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Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

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Tokyopop + Disney = Manga Mickey?

July 12, 2015 by Katherine Dacey

Anyone hoping for a definitive statement of Tokyopop’s 2015-16 plans was probably disappointed by the company’s SDCC panel. The company reiterated its intention to do “original manga,” announced it was launching a phone game called Sushi Cross, and hinted that it was negotiating an agreement with Disney. Tokyopop also revealed it will publish a new boxed edition of M. Alice LeGrow’s Bizenghast, one of the company’s best-selling OEL manga titles.

UDON announced that it would be reissuing Moyocco Anno’s tween-friendly fantasy Sugar Sugar Rune (originally published by Del Rey Manga in the 2000s). Also on UDON’s calendar: the oddly punctuated Steins’; Gate, which debuts next month.

If you didn’t make it to SDCC 2015, never fear: Deb Aoki has posted a detailed recap of the Best and Worst Manga Panel of 2015. Although the group focused on new releases from 2015, all five panelists also discussed manga they’d liked to see licensed, from Ai Yazawa’s Neighborhood Story (Gokinjo Monogatori) to Gengoroh Tagame’s My Brother’s Husband (Otouto no Otto).

 

Filed Under: MANGABLOG Tagged With: SDCC, Tokyopop, udon

UDON to Publish Rose of Versailles; Showa Wins Eisner

July 11, 2015 by Katherine Dacey

rose-of-versailles-udonUDON may have scored the biggest coup of SDCC 2015: at its Saturday panel, the publisher revealed that it had acquired the rights to Rose of Versailles. UDON will release Riyoko Ikeda’s ground-breaking shojo manga in a 2-in-1 omnibus format next spring.

Shigeru Mizuki’s Showa 1939-1944 and Showa: A History of Japan, 1944-1953 clinched the Eisner Award for Best U.S. Edition of International Material–Asia, beating out All You Need Is Kill, In Clothes Called Fat, Master Keaton, One-Punch Man, and Wolf Children: Ame & Yuki.

At the Kodansha Comics panel, one new title was announced: Paradise Residence, an ongoing series by Oh! My Goddess creator Kosuke Fujishima. The Kodansha team also gave the audience a sneak peak at volumes 16 and 17 of Attack on Titan–both of which will include special extras–and hinted that they might have some additional licensing news at Otakon.

Dark Horse will publish a new omnibus edition of Hiroaki Samura’s Blade of the Immortal. No publication date has been set.

Sword Art Online: Progressive and Tokyo Ghoul lead this week’s New York Times Manga Best Seller list.

Erica Friedman posts the latest Yuri Network News update.

The new omnibus edition of Chi’s Sweet Home looks ridiculously cute. ‘Nuff said.

The Manga Bookshelf gang previews next week’s new arrivals. Over the Barnes & Noble Sci-Fi blog, Brigid Alverson highlights July’s best manga, from Twin Star Exorcists to Pandora in the Crimson Shell.

News from Japan: The last chapter of So Cute It Hurts! will appear in the August issue of Sho-Comi; eleven volumes have been released to date. Corpse Princess creator Yoshiichi Akahito just launched a new “battle fantasy manga” in Shonen Gangen magazine.

The Japan Times has a fascinating profile of manga-ka Machiko Satonaka, whose series Tenjo no Niji chronicles the life of the Empress Jiro (645-702 AD).

Reviews: Ash Brown jumps in the WABAC machine for a look at Sanpei Shirato’s The Legend of Kamui, which VIZ originally published in English in the 1990s.

ebooksgirl on vol. 10 of Attack on Titan (Geek Lit Etc.)
Connie on vol. 2 of Black Rose Alice (Slightly Biased Manga)
Lesley Aeschliman on vol. 64 of Bleach (WatchPlayRead)
Jocelyn Allen on Deathco (Brain vs. Book)
Leroy Douresseaux on vol. 1 of The Demon Prince of Momochi House (Comic Book Bin)
Svetlana Fedotov on Fragments of Horror (Fangoria)
Matthew Warner on Gyo (The Fandom Post)
Connie on vol. 1 of No. 6 (Slightly Biased Manga)
Connie on vol. 5 of Toradora! (Slightly Biased Manga)
Connie on vol. 1 of Whispered Words (Slightly Biased Manga)
TSOTE on The World of Mud Men (Three Steps Over Japan)
Lesley Aeschliman on vol. 6 of World Trigger (WatchPlayRead)
Ken H. on vol. 2 of xxxHolic Rei (Sequential Ink)

Filed Under: MANGABLOG Tagged With: Dark Horse, Eisner Awards, Kodansha Comics, Rose of Versailles, Shigeru Mizuki, udon

