Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Blog

Cooking with Wild Game, Vol. 1

by

By EDA and Kochimo. Released in Japan by Hobby Japan. Released in North America by J-Novel Club. Translated by Matthew Warner.

Given that this title starts off with a young man waking up in a forest with no idea where he is, it’s time to tick off the isekai/reincarnated checklist. And actually, the series so far seems to hold up pretty well after ticking the boxes. There is no adventurer’s guild here, nor do we go dungeon crawling. While the town it takes place in seems to consist of outcasts, there don’t appear to be slaves. Our hero does not have any new and fantastic powers from entering this world. He knows how to cook, but that’s from his life in Japan, and he doesn’t have skills above “I’m seventeen and still learning from my dad”. He doesn’t even meet God! That said, his skills are certainly needed as he meets a group of people who have forgotten how delicious food can be, and his job is to help them rediscover that. He’s helped by a blond, dark-skinned… no, wait, she’s not even an elf! They’re dark-skinned from their lifestyle.

Now, to be fair, the female lead is a tsundere. If you hate tsunderes, you may want to find something else to read. I quite liked Ai Fa, though, who is dealing with a lot. Her mother died years ago. Her father, after teaching her to hunt (which women don’t really do in their village) also dies, leaving her as the sole member of the family. Of the two big families in the village, one son tries to rape her (she fends him off) and the other tries to marry her to a second son (she declines). As such, she’s something of a pariah, going into the forest to kill food so she can survive. It’s no wonder that when she finds our hero Asuta, dressed as a chef, incredibly pale, and saying he’s from Japan, she’s inclined to want nothing to do with him. But he can cook, and that fact alone warms her up quite a bit. Plus, he’s nice and doesn’t try to take advantage of her. Well, except when he was sleeping and tried to eat her.

As noted above, Asuta is a nice guy, whose only real eccentricity is a tendency to overanalyze people by what they smell like. He’s here in this world with boar-like creatures and onion-like veggies and has to improvise, and a lot of the dialogue is cooking details. If you enjoy foodie manga, you might get a kick out of this. Aside from one scene that seems designed to provide fanservice involving a giant snake, there’s not really much skeeziness here. We also meet potential rivals for any romance, but honestly, Asuta and Ai Fa look pretty smitten with each other, so they’ll have to work really hard to top it. This title isn’t going to be winning any awards for excitement and adventure. But, like most good foodie manga, it brings a smile to your face when people eat the food, especially towards the end of the book. (Which does not end so much as stop – an epilogue may have been wiser than a side story.) I’ll be reading the next volume.

Bookshelf Briefs 2/12/19

by , and Leave a Comment

Ao Haru Ride, Vol. 3 | By Io Sakisaka | Viz Media – There we go, that horrible realization that you’re in a love triangle. Futaba’s not sure if she loves Kou, though she’s definitely leaning that way, but when she finds that Yuri also loves Kou—and says so—she’s determined to bury her feelings for the sake of her friendship. Given this is a shoujo manga, you can imagine how well that goes, and thankfully by the end of the book all has been confessed—and Futaba is at least telling herself she loves Kou. I am less thrilled with the plotline involving Shoko, which is, groan, a teacher-student romance, and one where the student is coming on really strongly. We’ve seen this in many shoujo manga before, and sometimes it’s handled well (Kimi ni Todoke), so we shall see. – Sean Gaffney

Ao Haru Ride, Vol. 3 | By Io Sakisaka | VIZ Media – For the sake of her friend, Yuki, Futaba tries not to like Kou, but it’s no use. I really liked that it was important to her to be honest with Yuki, especially since readers are spared a plot that hinges on misunderstandings and secrets. Oh, there’s still a bit of jealousy, but both girls are trying to play fair and maintain their friendship. Meanwhile, Kou’s still got a lot of angst and is doing his best not to care about anything, but Kominato can’t stand that members of the honors class snub Kou for his abysmal midterm scores, so organizes a study group on his behalf. More than being invested in Kou and Futaba’s relationship, I hope he gets over whatever it is in time to go rescue the cute stray cat he’s been petting. – Michelle Smith

