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Re: ZERO -Starting Life in Another World – Ex, Vol. 2

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by Media Factory. Released in North America by Yen On. Translated by Kevin Steinbach.

In Japan, these two volumes came out slightly later than they did here – the first one came out after Book 6, and this second one after Book 7. It didn’t really matter with Crusch’s book, but I get the sense with this second volume that we’re missing the impetus as to why we’re suddenly getting a side story devoted to Wilhelm when he hasn’t really had a large role in these books to date. Of course, as fans will know, the cover of the next volume of Re: Zero out in North America prominently features Wilhelm. In any case, despite feeling as if I came in after the start of the movie, this was a very good volume of Re: Zero’s spinoff, showing us a moody young man who tries to shut himself off from everyone except his sword, and his meeting a lovely and teasing young woman in a construction site with a flower garden. It also manages to have another excellent message that we’ve seen before: war is an awful thing.

The start of the book doesn’t even has Wilhelm as the viewpoint character, though that changes about one-third of the way in. Grimm is his fellow soldier and a far more “normal” person, which is to say he has his doubts, wants to avoid combat and run away when things are bad, etc. Wilhelm seemingly finds him detestable, but the fact that he’s also the only person to repress those feelings and fight valiantly anyway says a lot in his favor. As Wilhelm gradually (very gradually) begins to open up to the reader and to others, Grimm is no longer needed, though I was annoyed that the narrative went so far as to remove his voice from it literally. We also meet what… I guess is meant to be Roswaal’s mother or grandmother? It’s not very clear, and the fact that they talk and act exactly the same makes me wary and suspicious. (If you know, don’t tell me in comments, I’m happy to be unspoiled.) And we also get a whole lot of dead soldiers, both humans and demi-humans, to show that, again, war is an awful thing.

There’s also Theresia, who for most of the book seems to be just an ordinary young girl who likes to hang out in the middle of deserted vacant lots in the poor sectio0n of town for fun, but who turns out to have a much bigger secret. A surprise to you all, I’m sure. Honestly, I wish I could have had more of her – this is a very male-oriented narrative, given that it’s mostly from Wilhelm’s POV, and both he and Carol, Theresia’s friend and retainer, think the same thing: she is made for peace and fluffy things, not as a maiden of war. Which is all very well and good, and I understand that in an anti-war book you want to have that sort of opinion, but a longer section from Theresia’s POV might have helped me not see it as “pretty girls shouldn’t fight!”, which is what it comes off as.

Fortunately, their story is not over yet. This comes as a surprise to me, as after the first Ex volume I came in assuming we’d see another awesome character getting killed off for tragic backstory. But no, the book ends on a triumphant note. And there’s a 3rd volume coming out soon in Japan that looks like it will continue the story. So this is definitely recommended, though readers may want to wait till after Vol. 7 is out before they give it a try.

Yona of the Dawn, Vol. 11

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By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

This volume of Yona of the Dawn is a return to the beginning in many ways. It opens with an extended flashback showing the trio of Yona, Hak and Su-Won as children, sneaking out against orders to see what the town looks like, which ends up turning into a disaster after Yona is kidnapped almost immediately. It’s a terrific sequence, showing off the strong friendship that the three had, as well as showing that Hak and Su-Won each are jealous of the qualities they see in each other. And of course it’s tragic because of what came later, something that is still affecting both Yona and Hak deeply, as we see later on. He has nightmares about Yona, both in regards to Su-Won’s betrayal and also her becoming a warrior rather than a princess. And Yona is feeling the same thing, only she knows what side she’s going to choose going forward.

Yona and company are moving north, arriving in a village that is much the same as the fire tribe one they left, but is much better off due to developments in their grain. This excites Yun so much that he’s willing to do a festival dance in order to get more information about it – or at least have Yona do it, as Yun can’t dance at all. Hak notes that Yona has danced in the past, but it’s been rather awkward and amusing more than anything else. That changes here when Yona uses the dance to show what she’s become and where she’s headed, in a performance that makes everyone’s jaw drop, including Hak’s. For shippers, there’s a giant pile of Hak being in love with Yona here, but he’s fighting back against too many things, including Yona being mostly oblivious, for it to go anywhere. But man, the burning unsaid passion in this book is amazing.