The Legend of Kamui, Vol. 1

July 10, 2015 by Ash Brown

The Legend of Kamui, Volume 1Creator: Sanpei Shirato
U.S. publisher: Viz Media
ISBN: 9781569313183
Released: August 1998
Original release: 1990

Sanpei Shirato’s The Legend of Kamui had its beginnings in 1964 as one of the first series to be published in the influential alternative manga magazine Garo. In the 1980s, Sanpei would continue the manga with a second series, Kamui Gaiden. It was Kamui Gaiden that became one of the earliest manga series to be translated into English and widely published in North America. Between 1987 and 1988, Viz and Eclipse Comics released thirty-seven issues of Kamui Gaiden under the title of The Legend of Kamui, serializing edited versions of two stories: “The Island of Sugaru” and “The Sword Wind.” “The Island of Sugaru,” which was later compiled by Viz into two volumes in 1998, is probably one of the most well-known Kamui stories, and not just because of the Kamui Gaiden live-action film adaptation from 2009. The Legend of Kamui, Volume 1 collects the first half of “The Island of Sugaru,” material from a volume of Kamui Gaiden that was originally published in Japan in 1990.

Kamui is an apostate ninja during Japan’s Edo period, on the run from the members of his clan who consider him to be a traitor when he tries to leave. While traveling through Yumigahama he encounters a woman who, like him, once belonged to a clan of ninja. Sugaru has been able to avoid capture and death long enough to establish a new life with a husband and three children who love her, but she is still being hunted and must be constantly vigilant. Sugaru has managed to survive because she doesn’t trust anyone, and that includes Kamui. Although he helped to save her life when she was attacked by Iga ninja, Sugaru can’t take a chance that Kamui might be trying to kill her as well. After an intense battle in which they are both injured, they part ways. But in a strange twist of fate, Kamui is later shipwrecked on the very island where Sugaru and her family reside. Kamui lives peacefully for a time in the small, remote fishing village and Sugaru’s family becomes very fond of him, but Sugaru would rather see him dead.

The Legend of Kamui, Volume 1, page 255From reading The Legend of Kamui, Volume 1 alone, not much is known about either Sugaru or Kamui’s past lives beyond the fact that they are trying to escape them. The hunted versus the hunter, whether the prey chooses to flee or to fight, is a theme that recurs throughout the manga, mirrored in both nature and human society. Kamui and Sugaru do have the advantage of being exceptionally adept fighters. Although Sugaru does strain under the burden of keeping both herself and her family safe, she is actually one of the strongest characters in The Legend of Kamui, Volume 1, exhibiting both great determination and martial prowess. Her skills rival and in some cases surpass those held by Kamui. Tragically, and understandably, due to her circumstances Sugaru has lost her ability to trust others; it’s simply no longer an option for her. Kamui, on the other hand, has so far managed to retain that part of his humanity, even though it has put his life in danger on multiple occasions.

I really wish more of The Legend of Kamui had been released in English because the series is excellent. The characters are complex, as are their personal struggles and their searches for freedom in an era that could be unforgiving, harsh, and violent. The action sequences are exciting and dynamic. Although a few ninja tricks are employed during the life-or-death battles—secret techniques, impressive acrobatics, illusions and transformations—there is a sense of realism that pervades The Legend of Kamui. In between the dramatic conflicts are the quieter moments of everyday life in a fishing village. Initially it appears as though Kamui, like Sugaru, will be able to outrun his fate and have a chance at a peaceful, happy existence. He learns to fish and becomes friendly with the villagers who are more than happy to welcome a strong young man into their midst. The Legend of Kamui, Volume 1 offers hope that such changes are possible, but ultimately taking charge of one’s own destiny is a difficult path to follow.

Filed Under: REVIEWS Tagged With: Legend of Kamui, manga, Sanpei Shirato, viz media

Dark Horse Reveals 2016 Publishing Plans

July 9, 2015 by Katherine Dacey

I_am_a_HeroDark Horse announced it will publish four new manga in 2016–Danganronpa: The Animation, I Am a Hero, Fate/Zero, and Giganto Maxia-–and reissue RG Veda, formerly a Tokyopop property. Dark Horse also revealed plans for spiffy omnibus editions of Astro Boy and Oh! My Goddess.*

At VIZ’s Shonen Jump panel, editors confirmed that Gakkyu Hotel: School Judgment will make the leap to print in February 2016, while Best Blue, a brand-new shonen sports manga, will appear simultaneously in the Japanese and American editions of Weekly Shonen Jump.