Arakawa Under the Bridge, Vol. 5 | By Hikaru Nakamura | Vertical Comics – It’s not just Rec—anyone who ends up under the bridge seems to lose it a little bit, including his assistant Shimazaki, who has gone full-on cultist by the time we get halfway through this omnibus. But more importantly, is the series ending soon? Things are getting far more serious and we’re getting closer and closer to Nino leaving for Venus. Of course, this is literally lampshaded in a fourth-wall break by the characters, who say whenever a gag series turns serious, the end is near. I’m not entirely convinced they’re correct, but enjoy the drama while you can. And also a rare moment of Maria actually being on the losing end for once (but nice white-line-hopping nonetheless). – Sean Gaffney

Dangan Ronpa 2, Vol. 2 | By Kyousuke Suga | Dark Horse Comics – This is definitely turning into one of those titles that’s only truly enjoyable if you’ve played the game it’s based on—which I haven’t. As such, I feel it’s really, really rushing the pacing, a problem I didn’t have as much with the adaptation of the first game. It also has to be said—Komaeda is really, really annoying, and while I know that’s his schtick, it doesn’t make it any easier to deal with. In the meantime, we have more murders, more discussion of said murders, and our first “ironic” execution. I think Dangan Ronpa fans will get a kick out of this, and enjoy seeing their favorites animated. But I can’t possibly recommend it to newbies of the franchise—which I could with the prior series. – Sean Gaffney

Dead Dead Demon’s Dededede Destruction, Vol. 4 | By Inio Asano | Viz Media – Since, after the events of the last volume, we are short a main cast member, we get introduced to two new characters here, both arriving from the countryside to the big city. Interestingly, Makoto is transgender (though they’re not really sure if that’s the right label), choosing to go to Tokyo in an effort to be more accepted for dressing up and looking cute. It’s quite well handled, and I look forward to seeing how both they and Futaba move forward. As for my favorite character, Oran, we get an odd flashback that I’m not sure I completely believe showing a very different side to both her and her brother. And then there’s that cliffhanger. This is still riveting. – Sean Gaffney

The Delinquent Housewife!, Vol. 3 | By Nemu Yoko | Vertical Comics – The volume starts with Dai’s classmate and friend Yoshino kissing him, and it only ramps up from there. Yoshino knows that Dai has a crush on Komugi, and she hates it—sadly, her answer to this is to blame Komugi and try to destroy the relationship she has with Dai’s family, which makes me want her to fail where I would otherwise be rooting for her, because I’m sorry, Dai and Komugi’s ongoing tension still makes me uncomfortable. Especially as Komugi really is doing better—she’s gotten much better at the normal housewife stuff, as we see in a montage. I want her to be part of the family—but not with Dai. Next volume is the last, so we’ll see how this plays out. – Sean Gaffney

Die Wergelder, Vol. 2 | By Hiroaki Samura | Kodansha Comics – Because the English-language edition of Die Wergelder is being released as two-volume omnibuses, it’s been a long while since the last one was published. I’d forgotten some of the finer details of the manga’s plot, but that didn’t pose too much of a problem as it mostly serves as a vehicle for stunningly drawn action, astonishing depravity, and unapologetic violence and brutality. Die Wergelder is deliberately disturbing, its roots firmly established in the tradition of 1970s Pinky Violence films. (This is not a series to be lightly recommended.) One of the focal points of Die Wergelder, and one of the areas in which the series excels, is what Samura terms as “Flashy And Pretentious Martial Arts.” Among others, kung fu, capoeira, and kalaripayattu are all featured in this particular omnibus. The manga’s fight sequences are glorious. Die Wergelder is still not for the faint of stomach or heart, though. – Ash Brown

Food Wars!: Shokugeki no Soma, Vol. 28 | By Yuto Tsukuda and Shun Saeki | VIZ Media – I’m starting to get pretty weary of Food Wars!. Maybe it’s just this Central Arc, but this whole volume—in which Yukihira, Takumi, and Tadokoro go up against three members of the Council of Ten—has this formula: 1) Central member presents their dish, wish they are convinced is the winning one. 1a) Judges’ clothes blow off. 2) Resistance member presents their dish and it’s more awesome than anyone expected. 2a) Judges’ clothes blow off. Repeat three times. There are some slight variations, like Takumi predicting exactly how Eizan would scheme to interfere with his dish, or Tadokoro not actually succeeding in her matchup, but it’s getting to the point that when I see a judge tasting something in the bottom panel of the left-side page I just sigh because I know exactly what’s coming next. Can’t we go to an internship or something different soon, please? – Michelle Smith