Rest assured the book is also filled with humor – one two-page section had me laughing out loud just from the use of ‘pondering’ and ‘lounge’ as comedic weapons. A lot of this comes from Jaeha, who has become my favorite non-Yona character (those who recall my I Hate You More Than Anyone reviews may guess why – he’s basically Honjo as a superhero. He also knows that Hak/Yona is the endgame, which grates on him a bit – but not enough to stop him giving Hak some good, if needling, advice. That said, I don’t think anything more is going to be happening anytime soon. I do wonder if we’ll be seeing another female cast member soon – this volume has them go to a village with a lot of young women who remind us that Yona is walking around with a bunch of hunky guys, and some female friendships would, I think, do her good and make her a bit less serious.

To sum up, this remains one of the best Shojo Beat titles being released by now, and an essential purchase. Buy it, you’ll love it.

Kenka Bancho Otome: Love’s Battle Royale, Vol. 1

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For a manga based on a dating game, Kenka Bancho Otome is far better than it ought to be. It’s a fast-paced, loose-limbed story that’s both cheerfully stupid and mildly subversive, buoyed by its deliciously queer premise: a girl goes undercover in an all-boys’ high school where her androgynous beauty and lethal karate chops inflame her classmates’ hearts.

The plot is set in motion by an accidental encounter between Hinako Nakayama, an orphan, and her long-lost twin Hikaru, whom she rescues from the path of an oncoming car. In the aftermath of the accident, Hikaru cajoles his sister into impersonating him for a day, lending her his school uniform and dropping her at the campus gates. Hinako soon realizes the folly of her brother’s request, however; Shishiku Academy is more like Rock ’n’ Roll High School than prep school, as its entire curriculum—if one could call it that—centers on fighting. Making matters worse is that everyone wants to fight Hinako because they believe she’s the heir apparent to the Onigumo crime family. She isn’t, of course, but Hikaru is, a detail he conveniently omitted when roping her into his charade. 

If you’ve read more than one shojo comedy, you know what happens next: Hinako befriends and beguiles the best-looking delinquents at the school, from Totomaru, an earnest cutie who’s prone to nosebleeds and blushing, to Kira, a tousle-haired bishonen with a sensitive side. Author Chie Shimada has the good graces to keep the hot guys and fist-fights coming — the better to distract from the thinness of the plot —and the imagination to add small but delightful quirks to her main characters’ personalities. Her best running gag is Hikaru, who seems more at home impersonating his sister than inhabiting his own skin; though his temper suggests he’d be a ruthless crime boss, his obvious joy in looking pretty and flirting with Miraku, Shinsiku Academy’s resident idol, add a fresh dimension to the identity-swapping formula. 

As you might expect, the artwork is more serviceable than memorable. Shimada proves capable of drawing a variety of familiar bishonen types — lanky guys with ponytails, serious guys with glasses — though the pro forma nature of the character designs occasionally makes it difficult to parse the fight scenes. (All those artfully coiffed young men have the same lanky, spike-haired silhouette.) Then, too, there are riotously busy pages where Shimada’s screentone is so thick and smudgy it’s almost palpable; the phrase “applied with a trowel” comes to mind.

Still, the Shishiku gang’s bonhomie is hard to resist, carrying the reader past the story’s creakier moments. So, too, is Hinako’s sincerity; her journey towards self-actualization is both touching and amusing, as she discovers that she might, in fact, be a more natural bancho than her twin. That she wins her fellow delinquents’ admiration with a mean right hook and a roundhouse kick is less important than the fact they appreciate her for her pluck, kindness, and thirst for justice — a nuance that elevates Kenka Bancho Otome from otome rehash to actual story. Recommended.

KENKA BANCHO OTOME: LOVE’S BATTLE ROYALE, VOL. 1 • STORY AND ART BY CHIE SHIMADA • ORIGINAL CONCEPT BY SPIKE CHUNSOFT • VIZ MEDIA • 194 pp. • RATED T, FOR TEENS (13+)

Again!!, Vol. 1

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By Mitsurou Kubo | Published by Kodansha Comics

Having greatly enjoyed Yuri!!! on Ice, written by Mitsurou Kubo, I’ve been eagerly anticipating the release of some of Kubo’s manga in English. (In addition to Again!! from Kodansha, Vertical Comics has just published the first omnibus of Moteki, which I shall be reviewing within the next week or so.) Happily, Again!! did not disappoint.

