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Devilman: The Classic Collection, Vol. 1

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By Go Nagai. Released in Japan by Kodansha, serialized in the magazine Weekly Shonen Magazine. Released in North America by Seven Seas. Translated by Zack Davisson and Adrienne Beck.

Devilman was one of those series that I always knew about but never got around to reading, mostly as the one spoiler that everyone knows is… well, a spoiler, but let’s just say that this sort of series is usually a bit too dark for me. But this is a really nice release, in a deluze, 700-page hardcover, and it’s the original manga from 1972, so I couldn’t really resist. And for the most part, I’m very happy to have read this series. The first 450 pages of Devilman are absolutely riveting – the storytelling is old-fashioned, but you quickly lose yourself in the world of Akira, Ryo and Miki, as well as the grotesquely bizarre demons that are attempting to retake the world and will kill every human in order to do it. It’s incredibly violent, and there’s lots of nudity, but it’s a trip. That said, I was… a lot less enthusiastic as the manga carried on.

The book can essentially be divided into three parts. The first part, about 450 pages, was clearly written as a limited series, and is very big on action sequences, fast page turning and grotesque horror. Akira is a nice, somewhat meek sort of guy who is going to school with Miki, who clearly likes him but would also like him to get a bit more manly. (She’s something of a delinquent, carrying knives in her skirt, though she tries to act the “girly girl” in front of Akira.) Enter Ryo, Akira’s best friend, who has a dark secret he needs to tell him… about demons. This dark secret leads them through a tragic family horror, ancient demons who have returned, naked hippie orgies (yes, really), and a whole lot of demons trying to kill them. The only way to save the world is for Akira to become Devilman… and hope that his innate goodness is enough to keep back the demon within him. As I said before, this entire section reads fantastically.

We then get much shorter chapters, as the series clearly has now been picked up as a regular ongoing one and Go Nagai has to come up with new stuff. The first two chapters are pretty good in a dark, horrific way, both dealing with the brutal murder of young children, and serve to show off that Devilman is a grim, bloody world where no one is safe. (Note this ran in a magazine for 12-17 year old boys.) And then we come to the final five stories in the book, aka “Akira and Ryo time-travel through history and find demons trying to pervert humanity’s destiny.” First of all, “Oh, Akira can travel through time” made me shake my head. Secondly, demons trying to crush humanity is fine, but I am not really a fan of “demons are behind history’s worst moments” stories. The chapter with a young Adolf Hitler, in particular, reaches a low that I’d call “godawful”. This was not a good direction for the series to go in.

[I have been informed by Zack Davisson that this collection is actually from several different variants of the Devilman manga, and that the ‘time travel’ chapters are from Shin Devilman, a 1979 sequel. This would help explain why they feel so out of place.]

That said, over half this volume is still a fantastic read and a good look into the twisted mind of Go Nagai. It’s not for everyone (there really is a LOT of bloody violence and nudity), but if you love classic manga you’ll want this in your collection, though I’d advise putting a bookmark at page 530 and saying “stop here”.

Again!!, Vol. 2

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The phenomenal success of Yuri!!! On ICE turned out to be a boon for manga fans, too, as American publishers snapped up two of Mitsurou Kubo’s better-known comics: Moteki: Love Strikes!, a seinen romance about a thirty-something loser who reconnects with women from his past, and Again!!, a time-travel comedy about two teenagers who get a second chance at high school. I won’t lie: Again!! was my hands-down favorite of the two, both for its raw honesty and its sharply observed characters.

Again!! avoids the sophomore slump by briskly advancing the plot without sacrificing the humor or heart that made the first chapters so appealing. Kinichiro and Fujieda both get a turn in the spotlight, with Kinichiro discovering the pleasures of cheering, and Fujieda experiencing loneliness for the first time. Volume two also introduces three new characters, all of whom used to belong to the ouendan: Okuma, the drummer; Masaki, the vice-captain; and Suga, the cheer sergeant. Although the trio’s ostensible role is comic relief, their real function is helping us understand why the ouendan failed, revealing the degree to which their unwanted advances, passivity, and flagrant sexism undermined Usami’s authority as captain and poisoned group morale.

