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My Week in Manga: December 5-December 11, 2016

December 12, 2016 by Ash Brown

My News and Reviews

Last week at Experiments in Manga I announced the winner of the Kodansha Comics Collection manga giveaway. The post also includes a list of Kodansha Comics’ 2016 print debuts, the variety of which quite impressed me. I’ve made a little more progress on my Orange feature, but not as much as I originally intended as I found myself working on a job application instead (which is greatly stressing out my current supervisor).

Anyway! There were a few things that caught my attention online last week: Manga translator Jenny McKeon was interviewed for Forbes. Sally Ito, one of the translators of the marvelous Are You an Echo?: The Lost Poetry of Misuzu Kaneko, was interviewed over at Tofugu. In licensing news, Kodansha Comics recently announced the acquisition of the anthology Otomo: A Tribute to the Mind Behind Akira, which sounds like it should be fantastic, and Haruko Kumota’s Descending Stories: Showa Genroku Rakugo Shinju, which I am extremely excited about. (I’ve actually known about the licenses for a while now, but I didn’t want to say anything until the official announcement was made.)

Quick Takes

Gate: Where the JSDF Fought, Volume 1Gate: Where the JSDF Fought, Volume 1 written by Takumi Yanai and illustrated by Satoru Sao. Sekai Project primarily localizes visual novels and video games but has very recently expanded its catalog to include manga. Gate is Sekai Project’s first manga publication. The Gate manga is based on an ongoing series of light novels by Yanai. After a gate to another world opens up in Ginza, the Japanese Self-Defense Forces successfully fights off an invasion of knights and dragons and establishes a base on the other side. What I especially liked about Gate is that it addresses the real-world politics and implications of the gate alongside those encountered in the fantasy-like environment. Japan obviously wants to maintain control of the gate and the resources to which it can provide access, but the United States (supposedly Japan’s ally) and China are both preparing to leverage their weight, too. On the other side of the gate, the standing empire is using some less-than-ethical tactics as it struggles to maintain its power and control after such a tremendous defeat. Despite some peculiar name choices (the princess Piña Co Lada, for one), so far the setting and culture clashes of Gate are interesting. It’s also really nice to see so many competent female characters in prominent roles.

Intense, Volume 2Intense, Volumes 2-4 by Kyungha Yi. The first volume of Yi’s boys’ love manhwa Intense was, well, intense. The rest of the series continues to be psychologically and emotionally heavy and at times is outright bleak. However, it is beautifully drawn. The second and third volumes of Intense aren’t quite as compelling as the first–though necessary and important to the story, I didn’t find the temporary focus on the political dynamics of organized crime to be especially engaging–but the fourth volume more than makes up for that. Overall, Intense was a very satisfying series. Jiwoon and Soohan’s happy ending does not come easily. (Honestly, I was afraid they wouldn’t get one at all and was steeling myself for the tragedy that I hoped wouldn’t come.) Even after they are able to extricate themselves from the crime syndicate that more or less owned Jiwoon, things do not go well. Though they deal with them in vastly different ways, both Jiwoon and Soohan struggle with abandonment issues. Soohan is surprisingly controlling and overbearing, desperate to be indispensable, while Jiwoon hasn’t yet developed a sense of self-worth or the ability to stand up for himself. This combination of traits is devastating and heartbreaking. They both care tremendously for the other, but initially neither of them are in a healthy enough place to make the relationship work.

Kuroko's Basketball, Omnibus 1Kuroko’s Basketball, Omnibus 1 (equivalent to Volumes 1-2) by Tadatoshi Fujimaki. In Japan, Kuroko’s Basketball has been hugely successful. English-reading fans have been clamoring for the series to be licensed for years, but it was only picked up relatively recently. There has been something of a renaissance when it comes to sports manga in translation, and Kuroko’s Basketball is one of the major series to usher in that trend. However, while I did enjoy the first omnibus a great deal, so far I’m not quite as enamored with it as I am with some of the other leading sports manga, namely Haikyu!! and Yowamushi Pedal. Still, Kuroko’s Basketball has quite a few things going for it and even turns a few well-worn tropes on their heads. Rather than being overly realistic, Kuroko’s Basketball takes a more fantastic approach–the abilities of the highly-skilled players and coaches are almost supernatural. Kuroko, the lead, is deliberately one of the most nondescript and unassuming  characters in the series, but he is able to use this to his a team’s advantage on the court. Kuroko’s Basketball can actually be quite clever and entertaining. I was also absolutely delighted to discover that instead of having an attractive young woman as its manager (which is fairly standard for a sports manga), Kuroko’s team has an attractive young woman as its coach. I hope that remains the case as the series progresses.

