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Yona of the Dawn, Vol. 12

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By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

One of the many things that the author of Yona of the Dawn is very good at is showing that the world keeps moving even as Yona and company are gallivanting around saving villages, gathering more hot guys, and hiding her true status from prying eyes, other parts of the Kingdom still have events move forward. Indeed, it’s doubly true here, as we see that Su-Jin, the leader of the Fire Tribe, has been plotting to overthrow the King for some time now, and is not going to let a little detail like Su-Won actually killing the previous King and taking over stop him. After all, what good are plans if they don’t end with you in a position of absolute authority? And so a lot of this volume is warfare and tactics, which is good. Fans of Yona’s slow-burning relationship with Hak may not get a lot to see here, but it doesn’t matter, as Kusanagi commands the reader’s attention no matter what she writes.

One of the things I like best anout this series is that it shows Yona’s decisions, which usually involve impulsively trying to protect those being attacked even when it would be far more sensible to stay hidden and keep doing reconnaissance, as being the right thing to do. Yes, Yun occasionally chimes in with how stupid this actually is, but the reason that everyone follows Yona is because she is wearing a nametag that says “Have you hugged your idealist today?”. Yes, the narrative shows that she made the right decision every time, but that’s the point. This is a manga that began with Yona’s crush and childhood friend betraying her and killing her father, and yet it refuses to get bitter and cynical, even when events conspire against it. Every time Yona looks determined and asks everyone to fight to save the oppressed, my heart grows a little bigger.

There is a bit of humor and romantic tease in this volume, mostly confined to the start, which sees all the guys squeezed into one small tent, or the wonderful shot of Jaeha with Sinha in his arms – not exactly what he’d planned. Presumably so the cliffhangers work out, we also get a couple pf side stories to round out the volume, the longer of which deals with Gija and the scars on his back. I’ll be honest, as the “harem” around Yona has grown, I feel that Gija has slipped into the background more than the others, so this was a nice way to remind readers of his past – which was sad, but not quite as sad as others were assuming. That said, I suspect readers will be focused more on the outcome of the battle between Su-Jin and Su-Won, and how the Happy Hungry Bunch are going to interfere even though they’re up against a ridiculous number of troops.

To sum up, Yona of the Dawn is still one of Viz’s best titles. Everyone should be reading it.

Manga the Week of 6/13/18

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SEAN: Did you know there is manga coming out next week? It’s true!

MICHELLE: Shokku!

ASH: You wa shock!

ANNA: Madness and insanity!

SEAN: Dark Horse has the first volume of Gantz G, the sequel series that serves all your lycra fetish needs. (I still want HEN, dammit.)

J-Novel Club has new digital novels for us. Grimgar of Fantasy and Ash 9, The Magic in This Other World Is Too Far Behind! 3, and My Little Sister Can Read Kanji 4.

Kodansha has new print titles! We have the 3rd Again!!, the 7th Aho-Girl, a 5th To Your Eternity, and the 2nd omnibus of Wotakoi: Love Is Hard for Otaku. Most looking forward to that last one.

MICHELLE: I am horrible and haven’t read the first Wotakoi yet. Perhaps I’ll remedy that this week.

ASH: You should! This is definitely another Kodansha week for me–I’m picking up most of these.

SEAN: Digitally we have another debut, this one is Kamikamikaeshi is a Nakayoshi shoujo series (we haven’t seen anything from them lately). It involves gods, hair, and reverse harems, and is by Ema Toyama of Missions of Love fame.

ANNA: Did someone say reverse harems??????

SEAN: There’s also a 3rd Boarding School Juliet, a 9th GTO Paradise Lost, a 3rd Living Room Matsunaga-san, and a 4th Starving Anonymous.

Seven Seas has another big blast from the past with the first Captain Harlock: The Classic Collection. First serialized in the 1970s in Akita Shoten’s Play Comic, this hardcover is filled with piracy and brooding.

ASH: Should be great.

ANNA: Wooo!!!!

SEAN: There’s a light novel debut in print, as we get the first volume of light-hearted overpowered heroine comedy Didn’t I Say to Make My Abilities Average in the Next Life?!. In digital, meanwhile, we get the 2nd volume of the same series.