While this information is crucial to the story, it also points to Again!!‘s biggest problem: Usami. Mitsurou Kubo is frank about why Usami resorts to shouting, scolding, and shaming to prove that she’s “man” enough to lead the ouendan — a compassionate insight into a character who often seems more harridan than human. Yet Usami’s actual personality remains a mystery. Everything we learn about her is revealed through other characters, whether they’re discussing her beef with Abe, the head cheerleader, or describing the flurry of media interest in Usami when she first joined the ouendan. We don’t know how Usami feels about her teammates, or why she’s so passionately interested in cheering — two questions that need to be addressed if she’s to become a full-fledged character.

Despite these flaws, Again!! manages to wring fresh laughs from its time-travel premise while depicting high school in all its unpleasantness. Fujieda, for example, vacillates between trying to profit from her knowledge of the future and lamenting her lack of friends. Kinichiro also is caught between past and present: he’s angry that his first kiss didn’t go as planned, and deeply self-conscious after a loud, public declaration of how miserable he feels — an exquisitely awful scene that acknowledges the depth of his pain while recognizing that his brusque behavior directly contributes to his sense of isolation and victimhood. It’s this kind of insight that makes Again!! such a compelling story, reminding us that our memories of being shunned, wronged, or ridiculed can be so one-sided that we’d make the same mistakes if given the opportunity to relive our teenage years. Recommended.

Again!!, Vol. 2
By Mitsurou Kobu
Translated by Rose Padgett
Rated OT, for Older Teens (16+)
Kodansha Comics

Strike the Blood, Vol. 9

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By Gakuto Mikumo and Manyako. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Jeremiah Bourque.

After a couple of volumes that were deeper and more complicated than usual, we’re back to business as usual at Strike the Blood, Inc. That means we get a new girl for Kojou to save, lots of cool battles that do a tremendous amount of property damage, a number of blatant flirting attempts that Kojou completely misses because this simply isn’t one of whose kind of harem titles, and lots of jealous rages that allows Kojou to get snubbed for “humorous” effect, although as always Mikumo’s attempts at being funny are funny only in a 90s anime “hey, what if the girl is a tsundere!” sort of way. And yes, you know things are back to normal when Yukina says her catchphrase, though it’s slightly less of a proclamation than usual. That said, this is, as always, a solid, average volume of Strike the Blood, and those who’ve been following along will be pleased by it – while also grumbling that Yukina is on the cover again, no doubt.

The girl being saved this time around, is Yume, who seems to be a standard “child who’s lost her parents” at first but ends up being a succubus. Fortunately, given that Yume looks to be about 12, she doesn’t do any seducing herself, but instead slips into the minds of the girls and brings out their inner desires. Unfortunately, the fact that she is about 12 means we get a lot of “lol Kojou is a lolicon” jokes, though mercifully there aren’t as many as I expected once I gleaned the plot. She’s a sympathetic character, and the way that she tries to get past her trauma reminds me a bit of Beatrice from Umineko, but unfortunately the author has too much fighting going on to really give her tragic backstory much of a look-in – a flashback to her abusive parents and classmates might have helped. The other new character here is Kiriha, who looks like she’s Yukina’s dark mirror, and I strongly suspect we haven’t seen the last of her.

Speaking of Yukina, the more we delve into her agency and the various other agencies connected to or in competition with it, the more suspicious they become. Indeed, at times it feels like Yukina is the only one who doesn’t know what’s going on. After seeing Kojou’s actual secrets in the last book, here we get someone finding out the truth about Asagi – but tellingly, it’s Sayaka, rather than Asagi herself, Kojou, or Yukina, those who would be most impacted by knowing that secret. It’s unclear if Sayaka will ever reveal this secret to anyone else, but I’m going to guess probably not. On the bright side, the action sequences are always the best part of Strike the Blood, and tehre are a lot of them this time around (to the point where, as I noted before, I felt some could have been replaced with better backstory). When your “villain” is a 4km-long sea monster, you’ve certainly hit the big time. And we get a new Beast Vassal, meaning of course more sexy vampire biting.

