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Today’s Menu for the Emiya Family, Vol. 1

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By TAa, based on Fate/Stay Night by TYPE-MOON. Released in Japan as “Emiya-san Chi no Kyou no Gohan” by Kadokawa Shoten, serialization ongoing in the magazine Young Ace Up. Released in North America by Denpa Books. Translated by Ko Ransom.

In the beginning there was Fate/Stay Night, a visual novel with three routes, a whole lot of dead cast members, and infinite anime and manga spinoffs. Then there was Fate/Hollow Ataraxia, a sequel to the visual novel which asked the question “what if everyone in the cast was still alive?”. That too has a manga. This… is not that manga. Sorry, Bazett. Instead we have Today’s Menu for the Emiya Family, which asks the pertinent question “what if we adapted FHA but removed everything that wasn’t making food and sweet, heartwarming scenes?”. This also had an anime, which was just as heartwarming. Now we have the original manga, which is kind enough to not only give us the recipes, but also still has Shirou talking himself/the reader through each meal. The result is the perfect Fate adaptation for those who want to see everyone stop dying and just being really nice to each other. It’s as sweet as pie.

The “Emiya Family”, at its core, are the five who tend to eat dinner at Shirou’s house almost every evening: Shirou, Saber, Sakura, Rider, and Taiga. That said, worry not if you’re a Rin fan, she’s all over this volume and a frequent visitor, as are Illya, Lancer and Caster. Heck, even Assassin gets a chapter devoted to him and delicious sandwiches. Archer is around as well, though for most of the volume the joke is that we never see his face. Each chapter follows a similar trajectory: we set up a situation, find the perfect food for the situation, and the food is made over the course of the next few days. This could be salmon Lancer recommended, sweets celebrating Hinamatsuri nd Illya growing strong and healthy, Chinese food to celebrate Rin and Sakura’s new bond, etc. Even when there’s a brief hint there may be conflict, such as when Saber sees Shirou teaching Caster how to cook, it’s quickly defused.

The manga does, I will let you know, assume that you are familiar with the original Fate visual novel and what happens in it. (Though my guess is that, in regards to the chapter with Shinji, they’d rather we forget about it. It’s the only chapter that left an unpleasant taste in my mouth, though at least it’s less “Sakura is trying to please her abusive brother” and more “Shinji is the pickiest eater around.) In particular, if you don’t know the relationship between Rin and Sakura, you might wonder why they’re flirting with each other. They’re embarrassed for a different reason. That said, apart from that, the manga can be read by anyone who enjoys Fate and doesn’t mind a complete lack of conflict. Even Caster is on her best behavior here.

Most importantly, as every good foodie manga should, this volume made me hungry, and wanting to try some of the recipes. If you are like Shirou, Rin and Sakura and love to cook, or are just like Saber and love to eat, this is a terrific pickup. And for anime fans, there are one or two things here that weren’t animated, though future volumes should have even more of that.

Invaders of the Rokujouma!?, Vol. 19

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

This wraps up, for now, the dark magical girl arc of the series, though I’m sure they’ll be back in some capacity. They’re not likely to be the Big Bads of the entire series, though – Maya and Elexis are clearly filling that position. We can also tell by the fact that Darkness Rainbow is slowly losing its cohesion – not that it had much to begin with. Maki defected to the side of the heroes, Crimson is happy to do whatever as long as she gets a fight, Green is, frankly, in denial about a crush on Crimson and also wishes the group could be better friends, and as for Purple, well, she’s the Big Bad of this book specifically. The moment we saw her backstory in the prologue we knew it wouldn’t be pretty. Maki’s defection means we need a new Dark Magical Girl to contrast with Yurika, who has friends, a guy she likes, and magical powers and the smarts to use them. Given all that, why WOULDN’T Purple try to open a hell portal?