Yona of the Dawn, Volume 2Yona of the Dawn, Volumes 2-3 by Mizuho Kusanagi. I enjoy epic fantasies and seem to have a particular proclivity for epic shoujo fantasies specifically, so reading Yona of the Dawn was an obvious choice. While the first volume did an excellent job of setting the stage for the unfolding drama, Yona herself spent much of it in shock and barely functioning. Fortunately, although she is still devastated by her father’s death and the betrayal of her cousin Su-won, Yona recovers in the second volume and by the third she begins to show her mettle by actively taking control of her life and destiny. These couple of volumes also expand on the series’ worldbuilding, introducing myths, legends, and prophecies that will have a direct impact on the story. Seeking a way not only to protect herself but also the people she cares about and those who are doing all that they can to keep her safe, Yona sets off on a quest to secure the help of the descendants of the four dragons who aided the country’s first king. Yona’s close friend and bodyguard Hak continues to accompany her but others begin to join them on their journey as well–Yona is proving to be a leader worth following. No longer the sheltered and naive girl she once was at the palace, Yona is working to improve and strengthen herself in addition to making an effort to learn more about her country and its people.

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Filed Under: FEATURES, My Week in Manga Tagged With: GATE, Intense, Kuroko's Basketball, Kyungha Yi, manga, manhwa, Mizuho Kusanagi, Satoru Sao, Tadatoshi Fujimaki, Takumi Yanai, yona of the dawn

Yona of the Dawn, Vol. 3

December 9, 2016 by Sean Gaffney

By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

Yona of the Dawn has clearly been a fantasy series from the get go, but with this volume we also see it starting to take on the quality of myth. Or rather, of creating a myth, as it turns out that Yona’s red hair (something she’s always disliked) is part of a prophecy that has been bandied about. Not to mention that the priest we meet at the end of Vol. 2 turns out to be able to literally communicate with God, and also mentions a “red dragon” who will unite the land. So good thing Yona is the protagonist, then, as she certainly has her work cut out for her. Luckily, she manages to gain a few more allies than just Hak in this book.

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First off, we have Yun, who I suspect was brought in by the author to fill the ‘tsukkomi’ role, but in non-meta terms, he’s got a destiny that’s bigger than just taking care of an absent-minded priest, and Yona is where he can find it. His backstory once again reminds us that this land is filled with strife, politics, and suffering, something that Yona too is gradually discovering as she realizes how much she really wasn’t aware of as the pretty princess. The other new ally is Gija (please, no romanization arguments, Japan asked for the G), who is one of the Four Dragon Warriors who wield tremendous power (as seen by his reptilian right arm), and whose ancestors have been waiting an awfully long time for Yona to show up. Being a blond second love interest sort, he and Hak naturally don’t get along, and I suspect this will be a source of amusement in the future.

This is Yona’s volume, though, and she’s really fantastic in it. She’s determined to not be useless if they get attacked by enemies again, but saying you want to learn to use a sword and bow and actually having the nerve to take a life are too very different things. Yona clearly has some skill (used, in best romantic comedy fashion, when Hak provokes her), but she’s a princess who was raised by a pacifist. Hak explicitly says that by teaching her to fight, he’s defying her late father’s order to never let her touch a weapon. Violence and strife will come to Yona, but facing them head on will not be easy. Something that she realizes as we move on.

Note that this story is not all serious murmurs about fighting and destiny. Yona and Hak may or may not be the main “will they get together” couple, but they are hilarious together, with Yona’s faces when she’s aggravated with him being particularly funny. (The start of Chapter 15 verges on magical.) And Yun, as I noted before, has a nice ability to be a grumpy snarker, having absolutely no time for Hak and Gija trying to figure out who is the best man to protect Yona. No doubt all of them will try, but I’m hoping that as the series goes on, Yona will learn more and more to protect herself. Can’t wait for the next volume.

Filed Under: REVIEWS

Manga the Week of 12/14

December 8, 2016 by Anna N, Ash Brown, Michelle Smith and Sean Gaffney Leave a Comment

SEAN: Another week before Christmas, another 15-odd titles due out. Let’s break it down.

Dark Horse has an 11th New Lone Wolf and Cub. Will it one day pass its predecessor? Actually no, as this is the final volume.

For the most part, Amazon dates on DMP have been so inaccurate lately I haven’t bothered to mention them, which is likely how I missed that the 4th Border volume came out.

MICHELLE: I have the first couple of volumes of this, but never got around to actually reading them.

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SEAN: J-Novel Club has two new releases. The first is actually highly anticipated, as I assumed that Yen would be picking it up (they got the manga instead). Grimgar of Fantasy and Ash is one of those “transported to another world” books, but is quite popular and has an anime already, so I’ll give it a shot.