The other debut may actually be familiar to those who tried the MangaBox digital app back in the day. High-Rise Invasion (Tenkuu Shinpan) is a shonen series that started there, then moved to Weekly Shonen Magazine. Beware, beyond this point survival game manga lies.

SuBLime has a 7th Deluxe Edition of Finder.

Vertical has the 2nd volume of CITY, the spiritual successor to Nichijou.

Viz debuts a new series, Sleepy Princess in the Demon Castle (Maou-jou de Oyasumi), which is, believe it or not, a new Shonen Sunday debut. Yes, the magazine still exists. The demon king has kidnapped our heroine… who just wants a nice rest. I look forward to this.

MICHELLE: I miss Shonen Sunday titles!

ASH: Indeed! And I’ve heard good things about this particular one, too.

ANNA: Looks cute!

SEAN: We also get a 2nd volume of After Hours, a 13th Loveless… oh, wait, here’s MJ.

MJ: THIS THIS THIS THIS THISY THIS THIS. Hi. There’s a new volume of Loveless. Obviously I will be devouring it.

MICHELLE: So excite.

ASH: I adored the first volume of After Hours and, yes, I’m still reading Loveless as well.

SEAN: …and there’s also a 30th Magi and a 3rd Splatoon. I’m impressed Magi has made it to 30+ volumes.

ANNA: So many volumes I am hopelessly behind on.

SEAN: Lastly, after a few delays, we finally get the 11th light novel for Is It Wrong to Try to Pick Up Girls in a Dungeon?, seeing if Bell can bounce back after the disastrous events of the last book.

See? I told you there was manga. Anything for you?

ASH: Always, and then some!

Invaders of the Rokujouma!?, Vol. 13

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

Much as the Rokujouma series in general has focused on life on Earth, and more specifically around Room 106, I’ve been starting to get a feeling that when the series does eventually end (and it’s showing a few signs it may soon in Japan, though we’re still long away from it here) it’s going to be having the cast emigrating to Forthorthe in some way, shape or form. Theia and Ruth’s plotline is simply too wrapped up in a world far away from here. We see that at the start of this book, where both of them go back to their planet to investigate her mother’s supposed illness, and the narrative kind of idles while everyone waits for them to get back. It takes a lot to shift these folks from where they want to be – next to Koutarou. That said, we’re also seeing that Theia and her mother are being set up to look like traitors by the bad guys, so a closer visit to modern Forthorthe is no doubt in the offing. For now, though, enjoy a volume that’s almost all battle.

Yes, Ruth’s evil ex-fiance is back, and bhe’s brought friends and a consuming desire to battle Koutarou. As such, once Theia and Ruth return with her mother the Empress (turns out the illness was a lie – no surprises there), our heroes are under attack from multiple fronts. This allows us to show off the varied skills of all the group while also showing that, unlike Koutarou, they are allowed to lose to superior numbers and firepower. Koutarou is an exceeption, but again this book takes the time to hammer home again and again that he’s using “borrowed power” from everyone. That said, what he does with all that power is purely him, even if he refuses to admit it. There are a few exceptions, of course. Harumi, newly awakened to the magic she has within her, as well as to the fact that she’s Alaia’s reincarnation (something only Clan and Theia’s mother seem to be figuring out), and suddenly she’s a huge powerhouse, though sadly this does push Yurika’s talents off to the side a bit.

And then there’s Shizuka. Now, given that the last few books have been trying their darndest to make Shizuka part of the main harem, despite the fact that she’s not in love with Koutarou (yet), there was always going to be a revelation about her. Her super strength for no reason at all was a signpost there. Still, it’s hard not to be amused when Koutarou literally pulls a deus ex machina and calls on his ancient dragon friend from the past… only to find the dragon has been within Shizuka all along. Shizuka herself seems unaware of this, possibly because the author wanted to have a wacky tag for the epilogue, but I suspect it’s only a matter of time before she ends up much the same as Harumi is now. Given the nature of this book, it’s unsurprising that there are an awful lot of last-minute saves and “oh, did I mention I can do this” twists to it. Oh, and we also hear about another Koutqarou and Clan time-travel adventure we haven’t seen yet, though I hope that doesn’t mean another .5 volume.