Jennifer de Guzman talks to creators Rikki Simmons, Tavisha Wolfgarth-Simons, and Sophie Campbell about their experiences publishing OEL manga with Tokyopop in the mid-2000s.

Do you love writing about shojo? Laura at Heart of Manga wants to hear from you; she’s currently looking for contributors.

News from Japan: After three years of sporadic updates, Kentaro Miura’s Beserk will resume regular serialization in Young Animal magazine on July 24th. The Attack on Titan: Lost Girls light novel is being adapted into a manga for Bessatsu Shonen Magazine; look for the first chapter in August. Fans of My Love Story!! should mark their calendars: the live-action film opens on October 31st.

Reviews: Michelle Smith, Anna N., and Sean Gaffney post short reviews of Assassination Classroom, Love at Fourteen, Say I Love You, and other recent releases. Over at The Comics Journal, Joe McCulloch tackles Junji Ito’s new anthology Fragments of Horror.

Joseph Luster on vol. 5 of Ajin: Demi-Human (Otaku USA)
Sean Gaffney on vol. 1 of Alice in Murderland (A Case Suitable for Treatment)
Carrie Hildebrand on vol. 64 of Bleach (Three If By Space)
Rebecca Silverman on vol. 1 of Chaika: The Coffin Princess (Anime News Network)
Joseph Luster on Dream Fossil: The Complete Stories of Satoshi Kon (Otaku USA)
Amanda Vail on Dream Fossil: The Complete Stories of Satoshi Kon (Women Write About Comics)
Alice Vernon on vol. 1 of Emma (Girls Like Comics)
Leroy Douresseaux on Fragments of Horror (Comic Book Bin)
Joseph Luster on Fragments of Horror (Otaku USA)
confused muse on Fruits Basket (Organization Anti-Social Geniuses)
Ash Brown on Gyo: The Death Stench Seeps (Experiments in Manga)
Matthew Warner on vol. 4 of High School DxD (The Fandom Post)
Lesley Aeschliman on vol. 5 of Kiss of the Rose Princess (WatchPlayRead)
Matthew Warner on vol. 5 of Little Battlers Experience (The Fandom Post)
Naru on vol. 1 of Love Stage!! (Organization Anti-Social Geniuses)
Joseph Luster on vol. 1 of My Hero Academia (Otaku USA)
Sakura Eries on vol. 8 of My Little Monster (The Fandom Post)
Sakura Eries on vol. 4 of My Love Story!! (The Fandom Post)
Lesley Aeschliman on vol. 10 of Nisekoi: False Love (WatchPlayRead)
Matthew Warner on Puella Magi Oriko Magica: Extra Story (The Fandom Post)

* Editorial note: As my colleague Brigid Alverson reported in May, Dark Horse originally announced many of these licenses at an unscheduled Anime Central panel. The title of the post has been updated to reflect the error.

Filed Under: MANGABLOG Tagged With: Dark Horse, Licensing News, SDCC, Shonen Jump, Tokyopop, viz media, Weekly Shonen Jump

Bookshelf Briefs 7/9/15

July 9, 2015 by Sean Gaffney, Michelle Smith and Anna N 1 Comment

After a bit of a break, Sean, Michelle, and Anna offer up a hefty serving of briefs, including recent releases from Seven Seas, Viz Media, Yen Press, and Kodansha Comics.

junkboxAlice in the Country of Hearts: Junk Box Stories | By QuinRose and Mamenosuke Fujimaru | Seven Seas – In general, the stories done by Fujimaru, the ‘default’ Alice artist, have a higher quality to them than the other spinoffs, even in a grab bag collection of short stories like this. There’s a little bit for everyone here (except Julius, my own favorite – sigh), and if you don’t like the Twins as an Alice pairing – which I don’t – wait 10 minutes and we’ll have moved on. The best story in the collection involves Gray, Nightmare’s right-hand man, attempting to get Alice to realize he likes her despite his maturity and her own self-image issues. I feel like I know Gray better now than I did with the Lizard series. Alice fans who want more content should enjoy this. – Sean Gaffney

assassination4Assassination Classroom, Vol. 4 | By Yusei Matsui | Viz Media – To defeat a culture of bullying – and let’s face it, the entire school in Assassination Classroom is based around “Bullying is good for you” – requires that the class develop strong bonds between each other and with their teacher. They need to learn to take pride in themselves – which they do at the end of one arc here, insisting that they won’t let an outsider kill Koro-sensei, they have to be the ones to do it. And of course they gain skills through assassination training, which by its very nature also teaches you about everything under the sun. Even Irina is becoming part of the group. This must be worrying the school principal – the cliffhanger seems to say he’s going to make sure this class Knows Their Place. Fantastic as always. – Sean Gaffney