The other new series is My Little Sister Can Read Kanji, apparently a broad comedic take on the moe-ing of Japan, which is a surprising license simply due to the fact that the premise revolves around kanji. Interested in how this is adapted more than anything else.

ASH: Kanji, huh? That could be interesting.

SEAN: Kodansha has a 9th volume of what is easily the most popular of its Attack on Titan spinoffs, Before the Fall.

ASH: Currently my personal favorite is Lost Girls, but Before the Fall has its moments.

SEAN: Complex Age continues to balance fun cosplay and anime references with a more serious take on “being an adult”, and I can’t wait for its third volume.

MICHELLE: Ooh, yay!

ASH: Complex Age is a great series.

ANNA: I need to get caught up with Volume 2!

SEAN: And Fairy Tail gets a 3rd giant Master’s Edition mega-omnibus.

Spoof on Titan – famous for being the less insane of the two parody spinoffs – comes to an end with its 2nd volume, which feels about right.

ASH: I found it to be a surprisingly fun series, but I agree that two volumes seems about the right length.

SEAN: Seven Seas has some new stuff as well, starting with a 4th volume of 12 Beast.

NTR – Netsuzou Trap has enough of an audience that it’s getting an anime. I suspect it is 99% male, though, and I’d put quote marks around “yuri” for its 2nd volume.

And there’s an 8th volume of Servamp. (Please insert vampire joke here – The Management)

SuBLime has a 6th volume of Love Stage!!.

ASH: I’ve been meaning to give Love Stage!! a try. Guess I have some catching up to do!

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SEAN: Vertical’s re-release of BLAME! is not only handsome but also HUGE. Leave space on the shelf for it.

MICHELLE: I should probably get these.

ANNA: I am pondering this.

SEAN: Viz gives us a 19th Itsuwaribito, which I wish I had anything to say about give it’s run so long.

And a 21st Magi, which I will always have things to say about, as it’s fantastic.

MICHELLE: Also, yay!

ASH: I’ve finally picked up a few volumes of Magi! (I still need to actually read them, though…)

ANNA: Me too. My winter vacation reading goals revolve around Magi and some other languishing series.

MICHELLE: Same here. You might be happy to hear, Anna, that this includes One-Punch Man!

ANNA: I have a mini stack of One-Punch Man too! Looking forward to all the punching!

SEAN: There’s also a 5th Monster Hunter: Flash Hunter.

ASH: I actually completely forgot about the Monster Hunter manga, but I did enjoy some of the original games.

SEAN: Lastly, an old release now available for the first time digitally, as Yen On is putting out Spice & Wolf’s light novels, starting with Vol. 1 this week.

Is this enough? Do you need more? (Don’t worry, the week after next has you covered.)

Filed Under: FEATURES, manga the week of

Manga Giveaway: Kodansha Comics Collection Winner

December 7, 2016 by Ash Brown

Happiness, Volume 1Nekogahara: Stray Cat Samurai, Volume 1
The Prince in His Dark Days, Volume 1Welcome to the Ballroom, Volume 1

And the winner of the Kodansha Comics Collection manga giveaway is… Amaya!

As the winner, Amaya will be receiving not one but four of Kodansha Comics print debuts from 2016: Shuzo Oshimi’s Happiness, Hiroyuki Takei’s Nekogahara: Stray Cat Samurai, Hico Yamanaka’s The Prince in His Dark Days, and Tomo Takeuchi’s Welcome to the Ballroom. As I was reflecting back on the manga of 2016, I found that I was particularly impressed by the increased variety in Kodansha Comics titles. And so, for this giveaway, I asked that participants tell me about their favorite 2016 Kodansha Comics manga, debuts or otherwise. Akiko Higashimura’s Princess Jellyfish seems to have garnered the most love and attention, but be sure to check out the giveaway comments for everyone’s excitement over all of the great manga released by Kodansha Comics this year!