So with Theia and her mother likely having to stay in exile for a while, and the two biggest antagonists in the series joining forces at the end, what’s coming up? This feels very much like an “End of Part One” sort of book, so I suspect next time we’ll see the start of something new.

Yona of the Dawn Vols 11 and 12

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Yona of the Dawn Volumes 11 and 12 by Mizuho Kusanagi

It is an indication of how busy I am that I read two volumes of Yona of the Dawn together, because usually a volume of Yona of the Dawn does not linger unread for very long in my house. Reading volumes 11 and 12 back to back enabled me to appreciate Kusanagi’s storytelling skills even more as she shifts into a new storyline for Yona and her now complete band of mystical dragon protectors. Volume 11 was a little more light-hearted and character-driven, with the opening chapter flashing back to when Yona, Hak, and Su-Won were children, with Yona reacting against the restrictions of her role as a princess and the older boys watching over her as protectors.

A very important moment occurs in the next chapter, when Hak declares his undying devotion to Yona by…kissing her on the forehead. Yona spends most of her time being perplexed. Jaeha turns into a bit of an odd cheerleader for the relationship, by acting continuing to act obnoxious and needling Hak at any opportunity. The team heads into the Kai empire in search of more sustainable food for Yona’s people, and some hilarious scenes ensure as the village maidens who are starved for the sight of handsome men swarm Yona’s companions. Yona has a key moment where she wins over the villagers, demonstrating that she has the unique diplomatic skills of a potential queen. Kusanagi handles moments of Hak’s internal turmoil, Yona’s perplexed emotions, and over the top fangirl squeeing with ease, and I’m always intrigued to see how she chooses to illustrate these important emotional moments.

In contrast, volume 12 shifts into exploring geopolitical issues as generals and lords hatch an elaborate plot to start a rebellion in Kohka. One of my favorite things in this series is seeing Yona become more self-assured and confident with each volume. Once she realizes what is happening she’s determined to return, not for any military or personal ambition of her own, but because she wants to do something to help out the people who might be crushed in a confrontation of opposing armies. At twelve volumes in, one of the great things about this series is that Kusanagi has built up the characters so much that an abrupt shift to multiple scenes of old general dudes hatching evil plots while discussing tea is not alarming at all, because the reader has full confidence that it will all come together in the end, and it totally does. I thoroughly enjoy the pacing of Yona of the Dawn, as the characters and the challenges they face continue to evolve in fascinating ways. Overall, as someone who has read a ton of shoujo fantasy, I think this series is one of the best examples of the genre.

Éclair: a Girls’ Love Anthology That Resonates in Your Heart

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By Various Artists. Released in Japan as “Éclair – Anata ni Hibiku Yuri Anthology” by Kadokawa Shoten. Released in North America by Yen Press. Translated by Eleanor Summers.

The big news about this anthology, I think, is the fact that we’re seeing it at all. These anthologies pop up quite a bit in Japan, usually in the shoujo end of the market, with a collection of themed stories by various artists with a few known names to anchor the collection. That’s just what we have here, with the theme being the love between two girls. And yes, it is mostly girls – there are a few adults in this collection, but unsurprisingly most of the stories go to the4 traditional yuri well of ‘all girls school’. That said, while there are a few stories here that are essentially “Story A”, as Erica Friedman has defined it, there are more surprises than I expected, and quite a few touching and amusing moments. It doesn’t get that feeling of reading the same story 16 times that you sometimes see in these sort of books. And, of course, there is Girls’ Love to the nth degree – I only spotted a man once or twice in the entire book, and they didn’t speak.

It’s hard to review a title like this because the stories are so short you risk giving everything away just discussing them. On the ‘famous author’ end, the cover and first story are by Nio Nakatani, the author of Bloom Into You (unfortunately, I found it a rather weak story to begin with). Sakuya Amano, creator of Gosick and Konohana Kitan, has a story about a sheltered rich girl and her sharp-tongued maid, of which my favorite part was the sharp tongue more than the romance. And Canno of Kiss & White Lily fame has a story about a high school girl with a crush on an older, unemployed woman which is probably better off with the open ending that it was given – the author noted that she wanted to make the older woman more “bad”, but was unable to do it, and you can see the struggle to tame the story in the actual work.