Shortcake Cake, Vol. 3 | By suu Morishita | VIZ Media – The pace of Shortcake Cake is hard to describe. It’s at once leisurely and swift. The former is exemplified by some nice scenes we get in this volume of all the students at Hoshino Boardinghouse studying together for their midterm exams. The latter comes into play with Ten’s relationship with Riku. Because she didn’t know him well, she initially rejected his feelings. He’s been conscientious about not making things awkward for her and this, plus just spending more time with him, is making her reconsider. I really like the emphasis on friendships in this series and I really do like Riku very much, but I’m not sure I buy into the romance progressing this swiftly. It makes me think it’ll end quickly and Ten will end up with Chiaki instead. This series is ten volumes and counting, after all! – Michelle Smith

Takane & Hana, Vol. 7 | By Yuki Shiwasu | Viz Media – Having shifted the power balance back towards Hana the last time, we’re headed back in the other direction now. Not that Takane is back in the money or anything, but he’s adjusting thanks to Hana essentially being his live-in chef for a while. What’s more, Hana has finally realized her own feelings, and sort of hates them. Which makes sense—Takane is a lot, and loving him can be a giant pain in the ass. There’s also an obligatory Valentine’s chapter, which mostly revolves around Nicola’s smooth playboy persona and how much this can be a giant pain in the ass for Mizuki, whose family we see are essentially a bunch of trolls. Takane & Hana isn’t as constantly funny as the early volumes, but it’s still really good. – Sean Gaffney

Koimonogatari: Love Tale

by

By NISIOISIN and VOFAN. Released in Japan by Kodansha. Released in North America by Vertical, Inc. Translated by Daniel Joseph.

Most fans of the series over here have long been spoiled, of course, but I imagine it must have been irritating to some Japanese readers, who have been teased in past books that this book will have Senjogahara’s narration and thought processes, bought the book with Senjogahara on the cover and interstitials, opened it up, and had Kaiki telling them they’ve been duped. Yes, this Love Tale is being told by Kaiki, last seen with a beard and talking with Kanbaru about her problems. This takes place about six months before that, however, and is the story of Senjogahara hiring him to help with her own problem – Sengoku and her death threat. Her god powers have meant that Araragi and Shinobu are getting nowhere in this regard, and Kaiki has saved Senjogahara’s life before – horribly so. And so Kaiki sets up to deceive Sengoku, something that he thinks will be a piece of cake after talking with her for ten minutes. But is that all just a lie?

After the deadly dullness that was Shinobu’s narration last time, I’m pleased to say that Kaiki’s narrative voice is excellent. He plays at being an arrogant jerk, but the cracks show through constantly, so that’s fine. It’s also fun to see Araragi’s life and surrounding people from the perspective of an adult not connected to him – Kaiki finds a lot of Araragi’s antics disturbing, and there’s a running gag of everyone in the book referring to Shinobu using, well, a derogatory nickname, I’ll leave it at that. Kissshot sure has fallen far. I also like to see him confused at things that the reader will get – “Swear to cat” is a good example. His discussions with Senjogahara range from hilarious to touching, and you sense him shying away from the true feelings she had for him back two years prior. It’s disappointing that we don’t get her narration (in fact, spoilers, we never will, not even some 15-odd books later), but her fans should be pleased, as there are many scenes in the book showing off how far she’s come since Araragi first caught her nine months before.

Kaiki starts the book by claiming that a good deal of it is a lie, but of course he may be lying there as well. We do get a lot more insight into Sengoku’s personality and why she is the way she is, though I do think she’s not quite as infantilized and simple as Kaiki makes her out to be – if nothing else, he underestimates her at the end, though attributes that to her inability to let anyone get close to her. The description of her home life strikes an interesting comparison to Hanewkawa’s – something Kaiki himself does when he meets Hanekawa 2/3 through the book. And, as with my review of Onimonogatari, I will skip over the best part of the book, the climax where Kaiki breaks Sengoku but also convinces her to step down as a god. It’s magical. The book should end happily for most people, but since Kaiki is narrating, and he’s a self-proclaimed “villain”, there’s one last sting in the tale.