Kodansha Comics 2016 print debuts:
Attack on Titan: Lost Girls written by Koji Seko, illustrated by Ryosuke Fuji.
Attack on Titan Coloring Book by Hajime Isayama
Attack on Titan Anthology edited by Ben Applegate and Jeanine Schaefer
Cells at Work by Akane Shimizu
Complex Age by Yui Sakuma
Fairy Tail: Twin Dragons of Saber Tooth by Kyouta Shibano
Fairy Tail: Zero by Hiro Mashima
Fire Force by Atsushi Ohkubo
Forget Me Not written by Mag Hsu, illustrated by Nao Emoto
The Ghost and the Lady by Kazuhiro Fujita
Happiness by Shuzo Oshimi
In/Spectre by Chashiba Katase
Interviews with Monster Girls by Petos
Maga-Tsuki by Hoshino Taguchi
Nekogahara: Stray Cat Samurai by Hiroyuki Takei
Neo Parasyte F by Various
Paradise Residence by Kosuke Fujishima
Persona Q: Shadow of the Labyrinth, Side: P3 by So Tobita
Persona Q: Shadow of the Labyrinth, Side: P4 by Mizunomoto
The Prince in His Dark Days by Hiko Yamanaka
Princess Jellyfish by Akiko Higashimura
Queen Emeraldas by Leiji Matsumoto
Real Account written by Okushou, illustrated by Shizumu Watanabe
Spoof on Titan by Hounori
Sweetness and Lightning by Gido Amagakure
That Wolf-Boy is Mine! by Yoko Nogiri
Welcome to the Ballroom by Tomo Takeuchi

As always, thank you to everyone who took the time to participate in the giveaway and for sharing your favorite Kodansha Comics manga with me. 2016 was a great year for manga and 2017 looks like it should be pretty darn good, too. But before we get to that, I hope to see you again for this year’s last giveaway!

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Filed Under: Giveaways, UNSHELVED Tagged With: Happiness, Hico Yamanaka, Hiroyuki Takei, manga, Nekogahara, Prince in His Dark Days, Shuzo Oshimi, Tomo Takeuchi, welcome to the ballroom

Occultic;Nine, Vol. 1

December 7, 2016 by Sean Gaffney

By Chiyomaru Shikura and pako. Released in Japan by Overlap, Inc. Released in North America digitally by J-Novel Club. Translated by Adam Lensenmayer.

Of the three initial licenses by the fledgling J-Novel Club, this was the one that people had heard of. The creators are responsible for such titles as Chaos;Head, Steins;Gate, Robotics;Notes, and other series with highly eccentric casts that abuse the common semicolon. Now we have Occultic;Nine, which is not connected to the other series that I know of (aside from the punctuation), but does have the advantage of an anime currently airing, as well as a visual novel coming next year. The plot of this book is not quite certain yet, except that it deals with a large group of people who are somehow interested or connected to the occult. The narrative viewpoint bounces back and forth between them (with one notable exception). And as a light novel, it’s not too bad.

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Our hero, if such a word can be applied to an ensemble cast, is Yuta Gamon, a teen loser who spends most of his time running a blog devoted to mocking the occult with the help of his mysterious, airheaded, and large-breasted friend Ryoka, who is not quite Mayuri from Steins;Gate but seems to fulfill much the same function. (She is the only character without a narrative viewpoint, which unfortunately makes it look like she was added simply for people to talk about her boobs.) Yuta is teeth-gratingly irritating in a way that most people who have been teenagers will likely be very familiar with, but ultimately harmless, and also seems to be getting mysterious messages on his ham radio setup. As the book goes on, we also meet a girl who tells people’s fortunes, someone who curses people via black magic, an occult reporter, a seeming detective (though honestly he could easily be faking), etc. Interspersed randomly throughout this (very randomly – the author admits in the afterword he added it after the book had been written) are the actions of a vast conspiracy doing… something.

This is very much a Volume One, promising a lot of cool things but not really delivering until the last few pages, which are easily the best part of the book, as Yuta discovers a corpse and unfortunately makes himself the prime suspect. But for the most part it’s there to show us the world these characters live in and slowly start to bring them together. I understand the anime compressed this entire first novel into one episode, which doesn’t surprise me. The characters are interesting, though. I particularly liked Miyuu, who despite her fortune telling powers is easily the most normal character in the book, and her determination is admirable. The whole thing reminds me a lot of the Durarara!! series, where you get a bunch of things thrown at you that won’t make sense till about Books 3 or 4.

The book’s main flaw, of course, is that at times it’s a bit TOO disparate, and can read sort of like waiting 200 pages for anything to actually happen. But if you enjoy a book based around mood, with a bunch of eccentric, annoying, yet ultimately sympathetic characters and an ominous undertone (what’s with the bodies in the lake?), Occultic;Nine is a good read worth your time. Though it will put Gloomy Sunday in your head (I like to think they heard the Billie Holiday version).

Filed Under: REVIEWS

Brave Chronicle: The Ruinmaker

December 6, 2016 by Sean Gaffney

By Kenya Atsui and Saori Toyota. Released in Japan as “Kimi Kara Uketsugu Brave Chronicle” by Overlap, Inc. Released in North America digitally by J-Novel Club. Translated by Dan Luffey.