Elsewhere, we get stories that allow us to see that not all relationships end happily ever after, with Shiori Nishio’s story showing us a love realized too late. There’s some twisted love, as a coffeehouse employee is falling for their new hire, but only because she’s a completely useless klutz and therefore adorable. I enjoyed the tales we got that stepped away from the school, like the woman who asks her friend to help her cook something for whichever new boyfriend she’s fallen for, only to find that this pie may be a little different; or the “post-apocalyptic” story that was a bit silly but amusing enough. Possibly the weirdest story in the book comes near the end, where a girl declares that she’s going to be having another girl’s baby. It’s the sort of thing you could only pull off in a short story – the number of pages (10) was just about right.

As you can imagine, the contents are highly variable, as you’d expect with an anthology like this. That said, the anthology is still well-worth picking up overall, especially if you like the authors or the genre. There are a few authors in here I would not mind seeing more of.

The Combat Baker and Automaton Waitress, Vol. 3

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By SOW and Zaza. Released in Japan by HJ Bunko. Released in North America by Bookwalker. Translated by Ari and John Werry.

As readers of fantasy manga and light novels know, one of the go-to ways to create a new world but also invest it with countries that the audience might care about is to make it like Europe around the time of the first and second world wars. Be it refighting the conflict with mecha or girls in powered suits, extending the way forever thanks to the efforts of a twisted God and twisted little girl, or focusing on post-war issues and fallout, everyone loves to write not-Europe – particularly not-Germany. Combat Baker is no different, which has made this book, one where Germany essentially won the war, a bit discomfiting. But for the most part it’s been subtle, and as long as the author doesn’t try to work in the Jewish people in an incredibly unsubtle way with a stereotypical character, I think we’re — (telephone rings) Hello, yes? What? (hangs up) Oh dear.

Before I get into Shylock (yes, really), let’s take a look at the rest of the book. Jacob is the focus of this volume, as his mother wants to move to a bigger city but he wants to stay behind with Lud and company. Meanwhile, the military is dealing with the equivalent of the SS troops, a separate group attached to the powers in charge which is trying to become more powerful than the government’s own military. In order to achieve this they have sent an immature teenage brat with delusions of regaining her family’s honor, one token “just plain evil” soldier, and a corporal in a mask who looks like he wants to stop these people, but also has something to hide. And of course we still have the occasional harem antics, as Sven frustratedly realizes that she cannot control women from falling in love with Lud, mostly as she hasn’t actually confessed yet. Can this group survive a Bake-Off as well as a kidnapping?

I should note here that I’m not Jewish, so this is just my own personal feelings. I think I see what the author wanted to do with his insertion of Shylock, a businessman who grew up abused by people simply due to his ethnicity and has tried hard to run his business and support his country. We see a bit of the catch-22 involved when he thinks that giving money to the state would get him in trouble, only to be arrested for not giving money. I suspect some of my reservations would be allayed if he weren’t literally named Shylock, and his nickname is “Greedy Shylock” to boot, a businessman who controls most of the weapons manufacturing in not-Germany. When you’re writing a fantasy novel which is dealing with the horrors of war in many ways, you need some subtlety in your writing and background. Shylock was as subtle as a boot to the head.

Apart from that, this is a decent enough Combat Baker. Jacob gains some depth here as a child who’s had to grow up far too fast, and occasionally acts like the child he’s supposed to be for once. And once again it’s hinted that Lud knows exactly who Sven is and is just rewriting his own mind to forget it. There’s also new translators, and the book read a lot smoother this time around. If you’ve been reading Combat Baker, you’ll want this one as well. And yes, there is also delicious bread (though the book does not come with free bread with purchase – Bookwalker might want to look into0 that.)

