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By Kyo Shirodaira and Chashiba Katase. Released in Japan as “Kyokou Suiri” by Kodansha, serialization ongoing in the magazine Shonen Magazine R. Released in North America by Kodansha Comics. Translated by Alethea & Athena Nibley.

I admit somewhat shamefacedly that I haven’t really read any of this author’s prior works in North America, even though he’s put out quite a bit. Supernatural detectives seem to be a running theme, and both Spiral (out from Yen Press) and Record of a Fallen Vampire (Viz, though the digital reprint is from Yen) were fairly popular. Now we have his newest series, In/Spectre, based on a novel. If I was to describe its plot in a one or two sentence fashion, you likely would not be impressed. A young girl with a connection to the supernatural meets a young man with a tragic past who also has a connection with same. If they team up, they can fight against yokai who have gotten out of hand. We’ve seen this sort of thing before many times. Luckily, a manga is not just about its plot. It’s about characterization, dialogue, and art. And in those respects, In/Spectre hits it out of the park on the very first pitch.

Kotoko is our heroine, and the main reason I enjoyed this as much as I did. She’s a 17-year-old girl who, a few years back, made a deal with the yokai to be a sort of conduit for them in exchange for losing a leg and an eye. (Amazingly, the manga does not give her a fetishey eyepatch the way literally any other author would, but gives her a perfectly serviceable prosthetic – same with the leg, the cane is mostly to pacify her parents.) While at the hospital for her exams, she meets Kuro, a young man who’s there with his girlfriend Saki, and falls in love at first sight. Of course, he has a girlfriend. A couple of years later, she meets him again, only now he’s broken up, and she immediately takes the initiative. Kotoko’s brash, pushy charm is the main reason to read this – she’s a hoot, whether it’s proposing to Kuro within five seconds of meeting him, using him in order to pacify an out of control yokai (which doesn’t work), or cheerfully admitting that getting hit with a steel beam was nothing compared to the pain of losing her virginity, Kotoko is a brat in the best way.

I haven’t mentioned Kuro much, and to be honest he’s the weakest part of the book, being a stoic type who’s still brooding about his breakup at the start. The other reason I haven’t mentioned him is that halfway through the book takes an interesting right turn and time skips again a couple years, where we see Kuro’s ex-girlfriend Saki, now a police officer, dealing with the vengeful spirit of an ex-idol who was killed by a falling I-Beam, and now walks around the town with no face attacking people with the same beam. Saki too has not taken the breakup well, and curses her own human frailties – she’s still a bit terrified of what Kuro is, but realizes that she was in the wrong. She runs into Kotoko as well, and I suspect will end up being the “straight woman” in this series – certainly she does not react well when Kotoko admits she’s now dating Kuro.

This sort of series is hard to review, because so much of it depends on the words, and I don’t just want to quote dialogue at you. The art is good, too – I don’t think the artist has done any other series, but they can sell both comedic and eerie quite well. I really want to read more immediately, a nice change of pace from most Volume 1s, where you’re waiting for the series to find its feet. None of that here – Kotoko sacrificed a leg so the series could get on its feet right away. Highly recommended (unless you dislike brats, as Kotoko is absolutely a brat.)

By Natsuki Takaya. Released in Japan as two separate volumes by Hakusensha, serialized in the magazine Hana to Yume. Released in North America by Yen Press. Translated by Sheldon Drzka.

This was the first series to be released after the end of the amazingly popular Fruits Basket, and everyone was on tenterhooks to see what it was going to be like, both here and in Japan. Of course, for various reasons it wasn’t actually released here till 2016, a good five years after it ended in Japan, so a bit of the bloom is off the rose. Still, it’s hard not to feel a bit of affection and excitement for a new Takaya title. After reading this first volume, I get the sense that she had a better idea of where she was going with this – there’s a lot of backstory hints dropped here that the author is content to simply drop and then leave alone for a while. I suspect it will reward a reread. In the meantime, we have the adventures of a determined girl who always seems cheery but may be hiding a deep sadness, and the boy she runs into one day.

I admit I did find it hard not to fall into the trap of “this is character X and Y from Fruits Basket mixed together!” at times. Sakuya does have a Tohru-esque sheen to her, though a lot of that is simply a similar “I will be happy and determined” attitude. I’m also thinking of Hijiri, who I will warn in advance is my favorite character. I’m sure I’m not alone in this, but let’s face it, she’s Hanajima and Shigure mixed together, and there’s no way I’m not going to love that. A mask of sweetness hiding a deeply manipulative side but still basically a good person. We also get the male best friend with a crush that is clearly doomed (blond, of course, as the clear winning guy has darker hair – you win again, shoujo cliches). And Kana, Sakuya’s guardian who seems to be a deliberate step away from a Shigure sort – from what the story tells us, he’s a struggling artist, and many question why he can even take care of Sakuya at all.