This shounen series begins on March 14, 2014, when long-haired, scary-looking outcast Kinichiro Imamura is about to graduate from high school. He’s friendless, and despite going to a good school, he has no college or employment plans. The graduation ceremony reminds him of his entrance ceremony three years ago, during which the lone remaining member of the ouendan club (a girl, at that) tried to recruit new members. This spurs him to go check out the now-deserted ouendan club room and, when chasing after a female classmate who gets the wrong idea, he ends up falling down the stairs and three years into the past.

Now it’s April 6, 2011 and Kinichiro has a chance to do it all over again. Will he manage to navigate school this time without scaring people? He decides to actually talk to the ouendan girl this time, and learns her name is Yoshiki Usami. In a neat twist, the girl he was chasing also fell down the stairs and ends up back in the past with him. Her name is Akira Fujieda, and while Kinichiro begins to make small improvements on his high school experience—dispelling notions that he’s in a gang or that his blond hair signifies anything other than a hair stylist’s whim—Akira’s knowledge of the future alienates her classmates and would’ve-been future boyfriend.

Mostly, though, the focus is on the ouendan club and Kinichiro’s attempts to help Usami out. She’s stubborn, however, and resists efforts to draw male membership by featuring her image on recruitment posters. This makes more sense later on, when it’s revealed that she originally got a lot of media attention that led to fallout within the group—stoked by an online smear campaign—leading everyone but her to quit. Complicating matters is the captain of the cheerleading club, Tamaki Abe, who is resentful of having to cooperate with the ouendan, and determined to sabotage them. Happily, the girl she picks to seduce Kinichiro has scruples (and Kinichiro is also not an idiot), so this first volume ends with our heroes savvy to her scheme.

Again!! is a lot of fun. If you’re looking for time travel with a reasonable scientific explanation, then you should probably look elsewhere, but if you just accept the premise and go with it, then it’s kind of like a sports manga and a coming-of-age story rolled into one. I do worry what’s going to happen after Kinichiro reaches his graduation year again. Will these changes stick, and will he be able to go forward in life with more ambition and fewer regrets? I’m confident, though, that these questions will be answered eventually.

Again!! is complete in twelve volumes. The second volume is due out in English next week.

Review copy provided by the publisher.

So I’m a Spider, So What?, Vol. 2

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By Okina Baba and Tsukasa Kiryu. Released in Japan as “Kumo Desu ga, Nani ka?” by Fujimi Shobo. Released in North America by Yen On. Translated by Jenny McKeon.

This series continues, very deliberately, to be a book of two halves, albeit unequal halves. The main thrust of the story remains our spider heroine slowly ascending the dungeon and defeating stronger and stronger monsters while keeping up an inner monologue that sounds like she’s high on a dozen pixie stix all the time. The other half of the story is interspersed in between this, and deals with Shun and the rest of the reincarnated students having a far more normal isekai life… well, normal compared to the spider. The difficulty is that forward plot progression is entirely confined to the latter – a couple of the students have clearly gone a bit mad from the new world, Shun finds being a hero actually involves killing things, there’s a giant demon invasion happening as we speak, and oh yes, the demons are seemingly led by another reincarnated classmate. I want to know more about this. I have to be content with Spider Levels Up And Reads Her Stats.

Spider’s progress is the biggest strength of the book. She is hilarious, and it gets even better when she’s able to subdivide her brains so they can think about different things, and they start arguing with each other. She’s arrogant as heck except when she’s being attacked by killer monsters, and there’s an ongoing disturbing thread about her not realizing that she’s lost any moral or ethical sense – every time she reads about her taboo increasing and wonders why that is, you sort of smack your head. At the same time, spider’s progress is the book’s biggest weakness as well. There is endless discussion of her stats and skills, complete with charts (which are what pile up the page count), and she has to overanalyze all of them. Sometimes this is amusing, but a lot of times it can get very tedious, even with her excitable inner voice.