In the end, this is one of the strongest volumes in the Monogatari series, with lots of great jokes, tons of dense prose, and some keen insight into human nature, filtered through the voice of a man who insists that we take nothing at face value. Great stuff. Next time we’ll focus on Ononoki, who gets some small scenes here (and has a new character tic, something she lampshades).

Pick of the Week: Sweet and Tart

by , , , , and Leave a Comment

MICHELLE: Although it may not have the most original premise, the digital debut of My Sweet Girl appeals to me the most this week. I think that the word “boyish” is largely responsible for my interest.

SEAN: There’s an awful lot of yuri out this week. My Solo Exchange Diary is certainly on my list. But I think I’ll make Kase-san and Cherry Blossoms my pick this week, as it’s just that sweet.

KATE: Hmmmm… this is one of those weeks where I feel torn between recommending something fun and frivolous — here’s looking at you, Sleepy Princess — and recommending something more serious like the second installment of My Solo Exchange Diary. So I’ll split the difference and recommend the latest volume of Tokyo Tarareba Girls, a josei title that vividly captures the anxiety that single, unmarried women can feel in a coupled-up culture. It’s witty, rueful, and often cringe-inducing — I can’t tell you how many times I’ve yelled at the characters — but worth a read.

ANNA: I’m also intrigued by My Sweet Girl, I’m always up for more shoujo and it looks cute.

ASH: Kate has pretty much summed up my own feelings about this week’s releases! (And has phrased it better than I could have, too.) I’ll join her in recommending Tokyo Tarareba Girls as my official pick, but I’m sure that I’ll be reading Sleepy Princess in the Demon Castle and My Solo Exchange Diary pretty soon, too.

MJ: I’m don’t have a really obvious pick this week, so I think I’ll go along with Michelle and cling to the word “boyish” in that description of My Sweet Girl. Count me in for that.

My Next Life As a Villainess! All Routes Lead to Doom!, Vol. 2

by

By Satoru Yamaguchi and Nami Hidaka. Released in Japan by Ichijinsha. Released in North America by J-Novel Club. Translated by Shirley Yeung.

When I was reviewing the 2nd and final volume of It’s My Fault That My Husband Has the Head of a Beast, I noted that it was a very open ending for a series that wrapped up there, not resolving much of anything. The 2nd volume of Bakarina has the opposite problem – unsuspecting readers who finish this book will definitely think it’s the final volume, which isn’t true. While none of the cast have been able to get their feelings through to the dense Katarina yet, the book takes us through to the end of the “Fortune Lover” game that her prior incarnation had been playing, and she successfully navigates it without getting a horrible Bad End. We even meet Maria Campbell, the actual heroine of the game, and she’s sweet and kind and also falls head over heels for Katarina, because of course she does. Problems are solved, tragic backstories ferreted out, and they all lived happily ever after and ate lots of snacks.

I will issue a word of warning: while there are still tons of hilarious parts to this volume, the second half of the book turns serious, and one of the backstories features sacrificial murder of a loved one. It’s not played for laughs at all, nor should it be. Katarina starts her school life, meets Maria and defuses any problems there by her love of sweet, and all seems to be well… except that the same things happen that occur in the game – Katarina is accused of being a terrible bully to Maria. Fortunately, in this world it’s not true, so this is rapidly defused, but it’s clear that someone is out to get Katarina. Someone with Dark Magic, which can control a person’s mind and also means they’ve killed to get it. The culprit is not exactly a mystery, frankly, but it’s handled quite well, especially as Katarina doesn’t have any foreknowledge of the events – her past self never got to the “hidden route” before she died.

Speaking of past lives, we find here that another of the main characters turns out to be a reincarnation, though she isn’t consciously aware of it. This allows Katarina, at a time of great peril, to get advice from her former friend who HAD played the game, and allows her to try to save the villain – because remember I said tragic backstory? Plus this is Katarina, and much as she may be silly and dense a lot of the time, she’s a kind and loving heroine, to an extreme. This means that she’s allowed to talk the villain down by simply saying that she’ll listen to him and she understands his pain. Bakarina is having fun with its heroine’s personality, but it’s not really subverting or deconstructing anything except perhaps the fact that literally everyone falls in love with her. She is 100% shiny and pure.