Speaking of which, time to gush about my favorite character again. She’s still in “awesome” mode here, and the author says in the afterword that he intentionally made her super weak and whiny because her magic had the potential to be a deus ex machina. Now she’s matured (though I’m sure when they get back to Room 106 and she’s studying she’ll backslide), and we also find out an interesting tidbit from Nana, her predecessor – Yurika became an archwizard in about half the time anyone else did. Including Nana. I also really loved the dialogue about love between her and Koutarou, as both of them hate to see the other looking like a “soldier” rather than a happy-go-lucky teenager. This is what the others want to see from Yurika – not necessarily the lazy whining, but Yurika at peace and not worrying about the next threat.

This wraps up an arc, but there’s plenty of setup for the next few books, which promise to take the action back into space. We learn that the People of the Earth and Yurika and Nana’s magical kingdom (I’ve given up on figuring out if Yurika is from Earth or Folsaria, frankly) are the descendants of the evil alchemists and mages that Koutarou and Clan helped defeat in the past. And, of course, everyone got away – again. So while Folsaria has settled down, I’ve no doubt that after a volume or two of fluff (gotta have contrast), we’ll be headed back to Forthorthe for a while. (We’re right about at two/thirds through this series, though given the short word count of each book it doesn’t seem that long.) In any case, Yurika and company saved the day, and even got a kiss out of it. Well, she and Maki initiated the kiss. And it’s on Koutarou’s cheek. But it’s a start! Please fix this emotionally broken boy.

So a good Rokujouma, with lots of fighting and desperate measures and the like. Also, Yurika, Maki, Clan and Kiriha fuse, which made me imagine this as a Steven Universe crossover.

Bookshelf Briefs 3/4/19

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ACCA 13-Territory Inspection Department, Vol. 6 | By Natsume Ono | Yen Press – And so, ACCA ends as it began, with endless discussions between relatively stoic middle-aged people. This is pretty much the definition of Natsume Ono’s career, so no complaints here. Things work out. Being the leader of a revolution is the last thing that Jean wants, and it’s amusing to see how he’s theoretically promised something to every single territory without actually promising anything. Moreover, ACCA manages to threaten the new ruler without actually removing him, and there are hints that he’ll be nicer—to Jean’s sister if no one else. Six volumes seems like the exact length for this series, and I’m happy to have read it, even when it was intensely talky. – Sean Gaffney

The Ancient Magus’ Bride, Vol. 10 | By Kore Yamazaki | Seven Seas – It’s a new direction for The Ancient Magus’ Bride, as Chise is off to attend the alchemist college. The alchemists want to study Chise in hopes of creating an artificial sleigh beggy substitute and in return she gets to audit classes for free. I liked that her primary goal is learning how to help people without sacrificing herself (with the side goal of thus keeping Elias from undertaking any more the-ends-justify-the-means efforts to save her) and also potentially find cures for the two curses now afflicting her arm. Many new characters are introduced, Chise is reminded that she’s “really bad at dealing with people and school,” and the church realizes that Elias’ observer has been lax and prepares to send out someone different. I’m enjoying this arc so far and remain very glad I got caught up on this series when I did! – Michelle Smith

Anonymous Noise, Vol. 13 | By Ryoko Fukuyama | VIZ Media – Yuzu’s back and just in time for In No Hurry to participate in the Tokyo Sailing concert series. The only problem is that Nino is “catastrophically terrible” in rehearsals, which she attributes to having nothing left to yearn for now that she and Momo have finally gotten together. A lot of angst ensues, culminating in a performance where Nino seems unconcerned that she’s damaging her voice, convincing the two main guys in her life that she’s planning on giving up singing. Yuzu seems poised to try to reign her in by joining her on vocals—this would be a huge development—buuuuut then we end the main story to make way for a bonus story that is fine, I guess (it does have a cute cat), but not what I wanted to be reading. This series is still occasionally infuriating, but I guess I’m hooked now. – Michelle Smith

Barakamon, Vol. 17 | By Satsuki Yoshino | Yen Press – Hiroshi’s absence is felt here, mostly as he does NOT call home all the time or immediately return. Hilariously, Handa tries to fix things by dying his hair blond and doing incredibly bad Hiroshi impressions. The bulk of the humor in this book, though, comes from the arrival of a two-person documentary team, here to videotape the countryside but not really prepared for the sheer presence of most of the cast, (and also having tremendous trouble not flirting shamelessly with each other, something everyone picks up on). Barakamon is wrapping up next volume, and that seems about right—this volume seems to be dragging things out a bit, and most of the main plot points have been wrapped up. – Sean Gaffney