I feel somewhat sad that after the highs of the previous two books we’re back to business as usual with Strike the Blood. But it’s still a decent title, and reads very quickly and easily. And as always, it reads like it was meant to be animated – which it has, as there are now OAVs with this volume’s story. I’ll be back next time to see where the series goes.

Bookshelf Briefs 5/28/18

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Crisis Girls, Vol. 1 | By Hiroaki Yoshikawa | Seven Seas – If My Hero Academia is the Japanese shonen take on the standard “training superheroes” story, then Crisis Girls is the “moe for guys” version. Our superhero wannabe is Kaede, who can control zombies to help her protect the city, but is unfortunately a giant flake and something of a crybaby as well. She does have a more sensible minder, who tries to lecture her on occasional about morals and ethics. Why he wears full facial bandages and a metal face mask… is something we will no doubt find out later. There are the occasional villains who drop by, most of whom are about on Kaede’s level. This is cute-ish, but you can tell it’s not really up to much given that it’s not getting a full review from me. – Sean Gaffney

Golosseum, Vol. 1 | By Yasushi Baba | Kodansha Comics – I approached Golosseum with some amount of trepidation (honestly, that feeling hasn’t completely left after reading the first volume), but the series would seem to be an oddly addictive and pulpy ultra-violent manga. After highly-advanced technology known as “Peacemakers” have rendered most weapons obsolete, battles are fought and won through suplexes and hand-to-hand combat. It’s a premise that starts to fall apart under close scrutiny, but to be fair Golosseum really isn’t a series meant to be taken too seriously. The manga is incredibly over-the-top, its appeal originating from the absurdly extreme martial arts (and bodies) on display. Supposedly, Golosseum is also intended to be a political satire of sorts. Along with not-Hulk Hogan and not-Bruce Lee, important appearances are made by not-Hillary Clinton and not-Vladimir Putin (as well as actual-Grigori Rasputin). However, it remains to be seen how successful that particular aspect of the manga will ultimately be. – Ash Brown

New Game!, Vol. 2 | By Shotaro Tokuno | Seven Seas – We get to see the rest of the game release in this volume, as everyone works really hard to make sure it gets out and has been properly tested. This allows Aoba’s friend Nene to temporarily join the cast herd, and let’s her get as fleshed out as anyone is ever going to be in this genre. We also meet Umiko, who also tests the games but in general wants to tell you about her gun hobbies a lot more. As for our heroines from the first book, they’re still here, doing cute 4-koma things and doing their best today. If it sounds like I’m mocking New Game!, it’s only a bit—it really is a fun title to read and the girls are cute. But this is not exactly the most ambitious title in the world. Recommended for fans of the genre. – Sean Gaffney

Requiem of the Rose King, Vol. 8 | By Aya Kanno | Viz Media – It has to be said, whenever a woman in this series kicks ass, it always comes back to do them the most harm later. Here it’s Anne, who I praised in my brief for the last book, finally married to Richard but not at ALL in the way she wanted after what happens in the aftermath of book seven. And poor Isabelle just ends up dead, seemingly from a “witch,” though I’m somewhat skeptical about that. Richard, meanwhile, is at his broodiest yet, and even with a timeskip in the middle of the book seems to have shut himself off completely after the death of Henry. Of course, this assumes that Henry is actually dead. Requiem of the Rose King may be wandering off the Shakespeare track at times, but remains addictive. – Sean Gaffney

Requiem of the Rose King, Vol. 8 | By Aya Kanno | VIZ Media – Nobody ever really has a good time in this series, but that’s really true in this volume, with the possible exception of Edward, who is throwing drug-fueled orgies with his new favorite mistress, who happens to be a witch. She’s also behind the plot that brings down George and Isabella, which Richard allows to play out because George really is a threat to the House of York and his insulting behavior towards the king has not gone unnoticed. For his part, Richard is disgusted by the king, too, and makes a pact with Buckingham to start working towards taking the crown for himself. Meanwhile, he’s cold as hell to Anne and claims his soul died when he had to kill Henry. But did he really? Twisted, but essential. – Michelle Smith