As for Shun and company, as I said, they’re pursuing a much more common isekai narrative. We’re introduced to Hugo, another classmate who seems to have gone completely insane and power mad, as well as Yuri, who has accepted God as her savior in a very over the top way. (Given that God in this work appears to not only exist but be the sysadmin, not too mad an idea, but she’s a pure “religious zealot” type, so will no doubt be an antagonist.) The most interesting thing going on here is Katia, who was a boy in Japan but was reincarnated as a woman here, and seems to be the ONLY one who’s not the same sex. She becomes very accepting of this, and is also clearly starting to have feelings for Shun, which everyone notices except her. It’s not, perhaps, as amusing as the author wants it to be, but it’s definitely interesting, and handled pretty well.

The book ends with a nasty cliffhanger for those on the surface, even as our spider heroine just keeps rolling along. I’m enjoying these books, but I really hope that the two plots converge soon, as I’m drawning in stats a bit too much.

Manga the Week of 4/11/18

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SEAN: Yikes. Thanks to Yen shifting half their March releases into April, we have another punishing week.

But first, Kodansha once again did a last-minute release on me. Already out this week is You Got Me, Sempai (Mairimashita, Senpai), a shoujo title from Dessert which I will add to the stack.

MICHELLE: I’ll probably check this one out.

SEAN: As for next week, Dark Horse gives us a 2nd volume of Hatsune Miku: Future Delivery.

J-Novel Club debuts Arifureta Zero, a spinoff prequel to the series showing those who built the dungeons in the first place.

They also have a 4th Faraway Paladin (technically the 5th, as the 3rd was split into two parts).

Back to Kodansha Digital, who have two new releases this week. A.I.C.O. Incarnation is based on the anime from Studio Bones, and is a Shonen Sirius title.

And Boarding School Juliet (Kishuku Gakkou no Juliet) is a Weekly Shonen Magazine title about a modern day manga Romeo and Juliet. Of the digital debuts I’ve mentioned, this is the one that most intrigues me.

There’s also plenty of ongoing digital titles. Grand Blue Dreaming 8, GTO Paradise Lost 7, Lovesick Ellie 5, and Starving Anonymous 2. No sports, though, sorry, Michelle.

MICHELLE: I am placated by having had several sportsy releases last week.

SEAN: On the print front, we have Attack on Titan 24, Cardcaptor Sakura: Clear Card 3, The Heroic Legend of Arslan 8, In/Spectre 7, and Love & Lies 5. In/Spectre is supposed to be starting a new manga-only arc.

MJ: I haven’t even tried out the new CCS series. Bad CLAMP fan, bad. I should get on that.

ANNA: I haven’t either but I feel less enthusiastic about late CLAMP as opposed to early CLAMP.

ASH: I’m liking it so far, although it hasn’t really distinguished itself yet.

SEAN: Seven Seas has three titles out next week. There’s a 3rd Akashic Records of Bastard Magical Instructor, a 14th Magical Girl Apocalypse, and the 10th My Monster Secret, which will finally resolve its main plot hook. Not that this means it’s ending, of course. There’s still a lot of laughs to go.

SuBLime has a 6th Deluxe Edition of Finder.

Vertical debuts My Boy (Watashi no Shounen), or as I like to call it, “Hoo boy.” It’s an award-winning title from Futabasha’s Monthly Action, about the growing friendship between a 30-ish office lady and a 12-year-old boy, and how ambiguous their relationship is. It’s apparently very well-written and very tasteful, and I will be giving it a shot, despite my reaction being, as I said, “Hoo boy.”

MJ: Hm. Maybe?

MICHELLE: Same. I’ll wait to see Sean’s review.

ANNA: I will pass on this.

SEAN: Viz has new volumes of Case Closed (66) and Magi (29). Itsuwaribito finally comes to an end as well with its 23rd volume.

Their debut this week is not manga, but will no doubt heavily appeal to anime fans: Homestuck Book One collects the popular and meme-spawning webcomic-ish thing.

ASH: I’m curious to see how well this translates into print considering the multimedia nature of the original. (It’s also interesting to see Viz continuing to expand beyond strictly Japanese content.)