Gabriel Dropout, Vol. 6 | By Ukami |Yen Press – The last half of this volume of Gabriel Dropout deals with the school trip, and has some good laughs, including two times where I literally laughed out loud (both involve Gabriel). Which is good, because that’s the main reason anyone is reading this series. The characters are not really here to develop, even as we introduce more of them. Another human girl gets a spotlight here, trying to make friends with Mei despite her being a devil and also really shy. Raphiel gets to snark, Vignette gets to overplan, Satanichia gets to do her “evil ojou” impersonation… everything is present and correct. Should you still read this series? Yes. It’s funny. It’s not deep, but I always smile at the end of it. – Sean Gaffney

Hatsu*Haru, Vol. 5 | By Shizuki Fujisawa | Yen Press – If a direct confession doesn’t work, well, try the forceful kiss again, I guess? Really, a lot of Hatsu*Haru revolves around how bad Kai is at being a cool shoujo lead, and I don’t expect this to end well for him. Meanwhile, Riko’s crush is finally married, so she can theoretically move on—though most of this volume is about how moving on is hard. And in a blow to my shipper heart, Ayumi and Takaya are faking a relationship in order to try to get Kai and Riko together… but don’t actually seem to have any sublimated feelings for each other. Darn. Ah well, the manga is still young. Till then, please enjoy teens being really emotional and awkward about romance. – Sean Gaffney

In/Spectre, Vol. 9 | By Kyo Shirodaira and Chashiba Katase | Kodansha Comics – Again we get two stories in this volume, one shorter and one long. The short one shows us Kotoko in high school, being asked to join a mystery club that’s about to be dissolved and in her spare time figuring out that the club is more about a forbidden romance than any actual mystery, though I was amused at “spoiling” a mystery that isn’t a spoiler in the first place. The longer story is more serious, about a young woman with a deadly past that… is not being brought up by the media, and about Kotoko and Kuro solving the mystery and also revealing a lot to us about lucky cat statues. There’s less of Kotoko being silly and horny in this one, but the stories are fun. – Sean Gaffney

NE NE NE | By Shizuku Totono and Daisuke Hagiwara | Yen Press – The opening scene of NE NE NE shows the wedding between Koyuki and Shin, an arranged marriage in which the groom is twenty years older than his teenaged wife. While this premise certainly had the potential to enter into somewhat questionable territory, the manga is actually quite charming and sweet. I’m not sure that I was ever entirely convinced by the difference in Koyuki and Shin’s ages based on how they were portrayed as individuals, but I did enjoy seeing their relationship naturally deepen over the course of the volume. Of the two leads Shin is the more fully-developed character—he at least gets a backstory while almost nothing is known about Koyuki beyond the fact that she desperately wants to be a good wife. But even so, they’re adorable, both together and on their own. With an additional dash of humor and magic, NE NE NE is a delight. – Ash Brown

Ran and the Gray World, Vol. 2 | By Aki Irie | VIZ Media – The opening chapter of this volume pissed me off righteously, as it involves teen-version Ran hanging out with Otaro the creeper and telling him, “You’d better not touch me” only for him to immediately glomp her. Actual quote from my notes: “THIS FUCKER DOES NOT LISTEN AT ALL. I WANT TO KICK HIM INTO THE SUN.” He promises he’s got “lots more” in store for her, but thankfully her new magic teacher arrives and the story moves on to deadly magical insects (one comes thiiiiiis close to killing Otaro but, sadly, he survives), magical training, and classmates who have crushes on Jin and Ran. I vastly prefer Ran’s age-appropriate love interest, Hibi, and sincerely hope having a friend her own age inspires her to stay away from Otaro. At least Jin is on to his womanizing ways. – Michelle Smith