Scum’s Wish, Vol. 7 | By Mengo Yokoyari | Yen Press – This is still well written, but I can’t say I’m enjoying Scum’s Wish anymore. Part of the problem is the ongoing Ecchan plotline, which goes exactly the way that I thought it would and just leaves everyone upset. No surprises, it was never going to end happily, but part of me sort of hoped Ecchan’s sexuality might be gone into a bit more. As for Akane, this volume delves into her past and why she’s acting the way she does, which essentially amounts to a combination of “I’m really good at it” and “I’m empty inside.” Unfortunately, the idea that the reader is rooting for her to end up with Narumi is ludicrous at this stage. The layout, plotting and dialogue of Scum’s Wish is superb. I’ll finish it, but I wish I liked it more. – Sean Gaffney

A Strange & Mystifying Story, Vol. 3 | By Tsuta Suzuki | SuBLime – This was a reread for me, but it’s been quite a few years. I had forgotten how utterly lovely and charming the romance is between forty-something museum director Minamiura and the unfriendly-seeming-but-unexpectedly-honest twenty-something Hatoki. Hatoki is captivated by Minamiura’s easygoing air, and I love that eventually Minamiura grows tired of waiting for Hatoki to do something about it that (in the brief bonus store) he eventually pounces on him. I wish the whole series were about these two, in fact. The second half of the novel is about Minamiura’s former stepson and the guardian beast who was expecting a girl to be his bride, and it’s fine, but I hope we don’t go back towards supernatural smuttiness of the first two volumes. Still, I’m looking forward to volume four finally being available in English! – Michelle Smith

That Time I Got Reincarnated as a Slime, Vol. 5 | By Taiki Kawakami | Kodansha Comics – I will readily admit that I have been enjoying That Time I Got Reincarnated as a Slime far more than I ever thought I would. There have been a few missteps here and there, but overall the series has been a highly-entertaining read that plays around with well-established tropes of the fantasy and isekai genres. This volume focuses on the conclusion of Rimuru’s fight against the Orc Lord and the immediate aftermath of the battle. Despite Rimuru being so incredibly superpowered, the showdown was still an engaging one because the potential for failure remained. Rimuru himself may be able to survive just about anything, but that outcome isn’t guaranteed for his allies. More and more monsters have joined forces with Rimuru over the course of the series–goblins, ogres, lizardmen–at this point it seems like he’s being setup to become something of a saviour figure. – Ash Brown

To-Love-Ru, Vols. 7-8 | By Saki Hasemi and Kentaro Yabuki | Seven Seas – To-Love-Ru is a title that by its very nature is always skirting around the edge of being bad. So when you get a subpar volume like this, it’s hard not to sigh and try to flip ahead a bit. We see investigating haunted houses, trapped on a deserted island, and more of the tsun-heavy prefect, which means that Rito gets the crap beaten out of him even more than usual. Why does he get the crap beaten out of him, you ask? Because To-Love-Ru is for teenage boys, and thus the girls are frequently naked and he is always falling into their boobs. It’s never a good sign when you’re longing for the subtlety of Love Hina. To-Love-Ru gives its readers what they want, but I’m pretty sure I don’t want it anymore. – Sean Gaffney

Pick of the Week: Still Fighting It

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MICHELLE: I’ll definitely be picking up the latest Waiting for Spring, and I’m somewhat curious about A Kiss, for Real, but the release that really makes me squee this week is the third volume of Shojo FIGHT!. The first two volumes hooked me good and I’m extremely happy to get to read more about Neri, the girl who sometimes turns into a jerk when she lets herself play volleyball without restraint and who wants to change. It’s good stuff!

SEAN: I’m a sucker for a good Guide Book, given how few of them are actually translated over here. So my pick goes to The Ancient Magus’ Bride: Merkmal. That said, I also want to read the new Shojo FIGHT!, and Kabukimonogatari is definitely near the top of my list too.

KATE: I was mourning the demise of Crimson Hero for years… that is, until Kodansha started publishing Shojo FIGHT!!, the best sports manga you’re not reading. It’s got great characters, great volleyball matches, and real-life conflicts that remind us how hard it can be for competitive female athletes. So I’m joining Michelle and Sean and bumping this one to the top of my list. (Sorry… not sorry.)

