really not my thing. If only I could’ve found it funny—like I do the not-entirely-dissimilar Blood Lad—then maybe I’d be willing to continue, but as it is, I just can’t summon the desire. – Michelle Smith

littlemonster8My Little Monster, Vol. 8 | By Robico | Kodansha Comics – At long last, 7 volumes after a confession, Haru and Shizuku finally manage to deal with their own emotional issues and start to be an official couple. Of course, this doesn’t solve everything – for one, Yamaken confesses as well, and Shizuku has no idea how to deal with someone she doesn’t have romantic feelings for locing her. There’s also the start of a new year, which means the arrival of a new girl – Iyo, Yamaken’s little sister. Kodansha actually goes the extra mile by translating her third person speaking, which shows off her affected cuteness and also self-centeredness. She’s hilarious, though, so I welcome her. I don’t welcome Haru’s brother, whose appearance on the final pages makes Vol. 9 a scary place to be. – Sean Gaffney

pantystockinggarterbeltPanty & Stocking with Garterbelt | By Gainax and TAGRO | Dark Horse Comics – I’ve never seen the anime that this manga is based on, but after reading this manga I suspect that it’s likely very close to its source material. This means, of course, that it’s filthy, and I’d give it an M for Mature rating. The basic premise involves two fallen angels who theoretically team up to fight evil, but spend most of their time having sex (Panty), eating (Stocking), or screaming vituperative insults (both of them). The result is comedy that works quite well for me, being disgustingly funny without actually getting creepy or disturbing. It helps that the chapters are also pretty short, as is the manga itself, which is done in this fairly short volume. Very amusing, but not for the kids. – Sean Gaffney

sayiloveyou7Say “I Love You”, Vol. 7 | By Kanae Hazuki | Kodansha Comics – That strange expression you see on Mei’s face on the cover of this volume is a smile. It’s taken a while for her to not look like she’d rather be anywhere else, but I’m glad to see it. As for the volume itself, we continue to get fallout regarding Megumi and the backlash against her passive-aggressive bullying. It will surprise no one that she had a troubled childhood, but it was nice seeing her friend Momo as well as Kai and Yamato standing by her even as she fell apart. We even get to see an Important Haircut at the end. Of course, this doesn’t mean Megumi has gone away, and I suspect things will continue to be difficult for Mei. Also, the festival chapter was completely adorable. – Sean Gaffney

trinityseven1Trinity Seven, Vol. 1 | By Kenji Saito and Akinari Nao | Yen Press – In general, I am against judging books by their covers, but I will admit that if you see the cover of Trinity Seven and are put off, then the content will not give you any cause for hope. It’s a pretty perverse fantasy manga, with lots of talk of breasts, pseudo-incestual feelings, and walking in on girls naked, as well as a scene where no less than three heroines are trapped in a sealed room and need to pee. Despite this, the actual premise looks fun and interesting, and the overconfidence and bluntness of the hero is refreshing in an era of modest overpowered guys. I don’t recommend this to anyone but its general target audience, but said audience should absolutely love it. – Sean Gaffney

whatdidyoueatyesterday8What Did You Eat Yesterday?, Vol. 8 | By Fumi Yoshinaga | Vertical, Inc. – It seems like this series is becoming more and more about the healing power of food. When Kenji grows jealous of Shiro’s awestruck reaction to meeting an actress, Shiro proves his devotion by spending money and time making an elaborate oden stew. And when Shiro is dismayed by a client’s miserable marriage, he consoles himself by making a meal of all his favorites. Even in happier times, food plays a starring role in Shiro’s attempts to provide Kenji the romantic moments he knows his partner dreams of. Every chapter is a show-don’t-tell masterclass in depicting the love between these men. I want to give special praise to the chapter in which they visit Kyoto, especially the scene when some public handholding in the dark shocks Kenji so much he thinks Shiro must secretly be dying. It’s a laugh-out-loud moment, but also sad commentary. Really, just all-around brilliant. – Michelle Smith

