Created by Eiichiro Oda. Written by Jun Esaka. Illustrated by Sayaka Suwa. Released in Japan by Jump Books. Released in North America by Viz Media. Translated by Stephen Paul.
It’s been a while since I’ve dipped my toe into reviewing One Piece, but here they are with a light novel. Like most Jump light novels, the content is light as air, and you can read it in less than an hour. That’s not to say it’s bad, though. The author apparently is an old hand at this, having written a number of Sasuke spinoffs for the Naruto light novel series. The artist seems to be more on the fashion end, but it’s a terrific style – Oda does not do anything besides the cover art, but I didn’t miss him, as these have a style all their own. As for the stories themselves, well, they’re a mixed bag, as you’d expect. Our main two heroines do better, but things lag a bit in the second half. overall, frankly, the book suffers somewhat from what the manga itself does at times – it wants to write cool, strong women, but it also can’t help but objectify them.
In the first story, Nami buys shoes that will supposedly let her run fast in heels, but they’re terrible. When she goes to return them, she finds an arrogant designer and his jaded girlfriend/assistant. Told he’ll give her proper good shoes if she models for him, Nami does so, but also tells the assistant she’s better off without this jerk. Robin’s story takes place while she’s with the revolutionaries, as she tries to help the crew eat some very bitter mushrooms and Koala to decipher a newly discovered lost script. In the third story, a young boy has fallen in love with Vivi and writes a letter to her saying this, but it blows away. Trying to catch it, Koza ends up in trouble when everyone thinks he wrote it. Lastly, Zoro and Perona are living with Mihawk, and have a nice interlude – and a lot of fighting – when three bottles of delicious wine wash up at their castle.
The series is best when it’s living up to its title. Nami and Robin may be praised by the narrative as amazingly beautiful and stunning, but they’re also cool and clever – Nami gets exactly what she wants, gets a bit of revenge that nets her money, and (a distant third) helps a woman realize her life has value without a boyfriend. Robin could do everything in her story herself, but does not, knowing that Koala is undergoing the joy of discovery and working something out for herself. I also loved her washing the dishes. The weak story is the third one. It’s supposed to be about Vivi, but she only shows up for the resolution, and is used 100% as an object of worship. Koza’s relationship with her means that he takes over the narrative – Nami and Robin fortunately lack men in their lives. Perona is shown here midway between her “I am a minor villain” debut and the “I am Zoro’s friend and ally” we see later, and hers is probably the funniest story – yes, it revolves around Zoro and Mihawk too, but she’s the POV, so it works fine. (She’s not praised as the other three are. Shame, she’s cute.)
So overall, two excellent stories, one funny and good story, and Vivi’s story being hijacked. Not a bad batting average. Next time we’ll have Hancock, Tashigi, Reiju and Uta. For One Piece fans.