So with everyone living happily ever after, where does the series go from here? Well, they’re all still at school (though Nicol graduated, and time definitely seems to be moving faster than these sorts of books usually do), and this world may be based on a game but clearly isn’t actually a game, so I’m sure that something will come up. And maybe Katarina will realize the others’ feelings for her!… yeah, OK, no.

Young Master’s Revenge, Vol. 4

by

Young Master’s Revenge Volume 4 by Meca Tanaka

Young Master’s Revenge has been a such a fun short series! I just finished reading the last and final volume this week and I found that it had much more of an emotional payoff than I was expecting from a manga with its main plot centering on turtle-inflicted butt scars. There’s never any doubt that Leo and Tenma are going to end up together, but seeing how they finally both grappled with their feelings made the ending of this series rewarding.

young master's revenge 4

Tenma and Leo are living separately, and she’s actually able to take care of herself finally now that she’s endured life as Leo’s maid. She’s moved on from being oblivious about romance to trying to figure out how to deal with her newly realized crush on Leo, which results in a bunch of protestations and slightly emotional outbursts. Leo’s secret scars are almost exposed, and Hana goes to whatever lengths she can in order to protect him. The confusing feelings of teen romance are amped up even further when Tenma reluctantly agrees to go on a date with “Rose King” Barazono, while Leo and Togo pretend to go on their own date in order to act as silent observers. Tenma finds herself unable to control her crying when she sees Leo and Tojo together, and Leo confesses his true feelings but doesn’t let Tenma say anything in return.

Tenma decides to take on the emotional labor of fixing everything herself and while she previously was more self-contained due to her upbringing and unfamiliarity with basic teen socialization, she stands up for herself and her feelings in quite a spectacular fashion. She demonstrates quite a few over the top angry faces along the way. Seeing Tenma and Leo finally get together without the specter of revenge that’s been hovering over the series brings everything to an extremely satisfying conclusion. Young Master’s Revenge might seem a little superficial and silly, but at four volumes it doesn’t feel like the plot was stretched out just for the sake of extra drama. It is a great series to use as a mini-vacation if you’ve been bogged down by reading too many angst-ridden manga.

I was able to talk about Young Master’s Revenge on the Shojo & Tell Manga Podcast recently, I’ll update this post when the episode is available!

The Promised Neverland, Vol. 8

by

By Kaiu Shirai and Posuka Demizu. Released in Japan as “Yakusoku no Neverland” by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz Media. Translated by Satsuki Yamashita.

The cast of characters, and the first few volumes in general, try to give equal emphasis to Emma, Norman and Ray as the three protagonists, keeping a healthy balance. But… I think the readers tend to think of Emma as the ‘lead’, and she’s certainly featured more when Jump does a ‘one character from all our series’ picture. Emma fans will be quite happy with this volume, which definitely revolves around her. The first third or so finds her and Ray trying to desperately escape demons that can regenerate, trying to intuit how to kill them. They’re not helped by their guide (still nameless, which begins to get annoying towards the end of the volume), who doesn’t want to kill them but is trying to convince himself that he can easily let them die. He’s no match, however, for Emma’s shining beacon of hope, who talks him down by guessing exactly what happened to him and pointing out that his now dead) friends would never have wanted this. It’s really sweet.

Unfortunately, Emma is then kidnapped and brought to a hunting ground for demons, with kids as the prey. Emma tries her best here as well, and is remarkably clever, deadly, and optimistic. Sometimes, though, optimism can’t save you, and a couple of people that Emma promises the world to end up dead. For all that it’s a series about kids being raised to be eaten for their delicious brains, there hasn’t been much actual death so far except right at the start. (I continue to maintain that Norman is alive because we didn’t see him die.) It gives these deaths added impact, and Emma briefly falls into despair. Luckily, we get to meet a lot of new kids who are basically doing for the hunting ground what she’s done with Grace Field… helped by an adult who seems very familiar. This part of the book is probably the most heartwarming, and Emma, seeing that even in despair there’s still hope, is back to her old self.

There’s lots of little touches in this volume I liked. The author gives a lot of attention to the guide’s past friends, even if they’re all long dead, so that we can imagine what things must have been like for them, and they seem like a great group of kids. I am also very pleased at the series of faces that Ray makes as Emma tries to convince the guide to help them by being her shiniest – this is why Ray is Emma’s best friend, but he still can’t help going “what the hey” every time he sees her in action. (He should know, he’s seen it used on him.) And, in case you’d forgotten the horror part of Promised Neverland, the shot of Theo revealing that Jake and Monica were killed by the hunters then cuts to the demons having a delicious meal – and we can likely guess who it is. The author can still make you shiver.