Ran and the Gray World, Vol. 2 | By Aki Irie | Viz Media – The good news is that all the reasons that I enjoyed the first volume are here again. Ran is a delight, I also like her brother (and his maybe relationship with a new girl whose looks and personality remind me of Hinata Hyuuga), the bug subplot is creepy but also drives the story forward well, and the art is absolutely gorgeous. The bad news is that the main thing I didn’t like about the fist volume is also here: Otaro, the sleazy older guy from the first volume, is back and still trying to get into Ran’s pants. Even if she weren’t really a young girl using magical shoes, he’d still be the absolute worst, something the manga artist knows—they show him being reprehensible. Maybe he’ll die in the next book? Nah, I’m not that lucky. – Sean Gaffney

Tales of Wedding Rings, Vol. 5 | By Maybe | Yen Press – I was prepared to meet the fifth Ring Princess in this book, which we do (she’s on the cover, in case you hadn’t guessed). It’s the rest of the book that took me by surprise. Things go very bad very fast, and all of our main harem end up being shunted back to Earth in order to save them from the encroaching doom. This is… annoying given that Satou and the Ring Princesses’ sole purpose is to save the world from encroaching doom. It does mean we get to see cute things like shopping for clothes and going to libraries. It’s also fortuitous, as the fifth princess was on Earth all along. Will we be headed back next volume? And will Satou ever manage to go all the way with Hime? Honestly, I suspect no, but this is still fun to read. – Sean Gaffney

Pick of the Week: Dance to the Beat

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SEAN: If I’m being honest, I’m most excited this week about 10 Dance and Skip Beat!. But I’ll throw my pick behind Everyone’s Getting Married, a final volume, because I love Viz’s “Josei Beat” titles and wish they could get more of them.

MICHELLE: I’m also most excited for 10 Dance and Skip Beat!! As much as I love the latter, however, I’ve been extolling its virtues on a biannual basis for quite a while now, so I’ll award 10 Dance official pick status this time.

ANNA: I love Skip Beat! so much, but I’m also going to pick Everyone’s Getting Married. I hope the ending of this series means we get another “Josei Beat” license announcement soon.

ASH: Like most everyone else so far, 10 Dance is definitely one of the manga that I’m looking forward to the most this week. The other series actually hasn’t been mentioned yet—Mob Psycho 100. The first volume’s mix of quirky humor and heart makes the series my official pick.

Re: ZERO ~Starting Life in Another World~, Vol. 9

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by Media Factory. Released in North America by Yen On. Translated by Jeremiah Borque.

This review is, by necessity, going to be divided into two parts. The first part, above the cover art, covers the first three quarters of the book, which goes up to the end of the anime. The second part, after the cover art, spoils the last quarter of the book, which the anime did NOT adapt. If you want to be surprised, stop reading early.

This was a very solid ending to Re: ZERO’s third arc, which ended up being six books long. Subaru comes up with a different plan after the last one went a bit pear-shaped: take out the Fingers and do the evacuations first, THEN go after Petelgeuse. It also relies on Subaru putting his trust fully in Julius, who he still dislikes on principle, but you can tell that it’s the dislike that “rivals” have for each other, and I would be very unsurprised to hear there’s slash of them on AO3. The fights are strong, Subaru actually gets to be cool and intelligent for once, and he even gets to have a dramatic confession. Plus, Emilia lap pillow! You can absolutely see why the anime wrapped it up here – it’s a great, heartwarming ending that resolves most of the plotlines of this arc.

And then we see why, when asked why Season 2 of re: ZERO has not been greenlit, fans who follow the webnovel tried to avert their eyes and hem and haw. So yeah, not QUITE the happy ending we envisioned. Two more Witch Cult members attack Crusch, Rem, and the others heading back to the city, and the outcome is dreadful. Half the force is killed, Crusch loses an arm and also all her memories, and Rem’s body remains sleeping, but everyone else has forgotten HER – including Ram. This was foreshadowed a few times in the book earlier, where Ram looks puzzled at Subaru implying she has another sister, but it does lead to the beautifully dramatic (it gets a full page all to itself) “Who’s Rem?” from Emilia. Even worse, the author really drives in the knife by giving Rem fans a short story that shows off what would have happened if she and Subaru HAD run away together – they’re both happy, have two kids, joke about his libido – it’s the sweetest thing you can imagine. And also not what actually happened.

