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Manga the Week of 9/23

September 18, 2015 by Sean Gaffney, Anna N, Ash Brown, Michelle Smith and MJ 1 Comment

SEAN: Did I mention Yen’s digital rollout makes next week even longer? 30 titles. 30. Let that roll around your head for a while.

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Before we get to Yen, let’s talk Devil Survivor, a new Kodansha series based off of an RPG that’s apparently quite popular. Lots of demons here.

Seven Seas has a 12th volume of Haganai: I Don’t Have Many Friends, whose fandom I’ve heard has completely imploded with the latest LN revelations. Luckily, this is the manga, and we’re a number of volumes from that.

Vertical Comics has the penultimate 11th volume of Mobile Suit Gundam: The Origin. So happy this series came out over here.

ANNA: Yay for Gundam: The Origin! I need to go on a reading binge and get caught up on this series.

SEAN: And Vertical also has My Neighbor Seki 4, which is nothing like Gundam but also delights me.

ASH: As it should! My Neighbor Seki is wonderful.

SEAN: Viz Digital has a debut that I believe is another JManga rescue, though I’m not sure about that. Chocolate Cosmos is a Ribon series about a young girl looking for love, so it’s definitely for Beat fans. I think there was a translation competition that centered around it.

MICHELLE: Ooh, I didn’t know about this one! It’s by Nana Haruta, mangaka of Cactus’s Secret, which came out a few years ago.

ANNA: That sounds really interesting, I will have to check it out!

MJ: Same here!

SEAN: And now on to Yen Press. We’ll start with the Yen On line. Kagerou Daze’s first novel was rather diffuse and obtuse – somewhat deliberately – and I am both interested in the 2nd volume and hoping I get more of a handle on it.

Kingdom Hearts has a new novel as well, Chain of Memories. Are Mickey Mouse and company still in this series?

I don’t know if MJhas had the time to read Pandora Hearts: Caucus Race yet, but if not, she’s now even more behind, as the 2nd novel is out next week.

MJ: MJhas not, and she’s a little bit wary of a Pandora Hearts novel series, but she’ll most likely succumb.

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SEAN: The debut novel this month is Strike the Blood, which is an action fantasy series with vampires, and thus perfect for Yen, really.

Yen Digital rolls out more debuts, most comedic. Demon King Ena-sama Goes to a Manga School seems a bit self-explanatory.

If the creepy humiliation vibe of Kakegurui – Compulsive Gambler didn’t put you off, a 3rd volume is here for you.

My Monster Girl’s Too Cool For You seeks to hit on a popular recent trend, and for once seems to begin with a rejection rather than a sudden love confession.

The Royal Tutor was slighter than I was expecting, but decent enough, and a 3rd volume of that is here as well.

ASH: Wow, I’m behind. I didn’t realize we were already up to volume three!

SEAN: And we get complete in 3 separate volumes a series called Shut-in Shoutarou Koninami Takes On The World, whose name alone makes one think of Scott Pilgrim.

Finally, we get Yen’s copious print volumes. A 2nd Big Hero 6, based on the American movie. (I always love seeing Japanese adaptations of Western media.)

Black Bullet gets a manga series to go with the light novel we saw last month. I expect the lolicon tendencies I saw in the novel would bother me more in the manga.

Bloody Cross has an 8th volume.

And there’s a 2nd volume of possibly too cliched for its own good fantasy series Chaika the Coffin Princess.

Demon From Afar is up to Volume 4, which means by now the entire cast must have all died at least three times, right?

After a couple of Final Fantasy Type-0 side stories, we now have the Type-0 manga proper.

Surprise hit (at least with me) He’s My Only Vampire gets a 4th volume.

And a 4th Love at Fourteen will continue to alternate between “they’re so adorable!” and “…are you really going there?”

MICHELLE: I’m going to be catching up on this series soon!

ASH: I need to catch up, too, but I did enjoy the first couple of volumes.

SEAN: Not everything is about Madoka Magica, but the new spinoff certainly is: Suzuna Magica begins next week.

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After the relative popularity of Higurashi and Umineko, it’s time for another Ryukishi07 sound novel getting an adaptation, this one somewhat lighter in tone – at least at first. Rose Guns Days is an alternate universe action thriller with lots of fistfights and “ladies of the evening”, and should be a ton of fun.