SEAN: And now for the rest of Yen’s March titles, coming to you in April. Yen On has the 13th Accel World.

There are also a few debuts. The Elder Sister-Like One (Ane Naru Mono) is a Dengeki G’s title from ASCII Mediaworks that asks the question we’ve all wanted to know: What if Cthulhu was your big sis? It is based on a pornographic work, but I believe isn’t actually one in this version. Expect fanservice, though.

Mermaid Boys is a shoujo title from the late lamented Aria magazine, and seems to be a gender-reversed Little Mermaid. Can this be the rare Yen Press title that Anna will be interested in?

MJ: Okay, this sounds possibly kind of awesome.

ANNA: Probably! Gender-reversed Little Mermaid sounds intriguing!

ASH: I’m looking forward to giving it a try!

SEAN: And where you have Mermaid Boys, you must also have Monster Tamer Girls (Kaijuu no Shiiku Iin), though the two series are not connected. This is a Houbunsha title from Manga Time Kirara Forward, and I don’t know much about it.

ASH: I don’t know much about it, either, except that it’s a short series about the care and feeding of kaiju.

SEAN: And there is Though You May Burn to Ash (Tatoe Hai ni Natte mo), a Young Gangan horror/thriller title that is a survival game manga and oh wait, I stopped caring.

MICHELLE: Heh.

SEAN: Ongoing Yen titles? We have plenty. Alice in Murderland 8, Angels of Death 2, The Betrayal Knows My Name 8 (MJalert here), Bungo Stray Dogs 6 (Ash alert here), the 4th Erased omnibus, a 7th Love at Fourteen (they’re 15 now, but hey), a 2nd One Week Friends, a 2nd manga volume for So I’m a Spider, So What?, a 5th Spirits & Cat Ears, a 2nd A Terrified Teacher at Ghoul School, the 2nd three-volume omnibus of Umineko: When they Cry: Requiem of the Golden Witch (Sean alert here), and your name 3.

MJ: Noting the alert here. I also like Erased, so there’s that.

ASH: Same! I’m still getting a kick out of all of the literary references in Bungo Stray Dogs, but the penultimate volume of Erased is what I’m really interested in this week.

SEAN: This is, frankly, far far too much. It’s getting ridiculous. Are you getting anything?

Cutie Honey a Go Go!

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By Shimpei Itoh, Go Nagai and Hideaki Anno. Released in Japan by Kadokawa Shoten, serialized in the magazine Tokusatsu A. Released in North America by Seven Seas. Translated by Zack Davisson, Adrienne Beck and Wesley Bridges.

Another day, another reimagining of a classic property that I enjoyed a lot more than I thought I would. Indeed, I enjoyed it a lot more than the Japanese audience apparently did, as not only was this cancelled after ten chapters, but the second volume was never published until this omnibus edition. The afterword is filled with the author’s apologies, but I’m not sure they’re merited, because I thought this was a pretty terrific adaptation. The cynic in me wonders if the series didn’t take off because it’s not filled with high school girls – Natsuko, aka the reason everyone should read this, is an adult police detective in this version, and I can’t help but think that this was Cutie Honey’s StrikerS. But I’m not going to complain too much, as what we do have is silly, over the top fun with lots of fighting, a lot of over the top bloodshed, and some yuri subtext. Everything you’d want from Cutie Honey, in other words.

As noted, Natsuko is a police detective with a penchant for being “a cop on the edge” – she exists in a constant haze of cigarettes and violence, beating the crap out of anyone who pisses her off, which is everyone. She’s having a particular bad day due to Panther Claw, an evil organization which has started destroying the city and its inhabitants due to the city not answering its demands – which no one actually seemed to receive. Fortunately, there is one woman here to save the day and defeat the bad guys (OK, bad girls – Panther Claw is an all-female monster team). Honey Kisaragi is an android built by her “father”, Dr. Kisaragi. She’s a combination of sentai warrior, magical girl and cute young airhead. Unfortunately, her father doesn’t last long in this series, and it’s noted that Panther Claw keeps coming after her. There’s only one thing left to do – go undercover at a Catholic Girls’ school.