As regular readers of my site may have noticed, I tend mostly to review things that I enjoy in some way. It’s easier to write about things I like for the most part, and with titles that I don’t like I have a tendency not to finish them, which makes things easier. But I do tend to give a lot of first volumes a try, which inevitably means running into some clinkers. And this is a new publisher, so I wanted to give them an honest shot. And I did positively review one of their other titles, so don’t have to feel too guilty. All this is a preamble for what you’ve likely suspected: Brave Chronicle is terrible.

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With a title like Brave Chronicle, I was expecting something a bit more fantasy oriented, but it actually takes place at a school for students adept at magic. Our heroine is the top student at the Academy and one of the most magically gifted students in the world, to the point where she’s not only a student, she’s also the headmaster. Our hero is her childhood friend and the number two in the school, who has minimal magic power but manages to kick ass in almost every fight anyway – except, of course, for her, who he has never beaten in 999 tries. Our hero is also a pervert who enjoys going on about his little sister, who has large breasts and a petite body, something he will remind you about endlessly. That said, his little sister is also a massive superweapon that can decide wars – and now an opposing world has come to take it.

The first third of this book is the worst, as it tries to do a daily slice-of-life, which means that we get the hero going on and on about his sister’s breasts, sometimes for pages at a time – note to authors, you’re only allowed to do that if you write as well as Nisioisin, and this guy does not. Despite all the seeming incest fetishism, it is never not clear that he’s in love with the heroine (whose name is Yukihime, just in case you wanted to see something else completely unoriginal. Did I mentioned she uses ice powers? Oh, you guessed, huh?). After a while, the book settles into serious mode and we are treated to a series of endless fights, which is actually a step up as I was merely bored and not disgusted. Oh yes, and I should mention that, unlike most light novels these days, this is complete in one volume. That did allow it to pull off an ending that I can honestly say I wasn’t expecting, which should technically be praised if it didn’t leave such a bad taste in my mouth due to being carried out in the most cliched manner possible – I was genuinely disappointed the hero did not scream “NOOOOOOOOOOO!” at the sky, which would have completed the bingo card.

I try to be nice to cliched series, and I do enjoy quite a few of them. But this series was so derivative, and offered so few genuine good points, that it was a struggle to get through it, and the reward at the end was bittersweet. J-Novel Club does have some other interesting series on their site for you to try, so try them, and don’t feel too bad by giving this a miss. Absolutely dire.

Filed Under: REVIEWS

Pick of the Week: Manga Assortment

December 5, 2016 by Michelle Smith, Sean Gaffney, Anna N and Ash Brown Leave a Comment

haikyu6MICHELLE: There’s a trio of shounen favorites I will definitely be getting, but of these, I’m looking forward to Haikyu!! the most, I think. Karasuno’s up against the foes that took them out of contention last year. OMG, can they win?!?!

SEAN: I too am going to pick a shonen favorite, as the 13th volume of Assassination Classroom is particularly excellent, and reveals much about why Nagisa is the way that he is.

ANNA: Never has my choice been more clear, because a third volume of Yona of the Dawn is coming out!

ASH: There are quite a few manga being released this week that I’m looking forward to, including the most recent volumes of Haikyu!! and Yona of the Dawn, but my pick actually goes to the collection of erotic gay manga The Boy Who Called Wolf. Mentaiko Itto’s work tends to be good-natured and highly entertaining, so I’m happy to see more of his manga being translated.

Filed Under: PICK OF THE WEEK

My Week in Manga: November 28-December 4, 2016

December 5, 2016 by Ash Brown

My News and Reviews

November may have come and gone, but there’s still time to enter November’s manga giveaway for a chance to win the first volumes of Shuzo Oshimi’s Happiness, Hiroyuki Takei’s Nekogahara: Stray Cat Samurai, Hico Yamanaka’s The Prince in His Dark Days, and Tomo Takeuchi’s Welcome to the Ballroom. The winner will be announced on Wednesday, so get those entries in! Other than the monthly giveaway, last week continued to be rather quiet at Experiments in Manga. Happily though, I was able to make some progress on my feature for Ichigo Takano’s Orange.

In case you’re looking for more giveaways, Manga Test Drive’s annual holiday giveaway is currently underway. (Also, if you’re looking for some great manga reviews, Manga Test Drive is well-worth checking out.) As for other interesting things online: Vertical has posted its novel survey which includes the opportunity to make a license request; Justin at The OASG has compiled a list of Princess Jellyfish‘s chapter title pop culture references; and the final part of The Sparkling World of 1970s Shojo Manga has been posted at The Lobster Dance.