Bookshelf Briefs 6/4/18

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Battle Angel Alita: Deluxe Edition, Vol. 3 | By Yukito Kishiro | Kodansha Comics – Alita has been many things since she was rescued from a scrap pile–a formidable bounty hunter, a talented motorball player, and now (of all things) a beloved bar singer and musician–but her destiny hasn’t finished playing out yet. Zapan, another cyborg and ex-bounty hunter who unfairly blames Alita for everything that has recently gone wrong in his life, is coming after her to seek revenge. He cares very little about anyone or anything else, resulting in massive casualties and destruction. As I’ve come to expect from the series, the numerous battles in this volume are intense and well-executed in addition to being incredibly gruesome. Kishiro also has a knack for creative and marvelously disconcerting cyberpunk designs. But what really makes the series work is Alita herself and the strength and depth of her character. While her circumstances are rarely very happy ones, she continues to persevere. – Ash Brown

Kiss Me at the Stroke of Midnight, Vol. 5 | By Rin Mikimoto | Kodansha Comics – Last time I said that a lot of this was shoujo by numbers, and it still is to a degree, but you can feel the author fighting back against the obvious a bit. Shu spends much of the volume trying not to be the evil girl who gets between our hero and heroine, before seemingly just saying “screw it” and doing so for a good cliffhanger. That said, I continue to like the way the book is handling Kaede, who really is making an effort here in a way that most shoujo hotties, especially ones who are famous stars, wouldn’t do. It makes the butt stuff more tolerable. (It helps that both Hinana and Shu are also “pervy” to a large degree.) Add in more funny SD-faces, and it’s a pretty decent volume. – Sean Gaffney

Shojo FIGHT!, Vol. 3 | By Yoko Nihonbashi | Kodansha Comics (digital only) – I was very happy to see this volume on Kodansha’s release schedule! In it, one of Neri’s new teammates, Nao, has gotten herself involved in a “volleybetting” enterprise in which the audience gambles on matches between scantily clad girls. The Kokuyodani team rallies to extricate Nao from this situation, but all is not as sordid as it seems. Their efforts, in part, involve putting together an audience team to help win Nao’s freedom, and Neri’s teammates assure her that now is not the time to hold back, so she’s finally able to play her hardest with teammates in full support. Meanwhile, Takako Yui returns from overseas and seems to be fairly evil, though I liked that Michiru and Odagiri start dating as a result of her machinations. Looking forward to more! – Michelle Smith

Sweetness & Lightning, Vol. 10 | By Gido Amagakure | Kodansha Comics – Sweetness & Lightning continues to be eyebleach in manga form. In addition to cooking some classic Japanese dishes in this volume—udon, oden, and sukiyaki—Kotori and Tsumugi achieve a few more growing-up milestones. I appreciated that witnessing Tsumugi’s success in learning to ride a bike helped Kotori pass her interview for culinary school, and also liked how Tsumugi is picking up on things more now, like how their time cooking with Kotori might soon come to an end, or that, despite her best efforts to be friends with everyone, there are just some people she doesn’t like. My favorite moment, though, was when Kotori’s father tasted her food and affirmed, “You’re good at this.” Overall, it’s a very nice series about nice people cooking nice food and sometimes one needs that sort of story. – Michelle Smith

To Your Eternity, Vol. 4 | By Yoshitoki Oima | Kodansha Comics – One of my favorite manga series currently being released in English is To Your Eternity. Admittedly the story can be emotionally devastating and heartbreaking, but it’s also a beautiful and compelling examination of life, love, and what it means to be human. In stark contrast to the beginning of his existence, Fushi has lived the last few years in relative peace. He’s once again become an integral part of a found family, but now he’s had the advantage of time to establish even deeper bonds with people as he grows and learns. Fushi’s language skills develop alongside his self-awareness and understanding of others. However, danger and tragedy isn’t far off–Fushi will have to face his fears and make tremendously difficult decisions in order to protect those he has come to love. He’s evolving to become more human-like even while the monstrous truth behind his creation and survival is revealed. – Ash Brown