Spice & Wolf gives us an 11th manga volume. Don’t get it mixed up with the light novels.

Sword Art Online Progressive’s manga also has a third volume, though it’s still adapting the first light novel. Expect underwear. Lots of underwear.

MJ: I wish I liked these manga adaptations better. Alas.

SEAN: Triage X has hit double digits, a feat that makes me want to cry blood, but hey.

And a third (fourth) omnibus of Ubel Blatt, whose Volume Zero still haunts the list-obsessed.

Umineko: When They Cry has a 2nd omnibus for its 5th arc. Dlanor A. Knox is on the cover. I love Dlanor. So much better than Erika, whose presence sadly continues to permeate this arc, infecting it with her detective skills.

Lastly (at long last), a 10th omnibus of Until Death Do Us Part. Still not quite caught up with Japan, in case you were wondering.

Does anything in this huge pile appeal to your inner soul?

Filed Under: FEATURES, manga the week of

Ranma 1/2, Vols. 19-20

September 18, 2015 by Sean Gaffney

By Rumiko Takahashi. Released in Japan by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz.

I’ve talked before about how frustrating Ranma can be if you take its characters too seriously. It’s an issue that has carried over to many anime fandoms: if you try to empathize with these characters, and make their actions emotionally realistic, you will find yourself thinking they are all selfish, horrible monsters. It’s not just Ranma, either: Urusei Yatsura and Maison Ikkoku ran on this as well, and to this day most of the one-shot ghosts in Rin-Ne are deeply unlikable. At the same time, though, you have to empathize with them to some extent, you have to like and root for the characters or else why would you be reading the series at all? Between these two poles is the sweet spot of Ranma 1/2, and we see some of that in these two volumes.

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As always with Ranma, the best stories are the longest. The longest story here deals with Ryouga, who has found a way to weaponize his depression and use it against Ranma. He’s actually not aware this is what he’s doing until later in the arc, which is what makes his baffling attacks on Ranma more entertaining. But the most entertaining thing is seeing Ranma, who is getting beaten by this new attack, try to depress himself, which… really does not work at all. I was highly impressed with Ranma here, as he doesn’t need Cologne to explain an alternative to him, or find an alternate scroll with a better move, but comes up with the attack based on his own confidence purely on its own. I love seeing Ranma being a smart cookie, and wish it happened more often.

Ranma being a stubborn sullen teen fans will enjoy the arc where Ukyou, suffering a crisis of conscience after a 10-year okonomiyaki sauce she made turns out terrible (thanks to Ranma as a child, so he’s guilty) ends up staying with the Tendos and attempting to worm her way into Ranma’s life further. I’ve never seen much of the anime, which I understand softens Ukyou to a great degree, but Takahashi never bothers softening anyone in her manga, so here we see Ukyou being just as bad as Ranma (stubborn jerk) and Akane (jealous), trying to scheme her way into being Ranma’s real fiancee. It almost reads like an English farce at times, with all sorts of power balances going back and forth and sudden revelations, and also tries to bind up Ukyou’s self image as a woman and her self-image as a chef, which she finally resolves doesn’t have to be separated.

As for the rest of the volume, there’s the usual one-shot gag chapters. There’s also some Happosai here, but I hate him, so let’s skip those. Nabiki shows up more here, Takahashi having fully gotten a handle on her last time, selling pictures, information or anything really to the highest bidder. We even see Gosunkugi, who has been absent for a long time, and find out that he’s still as pathetic as ever. The cast of Ranma may be hard to empathize with, but they sure are funny, and you get a lot of humor in these volumes.