If this sounds a bit ridiculous, it’s because it is -despite all the bloodshed, the ‘a Go Go” version of Cutie Honey is very much in the lighthearted vein. It was produced in tandem with the anime “Re: Cutie Honey”, which explains why Anno is listed as one of the creators. Natsuko’s angry reactions have those classic “all teeth” faces you see in a lot of Rumiko Takahashi works. That may be why the manga didn’t do as well – the ending, where the author was clearly told “you’re cancelled, wrap it up”, is noticeably darker than the rest of the series, with people getting their heads cut off and put on display or simply sliced completely in half. The main cast survives to fight another day, though, and readers might want to look towards the anime for a less ambiguous ending. There are other things going on here (a “reporter” who’s meant to be charming and irritating but is mostly the latter), but honestly the best reason to read this is Natsuko vs. everything around her.

The Young Master’s Revenge, Vol. 1

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The Young Master’s Revenge, Vol. 1 by Meca Tanaka

Meca Tanaka’s manga is so charming! I thought that the first page of The Young Master’s Revenge was one of the most captivating first pages of manga that I’ve read recently. All in black, the thought “It is time for me to start my revenge” hovers while a boy accompanied by a lovely shoujo floral background illustration is leaving an airport with a bright smile and an adorable dog in a carrier. The contrast between the dark thoughts and the stereotypical innocent hero illustration immediately drew my attention.

The vengeful hero is Leo, a boy returning to Japan to attend high school after his father’s fashion company has become incredibly successful. Before he left Japan, he used to be friends with an heiress to a department store named Tenma. She was a tomboy who loved chasing animals, accidentally getting Leo into a situation where he was bitten on the butt by turtles, which has caused him years of psychological trauma. Leo has nursed his hatred for 10 years, turning himself into the perfect specimen of a high school boy just so he can make Tenman fall in love with him and then dump her. Unfortunately he finds out that things have changed in Japan and his path to revenge is not so smooth. Tenma’s family has fallen on hard times, and when he meets her again, she picks up her friendship with him exactly where they left off, but without any romantic notions at all.

Tanaka’s illustrations easily switch between capably showing the subtle emotions in the growing friendship between Tenma and Leo to straight out caricature. Tanaka’s characters have the most adorable surprised facial expressions. Leo grows more distressed as he realizes that other boys are aware of Tenma too, and potential rivals for her affection are introduced in such over the top ways, it is fun to see Tanaka poking fun at some typical shoujo conventions. Leo’s reasons for revenge are ridiculous, but this manga isn’t mean spirited at all. I preferred the revenge story in this manga as opposed to Komomo Confiserie which has an extremely similar plot because The Young Master’s Revenge never seems to cross the line into meanness at all. For me this manga fills that slot on my reading list for simple, cute, and adorable manga that has been left a little vacant by series like My Love Story!! and Honey So Sweet that have recently finished.

The Irregular at Magic High School: Yokohama Disturbance Arc, Part 2

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By Tsutomu Sato and Kana Ishida. Released in Japan as “Mahouka Koukou no Rettousei” by ASCII Mediaworks. Released in North America by Yen On. Translated by Andrew Prowse.

Last time I mentioned I did not want any more romantic comedy hijinks, and it’s safe to say I got my wish, though that does not necessarily translate into a better book. The focus of this book is the Thesis Competition and the terrorist attack that disrupts it, and I think the entire problem with the book can be summed up by the fact that the competition never finishes after the attack and we never find out who won. It’s irrelevant. That actually pops up pretty frequently in this book, as we see moments that seem like they’re going to lead somewhere or develop a character… except they don’t. They’re there to “look cool” and that’s about it. (Honoka gets hit particularly hard with this.) The exception to this, as always, is Tatsuya. Miyuki seems to long for people to treat her and her brother as normal people rather than superhuman monsters, but it’s getting a tad difficult as the books move on.