Wake Up, Sleeping Beauty, Vol. 4 | By Megumi Morino | Kodansha Comics – The cliffhanger that didn’t appear last time shows up in this volume, as Shizu’s father is back and he’s evil, alas. So it’s ‘put Shizu in an institution’ vs. having her run away with the boy who loves her, and I think we know what readers are going to go with, even in spite of the fact that this is dumb and will end badly. Before that, though, we pretty much get compressed adorable, as Tetsu and Shizu buy kimonos, attend a festival, and otherwise prove that she is indeed fully capable of interacting with the outside world provided she isn’t being constantly possessed. Sadly, I doubt Dear Old Dad will see it that way, and I expect the next volume to be rather dark. Still getting this anyway. – Sean Gaffney

Waiting for Spring, Vol. 6 | By Anashin | Kodansha Comics – There’s not a whole lot that happens in this volume plot-wise. Mitsuki challenges herself by serving on the cultural festival committee and does a very good job. Meanwhile, Aya-chan arranges for his team to have a practice game against our heroes, whereupon he and Asakura get into each other’s faces a bit. Mostly, though, this volume is about feelings. Asakura freely admits to his friends that he loves Mitsuki, which causes some strife with Rui, who was maybe starting to have feelings for her and has long had an inferiority complex where Asakura is concerned. Although I really don’t care about the Aya-chan stuff—or Rui, for that matter—I really like Mitsuki and Asakura and enjoy spending time with them as they work to better themselves and get to a place where they feel worthy of love. They’re a core couple worth rooting for. – Michelle Smith

Heaven’s Design Team, Vol. 1

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Do you remember that moment in your manga-reading journey when you discovered that there was a manga about golf? Or pachinko? Or train station bento boxes? I do: I’d just read an entry in Shaenon Garrity’s Overlooked Manga Festival, and was astonished to discover that someone had written manga about Cup Noodle and 7-Eleven. I hadn’t been curious about the origins of either instant ramen or convenience stores, but the possibility of learning about them from manga was so irresistible that I tracked down copies. Neither manga were good, exactly, but I found them oddly compelling, both for their sincerity and their attention to small but interesting details.

I had a similar experience with Heaven’s Design Team, a new edu-manga that explains how different animal species are uniquely adapted to their environments. Its creative team has taken a bolder approach to their subject than Project X‘s, opting for humor over straightforward dramatization. The basic mode of storytelling, however, reminded me of Cup Noodle and 7-Eleven, relying heavily on talking heads to impart information.

Heaven’s Design Team has a faintly blasphemous premise: God is so busy running the world that He’s outsourced the creation of new animal and plant species to a crack team of designers. God still has a hand in deciding whether unicorns go into production or not, but He’s largely an invisible presence in the story, while the motley crew of consultants take center stage. Each designer has a signature animal — a horse, a cow, a snake, a bird — that he or she is trying to improve, and one well-defined personality trait — say, a fondness for lethal predators — that puts him or her into conflict with other team members.

That’s an imaginative strategy for teaching readers about the quirks of animal anatomy, but Heaven’s Design Team never quite finds its groove. Part of the problem lies with the authors’ dogged adherence to formula; at the beginning of every story, the design team fields an order from the Big Guy for an “adorably uncute animal” or “an animal that can eat tall plants,” then bickers their way to creating an actual species like the common egg snake, the giraffe, the armadillo, or the narwhal. Their design process yields nuggets of information about the creatures they’re envisioning that, at chapter’s end, turn out to be real attributes of real animals. So many of these factual tidbits are related through talking-head panels, however, that the manga often feels more like a PowerPoint presentation than a story, despite the authors’ attempts to make these info-dump conversations more animated with facial close-ups and dramatic poses.

From time to time, however, Heaven’s Design Team drops a joke that’s so weird or so well executed it earns a real laugh. In one scene, for example, two unicorns accidentally bump into one another, prompting a terse exchange straight out of Goodfellas. In another sight gag, Shimoda, the team’s most straight-laced member, visits the Insect Department, a division populated entirely by young men with identical haircuts and glasses–the ultimate worker bees. These moments last only a panel or two, but they hint at what the series might have been if the authors hadn’t suffered the same repetition compulsion as their characters. Your milage may vary. 