ASH: Alas! If only Shojo FIGHT!! was being released in print, I’m sure it would be my pick, too. And so instead, this week have my eyes on The Ancient Magus’ Bride: Merkmal.

ANNA: I have to join everyone else in picking Shojo Fight!! Good sports manga with female protagonists is hard to find in translation, so a new volume is a treat for sure.

How to Treat Magical Beasts: Mine and Master’s Medical Journal, Vol. 1

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By Kaziya. Released in Japan by Mag Garden, serialization ongoing in the magazine Comic Blade. Released in North America by Seven Seas. Translated by Angela Liu. Adapted by Jaymee Goh.

I am pleased with the fact that this sort of manga has now become a popular genre over here. Oh sure, it’s no doubt due to the fact that sales for The Ancient Magus’ Bride really took off and Seven Seas is doing its standard “grab titles that are sort of similar to that”, but hell, when it’s not ‘monster girls rub themselves all over guys’ but rather ‘mellow magical fantasy series in a quiet community’, I’m not going to be saying no. So far this one is not as dark as The Girl from The Other Side or Frau Faust, nor with as problematic a starting point as The Ancient Magus’ Bride. It’s just the story of a young girl and the veterinarian she’s apprenticed to, dealing with magical creatures in a world that is slowly losing magic to SCIENCE!. The thing that really makes this title sing is that he’s learning as much from her as she is from him, and their working relationship is a lot less imbalanced than you’d expect.

The heroine is Ziska, who is one of those adorable young girls with a deep abiding love for everything. She has some magical abilities, mostly handed down from her family in books, but lacks much experience, and can’t really progress past what’s already been written down. She’s working as an apprentice to a vet, Niko, who looks like a smiling villain but is really just a nice but practical guy. Together this series finds them working on various magical creatures who have either gotten injured or are ill, working to save them with Ziska’s knowledge and Niko’s experience. As the book progresses, Niko decides that he wants to learn more about the magic that Ziska does, and Ziska starts to try to branch out from what’s in her tomes and create her own medicines, even though that may be dangerous.

Despite the fact that there’s a lot of animal surgeries here, with intestines and the like, as well as seeing a rabbit in the advanced states of cancer, the basic feel of the book is ‘peaceful’. Ziska is frankly adorable, but tries too hard, and you get the sense that she’d burn herself out without Niko being there to help her out. Aside from one comedy scene where Ziska accidentally gives herself an aphrodisiac, there’s also no indication that this is going to get romantic, and even that scene is polite enough to have Niko immediately cut things off. This is just a nice anthology where Ziska sees something that needs care, she and Niko try to figure out what care is needed to heal them and how to give it (easier said than done, especially with magical creatures), and free them back into the world. Even when it doesn’t work out – the rabbit with cancer is too far along to do much of anything except prolong its pain – Ziska manages to find a way to turn things hopeful, or Niko is able to put his own human knowledge to good use.

This has just started in Japan, So I’m expect it on a twice-a-year schedule. But I’d definitely go get it, it’s a great addition to Seven Seas’ ‘young girls in magical situations’ genre.

A Certain Magical Index, Vol. 15

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By Kazumi Kamachi and Kiyotaka Haimura. Released in Japan as “To Aru Majutsu no Index” by ASCII Mediaworks. Released in North America by Yen On. Translated by Andrew Prowse.

Last time I said that Index was not in the book at all. Well… she’s not in this book either. More importantly than that, however, is that Touma is entirely absent from this book as well, though one might argue that his presence is felt in terms of the two protagonists who take over for him. In fact, as the series goes on and expands, we’re going to see this more and more. A Certain Magical Index is not just about Touma anymore. And so we have other protagonists that step up. (No, sorry, Mikoto, you aren’t in this one either. But you get the more popular side manga anyway.) The first protagonist should be very familiar to Index readers, as it’s Accelerator, who’s still calling himself a villain and thinking of himself as the worst, despite the fact that he saves more lives in this book than anyone else, and has a guardian and adopted daughter more than willing to lay down their life to stop him going mad and destroying the world. As for the other protagonist, I’m afraid I’m going to have to get EVEN NERDIER than usual.