As noted above, we start with the Thesis Competition, with our heroes going second to last. Their presentation is awesome, and yet here comes Third High and Cardinal George. But before he can start… explosions, invaders, rampaging monster trucks crashing through the walls. (This may – may – get wrapped up in a book or two with an offhand mention, but I will assume that First High wins. Did Third High even get to present again? “Yeah, look… um, can you just mail it in? We promise we’ll give it equal attention, but everyone’s kind of moved on.”) The rest of the book is taken up with repelling the attack, and, to its credit, it’s only about half “Tatsuya solves everything by dint of superpowerful magic awesomeness.” The rest of it is the rest of the cast contributing in their own little way, from actively killing terrorists with giant swords to using the power of Daddy’s Little Girl to summon helicopters to rescue civilians.

And yes, I said killing. There is a whole lot of bloodshed in this book, as the terrorists (whose identity I will try to keep a secret, in case someone anyone hasn’t guessed) amount to a bunch of cannon fodder. The cast take to it based on their personalities and strengths – Erika and Leo are basically fine with it, some of the others less so. Fortunately, absolutely none of our heroes are hurt all that badly – two of them get mortally wounded, but fortunately Tatsuya pulls out an “I can reverse this” magic that puts them back together again. I tend not to gripe about super overpowered heroes as much as the average light novel fan – I mean, if you’re reading this genre you have to basically accept it – but I admit to rolling my eyes a bit at this. Miyuki helpfully tells us how much pain it causes him, which is all very well and good, but it might have been nice to see that from his point of view, rather than just assume “stoic endurance”.

As the book ends with Tatsuya literally being the trigger of a nuclear magic explosion, one wonders where we’re going to go from here. Not back to the thesis competition, as Book 8 is apparently a prequel taking place three years earlier. In any case, while it is filled with cool battle scenes and the like, I didn’t enjoy this volume quite as much as the previous ones. It’s OK for the other characters to treat Tatsuya like some inhuman God, but don’t let the author do it as well.

CITY, Vol. 1

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By Keiichi Arawi. Released in Japan by Kodansha, serialization ongoing in the magazine Weekly Morning. Released in North America by Vertical Comics. Translated by Jenny McKeon.

It’s always interesting when an established author ends their popular title and moves to a new company to start something new. In the case of Keiichi Arawi, creator of Nichijou, he’s moved to Weekly Morning for this new series, which has a significantly older readership than Young Ace, his former home. That said, I don’t think Nichijou fans need to worry too much about things getting overly serious or normal. CITY contains most of what readers love about Arawi – bizarre situations, a cast filled with overreacting idiots, and the occasional page that reminds you that the author may be at his best when designing backgrounds. And if you already miss Yukko and Mio from his previous series, rest assured, Midori and Ayumu will have you scratching you head and saying “they seem strangely familiar”. Basically, everything you liked before is here again, except perhaps for Mai. (I miss Mai.)

As the title suggests, this is a story of various characters living in the midst of a reasonable-sized city. And I say ‘characters’ rather than people because it’s obvious from the first that funny gags are what’s on the menu. Midori is sort of a main character, the way Yukko was sort of the main character of Nichijou, but as the book goes on it shows itself as more of an ensemble piece. Which is for the best, most likely, as Midori can be difficult to take in large doses. She’s lazy, conniving, and hyperactive, and also has a streak of bad luck, all things that make her very funny, but we haven’t really had any of the heartwarming moments in Nichijou that made us open up to the cast. Probably as this first book is establishing said cast and locale, rather than expanding on them.

There are others in the cast. I mentioned Midiori’s best friend Ayumu, who is meant to be the “normal” one by contrast, but seems to have a few silly interests. There’s a family restaurant, which Midori starts to work at in an effort to pay her rent, staffed by a boy who relies a bit too much on horoscopes. There’s an over-earnest police officer who tries to do the right thing but frequently ends up way over his head. There’s a young woman whose name isn’t given but who is basically Nano from Nichijou without a screw in her back, and she’s sweet and ditzy and obsessed with point cards. There’s even a manga artist and editor, though given the manga artist’s series gets cancelled in this first volume and they replace him with someone far more famous, I’m not sure how long that will last.

CITY likely needs a few more volumes to play out before I know whether I’ll enjoy it as much as I did Nichijou. But the basic elements are all still there, and I still found myself smiling as I read it. Arawin fans will definitely want to check this out, as will fans of “quirky” manga.