blexorcist13Blue Exorcist, Vol. 13 | By Kazue Kato | Viz Media – right from the beginning, this manga has reminded us that it’s darker than the usual Jump fare and that people are going to die. Right at the start of this volume we see one of the bad guys, moved by Izumo’s plight, try to help her escape… and she’s horribly murdered for her trouble. Our heroes have arrived at last, but are split up and attacked by ghouls – or is it zombies? Far too many of those coming out from Viz Media this month in any case. And of course there’s Renzo, our double-triple-quadruple agent, who we still aren’t sure about. Killing off Izumo’s familiars is not going to win him friends, though. If there’s one big drawback to this series, it’s that it comes out far too slowly. It should move to Weekly Jump. – Sean Gaffney

9781421576886_manga-Food-Wars-Graphic-Novel-6Food Wars!, Vol. 6 | By Yuto Tsukuda and Shun Saeki | Viz Media – In case anyone was wondering how Soma got the drive to always succeed that we’ve seen in these first few volumes, we’re introduced to his father, the top chef of his own class (though he never did graduate), who promptly creams Soma in a breakfast competition.. and it’s revealed has creamed Soma almost 500 times over the course of his life. Suddenly a schoolwide curry competition seems less taxing. Even though ‘curry’ is pretty broad a topic. I could have done without another teacher who looks like a teenager but is really far older, but in any case most of this is clearly setup for what’s likely to be an amazing set of cooking shonen drama in the next volume. Yum. – Sean Gaffney

9781626921542_manga-Haganai-I-Dont-Have-Many-Friends-Graphic-Novel-11Haganai: I Don’t Have Many Friends, Vol. 11 | By Yomi Hirasaka and Itachi | Seven Seas – She may be very hard to like, but there’s no denying that Yozora remains the most fascinating part of Haganai, and the best reason to keep reading. Most of the Friends Club are at least occasionally making the effort to reach out to each other, but Yozora created this club for her and Kodaka, and is still incredibly resentful that it’s hijacked. She’s also trapped in the past, something Sena rightfully calls her out on here, and later on Kodaka does the same thing. This is a shame, as she’s already shown when she applies herself she can do great things – her play here impresses everyone, even Sena. But of all the cast struggling to move forward, I think Yozora will be the last to do so, and the final part of this still ongoing series. – Sean Gaffney

9781421579702_manga-Kamisama-Kiss-Graphic-Novel-18Kamisama Kiss, Vol. 18 | By Julietta Suzuki | Viz Media – This series is now three times as long as Karakuri Odette – remember that? – and after a long and intense arc in Tomoe’s past, is trying to get back to basics with Nanami dealing with school, and the fact that her grades are absolutely awful. But after all this time, she just can’t quite get away from life-threatening crises, or indeed sacrificing herself in order to save even her enemies, which has always been Nanami’s greatest strength and greatest weakness. And rescuing her friends, even if they’ve been turned into dolphins at the behest of a cruel and noble mermaid. I do wonder if Aimi will remember what happens to her, or if we’ll get a convenient memory erasure soon. In any case, still good. – Sean Gaffney

9780316298766_manga-Love-at-Fourteen-Graphic-Novel-03Love at Fourteen, Vol. 3 | By Fuka Mizutani | Yen Press – The title is important in this series. We’ve gotten so used to shoujo romance involving young teenage students that the fact that the leads are fourteen-year-olds is more likely to have a reader say “Yes, and?”. But they’re all still maturing, and insecure, and at a very impressionable period in their lives. So we see Kanata and Kazuki deal with their first fight, which starts indirectly and continues simply as they misunderstand each other’s absences. We see Nagai, seemingly betrayed by Hinohara, lashing out in pain and regret, even as he tries to protect her from any consequences. As for Hinohara herself, she’s still the one aspect of this manga that makes me worry. We’ll see what happens next time. – Sean Gaffney

9781421559629_manga-Magi-Graphic-Novel-12Magi, Vol. 12 | By Shinobu Ohtaka | Viz Media – The core trio of Aladdin, Alibaba and Morgiana is fun to watch and heartwarming to see develop, but it’s become increasingly clear that Alibaba relies on it more than the other two. So the latter half of this volume, where both Aladdin and Morgiana realize they need to go on their own journeys in order to become stronger, devastates him. Sadly, his acting like a whiny, pathetic young teenager is also very in character, and I hope that he learns a valuable lesson soon. Elsewhere, Sinbad shows off why he’s not the hero of this tale, as his character development has mostly already happened. He easily takes out the volume’s villain, and his seduction techniques are so good they’re made fun of in the extras. Magi is a ton of fun. – Sean Gaffney