Heaven’s Design Team, Vol. 1
Written by Hebi-Zou and Tsuta Suzuki, Art by Tarako
Translated by
Kodansha Comics, 142 pp.
Rated E, for Everyone

Pick of the Week: We Want Everything

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SEAN: My pick this week is My Solo Exchange Diary, if only as I really want to find out what happens to our author next, painful as that may be. Also The Promised Neverland, Eclair, etcetcetc…

KATE: This is one of those weeks where I’m inclined to pick seven or eight titles. I second Sean’s recommendation of My Solo Exchange Diary, but I’m also excited for new installments of Princess Jellyfish, The Promised Neverland, and Descending Stories, three of my favorite ongoing series. I’d be remiss in my manga-critic duties if I didn’t also mention Yen Press’ yuri anthology Eclair, which has been on my radar since Erica Friedman reviewed it last year.

MICHELLE: I also have lots of things I’m looking forward to. Some ongoing shounen and shoujo faves from VIZ, Those Summer Days from Kodansha, Eclair from Yen Press, etc. But since it’s my final chance to choose quirky, unique, and addictive Princess Jellyfish, I’ve gotta go with that.

ASH: Absolutely sign me up for everything that’s already been mentioned and be sure to add on Vinland Saga, too. It’s such a tremendous series that somehow manages to only get better with each new volume that’s released.

ANNA: There’s a lot that’s great coming out, but I need to join with Ash in picking Vinland Saga for sure!

How a Realist Hero Rebuilt the Kingdom, Vol. 6

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By Dojyomaru and Fuyuyuki. Released in Japan by Overlap, Inc. Released in North America digitally by J-Novel Club. Translated by Sean McCann.

This volume of Realist Hero sees our heroes go off to meet the dragon people of this world. Most of them are as you’d imagine dragon people to be in an isekai light novel series written for guys – Western dragons types who can fly and breathe fire, carry men on their back, and can also turn into beautiful women. Indeed, the carrying men on their back thing is explicitly stated to be the same as losing your virginity for a dragon – with heavy consequences for the dragon if the guy doesn’t end up partnering with her. That said, none of these dragons are the star. The star is Naden, who is a dragon who doesn’t have wings and can’t breathe fire, and thus is mocked by the other dragons around her. Fortunately the star of this series is Souma, and so you know he’s going to find value in her (she can create electricity!), see what she’s really based on (Eastern dragons – which means yes, she can fly), and end up partnering with her in order to save the dragon nation from a disaster – and also because they’ve fallen for each other.

The plot of this book is very straightforward, to the point where it even seems a little rushed. Naden falls for Souma almost immediately, and there are several scenes to reassure us that he’s not going to be marrying her simply because of her powers or status, but because he likes her as well. I also appreciated the development given to Ruby, one of three “Mean Girls” style dragons who bully Naden for being different. It’s framed more as “each wants what the other can’t have”, and as Ruby points out, at least she’s being a jerk to Naden in person, rather than behind her back. Ruby, during the crisis, also has to be ridden by Hal, which of course means that he has to marry her, which is possibly poor timing given that he and Kaede finally got engaged before this book. Fortunately, everyone’s super fine with polygamy here, so it works out.

There are a few seeds for future books sown here, the biggest of which is the nature of the world that Souma was summoned to as a hero, which may not be as “alternate fantasy world” as first expected. I expect this may have something to do with the demons, which we’ve already heard are not quite as “they’re just evil, OK?’ as previously thought. The other implication of the book’s ending is far less surprising – Liscia is pregnant. This may be why the author had her go with Souma for the final battle even though she didn’t do much – it’s possibly the last time she’ll get to be involved. The next book looks to feature Juna and Roroa, so we may simply get revolving fiancee development for a while. And there is also a nice helping of humor here, ranging from Aisha destroying everything around her because Souma disappeared to Empress Maria’s new career as a pop idol. Souma’s influence is felt far and wide, clearly.

There may not be quite as much kingdom developing as previous volumes, so some fans may be disappointed. But for the most part this is a decent Realist Hero, introducing a new fiancee quickly and economically. She’s cute, too.