Filed Under: REVIEWS

Mushishi, Vol. 5

September 16, 2015 by Ash Brown

Mushishi, Volume 5Creator: Yuki Urushibara
U.S. publisher: Del Rey
ISBN: 9780345501387
Released: August 2008
Original release: 2004
Awards: Japan Media Arts Award, Kodansha Manga Award

The manga series Mushishi was Yuki Urushibara’s professional debut as a mangaka. The manga began serialization in Japan in 1999, lasted for ten volumes, and was the basis for multiple anime adaptations and a live-action film in addition to other media. Over the course of its publication, Mushishi would earn Urushibara several awards and honors, including a Japan Media Arts Award in 2003 and a Kodansha Manga Award in 2006. Mushishi, Volume 5 was originally published in Japan in 2004. The English-language edition of the volume was initially released in print by Del Rey Manga in 2008 and then in an electronic format by Kodansha Comics in 2014. Mushishi is one of my favorite manga series and one of the first that I made a point to collect in its entirety. Fortunately, I discovered the series as it was first being published in English, so I was able to complete my set before the manga went out-of-print and became expensive to find. However, I am glad that the digital version is now available for readers who missed the series’ original run in English, though.

Mushishi, Volume 5 collects five stories which, as is usual for the series, largely stand on their own. Ginko’s doctor friend makes a brief reappearance and there are a few nods to some of the series’ previous chapters, such as those exploring Ginko’s past, but it’s not necessary to be familiar with those references to enjoy the stories in the fifth volume. In “The Sea Palace,” Ginko visits a remote island where it is rumored that people are reborn after they die, suspecting that mushi may involved. His search for unusual mushi continues in “Eye’s Fortune, Eye’s Misfortune” when he happens upon a clairvoyant traveling musician with quite a story to tell—blind as a child, she credits a mushi for giving her sight. “The Coat That Holds a Mountain” follows an aspiring artist who leaves his rural village to study in the city, his success coming with unanticipated consequences and costs. In “Flames of the Fields,” a village’s mushishi makes a drastic decision when an unknown, invasive grass threatens lives and livelihoods. Finally, in “The Snake of Dawn,” Ginko is asked to do what he can to help a young mother who is slowly losing all of her memories.

Mushishi, Volume 5, page 202As a mushishi, Ginko travels across Japan striving to learn as much as he can about mushi. Some mushishi see the creatures as little more than dangerous pests that need to be eradicated. Ginko, however, approaches mushi more liberally, recognizing the need to treat them with caution but also advocating for the sanctity of all life and for the coexistence between humans and mushi whenever possible. Mushishi, Volume 5 presents several scenarios in which this harmony has actually been achieved: mushi that facilitate life, mushi that provide healing, mushi that grant health and strength. In some cases, though the results may still be tragic, what would normally be seen as an unwanted side-effect of interacting with a particular mushi can be used to a person’s advantage. But the fifth volume also shows that people must still continue to be vigilant and take great care when dealing with mushi and their powerful influences. This is a concept that of course extends beyond the mushi themselves; mushi are both representative of and a metaphor for those things which humans don’t fully understand or know.

I particularly enjoy the strong influence that Japanese folklore and legends have had on Mushishi. Some of the chapters take direct inspiration from existing stories while others easily fit in with those traditional tales. But there’s another aspect of Mushishi that I find especially interesting because in some way it runs counter to its seemingly supernatural elements—the actual study of mushi. In part, to be a mushishi is to be a scientist and a researcher, someone who pursues and gathers knowledge. Much of Mushishi, Volume 5 deals with rarer and unknown mushi. By investigating them, Ginko and other mushishi are in a better position to make more informed decisions in situations in which mushi are involved. Acting without complete understanding can be extremely dangerous, therefore knowledge is an incredibly powerful and valuable tool granting some amount of control over the world. Mushishi realize how important and vital the accumulation of knowledge truly is and they take their chose profession very seriously.

Filed Under: REVIEWS Tagged With: del rey, Japan Media Arts Award, Kodansha Manga Award, manga, mushishi, Yuki Urushibara

Dorohedoro, Vol. 16

September 16, 2015 by Sean Gaffney

By Q Hayashida. Released in Japan by Shogakukan, serialization ongoing in a Shogakukan magazine to be named later. Released in North America by Viz.

One thing that Dorohedoro is lacking in is traditional romantic love. Very few of the characters do anything in this title because they’re in love with someone else. As a result, you get to think more about their motivations and why they’re going to such lengths, be it Noi’s kohai adoration of Shin, Fujita and Ebisu’s awkward teasing, or everyone’s respect and allegiance to En, even now that he’s dead. And then there’s Nikaido, who certainly seems to be going above and beyond for Caiman, using her “you can only use this a few times” magic in order to go back in time to try to figure out what’s going on with him. Why is Nikaido going to such lengths? As we see here, those lengths may be having side-effects as well – will Nikaido become a full-fledged devil?