9781612629926_manga-My-Little-Monster-Graphic-Novel-8My Little Monster, Vol. 8 | By Robico | Kodansha Comics – This series is an interesting blend of familiar shoujo scenarios—like the start of the gang’s second year bringing with it a quirky new first-year character who immediately falls in love with Haru—and a distinctly different vibe that actually makes it seem possible that the two leads will not actually end up together. Granted, Haru and Shizuku do finally become an official couple in this volume, and there are plenty of sweet, significant moments between them, but there are also some missed connections, and the occasional insight into just how broken Haru is that makes their long-term prognosis as a couple less assured than many others I could name. It was lovely to have a small stockpile of volumes to consume over a weekend, and now I’m kind of bummed that volume nine is a whole cruel month away. – Michelle Smith

9781421571485_manga-My-Love-Story-Graphic-Novel-5My Love Story!!, Vol. 5 | By Kazune Kawahara and Aruko | Viz Media – I hope at some point we get a Suna-centric side story, because in this volume he’s at his watchful and sympathetic best as he observes Saijo developing a crush on Takeo, despite the fact that Takeo and Yamato have such a strong relationship. Saijo eventually confesses her feelings, and Suna helps her deal with the aftermath, as Takeo nicely turns her down and reaffirms his commitment to his girlfriend. Takeo and Yamato also celebrate a birthday and learn some important lessons about matchmaking. This manga continues to be unusual in the refreshing lack of drama in each volume, and the smaller more heartwarming moments that continue to drive the love story forwards. Always a great read. – Anna N

9781421580241_manga-Natsumes-Book-of-Friends-Graphic-Novel-18Natsume’s Book of Friends, Vol. 18 | By Yuki Midorikawa | Viz Media – The first story in this volume is cute and fun, and the last one is sweet but melancholy. But it’s the met of this book that most folks will be talking about, as Natori ends up overhearing about the Book of Friends, something that Natsume has been trying to keep a secret from him for a long, long time. Like most subplots in this series, we’re unlikely to see the consequences of this play out immediately. But it continues the motif of Natsume learning to open up and trust people even as the yokai that he deals with every day show the dark side of trusting humans. There’s a very good reasons that yokai and humans are of two worlds, and Natsume’s precarious balance between them is what makes this manga so addictive. – Sean Gaffney

9781626921528_manga-Nurse-Hitomis-Monster-Infirmary-Graphic-Novel-2Nurse Hitomi’s Monster Infirmary, Vol. 2 | By Shake-O | Seven Seas – There are some more students with teenage problems introduced here – a winged girl who.hates rules and confinement, a boy who finds growing breasts shows him how women deal with things, and a girl who will eat absolutely anything. But honestly, I suspect most of the audience for this title will only be interested in Kaminaga-sensei, who is the prettiest teacher in school, can control and manipulate her extremely long hair, and is, as one student puts it, “a great big lesbo!” This falls directly in ‘comedy lesbian’ territory, complete with lots of sexual assault of Hitomi, her object of affection. Still, this is a light fluffy comedy series, so that only makes sense. Enjoyable if you don’t take it remotely seriously. – Sean Gaffney

9781612626734_manga-Say-I-Love-You-Graphic-Novel-8Say I Love You., Vol. 8 | By Kanae Hazuki | Kodansha Comics – After a couple of intensely character-driven volumes—particularly focusing on teen model Megumi—we come to a slightly lighter (though not insignificant) story about a school idol contest that Mei ends up entering in an attempt to prevent anyone else from winning the grand prize of a date with the male winner, who is sure to be Yamato. I suppose it was predictable that Mei would end up surprising the audience with a stunning transformation, but the way the contest ultimately plays out should have some interesting repercussions for Mei and Yamato’s relationship. I also quite like that Mei is definitely thinking about going all the way with Yamato, but doesn’t want to do it for the wrong reasons. I’m starting to believe we’ll actually see them take this next step, which is pretty rare for a high school romance manga. – Michelle Smith

Filed Under: Bookshelf Briefs

Pick of the Week: Plenty of Shoujo

July 9, 2015 by Sean Gaffney, Michelle Smith, Anna N, Ash Brown and MJ Leave a Comment

what9SEAN: There’s some nice Viz stuff out this week, both new and old, as well as a few choice titles from other publishers. I suspect the MB team will be warring between What Did You Eat Yesterday? and Sunny. I will be picking My Love Story!!, because it’s still the most adorable shoujo out there.

MICHELLE: Actually, although What Did You Eat Yesterday? was indeed my initial impulse, especially since I won’t be able to pick it again for who knows how long, I’m going to vote for Yukarism because volume two really won me over and I’m excited to check out volume three.