Quick Takes

Interviews with Monster Girls, Volume 1Interviews with Monster Girls, Volume 1 by Petos. I’ve come to associate monster girl manga with Seven Seas and so initially I was a little surprised to learn that Interviews with Monster Girls was actually being released by Kodansha Comics. Of course, there’s nothing wrong with another publisher giving a recently but immensely popular niche some attention! Tetsuo Takahashi, a high school biology teacher, has both a personal and professional interest in demi-humans. He has always wanted to meet one but has never had the opportunity until he suddenly and unexpectedly encounters not one but four demi at his school. Three are students–an energetic vampire, a lonely dullahan, and a meek yuki onna–while the fourth is both a succubus and one of the school’s math teachers. One thing that’s different in Interviews with Monster Girls from many of the other monster girl manga that I’ve read is that the demi don’t seem to be a separate species from humans but are instead a sort of spontaneous, rare genetic mutation. So far, Interviews with Monster Girls is fairly innocuous. The story tends to be fairly quiet and even introspective with touches of humor, focusing on the daily lives, troubles, and worries of the young demi women.

Magia the Ninth, Volume 1Magia the Ninth, Volume 1 by Ichiya Sazanami. I had previously read and enjoyed Sazanami’s earlier series Black Bard which would have been enough to interest me in Magia the Ninth but when I heard that the series was about magic-wielding, demon-hunting, bishonen composers I knew that I wouldn’t be able to resist it. The manga follows Takeru, a young man whose parents were killed by demons. He wants revenge and so seeks the aid of  the magia, a group of people imbued with the souls of classical composers who use musical masterpieces as exorcism tools. Specifically, he tries to convince Beethoven to make him his apprentice. Honestly, at times Magia the Ninth is barely coherent. The worldbuilding is a mess and the story nearly nonexistent. The manga is a spectacle without being spectacular but even so, I absolutely loved the first volume. It’s an absurd but highly entertaining and energizing manga. And due to my classical training, I’m in a position to appreciate Sazanami’s nods to the personal quirks and histories of the original composers. Apparently Magia the Ninth is actually only two volumes long. I don’t know if Sazanami planned it to be that short or if the series was canceled early (which wouldn’t surprise me), but I definitely plan on reading the second half.

Prison School, Omnibus 3Prison School, Omnibus 3-5 (equivalent to Volumes 5-10) by Akira Hiramoto. I’m not sure if Prison School could be any more different than Me and the Devil Blues, currently the only other manga by Hiramoto to have been licensed in English. The only immediate similarity between the two series is Hiramoto’s exceptional artwork. Many people will find Prison School appalling and rightly or at least understandably so, especially if they’re expecting something more akin to Hiramoto’s earlier work. Prison School is blatant in its highly sexualized and fetishized characterizations, story, and illustrations. The fanservice is frequently so extreme as to be grotesque. But it’s all done deliberately–Prison School is so absolutely ridiculous and over-the-top that it’s impossible to take seriously. While it’s not exactly a parody, it is a romantic comedy of sorts. Assuming someone isn’t simply outright offended by the manga, Prison School is legitimately funny and at time even hilarious. It’s definitely not for everyone, but I’ll admit to enjoying the series. These particular omnibuses conclude the first major story arc and begin the second which delves more deeply into the pasts of several characters.

Sweetness and Lightning, Volume 2Sweetness and Lightning, Volume 2 by Gido Amagakure. I really enjoyed the mix of food and family present in the first volume of Sweetness and Lightning and so was looking forward to reading more of the series. The second volume continues in very much the same vein with perhaps just a little less melancholy. Granted, there are still a few heartwrenching moments, it’s just that there are plenty of heartwarming moments to go along with them. Inuzuka’s skills as a single dad and as a cook continue to slowly grow as the series progresses. One of his most recent stumbling blocks is trying to find a way to incorporate green peppers and other bitter vegetables into meals and have them be acceptable to his young daughter Tsugumi. The father-daughter relationship between Inuzuka and Tsugumi is one of my favorite relationships in Sweetness and Lightning and is one of the main reasons I enjoy the series so much. The dynamic is very sweet in addition to being portrayed very realistically–sometimes there are smiles and sometimes there are tears, sometimes there is laughter and joy and sometime there is yelling and frustration, but most importantly there’s always love. All of the good food doesn’t hurt things, either.