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This does lead to the funniest part of the book, though, where Nikaido uses her newfound devil powers to become MASTER GYOZA CHEF. Dorohedoro’s sense of humor has always been a bit skewed and violent, but it’s also been based heavily around gyoza, and it’s the same here. Sadly, it doesn’t last long, as Nikaido wakes from her massive food preparation unable to even remember what she was doing. (We also get a lot of fanservice from her this volume, as turning devil means a lot of exposed skin). But again, Nikaido’s motivation for Caiman seems to be based on their true friendship, rather than any romantic feelings.

The same goes for Fujita, who gets the bulk of the drama in the second half of this book. His non-presence has been a joke throughout the series, and now he’s using it in order to find out how to revive En. But he’s also young and impetuous – it’s just he’s been with people like Shin and Noi, so comparatively he’s looked meek. When he discovers the one behind En’s death, he cannot resist trying to get revenge. He’s pretty awesome about it as well, even if it does mean losing an arm and possibly dying – that’s the danger of cliffhangers. You can tell that it’s serious business as we see him without his mask – unlike Shin, Noi or Ebisu, he’s had his mask on almost the entire series. Oddly, he looks a lot like many other male characters. (Drawing different faces is not Hayashida’s strong suit.)

Meanwhile, of course, there’s the main plot, which as always is the most diffuse part of the book. What’s going on with the various factions fighting for power? Will we get to see En resurrected? Will Risu be able to control his desire to kill caiman? Is Caiman even good or evil anymore? I want to find out the answers to these things, but don’t really mind that it’s taking a while. In a series that’s all about the mood, the fact that the plot meanders is by no means an impediment. Dorohedoro remains a fascinating manga.

Filed Under: REVIEWS

Maid-sama! Vols 1 and 2

September 15, 2015 by Anna N

Maid-sama! Volumes 1 and 2 by Hiro Fujiwara

It has been some time since I’ve read this series. I think I read around 4 or 5 volumes or so of the Tokyopop release, so the new omnibus from Viz provided a good excuse to give the series a second try. I totally understand why Maid-sama! would be a strong title to re-release since it has an anime adaptation too. However, a tiny part of me will still hope in vain for some reissues of some of the other less commercial series that got cut off when Toykopop went under.

The maid in this title is Misaki Ayuzawa, a high achieving girl who has become president of a school that has only recently gone co-ed. She’s uncomfortable around boys and has made it her mission to clean up the school and abolish delinquent behaviors in order to protect the small female population. She’s super stern and has great physical prowess when it comes to beating up her fellow students. While she’s a perfect student at school, Misaki has to make ends meet by working as a waitress at a maid cafe as her part-time job. In the first few pages of the manga, Misaki’s secret is discovered by Takumi Usui, a popular and somewhat cynical boy who attends her school. He promptly decides to hold Misaki’s secret over her head and begins to pop up now and then whenever something might go wrong.

Misaki navigates issues with student-council relations, dealing with a rival school, and navigating random cross-dressing events at her part-time job. Aside from the relationship between Misaki and Usui, the manga is pretty entertaining, as Misaki’s outsize reactions to everything gradually begin to mellow out a bit as she begins to relate to all the students at her school as human beings, not just the girls. I had also totally forgotten about the idiot trio, a group of background characters that also discover Misaki’s secret identity as a maid and mostly function to gaze at her adoringly and act occasionally like a slapstick Greek chorus. Fujiwara’s art is clear and easy to follow, and very dynamic when Misaki is leaping into action to defend womanhood or juggling a ton of customers at her part-time job.