ANNA: There’s a ton of great manga coming out this week. Since Michelle already picked Yukarism, I’m going to swing my vote over to The Demon Prince of Momochi House because I am shallow and enjoy manga about handsome spirits.

ASH: Well, so as not to completely disappoint Sean, I’ll throw my pick to the most recent volume of What Did You Eat Yesterday?. Actually, I was going to pick that anyway. Or, was I?! My Love Story!! is an excellent choice, as is Sunny. It’s a great week for great manga!

MJ: I’m pretty torn here, but I don’t really have anything original so I’ll simply echo Ash’s sentiment! I choose What Did You Eat Yesterday? as my official pick, but that won’t stop me from picking up the rest as well! Sorry, Sunny, for leaving you in the cold. Yoshinaga always wins.

What looks good to you this week?

Filed Under: PICK OF THE WEEK

Manga the Week of 7/15

July 8, 2015 by Sean Gaffney, Michelle Smith, Ash Brown, MJ and Anna N Leave a Comment

SEAN: Mid-July is a good-sized week, but not completely overwhelming like the first/third weeks tend to be. Let’s see what’s happening.

Dark Horse has the second volume of Oreimo spinoff Kuroneko, marketed to the six remaining Oreimo fans who didn’t scream in anger at the end of the main series.

Kokoro Connect has proven to be a fast favorite of mine, and so I am very happy to see the fourth volume from Seven Seas.

msas1

Magika Swordsman and Summoner is the new series debut of the week. It’s fantasy, it has a magical school, our hero is bullied by the students for his status, he amasses a crew of girls who like him, *and* it runs in Comic Alive. If ever a series screamed “License me, Seven Seas!”, this is it. And so they did.

The Sacred Blacksmith also has a new volume, its eighth.

For BL fans, there is the second volume of Love Stage!! from SubLime.

MICHELLE: I wasn’t entirely sold on volume one, but I’m at least willing to check out the second.

ASH: I actually still need to read the first volume…

MJ: Same here.

SEAN: And also a 2nd volume of The World’s Greatest First Love.

I’m loving Vertical’s My Neighbor Seki as much as I thought I would, and the arrival of a third volume fills me with glee.

ASH: My Neighbor Seki is an incredibly delightful series!

ANNA: I haven’t read this yet and I feel guilty.

MJ: I second the glee!

07gh17

SEAN: The rest is Viz. I believe that Vol. 17 is the final volume of 07-GHOST, though Anna can likely confirm that. Bye, 07-GHOST! You were a good license rescue that I fell so far behind on I may never catch up.

MICHELLE: I still intend to read it, one of these days!

ANNA: I also have not caught up on this series and feel even more guilty, because I liked the first few volumes.

SEAN: Case Closed has Vol. 55, which is not the final volume, or even close to the final volume. It’s a long series is what I’m saying.

The 9th Ranma 1/2 omnibus has one of my favorite arcs of the series, where Akane gets so mad she declares that Nabiki can be Ranma’s fiancee instead, and the fallout that happens is magical. Oh, and we’ll also meet Pantyhose Taro, who… I will not spoil.

There is an 18th volume of RIN-NE, where the plot finally comes into focus and nothing will be the same anymore… OK, I can’t even type that with a straight face.

MICHELLE: I still like RIN-NE, though, particularly when I’m in the mood for something not mentally challenging.

SEAN: Lastly, a 7th volume of superhero manga with BL tease Tiger & Bunny.

Is there a favorite here for you?

Filed Under: FEATURES, manga the week of

Gyo: The Death-Stench Creeps

July 8, 2015 by Ash Brown

Gyo: The Death-Stench CreepsCreator: Junji Ito
U.S. publisher: Viz Media
ISBN: 9781421579153
Released: April 2015
Original run: 2002

Gyo: The Death-Stench Creeps is a short, two-volume horror manga series created by Junji Ito. Originally published in Japan in 2002, Gyo has had several English-language releases by Viz Media. It was first translated between 2003 and 2004, a slightly updated second edition was released between 2007 and 2008, and most recently, published in 2015, was the deluxe hardcover omnibus. In addition to Gyo, the omnibus also collects two of Ito’s short horror manga: “The Sad Tale of the Principal Post” and “The Enigma of Amigara Fault.” The deluxe edition of Gyo is very similar in design to the recent omnibus of Ito’s manga Uzumaki; the two volumes look great on the shelf together. Uzumaki was actually my introduction to Ito’s work, and I consider it to be one of the best horror manga that I’ve read. Despite Gyo having been released in English three times, and despite the fact that I’ve been meaning to read more of Ito’s manga, the series’ deluxe omnibus is actually the first that I’ve read since Uzumaki.