I’m limiting “Introduced in this volume” only to those who either appear in future books or have an impact on future books. So: Shizuri Mugino, Rikou Takitsubo, Saiai Kinuhata, Frenda (Seivelun), Xochitl, Baba Yoshio, Kakine Teitoku, “Girl in the Dress”, Chimitsu Sunazara, Shiage Hamazura, Hattori Hanzou. The Railgun manga is ongoing, which may explain why Kazari Uiharu gets a bigger role in this book than she ever did before or will again. In terms of timeline, it’s the day after Book 14, so presumably Touma and Index are flying back from France. By the way, I mentioned the Railgun manga. Fans of that series will note that over half the people I just mentioned as debuting in this book had large roles in the ongoing railgun storyline to some degree or another, particularly the members of ITEM. Indeed, Frenda pretty much gets all her development in Railgun, for reasons that will become apparent once you finish Index 15. (She doesn’t even get a last name in this book!) Xochitl too is expanded on quite a bit in that series.

As for the obvious, I told a little white lie in the “this volume” above. Shiage Hamazura and Hattori Hanzou are introduced in the first volume of Index short stories, which came out between Books 13 and 14. Yen Press generally does not license side story volumes, so we’re not seeing this. Fortunately, some of the important stuff is covered in the anime, as it adapted the “Skill Out Uprising” story which introduces Shiage Hamazura and has him confront Touma as a rather two-bit villain. Touma, needless to say, kicks his ass. This happens about 9 days prior to the events in this book, in the long break between Books 13 and 14. At some point after that, Hamazura gets picked up by ITEM and turned into their lackey, which is where we see him in Railgun, and also at the start of this book. (The SS volume also shows us Sasha Kreutsev, who Index readers with long memories will remember had her form used by the villain of the 4th novel.) So while I hate to say “go watch the anime” in my light novel review, go watch the anime.

As for this book, it’s rather hard to review, mostly as I’m coming at it about ten years after it was published, and after the author has spent most of Railgun trying to expand on several of the groups and people introduced here. I have trouble judging if something felt forced or if the reader at the time would shrug and move on. As an example, Mugino going completely berserk and attempting to kill the rest of her team is something that I suspect might have had a reader going “huh, where the heck did that come from?” to someone who is meeting her for the first time here, to the point where Hamazura actually has to spell out her motivations to us in one of his speeches. But fans of Railgun will likely be thinking “I was waiting for her to finally snap, and now it’s happened”.

I’d mentioned Touma was absent here, but he’s very much on the minds of both Accelerator, who puts him on a pedestal that can’t possibly be lived up to, as well as Hamazura, who is inspired by him to actually fight back against a Level 5 for the sake of the girl he loves. (In general Kamachi is not great at writing romance, but I give him props for trying. Hamazura and Takitsubo are pretty cute here, and there are one or two hints dropped before the climax that they like each other.) Most of what occurs here, as with much of Index’s plot lately, is a consequence of the previous volume. In this case, all of Academy City’s heavy hitters being called to Avignon means the villainous groups are running amock. Naturally, our group of villains emerges victorious, meaning it’s the last group standing at the end.

I also want to take the time to praise Uiharu, who only gets about 3 pages to show off her badassery, and gets her shoulder and collarbone dislocated for her troubles, but standing up to the 2nd most powerful person in Academy City, and even sticking her tongue out him? That’s amazing. (I also note that Japan, for some reason, has fanart pairing her and Kakine romantically. To which I have to say: NO.) Also kudos to Yomikawa and Last Order for being able to talk Accelerator down. That said, I suspect that every single person in Academy City knows what his weak point is now, and if I were Last Order I would not feel safe.

There’s little humor in this book, and a lot of action and betrayal. As such, it’s playing on Kamachi’s strengths, and ends up being a quick and exciting read. I would like to check back in on Index next time, though. She is in the title.