I was very impressed with the final chapter, which skipped Subaru finding out about all this and went to the aftermath, where he looks over Rem’s comatose body and tries to figure out what to do next. We hear about his despair – he kills himself to try to “return” to save Rem, but finds his savepoint is him looking at her body, so that’s out. Worse, after what’s happened to Crusch, Ferris is ready to break their alliance, and has to be talked down by Wilhelm and Crusch herself, who is a lot meeker and milder than the woman we love, but is just as determined. More importantly, Emilia has her groove back, and is ready to move forward with Subaru at her side. The next arc is implied to give her the character development that Rem got in earlier books.

The trouble is, of course, that we’re not sure how long the books will have Rem in a coma. Rumor has it there will be a long wait – the next arc is supposed to also be six books long. Good news for the EMT fans, but given how for 95% of all anime fans Rem is the only thing to care about in Re: ZERO, you can see why producers have been vacillating. That said, here it is, and it’s well written, and… sorry, Rem fans? Enjoy the Rem Natsuki story, if nothing else.

Shortcake Cake, vol. 3 and Ao Haru Ride, vol. 3

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Third volumes are when I feel longer running series start to settle in a bit. The reader knows all the main characters and the ongoing story lines have been established. In the case of most shoujo manga, it also means it is love triangle time!

Shortcake Cake Volume 3 by suu Morishita

Shortcake Cake 3 opens with a rainstorm, and the unsettling weather continues to mirror the turbulent emotions associated with teen romance throughout the volume. Ten continues to be fascinated with Chiaki, while Chiaki and Ten are pretending to date to throw off the odd obsessive impulses of Riku’s brother Sei. At the same time Chiaki is feeling guilty because he thinks that Ten should be with Riku, even though Ten already previously rejected him. This all sounds like teen-age soap opera insanity when I type out a summary, but Shortcake Cake delivers this all to the reader with a level tone, interspersed with the slice of life aspects of the characters being thrown together in the same boardinghouse and having to deal with issues like fending for themselves when their House Mom gets sick. Riku and Ten have a few moments together where it is clear that he’s not yet gotten over her, as he casually asks what she thinks of Chiaki. This encounter happens when they are crouched under a table cleaning up after a kitchen mishap, showcasing Morishita’s ability to make every day incidents seem oddly intimate.

Shortcake Cake 3

Rain shows up as a background image to the panels where Ran contemplates this moment, thinking “It was as if he was saying all over again that he likes me.” Chiaki keeps his feelings to himself, and keeps pushing Ten towards Riku. One of the reasons why I like Shortcake Cake so much, is that this point I’m genuinely unsure of who Ten might end up with, and she’s not portrayed as fickle or uncaring, just a girl who is uncertain of her feelings. This volume was much more somber in tone than the previous volumes of Shortcake Cake, but it explored new emotional territory for the characters. I’m continuing to be fascinated by the way they influence each other, and that makes for an intriguing series.

Ao Haru Ride Volume 3 by Io Sakisaka

In contrast with Shortcake Cake, I am firmly convinced that Futaba and Kou are going to end up together, but seeing how this unfolds with the pressures of teenage friendship and Kou’s newly acerbic personality is what makes Ao Haru Ride interesting. The volume opens with Futuba dealing with the fact that her new friend Yuri also has a crush on Kou. Futuba cycles through a variety of feelings, as she wants to be supportive to one of her first real friends, but she can’t escape her attachment to Kou. First, Futuba vows to like other boys, but this resolution does not last long. I’ve mentioned before that one of the things I enjoy about Ao Haru Ride is the characters’ tendency to get things out into the open fairly rapidly, so it doesn’t seem like there will be multi volume story lines revolving around people not talking to each other.