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Filed Under: FEATURES, My Week in Manga Tagged With: Akira Hiramoto, Gido Amagakure, Ichiya Sazanami, Interviews with Monster Girls, Magia the Ninth, manga, Prison School, Sweetness and Lightning

Bookshelf Briefs 12/5/16

December 5, 2016 by Sean Gaffney and Michelle Smith Leave a Comment

assclass13Assassination Classroom, Vol. 13 | By Yusei Matsui | Viz Media -As this series goes on, it’s taken a turn for the dark. Not surprising given it’s about child assassins, but there honestly hasn’t been any actual assassination yet. At least not for the kids—a flashback to Irina’s past shows just how young she was when she started her seduction assassinations, and it’s clear she targeted lolicons. As if that weren’t enough, we meet Nagisa’s mother in this volume, and find out a lot about why he is the way he is—she’s a horribly abusive parent, emotionally manipulating him into having the life she didn’t—even if he’s a boy. It’s a sign of Nagisa’s growing moral sense that he doesn’t choose to give up on her. Still excellent, but this volume adds “grim” to that. – Sean Gaffney

butler23Black Butler, Vol. 23 | By Yana Toboso | Yen Press – I don’t love Black Butler or particularly care about the characters, but I continue to follow it in a desultory fashion. In this volume, Ciel and Sebastian are tasked with investigating a music hall that enchants rich and poor alike. The chief suspect is a fortune-teller who discerns Sebastian’s nature right away, so we get lots of Ciel investigating on his own while Sebastian lurks about outside, foisting his affections onto alley cats. The highlight of the volume is an absurd, multi-page boy-band-esque performance by the prefects Ciel encountered a few volumes ago. Though there’s really nothing here that moves or interests me in any profound way, I will probably keep reading it nonetheless. – Michelle Smith

dangan3Danganronpa: The Animation, Vol. 3 | By Spike Chunsoft and Takashi Tsukimi | Dark Horse – As with the previous volume, the big weakness of this adaptation is its rushed pacing—at times it was hard to follow what was going on, such as Monokuma killing off the Chihiro AI computer, which felt out of nowhere. We winnow the cast down further, and this time the murderer is not as sympathetic—make that murderers, as we have some multiple manipulations going on here. Much of the second half revolves around us trying to believe that optimistic girl Aoi is the next murderer, which is so unlikely that I’m relieved that they didn’t bother to drag it out. As it is, though, things wrap up next volume, so is anyone else going to die? Aside from the bear that started all this. – Sean Gaffney

magia1Magia the Ninth, Vol. 1 | By Ichiya Sazanami | Seven Seas – Given the sheer number of ‘demon hunter’ manga out now, which are all a variety on ‘groups of people hunt ghosts/yokai/demons that possess humans and turn their emotions negative,’ you really need to be unique in order to keep people reading. The creator of Magia the Ninth tries to do it by using classical music—the bishonen demon hunters in this series are all named after composers, and their magic attacks are their most famous works. There’s also some attempts at goofy humor to lighten the mood a bit. Still, apparently it wasn’t all that unique, as it wraps up in volume two, which means that a lot of the characters and foreshadowing being doled out here won’t amount to much. Something of a trifle. – Sean Gaffney

masamune3Masamune-kun’s Revenge, Vol. 3 | By Hazuki Takeoka and Tiv | Seven Seas – There aren’t any major new characters or plotlines introduced in this third volume, and as such it feels a bit like it’s coasting. Of course, there’s still a lot to play around with. Masamune can’t get his revenge if Aki hates him, so he has to work on that. As always, he fares much better when he’s not being manipulative. I wish I could say the same for Neko, but I suspect that she may be the villain here, and volume four may end up shredding a lot of plans. Other than that, there’s really not much going on here—like Masamune, the series feels like it’s backsliding a bit and getting flabby. To be fair, it was hard to top the start, which may be Aki’s most glorious rejection yet. At its best when she’s at her worst. – Sean Gaffney

girlsop3Sword Art Online: Girls’ Ops, Vol. 2 | By Neko Nekobyou and Reki Kawahara | Yen Press – Well, last volume was very comedic, but this one certainly isn’t. It turns out we haven’t heard all of Lux’s past, and like everything else in the Sword Art Online series to date it’s intertwined with the death guild Laughing Coffin. Honestly, having them use lackeys that they brand and threaten with death—I think they’d rape her if they could get away with it in SAO, frankly—is one of those “of COURSE they did that” moments, and Lux is sweet enough that it really hurts. Now, of course, her past is being used against her by a nihilist comrade with a grudge against her magically having new friends. Guess how well Lisbeth and company will take that. Good stuff. – Sean Gaffney

welcome2Welcome to the Ballroom, Vol. 2 | By Tomo Takeuchi | Kodansha Comics – I am very relieved that the thrilling last-minute substitution, while certainly a rush for our hero, was called out for the giant illegal move it was. Unfortunately, that would seem to sideline two of our main characters—Hyodo leaves to recover and Shizuku is somewhat upset that she wasn’t informed about Hyodo’s injury. But that’s OK, as we have new characters waiting in the wings, a brother/sister team who are opposites in personality. There’s a lot going on here comparing ballroom partners with romantic partners, and to be fair Fujita does seem to mesh faster with the new girl. And then there is the art, as always the #1 reason to read this series. Addictive. – Sean Gaffney