yamada-kun2Yamada-kun and the Seven Witches, Vol. 2 | By Miki Yoshikawa | Kodansha Comics – Still no witches yet, in case anyone was wondering. Instead, we focus on the actual body transfer power, and the pluses and minuses that come with it. In the tradition of “when all you have is a hammer”, Yamada and to a lesser extent the others are starting to use the swap as a way to solve any problem, and it starts to bite them back here. It helps that with the exception of Shiraishi, the cast is very much of the ‘think first, realize how dumb this is later’ school of thought. As for Miyabi, she didn’t really make much of a villain, quickly becoming part of the main group. I have a feeling the new girl introdced here, Nene, will be a much tougher nut to crack. Slow, but still worth reading. – Sean Gaffney

yukarism2Yukarism, Vol. 2 | By Chika Shiomi | Viz Media – I’m happy to report that all of the mild reservations I voiced about volume one of Yukarism have disappeared in volume two! Furthermore, I begin to suspect all those so-called “flaws” were intentional on Shiomi’s part. We didn’t get a strong feel for characters besides Yukari because Yukari had never before tried to get to know and understand another person. But now he’s interested in Mahoro, so we get a healthy dose of background information for her. And Mahoro’s puzzling differences from her former self turn out to have a fascinating explanation. And “low-key”? I called the mystery low-key?! The story is moving briskly now, and I am deeply invested in learning what exactly transpired in the characters’ past lives. I’m very sorry I doubted you, Yukarism. I can has volume three? – Michelle Smith

Filed Under: Bookshelf Briefs

Pick of the Week: Taniguchi & More

May 26, 2015 by Ash Brown, Michelle Smith, Sean Gaffney and MJ Leave a Comment

potwASH: Although there are some great manga being released this week, I’m actually (and probably unsurprisingly) going to pick the most recent volume of Wandering Son. I suppose it was technically released last week since it suddenly appeared without notice, but I’m always happy to see a new volume whenever it arrives. And I’m still thrilled that this series is even being released in English at all!

MICHELLE: Speaking of wandering, I reckon I’ll go for Jiro Taniguchi’s Furari this week. I tend to like Taniguchi’s works a lot, though it’s been a long time since I read one, and having a stroll through Edo with someone equipped with an “inexhaustible capacity for wonder” sounds pretty wonderful!

SEAN: I’m going to go with A Silent Voice this week. Yes, I may have disliked most of the cast, but that was the point for a series like this, where the entire plot is about how difficult it can be to redeem yourself after doing something truly loathsome, and if it’s even possible. It’s also a good look at disabilities that shows how difficult it can be for a child with hearing loss to fit into a peer group.

MJ: I’m very happy to see the latest volume of Wandering Son and I’m definitely interested in A Silent Voice, but I’ll throw my vote in with Michelle’s this week for Jiro Taniguchi’s Furari. These treats from Fanfare-Ponent Mon are so rare and wonderful, it’s hard to let one slip by without making a fuss. So consider this my fuss. Gimme, gimme.

What looks good to you this week?

Filed Under: PICK OF THE WEEK

Aya Kanno Interview; New Licenses from Dark Horse; Free Manga from Viz

May 26, 2015 by Brigid Alverson

Aya KannoI interviewed Aya Kanno, creator of Otomen and Requiem of the Rose King, for the Barnes & Noble blog. Although her work is published in shoujo and josei magazines, Kanno originally wanted to do seinen manga, and she apprenticed with a shonen artist. But the first manga she ever drew was a shoujo manga:

What is the first comic you ever made? Not the first comic that was published, the first comic you made for yourself.
It was probably when I was in elementary school, grade three maybe—I was about eight or nine years old. I don’t even know why I wrote this, but the usual shoujo—the way things played out with shoujo—I was really kind of in opposition to, I was like “Ah, I hate this,!” but the details were very shoujo: This girl falls in love with her senpai [an older student], but he is moving away, so she knits him a scarf. That is the first thing I drew.

giganto-maxiaDark Horse announced some new licenses at its Anime Central panel: Giganto Maxia, by Berserk creator Kentarou Miura; RG Veda, by CLAMP (originally licensed by Tokyopop back in the day); Danganronpa: The Animation, by Spike Chunsoft and Takashi Tsukimi; and I Am a Hero, by Kengo Hanazawa. Lori Henderson covers the panel, which was apparently a surprise appearance.

Want some free digital manga? Viz is offering the first chapters of All You Need is Kill, Bleach, Food Wars, Naruto, and One Piece on their vizmanga.com platform.