Ao Haru Ride 3

Futaba isn’t really able to deal with her feelings honestly, and attempts to come up with arbitrary tests like “if Kou follows me off the train, I’ll keep loving him.” Sakisaka’s excellent paneling makes a conversation near a subway platform look filled with dramatic emotion. Futuba and Kou keep getting thrown together, which doesn’t do much for Futuba’s impulse to bury her feelings to maintain her friendship with Yuri. One of the things I liked most about this volume was seeing Futuba, Yuri, and Murao bond over their romantic tribulations. Futuba is starting to piece together what type of person she wants to be and pondering how to be a good friend. This volume finishes on a bit of an emotional cliffhanger, so I’m curious to see what happens next.

Silver Spoon, Vol. 7

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By Hiromu Arakawa. Released in Japan as “Gin no Saji” by Shogakukan, serialization ongoing in the magazine Weekly Shonen Sunday. Released in North America by Yen Press. Translated by Amanda Haley.

The middle of this volume has some cute, funny, and heartwarming moments, and thank God. I’m not sure how intentional it was, but if you enjoy having misery as the bread for your sandwich, then Silver Spoon 7 is absolutely for you. Now, to be fair, we knew the start was going to happen. Hachiken’s in the hospital, so of course his parents come to see him. Everything we’ve seen about his dad says this is not going to go well, and it doesn’t. Even the bacon, the one thing that Hachiken thought he’d made inroads on, was just his mother trying to be considerate of his feelings. Now, don’t get me wrong, I know what his dad means. He feels that Hachiken is wasting his intellect here, and is especially frustrated given the nature of his other son. But man, he’s such a bitter pill to swallow that I can’t feel any sympathy for him at all. And, unfortunately, the visit causes Hachiken to have a brief hissy fit at his mom as well.

This is important because, probably because he’s still upset about that, he donates his change to charity when he buys new glasses, and as a result has to walk back to the school… meaning he misses everything. Fortunately, he is blessed with classmates who a) really care about him, and b) will not take his shit, because he was all set to be a miserable “I don’t deserve to have any fun” type. Luckily, Mikage is there to remind him that the festival was a huge success because of his planning. And they wrote a book of memories he can read and then sob over. It’s really sweet. As for his date with Mikage… well, they try to have it. But it’s more going to a shrine. And of course it ends up being most everyone else as well. You can tell the cast is rooting for these two dorks (every other woman in Mikage’s class shows up to ensure she doesn’t get blocked at the last minute), but they’re still nowhere near a confession. That said, at least he can make fun of her accent, which he does. Repeatedly.

And then there are the baseball games. To an extent, this was also foreshadowed as well. We’ve seen that Mikage is a LOT more invested in Komaba’s team winning and going to the Nationals than the rest of the school, and Hachiken’s attempts to find out about it have gone badly for him. We’re still not quite sure why, but we can hazard a guess, because after they lose in the finals, he never returns to school. I have a sneaking suspicion this will be another lesson in how farming is hard and not everyone can succeed, but it’s a blow as Komaba, despite being so stoic, has been one of the more prominent characters to date, and you feel horrible for him. I suspect most of the next book will go into the aftermath and explain why he left school.

You probably don’t need me to tell you how good this series is by now, but I will anyway. Really good. I want more immediately.

Welcome to Japan, Ms. Elf!, Vol. 1

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By Makishima Suzuki and Yappen. Released in Japan as “Nihon e Youkoso Elf-san” by Hobby Japan. Released in North America by J-Novel Club. Translated by Hiroya Watanabe.

When you have so many isekais coming out in Japan all the time, it’s inevitable that someone’s going to want to try the reverse. Take a stock fantasy character and have them experience the wonders of Japan. We’ve seen this in manga a few times, mostly for comedy (Plus-Sized Elf comes to mind), but, though there are funny moments, this new series doesn’t really have comedy in mind. Arguably you could say it’s romance – the two leads are clearly sweet on each other, but she’s too shy and he’s too dense, as always. I don’t expect a relationship upgrade anytime soon. No, the Japanese parts of this book seem to have two goals in mind: first, to show off the cuteness of its female lead and show her having adorable slice-of-life situations. And second, so show off how wonderful Japan is and how swell the people in it are. Honestly, at times when I was reading this I wondered if it was a government mandated product (J-Novel’s licensing hint didn’t help).