This is a strong time from Shonen Jump series in general, and The Promised Neverland is one of the strongest. It should never be far from the top of your reading pile when it comes out. Also, Emma is amazing.

Takane & Hana, Vol. 6

by

Takane & Hana Volume 6 by Yuki Shiwasu

I should have read this volume earlier this winter, because it had a great Christmas story in it! But Takane & Hana can always be counted on for some breezy shoujo antics as it explores the potentially problematic relationship between a high school student and an heir to industry who become friends after Hana subs in for her sister at an arranged marriage meeting with Takane.

The volume opens with Takane standing Hana up for a date due to his workload, so she goes out with friends instead. It turns out that he was actually planning on surprising her with a Christmas date. Takane is incapable of doing anything less than a grand gesture, so he appears before Hana in a custom designed cashmere Santa Suit. Hana realizes that he planned the whole thing after she made a random comment about how normal people celebrate Christmas, and she’s touched by the gesture.

The major storyline in this volume centers on Takane suffering a reversal of fortunes when his grandfather takes away his access to all his bank accounts, his high-powered job, and his apartment, telling him that he has to prove himself by working his way up to the top. Takane’s occasional glimpses through Hana of how common people live do not prepare him at all for being cut off from his credit card. As he slowly starts to adjust to the horror of cheap suits, convenience store lunches, and public transportation, he cuts off contact with Hana, not sure what to do if he can’t appear before her with elaborately expensive presents. Hana is mystified and confused because while he certainly is in the habit of being busy with work, he’s never cut off contact with her for such a long time before. As always, Shiwasu is a master of exaggerated facial expressions, and seeing Takane react to his changed circumstances is both sad and hilarious.

One of the things that has me rooting for this relationship between a forthright high schooler and an emotionally stunted captain of industry is Hana’s habit of confronting Takane and pointing out when he’s being an idiot. Takane rejects her offers of help, but she’s not going to back down. A rich person learning who they are after a reversal of fortune is a very common plot trope, but seeing how these particular characters take on this challenge makes it interesting in Takane & Hana.

Classroom of the Elite, Vol. 1

by

By Syougo Kinugasa and Tomoseshunsaku. Released in Japan by Media Factory. Released in North America by Seven Seas. Translated by Timothy MacKenzie. Adapted by Jessica Cluess.

By the end of the first volume of this new light novel series, I finally had an idea where the author was going with the series. It’s something of a thought experiment, examining a school that functions similar to the Assassination Classroom school. The school has a hierarchy, and once you find yourself in the ‘D’ class, comprised of the seeming failures, its impossible to climb back up and you are belittled and ridiculed by the rest. Naturally, our heroes are in this class. That said, it takes about half the volume to get to the point where the author does anything more than drop ominous hints. Before that, unfortunately, what we get is a painfully normal light novel with the ‘average’ hero who doesn’t stand out, the grumpy beauty who doesn’t like talking to anyone, her contrast in the perky upbeat girl who wants to be friends with everyone, and, sadly, the perverted best friends who only want to talk about sex. You have to crawl through this to get to the point.

Of course, all is not as it seems. Horikita, the grumpy, sullen heroine of this volume, is the closest thing to being exactly what she seems, fortunately – the only hidden side she has is a desperate need to please her brother. Our hero, Ayanokouji, meanwhile, takes pains to not stand out – indeed, by the end of the book it’s becoming clear that he’s going to ridiculous lengths. His scores are average, but they’re the sort of average that requires brilliance to achieve. He’s very muscular, but denies being in any sports clubs. And he seems somewhat desperate to be at the school – I smell a tragic past. Sadly, he’s also almost as stoic and unfriendly as Horikita, which means both the narrator hero and the heroine of this first volume are downers. There’s some brightness with Kushida, the typical perky upbeat girl you see in every shonen school series… only, of course, she has a secret dark side as well. I’m pretty sure they all do.