The part of this manga that bugs me and I think contributed to my decision to stop reading it before, is that Usui is utterly unappealing as a shoujo male lead to me. His general mode of interaction is to randomly show up, invade Misaki’s space, and make her feel confused and flustered. He also keeps forcing physical affection on Misaki when she’s not a willing participant, as some sort of power game. Also, Fujiwara goes to great length to demonstrate Misaki’s physical prowess when her being strong is funny or over the top, but Misaki suddenly becomes weak and incapable when it serves the purpose of the plot to have Usui rescue her from herself. He’s also constantly reminding Misaki that she’s a girl who needs help, and it only serves to make it appear like the main message of this manga is that a girl with strong type A tendencies needs a man to help her out. For folks who aren’t put off by this relationship dynamic, I do think that Maid-sama! is plenty entertaining. I just find series like Oresama Teacher or My Love Story! much more amusing if I’m looking for something fun to read in the shoujo comedy genre.

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Filed Under: REVIEWS Tagged With: maid sama!, shojo beat, shoujo, viz media

Pick of the Week: Astro-nomical!

September 14, 2015 by Michelle Smith, Sean Gaffney, Ash Brown, MJ and Anna N Leave a Comment

astroboy1MICHELLE: While I’m really looking forward to getting caught up on Naoki Urasawa’s Master Keaton, I must cast my vote this week to the new Astro Boy omnibus, which includes the story “The Greatest Robot on Earth,” which is pretty much required reading and which gives its robot a surprisingly touching character arc.

SEAN: Absolutely Astro Boy for me as well. Some of the finest Tezuka.

ASH: I almost feel like picking something else just to be contrary, but the new edition of Astro Boy is probably the most alluring release for me this week, too.

MJ: I am a sheep. Astro Boy it is.

ANNA: I’m not going to be the one to break this trend. Astro Boy for everybody!!!!

MICHELLE: Baaaa. :)

What looks good to you this week?

Filed Under: PICK OF THE WEEK

My Week in Manga: September 7-September 13, 2015

September 14, 2015 by Ash Brown

My News and Reviews

I was on a much-needed vacation last week; the family spent a fair amount of time in northern Michigan enjoying nature and good food and drink. I got some extra sleep and caught up on some of my reading and writing, too. All in all, a lovely time was had. I wasn’t online much at all except to post a couple of reviews, so I’m sure that I’ve missed out on all sorts of things. (If you would, please do fill me in on anything that was particularly interesting!) The first review I posted was of the rather clever debut mystery novel The Decagon House Murders by Yukito Ayatsuji (who also happens to be the creator of the horror mystery Another and the husband of Fuyumi Ono). I also reviewed Hirohiko Araki’s JoJo’s Bizarre Adventure, Part 1: Phantom Blood, Volume 1 which continues to be marvelously strange and over-the-top.

Quick Takes

The Ancient Magus' Bride, Volume 2The Ancient Magus’ Bride, Volume 2 by Kore Yamazaki. The first volume of The Ancient Magus’ Bride was one of my favorite debuts of 2015 and I continue to thoroughly enjoy the series with the second volume. Although overall there is a disconcerting, dark, ominous, and creepy atmosphere to the manga, but there are also moments light; the horror and mystery are accompanied by touches of humor and hope that help keep the series from becoming too oppressive. Yamazaki also captures the capricious nature of the fae perfectly. I was rather pleased to see Titania and Oberon, the queen and king of the fairies, introduced in this volume as well. Although more is hinted about Elias’ past—he has connections to the fae, mages, and alchemists, but isn’t really accepted by any of them—he’s still reluctant to open up and talk about it. He largely remains shrouded in mystery, but it seems as though he may have more in common with Chise than would initially appear. Their relationship has a peculiar dynamic to it in addition to a significant imbalance of power, but I’m very curious to see how it develops; there may be healing involved for both of them.

Haven't You Heard? I'm Sakamoto, Volume 1Haven’t You Heard? I’m Sakamoto, Volume 1 by Nami Sano. The exceedingly odd Sakamoto doesn’t seem to care at all about what other people might think of him, making him immune to bullying and giving him the reputation of being the coolest student in school despite his weirdness. Somehow, he is able to take control of any situation and use it to his advantage; he always ends up looking good. The girls all love him and the guys, though they would like to hate him, can’t help but admire and respect him. And that’s what makes the manga so funny. So far, Haven’t You Heard? I’m Sakamoto is fairly episodic although there are some recurring characters and running jokes. Both the series and Sakamoto are admittedly strange, but the comedy is played seriously with an incredibly straight face. At the same time, Sano’s artwork highlights the drama and humor of the various situations. Haven’t You Heard? I’m Sakamoto is kind of absurd and yet highly entertaining. I’m not sure for how long Sano will be able to keep the gags fresh, but I’m looking forward to reading more of the series and finding out.