That said, there was far less Japan in this first volume than I expected. Our hero is Kazuhiro (“Kazuhito” in the fantasy world), a 25-year-old salaryman who’s always had the ability to travel to a fantasy world in his dreams. He’s been doing this for some time, and is now a Level 72 adventurer. He’s also good friends with Mariabelle (Marie), an elf mage who has assisted him in the past. One day they’re investigating a ruined city and accidentally get killed by a dragon that happens to live there. As always when he’s killed, Kazuhiro wakes up in his bed in Japan. But this time he was holding onto Marie when he died… and now she’s in Japan with him! Now she, like he, can go back and forth between both worlds when they sleep. What’s more, she gets to experience the food, clothing, books, and so much more that Japan has to offer.

So yes, the elf is in Japan, but there’s also a good half of the book that’s in the fantasy world, with all the usual accoutrements. There’s trying to defeat the dragon, dealing with evil bandits, etc. This just wasn’t as exciting, to be honest – it wasn’t bad, but it’s not really why I wanted to read the book. The Japan segments were much better, summed up, as I noted before, by the word “cute”. The author is good at showing the friendly, unconscious flirting between the two leads, and it’s fun without getting too frustrating – you are content to let them awkwardly fumble it out. The cast so far is small, with the only other possibly relevant members being the dragon who killed them (who turns out to be nicer than you’d expect) and a local librarian who knows Kazuhiro (and who is married, the book clearly states – there’s no love rivalries here yet).

This won’t win awards for depth, but it put a smile on my face. It’s nice to see a lead guy who works as a regular Japanese corporate officer worker, though his “fantasy” appearance is still middle school (as is his narrative obsession with breasts). It’s a relatively new series in Japan, so Vol. 2 may be a bit, but I’m looking forward to it.

Manga the Week of 3/6/19

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SEAN: March is here (though the East Coast has the wind already). What does manga have in store for us?

Dark Horse (assuming it does not schedule slide, like DH do ALL THE TIME) has the 3rd Gantz G and the 2nd Mob Psycho 100.

MICHELLE: The first volume of Mob Psycho 100 intrigued me enough to try a second volume, so I’ll be snagging that one.

ASH: Likewise! I’m looking forward to reading more of the series.

SEAN: J-Novel Club gives us Invaders of the Rokujouma!? 19 (yes, for real this time).

Kodansha, print-wise, has the 2nd 10 Dance, the 6th and final Golosseum, The Quintessential Quintuplets 2, and The Seven Deadly Sins 31.

MICHELLE: 10 Dance all the way.

ASH: Yes, absolutely.

SEAN: Digitally… it seems light. TOO light. Bet there’s an unannounced debut. Till then, there’s just Chihayafuru 15.

MICHELLE: I’ll never complain about more Chihayafuru!

SEAN: Speaking of digital, Seven Seas has another ‘early digital release’ light novel with Division Maneuver. The plot… erm… well, the illustrations… erm. Boy, that sure is a light novel for teenage boys, isn’t it?

They’ve also got I Don’t Like You At All, Big Brother! 11-12 (mercifully, a final volume), Little Devils 2, and Magical Girl Site 8, making this the most cliched old-school Seven Seas week we’ve seen in some time. I suppose Little Devils is cute.

Tokyopop has a 2nd volume of Yuri Bear Storm.

Vertical gives us Mobile Suit Gundam Wing 11, which is nearing its conclusion but not there yet.

And boy oh boy, what a lot of Viz. No debuts, but we do see the final Bleach omnibus (a 2-in-1), which gives me the chance to go WOO ICHIHIME WINS! one last time, and the 9th and final Everyone’s Getting Married.

ANNA: I enjoyed Everyone’s Getting Married. I hope we get more josei from Viz.