That said, I’m not entirely averse to the ideas here, provided that they also include later character development. There are hints it may happen. The premise is that the world is fundamentally unequal but we should strive to be as equal as possible anyway, something that the school is seemingly opposed to – though this could all end up being a secret test of character. By the end of the book, Horikita is marginally more social, even if she’s unaware that her very unsociability is why she’s in the class in the first place. So I’ll definitely get the second volume. That said, everyone in this is depressing to read. Even the teacher seems sadistic for no other reason than that she enjoys it. If the series slowly works to make these kids better people and to grow up, I may enjoy it a great deal. If it remains an intellectual thought experiment, though, I’m out.

I understand that the anime, which I haven’t seen, took a number of liberties with the novels, so fans of one should definitely pick up the other. I’d also pick this up if you like Dark!Grey Harry Potter/Naruto fanfics or arguing about rationality on Reddit. As for light novel fans, your mileage may vary.

Manga the Week of 2/13/19

by , , , and 1 Comment

SEAN: Usually it’s just Jump/Beat weeks and Yen Press weeks that are when I whine about it being a lot, but there’s no question: this is a lot.

Bookwalker has an 8th volume of The Combat Baker and Automaton Waitress.

J-Novel Club has a new debut, though the author is familiar. I Shall Survive Using Potions! is from the same author as Make My Abilities Average and Saving 80,000 Gold, and the scenario is similar: teenage overpowered girl. She’s reincarnated by accident, so asks for a lot, and gets it. I’m hoping this is as ridiculous as the author’s other series.

They also have the 8th volume of How a Realist Hero Rebuilt the Kingdom, the 12th I Saved Too Many Girls and Caused the Apocalypse, the 19th Invaders of the Rokujouma!?, and a 4th Lazy Dungeon Master.

Kodansha, in print, has Tokyo Tarareba Girls 5.

ASH: Yes! This series is so good! (Cuts pretty close to the quick sometimes, too.)

SEAN: Kodansha, digitally, has a lot more, including a debut, My Sweet Girl. This Betsufure title is about a small, boyish, awkward girl who finds love with a popular boy. Not to be confused with other shoujo titles that might sound the same.

MICHELLE: Could be cute!

ANNA: I’m interested!

MJ: That does sound cute! I mean, not original, but totally cute!

SEAN: They also have Boarding School Juliet 8, Crocodile Baron 2, I’m Standing on a Million Lives 5, Kamikamikaeshi 8 (a final volume), Tokyo Alice 8, and The Walls Between Us 4.

MICHELLE: Someday I will read a few of these.

SEAN: Seven Seas debuts Beauty and the Beast Girl, which is a single-volume release. It’s a yuri manga about the love between a monster girl and a blind girl.

ASH: Hmmm, that could be interesting!

MJ: This sounds kind of awesome. I have a new appreciation for monsters lately.

SEAN: There’s also Kase-san and Cherry Blossoms (the 5th in this uniquely named series), My Solo Exchange Diary 2, and Please Tell Me, Galko-chan! 5. Interested in pretty much all of this.

ASH: My Solo Exchange Diary is another one of those good but cutting series.

SEAN: SuBLime gives us Punch Up! 5 and A Strange and Mystifying Story 6.

MICHELLE: I’m liking A Strange & Mystifying Story since it has moved on to a new couple.

ASH: Huh, I didn’t realize Punch Up! was still ongoing.

SEAN: Tokyopop has three releases next week! The debut is Yuri Bear Storm, whose anime is already famous… or infamous. I hear, much like Utena, that the manga is a bit less weird. It’s a Comic Birz title, of course.

ASH: Gah! I’m so torn about this. A series I’m legitimately interested in but… Tokyopop…

MJ: What Ash said. Like. Yeah.

SEAN: They’ve also got a 3rd Futaribeya and a 3rd Konohana Kitan.

Vertical has a 12th volume of Devils’ Line.

Lastly, Viz gives us a 4th Fullmetal Edition of Fullmetal Alchemist, a 34th Magi, a 2nd Record of Grancest War, and a 5th Sleepy Princess in the Demon Castle.

ANNA: Sleepy Princess can always be counted on for funny hijinks.

ASH: It’s true!

MJ: Also, everyone should always read Fullmetal Alchemist and that’s basically an order.

SEAN: Seem like a lot? It’s actually only about half of the volume total for the week after next. What are you getting?