Himouto! Umaru-chan, Vol. 1

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By Sankakuhead. Released in Japan by Shueisha, serialized in the magazine Weekly Young Jump. Released in North America by Seven Seas. Translated by Amanda Haley. Adapted by Shanti Whitesides.

Over the past year or so we’ve seen a couple of titles from Shueisha’s Young Jump that seem to be hear to remind us that Young Jump is not entirely sex, violence, or manly men being manly. Kaguya-sama: Love Is War is a good example of this, and now we also have Himouto! Umaru-chan, a series that ran for twelve volumes, got three different spinoffs, and also an anime. Which is impressive given that it’s basically a plotless gag series. Well, plotless is perhaps mean, there is the one plot. It reminded me of the start of Kare Kano, and the idea of a “perfect” student who is completely different at home is well-mined. Umaru-chan’s success with the reader will, I think, depend on how tolerant they are of spoiled brats when it’s being written for humor purposes. Umaru-chan is funny, but I can see how she might wear on people.

As you can see by the cover, this is not a touching melodrama. “Himouto” is a term referring to a himono, who is a young woman who acts perfect in the outside world but is a lazy slob at home. Add “imouto”, aka little sister, and you have this series. The focus, at least for most of this first volume, is definitely on Umaru-s home life with her older brother, a salaryman who tries to be stern and parental but usually just ends up giving in because Umaru is too annoying, too cute, or both. (Fortunately there’s no suggestion of incestual themes in this at all.) By the end of the volume we are seeing suggestions that we’ll get more of Umaru’s school life – her best friend, a shy, busty girl with a crush on Umaru’s brother, has made several appearances, and we also see the arrogant oujo. The cliffhanger also makes it seem like we’ll get more of the misunderstood sinister stalker as well (the manga does not indicate she’s misunderstood in this first volume, but come on.)

There’s reaolly not much to this, but that’s not a bad thing in a gag comedy – you don’t want to have to think too hard. So Umaru games, and eats, and whines, and her brother suffers mobly. The scenes which I liked best are the ones that show off the contrast between her two roles, usually when she and her brother are both outside the apartment and she has to keep up the facade but is starting to lose it. As for Taihei (the brother), he’s driven much by the needs of the particular gag of the chapter, being strict and angry when required, but mostly just being somewhat wishy-washy about it. Umaru is a handful, and if the two of them have living parents they aren’t mentioned, so it’s up to him to try to help her grow up. It’s not going well.

This was quite enjoyable, but as with a lot of similar gag series, I’m not sure it’s 12-volumes-and-three-spinoffs enjoyable. But we shall see, and I recommend Umaru-chan for those who like seeing annoying little sister types.

Manga the Week of 5/30/18

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SEAN: It’s the final week of May, and there’s a little something for everyone next week.

Bookwalker has a 3rd volume of shogi light novel The Ryuo’s Work Is Never Done.

Cross Infinite World gives us Little Princess in Fairy Forest, a fantasy novel based around a princess and her knight on the run from an evil lord.

Ghost Ship gives us a 3rd Yokai Girls.

J-Novel Club has a 2nd Master of Ragnarok and Blesser of Einherjar, as well as a 6th volume of bestseller How a Realist Hero Rebuilt the Kingdom.

Kodansha has, in terms of print, a 6th volume of Waiting for Spring.

MICHELLE: Yay!

ASH: I’ve been enjoying this one, too.

ANNA: I have the first volume and haven’t read it yet!

SEAN: In terms of digital we have a lot more going on. The debut is A Kiss, For Real (Sekirara ni Kiss), a Dessert title about a “sweet but sadistic” relationship.

MICHELLE: The “sadistic” aspect worries me, but man, I do like the cover for that one.

ANNA: Bring on the Dessert!

SEAN: There’s also lots of ongoing titles. Boarding School Juliet 2, Kasane 12, Peach Mermaid 2, The Prnce’s Black Poison 5, Shojo Fight 3, Starving Anonymous 3, and Tsuredure Children 9. It’s nice to see Shojo Fight back again after a long wait.

MICHELLE: It is!

ANNA: Woo!!!