Then there’s the male lead Chihiro, who is easily the most fascinating character in this first volume. And I will admit, not always in a good way. We first met him after he invited himself into Sakuya’s house by pretending to be her boyfriend, something that seems completely out of the blue. Later, when she meets him again (she sees him on a train that she just misses, and proceeds to jump off the tracks and run after it till she hits the next stop, which may be the most Takaya thing ever), it feels a lot more unstable and dangerous, and frankly my first thought was to tell Sakuya to stay the hell away from him. Naturally, this is when she realizes she’s fallen in love. The second half of the book, where he (inevitably) shows up as a New Transfer Student, is thus filled with incredible awkwardness, fake smiles and Sakuya freaking out – but doing her best!

Basically, Twinkle Stars is exactly what you want in a new Takaya series. If you’ve read her other work, there’s a lot here that’s familiar – not just the characterizations, but the plot beats and emotional responses. But that’s actually great, as she’s so good at that. Twinkle Stars is like getting a brand new blanket that’s as warm and cozy as your last one. Settle down with it.

By Yomi Hirasaka and Itachi. Released in Japan as “Boku wa Tomodachi ga Sukunai” by Media Factory, serialization ongoing in the magazine Comic Alive. Released in North America by Seven Seas. Translated by Ryan Peterson. Adapted by Ysabet Reinhardt McFarlane.

(Note: please do not post light novel spoilers in the comments.)

Most harem manga these days have to walk a very thin tightrope, especially in a modern, internet-forum friendly world. readers want the hero to end up with the girl they like best, and every time that things return to the status quo they are upset. Writers and editors want this to be successful for as long as possible, which means stringing things out and returning to status quo without making it look too obvious. With Haganai, the Neighbors Club has been the way to do this, as each of the cast is so socially inept that even basic interaction is a challenge, much less having a significant other. Or at least, that’s what Kodaka tells himself. In fact, Kodaka is very good at lying to himself and others, and the astute reader of Haganai has, through several books now, been feeling more and more like Rika, watching this play out and getting increasingly angry. This is the volume where that rage finally explodes.

This kicks off with a seeming resolution of the perpetual love triangle between Kodaka and the two female leads. Yes, there are more than two love interests, but at heart it’s always been about Yozora vs. Sena. More on Yozora later, but I felt that Sena’s confession was first rate. Yes, it started out as her seemingly talking to herself while gaming, as if practicing for later, but once she realizes what actually happened, she doesn’t back off. This makes a start contrast to Kodaka, who literally runs away as fast as possible and hides from the rest of the club for days. His desire for stasis has never been more contemptible than it is here, particularly given that he spends said days with the Student Council, the Neighbors’ Club’s mortal enemies. To his surprise, they don’t view him as a thug and a bad person, and we see just how much of Kodaka’s self-worth problems are his own doing.

Then comes the scene with Rika. (Yes, there’s a nice scene with Yukimura as well, but while it’s heartwarming, it’s all setup for that one gag. You know the one I mean.) Rika already confronted Kodaka last time about his perpetual “Huh? What was that?” response, and was seen to be barely holding it together. Now she explodes, and it’s glorious. Kudos to Itachi, by the way: the art in Haganai has frequently taken on a sketchy, exaggerated look at times, particularly when it’s funny, and it doubles down on that here, with some amazing faces that would not look out of place in a horror title. Rika beats the shit out of Kodaka (scientifically, of course) as she rants about what she learned from Sena. She’s absolutely right, of course. Of all the girls in the series, Sena has gotten twice the romantic subtext as anyone else. And he’s running away from this because he can’t face up to her actually liking him as more than a friend.

Haganai is caught up with Japan, so it will be many months before we see the next volume. But now that Rika and Kodaka have admitted hey are indeed friends, can he man up and listen to Sena? More importantly, what about Yozora, who seemingly heard this entire exchange, and whose devastated sobbing face ends this arc? The artist notes that the manga may be a bit different from the light novels, though it’s unclear if that means additions or actual changes. In any case, for those who were waiting for the payoff in Haganai, here’s where it starts.