ASH: I would love to see more josei!

SEAN: Shonen! Boruto 5, Demon Slayer: Kimetsu no Taiba 5, Dr. STONE 4, Haikyu!! 31, Hunter x Hunter 35 (it exists!), Kaguya-sama: Love Is War 7 (technically seinen), One Piece 3-in-1 27, Seraph of the End 16, and Yu-Gi-Oh! Arc V 5 (technically Yu-Gi-Oh, which is its own genre).

ASH: I’ve fallen a little behind with Haikyu!! but am hoping to catch up soon.

Shoujo! Anonymous Noise 13, Behind the Scenes 6, Kakuriya: Bed & Breakfast for Spirits 2, and Skip Beat! 42. I am so ready for more Skip Beat!.

MICHELLE: ME TOO.

ANNA: ME THREE!

SEAN: Lastly, a Yen Press straggler with the 2nd volume of Final Fantasy: Lost Stranger.

That SEEMS like a light week, but that’s just because Kodansha took it off digitally and Viz is all bunched together. What’re you getting?

A Certain Scientific Railgun: Astral Buddy, Vol. 1

by

By Kazuma Kamachi and Yasuhito Nogi. Released in Japan as “Toaru Kagaku no Railgun: Astral Buddy” by ASCII Media Works, serialization ongoing in the magazine Dengeki Daioh. Released in North America by Seven Seas. Translated by Nan Rymer. Adapted by Maggie Danger.

Let’s face it, spinoffs from A Certain Magical Index are obvious. Leaving aside the fact that both Mikoto and Accelerator, owners of the two other manga spinoffs, are far more popular than either Touma OR Index, the series is simply littered with people you want to have their own series. Even if you put that aside and regard this as purely in the “Railgunverse”, which it is, there’s still an awful lot that you could focus on besides the adventures of the main four girls in the cast. The most obvious, of course, being Misaki, but she’s already gotten a sizeable role in the Railgun franchise already. So who do you turn to? Who’s the next breakout star? If you answered “that princess curl girl with no name that Misaki mentally abuses”, then you’ve cheated and read ahead. Let’s face it, no one expected this girl to lead a series.

See, even the cover artist agrees with me. Front and center are Kuroko and Misaki, posing as if they know why readers are REALLY buying this book. Way in the background is princess curl girl, who finally gets a name, Junko, and the “astral buddy” (awful pun there, btw) who is haunting/stalking her and drives the main plot. Someone is theoretically assaulting people around Misaki… only it turns out they’re assaulting people around Junko, who is a bright and shiny pile of naivete (as we’ve seen in the main Railgun series when she’s made brief appearances). Once that plot point is resolved, and Junko is assured that girls can in fact like other girls (a constant thread in this volume, no surprise given Kuroko’s all over it), we move on to Junko’s new ghost friend, who may or may not be a ghost. And Misaki’s still around, of course, but for once she’s the damsel in distress.

This takes place right around the Indian Poker arc in Railgun, for timeline fanatics. Mikoto is not in it, probably as she’d match up too well with Junko – Junko is bright and shiny where Mikoto runs on frustration and grumpiness, but they’re essentially very similar people. The rest of the Railgun core all have significant appearances, though. As for Junko herself, the narrative is a bit kinder to her now that she’s the focus of a series. We see she’s a Level 4, and her powers do indeed look pretty damn handy – it’s almost like a “quirk” from My Hero Academia. (Arguably, all of Academy City is.) Even the annoying mind control gag from Railgun, where Junko is always dieting but Misaki, when annoyed, makes her overeat to offset it, gets an “amusing” spin – Junko is gaining weight, but it’s all in her chest. The actual plotline has barely started, but that’s certainly an impressive cliffhanger.

So in the end, I was prepared for this to be the most cynical franchise cash-in yet, given it’s a spinoff starring “who?”, but it proved surprisingly entertaining, and I have new respect for Junko, who’s a bit of an airhead but sweet. Aside from the usual “Kuroko is a predatory lesbian” warnings, this should be an excellent pickup for Railgun fans.