UQ Holder!, Volume 5UQ Holder!, Volume 5 by Ken Akamatsu. Up until this point, my feelings toward UQ Holder! have been fairly lukewarm. I’ve enjoyed the wide variety of immortals and some of the action sequences can be highly entertaining, but the story and characters more often than not are frustratingly directionless and shallow. That being said, I was surprised by how much I actually liked the fifth volume of UQ Holder!. I didn’t have much hope for it at first as the opening battle ends up being extremely anticlimactic. I’m sure this was meant to be an amusing development, but Akamatsu’s sense of humor in the series doesn’t always work for me. But then four of the UQ Holder members are sent undercover as high school students to investigate a string of serial murders in which an immortal may be involved. Not unexpectedly, some silliness ensues alongside the seriousness of the killings. The murder case is interesting, though, even if its solution ultimately feels forced. And while I liked some of the newly-introduced characters, the lead’s oblivious optimism and aggressive friendliness continues to be both an asset and a detriment to the series.

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Filed Under: FEATURES, My Week in Manga Tagged With: Ancient Magus' Bride, Haven't You Heard I'm Sakamoto, Ken Akamatsu, Kore Yamazaki, manga, Nami Sato, UQ Holder

Bookshelf Briefs 9/14/15

September 14, 2015 by Sean Gaffney and Michelle Smith Leave a Comment

Sean and Michelle are briefin’ it again with titles from Seven Seas, Kodansha, and VIZ.

d-frag6D-Frag!, Vol. 6 | By Tomoya Haruno | Seven Seas – This is a gag comedy, one that mostly revolves around a few tsukkomis among a large group of bokes. As such, it amuses me when this is lampshaded over and over—Kenji is told that, more than the loud people fighting, it’s his constant comebacks that are causing a headache; and we meet Kenji and Noe’s mother, who proves to be just as much of a straight man as they are. In fact, this volume may have TOO many new characters—the cover shows “Kussie-sempai,” a girl with a creepy expression but good intentions, and we also meet Roka’s younger (and much taller) sister, who has a huge sister complex. That said, who all these people are isn’t important—they’re all funny, and that’s what counts. – Sean Gaffney

kissroseprincess6Kiss of the Rose Princess, Vol. 6 | By Aya Shouoto | VIZ Media – There’s no denying that Kiss of the Rose Princess has on occasion been kind of lame, but I find that I’m less critical of its flaws these days. It’s not merely that I’ve given up on expecting it to be something it isn’t, though that’s part of it, but having defined villains to go up against—the fake rose princess and her four fake (though no less bishounen) knights—and the romantically suggestive scenes that inspire various of Anise’s knights to achieve their “first awakening” power-ups have provided new energy and focus that is decidedly welcome. Okay, true, I am still utterly baffled as to why these fellows all love her, and it seems pretty obvious who she’s going to end up with in the end, but I think the series deserves credit for its improvement. Now I’m genuinely curious to see how the story is going to wrap up. – Michelle Smith

lovestage3Love Stage!!, Vol. 3 | By Eiki Eiki and Taishi Zaou | SuBLime – So far, Love Stage!! has been about 99% love, 1% stage. In this volume, Izumi makes his celebrity debut and the job offers start pouring in, but we don’t see what comes of any of that. Instead, he spends most of the volume figuring out just exactly what it is he feels for Ryoma, whom he learns had to work quite a bit harder than he let on to get Izumi’s favorite mangaka to give encouraging feedback on Izumi’s laughably lame manga creation. I do like how they finally get together, especially Ryoma’s happy tears, but dangit, I want to see some acting! As it stands, Love Stage!! is a pleasant though fluffy BL romance, but I keep wishing for it to go in the “Izumi finds the thing he was destined to do” direction. Maybe it still will, now that Izumi and Ryoma are an established couple, but I’m not holding my breath. – Michelle Smith