SEAN: Seven Seas has two debuts. The first is a Guide Book to The Ancient Magus’ Bride: Merkmal. Like most guidebooks, I expect this to be filled with info and secrets – though not too many secrets.

ASH: I plan on picking it up, certainly.

SEAN: The other is a manga adaptation of the light novel being released by J-Novel Club, If It’s for My Daughter, I’d Even Defeat a Demon Lord.

We also get a 7th Merman in My Tub, and a 2nd New Game, which will do its best today. There’s also the 3rd and last Strawberry Panic novel out digitally, though Amazon actually jumped street date on this for some reason.

Vertical has two novels. The Dark Maidens has an anime-ish cover, but it’s mystery-horror subject matter makes it more applicable to Vertical’s other line of books.

There’s also a new Monogatari. Kabukimonogatari: Dandy Tale has Araragi and Shinobu investigating ghost girl Mayoi’s past… and seeing if there’s any way to change it. I warn you (and by “you” I mean Michelle), “Dandy” is not like the Kinks song in this case.

MICHELLE: Heh. Now I need to go listen to that one again! It’s been a while.

SEAN: Yen has a bunch of new digital releases, with Crimson Prince 16, Kuzumi-kun, Can’t You Read the Room? 6, Saki 15, and Sekirei 16.

Lastly, there’s a 6th Spirits & Cat Ears, which is mostly caught up to Japan.

Does anything leap out at you saying “READ ME!” next week?

Infinite Dendrogram: The Lunar Society

by

By Sakon Kaidou and Taiki. Released in Japan by Hobby Japan. Released in North America by J-Novel Club. Translated by Andrew Hodgson.

Despite very much being a book of two halves, this volume has essentially the same theme, one which I suspect will carry over into the next book (yes, it’s another cliffhanger). That theme is how Dendrogram gamers deal with the real world, and balancing the player’s real life with this thing that is more than just another game. We see Reiji starting college and immediately running into people he knows (and would rather forget) from the game. We see him interacting with someone who is exactly the same in the game as in real life, and someone who is seemingly the same, only to turn out to have a hidden side to her. And the second half deals with the fact that players can marry NPCs and father children in this game, though it’s difficult, for reasons which are actually expounded on in detail. We also see a major player log back in after a few weeks offline to find that he’s essentially missed the entire book series to date. There’s a lot going on.

The Lunar Society is, as I indicated above, the subject of the first half of the book, particularly its leader Tsukuyo, played by a real-life college medical student named… Tsukuyo. She’s a cross between Haruhi Suzumiya and Ryouko Mendou, and I suspect some readers may find her irritating. Ray finds her terrifying once he meets her outside the game, and his brother explaining the reason why (which immediately resolves his fear) is one of the funnier parts of the book. As a character, Tsukuyo is not the greatest, being exactly as she seems: a spoiled princess who’s desperate for anything to stave off her boredom and will kidnap people to get what she wants. That said, I like Haruhi and Ryouko, so I found her quite fun. I also liked her butler/assassin, who is exactly what you’d expect a butler/assassin to be like.

Tsukuyo is not the only gamer Reiji meets at his college; he also runs into Kozue, who is far more sensible and reserved – in fact, when we see her character in the game, B3 (or BBB), she seems almost exactly the same as she is in real life, just like Tsukuyo. This *is* a front, though, and leads into an interesting discussion of PKing in Dendrogram. I’ve gotten so used to Sword Art Online being the be-all end-all work on player killing that I’d forgotten that Dendrogram *is* a game, and that the penalty is not actually lethal, just annoying. The PK guild we see here (whose reasons for gathering around their leader I will groan about and try to skip past) has rules about only PKing those who want to duel, essentially – those who want a good fight, with an appropriate “reward” for losing. As for B3, while we don’t get into it due to narrative necessity and Ray’s stunning denseness about women, it’s implied that PKing turns her on. There’s all sorts of gamers.

We’re caught up with Japan now, though I think the next book is out soon if not already. Those who have enjoyed the series will find more to enjoy here, as the books keep examining what it is about this game that’s different and how its reality can suck you in. Plus maybe we’ll see Nemesis evolve past her jealousy? Nah, probably not.