While vacationing in Okinawa, Tadashi and his girlfriend Kaori witness the harbinger of what will eventually become a plague overrunning the entirety of Japan—a small, rotting fish walking on land with what appear to be mechanical legs. Accompanying it is an overwhelming and nauseating stench. Soon, countless fish and other sea creatures begin streaming out of the ocean. The only things that they have in common are the bizarre appendages and the sickening smell. Kaori and Tadashi cut their vacation short and return to Tokyo, but Kaori in particular is traumatized by the events in Okinawa and soon the creatures begin to be found in the city as well. No one knows where the walking fish originated or how they evolved; of much greater concern is the death and disease caused by their presence on land. And things are only getting worse with the passage of time.

Gyo: The Death-Stench Creeps, page 66The back cover of the omnibus describes Gyo as Ito’s “creepiest masterpiece of horror manga ever.” Admittedly, some of the artwork in Gyo is fantastically creepy, not to mention gruesome and grotesque. Ito is an extremely skilled illustrator, creating images that are horrifying and nightmare-inducing. And as a whole, Gyo can be exceptionally gross. However, the manga’s story ends up being so utterly ridiculous that I would be hard pressed to call it a masterpiece, especially when compared to his earlier work Uzumaki. Whereas Uzumaki is surreal and bizarre, Gyo is so absurd as to be ludicrous, and only increasingly so as the manga progresses. I simply can’t take Gyo seriously; I can only read the series as a comedy, whether or not it is actually intended as such. The manga is perhaps closer to being a cult classic, which I suppose might make it a masterpiece of a different sort, but that’s something that could be argued either way. If nothing else, though, Gyo is a brilliantly outrageous spectacle.

Gyo is certainly not a manga that will appeal to every reader, even those who are already fans of horror manga. Though disconcerting and disgusting, especially the illustrations, the plot of Gyo is too silly to be truly terrifying. Taken alone, the art is superb, but the ridiculous nature of the story creates a weird disconnect. However, I can’t deny that I was entertained by the progressively over-the-top, illogical, and random developments in the manga: sentient gas, a circus out of the middle of nowhere, characters who are oddly oblivious or overly accepting of what is going on around them, and so on. (Though, it is rather sweet how Tadashi sticks beside Kaori through to the very end.) Assuming that one can find it palatable to begin with, Gyo is a very strange manga that is difficult to look away from as Ito presses further and further into territory that is beyond believing. I kept turning the pages to see just how far he would be able to take things. Gyo may very well be one of those manga that’s so good simply because it’s so bad; whether that’s deliberate or not, I’m not sure.

Filed Under: REVIEWS Tagged With: Gyo, Junji Ito, manga, viz media

Alice in Murderland, Vol. 1

July 8, 2015 by Sean Gaffney

By Kaori Yuki. Released in Japan as “Kakei no Alice” by Kodansha, serialization ongoing in the magazine Aria. Released in North America by Yen Press.

I’ll admit that I’ve always found Kaori Yuki titles hard to get into, and even harder to review. There is a certain amount of ‘aesthetics preferred over plot and character’ to her work, which makes it highly entertaining and visceral but leaves a person frustrated when they have to talk about it. There’s also giant piles of corpses in most everything she’s done, usually of the most sympathetic women in the book, and that applies here 100%. And of course the grand guignol horror of it all. Oh, and this is yet another of what has become my least favorite genre, the survival game. Despite all that, this is still a compelling read, and I had no trouble getting to the end of Volume 1, though I’m not exactly sure where it’s going beyond ‘chaos’.

alice1

Our heroine is the Alice seen on the cover – except not really. She’s actually Stella, a normal dark-haired high school student who is part of a very eccentric family of orphans who were adopted after a tea party filled with mass child slaughter. Every month the family goes to a tea party that’s held by their amazingly insane mother, who this month tells them that the time has come for them to fight each other to the death to see who gets to be the next family head and have access to a medicine that makes a person young and beautiful even in their old age. Some of them are, of course, reluctant to do this, so each of them has a hostage who will be killed if they don’t comply. To make matters worse, none of them are exactly stable to begin with – certainly not Stella, who snaps in traumatic situations and transforms into the blood-spattered Alice seen on the cover.