nonnonbiyori2Non Non Biyori, Vol. 2 | By Atto | Seven Seas – I really do wish this cast was just a little bit older—Hotaru being an eleven-year-old with the body of a seventeen-year-old for fanservice purposes will never stop being creepy —but that’s probably the only annoying thing about this peaceful, character-driven slice of life series. The ‘in the middle of nowhere’ aspect still takes precedence—there’s a very funny chapter dealing with waiting for the last train home, and Renge’s older sister trying to show off how awesome everything is in the big city where she goes to school (only to be undercut by Hotaru being an actual city girl). It’s not on a level of Yotsuba, or even K-On!, but it’s friendly enough, and despite the attempts at mild fanservice there’s no indication anything genuinely untoward will happen. – Sean Gaffney

roseking2Requiem of the Rose King, Vol. 2 | By Aya Kanno | Viz Media – Richard in this manga is being redone from the ground up—not just because of the ambiguous gender, which is made even more ambiguous in this volume, but because Shakespeare’s Richard III was a villain from the moment he was first seen on stage in Henry VI Part 2, and only got worse as he went along. We’re meant to feel bad for this Richard, though, whose grief and rage lead him to taking the life of a soldier with a family—and then becoming an unstoppable monster of death. Henry and Margaret, on the other hand, are dead-on in the way they’re portrayed from Shakespeare. This is well done, but I suspect folks unfamiliar with the original may end up getting more out of it. – Sean Gaffney

yamada-kun4Yamada-kun and the Seven Witches, Vol. 4 | By Miki Yoshikawa | Kodansha Comics – Now that we’re actually talking about witches, they’re popping up more and more frequently. Here we see Meiko, who has the ability to form a sort of telepathic hivemind, and Maria, who can see the future (much to her detriment). That said, what the creator is really good at in this series is making every situation far more complicated than it first appears, for maximum frustration and embarrassment to all involved. That said, we may be running into a bit of a problem—everyone here is too nice for their own good, and Yamada is perhaps the worst offender. The drama arrives quickly but leaves just as quickly. This is a series in desperate need of a larger villain. – Sean Gaffney

Filed Under: Bookshelf Briefs

Two More Announcements from Yen Press

September 14, 2015 by Brigid Alverson

Servant x ServiceYen Press had two announcements this week: The Akame ga KILL! prequel manga Akame ga KILL! Zero, and a print edition of the four-panel gag manga Servant x Service

The first two volumes of One-Punch Man and the first two volumes of Tokyo Ghoul top the latest New York Times manga best-seller list.

The Manga Bookshelf team discuss this week’s new releases.

Erica Friedman posts a new edition of Yuri Network News at Okazu.

At Organization Anti-Social Geniuses, Justin talks to a fan about the anime and manga scene in Bulgaria.

Lynzee Lamb counts down seven dessert-obsessed manga.

News from Japan: Two prequel chapters of Bakuman, telling the stories of the two protagonists before they met, will run in Weekly Shonen Jump, starting with the issue that’s out on September 21. New series by Inio Asano (Solanin), Daisuke Igarashi (Children of the Sea), and Kumiko Suekane (Afterschool Charisma), among others, will debut soon in Shogakukan’s Hibana magazine.

Reviews: At Organization Anti-Social Geniuses, Justin stumbles across Itihasa, a josei manga by Wakako Mizuki, a member of the Post Year 24 Group. Jocelyne Allen writes about an untranslated manga anthology, Shitashigema Akuna, a collection of adaptations by various artists of short stories by Shinichi Hoshi. The Manga Bookshelf team give us some short takes on new releases in their latest Bookshelf Briefs column.