Welcome to the Ballroom, Vol. 2 | By Tomo Takeuchi | Kodansha Comics – I have to wonder whether an editor suggested that Takeuchi write about dance simply because she draws motion so well. Even if one cannot envision the steps, the exhilaration is clear, and I particularly love the way she draws the male physique whilst dancing. Plot-wise, Tatara dances in public for the first time thanks to Sengoku and his machinations, and ends up demonstrating an uncanny ability to achieve unity with his partner. This skill is put to the test when he acquires a new partner (a middle-schooler named Mako) and challenges her brother/former partner to a duel for having had the temerity to cast her aside in favor of Shizuku. I hope we get a more in-depth look at dance competitions next time! – Michelle Smith

wdyey11What Did You Eat Yesterday?, Vol. 11 | By Fumi Yoshinaga | Vertical, Inc. – Every time Shiro Kakei admits to someone that he’s gay, my heart grows a size. It seems to be coming a little easier to him this time, too. In this case, he’s responding to his landlord’s inquiry, as the latter is worried he might move to Shibuya, where a same-sex partnership law has been passed. Also in this volume, Kenji buys a suit for a birthday dinner and looks like a yakuza, Shiro is double-booked for sakura-viewing (and makes delicious looking bento treats), two of the lead’s coworkers (Shino and Tabuchi) take turns cooking, and Shiro apologizes to yogurt. It’s as charming and entertaining as ever, with multiple things to make a hungry reader drool, though I’ll have to pass on the carrot and tuna salad. – Michelle Smith

Filed Under: Bookshelf Briefs

My Big Sister Lives in a Fantasy World: The World’s Strongest Little Brother

December 5, 2016 by Sean Gaffney

By Tsuyoshi Fujitaka and An2A. Released in Japan as “Neechan wa Chuunibyou” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Elizabeth Ellis.

It has been well over ten years since the Haruhi Suzumiya books hit Japan, and almost exactly ten years since the animated adaptation, so it’s no big surprise that we’re beginning to find works that are clearly inspired by its ideas. Actually, much of this book sounds like it’s been pulled together from what’s popular these days. No one gets pulled into another world, but there is a girl who’s a huge fan of that genre. There’s a vampire, although she could be any other kind of supernatural creature for all the relevance it has. And of course the Japanese title itself reminds us that focusing on the phenomenon of ‘chuunibyous’ is also quite popular, and has spawned several anime. So, as a hodgepodge of things that are popular lately, as well as the usual light novel tropes that have always been popular, this should be a giant mess. Yet somehow, I quite enjoyed it.

chuunibyou

This is one of J-Novel Club’s three debut digital titles, and I picked it to read first for a very simple reason: it’s the shortest. The premise is laid out at the start: normal high school kid Yuichi wakes up one day to find that he can see tags over people’s heads that show their ‘role’ – this starts normally with ‘big sister’, ‘office worker’, etc, but once he gets to school he runs into ‘vampire’, ‘zombie’, ‘witch’, and most ominously, ‘serial killer’. Unfortunately, this is basically the limits of Yuichi’s new power. Fortunately, he has a few tricks up his sleeve, as my earlier remark about his being a normal high school kid is a giant lie. Moreover, he has the title character, his big sister Mutsuko, who has prepared for this day her entire life, and made sure Yuichi is prepared as well.

The subtitle of this series is essentially the big reveal, and I must admit it’s quite well done. There are a few suggestions that Yuichi is not what he seems at the start – the strength equipment he uses that his new friend can’t even manage to move – but from about halfway through the book, once we gather than Yuichi IS in fact the world’s strongest, he is allowed to be as ridiculous as possible, jumping off four-story buildings, fighting oni to a standstill, and avoiding kicks to the crotch by forcing his testicles back into his body. If this sounds utterly ridiculous, it absolutely is, and only Yuichi’s blase narration really helps carry it off – to him, this is Tuesday. As for Mutsuko, this is basically her fault – imagine if Haruhi Suzumiya got a hold of Kyon at a very young age and began to train him to take on aliens, time travelers and espers with the power of MANLY STRENGTH and you’ve got the idea.

There’s nothing really subverted here – the serial killer with a lust for killing turns out to be easily distracted by Yuichi, who she can’t actually kill as he’s too good, and I suspect his harem will only grow. It’s also clearly written to be a longer series with the possibility of an anime – we don’t really find out anything about 3/4 of the class and their quirks, or Yuichi’s YOUNGER sister, who he shares a room with and doesn’t think that’s unusual at all. I’d only recommend this to light novels fans with an open mind. But if you are one, this is light, breezy, enjoyable fun, and I liked the characters. Surprisingly recommended.

Filed Under: REVIEWS

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