If this sounds a bit over the top, welcome to the world of Kaori Yuki. I also forgot to mention Alice’s stalker-cum-protector, Tsukito, who carries around voodoo dolls to curse people and is obsessed with Stella, yet halfway through shows up to become her new bodyguard and who we’re now supposed to feel sympathy for, despite the fact that he was a real creep earlier. As for the rest of the family, the other one who merits mention is Zeno, Stella’s ‘big brother’, who is killed early in the volume but then revived, only for Stella to find his personality is quite a bit different. She should be used to this, though, given how she does a 180 degree turn into murderous grinning killer when faced with horrible situations.

I’m not sure I actually enjoyed this – the horror is really grotesque in places, and there’s a sequence with a toy bunny getting restuffed that should come with a trigger warning. But it’s certainly compelling and gives a visceral thrill. I wouldn’t read it if you want to see what happens next with the plot and characters. But if you enjoy Kaori Yuki’s terrifying manga titles, and want to see lots of action and corpses, Alice in Murderland is right up your alley.

Filed Under: REVIEWS

Kodansha Licenses Princess Jellyfish; Tokyopop Returns

July 7, 2015 by Katherine Dacey

Kuragehime_vol01_CoverJust a quick programming note before I tackle the day’s news: The Manga Revue is on hiatus this week so that I can focus on breaking stories from San Diego Comic Con. The Revue will be back on Friday, July 17th with an in-depth look at Junji Ito’s Fragments of Horror. On to the links…

This year’s Anime Expo yielded several major licensing announcements, including the welcome news that Kodansha Comics will be publishing Princess Jellyfish in 2016. Vertical, Inc. also unveiled two recent acquisitions: Nichijou, a surreal gag manga, and FukuFuku: Kitten Tales, a josei title from the creator of Chi’s Sweet Home. For a complete list of all of the titles announced at AX 2015, check out Sean Gaffney’s comprehensive round-up.

The biggest news story of AX 2015 was the re-launch of Tokyopop. Not surprisingly, the Robofish reboot generated numerous essays from industry veterans and journalists, including Alex de Campi, Heidi MacDonald, Aja Romano, and Brigid Alverson. Pour yourself a cup of coffee and read up on Stu Levy’s second act.

Mobile Suit Gundham and Tokyo Ghoul top this week’s New York Times Manga Best Seller list, followed by the perennially popular Naruto and Attack on Titan.

Publisher’s Weekly reports that the North American comics market grew 7% last year, generating almost $1 billion in print and digital sales.

Erica Friedman compiles the latest yuri publication news.

Megan R., host of The Manga Test Drive, shows off her manga collection and discusses her reading habits.

Justin Stroman interviews the husband-and-wife team of Christine Schilling and James Dashiell, who are currently translating Akame ga Kill! and The Seven Deadly Sins. Fun fact: the two met at Tokyopop, where Schilling was an intern and Dashiell was a letterer.

What will you find on the New Arrival shelf this week? The Manga Bookshelf gang sift through the good, the meh, and the awful.

News from Japan: Move over, Daigo Asahina–Atsushi Okubo, creator of Soul Eater, has a new “sci-fi firefighting battle manga” in the works for Weekly Shonen Magazine. Over at Weekly Shonen Jump, creator Masahiro Hirakata will debut Best Blue, a manga about a champion swimmer. Saint Seiya‘s Masami Kuramada also has a new series launching this year: Ai no Jidai (Ichigoe Ichie), a “semi-autobiographical” story that will run in Weekly Shonen Champion.

Reviews: Over at Organization Anti-Social Geniuses, confusedmuse sings the praises of Kaori Yuki’s The Cain Saga. Johanna Draper Carlson had an exceptionally productive long weekend, posting reviews of Ani-Emo, So, I Can’t Play H, and Emma. Not to be outdone, Ash Brown posted brief reviews of The Ancient Magus’ Bride and Man of Many Faces.

Ken H. on vol. 5 of Ajin: Demi-Human (Sequential Ink)
Anna N. on vol. 1 of The Demon Prince of Momochi House (Manga Report)
Sheena McNeil on vol. 5 of Food Wars!! Shokugeki no Soma (Sequential Tart)
Johanna Draper Carlson on vols. 1-2 of Love at Fourteen (Comics Worth Reading)
Kristin on The Legend of Zelda: A Link to the Past (Comic Attack)
Nick Creamer on vols. 5-6 of Lucifer and the Biscuit Hammer (ANN)
Rebecca Silverman on vol. 6 of Monster Musume (ANN)
Lori Henderson on vol. 2 of Prophecy (Manga Xanadu)
Sheena McNeil on vol. 14 of Rosario + Vampire, Season II (Sequential Tart)
Leroy Douresseaux on vol. 1 of Twin Star Exorcists (Comic Book Bin)

 

Filed Under: MANGABLOG Tagged With: Kodansha Comics, Tokyopop, Vertical Comics

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