Matt Brady on vol. 1 of Assassination Classroom (Warren Peace Sings the Blues)
Leroy Douresseaux on vol. 5 of Assassination Classroom (The Comic Book Bin)
Gabriella Ekens on vols. 5-7 of Blood Blockade Battlefront (ANN)
Nick Creamer on vol. 5 of A Bride’s Story (ANN)
Leroy Douresseaux on vol. 55 of Case Closed (The Comic Book Bin)
Sean Gaffney on vol. 2 of Emma (A Case Suitable for Treatment)
Laura on vol. 1 of First Love Monster (Heart of Manga)
Matthew Alexander on vol. 1 of Gou-Dere Sora Nagihara (The Fandom Post)
Justin on Haven’t You Heard? My Name Is Sakamoto (Organization Anti-Social Geniuses)
Sean Gaffney on vol. 26 of Hayate the Combat Butler (A Case Suitable for Treatment)
Alice Vernon on vol. 1 of Is It Wrong to Try to Pick Up Girls in a Dungeon? (Girls Like Comics)
Ash Brown on vol. 2 of JoJo’s Bizarre Adventure, Part 1: Phantom Blood (Experiments in Manga)
Kory Cerjak on vol. 3 of JoJo’s Bizarre Adventure, Part 1: Phantom Blood (The Fandom Post)
Saeyong Kim on K-ON! High School (No Flying, No Tights)
Sean Gaffney on vols. 7 and 8 of Lucifer and the Biscuit Hammer (A Case Suitable for Treatment)
L.B. Bryant on vol. 1 of My Hero Academia (ICv2)
Dave Ferraro on vol. 1 of One-Punch Man (Comics-and-More)
Lori Henderson on vols. 1-5 of Puella Magi Kazuma Magica: The Innocent Malice (Manga Xanadu)
Nick Creamer on vol. 2 of A Silent Voice (ANN)
Erica Friedman on vol. 7 of Torikaebaya (Okazu)
Steve Bennett on vol. 1 of Ultraman (ICv2)
Michael Buntag on vol. 1 of Ultraman (NonSensical Words)
Matthew Warner on vol. 1 of Ultraman (The Fandom Post)

Filed Under: MANGABLOG

Lucifer and the Biscuit Hammer, Vols. 7-8

September 13, 2015 by Sean Gaffney

By Satoshi Mizukami. Released in Japan by Shonen Gahosha, serialized in the magazine Young King Ours. Released in North America by Seven Seas.

Akane is the one Beast Knight we’ve never really focused on, so it makes sense that he gets a lot to do in this new omnibus. As we expected, he’s introverted, sullen, and insular due to a poor home life. As is perhaps less expected, he’s also siding with the enemy, though as the book goes on it becomes clear that this isn’t really due to anything but misplaced anger, and that when genuine heroism and compassion are shown to him, he can’t find it in himself to keep up the facade. Like all the other characters in the series, time is taken to explore him in depth, and it’s worth it. Though we still remain puzzled as to what Animus and Anima are doing – are they enemies, rivals, relatives? Is Animus even trying to win? Is Anima even trying to fight? Or does she just love food?

lucifer7-8

Despite one of the most obvious couples in the series being torpedoed in the last omnibus by virtue of death, these are still mostly teenagers and young adults, so love still drives a lot of the plot. I’ll leave Yuuhi aside for now, but there’s also Yuki and Subaru, who are the two nicest, most innocent characters in the series, so get the most selfless wishes in exchange for becoming knights. Yes, OK, it’s not going in a romantic direction (Subaru’s crush on Mikazuki is so obvious it can be seen from space), but their friendship is amazing when you’re in a series that’s playing with cynicism like this one does.

That brings me to Yuuji. He’s the main character, and thus gets the bulk of the character progression. We see his desire to grow stronger in order to fight by Samidare’s side. But we also see how he uses that strength to grow emotionally as well. The death of his grandfather, after all that he did in order to prevent it at the start, is a shocker, though honestly its the lizard that shows all the outrage that Yuuhi won’t. Anima, though, allows him to achieve closure, both with his grandfather (who let’s remember abused him horribly as a child, something I think might be a bit glossed over here), and with Hangetsu, whose death Yuuhi also needs to move past.

So now that we’ve seen all this, the question remains: are he and Samidare still going to destroy the world? I think the other knights would have something to say about that, particularly Yayoi. And honestly, Samidare needs a bit more development before I can say whether or not she will. But with the final omnibus coming soon, I don’t think Yuuhi is going to be helping her anymore – though that may come as a surprise to him. We’ll see how it wraps up, but I want to say again how much I’ve enjoyed this poor-selling series, and I wish it did better.

Filed Under: REVIEWS

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