The Manga Bookshelf team looks at this week’s new releases.

Lori Henderson looks at the latest manga best-seller lists from the New York Times and Amazon.

Erica Friedman brings us up to date with the latest edition of Yuri Network News at Okazu.

Reviews: Ash Brown reports in on the week in manga at Experiments in Manga.

Matthew Warner on vol. 15 of 07-Ghost (The Fandom Post)
Kate O’Neil on vol. 15 of Attack on Titan (The Fandom Post)
Erica Friedman on the May issue of Comic Yuri Hime (Okazu)
Anna N on His Virgin Mistress and Night of Love (Manga Report)
Matthew Warner on vol. 4 of Little Battlers Experience (The Fandom Post)
Sean Gaffney on vols. 15 and 16 of Ranma 1/2 (A Case Suitable for Treatment)
Matthew Warner on vol. 17 of Rin-ne (The Fandom Post)
Ken H on vol. 1 of A Silent Voice (Sequential Ink)
Lori Henderson on vol. 1 of Your Lie in April (Manga Xanadu)

Filed Under: MANGABLOG

Ranma 1/2, Vols. 15 & 16

May 26, 2015 by Sean Gaffney

By Rumiko Takahashi. Released in Japan by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz.

Takahashi has settled into a groove by now, and it shows in these two volumes, which have some of the strongest combinations of comedy and action in the entire series. Unlike the last omnibus, there’s no real serious plotline here – indeed, several of the plotlines are best known for their complete and total ridiculousness. But that just allows Takahashi to mine them for ridiculous and hysterical comedy, and show you why she had such an amazing reputation back in the 1990s. And it also shows off a bit more Ranma and Akane not-romance, for those who watch for that.

ranma15

We start with ludicrous right off the bat, in the form of the Gambling King. (Well, OK, there’s a story with Kuno getting a sword that grants wishes, but it’s the weakest in the book, so let’s skip it.) The King is not unlike your typical Ranma one-shot villain – grossly egotistical, somewhat thick, tends to cheat in order to gain temporary victories – but of course what makes the comedy truly work is that he looks exactly like the King on a deck of playing cards, and therefore there’s always a comedy visual dissonance when he interacts with anyone. Add to this Ranma’s laughably awful attempts at a poker face, and you have a definite winner. (It was also nice to see Nabiki take on the King – she was winning handily till he cheated – though she’ll need to wait for the next omnibus to finally get her turn in the spotlight. It’s also fantastic whenever Kasumi and Nabiki emit ‘giant scary auras’, which they both do here.)

Next we see why Ranma always has his hair tied in a pigtail, and it again involves comedy villains (more pathetic than anything else) who look ridiculous – this time they all look like dumplings. This has some nice Ranma and Akane interaction, but also plays up a man’s vanity for laughs. The strongest story in the volume, though, involves a Hot Spring Resort that is doing a contest, the winner of which can travel to any spring in the world – including Jusenkyou. If you guessed this content involved an increasingly ridiculous series of obstacles that can only be defeated by martial artists, you are 100% correct. We also have the three ‘main’ fiancees present and correct (sorry, Kodachi), and they’re all thoroughly pissed off at Ranma, while also trying to help him. Even at this point, still not quite halfway through the series, everyone unconsciously knows if Ranma is cured, life will move on and he’ll have to decide who he likes once and for all. Takahashi’s final joke, of course, being that this never happens.

Possibly the most terrifying of the stories here – if only for the grotesque faces – sees Ranma taking on Picolette Chardin II, a master of martial arts eating, helped along by the fact that his family all have giant, stretchy mouths. Again, in a situation where the laughs come from the premise, all you really have to do is drop the cast – here Ranma, Akane, and their two fathers – into it and have them be themselves. So Ranma is stubborn and determined to be the best at this because it is a martial art, Soun is determined to ensure that Ranma remains engaged to Akane by the end of it, Akane stands to the side making deadpan wisecracks and occasionally helping when Ranma doesn’t insult her, and Genma eats.

So, for Ranma fans, this is pretty much the classic period. It maintains its high quality next volume, too, as we see Nabiki finally emerge as the amoral shyster she remains the rest of the series, and are introduced to possibly *the* most bizarre enemy of Ranma’s ever, Pantyhose Tarou.

Filed Under: REVIEWS

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